Writers Picks: Everyday

Best Spot to Appear as Though You’re Doing Something Constructive

Looking for someplace to go where you can feel good about leaving your home without having to give up the comforts of your living room? Are you a moderate to very social person simultaneously plagued with being a homebody? Introducing the
red velvet couches at Brew Coffee & Beer House in Santa Rosa.

These are not your typical public couches. They somehow flaunt a new-couch level of cleanliness, and maintain the appeal of their timelessly fashionable maroon velvet covers. Throw your limbs across their supportive, cocooning cushions, pull out your computer and pretend to do work but watch a show instead, because on these couches, you can let all pretense about doing work fall between the cushions. How can these couches hold all the securities of being at home with nothing more than two soft maroon cushions? They come from a home, of course!

Brew’s co-owner, Jessica Borrayo (pictured, on right, with co-owner Alissa Cottle), brought them from her mother’s house. “I had them for as long as I can remember,” she says, “I was nervous giving them to the public.” From the couches, you’re privy to Drag Bingo, you can sip on a Golden State Cider and draw during Drink and Draw nights, or you can look on anxiously from a safe distance during open mic night if your friend is not as funny as either of you had hoped. Whatever the occasion, the couches have your back—and your legs and butt too! 555 Healdsburg Ave., Santa Rosa. brewcoffeeandbeer.com.—A.M.

Best Honey Money Can’t Buy

So you want the best honey? Good luck. The very best honey is hard to come by. The honey market has been infiltrated by cheap imitations from China and Vietnam. If you want the best honey, keep your own bees. And if you want to learn how to do that, take a course in beekeeping from Serge Labesque, one of the world’s most knowledgeable beekeepers. No kidding. He lives right here in Sonoma County and he teaches at Santa Rosa Junior College. His classes are for beginners and for those who know a thing or two and want to learn more. Not surprisingly, his lectures are well-attended. Labesque makes a complex subject relatively easy to understand. Honey from the bees he cares for is sold at the Red Barn at Oak Hill Farm in Glen Ellen, but it’s so good that it sells out fast. It’s best to call and ask if there’s any honey available, though a visit to Oak Hill Farm is always a thrill any time of the year. The vegetables and the fruits are organically grown, and the honey from the bees at Oak Hill Farm doesn’t have harmful herbicides or pesticides. You wouldn’t want to use olive oil that has been mixed with cheap vegetable oils, and you shouldn’t use second-rate honey. Do yourself and the planet a favor: learn about bees and about honey. It’s a great way to connect to the world of nature. Sign up for one of Serge Labesque’s SRJC classes.—J.R.

Best Small-Town Crime Exposé

Glen Ellen, Jan. 28: There was an ongoing dispute between neighbors regarding a fence line and an easement. That’s a typical report from the Crime Watch column of the Kenwood Press, a tersely written weekly roundup of calls received by the Sonoma County sheriff’s substation serving Glen Ellen and Kenwood. In a way, this log of loud parties and barking dogs, nervous residents reporting suspicious phone calls, a car that’s been parked too long, or that man who sleeps in his truck, almost makes the reader feel that all’s generally well in country life, if loud laughers, lost dogs and stolen fruit are all that makes the news. But read on, and it gets darker: that methamphetamine pipe someone found in his bed. Threats from internet scammers. Out-of-control PG&E tree trimmers. Keep reading Crime Watch, and the individual reports blur into a kind of epic poetry about the tragicomic underbelly of the Valley of the Moon: Two people were reported skateboarding in an empty pool. A deputy went out and encouraged all parties to be nice to each other. A resident reported a man on the property acting strangely. The caller said she heard one man say, “That’s my wife!” and the other man saying, “I would never disrespect you.” The couple couldn’t tell deputies the exact location of the naked man. The homeless man and his vehicle were still parked in the lot of the Kenwood Depot. Deputies tried to contact the man but there was no answer. She thought a cashier had overcharged her for various items. Nothing further. A couple reported finding a jar of non-dairy creamer inside a wall of the house. A deputy went out and made contact with a male, who said he was upset over spilled milk. A loose horse was reported at 4:30am. A deputy drove out but the vehicle had already left. The yeller had left the scene. No charges had been made with the card. No other shots were heard after that. “Get the fuck out!” Nothing further.—J.K.

Best Place to Make a Fool of Yourself on April 1, Part One

On April Fool’s Day, while some folks focus on playing jokes on their friends, others are happy just to be the joke themselves. At the Buckhorn Tavern in Petaluma, for the last 20 years, when April 1 rolls around, owner Wes McCoy has donned a loud suit, placed a ridiculous hat on his head and played the master of ceremonies for the storied institution’s annual St. Stupid’s Day party. He runs a light-hearted Let’s Make a Deal–style game, giving out silly prizes, while the rest of the bar staff run crazy-hat contests, a toilet paper roll-off and plenty of other games. Bad jokes are told, confetti and ping-pong balls are tossed, and general merriment ensues. “I heard about St. Stupid’s Day from listening to Alex Bennett on the radio years ago,” says McCoy. “There was always a parade in San Francisco, and it sounded like fun. (For the record, the San Francisco St. Stupid’s Day continues to be a popular annual event.) So I started celebrating St. Stupid’s Day at the Buckhorn, and people really seemed to like it. We’ve been doing it ever since. Sometimes, you just have to stop being serious for a few hours and let yourself be stupid. Well, we’re here to help.” 615 Petaluma Blvd. S., Petaluma. 707.763.0365. buckhorntavern.com.—D.T.

Best Place to Make a Fool of Yourself on April 1, Part Two

In downtown Occidental, fans of foolishness and frivolity can celebrate April Fool’s Day with a wild and wacky annual parade and party. Festivities include outrageous outfits, the official crowning of “Queen and King of Fools,” something called “Lunapillar rides” and general over-the-top silliness. The parade takes place at 1pm, snaking down Bohemian Highway in the general direction of the Occidental Center for the Arts. Silly attire highly encouraged.—D.T.

Best Last Standing Cultural Institution

I’m too middle-aged to get all rah-rah over how convenient everything’s getting. I didn’t feel tingles when I learned I could flip on the thermostat from an iPhone. I’m not moaning with relief knowing a refrigerator can tell me I’m low on English muffins. And you know, I still don’t care that I can stream a movie. The shift getting films onto a medium I could watch at home was innovation enough for me. Screw streaming. I want to spend precious time poring past rows of titles on spines till my retinas ache. And dammit, I can still do it, because Santa Rosa’s Joe Video thinks it’s worthwhile too. After the bloated chains like Blockbuster and Hollywood met their demise (not a great loss), and the mighty Video Droid succumbed to dwindling business due to the 2017 fires (a great loss), Joe remains as one of only two surviving video stores in Sonoma County. In addition to its ripping selection (choice classics!), Joe does cool things, like sell any movie in stock and order any movie not in stock, for rent or sell. Plus, as Joe is an independent, where staff don’t have to wear ill-fitting uniforms and can let their freak flag, as they say, fly, you get to hear weird things. I was there one afternoon, lurking too near the counter so I could eavesdrop on the conversation the staff were having about movies, because when the staff at places like Joe Video hold a conversation, on anything, it’s always a nutty ride. Their voices dropped lower, so I knew something worth straining to overhear was on its way, and I managed to catch this joyous tidbit: “What if outtakes were actually interesting—like, all of the sudden there’s Chewbacca giving Han Solo a blowjob.” And I thought: God bless America! Long live the independents! 411 Stony Point Road, Santa Rosa. 707.544.2158. joevideoonline.com.—G.B.

Best Town ‘Character’

Every town has at least one good character. In Healdsburg, his name is Mike Peterson, but he’s commonly known around the place as “Davey Crockett,” for obvious reasons. A longtime local resident (allowing for the 12 years he relocated to Ukiah before returning in 2016), Peterson was born and raised in Petaluma, and now strides about Healdsburg dressed just like Crockett (don’t even try and call him Daniel Boone), with coonskin hat, boots, buckskins (he’ll tell you he made them himself from “authentic animals”) and a replica powder-powered rifle. An outspoken critic of the city’s shift toward upscale restaurants and wineries, Peterson is as interested in classic rock music as he in looking like a re-enactor from a mountain-man convention. A self-described “blast-from-the-past DJ,” he even occasionally hires himself out to play tunes on actual vinyl, and often writes colorfully critical letters to the local newspaper. Oh yes, and he’ll happily pose for pictures at the local bar. He might even accept a drink as thanks.—D.T.

Best Use of a Pun in a Divebar Sidewalk Sign

In addition to its reputation as one of Petaluma’s oldest and most authentic dive bars—with dozens of mounted animal heads on the walls, along with the various weapons that brought them down—Andresen’s Tavern in Petaluma has been sporting a delightfully direct, pun-powered sidewalk sign that has proven to be a first-rate attention grabber. Given that Petaluma has recently announced that puns will be the theme of its upcoming Butter and Eggs Parade on Saturday, April 27 (with the whole celebration bearing the title “It’s Always Punny in Petaluma”), the verbal whimsy of Andresen’s sign is not just fun, it’s downright Shakes-beer-ean. 19 Western St., Petaluma. 707.762.6647.—D.T.

Readers Picks: Everyday

Best Antique Shop

Napa

Antiques on Second

Sonoma

Whistlestop Antiques

Best Resale Store

Napa

Lolo’s Consignment

Sonoma

ReStyle Marketplace

Best Art Supply Store

Napa

Napa Valley Art Supplies

Sonoma

RileyStreet Art Supply

Best Framing Shop

Napa

Napa Valley
Framing Company

Sonoma

My Daughter the Framer

Best Locally Made Retail Product

Napa

Black Truffle Olive Oil,
Napa Valley Olive Oil Manufacturing

Sonoma

Reishi Roast, Farmacopia

Best New
Retail Business

Napa

Mad Mod Shop

Sonoma

Miracle Plum

Best Green Business

Napa

The Monkey Flower Group

Sonoma

GreenTech Automotive

Best Gift Shop

Napa

Blackbird of Calistoga

Sonoma

Sunnyside Cottage

Best Bookstore—New

Napa

Copperfield’s
Books, Calistoga

Sonoma

Copperfield’s Books

Best Bookstore—Used

Napa

Napa Bookmine

Sonoma

Readers’ Books

Best Comic Book Store

Napa

Napa Bookmine

Sonoma

Outer Planes
Comics & Games

Best Record/CD Store

Napa

RebelGirl Records,
in Antiques on Second

Sonoma

The Last Record Store

Best Musical Instruments Store

Napa

Napa Music Supply

Sonoma

Stanroy Music Center

Best Fashion
Jewelry Store

Napa

Gathered St. Helena

Sonoma

Artisana Functional Art

Best Fine Jewelry Store

Napa

Napa Valley Jewelers

Sonoma

E.R. Sawyer Jewelers

Best Women’s Clothing Store

Napa

Rove Boutique

Sonoma

Ooh La Luxe

Best Men’s
Clothing Store

Napa

Scott Lyall
Clothes for Men

Sonoma

Louis Thomas
Fine Men’s Apparel

Best Vintage
Clothing Store

Napa

Wildcat Vintage Clothing

Sonoma

Hot Couture
Vintage Fashion

Best Clothing Alterations

Napa

Two Sisters Tailor

Sonoma

Alterations Sew & So

Best Dry Cleaner

Napa

Greene’s Cleaners

Sonoma

Fiesta Cleaners

Best Shoe Store

Napa

Sole Desire

Sonoma

Sole Desire

Best Costume/
Festive Apparel Shop

Napa

Wildcat Vintage Clothing

Sonoma

Disguise the Limit

Best Home Audio

Napa

Napa Valley
Stereo & Home Theater

Sonoma

Lavish Hi-Fi

Best Digital
Creative Services

Napa

Aperture Media + Design

Sonoma

The Hybrid Creative

Best Event Production Services Company

Napa

Upstage Productions

Sonoma

Clementine Eco Events

Best Computer Repair

Napa

Computer
Engineering Group

Sonoma

Mac Daddy Repairs

Best Phone Repair

Napa

Computer
Engineering Group

Sonoma

Mac Daddy Repairs

Best Auto Dealer

Napa

Jimmy Vasser Toyota

Sonoma

Hansel Auto Group

Best Motorcycle/Scooter Shop

Napa

Parriott Motors

Sonoma

Revolution Moto

Best Transportation Company

Napa

Beau Wine Tours

Sonoma

Pure Luxury Transportation

Best Auto Detailing

Napa

St. Helena Auto Repair

Sonoma

Advanced Auto
Glass & Detail

Best Auto Repair

Napa

B&B Foreign Car Repair

Sonoma

Out West Garage

Best Tire Shop

Napa

B&G Tire Napa Valley

Sonoma

Benedetti Tire Service & Express Lube Tire Pros

Best Car Audio

Napa

Audio House

Sonoma

Kustom Kar Audio

Best Grocery Store

Napa

Sunshine Foods Market

Sonoma

Oliver’s Market

Best Ethnic Market

Napa

Puerto Vallarta Market

Sonoma

Asia Mart

Best Natural
Foods Store

Napa

Cal Mart

Sonoma

Community Market

Best Culinary Store

Napa

The CIA at Copia

Sonoma

Cultivate Home

Best Vape Shop

Napa

Napa Vape Company

Sonoma

Digital Ciggz

Best Barber

Napa

Steve Pierce,
The Executive Room, Barber Shop & Shaving Parlor

Sonoma

Jesse Guerrero,
Dappers

Best Hair Salon

Napa

360 Salon & Day Spa

Sonoma

Brush Salon

Best Full-Service Beauty Salon

Napa

360 Salon & Day Spa

Sonoma

Leading Edge Salon

Best Optical Store

Napa

The Eye Works Optometry

Sonoma

Sonoma Eyeworks

Best Skin Care Spa

Napa

Greenhaus Day Spa

Sonoma

Bliss Organic Day Spa

Best Eye Lash Extensions and/or Brow Enhancements

Napa

Skin by Tiffany Kaiser

Sonoma

Lashey Lady Studio

Best Nail Services

Napa

Greenhaus Day Spa

Sonoma

Blue Polish Nail Spa

Best Body-Art Place

Napa

The Golden Owl
Tattoo and Gallery

Sonoma

Valkyrie Tattoo

Best Piercing Specialist

Sonoma

The Hole Thing

Best Day Spa

Napa

Indian Springs Calistoga

Sonoma

Osmosis Day Spa Sanctuary

Best Spray Tan

Napa

Club Tan

Sonoma

Sunkissed by Sunsations

Best Waxing Studio

Napa

Sisters Boutique

Sonoma

Lashey Lady Studio

Best Massage Services

Napa

St. Pierre Massage and Spa

Sonoma

Osmosis Day Spa Sanctuary

Best Resort & Spa

Napa

Indian Springs Calistoga

Sonoma

Montecito Spa/Flamingo Conference Resort
& Spa Hotel

Best Travel Agency

Napa

MG Concierge, Destinations & Travel

Sonoma

Sonoma Travel

Best Senior
Living Facility

Napa

The Meadows
of Napa Valley

Sonoma

Solstice Senior
Living at Santa Rosa

Best Casino

Napa

Napa Valley Casino

Sonoma

Graton Resort & Casino

Best Business Bank

Napa

Bank of Marin

Sonoma

Exchange Bank

Best Consumer Bank

Napa

Bank of Marin

Sonoma

Exchange Bank

Best Credit Union

Napa

Redwood Credit Union

Sonoma

Redwood Credit Union

Best Accountant

Napa

Warren W. Warner Jr.,
Blyth Warner & Associates

Sonoma

Tim Mayclin, CPA

Best Financial Advisor

Napa

Napa Wealth Management

Sonoma

The Hart Group

Best Insurance Agent

Napa

Marianne Brooks,
Farmers Insurance

Sonoma

Andy Esquivel,
State Farm Insurance

Best Chamber of Commerce

Napa

Calistoga Chamber
of Commerce

Sonoma

Santa Rosa Metro Chamber of Commerce

Best Co-Working Office Space

Napa

Workmix
Coworking Lounge

Sonoma

coLAB

Best Recycling Center

Napa

Napa Recycling
& Waste Services

Sonoma

Pacific Sanitation

Best Judge

Napa

Hon. Elia Ortiz

Sonoma

Hon. Brad DeMeo

Best Law Firm

Napa

Coombs & Dunlap

Sonoma

Spaulding
McCullough & Tansil

Best Bankruptcy Attorney

Napa

Ellyn M. Lazar,
Law Offices
of Ellyn M. Lazar

Sonoma

Brain Barta,
Law Offices of Brian Barta

Best Business Attorney

Napa

Jason Luros,
Hudson & Luros

Sonoma

Chad B. Wyatt,
Wyatt Law Offices

Best Civil Attorney

Napa

Trevor G. Jackson,
Law Office of Trevor G. Jackson

Sonoma

Jarin Beck, Beck Law

Best Criminal Attorney

Napa

Michael H. Keeley,
Law Office of
Michael H. Keeley

Sonoma

Patrick Michael Ciocca

Best Divorce Attorney

Napa

Lulu L. Wong,
Law Offices of Lulu L. Wong

Sonoma

Kara M. Olhiser,
Conner, Lawrence,
Rodney, Olhiser & Barrett

Best Intellectual Property Attorney

Napa

Daniel A. Reidy,
Reidy Law Group

Sonoma

Omar Figueroa,
Law Offices of Omar Figueroa

Best Labor & Employment Attorney

Napa

Owen Dallmeyer, Dickenson Peatman & Fogarty

Sonoma

Jan Gabrielson Tansil,

Spaulding
McCullough & Tansil

Best Real Estate Attorney

Napa

Kelly R. Wallace,
Attorney at Law

Sonoma

Kevin J. McCullough,
Spaulding McCullough
& Tansil

Best Trusts & Estates Attorney

Napa

Laura S. Brooks,
Attorney at Law

Sonoma

MaryClare Lawrence,
Conner, Lawrence, Rodney, Olhiser & Barrett

Best Nonprofit

Napa

Wine Country
Animal Lovers

Sonoma

Redwood Empire
Food Bank

Best Psychic

Napa

Leslie Silver Tarot Readings & Classes

Sonoma

Cindy Clifton,
Psychic Medium

Best Church

Napa

Napa Methodist Church

Sonoma

Unitarian Universalist Congregation, Santa Rosa

Best Minister

Napa

Rabbi Niles Elliot Goldstein,
Congregation
Beth Shalom

Sonoma

The Rev. Christopher Thomas Bell,
Unitarian Universalist Congregation, Santa Rosa

Writers Picks: Culture

Best Public Art Dust-Up

Its official title is “Fine Balance,” but most folks in Petaluma just call it ‘The Bathtubs on Stilts.

The controversial public art installation has not even been installed yet, but sculptor Brian Goggin’s starkly steam-punkish (and, for the record, totally bought-and-paid-for) art project has proven to be one of the most divisive happenings Petaluma has witnessed since Highway 101 split the town into west side and east side.

The tubs—five old-fashioned, claw-foot bathtubs suspended on towering metal stilts—were paid for out of a mandated fund collected from private developers who build new stuff in town, and must either cough up 1 percent of their building costs or spend the same amount commissioning their own artwork on their site. The installation is expected to be erected this fall on Water Street, overlooking the Petaluma River’s turning basin. While there are plenty who actually look forward to the installation (proudly sporting “The Tubs Will Rise” buttons), the howl of outrage from dissenters has become so vitriolic that discussion of the tubs has been banned on social media sights like the popular “I Love Petaluma!” Facebook page.

It’s not the first time Petalumans have seen an art display spark major controversy. Thirty-six years ago, in 1982, local artists Tim Read and the late Guy Scohy found themselves at the center of a massive maelstrom when they were invited to install a number of brightly colored metal sculptures outside the downtown history museum. The public outcry was immediate. Many called the sculptures ugly, too modern or too strange. Others (the project’s defenders) argued that ugliness was beside the point, that art is art and is intended to inflame public conversation. The city of Petaluma soon jumped in, citing the structures’ potential danger to the public (sharp edges, etc.) and ordered the sculptures to be removed. Disappointed in his fellow Petalumans’ lack of support for art and creativity, Scohy soon after left town. Read himself now lives in New Mexico.

Will Petaluma once again cave to art critics and pull the plug on the tubs? It’s a real soap opera. We’ll just have to wait and see.—D.T.

Best Place to Temporarily
Feel Young Again

Remember back before you had kids and all the cool shows you used to see? Yeah, I’ve pretty much forgotten, too. But it’s not too late! You can still hold on to those fleeting pleasures of youth. Here comes the Huichica Music Festival again June 7–8. Held at Gundlach Bundschu Winery in Sonoma, it’s the music festival for people who hate music festivals. For one, it’s not BottleRock. It’s much smaller and mellower. Multiple stages mean you can wander around and sample different bands all day long. And you can walk around with bottles of wine in your hand. It’s encouraged! (Pro tip: try the GunBun Gewürztraminer). The food trucks are solid, too. Best of all is the music. It’s a diverse mix of indie rock, alt folk and random stuff thrown in. This year has got Real Estate, Chuck Prophet, Fruit Bats and Lee Fields & the Expressions. Yes, the festival has more than its share of hipsters, but all those skinny jeans
means there’s more room for you. huichica.com.—S.H.

Best Place to Hide Out

Long gone are those thrilling days of yesteryear when Van Morrison would show up unannounced at the Inn of the Beginning in Cotati and perform for free for all the hippies, the weirdos, the ranchers and the SSU students. Cotati is still a cool place to hear music. Redwood Cafe in the heart of Cotati has some great local musicians, singers and songwriters. Years ago, when it was called the Last Great Hiding Place, I would hang out there, make pasta for 50 or 60 people on community night and watch old movies. That’s right, there was movie night at the Last Great Hiding Place. There are no movies at Redwood Cafe, but it’s still a great place to hide out with friends and strangers, listen to music, drink an IPA or a red wine and eat some food. Except for the illuminated stage and the light from the kitchen, it’s pretty dark inside the cafe, and there’s plenty of room to lean into the shadows and be a tad mysterious. I recently heard Laughing Gravy with Doug Jayne and Allen Sudduth. They were mighty fine. There’s folk and there’s jazz and there’s dancing, too. There’s a cover charge, but it won’t break your budget. Couples pack the place on Friday nights, but there are also lots of men and women and boys and girls all on their own, aiming to stay on their own, or to meet someone they can hide out with for a couple of hours. Redwood Cafe rocks. 8240 Old Redwood Hwy., Cotati. 707.795.7868. redwoodcafe.com.—J.R.

Best Big
Beautiful Wall

Many people don’t remember that there was a time, decades ago, when a barrier 18 feet high and nearly 25 miles long divided this land. A great swath of Sonoma County property was separated from its southern neighbors. And it was all accomplished without an emergency declaration. By fiat of a visionary artist. Actually, a pair of artists—Christo and his late wife, Jeanne-Claude—spent four years collaborating with ranchers, also hiring lawyers, and ultimately constructing a billowing, fragile-seeming white fabric fence—sorry, did I say wall? It’s obvious that I meant fence all along—that they called Running Fence. The controversial spectacle lasted just two weeks in September 1976, by design, but in the end it mostly brought people together instead of dividing them. The park at Watson School Historic Park (14550 Bodega Hwy., Bodega Bay) is dedicated to Running Fence, while Sonoma County Historic Landmark 24 in Valley Ford marks a spot where it actually stood. Dive into the second-hand stacks at Copperfield’s Books in Petaluma to see if you can learn more from the book Christo: Running Fence.—J.K.

Most Nutritious Visit to Tinseltown

I once lived in a town whose only cinema was a mall megaplex. Nothing but Hollywood blockbusters and big-budget romcoms. It was the equivalent of dining on nothing but oversalted, fast-food garbage that leave you feeling gassy regret after you’ve left. That’s why I appreciate Sebastopol’s Rialto Cinemas, this year’s winner for Best Movie Theater, so much. The programming includes both big Hollywood films as well a little indie flicks that you’d never see playing at the mall. They feature Q&As with directors and screenings
of Sebastopol’s Documentary Film Festival and the Jewish Film Festival. They even have a cat video festival.
I love the building, too. It’s an old tomato-processing plant to seems to ramble on forever. Capping it off are the Rialto’s food offerings. There’s candy and popcorn (with real
butter) if you like, but there’s also
a menu of real food (and great beer and wine) that makes dinner and
a movie an easy proposition.
6868 McKinley St., Sebastopol. 707.525.4840. rialtocinemas.com.—S.H.

Best ’80s Metal Band of the 21st Century

There was a razor’s edge of time in the 1980s when heavy metal and big hair ruled the airwaves, when bands like WASP, Dokken and Ratt dominated the Sunset Strip in Los Angeles with heavy riffs, pop hooks and glam-inspired outfits that lit the crowd’s blood on fire.

Then, in a flash, it was gone, annihilated by a nuclear warhead name Kurt Cobain, and the once thriving heavy metal scene was buried in a wasteland of flannel and bad beards. For years, heavy metal was mired in the no-fun-at-all sounds of Nu metal, rap-metal and all those other troubled genres that fought it out in a Mad Max thunderdome of banality.

But there was one band from the ’80s that never died, because they never really lived back then. Born out of the North Bay’s flourishing music scene of the last decade is a new champion of heavy metal, transported straight from the ’80s with all their hair and leather boots done up to the nines.

They call themselves Falkönner, and they’re ready to take to the skies in Sonoma County, performing original ’80s-inspired, radio-friendly heavy metal.

This is no tribute band, kids; this is a time capsule of fist-pumping fuck-yeah heavy rock from the golden age, delivered with authentic ass-kicking riffs and blistering guitar solos from founding members Vincent Michael Michaels Vincent and Lorde Spyte, brothers in arms with axes.

The irreverent and crass Michaels Vincent and the guitar-obsessed Spyte emerged from the dust several years ago, still glowing from the fallout, and they’ve been traversing the wastelands to recruit the ultimate army of hell raisers, starting with lead vocalist CeCe Chaztayne, whose screaming eagle of a voice is helped by the bottle of booze that’s never far from the mic. They then picked up Feets, who despite his name has two perfectly capable arms with which he pounds on the drums when he’s not stoned out of his mind. Brand-new recruit Ash Fenixx on bass is the dark horse of the group, a mysterious presence with a penchant for fiery outbursts of intensity.

Falkönner have already invaded the North Bay with shows at local dives and soon they will debut their EP, Enter the Falkon, a bombastic collection of songs about sex, drugs—and whatever else they want. falkonner.bandcamp.com.—C.S.

Falkönner rocks out with Union Jack & the Rippers and Points North on Friday, March 22, at the Flamingo Lounge, 2777 Fourth St., Santa Rosa. 8pm. $10. 707.545.8530.

Best ‘Secret’ Place to Throw a Party

It’s a little-known fact that certain institutions around the county will sometimes make meeting rooms available to the public (especially nonprofits and citizens groups) for free. Most public libraries, for example, will allow local clubs or charities to use certain rooms for meetings, rehearsals, public forums, etc. Some police departments will do the same thing. (Just call them up and ask. Policies do change.) It’s rare, however, for a private business to do the same thing. So it’s kind of cool that Jamison’s Roaring Donkey bar in downtown Petaluma makes its medium-sized Red Room available (for no fee and with no deposit down) for group events and gatherings, from meetings and workshops to weddings, private parties and work parties, class reunions . . . Outside food is OK, though human beings younger than 21 are not. It’s got a projection screen and audio equipment. You must reserve the room in advance, of course, and there is a certain expectation that your guests might want to belly up to the bar for a drink before, during or after your meeting. However you might choose to use this little-known resource, the Red Room remains one of the best-kept secrets in Sonoma County. Or I suppose it was until now . . .
146 Kentucky St., Petaluma.
707.772.5478. roaring-donkey.com.
—D.T.

Best Places to Contemplate Murder

If you’re a fan of murder mysteries, the best place to read them is at home, though preferably not in bed. You don’t want to get too cozy with murder and its detection—or maybe you do. Then bed is the most congenial place to dive head first into Dashiell Hammett’s The Maltese Falcon, Raymond Chandler’s The Big Sleep and Dorothy Hughes’ In a Lonely Place, which will knock your socks off. The Sonoma County Library has a ton of mysteries, including “Murders in the Rue Morgue” by Edgar Alan Poe, who created the first literary detective, and Arthur Conan Doyle, who gave birth to Sherlock Holmes and his pal, Dr. Watson, who have appeared on movie and TV screens for decades. For new books, go to Barnes & Noble on Fourth Street in Santa Rosa. For used copies that are in good condition, go to Treehorn, also on Fourth. (Treehorn even has the feel of a bookstore in a murder mystery.) Their booksellers are helpful, especially Grant Hotaling, who sits behind the counter at Treehorn and shares his knowledge about literary murder mysteries. You probably don’t want to read just one. You might not be able to stop at one. As the poet W. H. Auden pointed out, reading detective fiction is “an addiction like tobacco or alcohol.” But healthier. If you read detective fiction at home, you can smoke whatever you want to smoke and consume any kind of alcohol, though not the Prohibition-era booze that Hammett’s Sam Spade drinks in The Maltese Falcon or what Philip Marlowe guzzles in
The Big Sleep. One advantage of reading at home is that you can hook up to Netflix and watch murder mysteries on your TV screen until you’re blue in the face. You could start with Pickup on South Street with tough guy Richard Widmark and sultry siren Jean Peters, or Out of the Past with Robert Mitchum and Jane Greer, who burns up the screen and who might turn you into a murder mystery addict—or renew your addiction.—J.R.

Best Way to Experience the Petaluma River Without Getting Wet (Or Stuck in the Mud)

If photographer Scott Hess knows one thing, it’s that the Petaluma River, and all of its associated flora and fauna, looks great in pictures. After years of photographing the winding tidal slough (officially dubbed a “river” by an act of congress in 1959), Hess had an idea to marry some of his best photos with brand-new text describing the river’s history. John Sheehy, Petaluma historian and storyteller, signed on to the project, with the hope of producing some sort of book. As it turns out, that was a very good idea. Funded by a 2018 IndieGogo campaign, Hess and Sheehy’s ‘On a River Winding Home’ was released last November, and was consistently a top placeholder on Copperfield’s bookstore’s bestsellers list (mostly hovering at No. 2, right under Michelle Obama’s Becoming) until only a week or so ago. The only reason it stopped selling, reportedly, is that Hess and Sheehy basically sold out their stock. Clearly, the $18,000 raised through the online crowd-funding campaign has more than paid off. riverwindinghome.com.—D.T.

Readers Picks: Culture

Best Art Gallery

Napa

Quent Cordair
Fine Art Gallery

Sonoma

Sebastopol
Center for the Arts

Best Museum

Napa

Napa Valley Museum

Sonoma

Charles M.
Schulz Museum

Best Outdoor
Art Event

Napa

Open Studios
Napa Valley

Sonoma

Sonoma County
Art Trails

Best Movie
Theater

Napa

Cameo Cinema

Sonoma

Rialto Cinemas

Best Indy
Filmmaker

Sonoma

Morgan Hamilton-Lee

Best Videographer

Napa

James Raymond,
Napa Valley Media

Sonoma

Justin Liddell, Definition Films

Best Film Festival

Napa

Napa Valley
Film Festival

Sonoma

Sebastopol Documentary
Film Festival

Best Ballet Company

Napa

Napa Valley Ballet

Sonoma

Sebastopol
Ballet School

Best Performing Dance Company

Napa

Napa Valley Ballet

Sonoma

Transcendence
Theatre Company

Best Dance Studio

Napa

The Dance House

Sonoma

The Dance Center

Best Place to Dance

Napa

Ca’ Momi Osteria

Sonoma

Flamingo Conference Resort & Spa Hotel

Best Media Personality

Napa

Bob St. Laurent,
KVYN 99.3-FM

Sonoma

Bill Bowker,
KRSH 95.9-FM

Best Festival

Napa

Taste of Yountville

Sonoma

Sebastopol Apple Blossom Festival

Best LGBTQ Event

Napa

Drag Queens of
the Valley,
LGBTQ Connection,
Dona Kopol Bonick,
DJ Rotten Robbie

Sonoma

Sonoma County
Pride Parade

Best Charity Event

Napa

Auction Napa Valley

Sonoma

Wags, Whiskers & Wine,
Humane Society of Sonoma County

Best Performing
Arts Center

Napa

Napa Valley Performing Arts Center at Lincoln Theater

Sonoma

Luther Burbank
Center for the Arts

Best Theater
Troupe

Napa

Lucky Penny Productions

Sonoma

6th Street Playhouse

Best Band

Napa

Jealous Zelig

Sonoma

John Courage

Best Cover Band

Napa

N2L-Band

Sonoma

Electric Funeral

Best Music Venue

Napa

Uptown Theatre

Sonoma

HopMonk Tavern, Sebastopol

Best Outdoor
Music Venue

Napa

Robert Mondavi Winery

Sonoma

Green Music Center’s Summer Weil Hall &
Lawn Performances

Best Music Festival

Napa

Yountville Live

Sonoma

Healdsburg
Jazz Festival

Best Outdoor
Music Festival

Napa

BottleRock Napa Valley

Sonoma

Railroad Square
Music Festival

Writers Picks: Cannabis

Best Biodynamic Cannabis
for All Sexes

What a difference a year makes! It has for Garden Society, a local cannabis manufacturing company owned and operated by Erin Gore and Karli Warner (pictured, left to right), who spent most of 2018 nailing down permits so they’d be legal. The weekend before Valentine’s Day, they gave away cannabis-free samples of their chocolates at Sol, where seniors scarfed them. The cannabis-infused version gets me stoned, and, while it doesn’t kick in right away—usually the case with edibles—it keep me stoned for a long time, and makes me feel lusty.

While I’m waiting for an edible to kick in, I smoke one of the pre-rolled Garden Society “rosettes” that come in a nifty box that fits comfortably in a back pocket. A rosette gets me high quickly, but not so high that I can’t function.

Garden Society cannabis is cultivated biodynamically in Mendocino County, where permits are easier to obtain than in Sonoma County. The chocolate in the edibles comes from Guittard, a company that deals with “fair trade” cocoa cultivators. Gore and Warner call their products “female-friendly.” They’re male-friendly, too. The milk chocolates with sea salt, Gore says, will “ensure a good night’s sleep,” and, while that might be true for some, it isn’t always true for me. It can wire me.

If you want an introduction to Gore, Warner and Garden Society, check out their podcast, Garden Society: The Podcast. If Erin Gore’s brother-in-law, James—Sonoma County’s fourth district supervisor—hasn’t heard the podcast, he ought to. He also ought to smoke a Garden Society pre-rolled with me, then kick back and talk about the Warriors, the Republicans and the politics of pot. thegardensociety.com.—J.R.

Best Place to Get High, According
to Grandma

The last time I went to the Grove of Old Trees, it was with my younger sister and grandparents. It was one of those Northern California days in January when the sun is out and the sky is clearer than it is in the summertime, when the air is still crisp and clean from the morning frost but has warmed from the sun. My grandmother had packed us lunch in a picnic basket, one covered in red-and-white checkered cloth. It was in pristine condition; even though she got it in the ’70s, there was no indication it had ever been used before. My sister carried the picnic basket and I carried the matching checkered blanket as we walked into the darkness of the towering redwoods, so dense sunlight barely scraped in between their branches. As we walked, forest critters darted in front of us on a dirt path, and the deep sound of a great horned owl (so my grandfather told us) could be heard. Eventually, we got to a grass clearing. The day was beautiful, and the whole field was slathered in sunlight as we spread out our blanket. We unpacked what my grandmother had assembled: the neatly folded napkins, the bundled plates and utensils, four small mason jar glasses and our pasta salad. After we had been quietly eating for a few moments, my grandmother looked around and said, “This is a perfect place to smoke a joint.” Grandmothers always know best.
17599 Fitzpatrick Lane, Occidental. www.sonomacounty.com/outdoor-activities/grove-old-trees.—A.M.

Best Way to Rub Weed All Over Your Body

Napa County has been moving slowly on opening up wine country to commercial cannabis cultivation after the passing of Proposition 64. To date, only one medical dispensary, Harvest of Napa, exists in the county, and there are zero recreational dispensaries. That doesn’t mean there’s no cannabis being cultivated in Napa Valley, of course, and groups like the Napa Valley Cannabis Association are working to make above-board cannabis agriculture and a legitimate cannabis industry a reality in the region. For now, the best legal cannabis export coming from Napa is the topical balms of Napa Valley Cannabalm, whose boutique, handcrafted and doctor-formulated balms are ideal for chronic pain relief and anti-inflammation. The Cannabalms, which come in scents like Rosemary, Peppermint and Lavender, are made with all-organic ingredients like Cannabis Sativa seed oil, grape seed oil, olive oil, beeswax and essential oils, all grown in Napa Valley. When applied to trigger points on the body—the head, shoulders, knees and toes—the balms can relax muscles, reduce aches, increase circulation and soothe inflamed skin. Since the product is made with low amounts of cannabinoids and each two-ounce tin of Cannabalm contains less than 0.3 percent THC, there’s no psychoactive effects to worry about, and the balms can be traveled with, shipped to and used in all 50 states.—napavalleycannabalm.com.—C.S.

Best Example of the California Paradox

The California Paradox occurs whenever the state sets out on some ambitious policy initiative that another ambitious policy initiative would render null and void, difficult to achieve or a flat-out joke. Case in point: When the state set out to legalize cannabis, it did so knowing that there’s be no legal weed without lots of effort put into making sure nonmedical pot products are child-unfriendly, if not childproof. Given all the infused gummy bears and flavored vape whatnot on the consumer market, that’s a fair enough concern. But it also meant that cannabis products for the recreational masses would be enveloped in multiple layers of plastic packaging, a phenomenon which is demonstrably idiotic anytime a consumer unpacks a wildly overpackaged pre-rolled joint. It’s like they’ve got King Tut wrapped in the damn packaging and Steve Martin’s about to burst into song about it, but never at dusk. Enter the California Paradox: even as it has legalized weed, the state has also set an ambitious agenda to convert to a 100 percent sustainable-energy model by 2045. That means lots more solar and wind power and less reliance on the petrochemical industry and all of its oleaginous products. You see where this is all going. Petrochemicals are the building blocks of plastic. By the time California gets to 2045, we’ll already be drowned under a sea of plastic pre-roll tubes, and the sea will itself lap the shores of a new Central Valley beachhead. So here’s to the quick emergence of a robust hemp-plastic industry. It’s the only way out of the Paradox.—T.M.P.

Best Cannabis Photo Shoot Gone Awry

You think it’s easy, putting together a photo shoot with Marigold’s Pineapple Harlequin CDB-rich pre-roll? Well, it’s not, as we learned recently. We invited the joint to the Bohemian offices with the news that it had won the award for Best CBD-Rich Pre-Roll That You Can Smoke at Dawn and Still Have a Productive Day at Work, and we arranged for the photographer to show up as well. This stuff takes planning, people. The photographer arrived at the scheduled hour, looking typically jaundiced and frantic, and set up his gear. We put out a spread of cold cuts and cheese, some grapes and wine, to stimulate an artful pose from the pre-roll and to get the photographer to relax. It was his first photo shoot with a bona fide A-lister. We told the photographer that we were going for a tastefully nude approach to the shot, but maybe with some beefcake edge. The model release forms were all signed. The bosses were informed of our intentions. But . . . but . . . when it came time to take the shot, the joint was nowhere to be found. Poof, just like that, puff of smoke. All that remained was the packaging—the green and yellow Marigold box, and the plastic tube that held the pre-roll. We checked everywhere. Under the desk, in the fridge. Everywhere. Seriously, where the hell did that joint go? And why is the intern writing blank-verse poetry with a mythical edge, on deadline day? Fuckin’ kids these days.—T.M.P.

Readers Picks: Cannabis

Best Hydroponic Supply Store

Napa

Endless Green

Sonoma

The GrowBiz

Best Pipe Shop

Napa

Starbuzz Smoke Shop

Sonoma

The Mighty Quinn

Best Mobile Delivery

Sonoma

SPARC

Best Medical Dispensary

Sonoma

Mercy Wellness of Cotati

Best Cannabis Label

Sonoma

AYA Sonoma Cannabis Co.

Best CBD Product

Sonoma

CBD Sample Pack,
Care by Design

Best Cannabis
Body Care

Napa

Lavender Balm, Napa Valley Cannabalm

Sonoma

CBD Pain Cream,
Care by Design

Best Edibles

Sonoma

Solful

Best Therapeutic Product

Napa

Rosemary Balm,
Napa Valley Cannabalm

Sonoma

Healing Balm,
Fiddler’s Greens

Best Cannabis
Event

Napa

Cannabis & Health:
A Scientific Approach,
Napa Valley Cannabis Association

Sonoma

The Emerald Cup

Best Cannabis Attorney

Napa

Danny Zlatnik,
Dickenson
Peatman & Fogarty

Sonoma

Omar Figueroa, Law Offices of Omar Figueroa

Best Of 2019

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Best of the Best

Welcome. We’re once again celebrating the best of the North Bay, with our epic Readers Poll and extensive selection of Writers Picks. It never gets old, putting out these annual issues that celebrate the best of the best of Sonoma and Napa counties. In a world of impermanence, it’s good to know that there’s always another Best Of issue right around the corner—and that each year, new businesses and people always seem to refresh the proverbial aquifer of greatness.

From Best Doctor to Best Winetasting, we’ve got it covered, and then some, across our various categories. Our winners are a reflection of the community at large that chooses them—and represent the day-to-day goodness that makes living around here a Best Of experience in its
own right.

This year, Sonoma tattoo artist Shotsie Gorman returns to the Best Of fore to illustrate our cover—may you soar like a hawk through this amazing issue! Rory McNamara was our go-to photographer this year and the Bohemian writers who contributed are Aiyana Moya, Alex T. Randolph, Charlie Swanson, David Templeton, Gary Brandt, James Knight, Jonah Raskin, Stett Holbrook, Thomas Broderick, Tom Gogola and the late Tokey McPuffups. Thanks to all who contributed.

Spring Screens

With March well under way and spring around the corner, the clouds are starting to clear in the North Bay, meaning the stars are coming out to shine. From now through May, several of Hollywood’s top actors, emerging filmmakers, gifted documentarians and others will make their way to Sonoma and Marin for special screenings and festivals offering one-of-a-kind film experiences for local audiences.

‘High Fidelity’

First up, one of the most recognizable faces in movies for the last 30 years, John Cusack comes to Santa Rosa to screen and discuss his hit comedy High Fidelity on March 15 at the Luther Burbank Center for the Arts.

The story of record shop owner Rob Gordon (Cusack) recounting his top five failed relationships is set against a backdrop of over 70 pop songs spanning multiple decades and genres of music; the film has become one of the most beloved romantic comedies for music and film lovers alike. Cusack not only starred in the movie, he co-wrote and co-produced it, bringing the novel by Nick Hornby to life.

“I had made a bunch of films with Joe Roth, who ran Disney,” says Cusack. “And I had just made the first film I wrote and produced called Grosse Pointe Blank. We had a really good experience, and we had a big soundtrack on that movie. Kathy Nelson, who was the music supervisor, was a real wizard.”

After the success of Grosse Pointe Blank, Cusack turned to High Fidelity and brought Nelson along for another music-centric film. But this time, the music took on a physical role, with Cusack and his friends (Jack Black and Todd Louiso) hanging out in a record shop and debating various top five lists like “Top five recording artists” and “Top five musical crimes perpetrated by Stevie Wonder in the ’80s and ’90s.”

High Fidelity also told a compelling story about love and relationships, as Rob attempts to figure out where he went wrong in the past and fix his current romantic situation, while also reorganizing his record collection autobiographically.

“I’m not as much of a collector in person, but I certainly value music the same way,” says Cusack of his character. “A lot of people live autobiographically through art, and they have albums and songs and movies that mean something to them in their life, when they first heard the song, or the era of the song. Those themes run close with me.”

High Fidelity was also the breakout role for Jack Black, whom Cusack recruited for the part. “I knew we had an ending to the film because I knew Jack and had seen his act Tenacious D in Los Angeles,” says Cusack. “I knew the part was perfect for him and that he would be able to knock ’em dead with the music at the end. We had a ball.”

Beyond being one of the most entertaining movies about music ever, High Fidelity captured an audience through the relatable characters and emotional narrative.

“It tells a lot of secrets about men, our inner monologue and thought processes,” says Cusack.

On hand for the screening and conversation, Cusack looks forward to the chance to talk with fans of the film.

“What we usually like to do is take questions directly from the audience,” says Cusack, who has toured with other films. “They’re into the movies and know them well. I like to take questions and let them ask whatever they want.”

John Cusack appears Friday, March 15, at Luther Burbank Center for the Arts, 50 Mark West Springs Road, Santa Rosa. 7:30pm. $39 and up. 707.546.3600.

Sonoma International
Film Festival

Celebrating its 22nd year, the Sonoma International Film Festival takes over Sonoma’s historic plaza for five days, March 27–31. The fully walkable festival includes more than 90 films ranging from independent features, shorts and documentaries from around the world.

Past guests to SIFF have included stars like Bruce Willis, Susan Sarandon, Meg Ryan, Robin Williams and Danny Glover, and it wouldn’t be a Sonoma event without offering world-class cuisine from local artisans and exceptional wine from Sonoma vintners to go with the films.

This year includes another packed lineup of parties and screenings, starting with the opening-night reception featuring live music from the Rich Little Band and a screening of the new film Ladies in Black, about the lives of a group of department store employees in 1959 Sydney and directed by the Oscar-nominated Bruce Beresford.

Other special events include the very popular Chefs and Shorts Dinner on March 28, featuring highly regarded culinary luminaries preparing a five-course dinner inspired by short food films from around the world.

Another must-see highlight of this year’s SIFF is the UFO symposium on March 30, boasting two investigative documentaries, Aliens at the Pentagon and The Nimitz Encounter, and a panel discussion. There’s also a showcase of the Lunafest traveling film festival on March 30 with a program of films by women filmmakers. Beyond the festivities, SIFF supports the visual arts educational programs in Sonoma Valley schools and community outreach programs.

Passes for the Sonoma International Film Festival, running Wednesday to Sunday, March 27–31, at Sebastiani Theatre and nearby venues in Sonoma, are available at sonomafilmfest.org.

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Sebastopol Documentary
Film Festival

Founded in 2007, the Sebastopol Documentary Film Festival is the North Bay’s premier showcase of independent documentaries from both international filmmakers and homegrown talent. Returning this March 28–31 for its 12th year, this year’s festival boasts one of its most locally focused programs yet, with films covering the breadth of lives in the North Bay.

Opening night’s film, Harvest Season, follows the stories of Mexican-American winemakers and the migrant workers in Napa and Sonoma counties, who grapple with several issues while 2017’s wildfires ravaged the region.

The next night, the documentary Holly Near: Singing for Our Lives shines a spotlight on Sonoma County resident and songwriting activist icon Holly Near. Directed by veteran filmmaker Jim Brown, the film comprises Near’s own footage and recordings, interviews with contemporaries like Gloria Steinem and Jane Fonda, and a live concert filmed at Berkeley’s Freight & Salvage. Throughout it all, Near’s work in several social endeavors highlights her ability to inspire peace, justice, feminism and multicultural consciousness.

Other film highlights includes the March 31 anniversary screening of the early internet documentary Home Page and filmmaker Doug Block’s subsequent blog, the D-Word, an online discussion forum that includes over 16,500 members from 128 countries, and is in its 20th year.

Several short film programs, conversations, panels and other special events complement the feature film schedule, taking place Thursday to Sunday, March 28–31, at the Sebastopol Center for the Arts and Rialto Cinemas in Sebastopol.

Festival schedule and passes available at sebastopolfilmfestival.org.

‘Star Trek II: The Wrath of Khan’

Finally, San Rafael takes to the stars in a big way when it welcomes iconic actor, writer and director William Shatner to town for a conversation to accompany a screening of the best Star Trek movie ever, Star Trek II: The Wrath of Khan, on May 16 at the Marin Center.

In revisiting his beloved character of James T. Kirk, captain of the starship Enterprise in both the original 1966 Star Trek television series and then in seven feature films, the first thing that Shatner points out is that the character almost didn’t exist.

“The people who were doing Star Trek had made a pilot with another actor,” says Shatner. “And they couldn’t sell it, but the idea was intriguing enough. A very unusual and maybe unique event took place; NBC said make another pilot with a different script and recast everybody except the guy playing the Vulcan [Leonard Nimoy].”

So it was, and the role of Captain Pike was changed to Captain Kirk. Shatner was called in to read the new part. “I thought they took themselves a little too seriously and I suggested that we have more fun with it,” he says. “I had, the year before, done a film on Alexander the Great and I was riding horses, wearing a breechcloth and doing weight training. So I had an idea of what a hero might act like, and I kept thinking of a phrase I had heard somewhere, ‘the look of eagles.'”

Taking all that, Shatner created an archetype in science fiction, the brash but brave Captain Kirk, who fights for his crew and for the good of all. Though the original series lasted only three short years, the crew of the starship Enterprise would return in 1979 for the first of several feature films. Those films also famously spawned many other television series that continue to this day, not to mention books, video games and other media.

In revisiting the character of Captain Kirk in the movies, the actor approached Kirk as an older, wiser captain. “I began to look more closely on how an aging hero, who is one step slower, might act and feel,” says Shatner. “And on the loneliness of having an inanimate ship as the love of his life. There were many strains of things that I didn’t comprehend or look at when I was playing him on television.”

While 1979’s Star Trek: The Motion Picture garnered mixed reviews, the sequel became a smash hit with critics and audiences. Star Trek II: The Wrath of Khan is in fact a sequel to an episode from the original series, “Space Seed,” in which the superhuman Khan is revived from suspended animation and attempts to capture the Enterprise. That episode ends with Khan and his crew being exiled to a planet, where we find them at the beginning of the 1982 film.

“Somebody knowledgeable said, ‘Let’s get back to the series,'” says Shatner of Wrath of Khan. “The stories were the important part. So when they said let’s do a story instead of running-and-jumping, I thought that was the right way to go. And it turned out to be a success because we did that.”

As the title points out, Khan makes his wrath known in the movie, and as portrayed by the late Ricardo Montalbán, Khan is considered one of Star Trek‘s greatest villains. The film concludes with not only one of the most memorable yells in cinema history (“Khhaaaan!“) it features Shatner, Montalbán and Nimoy all giving world-class performances.

“Leonard was a wonderful actor, everything done so internally, and a great gentleman and wonderful friend,” says Shatner. “The best of acting is a tennis game between the actors, and there’s this playful thing that should happen. If it’s there, it becomes alive; even if the dialogue isn’t necessarily sparkling, actors can bring it to life if they bring themselves to life, and these guys were able to that.”

William Shatner beams down Thursday, May 16, to the Marin Center’s Veterans Memorial Auditorium, 10 Avenue of the Flags, San Rafael. 7:30pm. $39 and up. 415.473.6800.

Double Down

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It is truly right and just to go full Huell Howser on Cotati and its bigger sibling Rohnert Park, my own gateway to Sonomaphilia in 1976.

Visiting from L.A., I was taken around the place by an old girlfriend who was about to go to Sonoma State University. Out of the dust-dry south, I was dazzled by the leafiniess, the fractaled branches of the oaks, the river (“Where’s the concrete?”) and the then-free winetastings.

At night, she took me to the New Albion brewery in Penngrove. Though it burned down years ago, the sign, a sacred relic of this very early California brewpub, hangs in a place of honor behind the bar at the Russian River Brewery. Since my idea of what a brewery looked like was Busch Gardens, it was astonishing to see beer could be made in a space lacking five-story steel yeast tanks and monorails.

We met interesting locals, such as a female shade-tree mechanic who operated on the old girlfriend’s Volvo from inside a dugout that she used in lieu of a gas station’s pit. We watched SNL in the Belushi age, in a late-night cafe on the Old Redwood Highway. My love for the area continued long after the girl in question kicked me to the curb, having correctly realized that the curb is the proper place for moist, spaniel-eyed young schmucks.

While now Cotati and Rohnert Park are more or less one big amoeba, in the old days, there was a bit of rivalry between the funky college village and rapidly built housing tract that filled up Waldo Rohnert’s farm. “Robot Park,” the counterculturites called it.

Cut to 1990, a red-letter year for Cotati, the first year of the Cotati Accordion Fest. I’ve been to about 20 of them, fueling up on Lagunitas in the lawn chair, hauling up Little Red, the 12-bass Communist East German-made Bandmaster I got from Sears in 1988. As long as I can, I’ll be joining the “Lady of Spain” ring underneath a wheeling flock of confused-looking wedding doves.

The minor-key waltzes on stage complement the slight melancholy of the event; the buckets of bubble-gum-scented amaryllises scattered around are a sign of time passing. They’re called “pink naked ladies,” but could just as easily be called “farewell to summer,” since the school sessions start up the day after the accordions are silenced.

Scott Goree and Linda Conner of the Cotati Accordion Fest are busy with this coming summer’s ruckus, searching for more agony-box virtuosos from around the world. Goree says he has a large library of potential guests, augmented by YouTube, club dates he checks out and recommendations from previous guests.

This August’s fest has its theme and its poster ready: Honoring Our First Responders. The caption: “We honor the First Responders past, present and future. The future part is the most important, since we’re not out of the woods yet . . .”

Such is life in this valley, first plagued by fire and then by water.

The day may come when you’ll have to explain a “Use an Accordion—Go to Jail” bumper sticker to a kid. Accordions have lost the stigma they once had. Last year, a young crowd mobbed the second stage at the Cotati fest for the Travelling Spectacular caravan.

But not everyone in Cotati is crazy about the crowds and the amplified wheezing. “Some people love us, some people hate us,” Goree says. “The merchants complain that the people who come in don’t patronize their businesses, and that their regular customers can’t come in because of the traffic.”

Both Goree and Conner are proud of the fact that the fest has, over its history, donated $500,000 to local nonprofits. They’re the largest yearly donors to the Education Foundation. They’re the sole supporters of the music program at Thomas Page Academy, annual donors to the Boy Scouts Troop 4 camping trip, a major supporter of the outdoor programs at Penngrove Elementary—and the fest gave enough money to the Penngrove-Rohnert Park Co-op for them to acquire a playground on the premises. “It’s been a windfall for the community, and it’s really put Cotati on the map.” Goree says.

Even in galaxies far away, they’ve heard of Cotati. Avengers: Infinity War had Gamora ogling the unconscious Thor’s muscles and likening their strength to Cotati fibers. This is no reference to the weavers at Cotati’s Fiber Circle Studio, but rather to the technology of that super-intelligent race of trees, the Cotati of the Kree homeworld. They were introduced into The Avengers comics by Steve Englehart and Sal Buscema, in 1975.

“Mike” from Santa Rosa’s Batcave comic shop got me in touch with Jon Athens, a long-time local comics fan, who explained how that happened: “Back in 1972, we actually had a comic con in Cotati, the Cotati Con. That was back before almost anyone did comic cons. It was at the Inn of the Beginning” (the saloon is now known as Spancky’s and in its day hosted Janis Joplin, Etta James, the Jefferson Airplane . . . ). “Two of our biggest guests were Steve Englehart and Frank Brunner. Steve was a cool guy. He liked the area so much that he honored it.”

It’s my virgin visit to the Graton Resort and Casino. I’d waited for the traffic to die down since it opened; six years seems to have done the trick—a little, since there were careening psychos in oversized trucks on the Congressman Don Clausen overcrossing. How many times driving by had I promised myself that act of rebellion: to run off, drive up, and make some real money for a change? And
now at last . . .

Out past the Reading Cinema, the center looms. A large structure the size of a convention center at the end of an expressway, patrolled by restless security guards. At the gate, a line of somber, perhaps cleaned-out elders are ready for the busses back to San Francisco or San Jose.

At noon, the action is mostly with the slots; dogged players are sometimes rewarded with an electronic tintinnabulation that simulated a jackpot. Strange licensing abounds, including Lord of the Rings. I never thought of conflating Middle Earth and Las Vegas, but Arwen and Aragorn pose on his-and-hers slots. Señor Tapatia, the sombrero-wearing Gomez Addams–lookalike on the hot sauce bottle, is the theme of another one-armed bandit.

Wait! There’s a Diamonds Are Forever slot machine with Sean Connery looking aged but formidable. For sure, a portent of good luck.

I’d seen that cheesy movie on opening day and three times after that, in the dashed hopes that it would become better on a new viewing. Sadly, the Bond machine is out of order, as the technicians work on it, as are the Thunderball and Casino Royale slots, the latter with a large screen montage of Daniel Craig thumping a bunch of deserving henches. I find something with Chinese dragons spinning around it, evaporate $15, and head off to the car like a Hemingway hero, vanquished yet defeated.

I do my gambling at thrift shops, anyway. One breaches the door, electrified: this will be the day that I find something that will change my life, an original Miro some chump got rid of because it wigged him out. And the St. Vincent de Paul on Redwood Highway is a four-out-of-five-star thrift shop. Everything 40 percent off for seniors and students on Wednesdays. Used books are less expensive than toilet paper these days, but they had a lot of Australiana as well as a CD soundtrack for Trainspotting for 25 cents. Such a deal.

I get out of the car to recheck the loot in my trunk, and lock myself out. Thanks Yarbrough Towing, and the ebullient guy they send to use a couple of klaxon horn-like air pumps and a slim jim to pry the door open and rescue me from my stupidity.

Lunch in Cotati means the Washoe House. It’s officially in Petaluma, which is nonsense. The historic two-story inn is one or two miles north of Railroad Avenue, and Railroad Avenue is the gateway to Cotati. The vicinity doesn’t look like Chickentown at all—it’s out among the Holsteins. And would a bar in Petaluma be able to orate about itself? Hardly.

Inside, the Washoe House menu is a first person prose-poem history of the hotel, reminiscing about the cowboys and the fancy women whose feet trod the very boards where your Crocs rest today.

U.S. Grant once came and spoke from the balcony of this weathered inn that served as slaughterhouse, Post Office and hostelry. The poor bastard was stationed five months in the freezing fog at Fort Humboldt—it’s amazing he ever came back to Northern California.

Like the Graton Resort and the St. Vincent’s, I’d passed the Washoe House forever on drives, and always wanted to go in. No disappointment. Dawdled a little over a horseradish-laden Bloody Mary and a reuben (they had marble rye, yet). A good crowd of 1pm sippers, and a well-picked musical program of sobbing vocalists and steel guitars. Sade’s “The Sweetest Taboo” gave way to Jerry Jeff Walker singing about Mr. Bojangles and his sad dead dog.

A ceiling tinted an autumn-leaf color—from decades of nicotine—features thousands of thumbtacked dollar bills, scribbled with black-markered messages, hanging like bats. Clearly throwing away money had been the order of the day. Always a compulsive graffiti reader, I saw the back of a vandalized $1 bill “stONEr”—God, I wish I’d thought of that in high school. And on a squandered fiver “This Is for White Bird.”

The cryptic messages, the old photos of couples giving each other a squeeze, the handcuffs and boxing gloves over the beer taps—all signs meant to be read by some passerby, to reassure them of some form of permanence in this part of the world, flotsam to cling to in the flood of time.

Lost Time

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Fyodor Dostoevsky—who poured blood, sweat and tears into the pages of Crime and Punishment—would feel at home in John Beck’s splendid, searing new documentary, Invisible Bars, which runs 56 minutes and packs a wallop every step of the way.

“The degree of civilization in a society can be judged by entering its prisons,” the great Russian novelist Dostoevsky exclaimed. Jailed by Czar Nicolas I for reading “dangerous” literature, he was lined up before a firing squad and pardoned at the proverbial last minute. Dostoevsky only served six years in a Siberian prison, a grim yet redemptive experience that fueled Crime and Punishment.

Beck’s Invisible Bars, which he worked on intermittently for five years, suggests that a society ought to be judged not only by what goes on inside prisons, but also by what happens on the outside to kids who suffer the loss of an incarcerated parent. As Invisible Bars argues, those kids grow up with the stigma of a mom or a dad locked up in places like San Quentin.

Invisible Bars spits out facts as hard and as cold as the walls of the state’s famous Marin County prison. California has only 5 percent of the world’s population, but 25 percent of the world’s inmates. In California every year, half a million kids grow up with a parent in prison. In the United States, 5 million kids have parents behind bars.

Those figures come near the start of Beck’s movie, along with the trenchant comment that America is the most “incarcerated country in the world.” More men and women are in prison here than in Putin’s Russia.

Invisible Bars doesn’t analyze why this country has the world’s most highly developed “prison-industrial complex.” That’s the responsibility of students of criminal justice. Beck set out to raise awareness about mass incarceration and what he does exceeding well is put inmates and their children in front of the camera and provide a space for them to talk about the pain, the suffering, the shame—and the enduring love that isn’t snuffed out by prisons bars. Beck showcases two San Francisco public defenders, Jeff Adachi, who died in February, and Chesa Boudin. At the start of Invisible Bars, Adachi explains, “When it comes to children, the California criminal justice system is cold-hearted.”

Boudin takes over from there. The child of parents who belonged to the Weather Underground, he was raised by Bernardine Dohrn and Bill Ayers after his biological mother and father, Kathy Boudin and David Gilbert, were jailed following a botched robbery of a Brinks vehicle in 1981. Three men died; two of them police officers.

Gilbert is still in prison. Kathy Boudin was released after 22 years behind bars. Looking back at his traumatic childhood, Chesa says he blamed himself for the incarceration of his parents. Now he’s running for San Francisco District Attorney to, he says, inject justice into the criminal justice system.

Invisible Bars shows how punishing prisons can be on kids like Chesa, but it doesn’t punish viewers. Rather, it uplifts and inspires by showing families as they break down barriers, tell stories and focus their hurt and anger.

Because of kid protesters, Marin County now boasts a Children of Incarcerated Parents Bill of Rights.

Filmmaker Beck walked away from his job at Santa Rosa’s Press Democrat in 2009, after 12 years as a staff writer. Since then, he’s made documentaries, including one about ugly-dog contests and another about a Trappist monastery near Chico. Filming Invisible Bars took him to places he had never been before.

Surprisingly, San Quentin wasn’t the prison where Beck heard what he calls the most “honest heartfelt stories.” That was Solano State Prison in Vacaville, where he witnessed the workings of the Long Term Offender Program—which aims to rehabilitate and not punish, a rare thing these days.

“When I went to Solano, I never felt unsafe,” Beck says. “Rather, I knew I was getting a rare opportunity to go behind the curtain and hear real dialogue.”

Last year, Beck joined Fred Stillman’s seven children when they traveled by van from Santa Rosa to Solano—a 90-minute drive—to meet and greet their father, who was released after serving 23 years. Stillman, now 60, and his daughter, Jessica, 32, saw Invisible Bars behind bars at Solano, where Beck arranged for the film to have its world premiere.

“That was heavy, watching the film on the inside with my dad and other prisoners,” Jessica says.

For much of her childhood, Jessica rarely saw her father. When she did, it was through a glass partition. Stillman’s mother raised her. Now she has a BA from the University of San Diego and an MA from the University of San Francisco.

On a rainy Saturday morning, Stillman—who lives in San Francisco in transitional housing—visited Jessica in Santa Rosa, where she works at the Rape, Crisis Trauma and Healing Center. She’s trying to persuade Sonoma County to adopt a Children of Incarcerated Parents Bill of Rights, similar to Marin’s.

Stillman explains that, over the course of more than two decades, prison authorities moved him from Pelican Bay, where he was in solitary, to Susanville and then to New Folsom, followed by a string of penal institutions in Salinas Valley, Jamestown and Soledad, which was, he says, “a picnic compared to the other places.” It wasn’t until he was housed at Soledad that he was allowed to touch his children and they were allowed to touch him.

“For a long time, I was a monster in prison,” Stillman says. “Then I learned to accept responsibility for my own actions.” He figures it cost the state of California $1.15 million to warehouse him for 23 years. He was convicted of murder in 1995. As he points out, the prison-industrial-complex is big business. “I almost gave up on myself,” Stillman says. “But my kids never abandoned me, and once I joined the Long Term Offenders Program at Solano, I knew I had a chance to get out.”

One of Stillman’s biggest challenges was juggling gang membership. To survive, he says he had to join a gang while, at the same time, denying gang affiliation when authorities accused him of membership in one. To guards, who insisted he belonged to a white gang, he replied, “That’s not possible. My mother was Mexican and no white gang would want a Mexican.”

On Aug. 6, 2018, the day of his release, Stillman walked around Fisherman’s Wharf, admired the Golden Gate Bridge and enjoyed the view of the bay from Sausalito.

Despite its heavy topic, Invisible Bars has an upbeat soundtrack that includes music by the rap group E-Dub and the Grateful Dead, who performed at San Quentin in 1968, shortly before Johnny Cash sang there.

Invisible Bars was about as DIY as you can get,” Beck says. “The only way I could make the film was to wear a lot of different hats as cinematographer, editor and sound recorder, as well as writer, producer and director. They all add up to storyteller.”

In the last scene, Stillman faces the camera and says he would still be in prison “if it wasn’t for my kids.”

“It took decades,” Beck says, “but the Stillmans got past the stigma, the shame and the guilt, and rebuilt their family.”

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