Stories To Tell

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Susan Swartz has always had a knack for finding and telling stories. In fact, the longtime reporter, columnist and author made a living of it for over 40 years, using her column space to speak out on social movements and chronicle personal journeys with insight and humor.

Swartz may be best known for her two nonfiction books, Juicy Tomatoes: Plain Truths, Dumb Lies & Sisterly Advice About Life After 50, published in 2000; and its follow-up, The Juicy Tomatoes Guide to Ripe Living After 50, published in 2006.

Now, Swartz is stepping into the world of fiction with the debut of her first novel, Laughing In the Dark. Swartz reads from the book and talks with fellow writer Miriam Silver at an afternoon book-launch event on Sunday, Jan. 26, at the Occidental Center for the Arts.

“I’ve always been a reporter, but more a feature writer,” she says. “I think of myself as more writerly than reporterly, whereas my husband was just the opposite.”

After moving to Sonoma County in 1973, Swartz soon began working as a reporter at the Press Democrat, where she met her husband, reporter Bob Klose. The two stayed married for 39 years until Klose’s death last November.

In her own work, Swartz writes about women with a fearless feminist streak.

“My daughter’s friend in high school at the time asked, ‘Why do you hate men?’ I said, ‘I don’t hate men!'” Swartz says. “I decided I had to write more and more about what feminism really was.”

Up until now, Swartz’s fiction writing has appeared in short-story anthologies like Cartwheels on the Faultline, and the majority of her inspiration comes from women’s writing groups she’s involved with.

“It was fun working with all these women, collaborating and editing and brainstorming,” she says. “I think writers need other writers.”

The writers’ groups also inspired Swartz’s novel, and Laughing In the Dark unsurprisingly centers around three women in Northern California between their late 50s and 60s.

The longtime friends each face their own trials and challenges in aging. Jude is afraid she will inherit her mother’s Alzheimer’s, Franny is a burned-out educator looking for love late in life and Anna is a breast-cancer survivor in a rocky marriage.

The novel’s action takes place over the course of an eventful year, bookended by summer camping trips at Lake Sonoma, which she based on her own experiences with friends. Swartz also adds, there’s an epilogue.

“I love epilogues, so I had to have one in my book,” she says.

Now, with Laughing In the Dark available from Open Books, Swartz continues to look for the next great story, and keeps her notebook close at hand.

“You can always write down a great line you overheard at a coffee place or some idea you have when you’re walking,” she says. “Just keep going and know that you’re going to stumble upon an idea that makes you want to get up in the morning.”

‘Aeronauts’ keeps its head in the clouds

The gallant and thrilling The Aeronauts bypasses the problem of telling an adventure story about Victorians with large beards by making a romantic fiction about two balloon travelers.

James Glaisher (Eddie Redmayne, in his best performance) is a guarded and scorned London scientist in 1862. An auditorium full of beards mocks him for his belief that studying the clouds will give man the ability to predict the weather. Thus, he attempts to break the record for highest ascent, to study the sky with a valise full of gauges and brass instruments.

The actual pilot of the glorious balloon is female daredevil Amelia Wren (Felicity Jones), who is returning to the skies after an inconceivable trauma. She arrives with streamers and a circus dog, turning somersaults in front of a crowd of London thrill-seekers before mounting the wicker gondola. In real life, Glaisher and his partner Henry Coxwell (written out of this script) set a 60-plus-year record when they ascended to a jet-plane altitude.

There are squabbles, of course. Amelia says, “Your reputation is made by paper, my reputation is made by screams.” The two have captivatingly matching frailties; Amelia losing her false daring, James jettisoning his scientific tunnel vision. Here’s a fine balance of what Les Blank called the “burden of dreams,”—fulfill them and suffer, deny them and suffer.

The film had a short IMAX run, the format that does the fear-of-falling like nothing else; and it must have been near-unbearable. On a small screen, it’s still a stomach-wrencher. One watches through their fingers during Amelia’s spidery crawl across the frozen surface of the balloon, or the moments when those air pockets that are bad enough to take on a jumbo jet jerk the balloon upward. The skies are digitally painted with great skill, the cloudscapes startlingly rich (apparently director/co-producer Tom Harper sent up a balloon to get some footage).

The flashbacks that get us out of the basket have a sharp edge. Tom Courtenay is very good as James’ father, a senile watchmaker; Amelia’s sister (Phoebe Fox) never lays her own familial warnings too thick. When the script goes bad, it’s good-bad in a classic, old-movie way. The Aeronauts does what movies used to do; telling us fictions to remind us to be brave and persistent.

‘The Aeronauts’ is available to stream on Amazon Prime.

Star Rising

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From a young age, North Bay native Anna Dellaria used music as a built-in mode of self-expression. The keyboardist, vocalist and singer-songwriter remembers dragging family members into the living room to perform make-shift concerts and teaching herself music in middle school.

“I went through a lot of weird phases as a kid in middle school, trying to make friends and such, as I’m sure many people go through,” says Dellaria. “The thing that kept my head on straight was writing songs. It allowed me to work through what I was feeling and grapple with these larger issues of what it means to grow up.”

Now based in Los Angeles, Dellaria is a pop star in the making. She graduated from the prestigious and highly competitive USC Popular Music Program in 2017, and through it, she caught the attention of early supporters and industry icons like producer and executive Lenny Waronker and others.

These days, the 24-year-old is ramping up her music career with a steady performing schedule in L.A. and elsewhere, as well as gigs writing music for television programs such as TV Land’s Younger and Paramount Network’s Heathers.

“That’s been an awesome opportunity in a way that I’ve been focusing in on utilizing music not only to express myself but to tie in with film and TV in creating a story,” she says.

Regarding her own work, Dellaria has a debut EP in the works, and is hyping the EP with a series of singles being released throughout this year.

“Coming up in 2020 will be a series of singles that I think are my most cohesive work that I’m most excited about,” she says.

Dellaria’s first single on the way this year is the heart-wrenching “Sorry Doesn’t Work,” which lyrically tells the story of a broken relationship with mournful guitars and Dellaria’s soulful vocals reaching a pitch-perfect state of sadness. Spotify and Apple Music will release the single on Feb. 7.

In addition to performing, Dellaria is also passionate about using her music for good causes, and she possesses a philanthropic streak, donating her talents to organizations like Girls Inc.

“A lot of my songs are centered around the idea of self-empowerment, even through challenging times,” Dellaria says. “As someone who grew up struggling with anxiety and depression without having the tools to describe it yet, I feel strongly about telling people that are also struggling with these emotions that those struggles don’t define your worth, but rather make you stronger because you’re able to battle through them.”

Anna Dellaria’s single ‘Sorry Doesn’t Work’ is available Feb. 7 at Annadellaria.com.

Saint Drogo: patron of sheep and coffee houses

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Like many of my godless generation, I know more about Marvel superheroes than I do about saints. Still, it surprised me that I had never heard of Saint Drogo—the patron saint of coffee houses—until falling into a fateful Wikipedia wormhole. Cafes and coffee houses, after all, are the proverbial third place where my ilk of creative crusader congregates. Where has Drogo been and why
isn’t there a Drogo blend
at Starbucks?

I’ll hazard a guess: Besides being the patron saint of coffee houses (which is odd since coffee didn’t arrive in his native France until the 16th century—500 years after his death), Drogo is also the patron saint of sheep. This makes sense since he was a shepherd. He also lived in a cell appended to a church wall so the villagers wouldn’t have to look at him after a disease disfigured him whilst pilgrimaging across Europe. With sheep. You know what kind of medieval disease can disfigure you? Syphilis. You know where this is going?

Since the church requires living a life of “heroic virtue” for sainthood, I’d venture that the Church overlooked this in light of his alleged miracle—an ability to bilocate—meaning, he could be in two places at the same time. Witnesses claimed to see Drogo in church when other witnesses simultaneously saw him with his sheep.

This is a superpower more Marvel than Catholic, IMHO, or at least some order of quantum chicanery on par with superposition. But there’s more to ponder for the bilocation-curious per a back issue of Discover Magazine:

“About 80 years ago, scientists discovered that it is possible to be in two locations at the same time—at least for an atom or a subatomic particle, such as an electron,” wrote Tim Folger. “For such tiny objects, the world is governed by a madhouse set of physical laws known as quantum mechanics. At that size range, every bit of matter and energy exists in a state of blurry flux, allowing it to occupy not just two locations but an infinite number of them simultaneously.”

So there. Maybe Drogo existed in a state of blurry flux (a.k.a. over-caffeinated). Somehow, he’s not the patron saint of physics but they do recognize him as the Pythonesque saint of the “those whom others find repulsive.” And that’s not too baaaaad.

Interim editor Daedalus Howell is the writer-director of the feature film “Pill Head” now playing on Amazon Prime Video.

About to Blow

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Alia Beeton

I flew backward on a bird through an embittered sky

Saw time upended, for the end had come and gone

Life quickened in the earth, which boldly tried

to push its shoots through the cracks toward a hidden sun

I saw the demons in their eyes, the serpents in their veins

They devoured her, she was devoured by greed

The world was full of poison riches liars fast obtained

as they mutated the magic, the grace of a simple seed

I’ve passed through seasons we don’t believe in anymore

I could tell you of the things that bankrupted the brain

This depth of desecration never did exist before

the age when we distorted, numbed, internalized the pain

Did you know that, when unmet, a mind will dessicate?

And when unused, a heart, as true as time, will atrophy

Without the pulse of love to fill our parts we’re desolate

We ache through every gaping hole for empathy

Expect the uninvited guest, pillager of the pristine

Don’t expect a miracle, the miracles have been cashed in

Like the ground post-carnival, don’t expect it to be clean

The siren song of sins, sung by winners who didn’t win

Everybody thinks she’s dormant, but I know what lies below

I’m the herald, the informant, telling you that all her torment,

Bubbling like bitter ferment,

is about to blow.

But there is something more, for this story never dies

While I’m floundering to make some sense of what’s to come

Life is quivering again, she says, it always tries

to push its shoots through the cracks toward a hidden sun

Alia Beeton is a singer-songwriter, actor and writer who blogs at LucidLipsLifeLetters.com. We welcome your contribution. To have your topical essay of 350 words considered for publication, write
op*****@******an.com.

Racist Bones

Remember Donald Trump saying, “I haven’t got a racist bone in my body”? So why has
Mr. Trump spent the last three years playing to the white racists in the Republican Party?

“The Bible has noble poetry in it; and some blood-drenched history; and a wealth of obscenity; and upwards of a thousand lies.” —Mark Twain

Nevada City

Convict Trump

To the Editor:

The House has voted to impeach Donald Trump—and now the Senate must convict and remove this lawless president from office. Congress can’t ignore the crime at the heart of the inquiry: Trump pressured the Ukrainian government to interfere in the 2020 election by digging up dirt on a potential opponent and threatened to withhold critical military aid unless they complied. If anyone else did that, they would be in jail.

Testimony from career civil servants during public impeachment hearings provided irrefutable evidence of Trump’s criminal wrongdoing. His actions are a clear and open threat to the integrity of our elections—and an impeachable offense that warrants removal from office. No one is above the law in this country, including the President of the United States.

Nothing less than our democracy is at stake. The Senate should convict and remove Donald Trump.

Sincerely,

Meeting
Adjourned

This is an excellent piece on a difficult meeting (“No Show,” Jan. 15). What should also be made clear is that since the inception of IOLERO, the Sheriff’s Office has always sent one or two high-ranking officers as its representatives. The fact that none attended this particular meeting sticks out like a sore thumb, along with the fact that the Sheriff has refused to order even a temporary ban on the deadly carotid hold.

Cotati

Keeping Records

I appreciate “For the Record,” (Letter to the editor, Jan. 15) describing the purchase of The Sonoma Gazette by Darius Anderson’s company. The letter includes a description of other news owned by other publishers in Windsor and Cloverdale,etc.

I’m glad they exist and I certainly understand Vesta’s need to sell
and retire.

Still, “for the record,” Darius and his investment company owns major, pivotal papers in our county like: The Press Democrat, The Sonoma Index-Tribune, Petaluma Argus-Courier, North Bay Business Journal, Sonoma Magazine, La Prensa Sonoma and Spirited Magazine. What’s up with that?

Sonoma

Write to us at le*****@******an.com.

Texas Barnstorm

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Jonah Raskin

ROADSHOW Shivawn Brady is in a Lone Star State of mind.

Down in the great state of Texas, pot folks are pissed off. For starters, there aren’t many of them—at least not aboveground and legal—which makes them, right now, even more pissed off than they’ve been for decades. In Texas, there are only three licensed dispensaries. Terminally ill cancer patients have access to pot, but not many others who would benefit from medicinal marijuana do.

Sonoma County cannabis-wiz Shivawn Brady means to do something about the sorry state of weed in the Lone Star State; and not just grumble about it. For four days at the end of January, she and a talented team of cannabis experts, including Dr. Sue Sisley, will barnstorm Plano, Houston, Austin and El Paso.

Brady, who will moderate all four public panels, is well suited for her role. For two years, she served on the Sonoma County Cannabis Advisory Board, and, as an insider, knows about red tape. She also worked at Peace in Medicine, the Sebastopol dispensary.

But what really stands out on her resumé is that in 1986, at age 24, law-enforcement officers raided her pot farm and confiscated her crop. Brady was busted and charged with cultivating marijuana illegally in Sonoma County.

“It was a turning point in my life,” Brady says. “I was put through the ringer—I lost my financial aid for school, and I went through a three-year legal battle. But it was also a blessing in disguise. It planted the seeds for what needed to happen next.”

What needed to happen next was that Brady made friends with people—such as Robert Jacob and Erich Pearson—in the cannabis industry, who showed up at her court appearances and offered moral support. She connected to Americans For Safe Access, got her own act together and went to work for Justice Grown, a multistate legal-cannabis operator started by a civil rights and liberties law firm in Chicago.

Justice Grown, in collaboration with Texans for Safe Access, will focus, for the four different days in four different cities, on the subject of “cannabis and medicine,” touching on topics such as proper dosing, patient treatment and the endocannabinoid system, which enables THC and CBD to effect healing within the human body.

Brady is especially well suited to educate Texans; precisely because she doesn’t have a Texas-sized cannabis chip on her shoulder.

“I don’t think the way we do things here in Sonoma is the way for everyone else to do it,” she says.

Mike Pizzo, the Director of Content & Creative Services at Justice Grown, will join the Brady group.

“I’ve never been to Texas,” he told me. “But I’m sure I’ll learn a lot about Texas hearts and minds and the Texas cannabis market.”

Jonah Raskin is the author of
“Dark Day, Dark Night: A Marijuana Murder Mystery.”

Love & War

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Plays and films set during World War I are few and far between, at least compared to those that use the Second World War or Vietnam as a framing device. It’s been a little over a century since the Armistice, and while there have been a few books and films on the subject—such as Sam Mendes’ 1917—”The Great War” just doesn’t occupy the collective consciousness of the American public; probably because of the half-dozen or so wars that followed “the war to end all wars.”

Canadian playwright Stephen Massicotte’s Mary’s Wedding, running now at Sebastopol’s Main Stage West through Feb. 1, deals with the romanticism and realities of war as experienced by two young residents of Alberta, Canada—Charlie Edwards (Sam Coughlin) and Mary Chalmers (Sharia Pierce).

Charlie enters the theater and informs the audience that it’s 1920 and tomorrow is Mary’s wedding. What we will be seeing is the dream Mary has the night before her betrothal. We see how the two met and their awkward courtship. We hear how Mary’s upper-crust British mother disapproves of her relationship with a “colonial.” We learn that Charlie will soon be off to war.

Mary’s dream floats between their time together and their time apart. Charlie’s letters home to Mary come to life as the realities of the horrors of trench warfare and mustard gas overtake the perceptions of glory and honor that accompany battle. Charlie, whose only remembrance of literature learned at school is Alfred, Lord Tennyson’s The Charge of the Light Brigade, soon finds himself riding into the Valley of Death.

Part memory play, part fantasy, and part Ken Burns PBS documentary-influenced historical drama, Mary’s Wedding is an incredibly effective piece of theater. Director Missy Weaver’s deft handling of Massicotte’s script manages to make the multiple transitions of time and space feel seamless. This is due in no small part to the performances
of Coughlin and Pierce. Working with little more than a few hay bales,
a sawhorse, a helmet and an umbrella, the actors make you see them astride a horse, or on a ship, or deep in a trench.

The wedding gown–draped Pierce also plays Charlie’s commanding officer, which, as strange as it sounds, actually works quite well for reasons made clear in the play.

Can the totality of the cost of war be absorbed by a single individual? Mary’s Wedding reminds us that, sadly, for millions the answer is, “Yes.”

Rating (out of 5): ★★★★

‘Mary’s Wedding’ runs through Feb. 1 at Main Stage West, 104 N. Main St., Sebastopol. Thu–Sat, 8pm; Sunday, 5pm. $15–$30. 707.823.0177. mainstagewest.com

Now That’s Hazy

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Timing is everything in brewing. Beer style depends on the timing of the mash and hop additions, and IPA sales depend on timing the latest trend. The first time I got excited about smoked beer, I wanted to write a column about how great it was. That was around September 2017.

It was not great timing.

Two years later, it was too soon again for Moonlight Brewing Company’s Dim Lights, a gently smoked lager the brewery planned to make for the holidays.

“I made the call to cancel it,” says founder-and-owner Brian Hunt. After three consecutive autumns of wildfire smoke hereabouts, it didn’t seem like the right time.

Renowned for his anti-trend-chasing stance, Hunt says that smoked beer is not the latest style. Rather, it’s the oldest beer style.

“All malt was brown and smoky-tasting for centuries,” Hunt explains, “because all of it had to be dried over some kind of fire.”

Beer is made from barley that’s heated to stop the sprouting process. That heat came with woodsmoke until different fuels, and new technology, took away the smoke while making it possible to make evenly toasted, pale malt. “And then the smoky flavor was obsolete,” except in a few places like Bamberg, Germany, where locals never lost their taste for “rauchbier.”

But Dim Lights, which Moonlight head-brewer Zac Greenwood cooks up to evoke “a liquid encapsulation of the Russian River in springtime, when the cool ocean fog wraps you up in the smell of wood stoves and damp Redwood forest,” is returning in time for spring. It’s scheduled for release the week of March 16.

That’s good news to Gabe Jackson of the Beverage People fermentation supply.

“Every time I drink anything at Moonlight, I ask, ‘Can you please make that smoked lager again?'” Jackson says, upon the first mention of smoked beer. Although customer interest isn’t as high—he gets an inquiry about the style “Oh, once every couple months”—Jackson stocks a little “rauch malt,” and says he always talks up smoked beers in his brewing classes.

Meanwhile, Windsor’s Barrel Brothers Brewing has six more barrels of Suck It Trebek to satisfy smoke fans for the next few months. A Scottish-style ale, but not a “wee heavy,” this crisp, light amber beer has a hint of beechwood smoke.

It’s a good beer back for Sonoma Distilling Company’s latest batch of cherrywood-smoked bourbon whiskey. Made with 13 percent barley that spends a day with smoldering California orchard wood, this bourbon’s candied notes of toasted corn and cocktail cherry mingle pleasantly with the hazy ghost of fruitwood, and the smoke highlights the distillery’s signature dry finish.

Suffrage Centennial Exhibit Opens at Museum of Sonoma County

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This year marks a century since the ratification of the 19th Amendment, which gave women the constitutional right to vote. This momentous centennial is honored and explored on a local level at the upcoming exhibit, “From Suffrage to #MeToo: Groundbreaking Women in Sonoma County.” The exhibit covers over a dozen North Bay women who made strides in the suffrage and other social movements, and details their struggles and successes with artifacts and other eye-opening displays when the exhibit opens with a reception on Friday, Jan. 24, at the Museum of Sonoma County, 425 Seventh St., Santa Rosa. 5pm. $10; $7 senior and student. museumsc.org.

Stories To Tell

Susan Swartz has always had a knack for finding and telling stories. In fact, the longtime reporter, columnist and author made a living of it for over 40 years, using her column space to speak out on social movements and chronicle personal journeys with insight and humor. Swartz may be best known for her two nonfiction books, Juicy Tomatoes: Plain...

‘Aeronauts’ keeps its head in the clouds

The gallant and thrilling The Aeronauts bypasses the problem of telling an adventure story about Victorians with large beards by making a romantic fiction about two balloon travelers. James Glaisher (Eddie Redmayne, in his best performance) is a guarded and scorned London scientist in 1862. An auditorium full of beards mocks him for his belief that studying the clouds will...

Star Rising

From a young age, North Bay native Anna Dellaria used music as a built-in mode of self-expression. The keyboardist, vocalist and singer-songwriter remembers dragging family members into the living room to perform make-shift concerts and teaching herself music in middle school. "I went through a lot of weird phases as a kid in middle school, trying to make friends and...

Saint Drogo: patron of sheep and coffee houses

Like many of my godless generation, I know more about Marvel superheroes than I do about saints. Still, it surprised me that I had never heard of Saint Drogo—the patron saint of coffee houses—until falling into a fateful Wikipedia wormhole. Cafes and coffee houses, after all, are the proverbial third place where my ilk of creative crusader congregates. Where...

About to Blow

Alia Beeton I flew backward on a bird through an embittered sky Saw time upended, for the end had come and gone Life quickened in the earth, which boldly tried to push its shoots through the cracks toward a hidden sun I saw the demons in their eyes, the serpents in their veins They devoured her, she was devoured by greed The world was full of...

Racist Bones

Remember Donald Trump saying, "I haven't got a racist bone in my body"? So why has Mr. Trump spent the last three years playing to the white racists in the Republican Party? "The Bible has noble poetry in it; and some blood-drenched history; and a wealth of obscenity; and upwards of a thousand lies." —Mark Twain —Ron Lowe Nevada City Convict Trump To the Editor: The...

Texas Barnstorm

Jonah Raskin ROADSHOW Shivawn Brady is in a Lone Star State of mind. Down in the great state of Texas, pot folks are pissed off. For starters, there aren't many of them—at least not aboveground and legal—which makes them, right now, even more pissed off than they've been for decades. In Texas, there are only three licensed dispensaries. Terminally ill cancer...

Love & War

Plays and films set during World War I are few and far between, at least compared to those that use the Second World War or Vietnam as a framing device. It's been a little over a century since the Armistice, and while there have been a few books and films on the subject—such as Sam Mendes' 1917—"The Great War"...

Now That’s Hazy

Timing is everything in brewing. Beer style depends on the timing of the mash and hop additions, and IPA sales depend on timing the latest trend. The first time I got excited about smoked beer, I wanted to write a column about how great it was. That was around September 2017. It was not great timing. Two years later, it was...

Suffrage Centennial Exhibit Opens at Museum of Sonoma County

This year marks a century since the ratification of the 19th Amendment, which gave women the constitutional right to vote. This momentous centennial is honored and explored on a local level at the upcoming exhibit, “From Suffrage to #MeToo: Groundbreaking Women in Sonoma County.” The exhibit covers over a dozen North Bay women who made strides in the suffrage...
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