The Sword and the Shield

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The landmark California Environmental Quality Act of 1970 was intended as a shield against construction projects that imperiled the environment. But in a case of unintended consequences, critics charge that the powerful law has been wielded as a sword by labor groups, environmentalists and neighborhood groups to defeat proposed housing developments. The result, they argue, is that a well-intentioned law has driven up the cost and lowered the supply of affordable housing in the North Bay and California at large.

In a way, this is a tale of two competing points-of-view about CEQA. In one corner, CEQA critics decry the law as a leading impediment to building transit-oriented and infill housing in the state—and especially in urban regions such as Los Angeles and the greater North Bay. That’s the gist of a recent legal study by the San Francisco law firm Holland & Knight. The analysis was published in the Hastings Environmental Law Journal.

In the other corner are supporters of CEQA who say those claims are overstated, and perhaps wildly so, and that the real driver behind the region’s struggles to deal with its affordable housing crisis, or any housing for that matter, are the local agencies (zoning boards, planning commissions) that also must sign off on any proposed development.

That’s an argument advanced in another recent report published by UC Berkeley School of Law, called “Getting It Right,” which serves as a handy counterpoint to the Holland & Knight report.

This is more than an academic debate. The discussion comes at a key moment in the North Bay, which is still reeling from last year’s devastating wildfires that destroyed more than 5,000 homes in the region, making an acute housing crisis even worse.

A bill co-sponsored by State Assemblyman Jim Wood (AB 2267) “would exempt from the requirements of CEQA specified actions and approvals taken between January 1, 2019, and January 1, 2024.” According to a legislative analysis, the bill sets out to determine whether Santa Rosa and Sonoma County would need additional legislative support from Sacramento to ensure the rebuilding process isn’t slowed by red tape. Santa Rosa has already passed an ordinance, its Resilient City Development Measure, that set the stage for the broader CEQA exemptions for the region now under contemplation in Sacramento.

Baked into Wood’s bill is an assertion that generally jibes with the Berkeley study: CEQA-related lawsuits are actually not that common, and that exempting Sonoma County and Santa Rosa from CEQA won’t lead to a rash of lawsuits. “Although certain interests believe CEQA litigation to be a swathing impediment to some projects, the numbers . . . indicate otherwise,” says a Senate Environmental Quality Committee report on the Wood bill from June 11, which further notes that “the volume of CEQA litigation is low considering the thousands of projects subject to CEQA review.”

Among other supporters, the Wood bill is favored by the city of Santa Rosa. The Sierra Club has opposed it, and the local Greenbelt Alliance has not taken a stand on it.

Gov. Jerry Brown has been on the side making the “swathing impediment” argument when it comes to CEQA’s intersection with organized labor. In past comments, Brown put the blame for any CEQA abuse squarely on the state’s powerful Building Trades Council, as highlighted in the Holland & Knight report. Brown told the UCLA magazine Blueprint in 2016 that CEQA reform is impossible in California, since “the unions won’t let you because they use it as a hammer to get project labor agreements.” Project labor agreements (PLAs) guarantee a development project will use union labor.

Unsurprisingly, local labor leaders do not share the viewpoint that PLAs are contributing to the North Bay housing crisis. “We’ve supported CEQA for years and years,” says Jack Buckhorn, executive director of the North Bay Labor Council, AFL-CIO. He doesn’t support CEQA reform, he says, because there is nothing to reform when it comes to PLAs and organized labor. “It’s an easy target to say labor is the problem, but all the research we’ve done—it doesn’t prevent projects from going forward. They are making this stuff up to try and jack labor.”

Buckhorn says he’s unaware of Brown’s comment to the UCLA paper, but says, “We don’t buy into these arguments. I reject the argument that projects are abandoned or not built because of abuse of CEQA.”

Marty Bennett of North Bay Jobs for Justice echoes Buckhorn’s pushback.

“We feel in terms of ensuring highly skilled, highly qualified labor, that PLAs are in the best interests of the public.”

A PLA was adopted in advance of a recent development project undertaken at Santa Rosa Junior College, and if securing a union contract with good pay serves to delay a project, then so be it, he says.

“A PLA can cause delays in the development process, but in terms of serving the public interest, those delays are well worth the time—particularly in terms of environmental consequences.”

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In its report, Holland & Knight tees off on what it perceives as Brown’s lack of action on the CEQA front. The law firm has represented numerous developers. Its years-long study of CEQA suits and their impact on development projects focuses on post-approval, sometimes “frivolous” lawsuits which the author claims slow down projects across the state.

For developers without unlimited budgets to fight legal challenges to their plans, the historical “frivolous lawsuit” argument is that the late-game lawsuits can delay a process that’s just been completed and approved by local or state agencies—and send the developer back to the drawing board to deal with challenges filed to its environmental impact review. The process serves to drive up the cost of development.

As the accompanying chart shows, the CEQA process is a long and detailed road toward final approval, with multiple layers of public participation and agency review. While citizen-led CEQA lawsuits by themselves can’t put an end to a project, they can add costs, or force a developer to back out if legal fees become onerous—or in the case of housing, try to recoup costs by increasing the sale price.

Individuals have the right to sue under CEQA rules—and even sue anonymously. Inasmuch as the multitiered permitting process at many North Bay city halls and supervisors’ chambers has also served to slow or otherwise derail housing development, Holland & Knight argues that so, too, do CEQA-centric suits launched by organized labor, NIMBY neighbors or competing business interests.

But the Berkeley Law report notes that “what drives whether and how environmental review occurs for residential projects is local land use law (italics added). Delays in a project’s approval, it argues, can typically be drawn back to local review and not a last-gasp, anonymous lawsuit. The Berkeley study looked at residential development projects in San Francisco, San Jose, Redwood City, Palo Alto and Oakland.

The Holland & Knight study, meanwhile, keys in on the North Bay and Los Angeles, and identifies Marin County as one of the wealthiest counties in the state, with the oldest average population of any county. The study also indicates that Marin County is ripe with “NIMBY-ism” when it comes to residents swinging the sword of CEQA at development projects they don’t like.

The firm identifies that two biggest sources of CEQA lawsuits in the state are in “transit-oriented development” projects and infill projects in established neighborhoods. Those projects are often interchangeable. That development emphasis also happen to be the most cited “smart growth” strategy in the North Bay by civic leaders, environmentalists and developers—and also from well-meaning residents who are otherwise committed to smart growth, but in someone else’s neighborhood.

High-density development along a transportation corridor like Highway 101 aids in the containment of sprawl, may help the state meet its greenhouse-gas reduction goals and undercuts against the “trade parade” phenomenon of commuting workers, where people cannot afford to live where they work and must drive long distances. Jennifer Hernandez, author of the Holland & Knight study, notes the irony of climate-change-conscious Marin County elders opposing public policies that are designed to beat back climate change.

“NIMBYs are often progressive, environmentally minded individuals who believe in climate action and recognize that sprawl is unsustainable,” she writes. “They just want to preserve the look and feel of the neighborhood they call home.”

The study drills down on how some CEQA suits have handcuffed municipalities beholden to the California mandate of a growing economy, a healthy environment and a steady supply of affordable housing.

Meanwhile, the region’s affordable-housing crisis continues apace, and is now met with the urgency of the fire-wrought destruction of more than 5,000 homes to go along with skyrocketing rents and real estate costs across the entire Bay Area.

The NIMBY anti-development phenomenon has been met by a pro-development and millennial-driven YIMBY culture in San Francisco that’s supportive of big new developments. But the issues in San Francisco are not the same as those in Marin County or the North Bay.

The YIMBY movement, recently detailed in an in-depth In These Times piece, sprouted in San Francisco along with the advent of Google buses ferrying a well-heeled tech sector to their Silicon Valley cubicles, and as such, the YIMBY push in the city is ultimately a pro-gentrification push. Its adherents have supported large residential development projects in the Mission District and other San Francisco communities whose historical demographic has been poor, gay or Latino (or all three).

The San Francisco gentrification script is flipped in the North Bay, especially in Marin, where an older class of retirees works to keep its neighborhoods intact and free from high-density development—and historically free even of granny units, or accessory units, in existing homes.

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Some CEQA suits have been brought against homeowners who want to add an accessory unit to an existing home. As Hernandez notes, those units don’t in any way expand the footprint of the home, since they typically transform existing space in a home into an apartment. “Even this most modest of changes to existing neighborhoods has prompted CEQA lawsuits against individual units,” she writes, “and against local zoning regulations that allow such units to be constructed.”

The San Francisco–based Bridge Housing Corporation ran into a buzzsaw of opposition in Marin County in 2016 when it tried to build an affordable-housing development along the Highway 101 corridor in Marinwood. The organization has built numerous affordable and market-based infill housing projects from Seattle to Santa Rosa, Marin City and San Rafael.

The company says the North Bay presents its own special challenges, given the CEQA overlay and disposition of some residents.

“It is tricky up there, to be honest,” says Bridge Housing CEO Cynthia Parker of the North Bay. “The CEQA is a device that tends to be used by a number of folks, including those who are concerned about ‘not in my backyard.'”

Much of the opposition to affordable housing, Parker says, is a push for low-density housing—or no housing at all. “The challenge with CEQA is the costs are high in the North Bay, labor is expensive all over, but when you couple that with an extreme desire for low density or lower density, then you don’t have quite the economy of scale to build and develop and manage.”

In 2014, Bridge Housing set out to re-develop a debris-strewn grocery store parking lot in Marinwood and wound up spending about $600,000 on its environmental review—then didn’t build at all. Opponents prevailed in shutting down the Bridge Housing plan after it had gone through the environmental review.

“We as a matter of course go through a full CEQA process on each and every project that is brand-new,” Parker says. “We want to bulletproof our projects. If people want to make a challenge, we’ve gone through the environmental and siting—it takes a year to 18 months to go through the full CEQA process.”

But all the due diligence in the world was no match for the Marinwood neighbors, who focused their ire on the pro-development stance then taken by former Marin County Supervisor Susan Adams, who lost her seat over the set-to on election day that year as opponents of the proposal prevailed.

“We went through quite a process,” recalls Parker, as Bridge Housing set out to develop the property and add a couple dozen units of housing. “We were going to put in market-rate as well as affordable housing. We really intended for it to be housing for middle income,” she says, but the firm eventually withdrew its proposal, given the local opposition. “There was quite a bit of pushback, and there were political ramifications,” she recalls, “as a county supervisor lost her seat over it.”

Bridge Housing had another recent run-in with the neighbors, in the city of Napa, when the company set out in 2013 to redevelop the site of the abandoned Sunshine Assisted Living center on Valle Verde Drive. After several years of local pushback from residents, Bridge Housing abandoned this plan, too.

The city of Napa approved the company’s plan to build the housing complex in 2013, and the organization planned to rehab an existing building on the site that had fallen into disrepair, and provide dozens of new units in a county with a housing-vacancy rate that hovers between zero and 2 percent.

Bridge Housing withdrew its plans for what it called Napa Creekside, but not before the organization spent some
$2.5 million, says Parker, including $1.5 million in legal fees to fight against local opponents, who highlighted the proposed project’s density and proximity to the nearby Salvador Creek. Letters to the city of Napa highlight residents’ concern about the fish, the environment, the traffic and the number of housing units in the plan.

The remaining $1 million was spent on the planning process, Parker says. Faced with opposition and a successful legal challenge by opponents in Napa County Superior Court, Bridge Housing and the city of Napa bailed out on the Valle Verde project—before an EIR had even been completed. “At the end of the day, there were two neighbors that were carrying the ball and one of them was an attorney,” Parker recalls. Bridge abandoned the plan in 2016 and sold the land to the Napa-based Peter A. & Vernice H. Gasser Foundation for $5 million. Lark Ferrell, manager of the Napa Housing Authority, said CEQA was the culprit in the disappointing defeat of an affordable-housing project years in the making. She told the local Napa Valley Register in 2016, “I think there’s a lot of support in the community for affordable housing. It’s just unfortunate there was a neighbor who, through CEQA . . . was able to derail this project.”

Ironically, in its proposal, Gasser is calling for an even bigger footprint with more housing units than the Bridge Housing plan—and with an emphasis on housing a highly visible and vulnerable population of the formerly homeless.

As it did with the Bridge plan, the city of Napa has approved the Gasser Foundation proposal, which would ultimately bring close to 90 new housing units to the now-abandoned area, spread over two buildings, along with on-site supportive services at one of them to help with the residents that would populate the rehabilitated senior center facility. The project would have two parts: a new affordable-housing project with 24 units, and the remodeled senior center with 66 units of permanent supportive housing. Their building application has been submitted with the city, says Cassandra Walker, housing consultant at the foundation, and the next step is to conduct an environmental impact review.

How will Gasser succeed where Bridge Housing failed?

“We’re trying to be transparent and open,” Walker says. “We’ve met with the neighbors twice already.”

Time will tell how the neighbors respond, and whether CEQA will be the sword or the shield in this latest development battle in the North Bay.

Old Made New

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Two theater workhorses have galloped onto North Bay stages.

Cinnabar Theater’s The Fantasticks, the 1960 musical that ran for a record 42 years Off-Broadway, is a modest production with a sweet score and engaging performances. Neighbors Mrs. Hucklebee (Krista Wigle) and Mr. Bellomy (Michael Van Why) each have a child they wish to see fall in love with the other. They figure the best way to achieve that is to start a pseudo-feud between the families and make it clear to their kids they don’t want them to see each other.

When Luisa (Carolyn Bacon) and Matt (Lucas Brandt) do fall in love, how do they end the “feud” so all may live happily ever after? Well, they hire a mysterious stranger who goes by the name “El Gallo” (Sergey Khalikulov) and some players (James Pelican, Brandon Wilson) to stage a phony abduction of Luisa to allow Matt to rescue her so all may be forgiven, of course! Act one ends on a happy note, as all seems rosy for the couple. Act two makes it clear the bloom has fallen off the rose.

The Tom Jones/Harvey Schmidt musical traces its roots back to Shakespeare and Greek and Roman mythology, and yet if feels more dated than that. Director Elly Lichenstein utilizes several authorized revisions to make some of the show’s more problematic elements palatable to today’s audience, and it mostly works. The music is nostalgic (“Try to Remember” opens the show), the staging is colorful, and the cast is excellent, with Bacon and Khalikulov in fine voice and Pelican and Wilson providing welcome comedy relief.

Rating (out of 5): ★★★½

Curtain Call Theatre in Monte Rio is presenting Bullshot Crummond, a 45-year-old parody of a pretty much forgotten 100-year-old British literary character. It’s the type of show where you’re encouraged to boo the villain and cheer the hero as he rescues a damsel in distress.

An ambitious undertaking for the small company in terms of staging, the production’s technical elements are somewhat lacking, but the steampunk-costumed cast is game and director Avi Lind puts them through their paces. There are some nice bits of physical comedy and inventive sight gags that at the very least will have you cracking a smile and shaking your head. It’s silly and it’s stupid, but that’s what it’s supposed to be.
★★½

On Metal Wings

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Conceived over a game of Magic: The Gathering and named for the Viking spirits, the North Bay’s newest heavy metal outfit, Arm the Valkyrie, come armed with an array of Norse mythology, Dungeons & Dragons lore, comic-book cues and cosplay culture built into its grindingly ethereal sound.

“The goal was to allow no restrictions on scope or vision, no compromise of identity,” says vocalist Anjrew

Joseph Johnson, who goes by the name of Spectre; all five members have adopted pseudonyms, like characters in a role-playing game.

“We listen to everything we can get our hands and ears on,” Johnson says. “And between the combined experience of all the members, there probably isn’t a style of metal we haven’t played in some past project.”

For Arm the Valkyrie, the band members decided to pool their resources into a new body of music. The results can be heard on Arm the Valkyrie’s debut three-track EP, Sojourn, which displays a diverse crossover of prominent metal styles blended into a new brand of Viking metal.

Each track on the EP builds in speed and scale, lyrically evoking images of frost-covered vistas while haunting atmospheres of sonic otherworldliness permeate through the use of aggressively strummed 12-string bass lines, pummeling percussion and smoldering guitar riffs.

Recorded live in one afternoon at Loud & Clear studios in Cotati, Sojourn sounds all the heavier due to Johnson’s extreme vocals, which were exasperated by a bout of bronchitis.

“It was a wretched experience for sure,” he says. “Our bassist, Mordred [Ben Shackelford], thought the effects of the sickness just added to the sound and insisted we keep the take.”

Originally a four-piece, Arm the Valkyrie recently added guitarist Ed “the Shred” Fullmer, whose other band, Barren Altar (“Play It Black,” March 1, 2017), just released their doom-laden debut LP, Entrenched in the Faults of the Earth, to rave reviews in the metal community. Arm the Valkyrie open Barren Altar’s album-release concert on June 22 at the Arlene Francis Center.

“Every one of us is in the band that we want see play live,” Johnson says. “That’s the reason why we do this, and as long as you stay true to that ideal, you stop needing any other reason to play music.”

Arm the Valkyrie storm the North Bay with Barren Altar and others on Friday, June 22, at the Arlene Francis Center, 99 Sixth St., Santa Rosa. 7pm. $13; all ages. armthevalkyrie.bandcamp.com.

Art Rock

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Live music makes people do all sorts of things. Some folks are compelled to dance, some can’t resist singing along and some feel the need to shout “‘Free Bird’!”

For Neal Barbosa, live music puts him in the mood to paint, and he does it onstage while bands perform at venues throughout the Bay Area and beyond, a practice known as live painting.

Originally from Orange County, Barbosa was already a talented young artist when he moved to the North Bay at age 15 to live with his “hippie uncle.”

“He introduced me to all kinds of music that was going on around here,” Barbosa says. “I really wanted to be involved in that, but I didn’t play an instrument at the time, so I asked myself, ‘What do I do?’ And I came up with the idea of live painting.”

Barbosa isn’t the first to paint live onstage; artists like Denny Dent have been painting along to live music since the 1960s, though Barbosa didn’t know about Dent when he started. Evolving organically over the last 15 years, Barbosa’s live painting was born out of a love for music and art, and his work synergizes both creative endeavors.

“I’ve worked with so many bands that like it, because it’s something new and something that gets the crowd going,” Barbosa says. “I’ve had musicians tell me that they can feel my energy, and vice versa, and it sparks them to do something a little more.”

Barbosa originally went to gigs without a clue as to what he would paint, but he’s refined the process in the last decade and a half. These days, he’ll sketch out several rough ideas before the set so the crowd can watch a piece take shape in a timelier manner, usually over the course of three to five songs. Some pieces are portraits, some are abstract; Barbosa says it all depends on what energy he taps into once he hears the music.

Barbosa has painted onstage with artists like Les Claypool, the Wailers, the New Mastersounds, Eric Lindell and others. This week, he’ll be on an outdoor stage in downtown San Rafael, painting along to live sets by Danny Click & the Hell Yeahs! and Moonalice at the annual Italian Street Painting Marin fine art event on June 23–24.

For this annual showcase’s 2018 theme, “Wonders of Space & Time,” Barbosa is incorporating images of celestial bodies into his planned live paintings, which will be available for sale after they’re completed.

“I’m really excited about it,” Barbosa says. “I’ll be painting with both hands.”

Letters to the Editor: June 20, 2018

New Sheriff
in Town

I’m an ardent John Mutz supporter. The loss was tough, but this is an encouraging piece about Mark Essick and his program (“The Road Ahead,” June 13). It would be beneficial for the citizens of Sonoma County if Essick reached out to Mutz for advice on applying quality management techniques to the department. This is an approach Mutz developed to change the challenging culture of the LAPD—bringing in top management experts from private industry to provide a true service approach to policing.

Via Bohemian.com

Word Choices

I don’t see why the second letter referring to Jewish influence on our political system should not have been printed (“Ugly Words,” June 13). Jewish Power is the title of a book by J. J. Goldberg, extolling and examining the power of American Jews in U.S. politics, and Californian Joel Stein explains clearly why Jews own (and should, he argues) Hollywood. It’s certainly within the Bohemian‘s purview to deprive readers of a topic they should be aware of, but to do so renders them a disservice.

Via Bohemian.com

Do Bohemian readers actually know what they have in this award-winning newspaper? Stett Holbrook’s “Ugly Words” is clear, accurate and truthful. It goes beyond the legal requirements for the policy of a newspaper. It’s a lesson in democracy. Without a free press, we lose the democracy. The Bohemian is one of the last bastions of the free press.

Via Bohemian.com

ICE Cold

The U.S. Attorney General, Jeff Sessions, has violated established international law and cherished American values by requiring immigrants seeking asylum in the United States to abandon their children in order to gain entry. In defense of his usage of such a threatening “deterrent,” he is quoted as saying that immigrants will be “prosecuted according to the law” for any violations, and “if they don’t want to leave their children, then they can stay out of the country. It’s not our fault.” I don’t agree with the “president” on much of anything, but I do agree with one of his latest tweets that he should never have appointed Sessions as attorney general.

Santa Rosa

Write to us at le*****@******an.com.

There Goes the Neighborhood

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What I will miss most are the children. Babies in carriers, 10-year-old girls coming from soccer games with their “besties,” boys in baseball uniforms. That’s what Carmen’s Burger Bar has meant to me: a neighborhood restaurant serving families. The bar defined the smallish adult space. The large dining area opened up with tables and a high ceiling where families assembled. Older folks came in. A covered porch in front provided al fresco dining.

Carmen’s Burger Bar served the families of the Proctor Terrace area. It has been—and will be until June 30—a place where families could gather and order excellent hamburgers, an assortment of Mexican food, milkshakes, beer, wine and Margaritas for a reasonable price.

Carmen’s Burger Bar was a focal point for the neighborhood. All that will change after June 30, when the Stark’s juggernaut displaces Carmen’s with a new iteration of the upscale Willi’s Wine Bar that burned down in the October fires.

The Stark empire comprises four upscale Sonoma County restaurants metastasizing from Stark’s Steakhouse. Willi’s Wine Bar was located on Old Redwood Highway north of town. None could remotely be classified as a neighborhood restaurant. I have never seen a kid in a sports uniform in any of them.

Proctor Terrace organizes a warren of streets around a small shopping center featuring the Pacific Market and Carmen’s, brooded over by the Santa Rosa Rural Cemetery. The new Willi’s Wine Bar will not be a place to take your kids after a tough game or to socialize with the parents of the kids’ teammates. Not a place to watch the Giants on one of Carmen’s two TV sets, or to feed a family of four for $50. Willi’s attracted crowds of young, well-paid, Mercedes-driving, college-educated professionals who could afford the steep prices. If they had children, they’d left them with a sitter.

I will miss the children, the families and the feeling of neighborhood.

Dr. John Omaha is a marriage and family therapist who lives in
Santa Rosa.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Rock On

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If you’re still looking for a fruit-forward wine that doesn’t suck rocks, get with it: wet stones are the hot topic in wine these days. Minerality is the on-trend, catch-all term for aromas of crushed rock and flavors of wet slate, and some winemakers are trying to find out how to get more of it in the bottle.

So what is minerality? The big surprise at a seminar on minerality recently presented by the wine lab Enartis USA in Windsor was how little time was spent on what it is not: minerals. When asked something along the lines of, “You all know that minerality doesn’t come from the soil, right?” none of the attendees dared shake their head in ignorance.

While acknowledging that he has often compared wines to the sight of the vineyard soils, veteran winemaker Christian Roguenant said it’s just the power of suggestion. In his presentation, Roguenant ticked off a list of reasons that various aromas like iodine, flint and fossilized seashells—all common descriptors for wines of various regions—are not actually derived from the mineral composition of the soil or the wines, with the possible exception of some salts, which, romantic notions of sea breezes aside, can land on the grapes as dust, far from the ocean.

“We need a little romance,” said presenter Deborah Parker Wong, global wine editor for The SOMM Journal and a wine instructor at Santa Rosa Junior College, “but the facts can be just as interesting as fiction.” She said that when her students understand the terms of minerality, even after learning it’s not a direct taste of the soil (as is still touted by wine marketers and vignerons, alike), they’re willing to trade up in wine quality—and price—all the same. Parker Wong lamented that American wineries lag far behind the Europeans in using mineral terms in a consumer-friendly way.

I hit the minerality jackpot when I received a bottle of Benziger 2017 Paradiso de Maria Sonoma Mountain Sauvignon Blanc ($36), as it’s one of the few domestic wines that mentions minerality on the back label, and the wine’s showy aroma of crushed tufa brings me right back to the Enartis classroom, where I was treated to a neutral wine spiked with benzyl mercaptan—with a background hint of the stemmy pyrazine sample. These and other compounds, formed during winemaking but also, presenters said, influenced by viticulture and sometimes terroir, are responsible for the aromas wine tasters experience as minerality.

Fruit aromas are largely sidelined here, although crushed lemon blossom and white grapefruit add character to the candied, crystalline acidity. But now I’m thinking back to the time I visited the place where the winery crushes crystals in its biodynamic preparations shop, so there’s that power of suggestion again.

Illegal No More

Among the many illogical aspects of federal drug policy, the classification of hemp as a Schedule I narcotic is near the top. But that may be over with the Senate’s passage of a new farm bill last week.

Great for making clothes, paper and biodegradable plastic (but incapable of getting you high), hemp is classified the same as heroin and PCP, thanks in large part to the racist roots of American drug policy that saw use of cannabis—redubbed “marijuana” because it sounded scarier and more foreign— as a scourge among blacks and Latinos. Hemp, a non-psychoactive form of Cannabis sativa once a staple crop in America, got caught up in the dragnet.

The Marihuana Tax Act of 1937 regulated the cultivation and sale of all cannabis varieties, hemp included. The Nixon-era Controlled Substances Act of 1970 classified all forms of cannabis as a Schedule I drug. But the good news is the bad policy is slowly unraveling.

While you’d never hear him say a discouraging word about Donald Trump’s ruinous policies, Sen. Mitch McConnell is bullish on hemp as an alternative to tobacco in his home state of Kentucky. Before the Senate’s vote on a five-year farm bill last week that included a hemp rider, McConnell championed the plant. The Senate Majority Leader’s legislation, the Hemp Farming Act, removes industrial hemp from the list of federal controlled substances.

“I think it is time to act. People have figured out this is not the other plant [cannabis],” McConnell said. “I think it is an important new development in American agriculture.”

McConnell backed a pilot program in the 2014 farm bill that allowed for industrial hemp production for fiber and edible seeds.

Besides legalizing hemp as an agricultural commodity, the legislation names states as the primary regulators of industrial hemp, encourages research through USDA competitive grants and allows hemp farmers to apply for crop insurance, reports the Food and Environment Reporting Network.

The House of Representatives takes up the farm bill next; if it passes, it then awaits the president’s signature.

Meanwhile in California, an industrial hemp bill from Sen. Scott Wilk, R-Antelope Valley, is making its way through committee. Among other things, SB 1409 would open the door to more hemp farmers and hemp varieties by removing the requirement that industrial hemp seed cultivars be certified on or before Jan. 1, 2013. The bill would also create a hemp pilot project like that conducted in Kentucky and also Oregon and Colorado.

Critics of the bill, however, say it restricts hemp cultivation to larger, deep-pocketed companies at the expense of small-scale farmers looking to reap the economic benefits of hemp, which is a major source of CBD oil.

June 14-16: Showcase Weekend in Healdsburg

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Benefiting the Healdsburg Center for the Arts, the three-day Healdsburg Art Food Wine event boasts all things artisanal, as local and international artists are displayed in several galleries with the best food and wine from the region on hand. From a kick-off cocktail party near the Healdsburg Plaza to art tours of Oliver Ranch and Chalk Hill Road wineries, and evening receptions at locales like Geyserville’s Dallas Saunders Gallery and downtown Healdsburg’s ÆRENA Galleries & Gardens, there’s something to satisfy art lovers of every taste. Thursday to Saturday, June 14–16, at several locations. Times and prices vary. healdsburgartfoodwine.com.

June 16: New Tradition in Cotati

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After 37 years of the Cotati Jazz Festival, the town and its chamber of commerce are updating their agenda and expanding on the concert concept with this summer’s inaugural Cotati Music Festival. Celebrating Cotati as a varied and vibrant musical hub, the new festival features performances from Sonoma County rock ’n’ roll, Americana and rockabilly acts like the John Courage Trio, Highway Poets, Danny Sorentino and Derek Irving. Local food, wine and beer will flow, and families are invited to spend a day grooving to the music on Saturday, June 16, at La Plaza Park in downtown Cotati. Noon to 6pm. Free admission. cotati.org.

The Sword and the Shield

The landmark California Environmental Quality Act of 1970 was intended as a shield against construction projects that imperiled the environment. But in a case of unintended consequences, critics charge that the powerful law has been wielded as a sword by labor groups, environmentalists and neighborhood groups to defeat proposed housing developments. The result, they argue, is that a well-intentioned...

Old Made New

Two theater workhorses have galloped onto North Bay stages. Cinnabar Theater's The Fantasticks, the 1960 musical that ran for a record 42 years Off-Broadway, is a modest production with a sweet score and engaging performances. Neighbors Mrs. Hucklebee (Krista Wigle) and Mr. Bellomy (Michael Van Why) each have a child they wish to see fall in love with the other....

On Metal Wings

Conceived over a game of Magic: The Gathering and named for the Viking spirits, the North Bay's newest heavy metal outfit, Arm the Valkyrie, come armed with an array of Norse mythology, Dungeons & Dragons lore, comic-book cues and cosplay culture built into its grindingly ethereal sound. "The goal was to allow no restrictions on scope or vision, no compromise...

Art Rock

Live music makes people do all sorts of things. Some folks are compelled to dance, some can't resist singing along and some feel the need to shout "'Free Bird'!" For Neal Barbosa, live music puts him in the mood to paint, and he does it onstage while bands perform at venues throughout the Bay Area and beyond, a practice known...

Letters to the Editor: June 20, 2018

New Sheriff in Town I'm an ardent John Mutz supporter. The loss was tough, but this is an encouraging piece about Mark Essick and his program ("The Road Ahead," June 13). It would be beneficial for the citizens of Sonoma County if Essick reached out to Mutz for advice on applying quality management techniques to the department. This is an...

There Goes the Neighborhood

What I will miss most are the children. Babies in carriers, 10-year-old girls coming from soccer games with their "besties," boys in baseball uniforms. That's what Carmen's Burger Bar has meant to me: a neighborhood restaurant serving families. The bar defined the smallish adult space. The large dining area opened up with tables and a high ceiling where families...

Rock On

If you're still looking for a fruit-forward wine that doesn't suck rocks, get with it: wet stones are the hot topic in wine these days. Minerality is the on-trend, catch-all term for aromas of crushed rock and flavors of wet slate, and some winemakers are trying to find out how to get more of it in the bottle. So what...

Illegal No More

Among the many illogical aspects of federal drug policy, the classification of hemp as a Schedule I narcotic is near the top. But that may be over with the Senate's passage of a new farm bill last week. Great for making clothes, paper and biodegradable plastic (but incapable of getting you high), hemp is classified the same as heroin and...

June 14-16: Showcase Weekend in Healdsburg

Benefiting the Healdsburg Center for the Arts, the three-day Healdsburg Art Food Wine event boasts all things artisanal, as local and international artists are displayed in several galleries with the best food and wine from the region on hand. From a kick-off cocktail party near the Healdsburg Plaza to art tours of Oliver Ranch and Chalk Hill Road wineries,...

June 16: New Tradition in Cotati

After 37 years of the Cotati Jazz Festival, the town and its chamber of commerce are updating their agenda and expanding on the concert concept with this summer’s inaugural Cotati Music Festival. Celebrating Cotati as a varied and vibrant musical hub, the new festival features performances from Sonoma County rock ’n’ roll, Americana and rockabilly acts like the John...
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