Debriefer: July 25, 2018

0

MEDICARE FOR ALL?

Last week, some 70 Democrats in the U.S. Congress, seemingly emboldened by surprise primary victories by the likes of progressive New Yorker Alexandria Ocasio-Cortez, announced the formation of the house Medicare for All caucus, which pledged to push for a single-payer healthcare bill. It’s a noble if pie-in-sky push given the current Republican makeup of Congress, but these things could change come the November mid-terms.

A scan of the newly formed caucus, which says it will embark on a teach-in to educate members on the benefits of a single-payer system, finds Jared Huffman as one of the California representatives who signed on. He was joined by, among others, outspoken Trump critic Maxine Waters.

Mike Thompson? Nope. The other North Bay Congressman is not on board with the Medicare for All Caucus.

CANNA CRIME SLIDES

California Attorney General Xavier Becerra has just released the annual state crime report from 2017—and wouldn’t you know it, legalizing cannabis has led to a big drop in the number of pot-related criminal charges around the state. The AG reports that 6,065 people were locked up on weed-related charges last year—a 56 percent drop from 2016, when 13,810 were imprisoned for possession or consumption of the dread plant.

The National Organization for the Reform of Marijuana Laws (NORML) ran the numbers from Becerra’s report in a press release from last week and noted that the decline in felony dope charges was even greater between 2016 and 2017. Those arrests “fell by a whopping 74 percent,” as 2,086 citizens were pinched on felony charges in 2017, compared to 7,949 the year before.

But NORML also cited the ongoing and disproportionate numbers of African-American and Latino citizens arrested on pot charges in 2017. For example, even as misdemeanor drug arrests dropped from 5,861 to 3,979 between 2016 and 2017, Latinos “represented the highest percentage of arrestees,” at 46 percent.

Whites accounted for 24 percent of all felony arrests, NORML noted—while Latinos accounted for 40 percent and African Americans 21 percent. California’s population, according to the U.S. census, is about 38 percent Latino and 6.5 percent African-American.

The Fate of Chanate

0

Jeremy Nichols is a board member of the nonprofit Bird Rescue Center that serves Sonoma County, and he is troubled. The county is kicking the bird hospital out of its Quonset hut in the middle of 82 acres of public property known as Chanate.

Forested hills straddle Chanate Road as it winds through eastern Santa Rosa toward the ashes of Fountaingrove. The county has promised the land to William Gallaher, a local banker who develops senior living communities and single-family homes.

Gallaher’s partner in the deal, Komron Shahhosseini, is a planning commissioner for Sonoma County—a relationship which may pose a conflict of interest, according to a Haas School of Business ethics expert who reviewed details of the deal.

Hundreds of Santa Rosans, including Nichols, have mobilized to stop the sale, objecting to its terms at public meetings, in letters to the editor and in a lawsuit that went to trial in Superior Court last Friday in front of Judge René Auguste Chouteau. The trial took three hours, and the judge is expected to rule within 30 days on whether the development deal can go forward.

In early July, Nichols and two members of the activist group Friends of Chanate took me on a walking tour. Since the 1870s, the Chanate property has been the dumping ground for the county’s social and medical ills. It was originally the site of a work farm for low-income residents, then a public hospital complex. Now it’s ragged and falling down.

In the cemetery where the county used to bury indigents rests Walter F. McCoy. His suicide in 1934 was headlined by the

Press Democrat, “Dying Man Slashes Throat to Avoid Entering Hospital Here,” notes Nichols, who restored the graveyard.

We stroll past abandoned, rotting medical buildings that served the leprous, the insane and the penniless. As we skirt a plywood-sealed juvenile jail, a line from Bob Dylan floats by: “And the only sound that’s left after the ambulances go / Cinderella sweeping up on Desolation Row.”

There are some signs of human activity. There’s a public health laboratory, a psychiatric clinic that processes the involuntarily committed. The unexpectedly dead of Santa Rosa await their autopsies, shelved in cardboard boxes inside an old boiler and laundry building repurposed as the city morgue.

We circumvent bottle-strewn homeless encampments. A pond stagnates, its outflow blocked by graffiti-swirled concrete. There is the tangy smell of nearby cannabis gardens.

For the Friends, Chanate is a historical treasure, a wildlife preserve, a public resource awaiting reassignment for social good. And for them that future is threatened by Gallaher, who they believe is being allowed to develop Chanate in violation of environmental regulations, open-meeting laws and on the cheap.

Last August, the Friends hired former State Sen. Noreen Evans of O’Brien Watters & Davis LLP to sue Sonoma County and Gallaher’s Chanate Community Development Partners LLC. The arc of the case highlights the county’s dire need for affordable housing, community-based healthcare services and, it must be said, smarter governance.

Gallaher proposes to construct up to 860 homes and apartment units with recreational facilities and a shopping center. The Friends of Chanate favor building fewer than 400 units and want to scale back any commercial development. They fear more activity will overwhelm traffic, water and educational infrastructures. And they are particularly concerned about traffic gridlock if future wildfires compel area residents to evacuate, as happened last fall.

Safety concerns aside, the Friends want Gallaher to pay market value for Chanate. They fear he will flip it to another developer for a quick profit. And they do not trust local officials to look after the public’s interest. Our tour guide, Carol Vellutini, is not joking when she says she will lay down in front of the bulldozers should the lawsuit fail.

THE BACKSTORY

In 2014, Sonoma County supervisors closed down the heart of Chanate, its public hospital, which had last been upgraded in the 1970s. They said it cost too much to seismically retrofit. Despite pleas from scores of medical professionals to keep the facilities operational, the supervisors put Chanate up for sale as a housing development at a minimum price of $15 million.

A nationwide request for proposals required that 20 percent of the homes be affordable to families with very low incomes. It required the developer to demolish buildings. Because the land is inside city limits, its building permits and zoning and environmental authorizations, called entitlements, must be approved by Santa Rosa’s council and planners.

Entitling a big development project is not a slam dunk, especially when there is substantial public resistance. Non-local developers were wary of becoming embroiled in a community slugfest. Two local builders found the moxie to push ahead.

Petaluma-based Curt Johansen spent $100,000 researching how to build 400 homes with sustainable bells and energy-saving whistles. He offered to pay whatever the fair market value of the land turned out to be after the entitlement process solidified development costs.

Sonoma County records show that only two supervisors perused Johansen’s proposal before the board rejected it, mostly sight unseen. Johansen blames the slight on his lack of participation in local politics, noting that he has never made a campaign donation to a Sonoma County politician.

In February 2017, the county’s real estate planners and lawyers began negotiating behind closed doors with the Gallaher-Shahhosseini partnership. The board of supervisors discussed the value of the project in closed sessions, the content of which remains secret.

Gallaher’s proposal was championed by supervisor Shirlee Zane, who had appointed Shahhosseini to the planning commission in 2009. It is worth noting that Zane has received $63,000 in campaign contributions from Gallaher, who is a prolific funder of local politicians. Zane declined to comment for this story.

[page]

In June 2017, the supervisors approved a Disposition and Development Agreement (DDA) with Gallaher and Shahhosseini. The property is priced substantially less than the market value of Chanate as appraised by the county. The supervisors accepted Gallaher’s offer of between $6 million and $12.5 million. The final amount is contingent upon the number of homes eventually permitted by Santa Rosa as the project drills through a mountain of red tape.

The supervisors also appropriated $300,000 to subsidize Gallaher and Shahhosseini’s quest to get the project entitled by Santa Rosa.

The Friends then filed a lawsuit to terminate the agreement, contending that the market
value of Chanate is more than
$30 million and that the county is not allowed to sell it for less.

How much is Chanate worth?

The value of Chanate partly depends on whether the land is sliced by earthquake faults. At present, there are two expert opinions: one says there might be fractures; the other, there might not be fractures. Nobody knows. The supervisors decided to value the land as if there are active earthquake faults, which made it cheaper, since fault-zones are harder to develop.

The value of the land also depends upon the value of the proposed improvements. And that value is contingent upon the development being green-lighted by county, city and state planning, permitting and environmental agencies. The county hired an appraiser. In July 2016, the Ward Levy Appraisal Group of Santa Rosa valued a “hypothetically” developed Chanate at
$30.64 million, assuming the existence of earthquake faults.

The appraisal assumed that permission would be granted to construct 600 units of housing and 33,000 square feet of commercial space. It calculated the value of a finished project similar to that later proposed by Gallaher and Shahhosseini at $275 million.

Appraisals are based on formulas that consider shifting market conditions and construction costs. Residential land is typically valued at
10 percent of the cost of building, so $30 million is a reasonable projection for 600 homes worth more than a quarter billion dollars. Increasing the number of the homes increases the fair market value of the land, of course.

The Ward Levy appraisal assumes that the hospital buildings would be demolished by the developer at a cost of $6 million. With a credit for demolition costs, the market value of the land for 600 units pencils to roughly $24 million. Adding 260 more units for a total of 860, as Gallaher has proposed, brings the bottom line land value to $34 million.

That amount is nearly three times Gallaher’s offer.

To recap: In 2015, the Sonoma County stated it would not accept less than $15 million for the property. During a series of
closed meetings, the price fell to $12.5 million for 860 homes. If Gallaher builds 400 residences, the agreed price falls to $6 million, which is also below market value projections for the land, which Ward Levy valued at $40,000 per residential unit.

A DAY IN COURT

The Friend’s lawsuit asks the court to stop the development agreement because the below market price is an unallowable “gift of public funds” to the developer. It asks for the deal to be set aside because the supervisors allegedly violated the Brown Act, which requires timely disclosure of what is discussed in closed sessions and with whom. It argues that the agreement should be terminated because the supervisors failed to conduct an environmental review of the proposed project before approving the sale to the Gallaher-Shahhosseini partnership.

According to the lawsuit, the agreement does not prohibit Gallaher and Shahhosseini from flipping the land to another developer for a “windfall” profit, without building anything.

Attorneys for the county and the developer have filed arguments disputing the core of the Friend’s claims largely by framing the Development and Disposition Agreement as a market value sales transaction and not as a development project with environmental impacts. Gallaher’s Santa Rosa–based attorney, Tina Wallis, told me that the $6–$12.5 million price is not a gift of public funds because those amounts are the market value for an unpermitted property.

Attorney Noreen Evans argues that the property is only worth money to a developer if it is fully permitted. Why buy it otherwise?

The county’s director of general services, Caroline Judy, told the supervisors in a hearing on June 20, 2017, “The sale price is below the appraised value.” The county has projected property tax revenue from the development based on a market value of
$275 million.

Justifying the below market value offer, county officials told the supervisors that the low price is offset by social benefits to the county, including 160 units of affordable housing, which they value at $71 million.

That’s an absurd calculation, say the Friends. The developer and its nonprofit partners will make money on the affordable housing element through sales, rents and state and federal subsidies and grants. The real question is how much money can Gallaher and his partners make if they pay fair market values for fully entitled land? What is his projected profit rate?

Gallaher did not respond to repeated email and telephone requests for comment.

[page]

CONFLICTED INTEREST?

Shahhosseini referred the Bohemian to the Chanate partnership’s attorney, Wallis, who declined to reveal the names of the LLC’s investors, if there are any, or the projected rate of profit for the venture. Wallis also pushed back against any suggestion that Shahhosseini’s county position created a conflict of interest. “Mr. Shahhosseini acted as private citizen, and this matter was not before the Planning Commission,” Wallis said.

Nobody disputes that, as a developer, Shahhosseini had a leading role in negotiations with Sonoma County for the sale of Chanate. According to Gallaher’s development proposal, Shahhosseini is a “partner and co-founder” and “principal” alongside Gallaher in Chanate Community Development Partners LLC. The Disposition and Development Agreement that governs the deal names Shahhosseini as project manager; he represents the partnership in community meetings.

“Mr. Gallaher is the sole and managing member of the LLC,” Wallis said. But in an October 2016 email to the city obtained by Evans, Shahhosseini clarified, “Bill is the managing partner; I am a partner and project manager.”

As a member of the Sonoma County Planning Commission, Shahhosseini regulates planning and zoning matters in the unincorporated areas of the county that surround Santa Rosa. Briana Khan of the county administrator’s office told the Bohemian that the planning commission has not been directly involved in negotiating the Chanate deal.

The Disposition and Development Agreement prohibits county employees and officials from having a financial interest in the Chanate agreement:

6.17 CONFLICT OF INTEREST. No County Party [defined as county employees and officials] shall have any personal interest, direct or indirect, in this Agreement, nor shall any such County Party participate in any decision relating to the Agreement which affects his or her personal interests or the interests of any corporation, partnership or association in which he or she is directly or indirectly involved.

The clause is a double whammy: it forbids any county employee or official from having any personal interest in the Chanate agreement. It then states that just in case a county official has such an interest, that person is not allowed to make decisions relating to the agreement.

Shahhosseini is a county official with a personal interest in the Chanate agreement who makes decisions regarding the Chanate agreement as its project manager and a declared partner in the development company.

After reviewing the agreement and Gallaher’s proposal,
Christine M. Rosen, a professor in corporate ethics at the UC Berkeley Haas School of Business, opined, “It sounds like a conflict of interest to me, and a violation of the agreement this developer and Sonoma County have signed.”

In a series of exchanges with the Bohemian, Wallis said that since Shahhosseini wielded no direct authority over the Chanate agreement as a planning commissioner, there is no conflict of interest. But the issue is not whether he acted on the agreement in his capacity as a planning commissioner, which he did not, apparently; the issue is that Shahhosseini is a county officer who has an interest in the agreement, and who makes decisions regarding it in his capacity as a developer.

Khan told the Bohemian that Shahhosseini could not have a conflict of interest because, quoting the development agreement, “as an [appointed] member of the planning commission, [Shahhosseini] is not an elected official, officer, agent, employee or representative of the County in any way.”

True, he was not elected; he was appointed. However, the planning commission’s bylaws clearly define its members as county officers and agents and representatives with official, quasi-judicial duties and as “part of the Sonoma County Planning Agency,” a government body.

Khan said that the county deliberately did not add appointed officials to the list of those who are not allowed to have an interest in the contract because no appointed official played a role in the negotiation of the development agreement. She did not respond to a query noting that the agreement was made with an appointed official in his private capacity.

Whether a conflict of interest exists is an issue that’s normally settled administratively or judicially. But is it OK for a county official, appointed, elected, or otherwise, to be awarded a county contract worth tens of millions of dollars?

Inner Sanctuary

0

A just-signed bill authored by California state Assemblyman Marc Levine has given the state another bulwark against the Trump administration’s zero-tolerance immigration policies and expands the state’s social safety net for undocumented immigrant youth.

AB 2642 makes it easier for out-of-state nonprofit organizations to care for undocumented youth in California, potentially keeping them out of detention centers, “and helping them obtain special immigrant juvenile status,” says a Levine statement, “that allows them to remain in the country legally.”

Levine’s law builds on previous legislative efforts undertaken in the state to provide safeguards for vulnerable immigrants who are aging out of the state’s foster-care system and could be subject to deportation. In 2014, Levine authored the immigrant-friendly AB 900 which, according to a statement from Levine’s office, “aligned state law with federal law by providing probate courts with expanded jurisdiction for youth, who are older than 18 and younger than 21, and who are also eligible to apply for Special Immigrant Juvenile Status (SIJS).” Brown signed that bill in 2015, and Levine says it’s helped thousands of vulnerable youth in the state.

His latest bill builds on the SIJS asylum bill by expanding the available social services net to undocumented youth. Until now, only nonprofits incorporated in California could serve as a legal guardian for unaccompanied minors. Levine’s bill allows out-of state nonprofits operating in California “help meet the growing demand to protect immigrant children that is straining the capacity of California-based organizations.”

In an interview, the three-term state assemblyman, representing California’s 10th district, echoes other empathic electeds and Californians who have taken note of the Trump family-separation policy and are troubled by the advent of detention centers for immigrant youth amid ramped-up deportation efforts underway by federal officials. The state has itself passed a set of “sanctuary state” laws which have been upheld of late in federal court.

When it comes to what actual powers the state’s sanctuary bill conveys, Levine says it’s a great question and that he’s often engaged in conversations with his wife to the effect of, “Are you doing everything that you can to stand up to the Trump administration?”

Short of physically putting himself between Immigration and Customs Enforcement agents and immigrant children, he highlights that it’s crucial for elected officials to “bear witness” to the numerous facilities spread throughout the state that are currently housing immigrant youth.

Trump’s Department of Justice sued the state over its sanctuary law last year. It’s been a useful tool for law enforcement agencies to the extent that it forbids local law enforcement from turning detainees over to ICE agents.

Levine recently visited a facility in San Bernardino, which he describes as an “eye-opener. We are pulling people out of communities and detaining them in the desert,” he says, “far from the public eye and media attention. It’s dangerous for these facilities to be in the middle of nowhere,” he says, and all the more crucial for officials to inspect the facilities under the unfolding immigration crisis sparked by Trump’s policies. “We must bear witness to the detention centers,” he says as Trump uses his Department of Justice to “mold the U.S. into his twisted vision.”

Several weeks ago the Bohemian and Pacific Sun reported on a detention center in Fairfield which predates the Trump era, the BCFS Health and Human Services facility. That center has been used to house youths who have been (unfairly, it turns out) suspected of gang affiliation, and who are also undocumented.

Without criticizing the Fairfield facility, Rachel Prandini, a staff attorney at the Immigrant Legal Resource Center and Legal Services for Children, both in San Francisco, says the Levine bill could provide a measure of protection for any resident at that facility who reaches the age of 18 and ages out of the facility, and might be picked up by ICE. “It is possible that it could help kids there,” says Prandini.

Levine’s bill arrives on an immigration landscape that’s been upended by Trump’s zero-tolerance policies. The assemblyman says he held off on introducing his bill in order to keep distinct the difference between the recent family separation crisis and immigration policies that predated recent moves undertaken by Trump’s Department of Justice. The Fairfield facility has been operational since 2010.

“They are separate and distinct in that we are trying to keep children out of detainment facilities,” he says, “so that they could pursue legal status in California and remain here instead of being deported.”

His previous immigrant-focused bill, says Levine, provided a measure of asylum for youthful undocumented immigrants in the state who were fleeing violence in countries such as Honduras and El Salvador. “We had problems with the challenge of children fleeing horrific, terrible situations in other countries and coming to California where there was no social safety net for them. They were preyed upon by organized crime,” he adds, and AB 900 afforded those youth a legal guardian for three years after they turned 18.

“Those years would give them time to get legal status.” The bill’s been a big success, he says, and the immigrant-rights organization the Canal Alliance in San Rafael estimates that some 50 children have been protected by SIJS locally, “and thousands of children across California.”

Sonoma Says No

As tourists filled tasting rooms and boutique shops in Sonoma Plaza, citizens of Sonoma gathered at city council chambers on Monday, weighing a proposal to allow cannabis dispensaries to operate in the city.

The five-member council denied the proposal by a vote of 3–2, but ordered a report outlining the major effects of medicinal marijuana on the community, postponing the matter until November 2020.

The assessment must be presented to the council within 30 days, and could cost the city up to $25,000. Vice Mayor Amy Harrington, who voted for the initiative, requested a motion to cap the study at $10,000. However, that was denied by a 3–2 vote.

Members of the council cited their concerns over fiscal, law enforcement and traffic impacts that medical cannabis dispensaries could have on Sonoma as primary factors in not adopting the resolution brought forth by the Sonoma Citizens for Local Access group, headed by resident Jon Early.

Early grew tired with the perceived “lack of forward momentum” from the city and took matters into his own hands. He collected more than 700 signatures to bring the initiative in front of the city council.

“The main benefit for the city of Sonoma is access,” Early said. “Local access.”

Sonoma currently allows for the personal cultivation of up to three cannabis plants, and earlier this year voted to approve the delivery of medical pot within the city, but Monday’s vote further stymies efforts for a local dispensary.

More than 60 percent of Sonoma residents voted in favor of Proposition 64, a higher percentage than Sonoma County and the state of California, respectively.

The issue drew no shortage of public speakers, as residents expressed their fears that dispensaries could attract unwanted elements to the area and that businesses could potentially use the city as “an ATM machine” without proper taxes.

Councilmember David Cook, who voted against the initiative, worries that dispensaries could threaten Sonoma’s status as “the jewel of Sonoma County.” During the meeting, Councilmember Rachel Hundley, who voted in favor of the initiative, said the presence of a medical-marijuana dispensary is something the city envisions as a “small, owner-involved operation.”

Early contends the motion for denial by the city council is a way to “circumvent” his group’s ordinance in favor of an ordinance presented at the meeting by Hundley.

“It’s difficult to accept their motives—or their ulterior motives,” he said. “Their choice today does nothing more than kick the can further down the road on this issue.”

Play On

0

Jukebox musicals have become the bread and butter for a lot of community theaters. Minimal casts, simple sets and the built-in audience that comes with a show about a popular singer or musical group are tough for an artistic director to resist.

In 1988, playwright Ted Swindley took 27 songs recorded by Patsy Cline and created Always . . . Patsy Cline, running now at Sonoma Arts Live through July 29. Not so much a musical biography as a snippet of Cline’s career as seen through the eyes of her biggest fan, it covers the six years from her appearance on Arthur Godfrey’s television program till her death at age 30 in an aviation accident.

Louise Seger (Karen Pinomaki) fell in love with Cline’s music the moment she heard it on a Texas radio station. When she hears that Patsy (Danielle DeBow) will be making a local appearance, she and some friends hightail it to the Empire Ballroom to discover no one’s there, but Patsy. They strike up a conversation and become fast friends. Patsy ends up spending the night at Louise’s before heading back out on her tour. They regularly corresponded after that night, and it’s those letters that are the basis for the show.

DeBow is a gifted vocalist who, in conjunction with her backup singers “The Jordanaires” (Sean O’Brien, F. James Raasch, Michael Scott Wells, Ted von Pohle) and musical director Ellen Patterson and a six-piece band, delivers a quality evening of Cline’s greatest hits, including “Sweet Dreams” and “Crazy.” The songs are interspersed with Louise’s musings about her life and her love for Patsy. Pinomaki is very entertaining as the bombastic, big-haired Louise, though there are moments where less would be more.

Director Michael Ross, who’s directed a few female-centric musicals in his day (Gypsy, Little Women, etc.) shows a real mastery of the material here. Also responsible for costumes and some of the set design, he gets almost everything right. Costume work is stellar, as DeBow must go through a dozen changes throughout the evening, with each one colorfully evoking period and personality. The two-level set/three-sided audience design is interesting, but it leads to some awkward blocking and audience perspectives.

Terrific performances, colorful design work and classic Americana combine to make Always . . . Patsy Cline one of the best jukebox musicals I’ve seen on a North Bay Stage.

Rating (out 5 five): ★★★★

The Golden Era

0

It’s been a tough summer for food writers. Last month, Anthony Bourdain took his life in a French hotel room, and this past weekend came the sad news that Los Angeles Times food critic Jonathan Gold died from pancreatic cancer. He was 57.

Gold began his career at the LA Weekly, where he won a Pulitzer Prize in 2007. He helped pave the way for Bourdain and scores of other food writers like me who looked not to white tablecloth restaurants with $450 tasting menus for great food, but holes-in-the-wall with greasy, laminated menus where English was usually a second—or third—language. While he wrote expertly of upscale restaurants, he was at his best when he probed the outer burgs of San Fernando Valley and the myriad family-run restaurants and food carts that featured cuisine from seemingly every corner of the world. By decoding and demystifying the polyglot cuisines and cultures of greater Los Angeles, Gold made the city feel smaller.

And he did it with great storytelling that not only made you hungry, but opened your eyes to a wider world filled with people struggling to survive, enjoy life and hold on to what is precious to them—people just like you.

Like any good critic, Gold’s writing was about more than his subject at hand. His reviews went beyond what to order at this or that taqueria or Korean barbecue joint. They were about nothing less than our shared humanity. Gold had an insatiable curiosity for the people and food of Los Angeles that make it a great city. He plumbed the depths of L.A.’s ethnic diversity, demystifying and celebrating what may have seemed foreign and weird, but was really just someones’s mom or dad’s home cooking.

Gold was a fearless diner who showed us there was really nothing to fear at all. He ate with gusto and dove headlong into the unknown with love, curiosity and compassion. America could use a lot more of that spirit right now.

I hope the taco trucks and dumpling shops are open 24/7 wherever you are, Jonathan.

Stett Holbrook is the editor of the ‘Bohemian’ and the ‘Pacific Sun.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: July 25, 2018

C Change

The “No on C” side conducted a campaign of disinformation that intentionally created confusion (“Full Measure,” July 18). I was polled three times over the course of several months prior to the election, and had one paid campaigner come to my door after that. The first poll surveyed what issues people in Napa County did and did not like. Then the “No on C” folks claimed in their advertising that Measure C would cause all the things the poll covered that people didn’t like.

They also claimed that they were in support of sustainable agriculture, which, of course, people like me, who they surveyed that first time around, favored. Overuse of our water and the loss of significant watershed habitat does not, however, help sustain agriculture over the long haul.

The next two polls were push-polls designed to tilt people into opposition of Measure C, again by spreading disinformation based on what people did and didn’t like in the first poll.

It was the worst form of propaganda, pure and simple, paid for by moneyed interests.

Calistoga

Time Has Come

The recent U.S. Supreme Court ruling denying Sonoma County’s petition for certiorari in the Andy Lopez matter was welcome news to many, especially when taken in the light of recent rulings by this present “activist” conservative court, which has not hesitated to weigh in on matters regarding the extension of the concept of qualified immunity for police officers.

That our five Sonoma County supervisors would cast a yes vote to appeal this sad case to the highest court in the land is indicative of a serious disconnect with the community and reality. But the most egregious side effect of their poor decision is the prolonged hurt that it has caused the Lopez family. When juxtaposed against the viable alternative of settlement, this becomes all the more outrageous.

The time has come for the supervisors to face reality that settlement of this matter is the best option for catalyzing the healing process. Our county owes the Lopez family at least this much—and so much more.

Sebastopol

Promise Broken

Prior to the last election for First District supervisor, I was on a committee of five from the Sonoma County Democratic Club. We interviewed all candidates running for the position. We directly asked supervisor Susan Gorin what she thought of marijuana and where she thought it should be cultivated in Sonoma County for commercial businesses. Her reply: it should be grown in industrial, self-contained areas and not in rural residential neighborhoods. Do your research. Read the paper. Susan Gorin has not kept her campaign promise to our committee as to where commercial marijuana should be cultivated.

Santa Rosa

Write to us at le*****@******an.com.

Music Streamer

0

Born in Sonoma and now living in Santa Cruz, songwriter and bandleader Marty O’Reilly has gained a reputation as one of the region’s hardest working troubadours, leading his quartet, the Old Soul Orchestra, on countless tours since 2014 and releasing one of this year’s most dynamic albums, Stereoscope, back in February.

This summer, O’Reilly takes a break from his fast-paced touring life to spend time camping and writing music in an Airstream trailer on Mt. Tamalpais as part of a songwriting residency, which includes a concert on Saturday, Aug. 4, at Sweetwater Music Hall in Mill Valley.

“It was all kind of last-minute,” says O’Reilly. “[Airstream] hit me up, and it worked out perfectly.”

O’Reilly is the inaugural participant in Airstream’s new Artist-in-Residence Project, one of several lifestyle marketing campaigns the company has launched, and was chosen from a field of over 50 up-and-coming artists.

Having just returned from a massive European tour in support of Stereoscope, O’Reilly happily took advantage of the opportunity to temporarily relocate to the Marin hills.

“One of the cool things about this is that Airstream has been really relaxed. There’s no sense of pressure, which is important to being creative,” says O’Reilly. “If you’re going to make something good, you can’t feel like you have to meet some quota; it’ll be forced.”

Though Airstream’s sponsorship means that video crews occasionally come up to produce content with O’Reilly performing in and around the trailer, the songwriter spends as much time barbecuing and hiking as he does writing new material. “I want to write a lot of new music and I’m being productive, but I don’t feel like I have to be productive,” he says.

Musically, O’Reilly is also looking to change the pace. Stereoscope was a lush, complex and adventurous record, but, O’Reilly says, “I don’t want to make that record again, I don’t want to make another record like it, and I don’t want to do anything like my first record either. I’m trying to think and feel about what I want from this next piece of work.”

Additionally, O’Reilly says his isolation on Mt. Tam and his interactions with residents of Mill Valley led to several existential conversations about the meaning of art and music.

“My mantra right now, creatively, is to give yourself permission to enjoy what you’re doing and make art for the fun of it.”

Sour Note

0

A familiar drama unfolds every summer as my father attempts to save a small crop of cherries from two little trees from attack by air: it’s man vs. mockingbird.

Typically, the birds get their fill of cherries, occasionally fluttering about unhelpfully while the man patiently shows them out from a patchwork of netting they got themselves trapped inside in their gluttony, as if the indignity was theirs alone.

Finally, last year he got a bumper crop when we wrapped the tree, like a mummy, in agricultural fabric. Looks weird, but it works, and I commemorated the success by fermenting my share, about a pound of black Tartarian cherries, in a five-gallon batch of saison-style homebrew. I’d like to think they added a bit of fruit nuance, but it’s nothing like Lagunitas Brewing Company’s Cherry Jane sour ale, a “One Hitter” release in stores now in six-packs of 12-ounce bottles.

Brewed with what they call Turkish Delight cherry juice (which has the added summer-day utility of recalling a cool day in Narnia), it’s a vivid pink hue, like a dark rosé wine, but refreshes with a sousing factor of just 5.5 percent alcohol by volume (abv). While a bit austere, like crushed black cherries in galvanized metal, the aroma is also reminiscent of good German lager, and the sweet cherry flavor just rounds out the dry, puckery finish. It’s got a little Brettanomyces, but like other brews from Lagunitas’ funky forays, it’s not really that funky—maybe a bit extra tart.

Hoping to find a seasonal trend, I head to Sebastopol’s Crooked Goat, which is comfortable in the fruit-beer niche. “I don’t think any of us think of ourselves as beer snobs,” says head brewer Will Erickson. “Beer should be fun!” As a starter for non-beer drinkers in the company of beer fans, as their license doesn’t allow let them to serve local ciders or wines, Crooked Goat offers the raspberry-pink First Crush (5.0 abv). It’s a hit four times out of five. First Crush, made with puréed berries from the Pacific Northwest, smells like fresh raspberries. Although it contains no hops, I get a sense of spice from the berry seeds.

Up the road in the Barlow, Woodfour Brewing Company is just getting ready to brew its sour farmhouse ale from locally grown strawberries. Meanwhile, Anderson Valley Brewing Company’s Framboise Rose gose is a lightly tinted pink, lightly strawberry flavored, salty refreshment at
4.2 percent abv.

On a gose note, I’m looking forward to Fogbelt Brewing’s Margarita-style gose, brewed with lime and tequila oak, due in cans in early August. If the birds leave me some wine grapes, I just might make it my official beer of this year’s harvest.

Film with Terroir

0

‘We are shining a light on the folks,” says Brooke Tansley, executive artistic director of the newly launched Folklight Film Club. A Sonoma County–based film production company, Folklight has created the first wine club–inspired experience to be centered on making a movie.

Tansley, a veteran actress and producer who previously heralded the Sonoma Laughfest, got the idea after getting to know the wine industry through her husband’s work in the North Bay.

“We started seeing parallels between the entertainment industry and wine,” Tansley says. “The purpose of storytelling as a tradition is to strengthen the bonds of a community through experiences and wisdom, and to pass that on. The values in fine winemaking are the same thing.”

For Tansley, wine is all about the shared moments between people—much like the experience of seeing a film in a packed theater. “I started thinking,” she says, “what if we made a wine club, but we made movies instead?”

Similar to the way a wine club offers members exclusive access to a winery and special events not available to the public, Folklight Film Club’s plan is to feature behind-the-scenes access to filmmaking. For a quarterly fee, members can participate in and influence a full-length feature film production from script to screen.

The first thing club members will do is share their own ideas and/or personal experiences that they would like to see on the big screen. From there, Folklight will commission a professional screenwriter to craft a script that will then get the full filmmaking treatment. Other scheduled film club events include a cast and crew panel discussion, a concert featuring music from an original soundtrack for the film, a gallery viewing of art inspired by the film and eventually a red carpet premiere.

Tansley points out that this community-driven model of filmmaking is antithetical to traditional filmmaking, where a single writer, director and studio come up with an idea and then go about producing it. “We are creating the infrastructure to making the film before the film exists,” she says.

Membership enrollment is open now to residents of Sonoma, Napa, Marin and Mendocino counties, though space is limited and enrollment closes after the summer. The two-year membership, including all the events and engagement, is $79 quarterly and discounts are available for making yearly or one-time payments, and for pairs or groups.

“What we’re going to end up with is a feature film that we are calling the first farm-to-table film, or work of ‘film terroir,'” says Tansley, who admits she has no idea at this point what filmic possibilities could come from this endeavor.

“We are going to have a film that is going to capture who these people are at this place and at this time. It’s going to be really exciting to see what story we end up telling.”

For more details on Folklight Film Club and to sign up now, visit folklightfilmclub.com.

Debriefer: July 25, 2018

MEDICARE FOR ALL? Last week, some 70 Democrats in the U.S. Congress, seemingly emboldened by surprise primary victories by the likes of progressive New Yorker Alexandria Ocasio-Cortez, announced the formation of the house Medicare for All caucus, which pledged to push for a single-payer healthcare bill. It's a noble if pie-in-sky push given the current Republican makeup of Congress, but...

The Fate of Chanate

Jeremy Nichols is a board member of the nonprofit Bird Rescue Center that serves Sonoma County, and he is troubled. The county is kicking the bird hospital out of its Quonset hut in the middle of 82 acres of public property known as Chanate. Forested hills straddle Chanate Road as it winds through eastern Santa Rosa toward the ashes of...

Inner Sanctuary

A just-signed bill authored by California state Assemblyman Marc Levine has given the state another bulwark against the Trump administration's zero-tolerance immigration policies and expands the state's social safety net for undocumented immigrant youth. AB 2642 makes it easier for out-of-state nonprofit organizations to care for undocumented youth in California, potentially keeping them out of detention centers, "and helping them...

Sonoma Says No

As tourists filled tasting rooms and boutique shops in Sonoma Plaza, citizens of Sonoma gathered at city council chambers on Monday, weighing a proposal to allow cannabis dispensaries to operate in the city. The five-member council denied the proposal by a vote of 3–2, but ordered a report outlining the major effects of medicinal marijuana on the community, postponing the...

Play On

Jukebox musicals have become the bread and butter for a lot of community theaters. Minimal casts, simple sets and the built-in audience that comes with a show about a popular singer or musical group are tough for an artistic director to resist. In 1988, playwright Ted Swindley took 27 songs recorded by Patsy Cline and created Always . ....

The Golden Era

It's been a tough summer for food writers. Last month, Anthony Bourdain took his life in a French hotel room, and this past weekend came the sad news that Los Angeles Times food critic Jonathan Gold died from pancreatic cancer. He was 57. Gold began his career at the LA Weekly, where he won a Pulitzer Prize in 2007. He...

Letters to the Editor: July 25, 2018

C Change The "No on C" side conducted a campaign of disinformation that intentionally created confusion ("Full Measure," July 18). I was polled three times over the course of several months prior to the election, and had one paid campaigner come to my door after that. The first poll surveyed what issues people in Napa County did and did not...

Music Streamer

Born in Sonoma and now living in Santa Cruz, songwriter and bandleader Marty O'Reilly has gained a reputation as one of the region's hardest working troubadours, leading his quartet, the Old Soul Orchestra, on countless tours since 2014 and releasing one of this year's most dynamic albums, Stereoscope, back in February. This summer, O'Reilly takes a break from his fast-paced...

Sour Note

A familiar drama unfolds every summer as my father attempts to save a small crop of cherries from two little trees from attack by air: it's man vs. mockingbird. Typically, the birds get their fill of cherries, occasionally fluttering about unhelpfully while the man patiently shows them out from a patchwork of netting they got themselves trapped inside in their...

Film with Terroir

'We are shining a light on the folks," says Brooke Tansley, executive artistic director of the newly launched Folklight Film Club. A Sonoma County–based film production company, Folklight has created the first wine club–inspired experience to be centered on making a movie. Tansley, a veteran actress and producer who previously heralded the Sonoma Laughfest, got the idea after getting to...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow