Craft Cartoons

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Ken Weaver knows a thing or two about craft beer in the North Bay, as well he should; he wrote the book on it in 2012. Weaver’s The Northern California Craft Beer Guide featured his exhaustive reporting paired with his wife-and-photographer Anneliese Schmidt’s images.

Since writing the definitive who’s who of the region’s breweries and crafters putting beer on the map in wine country, Weaver keeps up with the craft beer scene these days in a new way, producing a webcomic, Massive Potions, each week for over a year, in which Weaver’s fictional post-apocalyptic brewery features a cartoon cat and other denizens who satirize craft beer clichés and poke fun at industry trends, like this summer’s hard seltzer craze.

“I got into beer more as a consumer at least a dozen years ago,” says Weaver, who earned a master’s degree in physics at Cornell University and an MFA in creative writing from the University of Maryland. “I had gotten involved in RateBeer.com back in DC, and that gave me the lay of the land. I got involved in the craft beer scene for fun, then I was writing on the side and it all came together.”

Weaver moved out to the North Bay with his wife, who had family in Marin, and the couple settled in Petaluma. In hindsight, Weaver says his Northern California Craft Beer Guide came about randomly after years of beer blogging and a timely conversation with publisher Chris Gruener of Petaluma-based Cameron + Company.

“That was a great opportunity for my wife and I both to settle into the scene,” says Weaver. “As someone new to Northern California, it was a great way to explore and become immersed in what was going on out here.”

In the intervening years, the craft beer scene in Sonoma, Napa and Marin County continued to expand. There is increasing competition to have the latest and greatest available on tap and to go, and long-running craft brewery staples like Lagunitas Brewing Company and HopMonk Tavern are now in company and competing with new breweries, taprooms and locations such as 3 Disciples Brewing, who host their Oktoberfest on Saturday, Sept. 21, in downtown Santa Rosa, and HenHouse Brewing, who’s inaugural Freshtival Beer Festival commences on Oct. 12 in Rohnert Park.

“The thought of re-doing the Beer Guide at this point feels overwhelming,” says Weaver. “There’s breweries everywhere, it’s a much more matured and developed scene; and this was a relatively mature and developed scene seven years ago. It’s gotten even more so.”

Weaver also says that the continued development of the local scene means that breweries are becoming more localized and specialized to their neighborhood. “They’re serving their local geographic area, their footprint is modest and they are working on close relationships that are much more sustainable long-term,” he says. “The growth is stable, but there’s more competition and people are having to settle for smaller niches than they originally expected.”

While another Beer Guide isn’t in the works, Weaver has been plenty busy keeping his eye on the scene and offering his takes via Massive Potions.

“I’d been kicking this concept around for a while,” says Weaver of the webcomic. “I had been trying to find my feet going down the path of writing fiction.”

The concept of and characters in Massive Potions went through several literary forms, from novel to graphic novel to four-panel webcomic once Weaver started drawing the characters on his digital device. “It felt like the right gear for what I was doing,” he says. “Adding the graphic component, a light switch flicked on, it made sense. I could get a feel for this world.”

The two focal figures of Massive Potions, the big-haired Zo and the glasses-wearing cat Whalefeather, are the heart of the brewing operation. They hang out with characters like the brewery’s easy-going and only customer Pete, the bartending cow Dennis and other interlopers like the recently arrived White Claw, who expels the virtues of hard seltzer upon the IPA enthusiasts to little avail.

Though there are blueprints for a book coming in the next year, the best way to read Massive Potions is to find the series online.

“It’s fun making fun of these things, but the nice thing about the comic is that it’s not just one voice,” he says. “Having these characters gives me the opportunity to have different opinions, different angles and concepts; it’s more fun to explore how different people are thinking about this stuff.”

massivepotions.com.

Old Reliable

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I’ve never understood the concept of “guilty pleasure.” It’s a way of expressing one’s tastes while apologizing for them. Taste is subjective—so why let other people make you feel bad about yours? If your idea of Fine Art is a black-light poster, embrace it! If you like celebrity gossip, own it! If your favorite song is “Don’t Stop Believing,” don’t apologize for it!

There’s no guilt involved when I say I like Budweiser. No hipster irony, either—for me, Bud isn’t a fermented proxy for a vintage Gulf gas station jacket. When I say I like Bud, it’s because I like Bud.

I know Budweiser is a factory product, and the choice of lunkheads everywhere. Is Bud as good as my favorite beer? Of course not—it’s my everyday beer, one I vastly prefer over most craft beers. I tend to dislike bitter flavors, so most hoppy craft beers are off limits for me.

Moreover, I prefer to buy beer from grown-ups. When I see craft beers with cringeworthy names like Hoptical Illusion and with cartoon-like label designs, it feels like kids playing dress-up. Say what you want about Bud, its brand presentation remains classic, timeless and non-generational.

Beer should be for everyone. So many craft beers seem like they’re trying to weed out the squares and the olds. Imagine your father shopping for beer and seeing Hoptimus Prime or Citra Ass Down. Even if he got the joke, he might reasonably conclude they were intended for someone else.

Beer should unite, not divide. I like Bud the same way I like the Rolling Stones, or baseball, or a burger with fries—it makes me feel connected to the rest of America. In this era of fragmented subcultures, it’s nice to feel like I’m going wide instead of narrow.

Also: Most stores and bars carry it, it’s reasonably priced, it goes down easy and the 5.0 percent ABV gives just the right buzz. So yeah, I like Bud. I’m drinking one right now, in fact. Unapologetically? Guilty as charged.

Paul Lukas is a staff writer at Sports Illustrated. He also runs the Uni Watch Blog, among lots of other projects. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Polio Grounds

Abraham Entin expounds about the pernicious pharmaceutical industry, but his real goal is to defend the anti-vaxxers (Letters, Sept. 11). Big Pharma, which I despise, makes virtually nothing on vaccines. “Of course vaccines work in the short run.” Abe old chap, you know any polio victims? I did. My mother contracted polio in 1954 in a hospital giving birth to my little sis. She survived, wearing a leg brace and paralyzed on one side, until she passed due to post-polio complications at age 65. Tell ME about side effects. You don’t want to vaccinate your kids? Fine—but keep them away from my kids.

Occidental

Russia Hoax

The article by Chris Rooney (“Divisive Data,” Sept. 11) suggested that Russia, through “RT America,” was trying to sow division in the U.S. by casting doubts about the safety of 5G technology. Besides getting several paragraphs in the text, you chose to add a subtitle that featured “reports of health risks associated with 5G linked to Russians.”

It may just be my aging memory, but in my five years or so of following RT on a more-than-daily basis I cannot recall ever reading a negative article about 5G. In fact, since the U.S. has been trying to ban sales of Huawei’s 5G technology internationally, and given Russia’s general support of all things Chinese, RT tends to have articles slanted in favor of 5G.

I use the RT android app on my cell phone and look at it several times a day, finding it a refreshing antidote to the spin of sites such as The Guardian, NPR and Democracy Now. As far as their coverage of the U.S. goes, they seem to favor Republicans more than Democrats, I think not because of a plan to sow dissent but because they tend to favor what they think of as

“traditional Western values.” I sometimes find that annoying, but, since my news otherwise comes from Democracy Now and other KPFA programs, as well as NPR and Bill Maher, I like to hear the “other side” also, and I very much enjoy their great coverage of international news, which gets short shrift in most American news.

Guerneville

I was amused by the Chris Rooney article on 5G. He correctly cites that the 10,000-plus studies, including the gold-standard, $30 million, tax-dollar-funded NTP study done recently, apparently aren’t good enough in the eyes of the FDA, FCC or many courts, though it’s curious that the richest cities like Hillsborough, Belvedere, Los Altos, etc., seem to be able to sidestep Uncle Sham’s plans for more and more wireless coverage. Apparently, we’re in a race with the Chinese. . . .

There are over 100 cell-tower sites under contract for installation in Santa Rosa. Want to do something about having a cell phone tower planted in front of your house, or your child’s school? Contact your lawmakers before it’s too late. Sonoma County for Responsible Technology has a list of current and future cell tower installations. https://www.facebook.com/groups/431787887408649/

Via Bohemian.com

Write to us at le*****@******an.com.

Self Aware

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Main Stage West kicks off a new season with big laughs in Annie Baker’s candid snapshot of a dysfunctional, modern family. Body Awareness follows five days in the lives of lesbian couple Joyce and Phyllis, Joyce’s live-in son from a previous marriage and a controversial houseguest who could sink or save the trio’s tense relationship.

Joyce (Nancy Prebilich) is struggling with 21-year-old Jared (Elijah Pinkham), who likely has Asperger’s Syndrome—a suggestion he vehemently resents—and whose social skills are sorely lacking. His violent outbursts and arrogant retorts, obsession with etymology and bizarre bond with an electric toothbrush are equal parts shocking, hilarious and moving. Pinkham’s performance is simply stellar.

Meanwhile Phyllis (Lydia Revelos) is organizing Body Awareness Week at the Vermont college where she teaches psychology. It’s her attempt at a more global, “positive” spin on what was formerly Eating Disorder Awareness Week, featuring a diverse and exhaustive line-up of guest lecturers and artists. (Baker hits on all the hallmarks of liberal academia, poking tasteful fun at its obsession with political correctness.)

But hosting visiting photographer Frank (Zachary Tendick) is not what Phyllis bargained for. A high-strung feminist who abhors the “white male gaze,” she finds his pictures of naked women objectifying and exploitative. Joyce, on the other hand, thinks they’re beautiful and empowering. Are Frank’s intentions pure, or is he just a big phony? If his art speaks to someone, should that matter?

The drama ramps up when Joyce decides she wants to pose for Frank, who’s been counseling Jared on matters of self-confidence and the opposite sex. Exposing ourselves to others may be liberating, but how and when is it appropriate? Jared tests the limits with devastating results while Joyce and Phyllis find themselves at perilous odds.

Tendick does well in his first acting role, keeping pace with a group of talented veterans. Revelos and Prebilich make convincing lovers, breathing life into all the tender and tense moments that comprise a long-term relationship. Directors John Shillington and Janine Sternlieb nail the pacing.

Baker packs subtle depth and room for meaningful reflection into an unassuming and seriously funny package. It stands in stark contrast against the much bleaker family portrait being drawn in Novato Theater Company’s coinciding production of The Humans. Body Awareness succeeds where the competition falls short, serving up a satisfying mix of humor, humility and hope. Go see it.

Rating (out of 5): ★★★★

“Body Awareness” runs through Sunday, Sept. 22, at Main Stage West, 104 N Main St., Sebastopol. Days and times vary. $15–$30. 707.823.0177.

Sept. 13-14: Wowie Bowie in Sonoma

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Though he’s been gone for over three years, David Bowie’s musical legacy and influence can still be felt everywhere. This weekend, more than 20 local musicians feel the music when they perform as part of the fourth annual Bowie Forever tribute. Spanning two nights this year, the shows feature members of Bumblin’ Bones, Gentlemen Soldiers and other popular acts performing with special guests like Bay Area guitarist David Walker and bassist Shawn Miller. Bowie’s music lives forever on Friday and Saturday, Sept. 13 and 14, at Starling Bar, 19380 Hwy 12, Sonoma. 8pm. $20. bowieforeversonoma.brownpapertickets.com.

Sept. 14: Five Years of Favorites in Healdsburg

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In the heart of downtown Healdsburg, the Paul Mahder Gallery has offered dozens of exhibits of contemporary art for five years. Now, the gallery celebrates half-a-decade of engaging the arts with a celebration that coincides with the closing reception of the gallery’s current exhibit, Wosene Kosrof’s “My Favorite Things.” Kosrof is an Ethiopian-born artist who uses the script of his native Amharic language as a core element in his paintings and sculptures. See the art, enjoy live music and dancing and celebrate the Paul Mahder Gallery on Saturday, Sept. 14, 222 Healdsburg Ave., Healdsburg. 6pm. RSVP requested. 707.473.9150.

Sept. 14: Ruby Season in Sebastopol

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This year marks Redwood Arts Council’s ruby anniversary, and the council opens its 40th season of classical concert performances with a North Bay favorite, the internationally renowned guitarist Paul Galbraith, who makes his fourth appearance courtesy of the Redwood Arts Council. Galbraith performs his specialized 8-string “Brahms guitar,” held like a cello and picked like a harp, in a concert program that includes works by Bach, Haydn and other classical composers on Saturday, Sept. 14, at Sebastopol Community Church, 1000 Gravenstein Hwy N, Sebastopol. 7:30pm. $30; students are $10; kids free with adults. redwoodarts.org.

Strangers No More

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North Bay bluegrass music fans likely know the name Hellman. Warren Hellman founded the Hardly Strictly Bluegrass Festival in San Francisco, and his son Mick Hellman and the family continue to run it. In addition, the Hellman musical family boasts bands and artists like Mick’s daughter Avery Hellman (Ismay) and the group the Well Known Strangers, formed by Mick and his other daughter,
Olivia Hellman.

“The original idea was to back up my daughters and help them spread their wings musically,” says Mick Hellman.

The Well Known Strangers started as a barroom-ready country-rock band. “Our favorite thing was playing these kind of rowdy songs,” says Hellman, who plays drums in the group. “We had a term for this, which was ‘brutal country.'”

After releasing a self-titled EP of mostly covers, the Strangers broadened their scope, both musically and thematically, for their upcoming LP, TMI, which gets a record-release party on Sunday, Sept. 15, at Sweetwater Music Hall in Mill Valley.

The album features an array of Americana tunes, largely written by Olivia and the band, that get personal quickly. The title track, a stomping, blues-tinged number, is Olivia’s response to all the things men tell her when they’re drunk. The song “Look Me in the Eye” is a Generation X–inspired dirge about political disenfranchisement and frustration, and the album’s final track, “A Song For My Daughter,” is a letter Mick penned to Olivia in the wake of a family tragedy.

Despite the heavy theme, TMI is a raucous, exuberant album that maintains a rough-around-the-edges vibe while also offering robust harmonies and a newly developed musical tenderness.

Shortly after recording the album, Olivia moved to Nashville to further pursue her career, and Amber Morris, who appears on TMI as a guest vocalist, now fronts the band when they play live. Hellman says the group stays together, in spite of his daughter’s absence, because of strong chemistry and camaraderie.

“What we are talking about at the album-release party is honoring the discontinuity that happened between losing Olivia and gaining Amber, to put the album in the context of the changes that are being made,” says Hellman. “And to celebrate the new material we are working on with Amber, where the focus—instead of [on] the brutal country vibe—is more country soul.”

Well Known Strangers perform on Sunday, Sept. 15, at Sweetwater Music Hall (19 Corte Madera Ave., Mill Valley. 6pm. Free. 415.388.3850) and Sunday, Oct. 20, at Twin Oaks Roadhouse (5745 Old Redwood Hwy, Penngrove. 3pm. $10–$25. 707.795.5118).

Trial of Mind

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While technically not set in a courtroom, Tom Topor’s Nuts, running now at Santa Rosa’s Left Edge Theatre through Sept. 29, has all the elements of a classic courtroom drama—a defendant, a judge, a prosecuting attorney, a defense attorney and witnesses. However, the question is not whether the defendant is innocent or guilty of a crime, but whether the defendant is competent
to stand trial.

Set in a hearing room in the psychiatric wing of New York’s Bellevue Hospital, State Supreme Court Judge Murdoch (Dwayne Stincelli) will determine whether Claudia Draper (Heather Gordon) will stand trial for manslaughter or be committed to a mental hospital. District Attorney Franklin Macmillan (Chris Schloemp, whose suit should have garnered him a contempt citation), along with Claudia’s mother Rose (Bonnie Jean Shelton) and stepfather Arthur (Dodds Delzell), are determined to see her committed. Claudia, with the help of attorney Aaron Levinsky (David L. Yen), is determined to have her day in court.

The play runs in real time with three acts of about 40 minutes each and two 10-minute “recesses” between the acts. The first act consists of testimony from Dr. Herbert Rosenthal (Peter T. Downey), the state’s evaluating psychiatrist. In the second, the parents testify and in the concluding act Claudia takes the stand in her own defense.

Set Designer Argo Thompson utilizes the entire studio theatre in recreating the claustrophobic confines of a Bellevue hearing room, so much so that when the court officer (Scott Wagman) instructed all in attendance to rise, some audience members stood up.

Director Joe Winkler has an A-list cast at work here, with particularly good work by Downey, as the smarmy psychiatrist, and Delzell, as the deceptively doting stepfather. The talented Gordon has little to do but appear perturbed in the background for the first two-thirds, but she gets to shine in the last act when her response to one of the DA’s questions turns into a brutally blunt monologue.

The play, written 40 years ago, probably seemed more daring at the time, with its story of an educated, upper middle-class woman with family secrets who turns to prostitution. Now it plays like an extended episode of Law and Order: SVU.

Its points about our flawed mental health system and the power of the patriarchy are (sadly) still valid, but they are wrapped in what is basically an unexceptional legal drama told by exceptional actors.

Rating (out of 5):★★★½

‘Nuts’ runs through Sept. 29 at Left Edge Theatre. 50 Mark West Springs Road, Santa Rosa. Thu–Sat, 8pm; Sun, 2pm. $15–$42. 707.546.3600.
leftedgetheatre.com

Addicted to Love

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September is National Recovery Month. Generally speaking, it’s a month devoted to increasing awareness about substance-use disorder and celebrating the successes of those in recovery.

But I’m concerned with the statistics around treatment.

According to the 2018 National Survey on Drug Use and Health, some 21.2 million people above the age of 12 in the U.S. needed substance use treatment in the past year. “Stated another way,” the report says, “about 1 in 13 people aged 12 or older needed substance use treatment.” But only 10 percent of those people get treatment.

Why? Isn’t there a ton of money out there to address the opioid epidemic? I’ll tell you why many people would rather die alone than ask for help: stigma. Many of us carry a deep and weighted shame about experiencing addiction. We know our culture holds individualism and success in the highest regard—and that mentality is fertile ground for the judgement which says: “You did this to yourself. If you were a better (stronger, harder working, more caring, less selfish) person you wouldn’t be addicted. Just say no.”

Those of us who experience addiction come to expect that type of stigma from society. But where do people longing for recovery go when even the recovery community itself judges and rejects them?

For decades we’ve had a gold standard medical treatment for opioid use disorder—buprenorphine, methadone and naltrexone. Despite its undeniable and life-saving effectiveness, medication assisted treatment (MAT) is criticized as “not real recovery.”
People on MAT are often told they may attend 12 step meetings, but they may not speak —because they aren’t considered sober. Partners, friends and family commonly accuse people on MAT of “substituting one addiction for another.” That’s not true. The risk of overdose death is more real than ever.

So the theme for this, the 30th year of National Recovery Month, is Join the Voices for Recovery: Together We are Stronger. I propose a gathering of the recovery community in mutual acceptance, healing and celebration of sobriety—regardless of our treatment choices. Let’s join hands and openly stand together against stigma, not one another. Let’s celebrate the spirit of heart, health and justice that should bind us because together we are stronger.

Please join me in a public celebration of recovery in Santa Rosa on Sept. 21. If you’re a person in recovery, or you want to fight the stigma that has taken so many of our loved ones away, email me at Re***************@***il.com

Marla Pfohl is a resident of Bennett Valley. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Craft Cartoons

Ken Weaver knows a thing or two about craft beer in the North Bay, as well he should; he wrote the book on it in 2012. Weaver's The Northern California Craft Beer Guide featured his exhaustive reporting paired with his wife-and-photographer Anneliese Schmidt's images. Since writing the definitive who's who of the region's breweries and crafters putting beer on the...

Old Reliable

I've never understood the concept of "guilty pleasure." It's a way of expressing one's tastes while apologizing for them. Taste is subjective—so why let other people make you feel bad about yours? If your idea of Fine Art is a black-light poster, embrace it! If you like celebrity gossip, own it! If your favorite song is "Don't Stop Believing,"...

Polio Grounds

Abraham Entin expounds about the pernicious pharmaceutical industry, but his real goal is to defend the anti-vaxxers (Letters, Sept. 11). Big Pharma, which I despise, makes virtually nothing on vaccines. "Of course vaccines work in the short run." Abe old chap, you know any polio victims? I did. My mother contracted polio in 1954 in a hospital giving birth...

Self Aware

Main Stage West kicks off a new season with big laughs in Annie Baker's candid snapshot of a dysfunctional, modern family. Body Awareness follows five days in the lives of lesbian couple Joyce and Phyllis, Joyce's live-in son from a previous marriage and a controversial houseguest who could sink or save the trio's tense relationship. Joyce (Nancy Prebilich) is struggling...

Sept. 13-14: Wowie Bowie in Sonoma

Though he’s been gone for over three years, David Bowie’s musical legacy and influence can still be felt everywhere. This weekend, more than 20 local musicians feel the music when they perform as part of the fourth annual Bowie Forever tribute. Spanning two nights this year, the shows feature members of Bumblin’ Bones, Gentlemen Soldiers and other popular acts...

Sept. 14: Five Years of Favorites in Healdsburg

In the heart of downtown Healdsburg, the Paul Mahder Gallery has offered dozens of exhibits of contemporary art for five years. Now, the gallery celebrates half-a-decade of engaging the arts with a celebration that coincides with the closing reception of the gallery’s current exhibit, Wosene Kosrof's "My Favorite Things." Kosrof is an Ethiopian-born artist who uses the script of...

Sept. 14: Ruby Season in Sebastopol

This year marks Redwood Arts Council’s ruby anniversary, and the council opens its 40th season of classical concert performances with a North Bay favorite, the internationally renowned guitarist Paul Galbraith, who makes his fourth appearance courtesy of the Redwood Arts Council. Galbraith performs his specialized 8-string “Brahms guitar,” held like a cello and picked like a harp, in a...

Strangers No More

North Bay bluegrass music fans likely know the name Hellman. Warren Hellman founded the Hardly Strictly Bluegrass Festival in San Francisco, and his son Mick Hellman and the family continue to run it. In addition, the Hellman musical family boasts bands and artists like Mick's daughter Avery Hellman (Ismay) and the group the Well Known Strangers, formed by Mick...

Trial of Mind

While technically not set in a courtroom, Tom Topor's Nuts, running now at Santa Rosa's Left Edge Theatre through Sept. 29, has all the elements of a classic courtroom drama—a defendant, a judge, a prosecuting attorney, a defense attorney and witnesses. However, the question is not whether the defendant is innocent or guilty of a crime, but whether...

Addicted to Love

September is National Recovery Month. Generally speaking, it's a month devoted to increasing awareness about substance-use disorder and celebrating the successes of those in recovery. But I'm concerned with the statistics around treatment. According to the 2018 National Survey on Drug Use and Health, some 21.2 million people above the age of 12 in the U.S. needed substance use treatment in...
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