Coast Boast

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There’s such a want of wine-tasting opportunities on the Sonoma Coast that the loss of the Joseph Phelps Freestone tasting room, a few years back and a few miles inland, was one to be lamented. So why has it taken me so long to stop by Sonoma Coast Vineyards, which opened five years ago in a convenient pitstop location on the road out of Bodega Bay?

Maybe it was the name. Sonoma Coast is an officially recognized appellation that’s gained a good rep for cool-climate wines. And here’s this outfit taking that designation for themselves. Does it sound like something worked up by one of those wine groups run by investment bankers? The brand was actually founded by a local couple in the 1990s. Later, it was acquired by Vintage Wine Estates. So, investment bankers. But I got over it as soon as I was greeted by friendly staff and tasted the appellation-worthy wines. Visitors may taste at the bar, arrange for a tasting by appointment in a room with a gas hearth or order a local cheese plate and hang out on the cozy deck.

The economy pop-and-pour-at-the-beach option here is the 2018 Sonoma Coast Sauvignon Blanc ($25), a sweet-and-sour sipper with atypical apricot and honeysuckle notes that ring like a Riesling-Viognier mix. Different for a “Savvy,” but a good bet on the strand and even better in a “tote+able”-brand plastic flask, sold at the tasting room along with flexible GoVino wine cups, hats, sunglasses and hoodies for visitors who arrived at the Sonoma Coast dressed for a sunny day in Santa Monica.

Short of gale-force winds, the maritime setting shouldn’t spoil a Chardonnay-lover’s hit of toasty, caramelized oak that the 2017 Gold Ridge Hills Chardonnay ($30) delivers. Though I did not taste the 2018 Rosé ($25), or the North Coast Brut Rosé ($35), it’s hard to imagine going wrong there. Move the party inside for the reds.

Bright and tangy, like hibiscus and cranberry herbal tea, the 2017 Freestone Hills Pinot Noir ($40) is a pleasant intro to the reds of the area, while the 2017 Bodega Ridge Pinot Noir ($50) rewards a little more attention paid to it, with enticing hints of fresh raspberry, carob and complex stem aromatics from whole-cluster fermentation, and a bit of orange peel.

With its aromatic melange of strawberries in hay, dried fruit and spice, and mustard, the 2017 Koos Family Pinot Noir ($60) is a fireside-contemplation kind of red wine. Just not the beach-bonfire kind.

Sonoma Coast Vineyards, 555 Highway 1, Bodega Bay. Daily, 11am–6pm. Tasting fee, $25. 707.921.2860.

Sideswiped

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My husband and I have been married for 27 years, and for most of that time we have lived on a quiet street in a quiet neighborhood. All but one of our four kids flew the SoCo coop to L.A., where they struggle to find their feet, slogging through the existential goo of late capitalism, creative saturation and infrastructure decay to eek out a living among the masses as musicians and artists. Life has become for them, like many millennials and Gen Z-ers, an exhausting grind of self-curation; day by day, the tinsel tarnishes.

Few of their friends are in relationships, either because they haven’t met someone or can’t afford to date. I have little in the way of advice for them. After all, I came of age during the Cold War, an early arrival of Gen X. The year I went to college we still had a rotary-dial phone and rabbit ears on our TV set. Gas was 62 cents a gallon.

To understand the romantic zeitgeist of my teenage years, one need not look further than ABC’s 1982 hallucinatory synth-pop video “Look of Love” in which lead-singer Martin Fry, dressed like Harold Hill in heavy eyeliner, beckons two hand-clapping, lederhosen-clad party boys towards him as he holds a Hasselblad camera in his hands singing, “When the world is full of strange arrangements, and gravity can’t hold you down.”

Alas, I have now reached the age when Valentine’s Day is best celebrated with boxed cheesecake, a fork and Monty Don’s Great British Garden Revival. Nothing says romance like watching a Cambridge-educated gardener sow the runner beans and brew a homemade plant tonic from fermented nettle and comfrey, making the occasional guest appearance at some rural allotment to advise on cabbage white fly and powdery mildew.

All my husband and I ask of each other on Valentine’s Day is that we agree to ignore it. Romance is in the small daily acts of reciprocity—instead of long-stem roses, the gift of blooming Manzanita and quince on a winter walk, our rescue dogs, our chickens, the appreciation of another year on the good green Earth before it becomes Venus.

Admittedly, navigating romance in the 21st century requires a new set of skills, and I still have an iPhone 4. I tell my kids to cultivate their interests, to get outside and off-screen as much as possible and that love, like gardens, is cultivated from understanding, care and by nurturing the soil that sustains it. They tell me that I have no idea what I’m talking about, that gardening metaphors are both ridiculous and irrelevant for a generation of people priced out of both gardens and housing, and they’re #vanlife right.

The rules have all changed—marriage is out, gender fluidity and polyamory is in. Some argue that marriage is and has always been an economic arrangement, one intended to preserve an imbalance of power and autonomy between the sexes based on the historic fact that men would be the economic engine of the marriage and women the caretakers of the domestic sphere.

Welcome to the future.

In her book Against Love: A Polemic, provocateur-essayist Laura Kipnis writes, “We live in sexually interesting times, meaning a culture which manages to be simultaneously hypersexualized and to retain its Puritan underpinnings, in precisely equal proportions.”

The Atlantic and the Washington Post ran articles in recent years citing studies about how Americans are having less sex, a trend mostly driven by younger generations. In the age of SnapChat, fears about exposure during and after intimacy, the illusory online “you,” 24/7 availability through cell phones, and the proliferation of Internet predators, are really real. Yet love finds a way—even in February.

There are those who can and do offer professional relationship advice for singles, couples and throuples for navigating Valentine’s Day—for better or for worse.

For singles seeking connection, Alexis, from Tinder Plus, says to promote the “authentic version of yourself. If you pretend to be someone you’re not, you’ll attract someone who falls in love with the false version of you. Don’t be so afraid of rejection that you fake who you are.”

No news here. But in the age of a digital persona, even the authentic version of oneself is highly edited, enhanced and if we’re honest with ourselves, a little dishonest to others.

“Valentine’s Day doesn’t have to be just about romantic relationships,” says Viktor, a relationship expert for the website SocialPro. “Celebrate other important relationships by doing something enjoyable with those close to you. Surprise and variation are important ingredients in any healthy relationship.”

Be creative. Care about something bigger. Romance isn’t just for those with disposable incomes, and it costs nothing to spread the love.

“Saying and doing small, simple expressions of gratitude every day yields big rewards,” Alexis writes. “When people feel recognized as special and appreciated, they’re happier in that relationship and more motivated to make the relationship better and stronger.”

“The number one thing that I teach couples who want a sustaining, nourishing relationship is to regularly set time aside to do a ‘commitment ceremony,'” writes Marie from Marie Anna Winter Coaching. “Every deep relationship that we have deserves and needs attention and care, and a celebration of our commitment to the relationship.”

“Remember, practice always makes perfect,” Alexis says, about multiple-partner relationships. “The latter means that for you to be successful in this fetish, you will not only need to research but also have to ensure that you are willing to practice.”

Boundaries, she says, define the limits and potential of a threesome.

“In my experience, the biggest challenge of people in throuples and less-normative relationships is an underlying fear of not being accepted by those around them,” she says. “This is true for most people who decide to live outside the societal norm—especially during times like Valentine’s Day. It’s important to understand that we create our happiness not by adhering to expectations but by living our lives just like we want to.”

Rilke wrote that, “the highest task of a bond between two people: [is] that each should stand guard over the solitude of the other. For, if it lies in the nature of indifference and of the crowd to recognize no solitude, then love and friendship are there for the purpose of continually providing the opportunity for solitude. And only those are the true sharings which rhythmically interrupt periods of deep isolation.”

Maybe Valentine’s Day, despite its largely forgotten historic origins and the tacky modern commercial hype, is a reminder that a warm, life-giving force stirs beneath the surface during the month of suicides. Perhaps it is a reminder to expand the human heart at the very moment when the bleakness seems eternal.

Love Notes

Though it may have been all but drowned-out in the endless coverage of President Donald Trump’s border wall and Brexit, the 21st century has seen the rise of a small-but-growing movement that advocates the elimination of national boundaries altogether.

The careful, non-threatening language of politics calls this “open borders”—and the details of how it might possibly work could fill a book.

Musicians can be far more blunt. In the famously public-school-suppressed fifth verse of Woody Guthrie’s “This Land is Your Land,” he fired a shot across the bow of the very concept of private property. John Lennon asked the world to “Imagine there’s no countries,” because “it isn’t hard to do.” And in the Dead Kennedys’ song “Stars and Stripes of Corruption,” Jello Biafra sang, “Look around, we’re all people / Who needs countries anyway?”

The title track of Santa Cruz singer-songwriter Keith Greeninger’s new record, Human Citizen, continues that tradition of thinking outside the invisible lines drawn by centuries of politicians and despots, instead championing “A one-world community / Of tolerance and dignity / Everybody’s got a right to be free / Everybody, everywhere.”

It might seem like a utopian vision for the future, especially with the constant news coverage about the tightening of borders. But that’s not how Greeninger sees it. To him, the recent resurgence of nationalism is actually a response to the huge strides already made toward that one-world community, with the internet allowing social movements to spread internationally, and not allowing oppressive regimes to do their dirty work in secret. He calls this nationalist pushback a “last gasp” from those used to getting their way without resistance.

“They’re like, ‘We can’t let this happen,'” says Greeninger. “So ‘Human Citizen’ for me became, ‘Wait a minute. It’s already happening. It’s here.'”

Obviously, this kind of unbridled positivism doesn’t reflect the general mood on any part of the political, social or cultural spectrum right now. Which is why it’s more important than ever.

“Negativity is a killer—it’s self-defeating,” says Greeninger. “At a certain point, if we lose our sense of humanity and our sense of positivity, we’re fucked. And I think that’s a lot of what’s going on with the powers that be: ‘We gotta break ’em down. We gotta make them think there’s no hope.’ Well, everywhere you look in your neighborhood, there’s hope springing up like grass through the concrete every day.”

One longtime collaborator who knows Greeninger’s musical mind is Dayan Kai, who will join him live in concert on Feb. 7 in Sonoma.

“I think people would be surprised to know all the things he does and that he’s involved in,” Kai says. “I don’t know if they really understand the scope of it.”

Kai says that, as musicians, they have always been in tune.

“Keith and I had a really good telepathy from the beginning,” he says. “We have a lot of similar influences, I think, including a big soul influence.”

“I love writing the best songs that I can, being the best singer I can,” Greeninger says. “I love getting out in front of people and bringing things that hopefully mean something to their life.”

Santa Rosa Paella Restaurant Ends Service

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Citing a lack of city support and foot traffic, Gerard Nebesky ended an 18-month run of daily restaurant service at his 4th Street restaurant, Gerard’s Paella Y Tapas, on Monday, Feb. 3.

“It just breaks my heart to make this decision,” Nebesky said, of the closure. “People love our food but there is just not enough of them in this part of town. The beautiful thing about a restaurant is that it enables you to meet a community—and that part of this project has been a total success!”

Luckily for Nebesky—and his fans—he’ll still get plenty of opportunities to serve up his paella, a saffron-infused rice dish of Spanish origin, throughout the North Bay. Nebesky plans to reopen the restaurant intermittently for special events, including Sonoma County Restaurant Week between Feb. 21 and March 1.

Sheriff Responds

The Sonoma County Sheriff’s Office has responded to a community advisory group’s calls for changes to the law enforcement agency’s Use of Force policies. The answer? In short, the agency says its current policies are compliant with current case law and adequate to protect the public and law enforcement officers.

It all started in December, when a group of community members serving as members of the Independent Office of Law Enforcement Review and Outreach Community Advisory Committee (CAC) formally submitted a lengthy document recommending changes to the Sheriff’s policies for dealing with—or hopefully avoiding all together—potentially dangerous situations.

The Sheriff’s Office responded to CAC’s 20 recommendations in a four-page letter.

Many of the Sheriff’s responses—all brief—cite the agency’s compliance with current standards set by laws and legal precedent as a reason not to pursue the recommendations. Other responses indicate that the Sheriff’s Office considers its current policies adequate.

In response to questions about the use of the Carotid Hold, a neck restraint banned by some law-enforcement agencies, and Tasers, the Sheriff’s Office cited the need for more data and possible alternatives if they decide to end the use of either method. IOLERO’s director, Karlene Navarro, has said she is gathering additional data about the use of Carotid Holds.

Former CAC members who worked on the recommendations have voiced frustration that the Sheriff’s Office did not communicate with CAC while it was working on its recommendations. The CAC members also say they spoke to other law enforcement agencies while crafting the Use of Force recommendations in order to understand what was feasible.

Kiss and Tell

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Despite the old warning that one should never “kiss and tell,” the exact opposite has happened for the past six years at Bump Wine Cellars, located just off of Sonoma Plaza. The sixth annual “Kiss and Tell,” a poetry-performance event presented by the Sonoma Writers’ Workshop, proclaims love in all its dimensions on Thursday, Feb. 13 at 6:30pm.

What began as a loose consortium of writers, poets, screenwriters and novelists, coalesced into the Sonoma Writers’ Workshop, an enclave of productivity, mutual criticism and cheerleading, which in turn morphed into a performance group. That group now overflows Bump Wine Cellars with a rapt crowd for, of all things, poetry shows. With names like “Dry is the New Wet,” “Things that Go Bump in the Night” and the aforementioned “Kiss and Tell,” the events are a surprisingly boisterous take on the traditional art form of poetry.

“It started with several of us bemoaning the lack of a hip literary scene in Sonoma,” says cofounder Lisa Summers. “It was that or Bunco. Or worse—book groups.”

The initial event occurred in 2015.

“There’s been a real magic to our performances—from the first event we called ‘Naked and Drunk Poets,’ when none of us knew what to expect or how we’d be received,” says cofounder Stacey Tuel. “It turned out to be a packed house and so much fun. That inaugural performance brought something very different, and needed, to sleepy little Sonoma. It was a place to reveal ourselves with our words—of course, Jonah took the revealing quite literally.”

Proclaiming his poetry as if from high on a mountaintop, Bohemian cannabis-columnist and author Jonah Raskin often attends in drag and occasionally naked.

“There is no better place than Bump to perform poetry: terrific poets, fantastic audience, lovely hosts, sensational musicians,” Raskin says.

To say the poetry event is a raucous take on Sonoma’s literary scene is an understatement, as year after year it opens minds and hearts, not to mention poetry books.

An affectionate crowd appreciates the special house vintages offered by Bump Wine Cellars proprietors and hosts, Mieko Imai and Geordie Carr. Steve Della Maggiora, on accordion, and Steve Shane, on stand-up bass, are available to accompany the poets. The general vibe is reminiscent of the old Beat poetry readings in San Francisco.

Tuel is often at the mic with a guitar around her neck and a toddler at her feet, serenading her rapt audience with one of her original songs. Tuel gave an especially poignant performance just after the 2017 fires.

“Our annual ‘Bump in the Night’ event in 2017 was right after I’d lost my house in the fire,” she says. “We didn’t cancel the event and it became an important gathering for our collective grief. That night, through lots of tears, I read my poem, ‘The Call of the Phoenix,’ for the first time. There was so much healing through our writing that year. Maybe that’s what I like so much about the performances: we can both reveal and heal ourselves.”

Emceeing the spectacle is Bohemian-editor Daedalus Howell, who introduces the Sonoma Writers’ Workshop–poets during Act I of the evening, then hosts an open mic for Act II. Those who want to participate in the open mic must catch Howell before the event, when he’s taking down names in his reporter’s notebook.

Originally called the Writers’ Workshop and comprised of Tuel, Summers, Howell, Raskin and AJ Petersen, the group met weekly to critique their writing. Raskin, the most well-established writer in the group, with dozens of published works to his name, had recently wrapped up his career as a Sonoma State University professor. Petersen, a former instructor at the Iowa Writers Workshop, was likewise ready for a new challenge. Summers was completing an MFA, Howell was on the home stretch of his second novel and Tuel was a riot of poetry and songwriting.

“What I remember most about our ‘workshop’ era was that I felt a sense of alchemy in the way our ideas, stories and poems evolved when we shared them,” Tuel says. “It felt like a big cauldron of ideas, words, synchronicities. There was the real work of reading, editing and commenting on each other’s work, but the creative spark ignited when we met together. And I’m infinitely smarter with the collective intelligence of that crowd.”

Before long, it became obvious they all wanted to get their work out there. They started a collective press, called FMRL, to publish their books, and began organizing poetry events. It became important for them to share their work with the community and invite others to do the same.

“We realized that the events are what keep us writing,” Summers says. “You have to have an audience, otherwise you risk—like my favorite creative-writing teacher used to say—’becoming the Unabomber.'”

“Our annual ‘Kiss and Tell’ has a special importance to me because my personal love story started at our first ‘Kiss and Tell,'” Tuel says. “That was my first real date with Taylor. I’ve missed some events over the past few years because of the birth of our son and getting lost in babydom, but at last year’s ‘Kiss and Tell,’ he and our two-year-old were there listening to me read the poem that started it all. That’s pure magic. I’m looking forward to what magic will happen this year as we keep ‘Kissing and Telling.'”

Howell sums up the group, and the event, with a quote from a John Hughs film: “What we found out is that each one of us is a brain, and an athlete, and a basket case; a princess and a criminal. Does that answer your question? Sincerely, the Breakfast Club.'”

Celebrate Valentine’s Day at the Sixth Annual Kiss & Tell Poetry and Music Extravaganza Thursday, Feb. 13. at Bump Wine Cellars, 521 Broadway, Suite A, Sonoma. 6:30pm. Free.
www.bumpwine.com.

Starry Night

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This year, the Oscars are like the cocktail bars at too many of today’s receptions: no-host.

One by one, some two-dozen stars will climb up and squint at the teleprompter in the Academy’s effort to keep any one figure from bearing responsibility for the trainwreck. Meanwhile, millions will throw things at the TV and shout in rage at the “In Memoriam” section, when they snub someone cool like Robert Forster in favor of some slimy MCA executive.

If the Oscars were fair, each category would have two, and only two, nominees—to make the voting more agonizing. It’s not enough that Parasite must win. Some lesser, but just as good movie (Once Upon a Time…in Hollywood), must fail in order to give us all a lesson in the bitterness of defeat and the madness of awards.

As always, the most fascinating category is best supporting actress. An Excel spreadsheet would probably show this was the single-most diverse category in age and artistic approach, a category in which the nominees may be suckling babies or tottering crones.

The Academy has nominated Laura Dern three times and she hasn’t won, and she’s Laura Dern; chemical and intelligent and witty, the savior of more bad movies than popcorn itself. Her Marriage Story performance was a glittery bit of acting, shrewd and hilarious.

Best actress: Judy, such as it was. Give her the award and get it over with.

There isn’t an undeserving name on the best actor’s list, although, as my nephew said, re: Joker, “It’s supposed to be best acting, not most acting.” If Joaquin Phoenix goes home empty-handed (never go full super villain), Antonio Banderas is one of the most consistently underrated actors of our time.

Split the best supporting actor award between Al Pacino for that weird, contrary, doomed Jimmy Hoffa in The Irishman, and Brad Pitt’s enigmatic stuntman in Once Upon A Time.

As for best director: Scorsese. The Irishman put people who saw it at home on the sofa to sleep. In a theater, however, it was his best work in years; it was clear the studious banality was a choice, not a flaw. Anyone lost and mystified at the state of the United States of today needs to watch this, to trace back the way to how we got here.

The Oscars airs live on Sunday, Feb. 9, on ABC.

Mood for Love

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No one can sing a love song like Johnny Mathis.

The legendary vocalist—whose career spans more than 60 years, 70 albums, 200 singles and three separate inductions into the Grammy Awards Hall of Fame—is best known for his silky-smooth vibrato, which can be heard on his chart-topping recordings of romantic hits such as “Chances Are,” “Misty,” “It’s Not For Me To Say” and others. He will perform live in a special Valentine’s concert on Sunday, Feb. 16, at Marin Center in San Rafael.

“I had a wonderful voice teacher,” Mathis says. “And she just said, ‘You seem to be suited, the sound of your voice, to sing songs like ‘My Funny Valentine.’ I guess also it’s a matter of my temperament that comes through with the songs that I sing. I think we all have elements of our personality that come out in different situations, and yes, without bragging, I’m kind of romantic.”

Another Valentine’s weekend concert in the North Bay is a headlining performance by gender-fluid indie-rock star Ezra Furman on Saturday, Feb. 15, at the Arlene Francis Center in Santa Rosa.

In the time since Furman’s last appearance in the North Bay, the singer-songwriter has gained international notoriety after composing the soundtrack for the Netflix series “Sex Education,” which premiered its second season last month.

He has also released an acclaimed album, Twelve Nudes, which marks his most punk-rock effort yet, with brash music that reacts directly to the tumultuous state of America and the world. Local art-rock outfit Hose Rips and queer folk-punk trio Gender Trash and San Francisco psychedelic rocker Kelley Stoltz open the show.

Also on Feb. 15, newly-formed North Bay instrumental band Bronze Medal Hopefuls releases a new single, “Pain Au Chocolat,” with a show at Elephant in the Room in Healdsburg.

The quartet consists of bassist Gio Benedetti (Toast Machine, The Brothers Comatose), guitarist Alex Leach (Kingsborough), keyboardist Nathan Dittle (The Crux) and drummer Zach Morris (Gabby La La), and they combine their talents to make a freewheeling blend of acid jazz, classic funk and indie-rock that they describe as “mini-soundtracks to imaginary movies about cardboard rocket ship adventures, puppets that travel to the North Pole and small-town, coffee-sipping detectives named Wedemski.”

Also an accomplished artist, Benedetti has animated a music video for “Pain Au Chocolat” that the band will unveil at the show, and Portland-based folk artist Jeremy James Meyer will join the Bronze Medal Hopefuls to play off his new Matt Costa–produced EP, Bobbie’s House.

Trafficking Uptick

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Sonoma County residents don’t appreciate the scale of a crime happening all around them, despite an increased effort at public outreach over the past decade, according to a local nonprofit director.

“Human trafficking happens every single day in Sonoma County,” says Christine Castillo, the executive director of Verity, a Sonoma County nonprofit that offers services and support to trafficking victims and sometimes coordinates with law-enforcement agencies conducting enforcement operations.

Human trafficking, which requires the use of force, fraud or coercion to obtain some type of labor or commercial sex act, is a multibillion-dollar international industry. The worldwide problem is far more prevalent locally than most Sonoma County residents realize, Castillo says.

“Many people in our county just don’t understand. Many people think it’s a foreign problem, that it’s ‘over there,'” Castillo, who has worked at Verity for 13 years, says.

Due to the nature of the crime, it tends to be more difficult to enforce than drug dealing, the largest category of international crime.

While drug dealers are often caught holding hard evidence, human-trafficking victims may be coerced or threatened into telling law-enforcement officers that they are with their trafficker willingly, Castillo says.

But, despite the lack of general recognition—or maybe because of it—the human-trafficking industry is booming across the country, Castillo says.

As a result, government agencies and nonprofits are partnering to spread awareness about the issue.

In 2012, President Barrack Obama designated January as National Slavery and Human Trafficking Awareness Month. Each year, nonprofits and government agencies attempt to draw attention to the scale of human trafficking—and the resources available to victims—with press releases, advertisements and billboards.

Last week, multiple North Bay law-enforcement agencies announced recent programs targeting human-trafficking operations.

The Santa Rosa Police Department partnered with Homeland Security Investigations, the Federal Bureau of Investigation, the Petaluma Police Department, the Rohnert Park Department of Public Safety, the Healdsburg Police Department, Sonoma County Probation and VERITY, a nonprofit focused on human trafficking.

All told, the detectives contacted six women victims and arrested two men—one suspected of trafficking, the other of aiding and abetting the effort.

In their operation, the Santa Rosa Police Department attempted to offer support services to all of the victims, according to a press release.

In 2018, the National Human Trafficking Hotline received 1,656 reports of human trafficking in California. The vast majority of the cases—1,226 of the total—were for sex trafficking; 169 cases involved unspecified kinds of trafficking; and 151 cases involved labor.

In 2017, the national hotline recived notification of 6,244 cases of sex trafficking, a 13 percent jump from 2016.

County-level data is more difficult to come by. Arrest rates by law enforcement offer a hint but don’t offer the full picture since a large amount of trafficking goes undetected.

The Sonoma County District Attorney’s Office pursued 200 human-trafficking cases between 2011 and 2018.

In January 2019, the courts sentenced David Romesburg, a Rohnert Park man, and his mother for running a prostitution ring involving dozens of women over a period of 10 years, according to prosecutors.

“It is fitting that today’s sentence was handed down during Human Trafficking Awareness Month,” Sonoma County District Attorney Jill Ravitch said in a statement at the time. “The problem of sex trafficking is not exclusive to (the) Third World and large urban settings. It can and does happen in this community.”

In addition to supporting the increased attention and resources allocated towards solving the problem, Castillo and other advocates also support changes in the language used to describe trafficking operations—and the people law-enforcement agencies target.

For instance, Castillo says urges law-enforcement agencies not to arrest or ticket trafficking victims.

“What’s the point?” Castillo says.

Victims likely won’t be able to pay the fine or show up for a court date, she points out. Instead, law enforcement should target traffickers and offer support to victims. Local agencies are moving in this direction, she says.

In the Santa Rosa operation last week, the six trafficking victims were not cited, according to the police department’s press release.

Local goups coordinate their efforts through the Sonoma County Human Trafficking Task Force (SCHTTF), a group of which meets monthly and attempts to coordinate law-enforcement efforts with recovery-service providers.

When Super Bowl 50 came to San Francisco in 2016, law enforcement increased its efforts, anticipating an increase in prostitution as fans flooded into the Bay Area ahead of the big game.

This trend happens like clockwork every year, no matter where the Super Bowl takes place. Last year, when the game was held in Atlanta, government agencies ramped up enforcement and outreach efforts, although they acknowledged that trafficking was a year-round problem.

However, there is no evidence to support the media-fueled idea that trafficking increases significantly with big sports events like the Super Bowl, representatives of the Polaris Project and International Human Trafficking Institute told CNN last February.

The slight uptick in calls to the Trafficking Hotline is in part due to the fact that nonprofits and law-enforcement agencies tend to increase their outreach efforts during large events, including the Super Bowl.

In fact, trafficking happens throughout the country all year round, FBI spokesperson Kevin Rowson told CNN last February.

“The problem exists not just at major sporting events but throughout the year in communities all around the country,” Rowson said.

Preserve Open Space

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The City of Sonoma is moving forward to renew its existing Urban Growth Boundary (UGB) for another 20 years by placing a ballot measure before voters in November 2020. This is great news for open space and agricultural lands and climate-wise, city-centered growth for the next generation.

After a robust discussion and hearing from a crowd who cared deeply about the community and environment, city leaders agreed unanimously to ask city voters to renew the existing UGB as is. Next steps will be to finalize the ballot measure text with public review at upcoming City Council and Planning Commission meetings.

Mayor Logan Harvey and Chair Robert Felder presided over the special joint meeting of the City Council and Planning Commission on Jan. 27 at Vintage House where the UGB was discussed. The Citizens to Renew the City of Sonoma’s Urban Growth Boundary were there to make a solid case for the 20-year UGB renewal and City Manager Cathy Capriola and her staff provided a draft UGB measure for public review.

The UGB is simply a line around the city that protects open space and ag lands. It prevents urbanization and development beyond the boundary without a majority vote of approval by its citizens. The UGB can be revised if needed at any time by going back to the voters. It gives the community a direct voice in the future of the city.

The city will be updating its General Plan, Housing Element and Zoning Code in coming years to determine how the community will grow. For those concerned about affordable housing, the renewed UGB is slated to contain stronger provisions requiring 100-percent affordable housing if the City Council finds a need to allow an exemption from the UGB under certain conditions.

If the UGB is not renewed in 2020, its boundary can be modified by the vote of a simple majority in the City Council. This would put the future size of Sonoma on the ballot in every city council election, every two years.

Teri Shore is Regional Director of North Bay Greenbelt Alliance. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

SMART Vote

I have read the information re: the SMART vote for an extended tax. SMART has failed to deliver what it promised. Watching 7 or 8 people sitting on a train anytime outside of the current commute time upsets me (putting it mildly), especially when the taxpayers are supplementing the fare. SMART “leadership” asks us to continue this farce. The print media supports SMART. Why? I don’t know. Of course, we see letters praising the train going to Larkspur and then the leisurely ride on the ferry to S.F. to spend the day or a few days in a swanky hotel. Well, maybe they are the 7 or 8 people riding it in the midday.

The SMART board needs to go back to the drawing board to look at salaries (and publish the position of how much is being paid; you can figure out the names), expenses, anticipated future costs and overruns. Until that happens, I will be voting “NO” on SMART. Tired of seeing the debacle being rewarded for shoddiness.

Petaluma

Gazette Troubles

It looks like editor Vesta Copestakes was lied to by Darius Anderson, whose Sonoma County Investments (SMI) group just bought up the Sonoma County Gazette (“Bought Up,” Jan. 8).

Per the article: “In a Press Democrat article about the purchase, representatives of SMI implied that they intend to keep Gazette’s content largely the same while expanding the paper’s online presence.

‘We will continue the fine tradition of local community content that Vesta [Copestakes] has nurtured for many years,’ Darius Anderson, SMI’s lead investor, told the Press Democrat.”

What a joke. Normally, the Gazette is on the newsstands on the first of each month. I checked a few locations yesterday, and all I found were empty boxes. I checked again today and found the same thing. Next, I went to the website. The only updates since last month were endorsements for Democratic candidates for the upcoming election, or stories that sound more like political ads (i.e., “Transit is Good for Your Health — Sonoma Marin Area Rail Transit”). In other words, the new content is pushing the agenda of SMI and its ilk, and
that’s about it.

Normally, TPTB implement changes incrementally so that the public isn’t even aware of what’s happening until it’s too late. Not this time.

So, Vesta, there goes your legacy. Your newspaper has simply been snuffed out.

Via Bohemian.com

Zin Debate

“People aren’t willing to pay what it costs to farm Zinfandel.” (“Future Ex,” Swirl, Jan. 29) That’s not what some vineyard owners told me. They told me that wineries stopped buying their zin grapes, and stated they won’t buy in the future either (unless you are Maple).

I love zin, but the truth is that the younger generation likes lighter wines, and the industry has already made the switch away from zin.

Santa Rosa

Via Bohemian.com

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