Top Cop’s Kerfuffle

Down on the corner and out there in the streets they’re calling it “Ravitch’s kerfuffle.” Jill Ravitch, the Sonoma County DA, mocked citizens when they protested the Georgia slaying of African-American, Ahmaud Arbery.

“I seek to do justice in the work I do, not by marching,” Ravitch boasted.

Fifth District Supervisor Lynda Hopkins replied, “I worked, and I marched.”

Hopkins’ sentiments were widely echoed.

Over the past two weeks, hordes of citizens like Hopkins have worked and protested the death of George Floyd and marched against police brutality. It’s the American way.

Defense lawyer Omar Figueroa cranked up his sarcastic and said, “Jill is hard at work ignoring environmental crimes and police brutality. Time to retire. I’ll pay for the cake.”

Still, Figueroa allows that Ravitch was a “great trial lawyer” who did good when she created The Family Justice Center. He isn’t thrilled about her stance on cannabis, though her office has been clearing nearly 3,000 cannabis-related convictions.

As the county’s “top cop,” and nearing the end of her 10th year in office, Ravitch is less popular than ever. Courthouse buzz says she won’t run for reelection, though when I called Ravitch and popped the question, she wouldn’t answer.

Lawyer and longtime Sonoma County “police watchdog,” Jerry Threet, suggests that Ravitch’s record has been mixed and that she might have gone after white-collar and environmental crimes more vigorously.

“Usually the violators get a slap on the wrist,” Threet says. But he’s quick to add that as a young woman Ravitch didn’t have an easy time “stepping into the old boys’ network that ran the criminal justice system in the county.”

Ravitch is Sonoma County’s first woman DA. Unlike young, feisty DAs around the country, she has not gone out of her way to redress inequalities in the criminal justice system based on class and race. She didn’t lobby for the legalization of cannabis or take part in the movement to reform California’s marijuana laws. Some DAs did.

Threet says that Ravitch’s story is “complicated.” She brought criminal assault charges against a police officer, but the jury declined to find him guilty.

Veteran defense lawyer Chris Andrian says, “The cultural divide in the county makes it hard to convict cops.” He adds, “Sometimes I kicked the DA’s butt and sometimes I had my butt kicked.”

When Ravitch retires, the cannabis industry won’t shed tears. Neither will friends and family members of Andy Lopez, the 13-year-old shot and killed by deputy Erick Gelhaus on October 23, 2013, whose ghost still haunts Santa Rosa’s streets.

Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”

Oh Captain, My Captain: Cloverdale Performing Arts Center Shares Online Poetry Series with the North Bay

When the Covid-19 pandemic forced North Bay theater companies to shutter their stage productions in March, many theaters took to the Internet to continue their work.

Some have taken to Zoom for live-streaming presentations of their productions, others are putting up videos of past productions for viewing.

The Cloverdale Performing Arts Center is taking a new route for their stay-at-home plans by undertaking a series of social media-based entertainment programs like the center’s online Dead Poets Society, led by Cloverdale native and CPAC resident director Amy Lovato.

“When the theatre shut down, I reached out to the board and Artistic Director Yavé Guzmán, to see what the future held,” Lovato says. “It was hard to hear that the theatre may not survive the shutdown due to cancelled performances and no known date to re-open.”

Lovato teamed up with fellow CPAC director and actor Alessandra Ziviani to think about how they could produce a form of programming for patrons and the North Bay community that would also benefit the performing arts center.

With the board’s encouragement, they went forward with three social media campaigns; “Make-Up Mondays”, which provides theatrical make-up tutorials; “FlashBack Fridays” where the performing arts center posts photos, videos or slideshows of productions from the past and the new Dead Poets Society.

“As far as CPAC’s Dead Poets Society is concerned, we wanted there to be an outlet for the community to express themselves during this time, and poetry is such a versatile piece of art,” Lovato says. “It can be read, performed and interpreted in so many ways. Poetry is also a wonderful form of self-expression, which gives people a way to release pent-up emotions in a creative way; especially during shelter in place, when emotions are running high.”

Already, the poetry series has uploaded dozens of videos on YouTube, where poets and non-poets alike. Participants can recite their own words, or –if they can’t find the words themselves, or aren’t interested in writing their own poetry– participants can choose one of the many poetic works that can be found within the public domain; which is what led Lovato to the name “Dead Poets Society.” Poetry that is not within the public domain is also able to be performed under the principle of fair use.

“Social media is an open platform for sharing creativity and self-expression and the easiest way to reach the community during a shutdown,” Lovato says. “Kim Ziviani, a former CPAC board member, aptly nicknamed our Dead Poets Society artists ‘The Pandemic Players,’ which I thought was appropriate. But, CPAC’s Dead Poets Society is a way for everyone to engage as much or as little as they want.”

Anyone in the community can send Lovato and CPAC any poetry that they would like to see read, or they can participate by sending CPAC their own poetry videos and “check in” at CPAC when they post to Facebook or Instagram. The society encourages participants to base their poems on the weekly themes that the society takes on, with recent themes concerning injustice, love and nature. Those who simply want to watch the poetry videos can easily find them on CPAC’s Youtube, and the other social media programs can also be found on the center’s Facebook page.

The community artists that have lent their talents on camera include Lovato and Ziviani as well as Beulah Vega, Arte L Whyte, Jonathan Graham, Christopher Johnston, William B Thompson, Karen Lovato, Caitlin Morrison, Dan Stryker, Nichole Phillips, Dawn Gibson, Marisha Zeffer, Emily Stryker, Joe Dobbins, Guy Conner, Seana Maclure, Ashlyn Delfino, Tania Richardson, Dobie Edmonds, Jude Gibson, Angela Squire, José Esparza, Domenic Bianco, Bob Williams, Linda Hughes Freeth, Sarah Bird, and Scarlett Johnston, Jessika Ceniceros and Kim Ziviani.

“We welcome feedback and invite the community to share their ideas for themes for upcoming weeks,” Lovato says. “When we started we had no idea how long we’d be putting these things together, so it’s definitely a work in progress. We’ve adjusted our schedule a few times, and will continue to do so. We love to see how people interpret the theme each week!”

Lovato adds that the video series’ ultimate goal is to create a continued collaboration with the community, partially to stay relevant during the theatre’s closure, but mostly to give an outlet to those that may want or need one during this time.

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Streaming Beethoven: North Bay Chamber Musicians Take to the Internet

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Ludwig van Beethoven (1770-1856) was one of the most famous and revered composers of his time, and he’s remained one of the most popular figures in classical music for more than two centuries, so it’s safe to assume he knew his works would be performed long after his death.

Yet, there’s no way he could have predicted that those concerts would come via radio and television broadcasts as well as Internet streaming. Though that’s exactly what is happening this summer, as the Valley of the Moon Music Festival becomes the latest North Bay event to move online for 2020 in the wake of the ongoing Covid-19 pandemic.

Based in the heart of Sonoma Valley, the historically accurate chamber music organization originally planned an ambitious 2020 program centered around Beethoven’s influence on chamber music. That program has been delayed to summer of 2021, and in its place, the festival will present an equally ambitious virtual schedule of concerts that will focus on Beethoven’s many smaller works.

First, Valley of the Moon Music Festival co-founder and musician Eric Zivian performs a series of weekly solo concerts that will be broadcast on local radio and television before they are available to stream on the festival’s website.

That series begins this Saturday, June 13, and runs through the calendar year. Given that 2020 is the 250th anniversary of Beethoven’s birth, Zivian will perform the complete cycle of Beethoven’s 32 sonatas for piano.

“Were it not for the shelter-in-place order, this is a project I would never have had time to take on,” says Zivian. “As a feat of endurance, it’s a challenge not unlike hiking the full length of the Pacific Crest Trail. It’s also a wonderful opportunity to explore the full range of Beethoven’s style, and the emotion, humor and spirituality of these treasures.”

Zivian specializes in playing the fortepiano, an early version of the piano that dates between the late 18th to early-19th century and which was heavily used by composers like Haydn, Mozart, and the younger Beethoven, who wrote his piano sonatas on the instrument.

Over the course of the 2020 sonata cycle, Zivian will use two different Viennese fortepianos corresponding with the instrument’s changing sound during Beethoven’s lifetime. Zivian will use a smaller Paul Poletti-made copy of a 1795 fortepiano for the earlier sonatas and an original 1841 Rausch-made fortepiano for the later sonatas.

Every Saturday, the concerts will broadcast on KSVY 91.3 FM radio at 11am and Sonoma Valley Television, SVTV 27, at 6pm, and the performances will also be available for streaming free of charge on the Valley of the Moon Music Festival website for a week after each broadcast.

Bay Area musicians and scholars from the festival’s Blattner Lecture Series will introduce each sonata and provide commentary, with speakers including Nicholas Mathew, author of Political Beethoven and associate professor in the Department of Music at UC Berkeley; Nicholas McGegan, former artistic director at Philharmonia Baroque Orchestra; and Kate van Orden, Harvard University’s Dwight P. Robinson, Jr. Professor of Music. Members of the festival’s “Virtual Beethoven Society” can also get early access to each new installment with weekly live-streams of Zivian’s performances on Wednesdays.

In addition to the year-long weekly cycle of Beethoven’s piano sonatas, Valley of the Moon Music Festival hosts a Virtual Beethoven Festival, running online July 18 – August 2, with concerts exploring the composer’s various chamber works and featuring performers including Zivian alongside fellow festival co-founding director and cellist Tanya Tomkins, violinist Francisco Fullana, viola player Liana Bérubé, fellow fortepiano player Audrey Vardanega and soprano vocalist Maya Kherani.

The Virtual Beethoven Festival will live-stream a new concert each Saturday and Sunday from July 18 – August 2 at 4pm. All programs are entirely free to the public. A suggested donation of $10 will go directly to supporting the festival’s artists and staff.

The complete Valley of the Moon Music Festival virtual program and more information can be found at valleyofthemoonmusicfestival.org.

Sonoma County Photography Project Offers a Way to Protest Through Art

For the last two weeks, peaceful protests around the North Bay and around the country have dominated headlines, as scores of citizens have taken to the streets to demand major changes to policing and to renew the call that “Black Lives Matter.”

In Sonoma County, thousands of people have marched in Santa Rosa, and hundreds more have made their voices heard in towns like Healdsburg and Sonoma.

Now, Sonoma County-based FTA (For the Art) Productions–formed by actor Carmen Mitchell and photographer Marcus Ward–is offering an additional way for locals to participate in these demonstrations with a Peaceful Protest Portrait Project.

FTA Productions kicked-off the protest art project last week with a Black Lives Matter curbside photo booth in Healdsburg, where approximately 75 people showed up with signs and face coverings. Ward took individual and group portraits of protesters that can be viewed online now and will be turned into a large mosaic collage at a later date in support of the Black Lives Matter movement.

FTA Productions is organizing a second photo booth event this Saturday, June 13, at Brew Coffee & Beer House in downtown Santa Rosa. Given that June is Pride month for the LGBTQIA+ community, this upcoming photo booth will continue supporting the BLM movement against police brutality as well as celebrating the lives of queer Black people and the Pride movement.

FTA Productions co-founder Carmen Mitchell is a Sonoma County native who grew up as a competitive figure skater and ballet dancer, training at Snoopy’s Home Ice and the Santa Rosa Dance Theater respectively. She skated professionally with ‘Disney on Ice’ for many years and now works as an actor and singer, founding nonprofit Redwood Theatre Company in Healdsburg.

Mitchell recently moved to New York City to pursue musical theater, though the Covid-19 pandemic shut down the arts industry there and everywhere else in the country. “All of my friends in the arts became unemployed overnight,” she says.

Back at home in Sonoma County until the entertainment industry reopens, she found herself surrounded by other North Bay artists also stuck in the same predicament.

One of those artists is FTA Productions’ other co-founder, Marcus Ward, who works as a freelance photographer and dancer in Sonoma County. Last month, the two friends found a communal inspiration to add to Sonoma County’s peaceful protests through their art.

“We started with a few portraits of our friends in the dance community here in Santa Rosa, and it just grew,” Mitchell says.

After Mitchell and Ward hosted the first protest photo shoot at the black-box Redwood Theatre Company in Healdsburg on June 5, Mitchell says that Brew Coffee & Beer House got wind of the project and offered to host the upcoming Black Lives Matter and Pride photo booth on June 13.

“We’re providing the paper, pens, everything for people, they just need to come with a mask,” says Mitchell. The upcoming photo event will also have a video component where Ward will record people delivering their personal messages of protest.

Mitchell points out that the protest art project is more than a two-person operation, and she credits fellow organizers Desmond Woodward, Alleya Torres and Eddie Melendéz for making the project a success.

“The definition of art is to hold a mirror up to humanity, it is a reflection of society,” Mitchell says. “This is very personal for me because I grew up in a Disney filter. For the first time, I feel like I’m tapping into powerful art that is more than just commercial.”

Mitchell wants to assure protesters that the project is not trying to lessen the importance of the Black Lives Matter movement by incorporating the Pride element in this weekend’s event, but rather the group is focused on how the two communities intersect. “Queer Black Lives Matter also,” she says. “We’re trying to incorporate the celebration of Pride and equality.”

Mitchell also notes that this project is not meant to replace the marches and gatherings that are happening every day, but to bolster those movements. “We are trying to create a safe space where everyone is welcomed to participate in art without judgment,” Mitchell says. “There’s so many ways to take action, this was our way of hitting the pavement, and we’ve got some backlash hate from it, but it’s ok. We are trying to do better in creating community support and awareness through art.”

The Black Lives Matter/Pride curbside photo booth runs Saturday, June 13, at Brew Coffee and Beer House, 555 Healdsburg Ave, Santa Rosa. Noon to 3pm. Get details on Facebook.

New Moon: Marin musician goes solo on EP

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Like many people in Marin County, teacher and musician Colin Schlitt has been stuck at home for more than two months.

The longtime Point Reyes Station resident is best known musically in Marin as the bassist and occasional vocalist for eclectic alternative-pop ensemble El Radio Fantastique. Now, Schlitt turns up the reverb with his solo project Peppermint Moon, which released a digital EP, A Million Suns, in late April.

The new EP follows Peppermint Moon’s 2019 debut album, Symphony of Sympathy, and the five tracks on A Million Suns find Schlitt crafting psychedelic dream pop that walks the line between the Beatles and early Radiohead, with forlorn vocals akin to Wilco’s Jeff Tweedy and melodic hooks that would make Beck jealous.

Schlitt grew up in Point Reyes Station after his family moved there from New York. His musical education began early.

“I’ve always been interested in music,” Schlitt says. “I started tinkling on the piano as soon as I was tall enough to reach the keys.”

He also discovered his parents’ record collection at a young age, playing their copy of the Beatles’ Revolver until he wore out the vinyl.

“I was so fascinated with those sounds,” he says. “That is one of my earliest memories.”

After reluctantly taking piano lessons and learning guitar, Schlitt found his instrument of choice in the electric bass when he was 16 years old.

“I feel like the bass is the essence of every song, like every song can get boiled down to the bass musically,” Schlitt says.

Schlitt’s bass influences include Paul McCartney, John Entwistle of The Who, Motown-legend James Jamerson and Bruce Thomas, who is best known as the bass player with Elvis Costello & the Attractions.

After high school, Schlitt moved to Los Angeles to play music, though he moved back to Point Reyes Station more than a decade ago to raise his daughter with his partner.

Once back in Marin, Schlitt hooked up with songwriter and bandleader Giovanni Di Morente and joined Di Morente’s bombastic El Radio Fantastique.

“When I joined the band, (Di Morente) asked me if I had any songs, and I played some songs for him,” Schlitt says. “He was so encouraging that I started to develop that more. This side project Peppermint Moon would not exist without his encouragement.”

Schlitt’s songwriting process employs a lyrical trick that he learned from Di Morente.

“You come up with a melody first, and instead of coming up with lyrics, you sing gibberish with a lot of vowels,” Schlitt says. “As you do that over and over, subconsciously you start to fill in words here and there, and it’s amazing how the meaning of the songs develop themselves in this subconscious way.”

For this project, Schlitt played every instrument himself, including drum tracks performed on a synthesizer, and he assembled up to 24 individual musical tracks for each song. The entire record was recorded in Schlitt’s Point Reyes house, where he turned his bedroom into a makeshift studio.

“I love being in the band and I love collaborating with people, but it’s also really satisfying doing it myself in its own way,” he says.

At first, A Million Suns was simply going to be a single, but the shelter-in-place orders gave Schlitt plenty of time to write more songs, and he turned the single into an EP.

“This project has made a big difference keeping me sane and busy,” Schlitt says.

In addition to this solo EP, Schlitt can be heard on El Radio Fantastique’s new tracks that will be released digitally over the summer. The first released single, “London’s Fatal,” is up now on El Radio Fantastique’s Bandcamp page.

“We had these songs we were just finishing up mixing when the pandemic hit,” Schlitt says. “As a band, El Radio Fantastique is waiting for this to play out. Thankfully, we had this stuff recorded and ready to go.”

Peppermint Moon’s ‘A Million Suns’ EP is available online now at peppermintmoon.bandcamp.com.

Peppermint Moon Goes Solo on New EP

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Photo By Tamarind Free Jones
Photo By Tamarind Free Jones

Like many people in Marin County, teacher and musician Colin Schlitt has been stuck at home for more than two months.
The longtime Point Reyes Station resident is best known musically in Marin as the bassist and occasional vocalist for eclectic alternative-pop ensemble El Radio Fantastique. Now, Schlitt turns up the reverb with his solo project Peppermint Moon, which released a digital EP, A Million Suns, in late April.
The new EP follows Peppermint Moon’s 2019 debut album, Symphony of Sympathy, and the five tracks on A Million Suns find Schlitt crafting psychedelic dream pop that walks the line between the Beatles and early Radiohead, with forlorn vocals akin to Wilco’s Jeff Tweedy and melodic hooks that would make Beck jealous.
Schlitt grew up in Point Reyes Station after his family moved there from New York. His musical education began early.
“I’ve always been interested in music,” Schlitt says. “I started tinkling on the piano as soon as I was tall enough to reach the keys.”
He also discovered his parents’ record collection at a young age, playing their copy of the Beatles’ Revolver until he wore out the vinyl.
“I was so fascinated with those sounds,” he says. “That is one of my earliest memories.”
After reluctantly taking piano lessons and learning guitar, Schlitt found his instrument of choice in the electric bass when he was 16 years old.
“I feel like the bass is the essence of every song, like every song can get boiled down to the bass musically,” Schlitt says.
Schlitt’s bass influences include Paul McCartney, John Entwistle of The Who, Motown-legend James Jamerson and Bruce Thomas, who is best known as the bass player with Elvis Costello & the Attractions.
After high school, Schlitt moved to Los Angeles to play music, though he moved back to Point Reyes Station more than a decade ago to raise his daughter with his partner.
Once back in Marin, Schlitt hooked up with songwriter and bandleader Giovanni Di Morente and joined Di Morente’s bombastic El Radio Fantastique.
“When I joined the band, (Di Morente) asked me if I had any songs, and I played some songs for him,” Schlitt says. “He was so encouraging that I started to develop that more. This side project Peppermint Moon would not exist without his encouragement.”
Schlitt’s songwriting process employs a lyrical trick that he learned from Di Morente.
“You come up with a melody first, and instead of coming up with lyrics, you sing gibberish with a lot of vowels,” Schlitt says. “As you do that over and over, subconsciously you start to fill in words here and there, and it’s amazing how the meaning of the songs develop themselves in this subconscious way.”
For this project, Schlitt played every instrument himself, including drum tracks performed on a synthesizer, and he assembled up to 24 individual musical tracks for each song. The entire record was recorded in Schlitt’s Point Reyes house, where he turned his bedroom into a makeshift studio.
“I love being in the band and I love collaborating with people, but it’s also really satisfying doing it myself in its own way,” he says.
At first, A Million Suns was simply going to be a single, but the shelter-in-place orders gave Schlitt plenty of time to write more songs, and he turned the single into an EP.
“This project has made a big difference keeping me sane and busy,” Schlitt says.
In addition to this solo EP, Schlitt can be heard on El Radio Fantastique’s new tracks that will be released digitally over the summer. The first released single, “London’s Fatal,” is up now on El Radio Fantastique’s Bandcamp page.
“We had these songs we were just finishing up mixing when the pandemic hit,” Schlitt says. “As a band, El Radio Fantastique is waiting for this to play out. Thankfully, we had this stuff recorded and ready to go.”
Peppermint Moon’s ‘A Million Suns’ EP is available online now at peppermintmoon.bandcamp.com.

Why Review Theatre Now?

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What is the point of reviewing theatre?

If you had asked me that question 90 days ago, my answer would be to provide potential audience members some information with which they could make informed decisions on which of the numerous North Bay productions they might choose to spend their discretionary income.

If you had asked me that question 60 days ago, it would be to let potential audience members know about how local theatre companies and artists were trying to stay connected with their patrons via new technology and how that technology worked in comparison to live, in-person performances.

But now?

It’s a question I’ve been wrestling with after “attending” the latest live streaming productions of two companies with North Bay connections – the Zoom Theatre production of Anna Ziegler’s Actually and the Left Edge Theatre production of Small Mouth Sounds.

The events of the past few weeks have weighed as heavily on me as anyone, and the questions being raised nationally about the safety and disenfranchisement of people of color, equal opportunity and fairness are being echoed in the local artistic community, as they should in every micro-community.

Artists of color, sick of seeing the platitudes of inclusiveness being regurgitated once again, are rightfully demanding change after too many years of hearing “your idea is great, but it’s just not right for our audience.”

With that dialogue on-going, do I really want my contribution to it be a discussion of the quality of acting and costuming in a particular production? The difficulties of doing a two-person scene with actors 1,000 miles apart? Bandwidth, screen size and buffering?

Not really.

I believe in the art of theatre. I believe in its power to inform, educate, and entertain. I believe that the North Bay deserves a vibrant theatre community and while I support all theatres’ efforts to stay afloat, the question must now be asked “to what purpose?” It’s a question that companies must now answer with actions, not words.

But words are a start, as long as they are the right words – words of understanding, words of recognition, words of inclusiveness – words that are followed by concrete actions. As much as I’d like to think I have addressed the issues of diversity in casting and material through my reviews, I will put more thought into what my contribution to the discussion can and should be now.

So I’m going to step back from critiquing for a time as theatres do what they must to survive and chart a course of action. I will continue to report on local theatre and through that reporting support and promote those companies that truly embrace inclusiveness (and yes, I recognize there are some that already do) and challenge those that don’t.

I will also challenge the audience to support those companies that are truly welcoming of their presence beyond the price of their admission and for artists to work with companies that value their perspective and acknowledge their artists’ vital role in the commerce of theatre. I will encourage companies to do serious outreach to underserved communities (and, yes, I recognize there are some who do that already, too) and to help facilitate that relationship in any way that I can.

Laurence Olivier once said that he believed “that in a great city, or even in a small city or a village, a great theatre is the outward and visible sign of an inward and probable culture.”

With what we are going through as a society right now, what will North Bay theatre ultimately project?

Sonoma Sheriff Bans Controversial Neck Hold Amid Countrywide Protests

The Sonoma County Sheriff’s Office will no longer allow officers to use carotid holds, according to a statement released on the agency’s Facebook page on Friday.

The statement, signed by Sonoma County Sheriff Mark Essick, comes after the agency received a “flurry of emails” about the Sonoma Sheriff’s grade on 8cantwait.org, a newly-formed website that reports whether or not an agency has enacted any of eight recommended safety policies.

“There are several significant errors in their reporting,” Essick wrote of the 8cantwait’s report, pushing back on five points.

First, Essick singled out whether or not the Sheriff’s Office has a ban on chokeholds and strangleholds.

“These holds are not allowed,” Essick wrote on Friday, June 5.

Indeed, a note on the Sheriff’s Policies and Training web page states that “Effective June 5, 2020 the carotid hold is no longer authorized. Policies and training are being updated accordingly and will be posted as soon as they are available.”

That may be true now. But, in the case of the carotid hold, it’s a very recent development and a reversal of Essick’s previous decision.

In implementing the carotid hold properly, an officer places the subject’s neck in the crook of their elbow, applying pressure on the subject’s carotid arteries which run parallel to the windpipe. Because the technique restricts blood flow to the head – the carotid arteries supply between 70-80 percent of blood flow to the brain, according to a California law enforcement training manual – the subject falls unconscious quickly.


But the 2005 training manual also states that “The carotid restraint control hold should not be confused with the bar-arm choke hold or any other form of choke hold where pressure is applied to restrict the flow of air into the body by compression of the airway at the front of the throat.”


Because of the risk of death or serious injury associated with improper use of the carotid hold have led to discussion about its use should still be allowed.

Last December, Essick turned down a long list of Use Of Force policy recommendations prepared by the Independent Office of Law Enforcement Review and Outreach (IOLERO) Community Advisory Committee, a group of volunteers who spend their evenings studying law enforcement policies and interfacing with the community.

(The recommendations are no longer available on IOLERO’s website but the Bohemian has uploaded them here. The Sheriff’s Response to the recommendations is available here.)

[LINK:

IOLERO_Sherriff_Use_Force_Policy_Recommedations_November-15-2019.pdf

Sheriff_s-Response-to-CAC-Recommendations.pdf

]

Among 20 Guiding Principles recommended by the CAC was this: “Carotid restraints and other dangerous chokeholds and maximum restraints are banned.”

In its response, the Sheriff’s Office stated that “In order to truly consider this recommendation, we would need to see data that supports the assumption the carotid restraint and maximum restraint are unreasonably dangerous when applied appropriately.”

“We would also need to have a list of alternatives to these options to deal with combative individuals. Without them the deputies will be restricted to the use of other, potentially more dangerous, uses of force,” the Sheriff’s response continued.

Although the CAC had been working on the recommendations for well over a year, the carotid hold had sparked renewed outrage at the Sheriff’s Office just a week before the CAC formally issued their recommendations to the Sheriff.

On the morning of Wednesday, November 27, officers from the Sheriff’s Office and Sebastopol Police Department stopped a car which had been reported stolen near Sebastopol.

David Ward, the driver and owner of the car, had led officers on a car chase. But, body camera video of the incident shows, that officers did not de-escalate the situation.

Instead, after Ward did not exit his car, Sheriff’s deputy Charles Blount slammed Ward’s head into the car doorframe, Tasered Ward, attempted a carotid hold from an awkward angle and later tried to pull Ward through the car window.

While they were still on the scene, the officers discovered that the man in the car was in fact Ward, not a car thief.

“Oh well,” Blount can be heard saying when he learns who the man lying on the ground is, according to a body camera video of the incident. [TK – CHECK TAPE.]

On Dec. 5, KQED reported that Blount had a history of using the carotid hold—and then lying about it in court.

In May, the Marin County coroner declared Ward’s death a homicide, the result of “Cardiorespiratory Collapse, Blunt Impact Injuries, Neck Restraint and Application of Conducted Energy Device.”

According to data released by the Sheriff’s Office in response to California Public Records Act request, the Sheriff’s Office used two carotid restraints per year between 2015 and 2018, for a total of eight.

Of course, considering that Blount lied about using a carotid restraint in court, it’s not clear whether the data released is entirely accurate.

[LINK: Response_Letter_7-1-19.PDF

Over One Hundred Held Overnight In Unsafe Conditions

On the night of June 2, more than 111 people were arrested for curfew violations following a march against police brutality, according to the Sonoma County Sheriff’s Office.

Earlier that Tuesday evening, approximately 700 people gathered in Roseland to remember Andy Lopez, who was shot and killed by a Sonoma County Sheriff’s deputy in 2013 when he was 13-years-old. The June 2 vigil, honoring what would have been Lopez’s 20th birthday, came amidst daily nationwide protests against police brutality and systemic racism.

Those arrested and held overnight at the Sonoma County Main Detention Facility included protesters, volunteer medics and bystanders, including people driving home and people watching from the sidewalk in front of their homes. Video revealed that many arresting officers were unmasked, violating the Santa Rosa Police Department’s Covid-19 protocols and the County’s Health Orders. Once transported from the scene of the arrest, adult arrestees were held for eight to 12 hours in conditions they describe as unsafe, unsanitary and inhumane.

Though the Sheriff’s Office said in a statement to the public that they have “robust hygiene protocols in place to protect everyone from the spread of Covid-19 as much as possible,” those arrested largely dispute that the protocols were followed. The volunteer groups H-PEACE (Health Professionals for Equality and Community Empowerment) and Mask Sonoma say that holding conditions, which included overcrowding in cells and lack of basic sanitation and hygiene, pose significant health risks to arrested individuals and the public in our current pandemic conditions which call for mask-wearing, physical distancing, and hand-hygiene to stem the spread of Covid-19.

On June 1, the City of Santa Rosa declared a local state of emergency and implemented a curfew June 1 through June 4 from 8pm to 5am, citing incidents of violence, looting and vandalism in the previous days. In a June 1 announcement, Santa Rosa City Manager Sean McGlynn said the curfew was meant to protect the community from those who meant to do harm. Santa Rosa Mayor Tom Schwedhelm called the curfew “a tool to facilitate peaceful protests without the disruption of violent and destructive criminal behavior.” All four arrestees who spoke to the Bohemian said that the June 2 protest remained non-violent.

Around this time, curfews were briefly implemented in cities and counties all over the US, though many were canceled after civil-rights advocates said they violated protesters’ rights to assemble and exercise free speech. The City of Santa Rosa did not lift its curfew early, but did allow it to expire on June 4.

Members of H-PEACE and Mask Sonoma were arrested. These groups followed the march to provide medical assistance and masks to protesters. Two H-PEACE doctors, who wished to use the pseudonyms Michelle and Rachel, were arrested around 9:40pm.

Michelle said, “About four male officers took the two of us down a darker street and did not have their body cameras on. I had to ask multiple times for them to turn their body cameras on and even then, some switched them off a few minutes later.” She said that the cameras have a red blinking light when they are recording.

Santa Rosa Police Lieutenant Jeneane Kucker said, “We are not aware of anyone asking officers to turn cameras on.”

Michelle said the situation scared her.

Kate is a licensed social worker who was also arrested while volunteering with H-PEACE. She said, “I was searched by a male officer. He put his hand in my front pants pocket to check it—the same pocket five times. It felt really invasive.”

Most arrestees were booked into the detention facility after Michelle and Rachel arrived. Michelle and Rachel said that most women arrested appeared to be in their teens and 20s and most were people of color—Latina and black.

Tess Wilson, 22, was driving with a friend near the protests when she realized that they were walled-in by riot police. Police placed them under arrest. Wilson said her wrists were zip-tied behind her back for at least three hours.

“They redid my zip-ties a few times,” she said. “I had to beg because my circulation was getting cut off. My hands were hurting a lot.”

Two days later, Wilson still felt numbness in both hands.

Kate said she looked at the wrists of at least 20 women at the jail.

“They had red marks, bruises, cuts from how tight the zip ties were,” she said. “Their hands were still swollen hours later.”

At the detention facility, about 46 women were held, with most kept shoulder-to-shoulder in one holding cell. Ten women were held between two cells on the second floor. Arrestees report that hand sanitizer was not made available to them, which contradicts a protocol described by the Sheriff’s Office. The Sheriff’s Office did not respond to a request for comment.

In the main holding area, there were two bathrooms that had two bars of hand soap. Multiple people reported that someone vomited in one bathroom and it was not cleaned for more than five hours.

Rachel said, “There was no trash can, so we had to throw sanitary products on the floor.”

Michelle added, “Every hour, staff would sign a sheet saying they’d serviced the bathroom, but no effort was actually made.” 

Kate said, “I asked an officer for a Clorox wipe. I said ‘I would like to wipe down the areas people are touching.’ The officer told me, ‘Those are not for you.’”

Men arrested reported that they were kept in a cell without running water. After asking repeatedly, they were moved to a different cell that had running water, but was so cold that everyone was shivering.

Kate—whose partner was also arrested—said, “There was a man begging for sweatpants. He asked six officers over three hours for sweatpants before he was given them.”

Michelle said, “I asked an officer to get sweatpants for a woman who was shivering. She is anemic. I was telling the officers, ‘I am a physician, this woman can’t regulate her body temperature’…. An officer told me she was too busy.”

When Michelle kept pleading, she said the officer told her, “That’s enough,” then took her to a smaller cell with four other women for the next five-and-a-half hours.

Those arrested reported that most women were not allowed their one phone call until hours after arriving at the detention facility and most men were never allowed a phone call.

Wilson said that, when she was first detained in a parking lot of the junior college, arresting officers were from several police departments—Santa Rosa, Rohnert Park, Petaluma and Cloverdale—and seemed unorganized. “I heard some of them talking about how confused they were and asking each other what to do.”

Michelle said, “Whoever was in charge of managing the jail had no idea who was where. When I was upstairs, three different officers came in three different times, saying, ‘Who’s up here again?’”

Miles Sarvis-Wilburn, of Mask Sonoma, said unmasked police officers interfacing with the public has been an ongoing concern in Santa Rosa throughout the Covid-19 epidemic.

As of June 7, there have been 642 positive Covid-19 cases in Sonoma County, which is approximately 0.12 percent of the population. As of May 25—the last time a public update was provided—there have been nine confirmed Covid-19 cases among employees of the Santa Rosa Police Department—8.1 percent of their staff.

“Covid-19 caseload among SRPD is drastically higher than the general population,” Sarvis-Wilburn said.

In a statement sent to the Bohemian regarding mask use, Santa Rosa Police Chief Ray Navarro said, “During the night, it came to my attention that some of our SRPD officers were failing to wear their department-issued face coverings … as is required Department protocol and aligns with Sonoma County’s Public Health Order to help stem the spread of COVID-19. As the Chief, I take full responsibility for this lapse in procedure. I have taken immediate action to rectify this.”

Fourteen juveniles were among those arrested.

Chief Probation Officer David Koch said, “About eight youth were brought to Juvenile Hall on curfew violations. Six of these youth were released that morning or during the day…”

The Bohemian has not spoken to juveniles arrested about their experience at Juvenile Hall.

In a press release, H-PEACE and Mask Sonoma call on law enforcement to, “initiate outreach for COVID-19 testing, contact tracing, and assessment for isolation and quarantine in individuals who have been exposed to unsafe law enforcement practices, including follow up mental health support.” They also call on an investigation into the detention practices that preceded the events of June 2.

The release also calls on law enforcement and public officials, “to institutionalize anti-racist practices … . The public needs to know how law enforcement is protecting them in both the overlapping public health crises of the current COVID-19 pandemic and the long-standing epidemic of institutionalized violence against black and brown people.”

How to Find & Support Local Black-Owned Restaurants and Businesses

For two weeks, Sonoma County and the Bay Area have joined a national chorus protesting police brutality and renewing the “Black Lives Matter” movement in the wake of the death of George Floyd and other black Americans at the hands of police forces.

Now, a Santa Rosa teacher is at the head of a new endeavor to highlight North Bay businesses and restaurants owned and operated by people of color, giving residents a guide to where they can support Black lives in the community.

Kelly Cramer, who works as a teacher at Roseland University Prep in Santa Rosa, made the ever-expanding online spreadsheet of Black, Immigrant and People of Color Owned Restaurants and Businesses in Sonoma County after looking for one like it on internet search engines.

“Nothing came up specifically for Sonoma County,” she says. “I just thought that it deserved to exist.”

The online list began to take shape a week ago when Cramer started asking friends on Instagram to share information on black-owned businesses in Sonoma County.

“After much thought, I decided to also include all people of color and immigrant-run businesses because, although black-businesses need to be amplified now and always, I simply just wanted to keep this resource all in one place so people can continue to utilize it for the future, long after it’s trendy,” Cramer says.

Soon after beginning to assemble the spreadsheet, Cramer connected with Elizabeth Campos through Facebook who helped organize and research. Sarah Dal Porto Designs donated her work for the graphic design, and Cramer adds that four former students of hers–Jennifer Plancarte, Joseline Moreno, Giselle Gonzalez, and Luis Angel Moya–are helping her call businesses and translate when necessary. Cramer notes she gets every business’ permission to add them to the list, which is nearing 200 entries and growing every day.

Black-owned North Bay restaurants on the list include Buster’s Original Southern BBQ in Calistoga, Bodkin Wines in Healdsburg, Big River Coffee Company in Santa Rosa, Pack Jack’s BBQ in Sebastopol and Corner 103 in Sonoma.

Other Black-owned businesses on the list include Lotus Beauty Bar in Santa Rosa, Creative Chick Consulting in Windsor, ARS Roofing Company and Epoch Education, which specializes in diversity, equity and inclusion training for corporate and nonprofit companies throughout the state.

The online list also highlights indigenous, immigrant and people of color-owned businesses such as Anchor Rose Tattoo and Avenue Tattoo in Santa Rosa, Bellacana Vineyards in Windsor, Ordaz Family Wines in Kenwood, Radical Family Farms in Sebastopol, Robledo Family Winery in Sonoma and Joe Matos Cheese Company in Santa Rosa.

People of color and immigrant-owned restaurants on the list includes more than 100 locations throughout Sonoma County, many of which are currently open during the pandemic for takeout, delivery, outdoor dining and an increasing amount of indoor dining as the North Bay attempts to return to normalcy since largely shuttering small businesses in March due to the spread of Covid-19.

“A disproportionate percentage of Black and POC-owned businesses have closed during the Covid-19 pandemic,” Cramer says. “There’s even the term algorithmic bias, which draws attention to the fact that even social media leaves these businesses out. Fueling these businesses creates a cycle of growth that feeds back into the community. Supporting these places is just ultimately good for everyone in Sonoma County. Plus, so much good food and wine is on this list! A ton of places I can’t wait to try.”

Find the full list at bit.ly/SOCOPOC.

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How to Find & Support Local Black-Owned Restaurants and Businesses

Online grassroots resource primarily covers Sonoma County, includes Marin and Napa County
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