Plugging In

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After more than a decade of collaboratively fronting string band ensemble Brothers Comatose, San Francisco singer-songwriter and Petaluma native Ben Morrison is striking out on his own with a forthcoming debut solo album and tour this summer.

“I’ve been in the Brothers Comatose for over 11 years now,” says Morrison. “And last year there were some changes to the band.”

With the departure of band members Gio Benedetti and Ryan Avellone, Morrison and his brother Alex put the band on hold while they recruited new musicians. At the same time, Morrison took a much-needed breather from touring and playing over 100 dates a year with the band.

“We took a little bit of downtime to figure out the next step,” says Morrison. That next step turned out to be a detour into rock ‘n’ roll, and Morrison’s new batch of songs finds him incorporating electric guitars and drums, something not seen on a Brothers Comatose stage.

“I’ve always wanted to make a record with drums,” he says. “Sometimes, I write songs that don’t quite fit Brothers Comatose, so it was nice to have a different outlet for that.”

Currently being pressed and due out at the end of summer, Morrison’s forthcoming debut solo record, Old Technology, features both older songs that he’s kept on back burners and new material written especially with this project in mind.

“It was really cool approaching writing in a different way,” he says. “A different sound in mind, a different angle to work from.”

Until the album comes out, curious listeners can find Morrison’s latest single and music video, “I Hope You’re Not Sorry,” on his website. “The song was inspired by a stalker I had, and no longer have,” says Morrison. “It’s a love song to lost stalker love, like realizing that your stalker no longer comes to your shows anymore and wondering what you did wrong.”

Filmed by fellow San Francisco raconteur Sam Chase, the music video finds Morrison clutching a Fender guitar and singing to an empty chair in a smoky bar before donning a white jacket and fronting a full band.

That full band will back up Morrison when he performs on July 4 in St Helena, returning to Long Meadow Ranch Winery & Farmstead. “It’s always been really cool,” he says of the venue. “It’s a laid back atmosphere, and there’s delicious barbecue wafting through the air.”

Ben Morrison performs on Thursday, Jul 4, at Long Meadow Ranch, 738 Main St, St Helena. Doors at 5pm; Show at 7pm. $35-$55; kids 12 and under. 707.963.4555. benmorrisonmusic.com.

Program Notes

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The Luther Burbank Center (LBC) is one of the North Bay’s premier arts and events center. While the facility enjoys being recognized as the go-to regional venue for big name performances, it has struggled to promote the educational programs that are as much a part of its mission as a Trevor Noah appearance.

Enter Mark DeSaulnier, the LBC’s new director of marketing. His first goal since taking the reins is to ramp up the public’s knowledge of programs on offer at LBC. Can he elevate the venue’s more civic-minded profile?

“I think one of the big misconceptions is the idea that all we do is put on shows,” says DeSaulnier. “We do these world-class performances here, but we are really a nonprofit arts organization. Our larger goal is to be an arts organization to the community, and those are the initiatives we are pushing now.”

The center’s three-E’s denote its broader mandate: Enrich. Educate. Entertain. Its most recent financial statements from 2017-18 bear out an organization that’s provided education and outreach to some 40,000 children and provided discounted tickets to some 15,700 community members a year.

DeSaulnier joins an organization with a $12.7 million operating budget as of 2017-18 and with $10 million in operating expenses over that year, 77 percent of which goes to program services. Administration costs account for some 15 percent of its annual budget.

It enjoys donor support from a wide range of Sonoma County persons and business—donations have flowed from PG&E, to the Redwood Credit Union, to Healdsburg Democratic Party power brokers Tony Crabb and Barbara Grasseschi. State Senator Mike McGuire’s a big fan, too, and helped broker a $100,000-plus donation from Redwood Credit Union and the Press Democrat after the 2017 wildfires that damaged the center.

The LBC’s arts programs are mostly aimed at kids and the organization works to help parents scale the typical hurdles families might run up against when considering an arts program for a child. That’s mostly about money.

“We look for ways to tear down any barriers that may come up, whether it be pricing—most of our programs are free of charge—or whether it be accessibility. We offer subsidized transportation,” says Ashleigh Worley, director of education and community engagement. “We want to be where we are needed.”

The center emphasizes programs that cater to overlooked members of the community, creating an Alzheimer’s singing group and launching a Latinx advisory council in recent years. If Luther Burbank was himself an alleged eugenicist along with all of that great stuff he did with plants, the center named in his honor has taken a more multicultural-friendly view of the world, if not Sonoma County.

DeSaulnier sees this outreach as critical to the future identity of the LBC. “The important question is ‘how can we continue to inspire inclusion? What does that look like? How does that affect our programming? How can we communicate that all are welcome.’ That is the key question to always be asking.”

DeSaulnier comes to the LBC from his previous role as executive director of the Oakland Interfaith Gospel Choir where he emphasised inclusion and celebrated difference. Indeed, he was responsible for bringing the choir to the Green Mountain Center for the Arts last year (See “Choir on Fire,” Jan. 30, 2018). In his executive role, he brought together the Oakland Gospel Choir and the San Francisco Gay Mens’ Chorus. His goal is to bring that same spirit to the LBC.

He’s nothing if not strident in his belief in the power of the arts as a catalyst for community-building and DeSalunier gives props to Elton John and his poignant “Goodbye Yellow Brick Road” which he heard when he was around 14. The opening lyrics are just about as iconic as they come, and DeSalunier took the “old man” Elton’s message to heart:

When are you gonna come down?

When are you going to land?

I should have stayed on the farm

I should have listened to my old man

The song goes on from there to describe a man who has given up the penthouse for the plough—proverbially in Elton’s case. But here’s DeSalunier, taking up that same proverbial plough in the ag-lands of Sonoma County on behalf of the LBC.

“Up to that point,” he recalls, “I was only thinking about having fun.”

There Ought to be a Law

Thanks for this news article, I didn’t know California was considering a public banking law (“In Us We Trust,” June 19, 2019). Good idea! I’ll be writing to Sen. McGuire in support of it.

Via Facebook

The Horrors

It is unfathomable to me that there are those who have lost so much compassion and empathy for their fellow human beings that they legitimize child detention centers
and the horrors within on purely political partisanship.

“I screamed at God for the oppressed and incarcerated child until I
saw the oppressed and incarcerated child was God screaming at me.”
—Author Unknown

Sausalito

In the United States detention means you have to stay after school in the principal’s office for chewing gum in class. It does not mean little kids are now automatically relegated to the lowest caste of untouchables where you will likely remain imprisoned in filth, hunger, and distress, as your family goes crazy with fear, until you die or are saved by Democrats.

Novato

The Road Ahead

St. Helena, California, has been classified by some as a dying town, conflicted about what steps must be taken to remain a viable community. How did a beautiful, world-class tourist destination end up in such a dilemma? We can look to five stages of decline as identified by Jim Collins in his book How the Mighty Fail for insight where identifies things like “hubris born of success,” the undisciplined pursuit of more” and “denial of risk and peril.”

The perceived path to salvation is now in contention. We have a debate regarding the future of 5.6 acres of vineyards, in a prime location just a couple blocks from downtown, owned by the city. In the simplest terms, one group wants to sell the property for privatization and the other wants the property preserved for civic use only.

Here is where it gets interesting. A Saint Helenian recently stated “it is nice the city gathers ideas from the citizens. However, infinite wisdom is not held in the mind of the masses. Leadership, with professional advice and the courage to make decisions is fundamental to a better future for Saint Helena.”

I tend to agree with the statement with a caveat. Which professionals exactly will be the ones from whom we derive the advice and will the wisdom of the citizens of our town be factored into the process? We did, after all, get in this rabbit hole in part by following professional advise over the last several decades.

St. Helena

Write to us at le*****@******an.com.

Musical Monsters

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Filmmaker Mel Brooks struck gold with his musical adaptation of The Producers and hoped lightning would strike twice with the same approach to Young Frankenstein.

It didn’t. Young Frankenstein ran for about 2,000 performances less than its predecessor and while The Producers rang up a total of 15 Tony nominations (winning a then-record 12), YF received a scant three nominations and took home none.

Does that mean it’s a bad show? No, in many ways it’s a better show. It adheres closer to its original material and while The Producers is essentially a one-joke concept (albeit a great joke), Young Frankenstein affectionately spoofs an entire genre and Broadway itself.

The despised Victor von Frankenstein (Robert Bauer) has passed, and it’s up to his grandson Frederick Frankenstein—pronounced Fronk-en-steen—(Troy Thomas Evans) to return to Transylvania and claim his birthright. How long before Frederick and Igor—pronounced Eye-gore—(Bill Garcia) get back in the family business?

If you like the film, you’ll like the show, but you’re going to have to get past some casting issues. Evans is a talented young performer who’s done good work, but he’s decades too young for the role of Frederick. Whether his constipated take on the role was his or director Katie Watts’ decision, it didn’t work. Garcia does fine as Igor, but it occurred to me as the show drew to a close that, for a number of reasons, he should have played Frederick, and Evans would be better suited for the role of Igor.

The supporting cast is strong, with Tory Rotlisberger stealing scenes as Frau Blücher and Madison Scarbrough a hoot as Frederick’s vainglorious fiancé Elizabeth. Robert Bauer does double duty as Inspector Kemp and Grandpa Frankenstein, and Eric Yanez does well as the monster.

Watts also choreographed the show, and she exhibits a much stronger hand with that task in several well-done production numbers including the classic tap dancing extravaganza “Puttin’ on the Ritz.”

It’s a Mel Brooks piece, so the humor runs from the clever to the crass. A great deal of laughter comes from familiarity with the material, as evidenced by the audience’s raucous responses to some jokes despite the delivery being somewhat wobbly.

You know what you’re gonna get with a show like Young Frankenstein, and while you do get a lot of it, this monster could have been stitched together better.

Rating (out of 5):★★&#9733

‘Young Frankenstein’ runs through July 14 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Friday–Saturday, 8 pm; Sunday, 2 pm. $10–$35. 707.433.6335.

Tall Order

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What’s this about American whiskey not having the same good reputation as Scotch whisky, Irish whiskey or even Canadian whisky? Sad to say, it’s true, according to Jeff Duckhorn, head distiller at Redwood Empire Distilling in Graton. But what about the currently unquenchable consumer thirst for American spirits like bourbon and rye? It’s all in a name.

Pipe Dream is the name of Redwood Empire’s newest product, which joins a lineup that includes a rye named Emerald Giant and a blend of straight whiskeys named Lost Monarch. Duckhorn explains that the category “American whiskey” is seen by consumers as somewhat downmarket, even if it contains the very same blend of whiskeys distilled across America in Indiana, Kentucky, Tennessee and California. It’s all more or less the same stuff—except now there’s more of that California stuff.

When I toured this cellar two years ago, it was creaking with crusty, old casks that’d spent years in rickhouses back East. This time, it’s brimming with new oak barrels that Duckhorn and team have filled in batches, four at a time. Selecting the oak makes a difference in the glass, says Duckhorn. He likes oak staves that are aged for 36 months before they’re made into a barrel, for a softer whiskey, and he’s even experimenting with Oregon oak. But before we get lost in the woods, Hey, aren’t those whiskeys named after famous North Coast sequoias? Yes, and the labels bear quotes from naturalist John Muir. The distillery connects the themes by partnering with Trees for the Future, which pledges to plant one tree, mainly in tropical areas facing deforestation, for each bottle sold.

While building up stocks for a “bottled in bond” whiskey, which must be distilled in Graton and aged there for four years, Duckhorn blends up to 10 percent of his own “grain to glass” whiskey with the purchased spirit.

Redwood Empire Pipe Dream bourbon ($44.99) has a warm, spicy character, and while dough and caramel round out the palate, it isn’t overly sappy or woody with oak. It’s got some earthy spice, a hint of banana peel, and cinnamon and is a big success on the rocks.

Spice fans will find something to like in the Redwood Empire Emerald Giant rye ($44.99). If not quite like cereal grains fresh-picked off the stalk, crushed between fingers and inhaled, that’s where the spicy grain aroma is going. Dry on the palate, it’s backed up by woody, caramel flavor. Softer yet, with juicy grain flavor and herbal overtones, a small flask of Redwood Empire Lost Monarch blended straight whiskey ($44.99) will make a fine companion on my next walk with nature.

The Reflecting Pool

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Narcissus was out hunting and came upon a pool, in which he saw his reflection. This Narcissus was known as something of a looker, with a history of spurning the advances of admirers he deemed unworthy. But when he saw his dreamy mug mirrored back at him, he was smitten. But things didn’t work out so well for him.

The behaviors named for this mythic gent are universally considered negative, since unhealthy obsession with self often leads to trouble. That brings us to the 2020 elections.

Bouncing our images back at us is now a business, and purveyors of reflection are quite sophisticated in the art of pimping us to ourselves. Political campaigns are no exception, staffed as they are by trained marketers who know that we, the people, are likely to buy what’s repeatedly advertised to us if it promises a better feeling, a better look, a better scent or a better life.

I’d venture to say that we of the progressive stripe are more concerned with embodying ideological purity than are most other citizens. Our communal passion for creating a better world is heartfelt and benign, but rooted in this shared virtue is the flaw that makes us self-destructive ninnies around election time.

In 2016, it was fashionable among my ilk to turn up the nose at candidates considered the “lesser of two evils.” This was justified because “they’re all the same.” I heard proud resolutions to “leave it blank,” cast write-in votes for pets, or boycott the election altogether. I understood these sentiments, but was fearful of the outcome. I still am. After a two-year crash course on the fine points of greater evil, I’m really hoping we can accept a lesson here.

The coming election is less about voicing my heart’s conviction, and more about using my small point of leverage to shove our government toward doing less harm. (Forget no harm for now…) In the unthinkable event that the Democratic nominee doesn’t reflect my most cherished aspirations, showing up to vote for Donald Trump’s opponent in 2020 will be the most strategic and powerful action I can take.

Jeff Falconer lives in Sonoma Valley

Bodega Bound

There are towns. There are towns that tourists visit. And, finally, there are touristy towns. I’m happy to report that Bodega and Bodega Bay fall into that middle category.

They are two places that, thanks to quirks of history (and probably a ton of zoning laws), it’s impossible for stores selling only vegan oatmeal cookies to exist in. And yet they provide just about everything visitors want in a memorable day trip: good food, beautiful nature and a few places tobuy meaningful souvenirs. And, most importantly, Bodega and Bodega Bay are towns where locals and tourists mingle without any grumbling on either side.

Let’s go on a trip.

Bodega Burger
Growing up, I lived under the impression that the Casino Bar & Grill was California’s tiniest Indian casino. But, stepping inside for the first time, I discovered there was nary a slot machine nor poker table in sight. Instead, I found rustic décor and what is likely the shortest Sunday lunch menu in the North Bay:

“Burger or hot dog?”

To the grill’s credit, the menu expands considerably later in the day to offer diners BBQ oysters and dishes featuring local ingredients. Chef Mark Malicki creates inspired dinner menus that change daily. But for someone stopping by for a quick lunch, the burger was the perfect pairing with a Lagunitas Little Sumpin’ Sumpin’ Ale.

My belly more than satisfied, I spent my change indulging in my favorite childhood pastime: pinball. With everything in the North Bay getting more expensive all the time, getting five balls for a single quarter on the Grill’s Indianapolis 500 pinball machine was a welcome treat.Souvenirs and Stories
Visit Bodega on the weekend, and you’ll find two excellent places to pick up an enduring memory of your trip. Seagull Antiques Gifts & Collectables (17190 Bodega Hwy) sells knickknacks of every shape and size. Visit on the right day, and you might find a prop from The Birds for sale.

At Bodega Landmark Studio Collection (17255 Bodega Hwy), proprietor Lorenzo De Santis offers much more than just lithographs, photography, and ceramics from some of the North Bay’s most talented artists. Upon telling him I was a writer, he mentioned he was writing a book on music in the early 1970s. Then he motioned behind the counter, to one of his photographs of George Harrison performing just a few years after the Beatles’ breakup.

He opened a drawer and showed me additional photographs of Harrison, Steve Van Zandt, Bruce Springsteen and Grand Funk Railroad. “Were you a journalist or band photographer?” I asked, noting he’d taken the pictures from either the front row or on stage. A little bit of everything, he said. By this time, a group of visitors had joined us to hear more stories. De Santis pulled out a photo he’d taken of Grand Funk Railroad performing in 1974. He told us it wasn’t until he’d enlarged the image that he discovered a news camera had been pointed right at him at them moment he’d taken the photo. One YouTube search later and—lo and behold—he found himself, 45 years younger, face obscured by a long telephoto lens.

Alfred Hitchcock’s furious fowl may have made Bodega and Bodega Bay famous around the world, but it’s the locals who keep this place special.

Up on The Head
Bodega Head is much more than Sonoma County’s best place to escape the summer heat. Not only are there level walking trails with great views, there are plenty of flat areas where you can unfold your chair, look out over the ocean, and imagine yourself the lord of all creation. If you should visit empty-handed, relax at what is likely the county’s most secluded picnic table. From there you can gaze upon Tomales Bay and the seals perched on Bodega Rock.

Although the weather report had called for fog, clouds, and chilly temps, I was greeted by clear skies, a warm sun and just the slightest breeze. The parking area was nearly full, and families were taking out lawn chairs and coolers. One teenage girl even had a guitar. Photographers sporting the latest DSLR cameras waited for the perfect shot of the crashing waves and birds.

I’ve been to Bodega Head more times than I remember, but each visit brings something new. Sometimes it’s the flowers or butterflies, but on this visit, it was the water. Maybe it was the time of day or year, but the water didn’t look like what you’d associate with Northern California. The bright blue was something reminiscent of Capri or the Amalfi Coast. I’ve never been to either of those places, but at that moment it was easy to imagine Roman ruins along the Sonoma coast.

Bodega Head is big enough that even if the parking lot is full, it never feels crowded. On my walk around the cliff, I heard no fewer than three foreign languages. Yet, there were plenty of locals. That’s the great thing about this place—it brings all kinds of people together.

Battle of the Oysters
It would be an injustice to write about Bodega Bay and not discuss the seafood. In the winter, crab is the star, but since the crab pots are still tied up for a few more months at Spud Point Marina (1818 Westshore Rd.), I had to turn to the Bay’s year-round favorite: oysters.

“Come Shell or High Water” greets visitors when they step inside Bodega Bay Oyster Company (12830 Valley Ford Rd.), a local institution that, despite its name, is actually in Petaluma. I ordered the sampler ($12)—two extra-small, two small, and two Kumamoto oysters—and took a seat outside. Valley Ford Road may get a bit congested on the weekends, but you can’t beat the view. A little trash can in the bottom right-hand corner of my vision would have made the Windows XP background experience complete.

Having traveled to the Pacific Northwest the week before to sample the region’s oyster offerings, I needed to reacquaint my palate with our beloved bivalves. The sampler arrived, and I dug in. In my completely biased opinion, I’m happy to report that Washington state oysters don’t hold a candle to ours. And, if you should make Bodega Bay Oyster Company a stop during your summer travels along the coast, the Kumamotos are definitely worth the splurge. Yes, each oyster may have no more than a grape-sized amount of meat inside, but the buttery, briny flavor sure packs a punch.

Branching Out…or Not
From Bodega or Bodega Bay, it’s possible to drive to so many places in less than an hour: Sebastopol, Dillon Beach, Jenner, Occidental, Marshall, Point Reyes Station, etc. By all means, take some side trips this summer if you’re so inclined. But if you’d instead relax than wander, there’s no better place to end a lazy summer day than watching the sunset from Bodega Head.

I’ll see you there.

Modern Hicks Reunite For Sebastopol Benefit Concert

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It’s been fifteen years since Sonoma County folk band Modern Hicks shared a stage together, but this Summer the group is reuniting for a special benefit concert on July 7 in Sebastopol to help the Sebastopol Cultural Community Center generate funds to rebuild damaged areas following the floods from earlier this year.
Beloved for their melding of bluegrass, country and swing, Modern Hicks performed at major events like the Father’s Day Grass Valley Festival, Woodland BG Festival, Kate Wolf Music Festival, Walnut Valley Music Festival and more in their time together; though in 2004, the band split ways.
Now, local audiences will get to delight in the group’s vocal harmonies and acoustic instrumentations once again as Modern Hicks join Under the Radar in concert on Sunday, July 7, at Sebastopol Cultural Community Center Annex, 425 Morris St., Sebastopol. 7pm. $20 and up. Get tickets at seb.org.

One 4 All

Whether drilling into the nerves that connect empty-nest parents to their anxieties, or exposing a child’s deepest fears, nobody knows how to tap into childhood-related trauma like Pixar. In its Toy Story series, Pixar took the example of Margery Williams’ popular and dire 1922 kids’ book The Velveteen Rabbit about the suffering and ultimate resurrection of a stuffed bunny, and satirized the uncanniness of walking, talking toys. Here, debuting director Josh Cooley balances the ebullient humor of the toybox with the story’s essential tragedy.

In this installment, Cowboy Woody (voiced by Tom Hanks) is going through it. His porcelain pal Bo Peep (Annie Potts) gets Kondo-ized, shoved into a cardboard box and given away. And his new human, 5-year-old Bonnie, isn’t very interested in him. Obsolete and relegated to the dusty closet, Woody salves his dignity by protecting a tenderfoot toy Bonnie made out of a plastic spork with pipe cleaner arms and googly eyes. Forky (Tony Hale), who longs to return to the garbage from which he was repurposed, is a flight risk. During a family RV vacation, he gets loose.

Woody tracks the fugitive to a tourist town antique store; a fortress run by a damaged 1950s baby doll called Gabby Gabby (a remarkable performance of neurosis and loneliness voiced by Christina Hendricks). This queen bee is protected by a mute goon squad of ventriloquist dummies—scary, but scary in a good way, that thrilling way that makes the best Disney cartoons sing.

Stalemated, Woody encounters a guerrilla band of freed toys living in the wilderness of a city park. They’re led by an old friend, now a wild woman with the skills of a general.

Today’s movies aren’t built half as well as these cartoons, with their Hans Christian Anderson terrors and brash humor. The engineering of fright, laughter, chases, and sweet relief here is classic.

‘Toy Story 4’ is playing in wide release.

PG &—We’ll See?

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Pay Now and Pay Later PG&E may still face $30 billion in additional lawsuits stemming from the North Bay and Butte County fires.

There were so many headlines around the country about PG&E’s $1billion settlement with cities and counties last week, a casual observer might be moved to conclude that the utility’s wildfire-related lawsuits were now behind it.

Not so. In fact, there’s no guarantee that Santa Rosa or Sonoma County will ever see any of the $414 million that’s part of the Sonoma Fire Complex piece of the settlement. And if they do, it won’t be until 2020. Plus, the embattled utility is reported to be facing down some $30 billion in additional lawsuits brought by businesses, individuals and homeowners affected by the fires.

As the news broke officials in Sonoma County expressed cautious relief at the county’s proposed but unspecified piece of the settlement. The $414 million figure for the North Bay was arrived at through mediation and will be divvied up between nine Sonoma and Napa counties and cities affected by the fires. The remainder is being directed at suits filed by Paradise and Butte County after last year’s firestorms to the north.

The bottom line is that nobody knows who’s getting what—that’s yet to be determined—except that the lawyers will be paid 18 percent of the net from whatever winds up in Sonoma’s coffers, according to the county’s contract with the law firms.

Despite the uncertainty surrounding it, the settlement announcement came at a salient moment where recovery efforts locally are faced with dwindling federal and state resources: Sonoma County had just been through a bruising budget season as it adopted a $1.78 billion budget for fiscal year 2019-20 that slashed jobs and fretted over its property-tax shortfall that’s an ongoing legacy from the 2017 wildfires.

Some 92 county positions were on the chopping block (the county managed to restore all but 40 of the proposed cuts) during this year’s round of budget talks, and in a press release, the county noted that it was continuing to pursue state money to “backfill property losses after experiencing a loss of over $200 million from the disasters experienced over the last two years.”

After footing the bill for cash-strapped counties and cities for two years, continued property tax backfill from the state is not part of the state’s final 2019-2020 budget, and if any final settlement is arrived at, it won’t be until mid-2020 that any regional city or county can use their share of the PG&E settlement to shore up local budgets or address the ongoing hole in their property-tax collections.

In the meantime, Sonoma County Supervisor David Rabbitt pledged to look for grants and seek reimbursement for the lost property tax income from the state and federal government, “but we must plan as if we are not going to receive any assistance,” he stressed in a statement that attended the county’s budget release two weeks ago.

Meanwhile, the timing of the mediated settlement announcement was a portent of good news for cities and counties with big holes to fill in their wildfire-related budget shortfalls, but was it telling? Sonoma County is not alone as cities around the region just now releasing their budgets and fiscal projections for next year and their annual financial reports from last year. Santa Rosa’s 2018 City Annual Financial Report (CAFR) signals its concern over the potential for lost property-tax backfill starting in 2019.

The proposed-but-by-no-means-finalized $1 billion settlement made headlines far and wide, but the national-headline-machines did not crank up in similar fashion at news late last week that a proposed emergency fund to help utilities in California deal with future wildfires, to be funded by PG&E and its shareholders, would include some contributions from PG&E ratepayers, under Gov. Gavin Newsom’s draft wildfire recovery outline released last Friday.

Sen. Bill Dodd, one of the lawmakers who worked to sketch out the parameters of the proposed emergency fund, issued a statement late Friday that warned against putting too much burden on ratepayers to pay for wildfire damage in his wildfire recovery plan.

“The legislature has been working diligently on addressing wildfire risks, and I appreciate the time and thought Gov. Newsom has taken on this critical issue,” says Dodd in a statement. “We look forward to carefully vetting the details of his draft and engaging in a collaborative process to develop a solution. My ultimate focus remains on protecting ratepayers from undue costs, ensuring victims are compensated and on improving safety for all Californians.”

When it comes to the lingering property-tax conundrum, Dodd’s office says the senator has been advocating for a continuation of the property tax backfill for Sonoma and Napa counties, which wasn’t included in the state’s 2019-20 budget. “We’re continuing to push for additional support,” says Dodd via email.

The Napa-based senator says the settlement reached last week was good news for cities and counties struggling to rebuild and provide services, but adds that “all victims of the wildfire caused by PG&E deserve to be compensated for their losses, and I hope PG&E will do the right thing and settle with the individuals who lost their homes as well.”

According to a fire victims lawyer interviewed in the Wall Street Journal last week as the mediated settlement was reached, PG&E may be facing up to $30 billion in additional lawsuits, and not just from homeowners but potentially faces class-action suits related to negative health impacts from the deadly wildfires that scorched the North Bay and, for a few horrible days last summer, gave the Bay Area the unenviable position of having the worst air quality in the world.

To settle its suit with PG&E, the county leaned on a national law firm with a long history of litigation over asbestos and diseases that are said to be caused by the substance, including mesothelioma.

In February 2018, Sonoma County signed a contract with the law firm, Baron & Budd and two other fire-focused law firms, to represent the county and its agencies in litigation arising from the Sonoma complex Fires of October 2017. According to the contract, the litigation was “intended to insure that taxpayers and Sonoma County ratepayers do not bear the burden of the many millions of dollars of damages caused by the Sonoma Complex Fires.” But the settlement last week only partially unburdens Sonoma County taxpayers. The contract stipulates that the law firms would be paid for their services if the suit was settled favorably for the county.

As part of the agreement with outside counsel, the county also hired two lawyers to deal with fire litigation and said it would expect that “a reasonable amount of County Counsel fees will be incurred to support the lawsuit against PG&E,” and said it would be able to recoup up to $450,000 of county counsel expenditures “as party of any settlement.”

The county budgeted $120,000 to pay for the additional lawyers brought on board to work the lawsuit and another $68,000 for work that had already been undertaken by the counsel’s office. The contract with Blum and other law firms set a contingency fee based on 18 percent of any net settlement or recovery that the firm obtained for the county. That means the law firm will get nearly one-fifth of any settlement that comes Sonoma County’s way.

The settlement is not settled yet. Santa Rosa and Sonoma County, along with seven other counties and cities, have only agreed to accept mediator Judge Jay Gandhi’s proposed settlement. In a joint statement last week, officials from Santa Rosa and Sonoma County noted that the allocation of the $415 million had not been determined. Before any monies wind up in county or city coffers, the mediated agreement will be incorporated into a PG&E’s Chapter 11 bankruptcy case. The settlement is contingent on the Bankruptcy Court confirming PG&E’s reorganization plan.

Requests for comment from the Sonoma County counsel’s office were directed to lawsuit point-person John Fiske at Baron & Budd. “It is in the best interest of the wildfire victim communities for PG&E to emerge from bankruptcy as soon as possible,” Fiske says via email. “Communities cannot receive compensation unless and until PG&E is out. We hope all parties and lawyers can resolve disputes as efficiently as possible.”

Local officials were meanwhile cautiously optimistic and relieved that help may be on the way to plug their fire-related budget holes, but nobody’s counting their chickens just yet.

In a statement, Santa Rosa mayor Tom Schwedhelm gave an indication of where Santa Rosa’s piece of the settlement might be deployed: “This agreement, if approved, will not only help support Santa Rosa’s recovery, but also to aid in our ability to invest in resiliency measure that may better protect our community from future disasters.”

The sentiment was echoed by Rabbitt, who said the county’s piece of the settlement would be dedicated to fire-damaged roads, infrastructure and watersheds, “while protecting taxpayers.’

Plugging In

After more than a decade of collaboratively fronting string band ensemble Brothers Comatose, San Francisco singer-songwriter and Petaluma native Ben Morrison is striking out on his own with a forthcoming debut solo album and tour this summer. "I've been in the Brothers Comatose for over 11 years now," says Morrison. "And last year there were some changes to the band." With...

Program Notes

The Luther Burbank Center (LBC) is one of the North Bay's premier arts and events center. While the facility enjoys being recognized as the go-to regional venue for big name performances, it has struggled to promote the educational programs that are as much a part of its mission as a Trevor Noah appearance. Enter Mark DeSaulnier, the LBC's new director...

There Ought to be a Law

Thanks for this news article, I didn't know California was considering a public banking law ("In Us We Trust," June 19, 2019). Good idea! I'll be writing to Sen. McGuire in support of it. —Leslie 2 Via Facebook The Horrors It is unfathomable to me that there are those who have lost so much compassion and empathy for their fellow human beings that...

Musical Monsters

Filmmaker Mel Brooks struck gold with his musical adaptation of The Producers and hoped lightning would strike twice with the same approach to Young Frankenstein. It didn't. Young Frankenstein ran for about 2,000 performances less than its predecessor and while The Producers rang up a total of 15 Tony nominations (winning a then-record 12), YF received a scant three nominations...

Tall Order

What's this about American whiskey not having the same good reputation as Scotch whisky, Irish whiskey or even Canadian whisky? Sad to say, it's true, according to Jeff Duckhorn, head distiller at Redwood Empire Distilling in Graton. But what about the currently unquenchable consumer thirst for American spirits like bourbon and rye? It's all in a name. Pipe Dream...

The Reflecting Pool

Narcissus was out hunting and came upon a pool, in which he saw his reflection. This Narcissus was known as something of a looker, with a history of spurning the advances of admirers he deemed unworthy. But when he saw his dreamy mug mirrored back at him, he was smitten. But things didn’t work out so well for him. The...

Bodega Bound

There are towns. There are towns that tourists visit. And, finally, there are touristy towns. I’m happy to report that Bodega and Bodega Bay fall into that middle category. They are two places that, thanks to quirks of history (and probably a ton of zoning laws), it’s impossible for stores selling only vegan oatmeal cookies to exist in. And...

Modern Hicks Reunite For Sebastopol Benefit Concert

It's been fifteen years since Sonoma County folk band Modern Hicks shared a stage together, but this Summer the group is reuniting for a special benefit concert on July 7 in Sebastopol to help the Sebastopol Cultural Community Center generate funds to rebuild damaged areas following the floods from earlier this year. Beloved for their melding of bluegrass, country and...

One 4 All

Whether drilling into the nerves that connect empty-nest parents to their anxieties, or exposing a child's deepest fears, nobody knows how to tap into childhood-related trauma like Pixar. In its Toy Story series, Pixar took the example of Margery Williams' popular and dire 1922 kids' book The Velveteen Rabbit about the suffering and ultimate resurrection of a stuffed bunny,...

PG &—We’ll See?

Pay Now and Pay Later PG&E may still face $30 billion in additional lawsuits stemming from the North Bay and Butte County fires. There were so many headlines around the country about PG&E's $1billion settlement with cities and counties last week, a casual observer might be moved to conclude that the utility's wildfire-related lawsuits were now behind it. Not so. In...
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