Modern Hicks Reunite For Sebastopol Benefit Concert

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It’s been fifteen years since Sonoma County folk band Modern Hicks shared a stage together, but this Summer the group is reuniting for a special benefit concert on July 7 in Sebastopol to help the Sebastopol Cultural Community Center generate funds to rebuild damaged areas following the floods from earlier this year.
Beloved for their melding of bluegrass, country and swing, Modern Hicks performed at major events like the Father’s Day Grass Valley Festival, Woodland BG Festival, Kate Wolf Music Festival, Walnut Valley Music Festival and more in their time together; though in 2004, the band split ways.
Now, local audiences will get to delight in the group’s vocal harmonies and acoustic instrumentations once again as Modern Hicks join Under the Radar in concert on Sunday, July 7, at Sebastopol Cultural Community Center Annex, 425 Morris St., Sebastopol. 7pm. $20 and up. Get tickets at seb.org.

One 4 All

Whether drilling into the nerves that connect empty-nest parents to their anxieties, or exposing a child’s deepest fears, nobody knows how to tap into childhood-related trauma like Pixar. In its Toy Story series, Pixar took the example of Margery Williams’ popular and dire 1922 kids’ book The Velveteen Rabbit about the suffering and ultimate resurrection of a stuffed bunny, and satirized the uncanniness of walking, talking toys. Here, debuting director Josh Cooley balances the ebullient humor of the toybox with the story’s essential tragedy.

In this installment, Cowboy Woody (voiced by Tom Hanks) is going through it. His porcelain pal Bo Peep (Annie Potts) gets Kondo-ized, shoved into a cardboard box and given away. And his new human, 5-year-old Bonnie, isn’t very interested in him. Obsolete and relegated to the dusty closet, Woody salves his dignity by protecting a tenderfoot toy Bonnie made out of a plastic spork with pipe cleaner arms and googly eyes. Forky (Tony Hale), who longs to return to the garbage from which he was repurposed, is a flight risk. During a family RV vacation, he gets loose.

Woody tracks the fugitive to a tourist town antique store; a fortress run by a damaged 1950s baby doll called Gabby Gabby (a remarkable performance of neurosis and loneliness voiced by Christina Hendricks). This queen bee is protected by a mute goon squad of ventriloquist dummies—scary, but scary in a good way, that thrilling way that makes the best Disney cartoons sing.

Stalemated, Woody encounters a guerrilla band of freed toys living in the wilderness of a city park. They’re led by an old friend, now a wild woman with the skills of a general.

Today’s movies aren’t built half as well as these cartoons, with their Hans Christian Anderson terrors and brash humor. The engineering of fright, laughter, chases, and sweet relief here is classic.

‘Toy Story 4’ is playing in wide release.

PG &—We’ll See?

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Pay Now and Pay Later PG&E may still face $30 billion in additional lawsuits stemming from the North Bay and Butte County fires.

There were so many headlines around the country about PG&E’s $1billion settlement with cities and counties last week, a casual observer might be moved to conclude that the utility’s wildfire-related lawsuits were now behind it.

Not so. In fact, there’s no guarantee that Santa Rosa or Sonoma County will ever see any of the $414 million that’s part of the Sonoma Fire Complex piece of the settlement. And if they do, it won’t be until 2020. Plus, the embattled utility is reported to be facing down some $30 billion in additional lawsuits brought by businesses, individuals and homeowners affected by the fires.

As the news broke officials in Sonoma County expressed cautious relief at the county’s proposed but unspecified piece of the settlement. The $414 million figure for the North Bay was arrived at through mediation and will be divvied up between nine Sonoma and Napa counties and cities affected by the fires. The remainder is being directed at suits filed by Paradise and Butte County after last year’s firestorms to the north.

The bottom line is that nobody knows who’s getting what—that’s yet to be determined—except that the lawyers will be paid 18 percent of the net from whatever winds up in Sonoma’s coffers, according to the county’s contract with the law firms.

Despite the uncertainty surrounding it, the settlement announcement came at a salient moment where recovery efforts locally are faced with dwindling federal and state resources: Sonoma County had just been through a bruising budget season as it adopted a $1.78 billion budget for fiscal year 2019-20 that slashed jobs and fretted over its property-tax shortfall that’s an ongoing legacy from the 2017 wildfires.

Some 92 county positions were on the chopping block (the county managed to restore all but 40 of the proposed cuts) during this year’s round of budget talks, and in a press release, the county noted that it was continuing to pursue state money to “backfill property losses after experiencing a loss of over $200 million from the disasters experienced over the last two years.”

After footing the bill for cash-strapped counties and cities for two years, continued property tax backfill from the state is not part of the state’s final 2019-2020 budget, and if any final settlement is arrived at, it won’t be until mid-2020 that any regional city or county can use their share of the PG&E settlement to shore up local budgets or address the ongoing hole in their property-tax collections.

In the meantime, Sonoma County Supervisor David Rabbitt pledged to look for grants and seek reimbursement for the lost property tax income from the state and federal government, “but we must plan as if we are not going to receive any assistance,” he stressed in a statement that attended the county’s budget release two weeks ago.

Meanwhile, the timing of the mediated settlement announcement was a portent of good news for cities and counties with big holes to fill in their wildfire-related budget shortfalls, but was it telling? Sonoma County is not alone as cities around the region just now releasing their budgets and fiscal projections for next year and their annual financial reports from last year. Santa Rosa’s 2018 City Annual Financial Report (CAFR) signals its concern over the potential for lost property-tax backfill starting in 2019.

The proposed-but-by-no-means-finalized $1 billion settlement made headlines far and wide, but the national-headline-machines did not crank up in similar fashion at news late last week that a proposed emergency fund to help utilities in California deal with future wildfires, to be funded by PG&E and its shareholders, would include some contributions from PG&E ratepayers, under Gov. Gavin Newsom’s draft wildfire recovery outline released last Friday.

Sen. Bill Dodd, one of the lawmakers who worked to sketch out the parameters of the proposed emergency fund, issued a statement late Friday that warned against putting too much burden on ratepayers to pay for wildfire damage in his wildfire recovery plan.

“The legislature has been working diligently on addressing wildfire risks, and I appreciate the time and thought Gov. Newsom has taken on this critical issue,” says Dodd in a statement. “We look forward to carefully vetting the details of his draft and engaging in a collaborative process to develop a solution. My ultimate focus remains on protecting ratepayers from undue costs, ensuring victims are compensated and on improving safety for all Californians.”

When it comes to the lingering property-tax conundrum, Dodd’s office says the senator has been advocating for a continuation of the property tax backfill for Sonoma and Napa counties, which wasn’t included in the state’s 2019-20 budget. “We’re continuing to push for additional support,” says Dodd via email.

The Napa-based senator says the settlement reached last week was good news for cities and counties struggling to rebuild and provide services, but adds that “all victims of the wildfire caused by PG&E deserve to be compensated for their losses, and I hope PG&E will do the right thing and settle with the individuals who lost their homes as well.”

According to a fire victims lawyer interviewed in the Wall Street Journal last week as the mediated settlement was reached, PG&E may be facing up to $30 billion in additional lawsuits, and not just from homeowners but potentially faces class-action suits related to negative health impacts from the deadly wildfires that scorched the North Bay and, for a few horrible days last summer, gave the Bay Area the unenviable position of having the worst air quality in the world.

To settle its suit with PG&E, the county leaned on a national law firm with a long history of litigation over asbestos and diseases that are said to be caused by the substance, including mesothelioma.

In February 2018, Sonoma County signed a contract with the law firm, Baron & Budd and two other fire-focused law firms, to represent the county and its agencies in litigation arising from the Sonoma complex Fires of October 2017. According to the contract, the litigation was “intended to insure that taxpayers and Sonoma County ratepayers do not bear the burden of the many millions of dollars of damages caused by the Sonoma Complex Fires.” But the settlement last week only partially unburdens Sonoma County taxpayers. The contract stipulates that the law firms would be paid for their services if the suit was settled favorably for the county.

As part of the agreement with outside counsel, the county also hired two lawyers to deal with fire litigation and said it would expect that “a reasonable amount of County Counsel fees will be incurred to support the lawsuit against PG&E,” and said it would be able to recoup up to $450,000 of county counsel expenditures “as party of any settlement.”

The county budgeted $120,000 to pay for the additional lawyers brought on board to work the lawsuit and another $68,000 for work that had already been undertaken by the counsel’s office. The contract with Blum and other law firms set a contingency fee based on 18 percent of any net settlement or recovery that the firm obtained for the county. That means the law firm will get nearly one-fifth of any settlement that comes Sonoma County’s way.

The settlement is not settled yet. Santa Rosa and Sonoma County, along with seven other counties and cities, have only agreed to accept mediator Judge Jay Gandhi’s proposed settlement. In a joint statement last week, officials from Santa Rosa and Sonoma County noted that the allocation of the $415 million had not been determined. Before any monies wind up in county or city coffers, the mediated agreement will be incorporated into a PG&E’s Chapter 11 bankruptcy case. The settlement is contingent on the Bankruptcy Court confirming PG&E’s reorganization plan.

Requests for comment from the Sonoma County counsel’s office were directed to lawsuit point-person John Fiske at Baron & Budd. “It is in the best interest of the wildfire victim communities for PG&E to emerge from bankruptcy as soon as possible,” Fiske says via email. “Communities cannot receive compensation unless and until PG&E is out. We hope all parties and lawyers can resolve disputes as efficiently as possible.”

Local officials were meanwhile cautiously optimistic and relieved that help may be on the way to plug their fire-related budget holes, but nobody’s counting their chickens just yet.

In a statement, Santa Rosa mayor Tom Schwedhelm gave an indication of where Santa Rosa’s piece of the settlement might be deployed: “This agreement, if approved, will not only help support Santa Rosa’s recovery, but also to aid in our ability to invest in resiliency measure that may better protect our community from future disasters.”

The sentiment was echoed by Rabbitt, who said the county’s piece of the settlement would be dedicated to fire-damaged roads, infrastructure and watersheds, “while protecting taxpayers.’

Nerve Agent

Shingles is caused by the varicella-zoster virus and is related to the chickenpox virus. What triggers an outbreak is unclear, but stress, trauma and a compromised immune system seem to be culprits. I came down with a case two weeks ago.

The pain was uncomfortable, but not severe. It’s going to get worse, my doctor warned me. Shingles is a potentially debilitating condition because it exposes nerve endings on your skin. It generally lasts two to five weeks, but pain and nerve damage can last indefinitely.

Endless nerve pain? My doctor prescribed an anti-viral medication which was supposed to shorten the duration of the disease, as well as Tylenol 3 for pain. Then I did what you’re not supposed to do when you’re sick: I went online. But rather than read worse-case scenarios, I researched what cannabis could do for shingles, since it seems to be prescribed for just about everything else.

Turns out there’s a wide body of research that shows the efficacy of using cannabis to treat shingles. According to the United Patient’s Group, traditional painkillers don’t fight shingles pain well because shingles damages nerve receptors that would normally allow them to work. But the receptors for cannabis are located throughout the body and escape shingles’ attack. That means cannabis can provide pain relief as well as reduce inflammation.

A 2011 study in the journal Neuropsychopharmacology (“Regulatory Role of Cannabinoid Receptor 1 in Stress-Induced Excitotoxicity and Neuroinflammation”) found that our endocannabinoid system, which is activated by cannabis, has neuro-protective functions that can guard against nerve inflammation and damage.

Thus encouraged, I stocked up on a THC-rich salve and lozenges with equal parts THC and CBD. After a week of using both, I’m feeling better. Small, non-psychoactive doses of cannabis helped with the pain better than Tylenol 3 and my rashes are almost gone.

Do I have cannabis to thank? The anti-viral medication probably played a role, but my recovery was much faster than I anticipated. Cannabis might help you, too, if you’re similarly afflicted.

Look Within Santa Rosa

I think we’ve done pretty well since selecting Tom Schwedhelm from our local police force to be the chief, followed by Hank Schreeder, soon-to-retire. I hope that the city of Santa Rosa keeps this in mind as they interview candidates for our next police chief.

I think our local management team has provided excellent leadership generally, and I strongly believe local experience matters in our community. Best wishes to the chief in his retirement, and I hope that promotion from within has become a trend that will continue.

Santa Rosa

We’re Not So Bad

These days some people have a hard time recognizing anything good about our country. But the truth about the U.S. is complicated. Granted, the Trump years have brought us low, but for anyone coming from the global south, the U.S. still looks like paradise—at least, initially. Rule of law, due process, opportunity, democracy, as much as these have been diminished of late, they’re still there, battered but breathing. In raising public awareness of all that is wrong in the U.S., we have been discounting all that’s right.

Nevada City

Reform Prop. 13

Well timed to accompany the election to defeat Trump in November of next year, an initiative to “adjust” Proposition 13 in the form of a “split roll” tax will also be on the ballot.

A split roll tax enables commercial and residential properties to be valued, assessed, and taxed differently. In the campaign there will be almost as much B.S. produced to confuse and irritate voters as in the presidential version.

We will read desperate claims by the California Chamber of Commerce and others who will say another $11 billion or so of taxes on businesses will kill economic growth in the state for centuries.

On the other side, the unions, including the California Teachers Association, Mark Zuckerberg and many community groups will claim that the initiative will promote greater fairness in the tax system and reasonably benefit the schools and other precious causes.

Governor Newsom will stay out of the battle for now until he sees which way the wind is blowing, and will get away with that by telling us that any adjustment to Prop. 13, passed by 65 percent of voters in 1978, should be part of a general tax reform program.

No matter how you feel about Prop. 13, which took away many reasonable ways for municipalities to tax our citizens but not all of them, it is going to be tested, as it should be.

What would be nice is for all the interest groups involved, and our beloved and pretty useless state elected officials, to sit down now and once and for all hammer out a tax reform program that is fair and equitable for all Californians, businesses and individuals.

But it won’t happen because democracy does not work in this state, nor in this country, at this time.

San Rafael

Write to us at le*****@******an.com.

Come to the Cabaret

It was only going to be a one-time show,” says Jake Ward, founder, co-producer and master of ceremonies for the North Bay Cabaret. “Like many people, I never planned on being here.”

For Ward, “here” is the five-year anniversary of the North Bay Cabaret, which is celebrating half a decade of entertaining Sonoma County audiences by putting on a blowout variety show spectacular on Friday, June 28, at the Cabaret’s longtime home, the Whiskey Tip in Santa Rosa.

Five years ago, Ward was booking punk concerts at venues like the Arlene Francis Center, until he had an epiphany while attending a performance in Oakland.

“I’ve always been explicit that North Bay Cabaret was entirely inspired by another show, Tourettes Without Regrets,” says Ward. “Once I saw my first variety show, I knew this was all I wanted to do.”

The variety show format that Ward fell in love with can include anything and everything within the live-show setting; burlesque dancing, belly dancing, standup comedy, circus sideshows, aerial acrobatics, spoken word, SLAM poetry, and live music.

“When I met Jake, he was blown away by how we were combining these different types of acts,” says Tourettes Without Regrets founder Jamie DeWolf. “How we blurred the boundaries, making no real distinction between high-brow and low-brow.”

Ward pieced together that first North Bay Cabaret lineup with people he knew, including DeWolf, musician Josh Windmiller and a goth comedian named Oliver Graves.

“The things that are inspiring to me about the variety show format are the diversity of art, the diversity of voices,” says Ward. “One moment you’re watching a dancer, the next there’s a hard-hitting poem, the next there’s a comedian. You go on this emotional roller coaster throughout the night.”

After that first successful show, DeWolf took Ward aside and gave him an order; make the North Bay Cabaret a monthly show.
“He told me, ‘If this is ever going to become a scene and develop within the community, you need to do it consistently,” says Ward.

For the first year, it was a month-by-month thing, with ticket sales often covering most, but not all of the costs of paying the performers and crew. Many months, Ward dipped into his own pocket to make the event happen.

Obviously, Ward could not do it alone, and the North Bay Cabaret has become a labor of love for many people, including co-producer and technician Susy Dugan, who’s worked with Ward on events going back to 2012.

“He’s always had really unique and interesting taste,” says Dugan of Ward. “Whatever he was doing I wanted to support it.”
Over the years, Dugan and Ward have grown to advise and counsel each other in various projects, sharing concepts and developing new ideas. Other locals who’ve helped the North Bay Cabaret along the years include Tina Adair, Bella Dukessa, Amber Kernohan, Dusty Oertel, Mouse, Shelley Smith, Calamity, Wilder, Sonya Warry, Afina Flint, Dante Carlozzi, Barrie Sterling, Tyler McCourtney, Justin Walters and Alex Shapiro.

Eventually, community interest sustained the show, and for three years, the North Bay Cabaret kept up as a monthly event that adopted a new theme each time and took risks with artists creating acts specifically for that show.

“We started down the road of pun-based themes,” says Ward. “For me, the name came first, then the theme that that implied.”
Themes included “Furbruary” with animal-inspired acts, and “Shocktober” which aimed to include shock value in the performances.

With artists embracing the challenge of creating an act to fit each theme, North Bay Cabaret became a catalyst for new art in the area.

”It starts to feel like this is not only an entertaining spectacle of different stuff, you’re getting these pockets of your local culture that you may not interact with day-to-day,” says Ward. “It becomes a community-builder.”

“Jake has made a place that encourages people to express themselves, and let their true selves out,” says Dugan. “It’s very supportive of the performers, it’s a safe environment and everyone looks out for each other. It allows people to feel a sense of belonging who would otherwise be on the outskirts of social norms and find people like them who aren’t afraid of being a little strange.”

That sentiment is echoed by several of the performers involved in the North Bay Cabaret, like longtime bellydancer Pauline Persichilli.

“What I love about it, is that it’s a platform of free space,” says Persichilli. “There’s not really any rules, no judgment, just time to express yourself. And there’s been some crazy acts.”

From turkey-stuffing dance routines for a Thanksgiving show, to Jabba the Hutt stripteases for a Stars Wars-themed cabaret, the stage at the Whisky Tip has seen some of the North Bay’s wildest side.

“It’s fun to do a diverse show like this, that’s very inclusive of all different types of people,” says Whisky Tip owner Joshua Porter. “North Bay Cabaret crowds are our best crowds.”

In October of 2017, the North Bay wildfires changed everything. Not only did the cabaret briefly suspend operations, mainly due to the fact that performances take place in the outdoor area of the Whiskey Tip, they took the time to re-examine the monthly format and ultimately decided to experiment with crafting fewer, but bigger shows each year. In addition, North Bay Cabaret has started exploring new venues and performance options, recently taking the stage at the Santa Rosa OutThere Exposition in April.

“That was cool for us, to have the hometown saying, ‘you’re part of what’s going on and we’ll put you on stage,’” says Ward. The North Bay Cabaret also recently collaborated with Lagunitas Brewing Company to supply the talent for the breweries’ first Pride event in June. This week’s anniversary show promises to be one of the Cabaret’s biggest showcases ever.

“I think the beautiful thing about creating variety shows is that you have different artists and performers in the same room who don’t run into each other in their artistic tracks,” says DeWolf. “When they combine, new partnerships happen, people start creating new acts, and what you’re going to see at the five-year anniversary show is all those talents converging. The lineup is insane.”

Performers at the upcoming show include San Francisco songwriter Rachel Lark, who sings about controversial subjects with the voice of an angel, Oakland burlesque performer Jet Noir, Sonoma County improv troupe the Natural Disasters-formerly known as the Gentlemen Bastards, sideshow acts from Afina Flint and standup from Graves, who’s dark one-liner brand of comedy landed him on television competition series “America’s Got Talent” last year and has made him a viral sensation across the internet.

“When I booked him (five years ago), I thought he was unique and weird and somewhat unsettling, and I thought that was fantastic,” says Ward of Graves, whose tenure in the local scene largely began with North Bay Cabaret.

“This show has the experience, the punch of being in the moment with everyone watching it live,” says Graves. “The audiences are the ones that have made this event. It wouldn’t have gone on for five years if was struggling, the audience that keeps coming to these things keeps it going. That’s who I do it for.”

For the anniversary show, Graves is giving the audience something new, taking his disjointed one-line jokes and incorporating it into a full story, “but it’s going to be the way I would do it,” he adds.

“I think that reaching five years is a testament to there being a desire in the community for something to go see,” says Ward. “When we put on a show, we’re not in competition with other events in the area; we’re in competition with Netflix. The North Bay Cabaret is advocating for live entertainment and the audiences that come out are the impetus to make live entertainment sustainable.”

The North Bay Cabaret 5-Year Anniversary Show happens on Friday, June 28, at Whiskey Tip, 1910 Sebastopol Rd, Santa Rosa. 7pm. $20. 707.843.5535.

A Real Show

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For eight years, the Transcendence Theatre Company has entertained local audiences with top quality musical revues featuring magnificent choreography set to a mixture of show tunes and popular musical hits. Utilizing talent with Broadway and national touring company experience, the question “When are they going to do a real show?” has lingered over the winery ruins in Jack London State Park for some time.

The answer is right now as Transcendence presents A Chorus Line, their first full-length book musical. The Pulitzer Prize and Tony Award-winning classic about dancers auditioning for eight spots in a Broadway chorus is tailor-made for this company.

Being put through their paces by demanding director Zach (Matthew Rossoff), the 17 performers who make the first cut (the show loses a third of its diverse cast after about 20 minutes) are subjected to penetrating interviews. Who are they? What brought them to dance? What would they do if they couldn’t dance? Their stories are the show. Family problems, sexual awakenings, body image issues and more are beautifully addressed through song and dance.

In a pre-show speech, director Amy Miller shared with the sold-out audience that A Chorus Line was her favorite musical because it was about real people. That, along with the fact that most of the cast have either lived or are currently living lives very similar to the ones they portray, made several characters lack of credibility disappointing.

Some are played too broadly; others are not played strongly enough. Kristin Piro delivers an excellent Cassie, but I didn’t buy her relationship with Zach for a second. Rossoff simply did not exude the vocal power and physical authority required of the role.

More than credible was Royzell D. Walker who, while having the least “legitimate” stage experience of the cast (he’s a recent graduate of the University of Alabama), brought a commanding stage presence, a terrific voice and dynamite dance moves to the character of Richie. Natalie Gallo is superb as Diana Morales, who regales us first with her tale of being told she was “nothing” and then with the show-stopping “What I Did for Love.”

It’s a good first effort by the company that would have benefited from more nuanced direction. There’s great dancing, some very nice vocal work, but uneven acting. In the parlance of the show: Dance: 10, Voice: 8, Character: 6

Rating (out of 5):★★★&#189

‘A Chorus Line’ runs Friday–Sunday through June 30 in Jack London State Historic Park. 2400 London Ranch Road, Glen Ellen.

Red Hot?

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There’s more to summer wine than chilled whites and rosés. On those summer evenings when an onshore breeze sneaks in under the still-blazing sun, the time and temperature are right for a light Pinot Noir from a cool climate region like, say, Anderson Valley.

But wait—the weather station in Boonville, the no-stoplight small town that’s the main settlement in Anderson Valley—says it’s 80 degrees at noon on this first, somewhat mild day of summer, while over in Graton in cool climate Green Valley, it’s only 69. And the other day, even Philo, further up the valley, reported temps in the upper 90s, compared to the 80s in Santa Rosa. So, what gives about this cool climate Anderson Valley?

“While it’s something of a coastal climate, it’s a little shielded from the effects of the ocean,” says Adam Lee, winemaker at Siduri Wines. “Check the morning temperatures,” Lee advises, “because sometimes it gets colder in the mornings, and it takes longer to warm up. It’s not the highest high, but how long did it take to get there?” Although Siduri is renowned for its wide range of sources, from Oregon down to Santa Barbara, it
‘s taken Lee nearly 25 years to get back to Anderson Valley, where
he purchased his first grapes for
the brand.

Lee says that weather stations don’t tell the whole story of elevation in Anderson Valley, and besides, “I tend to talk more about the fact that it’s fairly isolated, and people don’t know the area very well.” The valley’s more about farmers working their own vineyards than it’s about the kind of high-end hotels where sommeliers like to stay.

Lucky for Siduri, one of those family farmers is Jackson Family Wines, which has made big investments in the valley. JFW bought Siduri in 2015, but retained Lee as winemaker. Siduri’s 2017 Anderson Valley Pinot Noir ($40) blends fruit from three vineyards, up to 2,000 feet in elevation. This silky, light-hued Pinot shows woodsy and spicy, like split redwood. With flavors of strawberry and cranberry jam, and a hint of mint—or that Anderson Valley hallmark, pennyroyal—it’s on the warmer side of cool Pinot. Crack the screw cap and sip as an aperitif.

A cooler customer yet, Siduri’s 2017 Edmeades Anderson Valley Pinot Noir ($50) has an even more limpid, raspberry red hue, and a charming scent of raspberry pastille—pardon the fancy wine argot, but Jolly Rancher just won’t do—and milk chocolate. This is silky, too, but higher acidity lends it a sterner, more structured palate impression. The better option to serve with lighter summer fare off the grill, or to put in a bag and blind taste alongside a wine from Burgundy, France—where it’s forecast to hit 100 degrees on Wednesday, June 26.

Stay Heavy

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Aftertayst is back.

Dan Kabanuck, guitarist with the storied Sonoma County metal band, says there was a time when he thought his band was finished.

“We did it for 12 years,” Kabanuck says. “We worked it really hard. We got really close. We hung out with Metallica. We opened for Testament and Death Angel. We played with some really big bands. We were there. We were right there. We could taste it.”

And then, it was over.

All that was left were some old posters, a stack of recordings no one had ever been entirely satisfied with and great memories tinged with a bit of regret.

“There’s an invisible veil that you can’t get through from this side unless someone on the other side reaches over and pulls you through,” Kabanuck says. “For whatever reason, that never happened. We never attracted quite enough attention to be pulled through. And ultimately we just imploded.”

Kabanuck eventually returned to his original career as a real estate broker.

“I took a hiatus from real estate to become a rock star,” he says, “then came back because, you know, I didn’t become a rock star.”

Now, not only is Aftertayst back—and getting ready for a huge reunion show with the band Krawl at Spancky’s Bar in Cotati—the band is redoing the group’s entire catalog with state-of-the-art technology at Cotati’s legendary Prairie Sun recording studios.

“The thing is, we never got a really good CD,” he explains. “We recorded a lot of our stuff. It never worked out. But my youngest kid started listening to my old music, and he was liking it. Eventually, I thought, ‘We should really re-record a few of our songs, and do it right this time.’ And then ‘a few songs’ turned into all of the songs, and now here we are, 22 songs recorded out of a 30-song collection we plan to release sometime later this year.”

But first, there’s that big reunion show at Spancky’s.

“I think we still sound good,” says Kabanuck. “We’re fast, we’re furious, we’re good old school metal.”

Aftertayst and Krawl play Saturday, June 29, at Spancky’s Bar, 8201 Old Redwood Hwy, Cotati.9 pm to 1 pm.
$5. 707.664.0169.

E-Truckin’ Ahead

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Work used to be simple for the California Department of Transportation: widen highways, fill potholes, build new freeways.

Alas, those quaint days
are gone.

To get an idea of what planners must prepare for, state officials recently hosted a demonstration of a drone air taxi that will require devising a “highway above the ground,” said Reza Navai, a Caltrans transportation planner. “If you think transportation on the ground is complex….”

Such sci-fi-like transit is one of many high-tech changes coming as California implements its planned electrification of transportation to radically reduce greenhouse-gas emissions. The path to “zero,” as in zero-emission vehicles, extends well beyond flying taxis and the 5 million electric cars the state hopes will drive its roads by 2030. Everything—everything—will be replaced with an electric analog: from boats, planes and trains to delivery vans to farm tractors and even forklifts. The to-do list stretches as long as California’s seemingly endless blacktop, with freight as a major challenge.

The state’s transportation gurus envision technology that pings driverless vehicles with an automated message when they stray from their lanes, “smart” roads that charge electric cars and trucks as they pass and an electrified Interstate 5, the West Coast’s main freight corridor. California has already widened its painted lane stripes to six inches from four so self-driving vehicles can better “see” the road. Ultimately, the highways themselves will be redesigned and constructed with different materials.

California’s transportation agency, which updates its master plan every five years, is currently preparing a look at 2050. While officials cannot predict each new technological wrinkle, Navai said, “we must be able to consider all possibilities.”

To achieve a carbon-free transportation future, California will need to cover a lot more ground in a short time frame.

“If California’s trying to be a leader, we have to go as fast as possible,” said Lew Fulton, who studies sustainable transportation at UC Davis’ Institute of Transportation Studies. “Policies are critical to try to speed this up and try to push the envelope, and get all the manufacturers scared enough that they start producing what we need. Carrots and sticks. Carrots being pricing and incentives, sticks being regulatory.”

The state has spent more than $1 billion in the last five years to encourage research, subsidize the exchange of internal combustion vehicles for zero-emission options, formulate cleaner fuels and expand vital charging infrastructure.

It’s working with technology firms to clean up heavily polluting marine fuels belching from container ships at California ports, and state funds are helping Central Valley farmers, who are on a waiting list to replace their aging farm equipment with fuel-efficient models and to receive rebates.

Such projects may get a boost from California’s Tesla-owner governor, Gavin Newsom, as budget negotiations wrap up this month. His proposed spending plan includes nearly $24 billion for all aspects of transportation, a 6 percent increase.

Few transportation modes have clean-engine options as advanced as those for passenger cars. Buses are the exception. The Chinese company BYD, manufacturing electric buses in Lancaster, is the largest in North America and has produced more than 300 buses, including nearly half of the Antelope Valley Transit Authority’s pool.

The city of Los Angeles has pledged to convert its bus fleet—second-largest in the country—to electric by 2030, though mechanical and performance problems plagued the rollout of its BYD vehicles. Many other transit districts have similar goals that include school buses. The financial burden of those commitments is softened by state vouchers for up to $200,000 toward the purchase of each zero-emission bus.

The availability of some electric all-terrain recreational vehicles, farm machinery and specialty equipment such as cherry-pickers and front-end loaders has produced niche markets. Generally, though, the readily available transportation technology stops where the road ends: Electrification of trains, planes and ships is less advanced.

A state analysis found that ocean-going vessels still depend on heavily-polluting marine fuels and, aside from nuclear-powered engines for military use, zero- and near-zero technologies are not currently available. Among smaller vessels, San Francisco Bay’s famed Red and White fleet added a new hybrid-electric ferry this week.

Ships docking in California’s ports frequently forgo using diesel generators to operate and instead plug into shore-side electric power. But even when stationary, big vessels have a massive appetite: A nine-cylinder ship engine—five-stories tall and weighing 1,500 tons—can produce enough power to run 30,000 homes for a year.

But trucking is the major freight challenge for California. More than 97 percent of the state’s big rigs operate on diesel fuel, which is highly polluting and a significant contributor to detrimental health effects on those residing near transit corridors. Currently only a handful of electric or hybrid heavy-duty truck options exists, mostly prototypes.

“I see 100 percent electrification as being far off; there just aren’t any of those trucks on the road,” said Brandon Taylor, director of transportation for GSC Logistics, a freight company operating at the
Port of Oakland.

Freight represents a transportation problem somewhat of our own making: We desire—and order online—more and more products, for delivery right now. With each mouse click, delivery vans and trucks flood the state’s highways and neighborhood streets, dispatched to cover what supply-chain planners call “the last mile” of residential delivery.

About 20 percent of trips in the United States are, in fact, less than a mile. But it’s too late to shut off the merchandise-delivery tap, and freight accounts for about a third of the California Gross Domestic Product.

The influx of these trucks and vans runs counter to one of California’s bottom-line goals: to reduce not just the number of vehicles on roads but also, and more critically, the miles they travel. The mid-sized delivery vans taking the package handoff from heavy-duty trucks are turning over odometers at a dizzying rate; in Southern California, an estimated 85 percent of truck traffic is dedicated to local deliveries and short hops.

The future is likely to include on-demand trucking. Predictably, there’s an app for that, Uber Freight, which launched in California in 2017. It’s one of a handful of load-matching apps that connect shippers with smaller, more nimble trucks plying local routes. The system is intended to increase efficiency and decrease total miles driven. Additionally, electric trucks can return to a home base at night to be recharged.

Big rigs in California aren’tt subject to the smog inspections that have applied to cars since 1982, partly due to early pushback from trucking companies and insurmountable complexities involved in regulating out-of-state vehicles. But that could change: A bill advancing in the Legislature would create smog checks for big diesel trucks.

The state will need to retrofit highways to allow charging of electric freight trucks, which some experts say may still be a decade away. Planners are examining exactly what an electric-truck stop would require: Big trucks need big batteries and very large charging infrastructure.

Utility companies in California, Oregon and Washington are underwriting a study that will examine how to provide electric charging and hydrogen fueling along the entirety of Interstate 5, with bays for next-generation semi-trucks running on batteries or hydrogen gas.

State regulators recognize that innovation doesn’t always align with government goals and deadlines and are planning for clean technology where feasible. Like everything else, it’s not going to be cheap.

The cost of an electric semi-tractor trailer, $300,000 or more, is more than twice that of a traditional diesel truck. That can be a burden on mom and pop companies, 90 percent of whose fleets contain six or fewer trucks and who operate on relatively tight margins.

“It’s going to be tough,” even with state subsidies, said Chris Shimoda, lobbyist for the California Trucking Association.

Shimoda said his members don’t care what type of fuel the state requires. “Everybody knows this is the direction California is going,” he said. “It’s easy to say we have a goal of eliminating fossil fuels, but as I think everyone would admit, the details of how to get there are important.”

At the Port of Oakland, with freight-train horns blaring in the background, Taylor said by phone that it’s eerie to see—but not hear—his company’s electric big-rig pull into one of the loading bays. “It kind of sneaks up on you,” he said.

The company’s been testing the truck for more than a year, underwritten partly by a state grant, and expects delivery of two more in the fall. Taylor uses the truck to move containers around the port but has yet to put it on the road, echoing the “range anxiety” associated with electric cars. His truck’s battery runs out and needs recharging after 120 miles.

“I guess it can only get better with electrics,” he said. “I’m not sure how it’s all going to work, but it’s happening.”

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