Screen Life

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Once an undercover police officer, now the subject of an Oscar-winning movie, retired detective and author Ron Stallworth—the central figure in Spike Lee’s 2018 “BlacKkKlansman”—admits he’s still adjusting to the limelight.

“I’m trying hard to adapt to this ‘celebrity’ gig,” laughs Stallworth, speaking on the phone from Fort Worth, Texas, where he was participating in a Fourth of July book distribution event.

Stallworth appears in Sonoma on Thursday, July 11, at a Sonoma International Film Festival event. In addition to a meet-and-greet with Stallworth and his wife Patsy—to whom he dedicated his book and who shares all public appearances with him—Stallworth will appear onstage at the Sebastiani Theatre, following a screening of “BlacKkKlansman.”

Based on his bestselling 2014 memoir, the movie stars John David Washington and Adam Driver. It relates the story of Stallworth’s time with the Colorado Springs Police Department and his successful infiltration of the area’s Ku Klux Klan. The movie received six Oscar nominations, including Best Film. It won for Best Adapted Screenplay.

Asked why he wrote the book after years of relative silence, Stallworth says there was never any real secrecy—he’s shared the story with friends and family many times.

“I freely showed people my KKK membership card, which I still carry,” he admits. “I just never told the press. But when I’d tell people, they all said basically the same thing: ‘There ought to be a book.'”

The film adaptation, unsurprisingly, takes some liberties with the truth. Still, Lee’s script sticks fairly closely to the real story, in which Stallworth, in the ’70s, engaged in several phone conversations with local klansmen, then coordinated with white undercover detectives who made face-to-face contact with the Klan while pretending to be Stallworth.

One surprising outcome of the book and movie’s release is it corrected the widely held assumption the KKK was essentially extinct.

“I have to tell people all the time,” Stallworth says, “white supremacists have always been around, and they will always be around. And now, Donald Trump has given them the microphone, and white supremacy is taking full advantage of that. But I’m here to tell you, there are no good Nazis, I don’t care how you slice it. There’s no such thing as a good Nazi—I don’t care what the president says.”

Taste Riot

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I‌ fully expect new folks to show up in North Bay wine country next week and announce their plan to make wine as good, or better, than the best wines of France.

The plan is nothing new. James Concannon did just that in 1883 when he planted vine cuttings from Château Margaux—famed for its wines then as now—in his Livermore Valley vineyard. Margaux, located in the Bordeaux region on the southwestern coast of France, happens to be big on Cabernet Sauvignon—now the most widely planted grape in California by far—and some 80 percent of its acreage is now planted with clones of Cabernet that originated in the Concannon Vineyard, according to the winery. With its toasty Cabernet s’more aroma of graham cracker and jelly, Concannon’s classic 2016 CV Paso Robles Cabernet Sauvignon ($20) has plenty of varietal character for the price, with room left over in the middle palate for sensibly paired cuisine.

Despite our reputation as revolutionaries, Americans are restorationists par excellence when it comes to the king of grapes—you see the Bastille Day tie-in? Take Jordan Vineyard & Winery, which recently dumped its American oak barrels in favor of French oak barrels for its latest vintage, 2015 Alexander Valley Cabernet Sauvignon ($57). Just as food-friendly as the last vintage, this mélange of dried mixed berries, walnut, and raspberry herbal tea isn’t necessarily my cup of tea for a second glass, but as a Bordeaux-styled accompaniment to food, it’s hard to beat.

Choose Frank Family Vineyards’ 2016 Napa Valley Cabernet Sauvignon ($58) for a broadly warm, strawberry and plum jam-flavored sipper. Sweet and soft, it also shows enough black olive and pencil box Cabernet character to stay in its price lane.

Now, name the reigning monarch of California white wine. Sauvignon Blanc? Good guess, because that’s the blanc heavy of southwestern France. Yet, despite the popularity of “Sauternes” among California wine drinkers of the 1880s, their successors of the 1980s weren’t as savvy. That’s just as well, because Gamble Family Vineyards’ 2018 Sauvignon Blanc Yountville ($28) offers plenty of pretty citrus blossom, honey, and tropical fruit cocktail aromas for the price. With Asian pear flavor and a green, fruit cocktail grape note, the finish has a balancing touch of bitter melon rind.

I also like the simpler Pixy Stix, grapefruit zest and smoky flint-scented Benziger North Coast Sauvignon Blanc ($15). When it’s time to let them have Chardonnay, try the Benziger 2017 Sonoma County Chardonnay ($16) or Imagery 2018 California Chardonnay ($20), whose on-type, if muted, apple pie and caramel flavors should cause no revolt among loyalists to the queen of California white wine.

The Dispossessed

San Francisco is a series of steep hills that people cling to until the gravity gets them. The Last Black Man in San Francisco is a remarkable film, in the way it evokes that downward pull.

It’s all about a dispossessed young man and the best friend who lives with him and studies him. Jimmy Fails (played by an actor of the same name) was homeless for half his life. He’s obsessed with a Victorian house on the edge of the Fillmore; he surreptitiously tends to it, lovingly painting the windowsills even as the current tenants pelt him with fruit from Whole Foods.

He’s crashing in Hunters Point, sharing a small house on a hill underneath the Sunnydale projects with his close friend Mont (Jonathan Majors) and Mont’s blind grandad (Danny Glover). Jimmy feels this wooden castle of a Victorian is a family treasure. After a dispute leaves it vacant, the young man reclaims the place, if only as a squatter.

Gentrification is coming even for this remote stretch of San Francisco. But director Joe Talbot is too thoughtful to satirize the new arrivals. Talbot keeps his eye on what’s left of life there.

The film is a beautifully made study of urban dispossession. Adam Newport’s photography is up with the best visions of the city ever screened: a hill flattened by a long lens to look as steep as a Diebenkorn cityscape, the zeroing in on a window in a Tenderloin SRO where Jimmy’s scolding father lives; at last, the wrenching finale, a scene in an open boat on oily purple water. Jimmy’s conversation with a couple of newbie white girls on the Muni is a line that will be quoted as long as there’s a San Francisco: What he says is as wise as the saying by whomever it was—probably not Mark Twain—about the coldest winter they ever spent.

‘The Last Black Man in San Francisco’ is playing at Rialto Cinemas in Sebastopol and Summerfield Cinemas in Santa Rosa.

Desert Foxes

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Situated within the Bradshaw Mountains in central Arizona lies the town of Prescott (Pronounced “press-kit”). Over the years, this mile-high hamlet has earned a reputation as a place for emerging artists to find an audience and it draws singers and songwriters of all kinds to its many clubs and venues.

Jim Sobo was drawn there in 2003. He performed and recorded music in the Bay Area and Los Angeles for years before relocating to Prescott with his family, where he soon discovered a vibrant music scene at a venue called Coyote Joe’s.

“I started seeing some exceptional talent there,” Sobo says. “I was so taken with the talent that I decided to start this tour.”

For the past 14 years, Sobo has spent his summers curating and leading the Howling Coyote Tour, which appears at a half-dozen North Bay venues between July 16–21.

“I want to expose this talent to a larger fan base, a larger musical community,” Sobo says. “The San Francisco Bay Area is my favorite musical community. I’ve done a lot of traveling, and I think that San Francisco has a great ear for original singer-songwriters and acoustic showcases like mine.”

This year’s lineup of performers is one of the tour’s most widely varied yet, featuring instrumental guitarist Darin Mahoney, flutist Sherry Finzer and folk/blues duo Cross-Eyed Possum. Cross-Eyed Possum is twin brothers Jonah and Jason Howard, who mix jazz, blues and alternative rock, on guitar and bass.

On Sobo’s podcast, The Howling Coyote Radio Hour, Cross-Eyed Possum recently met and started jamming with Mahoney and Finzer.

“The tour hasn’t even started yet, and they’re already starting to collaborate,” Sobo says. “I can only imagine what’s going to happen when we get out on the road and start to work on stuff with each other.”

Howling Coyote Tour performs on July 16 at Mantra Wines in Novato, July 17 at Barrel Brothers Brewing Co. in Windsor, July 18 at 256 North Restaurant in Petaluma, July 19 at Grav South Brewing in Cotati, and July 20 at Marin Country Mart in Larkspur. Times vary. Free, donations welcome. howlingcoyotetour.com.

Pot Stickler

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Not So Green Cannabis industry packaging waste is taking its toll on the environment.

Waste Not SPARC dispensary’s recycling bins have been filling up quickly since they implemented a recycling program.

When JJ Kaplan was a supervisor for the San Francisco–based cannabis collective SPARC, he saw a lot of trash headed for the garbage bin.

“I would see boxes of plastic and waste everywhere,” Kaplan recalls. He talked about it with his friend Sam Penny, a garbage truck driver who had also noticed the weed-waste problem, and together they decided to launch a new business, Canna Cycle, to reduce waste in the world of weed.

“People forget our industry was built on old-school hippies and growers who were sustainable on all aspects,” Kaplan says.

Based in Eureka, Canna Cycle launched at the beginning of the year and now has recycling bins in more than a dozen locations throughout the Bay Area.

Locally, their 23-gallon bins at the five Bay Area SPARC locations collect cannabis packaging—glass jars, so-called plastic “doob tubes” and all the other childproofing plastic and packaging that’s part of the California Bureau of Cannabis’ Control’s regulations.

How does it work? The bins are open to the public and easily identifiable via the Canna Cycle logo. Kaplan says the biggest waste product they see are the “doob tubes,” and glass jars. But they don’t—they can’t—accept everything, especially discarded cartridges from vape pens. That’s a recycling story for another day, or another legislative session.

Kaplan and Penny plan to repurpose much of the glass they collect back to the industry, and say that the plastic pre-roll tubes can be turned into things like filament for 3-D printers.

The company launched at a time when the recycling industry is in crisis due to rising costs and shrinking returns on investment, with some cities across the nation cutting their programs. Businessmen like Kaplan are jumping into the fray to slow the flow of consumer waste, while companies such as the Monterey-based Galicia put their attention to commercially-produced waste.

And, it comes at a time when Sacramento is starting to tune in to environmental consequences brought on by legalization—if slowly. The state senate recently passed SB 424, which was targeted mainly at banning single-use e-cigarettes, but also includes single-use cannabis vape pens in its scope.

The advent of Proposition 64 (which legalized recreational cannabis sales) she says, came with so many built-in ground rules and regulations that there “aren’t too many legislative aspects to change the waste aspect right now.”

Indeed, there are none this year, except for SB 424. But 424 would only address cannabis products that enter the market as a single-use cannabis vape pen. It doesn’t include single-use cannabis “joints.”

Enter Kaplan and his new program to collect those “doob tubes” containing single joints. As for the vape pens, they’ve presented a disposal challenge for Sonoma County, given their legal status in light of the ongoing federal ban on cannabis, say county officials. It’s not just about cannabis, but that facet of American consumerism which equates individual liberty with the pursuit of personalized products.

SPARC, which has production and growing facilities near Kenwood as well as dispensaries, has pledged to be an industry leader in finding solutions to the pot-waste phenomenon. Indeed, says company vice president Robbie Rainin, the bins at SPARC dispensaries in Santa Rosa and Sebastopol are overflowing with recyclables returned by customers. He credits Kaplan for wading into what he describes as a “huge problem of excessive packaging” brought on by legalization.

So why all this waste? Safety regulations are forcing cannabis businesses to create packaging that’s designed to dissuade children from using cannabis products. There’s currently no effort underway in the state to figure out how much waste the cannabis industry is generating both at the consumer and production level.

But it’s a lot, if those bins are any indication: Craig Pursell, SPARC’s assistant dispensary manager, says that in the few short months since the bins have arrived, customers have not only embraced the initiative, but that the “bins are filling up at an exponential rate.” They can hardly keep up, he says. “We need more people and more bins—or bigger bins.”

Localities are taking note and doing what they can to stem the tide of pot-related commercial detritus from landfills—with a general eye toward doing what they can do at the consumer end to stem the tide of hyper-personalized products.

“Anything that’s single-use disposable is a concern,” says Leslie Luckacs, Zero Waste Sonoma’s executive director, “and I’d like to work with the cannabis industry so they can reduce impacts on their single use products on the environment.”

The flower, or bud, is what most people think of when they think about ingesting cannabis, and those 3.5 grams of dried product, when purchased at a local dispensary, come in plastic or glass jars that can weigh up to 184 grams. A 1-gram joint comes in a plastic tube containing 40.5 grams.

Edibles come in packaging that weighs up to 22 times the weight of the product.

The sticking point in sustainable cannabis is vaping. The devices come with heavily toxic lithium batteries and vape cartridges made out of metal and glass, plus combustible heating filaments. While each of these things are theoretically recyclable on their own, when combined they are not. There’s also some leftover THC residue inside the cartridge, making it a hazardous material by law, and leaving individual e-cigarettes in a sort of after-life limbo. At present, the disposal of e-cigs and cannabis vape pens is left to the consumer, and by extension, the locality that picks up the trash.

Courtney Scott is Sonoma County’s point-person on the proper disposal of vape-pens. “All of the components should be separated and each item treated differently,” she explains via email. The batteries or battery components should be removed; the batteries are considered a household hazardous waste.

When it comes to e-cigs, she says that if the spent cartridge contains nicotine, it should be taken to the home hazardous waste program for disposal as a toxic material.

It’s trickier for THC vape pens. “Unfortunately,” she says, “we don’t currently have a clear answer for cartridges that contain a minimal amount of cannabis, as the [hazardous waste programs] are not allowed to accept controlled substance at this time. In general, cannabis waste needs to be rendered unusable and unrecognizable prior to disposal.”

The issue has come to the fore post Prop 64. During the medicinal era of California cannabis, the industry was not as heavily regulated, allowing dispensaries leeway in efforts like reusing old jars. They could also collect, clean and reuse vape pens.

Now the cannabis recyclers are split between commercial and consumer-focused. Down in Monterey, the cannabis waste-management company Galicia has stepped in to the commercial-cannabis trash business. They’ve been consulting with her organization’s national council, says Brasch, “to be a guiding beacon” to help the company navigate complex cannabis regulations.

Whereas Canna Cycle serves dispensaries, Galicia takes care of waste on the producers’ end, servicing hundreds of growers and product cultivators throughout the state. Company co-founder Garrett Rodewald says the company is also spearheading a recycling campaign for vaping.

For the time being, Kaplan’s bins are clearly marked to let people know that they don’t accept vape cartridges. “That’s been a tough one,” he says. “We’ve been instructed by the state to stay away from it. That’s the one gray area in all of the packaging issues.”

For commercial outfits, it’s pricey for pot businesses to dispose of their own organic waste, says Scott, “and must be rendered unusable and unrecognizable prior to disposal.”

Businesses have the option to compost on-site “or self-haul cannabis to our transfer station,” which incurs a minimum $400 charge for it being considered special waste. “The material will be destroyed immediately and sent to landfill,” she explains. “The business will then be given a receipt as proof of destruction.”

For its part, Canna Cycle has teamed up with Humboldt County growers to launch a separate company, Sugar Hill, last month. Its first item, the Sugar Stick blunt, comes rolled in hemp wraps with a wooden, biodegradable tip to reduce heat on the user’s lips, and comes in a fully biodegradable, hemp-plastic tube.

“The cost of using biodegradable plastic can be two to three times more expensive,” says Kaplan. “But if these become popular, hopefully other brands will follow suit.”

Kaplan highlights what some may view as an absurdity when it comes to the well-intentioned child-proofing that comes with cannabis. A parent himself, he appreciates the rationale behind childproof pot products, but observes that “if you have cannabis, it shouldn’t be anywhere near your child in the first place. I, as a parent, shouldn’t have to worry about you and your kid.”

He further envisions a future California legalization regime where consumers would have a choice between “doob tubes” and so-called “loosies.”

“The biggest change we could make is to give people the option,” he says. “Do you want it in a ‘doob tube,’ or do you just want it in your hand. If I could go buy three pre-rolls like that, if I know that I’m saving the earth? That would be beautiful.”

Wise Guys

Are you Weed Wise? The state of California hopes you already have the cannabis smarts. In case you don’t, there’s a new campaign called Get #WeedWise that comes with a $1.7 million budget for online ads and billboards that will read “Support the Legal Marketplace. The Difference is Clear.” and “Find legal retailers at CApotcheck.com.” Curiously, or perhaps not, the state is using the words “weed” and “pot” and not cannabis.

There’s more cannabis in California now than ever before and many ways to buy it.

Lori Ajax, who heads the Bureau of Cannabis Control, doesn’t like the black market and those not playing by the rules and paying taxes. To combat the illegal market, Sacramento has a three-pronged strategy. First, cut off the product at its source. In June, law enforcement agents raided hundreds of unlicensed marijuana grows in Riverside, Santa Barbara and San Luis Obispo counties where they confiscated tons of processed weed and hundreds of thousands of plants still in the ground. Second, the state announced it will increase the number of licenses for legal dispensaries, cut the associated red tape and streamline the process. Third, Ajax and her agency have launched a public education campaign to persuade consumers to only buy from state-approved outlets.

“We believe this campaign will directly impact consumer safety by clarifying that only cannabis purchased from licensed retailers has met the state’s safety regulations,” she said in a statement.

Ajax added that the “education campaign was meant to send a clear message to unlicensed businesses that they need to get licensed or shut down.”

For the last few years, cannabis education has come largely from the private sector. Until Prop 64 passed, the state couldn’t offer education; that could have been interpreted as encouragement to break the law. But it’s now a dire situation. If Sacramento doesn’t act, the underground economy will only grow bigger.

Will Ms. Ajax’s strategy work? Maybe the stick is what’s needed. Expect more raids and more confiscation of crops.

Meanwhile, “Weed Wise” seems less motivated by compassion and concern for the health of consumers and more driven by the desire for tax revenue and eagerness to control the cannabis juggernaut.

Jonah Raskin is the author of “Dark Day Dark Night: A Marijuana Murder Mystery.”

Shocking Conditions

Recently, I visited what some might call a “concentration camp.” Conditions in the facility shocked me: residents were crowded in and the smell of dirty diapers and soiled clothing/bedding and urine from shared restrooms permeated the air. Language barriers between staff and residents created other issues. Many residents appeared listless, surrounded by institutional-beige walls, bedding and floors. Was I at a border facility housing illegal immigrants? No, I was at one of Marin’s skilled nursing facilities that’s home to hundreds of elderly and disabled poor.

Mill Valley

Good Times

Now that we’ve elected our first openly Fascist president, a socialist (Bernie), an upstart (Harris), a Stanford man (Booker), a gay mayor (Buttigieg), and an old school hack (Biden) don’t look half bad. Heck, I’d even take a religious reprobate (Pence) over Donito Trumppolini. I read that Pence might follow the rule of law on occasion. Give democracy a chance. Bring on 2020!

San Rafael

Speaking of Trees

Trees sequester carbon dioxide. Trees release oxygen into the air. Trees are a part of the solution to global warming. We must plant trees, prune trees and, of course, avoid killing trees. They are here to help us. Honor them. By doing so we avoid the intense fires that are part of global warming.

Graton

Critiquing
the Critic

You must be able to find a film critic who can go to at least one decent movie a week and write a review. In the July 3–9 issue of your otherwise excellent paper you carried yet another “review” of one of the endlessly redundant, puerile and mindless superhero movies that seem to be the only thing pulling the Millennial and Gen X generations into their local, virtually empty cineplexes. At the same time our excellent local arthouses Summerfield Cinemas and Rialto Cinemas carried: Midsommar; Yesterday; Pavarotti; The Last Black Man in San Francisco; Echo in the Canyon; Rocketman; The Serengeti Rules; The Biggest Little Farm and The Framing Of John Delorean, all excellent and interesting films that deserved some notice in your “local” journal. If you truly want to support local business, how about supporting our local theatres with some articulate reviews and leaving the pablum films to the hacks who think a comparison of Rodan, Godzilla and Spiderman is somehow intellectually engaging. I doubt very much that the people who go to these movies read your periodical anyway.

Santa Rosa

Editor’s Note: Check out this week’s review of The Last Black Man in
San Francisco, p18
.

AI Not OK

The recent “Seeing Is Believing” article (July 3, 2019) is a timely counterpoint to the rah, rah, rah about the supposed widespread benefits that artificial intelligence will bring to us all. For more on problematic aspects of AI I alert Bohemian readers to an upcoming talk on Tuesday July 16, 7pm. in Sophia Hall, at the Summerfield Waldorf School and Farm in Santa Rosa) by Nicanor Perlas. Perlas recently published his views in Humanity’s Last Stand: The Challenge of Artificial Intelligence: A Spiritual Scientific Response.

Via Bohemian.com

Write to us at le*****@******an.com.

Fighting On

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The Fight for $15″ continues to gather momentum across the nation and the state. On July 15, the Petaluma City Council will vote on a citywide minimum wage law boosting the minimum wage for 9,000 workers from $12 an hour to $15 by Jan. 1, 2020. In 2021, the city’s minimum wage will increase annually based upon the cost of living.

Currently, the state minimum wage for businesses with more than 26 employees is $12 an hour and $11 for small employers. The state minimum will phase in to $15 by 2023 for all employers.

North Bay Jobs with Justice and the Alliance for a Just Recovery have launched a regional “Raise the Wage” campaign and proposed a $15 minimum wage by 2020 in six cities: Sonoma, Petaluma, Cotati, Sebastopol, Santa Rosa and Novato. Sonoma passed the first $15 citywide minimum in June and Santa Rosa will hold a study session on July 16 and Novato on July 23.

Why should local government implement accelerated $15 minimum wage laws?

Because the rent can’t wait! Wage stagnation and the catastrophic housing crisis are driving the “Raise the Wage” campaign. According to the report, “State of Working Sonoma 2018,” since 2000 real wages have remained flat for the bottom 60 percent of Sonoma County wage earners and dropped by 11 percent for the lowest paid 20 percent. Simultaneously, between 2000 and 2016 median rents increased by 24 percent, yet median annual renter incomes rose only 9 percent—and then rents soared by 35 percent after the 2017 Tubbs fire.

The grassroots “Fight for $15” has compelled 26 California cities and one county to approve minimum wages higher than the state’s, and 45 have done so nationwide. Moreover, seven states and the District of Columbia have implemented $15 state minimums before 2025, and numerous other states have approved minimum wages ranging from $11 to $14.75 an hour.

Martin Bennett is Instructor Emeritus of History Santa Rosa Junior College and a member of North Bay Jobs with Justice. Dennis Pocekay is a retired Kaiser physician and member of North Bay Organizing Project. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Musical Bandits

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After a one-year hiatus forced upon them by the renovation of Santa Rosa Junior College’s Burbank Auditorium, the Summer Repertory Theatre program returns with a full schedule of three musicals and two plays running in “rep”. The plays will continue to be performed in Newman Auditorium while the musicals are being done in the SRT Performance Pavilion; an enclosed, air-conditioned, hi-tech tent erected over the campus tennis courts that seats 300 in-the-round.

Their season opened in June with the 147th Bay Area production of Mamma Mia! and continues with the musical Bonnie & Clyde. It had a brief Broadway run in 2011 before being relegated to the regional and community theatre circuit. Opening with the deaths of Bonnie Parker (Jamie Goodson) and Clyde Barrow (Cameron Blakeley), it travels through time from their childhood to their violent end.

Young Bonnie (Evie Goodwin) wants to be a movie star like Clara Bow and Young Clyde (Liev Bruce-Low) wants to be an outlaw like Billy the Kid. Their older counterparts meet cute and in no time one of their dreams comes true. Along for the ride is Clyde’s brother Buck (CJ Garbin), his wife Blanche (Gabbi Browdy), and local constable Ted Hinton (Jeremy Beloate) who pines for Bonnie but will soon join forces with the lawmen sent to track the gang down.

Taking a cue from the 1967 Hollywood blockbuster starring Warren Beatty and Faye Dunaway, the show presents a highly fictionalized and romanticized version of the story with a book by Ivan Menchell, music by Frank Wildhorn and lyrics by Don Black. Music director Jane Best and a nine-piece orchestra (tucked behind a curtain in the back) do a good job with the mostly-unmemorable mixture of country, blues, and gospel music.

The young cast who, in a rarity, are actually close to the ages of the protagonists, do well by their roles with particularly strong work done by Goodson and Browdy. Beloate shines in the show’s stand-out number “You Can Do Better Than Him”.

Director James Newman mostly meets the challenges of performing in-the-round, though sight-line and audio issues are present, especially for those sitting directly in front of the orchestra. The minimalist set by Sarah Beth Hall works and there’s creative use of crates, suitcases and trunks to create various set pieces. Terrific costuming by Megan Richardson evokes the period.

SRT’s Bonnie & Clyde is a well-crafted and well-performed production of a mediocre musical.

Rating (out of 5):★★★&#189

‘Bonnie & Clyde’ runs through Aug. 7 in the SRT Performance Pavilion at Santa Rosa Junior College, 1501 Mendocino Ave., Santa Rosa. Dates and times vary. $25–$28. 707.527.4343. summerrep.com

Crowdfunded Journalism

The Bohemian is free in print and online. It’s going to stay that way. But we are a small staff and we want to do much more. That takes money. Independent, critical journalism is a public good and, I daresay, a key component of a functioning democracy. But competition for ad dollars, content aggregators and the proliferation of media channels have challenged local media outlets in profound ways. We are ready to meet the challenges, but it will require creativity, flexibility and reader support. Enter crowdfunded journalism.

The concept isn’t new. Several publications, like Propublica, the Guardian, the San Francisco Public Press and the Boston Review have reached out to readers as partners to help them produce stories that they would otherwise be unable to. In some ways, crowdfunded journalism reminds me of community supported agriculture, where a monthly or one-time fee goes to help grow nutritious, local food. In our case, we aim to produce local journalism that’s good for the body politic.

In the coming days, we’ll be launching a poll that will ask readers what subjects they’d like the Bohemian to cover in a more comprehensive way—and would they be willing to support to make it happen. Is the topic affordable housing? Local health care? The impacts of climate change? Crime and justice? I’m proposing to create a new, or expanded beat that covers the subject most valued by our readers and then ask readers, nonprofits and local businesses to help pay for that reporter’s salary. The funds will allow the reporter to dig into his or her beat for two years or more. Contributions would be held and disbursed by a nonprofit organization that will not only make your contributions tax deductible, but transparent. You’ll know exactly how your dollars are spent.

My commitment is to produce unique, locally based stories that matter to our readers and to make ourselves accountable in new ways. I’ll create a reader advisory group to receive feedback and criticism in an effort to make our reporting responsive to the readers we serve. That’s you.

So I ask again: what subject is most important to you and will you join us in making that reporting possible? Please let me know at sh*******@*******ws.com.

Stett Holbrook is the group managing editor of Metro Newspapers

Screen Life

Once an undercover police officer, now the subject of an Oscar-winning movie, retired detective and author Ron Stallworth—the central figure in Spike Lee's 2018 "BlacKkKlansman"—admits he's still adjusting to the limelight. "I'm trying hard to adapt to this 'celebrity' gig," laughs Stallworth, speaking on the phone from Fort Worth, Texas, where he was participating in a Fourth of July...

Taste Riot

I‌ fully expect new folks to show up in North Bay wine country next week and announce their plan to make wine as good, or better, than the best wines of France. The plan is nothing new. James Concannon did just that in 1883 when he planted vine cuttings from Château Margaux—famed for its wines then as now—in his Livermore...

The Dispossessed

San Francisco is a series of steep hills that people cling to until the gravity gets them. The Last Black Man in San Francisco is a remarkable film, in the way it evokes that downward pull. It's all about a dispossessed young man and the best friend who lives with him and studies him. Jimmy Fails (played by an actor...

Desert Foxes

Situated within the Bradshaw Mountains in central Arizona lies the town of Prescott (Pronounced "press-kit"). Over the years, this mile-high hamlet has earned a reputation as a place for emerging artists to find an audience and it draws singers and songwriters of all kinds to its many clubs and venues. Jim Sobo was drawn there in 2003. He performed and...

Pot Stickler

Not So Green Cannabis industry packaging waste is taking its toll on the environment. Waste Not SPARC dispensary's recycling bins have been filling up quickly since they implemented a recycling program. When JJ Kaplan was a supervisor for the San Francisco–based cannabis collective SPARC, he saw a lot of trash headed for the garbage bin. "I would see boxes of plastic...

Wise Guys

Are you Weed Wise? The state of California hopes you already have the cannabis smarts. In case you don't, there's a new campaign called Get #WeedWise that comes with a $1.7 million budget for online ads and billboards that will read "Support the Legal Marketplace. The Difference is Clear." and "Find legal retailers at CApotcheck.com." Curiously, or perhaps not,...

Shocking Conditions

Recently, I visited what some might call a "concentration camp." Conditions in the facility shocked me: residents were crowded in and the smell of dirty diapers and soiled clothing/bedding and urine from shared restrooms permeated the air. Language barriers between staff and residents created other issues. Many residents appeared listless, surrounded by institutional-beige walls, bedding and floors. Was I...

Fighting On

The Fight for $15" continues to gather momentum across the nation and the state. On July 15, the Petaluma City Council will vote on a citywide minimum wage law boosting the minimum wage for 9,000 workers from $12 an hour to $15 by Jan. 1, 2020. In 2021, the city's minimum wage will increase annually based upon the cost...

Musical Bandits

After a one-year hiatus forced upon them by the renovation of Santa Rosa Junior College's Burbank Auditorium, the Summer Repertory Theatre program returns with a full schedule of three musicals and two plays running in "rep". The plays will continue to be performed in Newman Auditorium while the musicals are being done in the SRT Performance Pavilion; an enclosed,...

Crowdfunded Journalism

The Bohemian is free in print and online. It’s going to stay that way. But we are a small staff and we want to do much more. That takes money. Independent, critical journalism is a public good and, I daresay, a key component of a functioning democracy. But competition for ad dollars, content aggregators and the proliferation of media...
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