David Templeton Takes On ‘The Piper at the Gates of Dawn’

Local writer, actor (and former Bohemian contributor) David Templeton found himself with plenty of free time during the North Bay’s ongoing shelter-in-place response to the Covid-19 pandemic these past six months.

In the time, he’s been flexing his memory muscle by memorizing all 3800 words of “The Piper at the Gates of Dawn,” the beloved seventh chapter from Kenneth Grahame’s seminal literary work, Wind in the Willows.

This Saturday, September 12, Templeton will share the exciting and mysterious tale in coordination with the Friends of the Petaluma River in a live, word-for-word performance of ‘The Piper at the Gates of Dawn’ that can be seen on Facebook, YouTube or the Friends’ website for free at 5:30pm.

Written over one hundred years ago, Wind in the Willows is one of the most beloved children’s novels on the last century, and it’s anthropomorphic animal characters like Mr. Toad have endured in Disney adaptations and other films and animated fare.

Yet, many children who grew up reading Wind in the Willows may be unaware of “The Piper at the Gates of Dawn,” which is often edited out of many modern adaptations.

The chapter features a story that seems unrelated to the rest of the novel’s plot. Otter has lost his son and Rat and Mole get in their boat and row through the night to look for him. Just before the dawn they hear incredible music and come face to face with a deity who is clearly (though never named) the Great God Pan, with the lost otter boy sleeping at his feet. Rat and Mole load the boy into the boat and take him back to his family recognizing that they have had an unusual experience.

While this chapter is less well known than the rest of the story, it is arguably the most celebrated, studied and beautiful chapter of the book, and critics and fans alike regularly point to “The Piper at the Gates of Dawn” as Grahame’s best writing.

“‘The Piper at the Gates of Dawn’, filled with references to sleeping and dreaming and waking and drowsing, is, I think, all about awakening to beauty,” Templeton writes in a statement. “It’s about those transcendent moments when something jars us out of our habits and comforts and we suddenly see the world in a striking new way, then struggle to hold onto that vision as we return to our previous habits and comforts.”

For Templeton, memorizing “The Piper at the Gates of Dawn” was a personal project during the early days of quarantine that he describes as, “A true joy and pleasure at a time when joy and pleasure sometimes seem in short supply.”

Following his performance on Sept. 12, Templeton will engage in a discussion of the work with writer, filmmaker (and current Bohemian editor) Daedalus Howell and Friends of the Petaluma River Executive Director Stephanie Bastianon to further revel in the story’s themes and reveal it’s significance.

The performance benefits Friends of the Petaluma River, which has celebrated and helped conserve the Petaluma River and it’s watershed through education and stewardship since 2005. The event is free to watch, and donations are welcome and donors will have the opportunity to win a Wind in the Willows-themed gift basket. For information on how to watch the performance, visit FriendsofthePetalumaRiver.org.

Upcoming Exhibition Examines Marin’s Rock Legacy

From the lawns of Rancho Olompali near Novato to the Cushing Memorial Amphitheatre situated among the peaks of Mount Tamalpais, Marin County has seen it all when it comes to rock & roll.

For more than 50 years, Marin has been the home of iconic rock artists and bands, as well as the scene of legendary concerts. Now, locals can revisit those moments as MarinMOCA opens a new exhibit, “Marin’s Rock Art Scene,” on Saturday, Sept. 12.

“One of our board members had a memory of Olompali; how important it was to the start of the whole rock culture in the Bay Area and how early it was, in 1966 before the Summer of Love in San Francisco,” says MarinMOCA Executive Director Nancy Rehkopf.

Starting there in 1966, “Marin’s Rock Art Scene” looks back on several musical figures who made Marin famous, and features photography of the Grateful Dead, Carlos Santana and others, taken by prolific rock photographers including Herb Greene and Jay Blakesberg; both of whom worked with MarinMOCA on this exhibit.

“We curated the show primarily through word of mouth,” Rehkopf says. “We learned that rock culture is still very much alive in Marin and the Bay Area.”

Along with photographers, MarinMOCA worked with musicians, producers and even collectors of memorabilia for the exhibit, which also includes vintage posters for fondly-remembered concerts such as Marin’s 1966 outdoor rock concert at Mt. Tam and the infamous “Skeleton and Rose” poster for Grateful Dead’s 1966 show at Avalon Ballroom drawn by beloved artists Stanley Mouse and Alton Kelly.

Musicians also get into the act for this exhibit, and “Marin’s Rock Art Scene” displays original artwork by artists like Dave Getz of Big Brother & the Holding Company and Joan Baez, whose oil paintings included in the exhibit include a portrait of her younger sister, Mimi Fariña.

Fariña was best known for founding and running nonprofit organization Bread & Roses, which offers free live music to isolated residents of homeless shelters, correction facilities, health care centers and convalescent homes in the Bay Area and beyond. For this exhibit, 20 percent of all art sales will be donated to Bread & Roses.

Alongside the art and images, MarinMOCA will also show the documentary, Olompali: A Hippie Odyssey, as part of the exhibit. Narrated by Peter Coyote, it tells the story of the Marin estate that became a commune and kicked off the rock scene by attracting figures like Joplin and the Grateful Dead in the ’60s.

The exhibit also follows the local scene’s trajectory beyond the ’60s and ’70s with photos and album art representing heavy-metal superstars Metallica, Platinum-selling punk band Green Day, and even ’90s hip-hop icon Tupac Shakur—who attended Tamalpais High School.

Shakur is honored in Ashleigh Sumner’s 2018 mixed media painting, “I See No Change.” The piece features the rapper posed among stenciled red roses, layers of newsprint and images of cloaked Ku Klux Klan members and uniformed police officers. The words “No one taking the Blame” repeats across the canvas, resonating with the ongoing movements against police brutality and racial inequality.

“Marin’s Rock Art Scene” will be open to view in-person at MarinMOCA by appointment beginning Sept. 12. While a slideshow of the art will be available online soon, Rehkopf invites art lovers and patrons to make appointments to safely view the work in the museum.

“It’s a very comfortable experience here at the museum,” Rehkopf says. “You will be in the gallery with a maximum of 10 people, all of our doors and windows are open, everybody’s wearing masks, people are very respectful of social distancing. I’d like to encourage people to go.”

‘Marin’s Rock Art Scene’ runs Saturday, Sept. 12, to Sunday, Nov. 8. MarinMOCA is located at 500 Palm Dr., Novato. Open by appointment only. 415.506.0137; marinmoca.org.

Calistoga Gallery Reopens with Hopeful Exhibit

Located in the heart of Calistoga, Sofie Contemporary Arts is one of Napa Valley’s premier purveyor of inventive modern art that is diverse in media, styles and approaches.

The gallery is run by director Jan Sofie and manager Scott Sofie. Since opening the gallery in 2017, the couple have endured fires, mass evacuations, and more recently a Covid-19 pandemic that closed their space for the past six months.

Still, Jan and Scott Sofie remain hopeful, and they share that feeling with the community as Sofie Contemporary Arts reopens this month with a new exhibit entitled “Hope Is the Thing…” The show is running now and remains on display through October.

The invitational group show’s theme is inspired by Emily Dickinson’s 1862 poem, “Hope Is The Thing With Feathers,” in which Dickinson describes the capacity for hope in metaphor as a bird that “perches in the soul.”

That hopeful feeling is illustrated in the exhibit’s diverse art from more than 20 accomplished Bay Area artists, including many North Bay favorites.

“While talking with many artists over the past difficult months, it became obvious that we were all trying to keep focused on what we really cared about, what really mattered,” Jan Sofie says in a statement.

For this exhibit, many of the participating artists are displaying works that focus on what is personally relevant for them, and selections in the show hit on topics of the pandemic and social distancing as well as economic turmoil and environmental concerns.

Participating artist Sylvia Gonzalez creates natural scenes such as her piece “Goldfinches” (pictured) from pencil and pastel drawn over monotype backgrounds. Working from her studio in Petaluma, Gonzalez focuses her layered art not only on birds, but on foxes, coyotes and other wildlife that can be found in the North Bay.

San Rafael artist Bill Russell also uses birds as an artistic metaphor in his contribution to the exhibit. His acrylic piece, “Little Birdies,” features several feathered figures in a colorful collage of movement.

Napa Valley artist Anne Pentland’s piece in the show is also a nature scene, though Pentland finds hope among ashes in her oil painting, “Aftermath Australia.” The art finds several kangaroos in a burned landscape being helped by a woman in yellow. The piece is from Pentland’s ongoing ‘Madonna’ Series, which employs the religious symbol of protection to represent Pentland’s passion for nature and her concern over climate change and its effects on wildlife.

In addition to works that feature animals, plants and other natural wonders that act as essential sources of solace, the exhibit includes works that evoke notable historical and culturally significant figures and references that aim to bolster resolve as well as hope.

“Without hope, I don’t think we can muster the courage or grit to change or go forward with what we need to do,” Sofie says. “There is always intelligence and light even in the most discouraging moments but it takes critical awareness and discipline to manifest it; I think you will see this in the exhibition.”

Sofie Contemporary Arts is located at 1407 Lincoln Ave., Calistoga. Open Wednesday through Sunday, Noon to 6pm or by arrangement. 707.942.4231.

Go West: Goat Rock Artist Draws Home

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There’s West Sonoma County, and then there’s “West West” Sonoma County. That’s where artist and musician Christopher Lods lives, out on the coast at Goat Rock; and it’s what inspires his illustrations and hand-done art that adorns the signs and the walls of businesses throughout the region.

Now, Lods is using West Sonoma County as the backdrop for his new comic strip, “West West County,” featuring a locally-inspired cast of characters engaging in fantastic adventures that touch upon several local references.

“West West County is a special place to me,” Lods says. “This is where I live and this is where I love, and people are a little bit different here. There’s a lot of good vibes going on.”

Originally from Indiana, Lods first moved to California in 1986, living in Lodi before relocating to Sonoma County 25 years ago. It was in Lodi where Lods learned the art of sign-painting from old-time artists.

“Back in those days, everything was done by hand, even making patterns and drawing letters,” Lods says. “I learned all those old-school techniques and I still use them today.”

Bringing that skill to the North Bay, Lods’ work can be seen all over HopMonk Tavern in Sebastopol, Howard Station Cafe in Occidental and numerous other local spots.

In addition to learning old-school signage art, Lods studied under some infamous figures. For several years, Lods apprenticed under iconic illustrator Stanley Mouse, best known for his culturally significant psychedelic rock concert posters.

Lods currently apprentices under cartoonist Thomas Yeates and works alongside Yeates on the present run of the long-running comic strip “Prince Valiant,” regarded as one of the most impressive visual comics ever syndicated. With Yeates’ tutelage, Lods is learning to master skills like using quills and working with India ink, and Lods is also helping color the comic strip.

“In the comic-book industry, there’s a writer, a penciler, an inker—that’s like Thomas—and there’s a colorist and a letterer,” Lods says. “Those people work together to create the comic, and it’s still done that way. It’s been an amazing thing, and I’m really having fun doing it. That’s where ‘West West County’ comes from, learning how to do all that.”

The characters and content of Lods’ “West West County” comic came to him in a dream back in July.

“I woke up in the middle of the night, and it was kind of all there,” he says. “I got up and laid out the first one, finally got to bed, woke up in the morning and inked it, scanned it and colored it.”

Centered around a coffee shop, the Deepwater Cafe, Lods’ comic is packed with animalistic characters with names like Surf Skunk, Smoking Sam and Fly Guy; all of whom engage in activities ranging from cycling up Joy Road to drinking astral-projected coffee to being abducted by giant Space Abalones.

“My characters are a little bit crazy, and exciting and strange things happen,” Lods says. “I don’t know where the ideas come from, it’s like an unexpected gift. It’s innocent and it’s fun, and maybe there’s a little politics in there, maybe not. You’ll have to decide for yourself on that one.”

See more of ‘West West County’ below. Visit christopherlods.viewbook.com to see more of Lods’ art.

West Marin Museum Goes Online

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Founded in 1983, the Bolinas Museum hosts Marin County’s premier collection of the art and history of coastal Marin, presenting exhibits and hosting events that express the rich, diverse array of local artists and crafters.

Free to the visitors who come from near and far to enjoy the small West Marin charm of Bolinas, the museum features five galleries and a courtyard that display both classic and contemporary works of fine art, photography, sculpture and more. To provide this free experience, the museum hosts special fundraising events throughout the year, most notably the annual Benefit Art Auction and Party each September, which provides nearly half of the museum’s annual operating costs.

This year, like everything else in Marin, the Bolinas Museum’s party plans were canceled in the wake of Covid-19. Instead, the museum’s 28th annual auction and party are moving online for a virtual fundraiser that includes online bidding as well as several other offerings that culminate in a virtual live auction on Saturday, Sept. 12.

The benefit auction is currently online, and visitors to the Bolinas Museum’s website can register to bid now as part of that auction and purchase virtual tickets to the upcoming live-auction night. Registration also enters visitors into the museum’s first-ever “Week of Giving,” featuring daily prize drawings taking place Sept. 6–12.

The “Week of Giving” is the museum’s way of thanking the public for their continued support, and daily prize giveaways will include a limited-edition framed print of Gertrude Southworth’s 1901 Bolinas Beach photograph (pictured), a handmade sail bag from local designer Susan Hoff, organic products from Bolinas’ own Amanda Ross Skin Care, a $250 gift certificate to Bolinas Hardware and more. Everyone who registers to bid, purchases a ticket to the virtual live auction or donates to the online auction is entered into the drawings.

The Bolinas Museum is also raising funds to secure a rare and extraordinary photograph, “Earthrise Seen for the First Time By Human Eyes,” photographed by astronaut William Anders during the Apollo 8 mission on Dec. 24, 1968. Renowned photographer and Bolinas resident Michael Light worked with NASA archives to create the large, dramatic black-and-white image of the Earth rising over the Moon as part of his first book and exhibition project, “Full Moon,” in 1999. This photograph was one of many recently featured in the Bolinas Museum’s 2018 exhibition “Cosmic Wonders,” and Light has offered to donate the historic photograph to the museum’s collection if the museum can raise at least $10,000 before Sept. 15.

Every dollar counts, and the museum is asking generous patrons to digitally raise those virtual auction paddles as part of the online fundraising efforts that will allow the museum to continue presenting cultural events and exhibits, as well as maintain its collection of over 3,000 historical photographs, archival materials and items of historical significance from the times of the coast Miwok to present day, and over 250 artworks by coastal Marin artists from the late 1800s onward.

Bolinas Museum’s Benefit Art Auction runs now through Sept. 15, with a virtual live auction on Sept. 12 at 6:30pm. Register and bid online now at Bolinasmuseum.org.

Letters to the Editor: Nothing New

Don Landis’ letter about feeling under attack is high consciousness (Letters, Aug. 19). This is not a new phenomenon. U.S. president John Quincy Adams was more of a British agent than an American president as evidenced by his attempts to undo virtually everything Alexander Hamilton had done for the country under George Washington. 

It is under glass in Washington, D.C.—written communication between Thomas Jefferson and Alexander Hamilton where Jefferson chided Hamilton for not using taxpayer money to make his own life better. He said Hamilton was making the other politicians look bad. Hamilton wrote back that he could never use taxpayer money for his personal needs.

Politics is the most venal profession on Earth. Venal means, “open to collusion and bribery.”

Doctor Joel Taylor D.C.

Via PacificSun.com

Crunching Numbers

Some people say our economic system is not so unequal. They think the people at the top got what they have from hard work and ingenuity. Let’s take a look.

$40,000 per year is an above-average salary in the U.S. At $40,000/yr it will take 25 years to earn $1 million. Minus $1,300/month (average U.S. rent), minus the average healthcare cost of about $9,000, minus the average cost of owning a sedan $6,354 for 25 years, without figuring in children, pets, electricity, clothing, home repairs, cable or coffee that leaves you with $308,752.

Mark Zuckerberg makes $1 million in about 4 hours. That’s $180 million/month or more than $2 billion per year. At $40,000 per month, it would take 50,000 years to earn $2 billion. Do you believe that Mark Zuckerberg works 50,000 times harder than the average worker? That seems unequal to me!

Jason Kishineff

American Canyon

Mendelsohn Raises the Bar

Lauren Mendelsohn, 29, grew up back East. She graduated from the UC Irvine School of Law in 2016, the year California voters approved Prop 64, ushering in a new era for cannabis law. These days, cultivation is largely a civil matter. Code-enforcement inspections are the norm, as are fines. Cops don’t raid unless there’s evidence that a grow is part of a criminal enterprise. Fish and Wildlife comes down hard on those who damage the environment.

Named a 2020 Northern California “Rising Star” by Super Lawyers, a rating service for the legal profession, Mendelsohn is the senior associate at Omar Figueroa’s Sebastopol law firm. During the pandemic, she has worked steadily from home, providing legal services to individuals and businesses in the cannabis industry. Locally, she’s involved with the Sonoma County Growers Alliance. She also serves on the Board of the International Cannabis Bar Association.

Mendelsohn drafts contracts, protects trademarks and helps clients obtain licenses to operate cannabis businesses. She pays special attention to detail and she’s good at client “hand-holding,” as well as public speaking, which helps when representing clients before planning commissions and county supervisors.

“In Sonoma County,” she tells me, “cannabis cultivation permits are either ‘ministerial’ or ‘discretionary.’ Discretionary permits typically involve a public hearing; ministerial permits don’t. They’re relatively quick and inexpensive.”

Sometimes even if requirements are met the county won’t issue a permit. That’s frustrating for growers. Lawyers can help.

Mendelsohn reminds me, “Cannabis is not 100 percent legal the way a tomato is. You can’t sell it without a license and you can only be authorized for commercial cultivation on certain types of properties and in accord with state and local regulations. To grow for personal use, you have to be at least 21 and not have more than six plants at your residence. Medical patients are allowed 100 square feet.” 

In her view, the county’s cannabis program “has stalled. Tax revenue is unfortunately not what many thought it would be.” She adds, “A lot of the same issues come up repeatedly and it often feels like we’re going in circles.”

But Mendelsohn also points to new developments which might bring penalties for marijuana growers in alignment with existing penalties for others who violate codes.

One wonders if exorbitant fines are meant to stymie the cannabis industry.

“If we get new people in local government, big changes can take place,” Mendelsohn says. She hasn’t ruled out a campaign for public office. Anyone care to volunteer?

Jonah Raskin is the author of “Dark Past, Dark Future: A Tioga Vignetta Murder Mystery.”

Open Mic: I Love the USPS

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I recently returned to California from Costa Rica. There are many wonderful aspects of Costa Rica; the people, the wildlife and the food, to name a few. One of the worst is the postal service. There is no handy mailbox in which to put your letters for delivery. You must either use a post office box or use an outside service. When using a post office box, delivery time is dicey. Letters sent to the United States can take up to two months for delivery, sometimes more.

I moved to Santa Rosa three months ago. The USPS turned out to be the most reliable method of delivery. I could set my watch on my mailman. Then, last month, I noticed a change. The mail was coming in a little late. I also noticed a change in the behavior of some of the carriers. The stress was palpable. I realized that there was a very human toll being taken by the Trump administration’s attack on the USPS.

This week, I decided to do something. I made a poster that said “I love USPS.” I went to the post office on Lombardi Court. I waited in line with my poster. When the customer in front of me turned to leave, he saw my poster and gave me a big grin. I walked up to the post office worker, and asked if I could put my poster up. He was delighted. He put the poster in the front of his window.

I encourage anyone who feels sympathetic to the USPS to express your support in whatever way you are comfortable. Next time you see a postal worker, wave at him or her or give them a thumbs up. Send a letter or call your local, state or federal representative letting them know how you feel. Go to your local post office and let them know how they are doing. Or, if you are so inclined, put up a poster expressing your feelings.

Oh, and be sure to vote against Trump and all of his cohorts in November.

Sara Madison lives in Santa Rosa.

Petaluma Chef Fundraises to Restore Community Kitchen Used to Feed Thousands During Fires

When chef Miriam Donaldson started her fundraiser to revamp the kitchen at Petaluma Fairgrounds’ Herzog Hall this past July, her plan was to get ahead of fire season. During the Tubbs Fire and the Kincade Fire, the dilapidated kitchen was used to cook thousands of meals for evacuees.

“I have a hard time keeping up with the needs that we have for when we catch on fire because we keep catching on fire,” Donaldson said in a Sunday, Aug. 16 interview, the same day that thunderstorms brought more than 10,000 lightning strikes to Northern California, sparking hundreds of wildfires.

The wildfires—and the Covid-19 pandemic—have highlighted many of the weaknesses in America’s safety net. For Donaldson, who thinks of Petaluma’s community kitchens as public assets, the North Bay’s repeated crises have revealed how we have allowed these kitchens to deteriorate.

“As I see it, these kitchens are public infrastructure and public utilities which have just not been maintained in the way that they will need to be maintained for the direction that climate change is going to keep leading us,” Donaldson says.

In July, Donaldson launched a GoFundMe campaign seeking $20,000 to improve the infrastructure and appliances in the Herzog Hall kitchen. These changes will maximize the kitchen’s safety and efficiency, as well as reduce the environmental impact of cooking for so many.

Donaldson, who owns the Petaluma restaurant Wishbone with her husband, Joshua Norwitt, got to know many of the community kitchens of Sonoma County while working as a tireless volunteer during the 2017 and 2019 fire seasons.

On the fundraiser page, Donaldson explains that, while there are nonprofit groups that provide food and care to those in need, the on-the-ground labor of cooking and serving meals during these disasters has mostly been done by volunteer chefs and community members who just show up to help.

In at least one important way, Petaluma is an ideal location for a kitchen used to serve evacuees. Petaluma is a triangle of land less prone to fires, prompting Donaldson to call it “a little croissant of Not-Fucked.”

“During fires,” Donaldson says, “Petaluma Fairgrounds ends up housing most of the county’s evacuees who need shelter. Fragile elders, Latinx people, disenfranchised people with nowhere else to go—if you don’t have a friend with a big house [outside of an evacuation zone], you end up at the Petaluma Fairgrounds.”

“A kitchen that is built to perform relief is cheaper and safer to run than one cobbled together in a panic,” she wrote. By Monday, Aug. 31, she had raised $8,412 of her goal.

Disaster Response

As with so many other residents looking for ways to contribute, Donaldson’s disaster response work began in 2017. During the Tubbs Fire, tens of thousands of people were evacuated from their homes, lost power or lost their homes entirely. This left thousands of people needing to eat.

In the early days of the Tubbs Fire, Donaldson received calls from other food-industry professionals, including Heather Irwin, a longtime food critic for the Press Democrat and Sonoma Magazine, and chef Duskie Estes, who were all scrambling to arrange and distribute meals to thousands of evacuees and first responders.

This was the fiery birth of Sonoma Family Meal (SFM), Irwin’s nonprofit emergency food network that has served more than 400,000 meals to Sonoma County residents impacted by crises. Donaldson was SFM’s founding chef.

Restaurant people, Donaldson observes, excel at hosting and comforting. In an agricultural area like Sonoma County, they’re also well-connected to farmers. That first year was about establishing a network of food suppliers, volunteers and available kitchens, as well as figuring out what everyone was good at.

Both the Tubbs and Kincade fires happened during October, each time leaving a community of farmers with harvested food they suddenly weren’t able to sell.

“Red Cross shows up with food, but they’re bringing in cold meals and packing up what doesn’t get eaten,” Donaldson explains. “That food isn’t cycling through our local food infrastructure.”

Donaldson says that when people are experiencing the trauma of displacement, they should have real, nourishing meals available.

“They shouldn’t have to eat a cupcake-flavored Pop-Tart unless that’s what they want,” Donaldson says.

Between farmers and restaurateurs, Sonoma County has abundant resources to feed its own residents fresh food in times of crisis. While Irwin amplified SFM’s cause, Donaldson worked on infrastructural logistics.

One of Donaldson’s first tasks was to go to the evacuation sites and take stock of their kitchens. She went to the Lucchesi Center, Petaluma Veterans Hall and Herzog Hall at the Petaluma Fairgrounds doing inspections, finding out what equipment was there and what functioned. She created posters explaining health-code protocols and how to operate things.

“I’m a great lover of community kitchens—whether it’s the Women’s Hall, the Grange or whatever random, amazing kitchen 12 bitches built in 1943—I love those kitchens a lot,” Donaldson says, noting that the county has a lot of kitchens that were built between the 1940s and 1970s.

“Some have been really well maintained,” she says. “A lot of the larger kitchens have not. I dispatched a chef to the Lucchesi Center [in Petaluma] to make an inventory. He came back with, ‘There’s a pair of tongs.’”

In 2019, when fire ravaged Sonoma County for the second time in three years, Donaldson says everyone was able to organize quickly and address more varied needs than in 2017.

The first time around, volunteers weren’t always prepared to assist people with needs beyond food, but in 2019, they knew what to anticipate, so things ran more smoothly. Every menu was translated into Spanish, and bilingual volunteers were there to assure people that ICE was not allowed on the premises. Kitchen crews worked to consciously reduce plastic waste. Cooks knew how many children to anticipate needing to feed.

When Covid-19 hit, Donaldson felt dreadful anticipation about how it might impact fire season.

“We normally house people at the big barn at the fairgrounds, but this year, there are Covid patients in quarantine there,” she says.

Additionally, Donaldson says that many of the strongest kitchen volunteers from past years are older people who cannot put themselves at risk of infection by cooking during the pandemic.

When this year’s Wallbridge Fire and Meyers Fire prompted evacuations, Donaldson’s core team quickly reassembled. When we spoke on Tuesday, Aug. 25, most of those evacuations were being lifted and she was feeling more confident about their ability to feed people displaced by fire during a pandemic.

As devastating as the LNU Lightning Complex Fires have been, they did not prompt the same degree or duration of food-need in Sonoma County as past fires have, Donaldson says.

Additionally, SFM, which now employs a full-time chef, has been feeding families in need for months—since shelter-in-place orders began.

But, with months to go before fire season ends, the risk of new fires and further displacement continues. As far as her team is concerned, Donaldson described the most recent fires as “a really good dress rehearsal.”

“What I think we’re going to end up doing—if it’s needed—is a food distribution center, with a combination of fresh prepared foods from local farms and also pantry items that don’t need heating or cooling,” she says.

For now, Donaldson is focused on fixing up Herzog Hall—whether or not there are more fires in the North Bay this year.

Donaldson says, “The best possible outcome is that we improve a community kitchen and don’t have to use it to feed desperate people. My whole goal is to have resources, and those will last more than a year …. We need a war chest.”

Find information about Donaldson’s fundraiser at bit.ly/herzogkitchen

Riding the Storm: North Bay Artist Crafts Music at Home

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North Bay multi-instrumentalist and singer-songwriter Daniel McKenzie has been making his own brand of musical mechanisms for 20 years.

His long-running musical tenure began in post-rock band The Rum Diary, locally known as the “Cotati Sound Machine,” with bandmates Schuyler Feekes, Jon Fee and Joe Ryckebosch. These days, McKenzie stays busy with his two-person project Built For the Sea, collaborating with vocalist and songwriting partner Lia Rose.

“In the last six years I’ve been working heavily on that project,” McKenzie says. “The band got signed to a label, we started getting publishing contracts with movies and television, so I stuck with that. Then in between, I would write, and of course I have 40 different songs on my computer that are totally unfinished.”

When he’s not working on Built For the Sea, McKenzie’s writing is directed towards his solo project Identical Homes, which has largely been on a backburner since 2014’s release A. Hydrophilia.

Now living in Fairfax, McKenzie is using the free time from the ongoing shelter-in-place to return to his solo output. Earlier this month, Identical Homes unveiled its first record in six years, Language Lessons.

“I work half from home anyways, and now that I’ve bought a house and have my own studio in the house, I didn’t really want to leave that much anyways,” he says. “I think it’s been good to set aside personal time to work on music, and I know my friends are in that zone too; they’ve been very active with music.”

The new seven-track instrumental album is a collage of darkly ambient electronic beats mixed with post-rock rhythms provided by live instruments that coalesce into shoegaze soundscapes that emotionally reflect the stormy days we are living in without the need for lyrics.

“I think the biggest freedom is of course doing anything I want,” McKenzie says. “I try to put no limits on it, the only criteria is that I listen to it and am engaged.”

Written, performed and mixed by McKenzie in his home studio, dubbed The Black Lodge, Language Lessons is quite a collaborative effort for a solo album. The record features McKenzie’s musical friends Jake Krohn, Demetrius Antuna, Eric Kuhn, Jon Fee, Cory Grey and Matthew Solberg pitching in on drums, guitar, organ or bass, and adding to the electronic foundations that McKenzie creates on the computer.

“A lot of the songs were headed one direction, and then when I asked my friends to collaborate, the songs totally took another direction,” McKenzie says. “I think that might be the case for every song on here, and that’s a nice surprise for me because it makes the album more listenable to me when I return to it. It takes turns I would not have expected.”

Still, McKenzie notes that he’s the final judge of the music. To that effect, the seven tracks on Language Lessons average over six minutes each, and McKenzie embraces the extended space and time that the songs take up. “In every band I’ve ever been in, everybody says, ‘that intro is too long, you’ve got to cut that part down,’” McKenzie says. “So that is just me being able to express how I want to make music.”

‘Language Lessons’ is available as a digital album at Identicalhomes.bandcamp.com.

David Templeton Takes On ‘The Piper at the Gates of Dawn’

Live performance of the chapter from "Wind in the Willows" benefits Friends of the Petaluma River

Upcoming Exhibition Examines Marin’s Rock Legacy

From the lawns of Rancho Olompali near Novato to the Cushing Memorial Amphitheatre situated among the peaks of Mount Tamalpais, Marin County has seen it all when it comes to rock & roll. For more than 50 years, Marin has been the home of iconic rock artists and bands, as well as the scene of...

Calistoga Gallery Reopens with Hopeful Exhibit

Located in the heart of Calistoga, Sofie Contemporary Arts is one of Napa Valley's premier purveyor of inventive modern art that is diverse in media, styles and approaches. The gallery is run by director Jan Sofie and manager Scott Sofie. Since opening the gallery in 2017, the couple have endured fires, mass evacuations, and more recently a Covid-19 pandemic...

Go West: Goat Rock Artist Draws Home

There’s West Sonoma County, and then there’s “West West” Sonoma County. That’s where artist and musician Christopher Lods lives, out on the coast at Goat Rock; and it’s what inspires his illustrations and hand-done art that adorns the signs and the walls of businesses throughout the region. Now, Lods is using West Sonoma County as the backdrop for his new...

West Marin Museum Goes Online

Founded in 1983, the Bolinas Museum hosts Marin County’s premier collection of the art and history of coastal Marin, presenting exhibits and hosting events that express the rich, diverse array of local artists and crafters. Free to the visitors who come from near and far to enjoy the small West Marin charm of Bolinas, the museum features five galleries and...

Letters to the Editor: Nothing New

Don Landis’ letter about feeling under attack is high consciousness (Letters, Aug. 19). This is not a new phenomenon. U.S. president John Quincy Adams was more of a British agent than an American president as evidenced by his attempts to undo virtually everything Alexander Hamilton had done for the country under George Washington.  ...

Mendelsohn Raises the Bar

Lauren Mendelsohn, 29, grew up back East. She graduated from the UC Irvine School of Law in 2016, the year California voters approved Prop 64, ushering in a new era for cannabis law. These days, cultivation is largely a civil matter. Code-enforcement inspections are the norm, as are fines. Cops don’t raid unless there’s evidence that a grow is...

Open Mic: I Love the USPS

I recently returned to California from Costa Rica. There are many wonderful aspects of Costa Rica; the people, the wildlife and the food, to name a few. One of the worst is the postal service. There is no handy mailbox in which to put your letters for delivery. You must either use a post office box...

Petaluma Chef Fundraises to Restore Community Kitchen Used to Feed Thousands During Fires

When chef Miriam Donaldson started her fundraiser to revamp the kitchen at Petaluma Fairgrounds’ Herzog Hall this past July, her plan was to get ahead of fire season. During the Tubbs Fire and the Kincade Fire, the dilapidated kitchen was used to cook thousands of meals for evacuees. “I have a hard time keeping up with the needs that we...

Riding the Storm: North Bay Artist Crafts Music at Home

North Bay multi-instrumentalist and singer-songwriter Daniel McKenzie has been making his own brand of musical mechanisms for 20 years. His long-running musical tenure began in post-rock band The Rum Diary, locally known as the “Cotati Sound Machine,” with bandmates Schuyler Feekes, Jon Fee and Joe Ryckebosch. These days, McKenzie stays busy with his two-person project Built For the Sea, collaborating...
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