Sad But True

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Last week a man in a brand-new Metallica baseball hat stood outside a West Marin grocery and asked about the breed of a peculiar and hairless dog wandering nearby. “I’ll answer your question,” I responded. “But first—what’s with the Metallica hat? Are you with the band or something?”

The man, who appeared to be in his late 50s, pointed toward the store and said, “We just played with them.”

It took a moment for the casual comment to register. What? You just played with Metallica? “Yes,” he responded, affably. His partner was inside shopping. “My husband,” he said, pointing again at the store, “he’s the conductor of the San Francisco Symphony.”

Much laughter ensued and the conductor emerged for the store with his parcel. Michael Tilson Thomas lives in these parts, and the symphony performed two nights of Metallica music, “S&M2,” in early September. It was the second time the Bay Area thrash metal titans have worked with a symphony. A movie of the shows is due out Oct. 9; it will play locally at the Rialto Cinemas in Sebastopol.

The men departed. One of the high-holy hippies of West Marin was on the scene and noted, “You know, they say that conductors live longer than anyone—they have the longest life span.”

It makes sense, the high-holy hippie continued, and we checked off the various reasons why. Consider the aerobic aspect of a conductor fully in his element, for one thing. The musicians focus completely on the conductor as he gyrates and coaxes and persuades them to heights of symphonic glory. That’s ego-gratifying stuff right there, and quite uplifting from a spiritual perspective. Plus, the conductor is the star of the show and he or she’s got their back turned to the audience the whole time. That’s pretty punk rock.

The high-holy hippie declared it his favorite interaction of the day, maybe even of the month, and everyone went about their business. Days later, news emerged that Metallica frontman James Hetfield had entered a rehab clinic and the band was canceling tour dates to deal with the shared trauma. Reports highlighted that Hetfield had been sober for 15 years and helped other musicians with their addictions during that time.

Then news broke that longtime Grateful Dead lyricist and San Rafael resident Robert Hunter had passed on. A real double-shot of sad news. I always keep the “Uncle John’s Band” lyrics at bay for moments like these—when “life looks like easy street, there is danger at the door.” There’s a beautiful Jerry Garcia Symphony version of the song from Red Rocks that’s seen heavy rotation in my house this week.

Eat Impeach

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The pundits are pumped and declaring that it’s time to grab the popcorn, folks, because this is going to be a wild ride.

Under the circumstances, I’m reaching for the pierogi.

There’s nothing funny about impeachment—nothing at all, in fact—but a person’s got to eat. And nothing says “self care above all else” than impeachment-related foods that relate in some way to the clear and present situation the country finds itself in. Nothing says, “food therapy” than healthy local foods and drinks.

So, yes pierogi not popcorn. The potato dumplings are one of the national dishes of Ukraine and while they’re available around the North Bay, Not to be getting all presidential, I want you to do me a favor, though: Make your own.

Rodney Strong Vineyard in Healdsburg offers a really tasty-looking recipe on their website—a foraged mushroom and steak pierogi, stop the presses!—that they recommend you pair with one of their Cabernets. Go for it. More traditional versions include pierogi stuffed with cabbage or sauerkraut The Rodney Strong recipe is simple enough and looks like a fun way to spend a weekend afternoon when the only high crime or misdemeanor you’ll have to worry about is an abuse of flour. There’s nothing worse than a gummy pierogi, so go easy on that stuff.

The North Bay has a rich and long history of Russian meddling in our coastline, but it’s all been in the service of tourism and generally on the up-and-up. Russian and Ukrainian culture is one of the sublime through-lines that makes life up here interesting, and it’s not just because they named a river after mother Russia.

The cultures are celebrated as they should be, and despite whatever the guy on the other end of the phone is saying or sort-of threatening. The North Bay doesn’t have to worry about a lack of any reciprocal relationship with Ukraine, especially when it comes to food.

For instance, an early-September festival of Ukrainian foods and music took place in the City of Sonoma in early September (and how we pine for those recent and comparatively innocent days of pre-impeachment yore!). The festival was, according to the Sonoma Press Index report, a serious and seriously fun event with authentic eats from Ukraine—wine herring, smoked mackerel, eggplant relish, pear soda—and all sorts of traditional music from the former Soviet republic.

The Sonoma Ukraine event had a deadly serious mission along with the celebration, reported the Sonona paper. Organizer Tarney Baldinger, besides making the eggplant relish, was on hand to raise money for a Ukrainian warzone hospital and to help families of Ukrainian war veterans. Baldringer was also collecting clothing, medical supplies, “fabric for camouflage nets and pads for tank seats, underwear for soldiers and men’s socks” at the event.

Hey, it wasn’t quite $250 million in American military aid to help Ukraine stave off further Russian aggression on its eastern border, but then again, nobody was extorted to dig dirt on Sonoma’s city council in exchange for the assistance to Ukrainian war victims.

The North Bay has already dealing with the long hand of Washington when it comes to the Ukraine, its culture and people. Mexican immigrants aren’t the only immigrants on Stephen Miller’s list of unfriendlies, apparently: Last year, the longstanding Worlds Friends Dinner in Sebastopol got caught up in international immigration affairs after Ukrainian students’ visas were denied and they couldn’t come to town for for the annual event.

Maybe there was a perfect conversation with a Ukrainian leader over the past year, or maybe not, but the World Friends Day is back at full multicultural strength on Nov. 4. It’s being billed as “Where Sushi meets Borsch” and celebrates Sebastopol’s sister-cityhood with Takeo, Japan and Chyhyryn, Ukraine.

Country Classic

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Documentarian Ken Burns delivers an extraordinary series, Country Music, that holds up a mirror to reflect the people and country we were and are. Diligent research, photographic and film archives, interviews and performances make it clear—this genre of music represents many cultures within our nation.

The story encompasses 70 years, from the 1920s to the mid-1990s. During that time, musical instruments originating in Europe and Africa found adopted homes in the social and cultural environments of the rural Southern United States and Appalachia, before spreading westward through Oklahoma, Texas, the Mexican border and eventually to California. Tunes became infused with the playing of fiddles, guitars and other stringed instruments, as well as with gospel, to lift the spirits and bodies of disenfranchised and hard-working people worn down by their day’s labor. The stories told through song reveal the trademarks of human experience, some of it very difficult.

As the country went through its own growing pains during the 20th century, so did country music—reinventing itself often. Many artists rebelled and sought experimentation and inclusion, both musically and culturally, allowing the tent to become large enough for all. The music not only survived, but thrived and was revitalized.

But country music was not without its casualties. Many performers suffered extreme poverty growing up. Haunted by trauma, alcohol and pills, some could not escape their wounds and unrelenting demons. To their credit, these courageous and sensitive men and women were able to capture—through their plaintive lyrics, expressive voices, harmonies and melodies—the sadness and joy of their imperfect lives, live, on the phonograph record and over the airwaves. Their gift—a collective reflection and remembrance for their listeners and a reminder of our own common humanity.

E.G.Singer lives in Santa Rosa. We welcome your contribution. To have your topical essay of 350 words considered for publication, write
op*****@******an.com.

Kiev-ity

What is the difference between the president of the Ukraine and the president of the United States?

The president of the Ukraine is a comedian.

The president of the United States is a joke.

San Rafael

Bolt Vote

Since your editorial page is now a vehicle for advertising (for Budweiser beer of all things!), I’d like to contribute an advertisement for a product I love: the Chevy Bolt.

I don’t know why everyone isn’t driving this car. It’s all-electric and it gets 250 miles to a charge (there’s a 300 mile club, but we haven’t tried that yet). OK, if you’re a long-distance commuter without a place to plug it in at the end of your commute, perhaps this isn’t the car for you. But for everyone else this car rocks!

Every time I drive my safety-green Bolt I feel smug and self righteous about not contributing to greenhouse gases and global warming. OK, I know that our individual choices will not by themselves change the world, but if everyone drove electric cars we might make a dent.

You never have to breathe exhaust fumes or go to a gas station again! And it’s fun to drive, with lots of pep. We leased our Bolt from the local Chevy dealer with a rebate from Sonoma Clean Power (that rebate is over but there may be others).

I don’t often watch TV, but when I do the car ads are still promoting big, gas-guzzling trucks to macho men. WTF! Guys, you can still feel powerful driving the Bolt even if your penis is small. Powerful, smug and self righteous.

Via Bohemian.com

Moon Shot

Great—Gov. Moonbeam II can panic about a “youth vaping epidemic,” but he can’t take decisive action to ban from California an industry that’s dooming human lives and biotic diversity and water quality: the hydraulic fracturing criminal syndicate (“The Nugget,” Sept. 25). Gavin, you’re a dimwit, and worse, a collaborator. Karma’s gonna catch up with you.

Via bohemian.com

Raving Review

It doesn’t make sense to compare two different productions of two different plays as if they were written and performed with the same artistic intent (“Self Aware,” Sept. 15).

Does room for meaningful reflection mean that the action of the play is interrupted now and then in order for the audience to reflect on the ideas presented? Does the play have a focus? Is it about all the tender and tense moments that comprise a relationship? Or about how different women view their bodies in relation to art and sexuality? How being on the spectrum can lead to funny moments? What’s the main focus? What’s the action of the play centered on?

This is little more than a plot summary and a few unsupported compliments to some of the actors, which is apparently what passes for theatre criticism in the Bohemian.

Via bohemian.com

Write to us at le*****@******an.com.

Real Treat

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It’s a virtual Merman-palooza in the North Bay as two theatre companies present “musical fables” with Ethel Merman connections. Santa Rosa’s 6th Street Playhouse runs Gypsy through Oct. 20 while Sonoma Arts Live runs Merman’s Apprentice, an original musical with a fictional Merman character, through Oct. 13.

Merman’s Apprentice is a throw-back to the classic Broadway musical—a simple plot, larger-than-life characters, a little schmaltz and lots of songs to tell its story.

Plucky 12-year-old Muriel Plakenstein (plucky 17-year-old Emma Sutherland) runs away to Broadway and runs right into her idol Ethel Merman (Dani Innocenti Beem). Merman, who’s about to begin a short run in Hello, Dolly!, is impressed with Muriel’s knowledge of her career and takes her under her wing. The next thing you know Plakenstein is set to star in an all-juvenile version of Dolly! for producer David Merrick (Patrick Barr). Or is she?

Playwright/lyricist Stephen Cole, a friend of Merman’s late in her life, joined up with composer David Evans to come up with this theatrical valentine to her and to Broadway. As the first full production of the show, co-directors Jaime Love and Larry Williams had no playbook to follow. Adding to their challenge, Cole and Evans were present for the final week of rehearsal, so last-minute changes continued to be made.

The opening night performance went very well, but a few more changes should be considered. The first act overran a natural concluding moment and continued for two additional songs. The second act ran under 30 minutes. The acts should be better balanced.

There’s nary a note of any Merman standard to be heard in the show, but Cole and Evans’ score evokes the feel and sound of classic Broadway with lyrics that are often clever—one jarring anachronism aside. (I highly doubt a song ostensibly written in the 1940’s and sung in 1970 would reference FBI Director J. Edgar Hoover in a dress.)

Sutherland is a dynamo as the title character. She more than holds her own with the estimable Beem, who catches the essence of Merman while wisely avoiding any attempt at impersonation. There’s a nice ensemble at work, with both Julia Holsworth and Sean O’Brien a lot of fun as Ethel’s Mom and Pop.

A theatre-lover’s treat, the exceedingly pleasant Merman’s Apprentice is what All About Eve would have been in the hands of Walt Disney.

Rating (out of 5): ★★★★

‘Merman’s Apprentice’ runs through Oct. 13 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thur–Sat, 7:30pm; Sun, 2pm. $25–$42. 866.710.8942. sonomaartslive.org.

Road Kings

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Nice view, but what do the wines taste like?

Cyclists who participate in Levi Leipheimer’s 11th annual King Ridge GranFondo this Saturday, October 5, will roll out on a flat road that’s flanked by vineyards, and a few wineries, in the Russian River Valley wine appellation. Nothing unusual about that, wine country-wise. As they gain elevation, they’ll enter the Sonoma Coast appellation. At the peak of the namesake climb, they’ll be smack in the midst of the Fort Ross-Seaview appellation. In these more far-flung regions, there are few wineries but many isolated pockets of vineyard, best seen and felt on a bike ride—a terroir experience that’s rewarding even without opening a bottle. But, we will open that bottle.

The Piccolo: Dutton Estate 2017 Dutton Palms Russian River Valley Chardonnay ($49) Anyone who can ride 30 miles out and back from Santa Rosa is no slouch, and this Chardonnay is no slouch, either. Picked from the vineyard that surrounds the family’s estate home on a hill in a picturesque little valley west of Graton, this dry-finishing wine is made with 40 percent new French oak, yet it’s just vanilla frosting on the apple cake, in flavor, not the butterball that some associate with California Chardonnay.

The Medio plus Willow Creek: Bohème 2015 Stuller Vineyard Sonoma Coast Pinot Noir ($55) I cheated on the biking bit: I drove my car to this little Occidental tasting room to get an updated tasting note, but found that it’s much the same as the 2008 that I tasted way back when: “From a vineyard nestled in a bowl of trees, peeks in and out of vanilla, potpourri and savory marjoram aromas, but the plum fruit flavor is zaftig and fresh.” Ditto for the 2015, and the 2013, which is also still on offer, but even more silky and sumptuous. These wines are some of Sonoma Coast’s hidden gems.

The Gran: Red Car 2013 Fort Ross-Seaview Syrah ($55) Where King Ridge meets Hauser Bridge before a notoriously steep descent, Red Car’s estate vineyard hugs the road. This neighborhood is lousy with big names in Sonoma Coast Pinot Noir, but the under-appreciated varietal here is the Syrah. Ever been skeptical about a tasting note about “grilled blueberries”? This is it, for reals. Smoky, Malbec-like, road-tar aromas also come to mind, but when this wine hits the palate, it’s all about tangy, fresh plum skin sensations. If you prefer the Pinot from this Sonoma Coast locale, the tantalizingly aromatic, olallieberry and cherry scented, dry-finishing Red Car 2015 Fort Ross-Seaview Pinot Noir ($75) is much more than the region’s medio, indeed.

Stay Gold

Director Nancy Kelly has been at her craft long enough to see her only feature film, Thousand Pieces of Gold (1990), come to life not once, but twice.

It concerns Lalu (Rosalind Chao), a Chinese girl sold by her parents and taken to the Old West, followed by her escape and a romance with a sensitive Westerner (Chris Cooper). In a new 4k restoration, the film will play at the Mill Valley Film Festival on Oct. 6 and at Century Larkspur Oct. 8. The restoration happened thanks to Sandra Schulberg’s Independent Film Project, which saves indie films whose original masters are starting to deteriorate with age. The quality of the 4k restoration left Kelly in tears. “I’ll be struck dead by the film guys for saying this,” she says, “but it looks better than it did originally.”

Kelly and her husband Kenji Yamamoto, who produced and edited, made A Thousand Pieces of Gold on a slim budget. “We raised money but didn’t raise all the money we actually needed,” she says. “We had to find a gold rush town that wasn’t a tourist trap, and we couldn’t afford to take out the parking meters and billboards.”

Kelly heard about Nevada City, Montana. “It’s where they shot Little Big Man. This fanatical collector lived there. Whenever a mining town building was coming down, he’d number all the logs or boards, and transport them and put them back together there. The place had a Chinatown and we needed a Chinatown—as long as we were out of there by Memorial Day we could rent it for an affordable price.”

Debuting at the SF International Film Festival, Thousand Pieces of Gold played all over the world.

“We were hoping to have a theatrical release, but we left Cannes without a deal,” she says. “After a year we got a small distributor, Graycat Films, and it aired on American Playhouse. Every cable channel ran it when cable was a big deal. When VHS was the latest thing, we sold it to Hemdale. We didn’t have a choice.” The infamous Hemdale Home Video organization siphoned off the money, but happily, Yamamoto and Kelly still own their film.

“When I look back on it, I realize that at every point where it got good distribution, things would evaporate,” she says. “Then you wait for the next big thing. We were lucky we had an agent who was honest and kept up with this stuff.”

She and Yamamoto headed to L.A. to further their careers, subletting an apartment and getting jobs teaching at UCLA.

Kelly recalled, “I went to a lot of meetings, and they’d ask me, ‘what do you want to do?’ And I’d tell them, and their eyes would glaze over. I didn’t have a sense of what would sell. Back then, it wasn’t female-driven films that would sell, and it also wasn’t women directors. The press says that what sells now are stories of immigration, stories of women! Things might have changed. But L.A. wasn’t a good home for indies; this is really where we belong.”

Kelly is from the working part of the Berkshires. She’s from North Adams, Massachusetts, on the silicon strip of Highway 128, a tech corridor that turned into a rust belt when globalization hit. Kelly later made a film Downside Up, about the beginnings of MassMOCA, the art museum built into the vacant Sprague Electric factory building where her father once worked. Documentaries about art are a specialty of Kelly + Yamamoto; they’ve done short pieces for KQED’s eclectic Spark and a profile of Rene di Rosa of the di Rosa preserve.

“I got a degree in public health education, and so I was hired to do five short, dramatic films to teach UMASS Amherst students to drink responsibly,” she says. “I personally did not drink my way to college.”

Kelly’s collaborator on the project was the filmmaker Gwendolyn Clancy, currently of Reno. Clancy headed west to Modoc County, and Kelly joined her. The two lived on a ranch for several years. Without film production equipment, much less electricity, it was hard to work. Coming down to San Francisco, Nancy met the SFAI-educated, experimental filmmaker Yamamoto and married him.

Recently, Kelly and Yamamoto made a documentary about something that surprised her as a new arrival here. Kelly was in Point Reyes, riding the horse she brought down from Modoc. How could San Francisco be so jam-packed with people and still have all that unspoiled terrain just across the bridge?

Nancy Dobbs of KRCB—founder of Sonoma’s only public tv station, who just retired this week—co-produced Kelly and Yamamoto’s Rebels With A Cause. It played Mill Valley in 2012. John Hart’s San Francisco’s Wilderness Next Door and L. Martin Griffin’s Saving the Marin-Sonoma Coast were Kelly’s guides to how a mix of local activism and federal action kept this heavenly domain from becoming a golf-course-covered purgatory. Kelly hired Frances McDormand, a sometimes-resident of Bolinas, to do the narration.

Since Thousand Pieces of Gold, Kelly and Yamamoto developed three feature films; one got as far as the casting stage before the keystone financer felt out. This didn’t stop Kelly, who is developing a new film, provisionally titled When We Were Cowgirls.

Regarding her 40-year collaboration with her husband, Kelly notes, “We get along pretty well. Whoever is the director on a project has the last word. Kenji is this happy, cheerful optimistic person, and we fight to have the best first joke of the day. Sometimes I do, sometimes he does.”

A word to the young filmmaker? “Oh, God. I think what Kenji said to me when I was ready to give up: nothing in the arts makes any sense. Go in one direction, and you just keep going. Keep getting ideas and doing them. I hope the parents of these young people don’t read that and start crying.”

Rut Causes

Although Point Reyes Station catches more than a few sun rays on a recent late-summer day, the northern tip of the Seashore, which is administered by the National Park Service, gets the Pacific Ocean’s full fog-machine treatment.

At historic Pierce Point Ranch, a windbreak of gnarled trees just beyond the parking lot is hardly visible. Yet the bugling of unseen male tule elk is as clear as a bell. The term, “bugling,” with its upbeat, brass instrument connotations, doesn’t do justice to this haunting screech that’s about as wild as it gets, just an hour north of the Golden Gate.

The rut, when male elk (called bulls) compete for influence with groups of females (cows), takes place from August to October, and it’s one of the Seashore’s many natural resource features—along with whale and elephant seal viewing—that draw up to 2.4 million visitors each year.

There are plenty of other bulls and cows to see here, too.

More than 5,700 dairy cows and cattle graze on Seashore land leased to dairy and beef operations. But considering their smaller number, about 750 animals in free-ranging herds and fenced in at Pierce Point, the tule elk surely rank highly among visitors.

“It’s not a popularity contest,” says Melanie Gunn, outreach coordinator for the Seashore, about the latest invitation for public comments on the Seashore’s plans to manage ranches and elk in the future. The comment period for the General Management Plan Amendment Draft Environmental Impact Statement closed on Sept. 23.

“One really important thing for people to realize,” Gunn clarifies, “…it’s not a vote. And we try to make that clear to people. What we’re looking for is substantive information to inform the process.”

Previously, the Park sought to implement an updated Ranch Management Plan (RMP), consulting the public in a series of workshops and comment periods. But a coalition of environmental groups, frustrated that the process did not include an Environmental Impact Statement (EIS), sued and halted it.

“Every park does it that way when they make a big management decision,” says Jeff Miller, a conservation advocate for the Center for Biological Diversity. “They do that through an environmental review.”

The park was trying to skip that step, according to Miller, who traces his activism in the park to family hiking trips when the Seashore opened in the 1960s. “When the park service tried to float the ranch plan, killing the elk was the last straw.”

The Amendment Draft now includes a more specific plan, “Alternative B,” to lethally remove elk from a contentious herd that shares pasture with cows, while extending ranch leases to 20-year terms. This is the NPS’s “preferred alternative.”

The statement does mention five more alternatives, from “no action” to “cessation of ranching operations.”

“It wasn’t about kicking ranchers out, which is what ranchers fall back on when anyone asks questions,” says Susan Ives, whose organization, Restore Point Reyes Seashore, encourages public commentary on the plan.

“It’s how to restore the native prairie—let’s try to bring back some of these native plants that are on the brink,” says Ives, who does not view the preferred alternative as an acceptable compromise. “There really weren’t a lot of alternatives that we could support.”

The Seashore will not release the public comments for several months, according to Gunn. Already, elk advocates are criticizing the process.

“I have helped to collect hundreds of comments from other citizens who also want the park to choose wildlife protection and restoration and to phase out ranching,” forELK founder Diana Oppenheim writes in a letter to park Superintendent Cicely Muldoon.

Melanie Gunn and the NPS refuse to accept those comments, stating a policy of not accepting bulk comments. “We can’t accept comments that have been submitted on behalf of others,” Gunn states. “So, we let that individual know, as soon as we got them, that she could take them back and ask individuals to send them.”

A preview of comments provided to the Pacific Sun highlight the disconnect between the Park Service mission, the environmental findings of the EIS and the preferred alternative. Among writers offering substantive perspectives, Ken Brower, who watched as a “fly on the wall” as his father, David Brower, worked with ranchers and politicians to establish the park, writes, “It is a historical falsehood—despite the widespread myth otherwise—that the park’s founders ever intended that ranching be permanent.”

Judd A. Howell, former ecologist and research scientist at Golden Gate National Recreation Area, questions why the Seashore’s 5,700 cattle units cannot tolerate 124 elk among them. “The notion that elk are a ‘problem’ is obviously misguided, since elk coexist with cattle on BLM and Forest Service grazing lands throughout the western U.S.,” he says.

It remains to be seen how many of the 7,000-plus comments received weigh in for or against the preferred alternative. Some may be classified as opinion only, and will not be incorporated at all, says Gunn. But they won’t be lost in the fog. “We provide a response to those comments.”

Hunger Games

Last month, Yuri sat in her dining room in San Jose, turned on the television, and heard something that made her sit up straight and sent her mind racing.

The Trump administration, the newscaster announced, had just published a new rule that could make it harder for immigrants to get a green card if they used, or were likely to use, public government benefits like food stamps or Medicaid.

Yuri, who came to the United States from Michoacán, Mexico, was enrolled in CalFresh, California’s food stamp program, for her seven children, who range in age from just over a month to 15 and who all were born in this country. But with the new rule, Yuri, wondered, would staying on food stamps imperil her asylum application or get her deported? Would she and her family have to move back to Michoacán, one of the Mexican states with the worst cartel violence?

She decided to terminate food stamps for her kids and to dis-enroll herself from MediCal, despite some health complications she said accompanied her latest pregnancy. She worries, she said, about how she will keep her children’s bellies full without food stamps. But she doesn’t want the use of social service programs to put her at risk for deportation somehow.

Across California, the looming change in what is known as the “public charge” rule is sowing confusion and fear within the immigrant community, causing many people to abandon programs they need for fear of retaliation from immigration authorities, according to nearly two dozen interviews with health care providers, lawyers, nonprofit organizations, and social service agencies.

The new rule could affect more than 2 million Californians, most of whom are not subject to the regulation, and could result in 765,000 people dis-enrolling from MediCal and CalFresh, according to UCLA’s Center for Health Policy Research.

Yuri, who did not want her last name used for fear of drawing attention to her family, would not be affected by the rule change: Refugees and asylees are exempted from the policy, as are the food stamps she gets for her children, who are citizens. But many immigrants like her, who are not subject to the rule are feeling the chilling effect, with some withdrawing from social services unnecessarily.

Social service experts describe patients staying away from crucial medical appointments, domestic violence survivors avoiding food stamps, a crime victim with a humanitarian visa dropping health coverage during treatment for cancer, and parents considering removing their children from benefits ranging from free and reduced school lunches to health coverage.

Currently, green card applicants must prove they will not be a financial burden—referred to as a “public charge”—on the United States through use of cash welfare programs or publicly funded institutional care. The new regulation, which if it survives legal challenges will take effect in mid-October, would expand the public charge definition to include Medicaid, food stamps, and housing vouchers. Immigration officials will also consider income, education, English language abilities, and health when making a determination.

Claribel Chavez, an outreach worker for the Second Harvest Food Bank of Silicon Valley, said the primary reason the people she talks to resist signing up for food stamps is public charge.

“They’re just not doing it because they are scared,” she said. “They say, ‘We would rather struggle than put our name into the system.’ It’s getting bad.”

In August, Santa Clara and San Francisco counties sued the Trump administration over the regulation and filed a joint motion for a preliminary injunction seeking to block the rule before it takes effect. The motion argues that the rule, if implemented, would cause “irreparable harm” to the counties and “will cause individuals to dis-enroll from or forgo critical public benefits out of fear of potential immigration consequences.” California is one of a number of states suing to block the policy.

In its publication of the rule change, the Department of Homeland Security estimated that 324,000 people in households with non-citizens will withdraw or stay away from public benefits because of the change.

But immigrants’ rights advocates said they expect the affected pool to be much larger, because the effects are trickling down to legal immigrants and mixed status families who, fearing negative consequences, may now withdraw or stay away from housing assistance, health care or other social services. A recent report by the Kaiser Family Foundation, for example, estimated that the rule could result in up to 4.7 million people withdrawing from MediCaid and The Children’s Health Insurance Program (CHIP).

Although it is difficult to measure the full impacts of the policy before it takes effect, there are some suggestions that it may already be having an influence.

In San Francisco County, according to court records, food stamp enrollment in households with at least one noncitizen dropped sharply when the proposed rule was announced in the fall of 2018, while citizen household enrollment remained relatively steady.

In Santa Clara County, data provided in court records indicates that the number of households receiving food stamps with at least one member who is not a citizen decreased 20 percent—or from about 15,000 to about 12,000—from October 2018 to May 2019. During the same time period, food stamp enrollment in citizen households stayed at roughly 26,000. The records also show that MediCal participation in households with at least one noncitizen decreased 13.5% from the fall of 2018 to July 2019, while participation in citizen households increased 6 percent.

For health care providers in the Bay Area, the prospect of patients declining medical care is worrisome. Santa Clara County has the fourth highest rate of tuberculosis in California, according to Dr. Sara Cody, the county’s director of public health, with almost 10% of the population infected with latent TB. Patients forgoing evaluation and treatment could heighten the risk for spreading infection to county residents, she said.

Asylum seekers and refugees would be exempt from the current rule, as would victims of domestic violence and trafficking. But advocates and lawyers who work with those populations say that many of them, too, are confused about the 800-plus page rule and have asked if they should reconsider using benefits.

In addition, neither the the Special Supplemental Nutrition Program for Women, Infants, and Children (WIC) nor free and reduced price school lunch programs would be affected by the change, but social service providers in the Bay Area say recipients of both benefits have expressed concern about continuing their enrollment.

As for Yuri, the path forward is one without CalFresh for her children, and, although she is seeking the advice of an immigration lawyer, legal consultation seems unlikely to change her mind about withdrawing. For now, she said, it all just seems too uncertain.

“We don’t want to have the risk,”‘ she says, rocking her newborn’s pink crib. “You never know what’s going to happen.”

Buds in the Bunker

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Read an excerpt from Jonah Raskin’s new book, “Dark Day, Dark Night,” available now.

The man who called himself “No Name” drove the speed limit along the highway, turned on the directional, stopped in the middle lane and pulled into the parking lot for Mono’s Tattoo parlor, where he killed the engine and removed the key from the ignition. Under the blue sky, he locked the car, and with Tioga close behind him, walked under the neon sign, then around the back of the building and into the thicket where he stopped, picked a wild blackberry berry and ate it. Even from outside they could smell the marijuana that had been cut down by the thieves and carted away under cover of darkness.

Tioga found a footbridge where they crossed the stream. No Name crouched down, danced across the bridge and walked along a deer path that led behind the bunker that had no windows on the ground floor and that looked like it might survive, Tioga thought, an assault by Navy Seals.

Mounds of dried dog shit littered the yard. Tioga knelt down, squeezed through the doggy door and then turned her head around and grabbed hold of the AR-15 that No Name handed her. He had a tougher time than she crawling through the door; his shirt ripped and he cut his ear.

Once inside, he was Mr. Tough Guy. “Not to worry,” he said and left Tioga to carry the canvas bag with the ammo, while he toted the AR-15. They entered a storage room with a rusted washing machine and a dryer that had been cannibalized for parts and then climbed a stairway that took them to a balcony.

Now the stink of marijuana assaulted Tioga. It made her want to sneeze and she didn’t think she could prevent herself from sneezing. No Name shook his head and placed two fingers across his lips. On hands and knees, an inch at a time, first No Name, and then Tioga, crawled along the carpet until they reached the edge of the balcony. It was a long way down to the ground floor below.

No Name lay down on his belly with the AR-15 at his side. Tioga peaked over the edge and saw a sea of marijuana plants hanging from the rafters. Fans whirled. Vents expelled the fumes that made her eyes sting.

Hawk, who was one of the thieves, stood in the far corner of the room with a cell phone in one hand and a clipboard in another. He wore a Borsalino, a Yin and Yang pendant and he broke into a rendition of Kid Rock’s “Early Mornin’ Stoned Pimp.” When he finished his performance, he grunted and moaned as though he was in pain, though he did not appear to be hurt or injured. Pablo—one of the workers—emerged from the upside down marijuana plants and applauded. “You da best. You da boss.”

Then he smacked a woman with dreadlocks. “Move it.”

Four women, all bare-breasted, barefoot and in cut-off jeans, moved between a row of upside down plants and pulled dead leaves from the stems. The floor was littered with them.

Hawk cracked a whip. “Hustle. We’re running out of time.” He walked across the length of the room, then stopped in the space directly under the balcony, where he began a conversation with someone whose voice Tioga could hear, but whose face she could not see.

A German shepherd tugged on its chain, barked and lunged toward the woman with the dreadlocks. Tioga felt an instant loathing for the dog. “I’ll shoot him if I have to,” she whispered.

A black spider crawled across No Name’s arm. Tioga watched the beast move one way and then the other, as though searching for a passageway to safety. With thumb and middle finger, she flicked it into the air and saw it land upside down, then right itself and vanish in the carpet.

Hawk was still talking to the invisible presence. “We fronted the dude 30 pounds,” he was saying. It was the same voice she had heard the day he first threw money at her in her office, as though money grew on a tree. Apparently it did, at least for him. The man under the balcony, whom she couldn’t see, uttered a stream of words that didn’t sound like English and that might have been Russian.

Hawk went on with his story. “The asshole rolls the truck, which is packed with weed. He steals a truck, picks up his load which has tumbled down the ravine and gets out of there like a bat out of hell.”

Then came another break in Hawk’s story while he listened to the man under the balcony, his words still unintelligible to Tioga. After an interval, Hawk picked up the thread of the story he had been telling. “In the Valley, the dude goes one way and the chingada cop goes the other way. The guy gets away! Isn’t that the dope! That’s us bro! We’re getting away with the million dollar crop and without a scratch.”

Hawk laughed; the man under the balcony laughed with him.

A slim taut body emerged from the shadows. The man stood in the light, removed the mask that had turned him into a wolf with a long snout and dark eyes.

The man shouted then placed the wolf mask over his face and howled wolf-like. He knew what he was doing. He had practiced, or maybe howling was innate; maybe he was a wolf man. He wore no shirt and no socks or shoes. He had the body of a surfer. A pair of faded jeans hung from his hips, along with a holster that boasted two guns. His body was covered with sweat; bright green marijuana leaves stuck to his arms, shoulders, chest and belly.

Tioga’s head pounded and her stomach heaved. She was going to puke. She felt like a little bird condemned to hover forever, never able to land on a branch or to nest in a tree. Then she looked down at the sea of green. The woman with dreadlocks stopped in the middle of a row of marijuana and put on a T-shirt that read “Guadalajara.”

Hawk stormed across the room and slapped her. She screamed and he slapped her again. “You’re not getting paid to cover your tits, bitch.” Hawk turned to the man with the surfer body who stood behind him. “Isn’t that right, Tomas!”

Tioga wanted to scream.

No Name held the AR-15 in his hands, his finger on the trigger.

“No, don’t,” Tioga whispered. “I don’t know, you don’t know, what these Zombie Devil men might do.” She looked at the watchdog and the woman with the dreadlocks. “I’m going to backtrack and call the police. I hate to involve them, but I don’t know what else to do. I need you to come with me and not do anything crazy.”

No Name’s nostrils flared. His face caught fire. “I don’t want to, but I will.”

He turned around and crawled across the floor on his belly, with the AR-15 in his hand and ready to come alive with a touch on his finger.

They went down the stairs, first Tioga, then No Name, out the doggy door and through the dried turds in the yard behind the bunker with the million dollar crop that the Zombie Devil men had ripped off.

In the thicket along the stream, Tioga stopped, picked a ripe blackberry and placed it on the tip of her tongue. It was as sweet as any jam she had ever tasted. Then, she and No Name followed the path that brought them back to the neon sign outside Mono’s Tattoo Parlor. Tioga looked back at the bunker. “That was my ex with the wolf mask. That was him howling. He stole howling from me and perverted it.”

No Name snickered. “Too late now for me to blow him away, though I wish I had.”

Tioga looked back at the bunker and wanted to howl. She opened her mouth wide and then couldn’t bring herself to do it.

Beneath the neon sign for Mono’s that flashed on and off, she sent Ambrose a text: “Marijuana thieves holed up in the old sausage factory in The Springs next to the tattoo parlor. There’s a shitload of weed. It’s the jackpot. But you gotta move fast, and bring all the fire power you’ve got.”

No Name stowed his AR-15 under the front seat of his white pickup truck. “If the cops are coming, I got to go. They’re looking for me.”

No Name sat behind the wheel and turned the key in the ignition. Tioga took out her cell, checked her messages and shook her head. “Nothing.”

In the distance, a siren wailed. The chief of police and his deputy would arrive with plenty of backup. Hawk and her ex would go down for the count, the women in the bunker would be set free, and the million dollar marijuana, well, it would be up for grabs.

No Name fastened his seat belt. “Are you coming with me or are you staying here?”

Tioga walked toward the thicket. “I don’t know.” Then, she raised her head, opened her mouth and howled. “Wait! I’m coming with you, No Name! The cops don’t need me. My ex will get everything that’s coming to him.”

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