Garagiste Wine Fest Exposes Micro-Wineries in Sonoma on Feb. 15

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Now in its third year, the Garagiste Wine Festival is the North Bay’s best chance to try the region’s small-scale wines from hard-to-find winemakers who often do not have their own tasting rooms. The afternoon tasting also includes artisan food vendors pairing bites with the more than 150 wines on hand, and the VIP all-access experience lets you get in the door before anyone else on Saturday, Feb. 15, at Sonoma Veterans Memorial Hall, 126 First St. W, Sonoma. VIP doors open at noon; grand tasting begins at 2pm. $65 and up. Garagistefestival.com.

Local Stars Burrows & Dilbeck Headline Mystic Theatre on Feb. 16

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It’s an insanely packed week of concerts at the Mystic Theatre & Music Hall, with touring acts like punk icons the Melvins on the 14th, funk legends George Clinton & Parliament Funkadelic on the 17th and an already sold-out Ani diFranco show on the 19th. In the middle of all that, don’t pass on a local showcase featuring power duo Burrows & Dilbeck, who join forces for a pop-soul sound on their new album, All The Same. Acoustic rockers the Pat Jordan Band and danceable Americana act Burnside open the show on Sunday, Feb. 16, at the Mystic Theatre, 23 Petaluma Blvd. N, Petaluma. 6:30pm. $18. 707.775.6048.

How I Became an Art Thief

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Ever want to post a nude online but fear future repercussions? Conceptual artist Andy Sewell has you covered—literally.

At a recent exhibit of the artist’s work and collaborations at Petaluma’s Sonoma Coast Surf Shop, Sewell showcased his knitted, wearable digital pixelation garments for “When you want to fake that nude but not regret it later … cover your bits with BITS.” Sewell’s tableaux also included a piece of “found art” originally created by fellow artist Johnny Hirschmugl (otherwise branded as Art by Johnny), which Hirschmugl himself offhandedly said Sewell hoped would be stolen at the event. I obliged. I offer my confession here, publicly, to attest to having aided in closing (what I hope was) the conceptual loop as well as heading off any legal pursuits in the matter since stealing the painting was technically performance art. The piece is now on my bookshelf. If either artist wants it back, you know where to find me (on eBay).

• • • 

Meanwhile: I have a vague memory of attending the Wine County Distillery Festival. I believe there were distilled spirits and a cocktail contest for which I and other media types served as judges. It stands to reason that somebody won—my congratulations to them. If anyone finds the brain cells I lost, please send them to me c/o of the Bohemian.

• • •

Cult-brew Pliny the Younger returned to Russian River Brewing Company last Friday, causing its usual annual people-jam to encircle Santa Rosa’s Fourth Street and beyond. Days later, the line for the triple India pale ale (which comes in at a whopping 10.25 percent alcohol by volume) persists. Of course between the brews’ namesake, Rome’s Pliny the Younger, and Pliny the Elder, is Pliny the Millennial—known for highlighting the absurdity of his privilege by humble-bragging about enduring a long beer line. #youthiswastedontheyounger

• • •

Our friend John Augustine Moran has shuffled off this mortal coil. He was an artist in every sense who had many a great turn on local stages, was easy with a tune and was the kind of smoke-breathed co-conspirator to pull you into a corner by the elbow and tell you, “This is how it’s gonna go, lad …” He was my friend, mentor and consigliere. Who could resist his Dickensian accent, his Satanically smooth entreaties, the winking charm he used to get me into more and deeper shit than I care to recall? We’re collecting remembrances of Moran at Facebook.com/NorthBayBohemian, which may be used in a future tribute. If Moran touched your life, please leave a note. In the meantime, permit me to quote Hamlet: “I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times …”

To B or Not to B

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We are so proud of our students, teachers and the exceptional education at our West County high schools. We’re asking the public’s help in holding onto the quality we now enjoy.

Since 1993 we have financed key programs at Analy, El Molino and Laguna high schools with a parcel tax that our voters steadfastly approve every time it expires.

It expires again next year.

Please help us renew it by voting “Yes” on Measure B on the March 3 ballot.

“State funding continues to fall short in providing the resources needed to support our schools. Measure B funds are vital to maintaining the quality programs and services our students need and deserve,” said District Superintendent Toni Beal.

Measure B will renew the parcel tax for eight more years and increase it from $48 to $79 a year, to adjust for the rising cost of living and a decline in state funding. Exemptions are available for qualified seniors, the disabled, contiguous parcels and others.

With input from staff, teachers, parents and community leaders, the district has prepared a list of programs and activities that require the support of the parcel tax, including:

Keeping school libraries open

Maintaining and improving shop, art, music, drama, culinary, agriculture, technology and other career-education classes

Giving teachers and staff appropriate raises

Improving college-preparatory courses

Maintaining small class sizes and counseling services

Please join us in voting “Yes” on Measure B!  

—Jim Walton, chair Measure B steering committee

Mary Bracken, president El Molino Education Fund

Loretta and Chip Castleberry, business owners and former teachers

Jim Corbett, “Mr. Music” Foundation

Mary Fricker, member Measure B steering committee

John Grech, El Molino High School teacher

Leslie McCormick, president El Molino Boosters

Sue Mobley, business owner

Adam Parks, president Analy High School Boosters, business owner

Dennis Rosatti, business owner

Lily Smedshammer, Analy High School teacher

David Stecher, former West Sonoma County
Union High School District trustee

Friends of West Sonoma County Union High School District

friendsofwscuhsd.org.

We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Gazette Lives On

Karin Seritis (letter published Feb. 5) also sent me her letter telling me she had posted it on Yelp. It was kind of her to send it to me since I was able to respond to her directly. She explained that she thought the Gazette gets distributed on the first of each month and our newsstands were empty, so she made some assumptions.

We publish our schedule on page 4 of every Gazette and online. The Gazette comes out on a Wednesday, same as BoHo, distributing the February edition on Feb. 5th & 6th.

People love to hate Darius Anderson, but for both The Press Democrat and the Sonoma County Gazette, he’s just an investor. As CEO Steve Falk emphatically states, “Darius does not, and never has been involved in any editorial decisions.”

There are 6 investors in Sonoma Media Investments. Every one of them Sonoma County people who are investing in keeping local, independent media alive and well for our communities. Investors ask for one thing … sustain what they put their money into, and if all goes well, distribute dividends.

I’m grateful that SMI purchased the Gazette. I am ready to retire, so having them keep it alive is a win/win for our community. We need a vehicle for citizens to keep our community informed about what concerns us in our own voices, rather than through the filters of journalists and editorial boards.

During this transition I am delighted to see the commitment SMI is making to keep the Gazette mission alive and well. I am still very much involved until they find a replacement for me. And I will continue to write and poke my nose through the door for some time to come.

Thanks for the opportunity to set the record straight. The Sonoma County Gazette is alive and well and very much independent media, as it always has been.

Sonoma County Gazette
Sonoma Media Investments LLC

SMART Tax

The “No” on Measure I information I’ve seen in the media gives an incomplete picture of the need for continued funding for the SMART train as an integral part of the North Bay transportation system.

Discussion of funding SMART must address the role of greenhouse gasses produced by our transportation system in contributing to the climate crisis. Although the State of California has done well in reducing carbon emissions in our electricity grid, transportation is a part of our economy in which we are making poor progress in reducing greenhouse gasses.

Granted, there has been mismanagement at SMART, and those problems should be rooted out, but voting “No” on I is throwing out the baby with the bathwater. Even though it does not serve me in Sonoma Valley, I realize that SMART is a crucial element in a climate-smart regional transportation infrastructure.

We must develop a transportation system that does not require us to get into private CO2-spewing automobiles to get around, and SMART is an essential first step. Please vote “Yes” on I in March.

Sonoma

Write to us at le*****@******an.com.

From Gun to Gavel

Former Santa Rosa Mayor Chris Coursey, now running for a slot on the county board of supervisors, tells me I ought not be surprised that Tom Schwedhelm, the current mayor and former chief of police, is pro-cannabis.

“Cops knew the war on cannabis was lost a lot sooner than most folks,” Coursey says.

Last December at the Emerald Cup, Schwedhelm suggested that Santa Rosa might become a hub for the whole industry.

In his office—sitting behind a sign that reads, “There’s no place like Santa Rosa”—he tells me, “Cannabis has contributed to our community and economy. It has not created problems, though some citizens think so.”

Born and raised in Oakland, the son of a cop, Schwedhelm knew he wanted to follow in his father’s footsteps by the time he was in high school.

“I saw that policing went way beyond guns and badges,” he says. “I knew it was for me.”

During the last four-and-a-half years of his 30-year career in law enforcement, he served as Santa Rosa’s chief of police, and, while he never worked in narcotics,
he occasionally made arrests
for cannabis.

“I remember, people went to prison for pot,” he says. “Then Prop 215 passed and medical marijuana became the law. I went to an address where people were trimming marijuana. They had medical-marijuana recommendations and weren’t breaking the law. My whole perspective changed.”

On another occasion, while playing in a golf tournament in Windsor, he arrived at the 10th hole and saw that a CBD-cream company was sponsoring the event.

“That was also an epiphany for me,” he says.

Before last December’s Emerald Cup, Schwedhelm met with founder, Tim Blake, to discuss how to make cannabis more acceptable in Santa Rosa, where many voters rejected Prop 64, the measure that legalized adult use.

“Unfortunately, some people in our community still have the Cheech-and-Chong image of the stoner,” Schwedhelm says. “We need more education.”

He also points out that there are no conflicts between dispensaries, like SPARC, on Dutton Avenue, and neighboring businesses; no rip-offs or violence in the regulated-and-taxed market; and that, thanks to the fledgling cannabis industry, old warehouses have been brought up to code.

“Santa Rosa is a great place to live and work, whether as a cop or as mayor,” Schwedhelm says. “As mayor, I do much of the work myself. It’s a full-time job.”

Jonah Raskin is the author of “Dark Day, Dark Night: A Marijuana Murder Mystery.”

Mad House

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Arthur Miller’s A View from the Bridge, running now at Santa Rosa’s 6th Street Playhouse through Feb. 23, may not be his best play (that’s Death of a Salesman) or even close to his most-produced work (probably The Crucible). What it is, is a punch-to-the-gut look at one man’s destructive obsession and the ramifications of that obsession on his family, his friends and his community.

It’s sometime in the 1950’s, and Italian-immigrant attorney Alfieri (Joe Winkler) wants to tell us about a client whose case stuck with him. That client is Eddie Carbone (Edward McCloud), a dockworker on the New York piers. He lives in a Brooklyn flat with his wife Beatrice (Mary Delorenzo) and his 17-year-old orphaned niece Catherine (Nina Cauntay). Conflict first arises between them when Catherine is offered a job Eddie doesn’t want her to take. That conflict is compounded by the arrival of Marco (Matt Farrell) and Rodolpho (Erik Weiss), Beatrice’s nephews who arrive in the country illegally and who Eddie agreed to harbor. Rodolpho soon takes a liking to Catherine and vice-versa. Eddie has a problem with this, and his concerns go way beyond normal father-daughter issues.

Eddie wants Rodolpho gone, and after his attempts to convince Catherine that Rodolpho just ain’t “right” fail, he makes a decision that will tear his family, his community and himself apart.

Director and co-scenic designer (with Martin Gilberston) Jared Sakren adapts the stripped-down approach taken by many contemporary productions towards this piece; and it works. While the intimacy of the Monroe Stage works against it at times—particularly during the fight scenes—it heightens the tension in others.

McCloud is strong (though a bit vociferous) as Eddie, as is DeLorenzo as the suffering wife who sees what Eddie refuses to admit about his feelings for Catherine. Cauntay impresses as the obliviously beguiling Catherine, and Winkler excels as the voice of reason Eddie refuses to hear.

Accents are tricky. They often lead to a layer of inauthenticity in a character, as is the case here with Weiss and Farrell as literally “fresh off the boat” Italian immigrants. Weiss rises above that in a confrontation scene with Catherine.

Issues of honor, justice, the law and even immigration are dealt with here, but at its core it’s a well-told classic Greek tragedy of a man and his self-induced downfall.

Rating (out of 5): ★★★★

‘A View from the Bridge’ runs through Feb. 23 on the Monroe Stage at 6th Street Playhouse, 52 W. Sixth St., Santa Rosa. Thu–Sat, 7:30pm; Sat–Sun, 2pm (no 2pm show Sat Feb. 22). $18–$29. 707.523.4185. 6thstreetplayhouse.com

Coast Boast

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There’s such a want of wine-tasting opportunities on the Sonoma Coast that the loss of the Joseph Phelps Freestone tasting room, a few years back and a few miles inland, was one to be lamented. So why has it taken me so long to stop by Sonoma Coast Vineyards, which opened five years ago in a convenient pitstop location on the road out of Bodega Bay?

Maybe it was the name. Sonoma Coast is an officially recognized appellation that’s gained a good rep for cool-climate wines. And here’s this outfit taking that designation for themselves. Does it sound like something worked up by one of those wine groups run by investment bankers? The brand was actually founded by a local couple in the 1990s. Later, it was acquired by Vintage Wine Estates. So, investment bankers. But I got over it as soon as I was greeted by friendly staff and tasted the appellation-worthy wines. Visitors may taste at the bar, arrange for a tasting by appointment in a room with a gas hearth or order a local cheese plate and hang out on the cozy deck.

The economy pop-and-pour-at-the-beach option here is the 2018 Sonoma Coast Sauvignon Blanc ($25), a sweet-and-sour sipper with atypical apricot and honeysuckle notes that ring like a Riesling-Viognier mix. Different for a “Savvy,” but a good bet on the strand and even better in a “tote+able”-brand plastic flask, sold at the tasting room along with flexible GoVino wine cups, hats, sunglasses and hoodies for visitors who arrived at the Sonoma Coast dressed for a sunny day in Santa Monica.

Short of gale-force winds, the maritime setting shouldn’t spoil a Chardonnay-lover’s hit of toasty, caramelized oak that the 2017 Gold Ridge Hills Chardonnay ($30) delivers. Though I did not taste the 2018 Rosé ($25), or the North Coast Brut Rosé ($35), it’s hard to imagine going wrong there. Move the party inside for the reds.

Bright and tangy, like hibiscus and cranberry herbal tea, the 2017 Freestone Hills Pinot Noir ($40) is a pleasant intro to the reds of the area, while the 2017 Bodega Ridge Pinot Noir ($50) rewards a little more attention paid to it, with enticing hints of fresh raspberry, carob and complex stem aromatics from whole-cluster fermentation, and a bit of orange peel.

With its aromatic melange of strawberries in hay, dried fruit and spice, and mustard, the 2017 Koos Family Pinot Noir ($60) is a fireside-contemplation kind of red wine. Just not the beach-bonfire kind.

Sonoma Coast Vineyards, 555 Highway 1, Bodega Bay. Daily, 11am–6pm. Tasting fee, $25. 707.921.2860.

Sideswiped

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My husband and I have been married for 27 years, and for most of that time we have lived on a quiet street in a quiet neighborhood. All but one of our four kids flew the SoCo coop to L.A., where they struggle to find their feet, slogging through the existential goo of late capitalism, creative saturation and infrastructure decay to eek out a living among the masses as musicians and artists. Life has become for them, like many millennials and Gen Z-ers, an exhausting grind of self-curation; day by day, the tinsel tarnishes.

Few of their friends are in relationships, either because they haven’t met someone or can’t afford to date. I have little in the way of advice for them. After all, I came of age during the Cold War, an early arrival of Gen X. The year I went to college we still had a rotary-dial phone and rabbit ears on our TV set. Gas was 62 cents a gallon.

To understand the romantic zeitgeist of my teenage years, one need not look further than ABC’s 1982 hallucinatory synth-pop video “Look of Love” in which lead-singer Martin Fry, dressed like Harold Hill in heavy eyeliner, beckons two hand-clapping, lederhosen-clad party boys towards him as he holds a Hasselblad camera in his hands singing, “When the world is full of strange arrangements, and gravity can’t hold you down.”

Alas, I have now reached the age when Valentine’s Day is best celebrated with boxed cheesecake, a fork and Monty Don’s Great British Garden Revival. Nothing says romance like watching a Cambridge-educated gardener sow the runner beans and brew a homemade plant tonic from fermented nettle and comfrey, making the occasional guest appearance at some rural allotment to advise on cabbage white fly and powdery mildew.

All my husband and I ask of each other on Valentine’s Day is that we agree to ignore it. Romance is in the small daily acts of reciprocity—instead of long-stem roses, the gift of blooming Manzanita and quince on a winter walk, our rescue dogs, our chickens, the appreciation of another year on the good green Earth before it becomes Venus.

Admittedly, navigating romance in the 21st century requires a new set of skills, and I still have an iPhone 4. I tell my kids to cultivate their interests, to get outside and off-screen as much as possible and that love, like gardens, is cultivated from understanding, care and by nurturing the soil that sustains it. They tell me that I have no idea what I’m talking about, that gardening metaphors are both ridiculous and irrelevant for a generation of people priced out of both gardens and housing, and they’re #vanlife right.

The rules have all changed—marriage is out, gender fluidity and polyamory is in. Some argue that marriage is and has always been an economic arrangement, one intended to preserve an imbalance of power and autonomy between the sexes based on the historic fact that men would be the economic engine of the marriage and women the caretakers of the domestic sphere.

Welcome to the future.

In her book Against Love: A Polemic, provocateur-essayist Laura Kipnis writes, “We live in sexually interesting times, meaning a culture which manages to be simultaneously hypersexualized and to retain its Puritan underpinnings, in precisely equal proportions.”

The Atlantic and the Washington Post ran articles in recent years citing studies about how Americans are having less sex, a trend mostly driven by younger generations. In the age of SnapChat, fears about exposure during and after intimacy, the illusory online “you,” 24/7 availability through cell phones, and the proliferation of Internet predators, are really real. Yet love finds a way—even in February.

There are those who can and do offer professional relationship advice for singles, couples and throuples for navigating Valentine’s Day—for better or for worse.

For singles seeking connection, Alexis, from Tinder Plus, says to promote the “authentic version of yourself. If you pretend to be someone you’re not, you’ll attract someone who falls in love with the false version of you. Don’t be so afraid of rejection that you fake who you are.”

No news here. But in the age of a digital persona, even the authentic version of oneself is highly edited, enhanced and if we’re honest with ourselves, a little dishonest to others.

“Valentine’s Day doesn’t have to be just about romantic relationships,” says Viktor, a relationship expert for the website SocialPro. “Celebrate other important relationships by doing something enjoyable with those close to you. Surprise and variation are important ingredients in any healthy relationship.”

Be creative. Care about something bigger. Romance isn’t just for those with disposable incomes, and it costs nothing to spread the love.

“Saying and doing small, simple expressions of gratitude every day yields big rewards,” Alexis writes. “When people feel recognized as special and appreciated, they’re happier in that relationship and more motivated to make the relationship better and stronger.”

“The number one thing that I teach couples who want a sustaining, nourishing relationship is to regularly set time aside to do a ‘commitment ceremony,'” writes Marie from Marie Anna Winter Coaching. “Every deep relationship that we have deserves and needs attention and care, and a celebration of our commitment to the relationship.”

“Remember, practice always makes perfect,” Alexis says, about multiple-partner relationships. “The latter means that for you to be successful in this fetish, you will not only need to research but also have to ensure that you are willing to practice.”

Boundaries, she says, define the limits and potential of a threesome.

“In my experience, the biggest challenge of people in throuples and less-normative relationships is an underlying fear of not being accepted by those around them,” she says. “This is true for most people who decide to live outside the societal norm—especially during times like Valentine’s Day. It’s important to understand that we create our happiness not by adhering to expectations but by living our lives just like we want to.”

Rilke wrote that, “the highest task of a bond between two people: [is] that each should stand guard over the solitude of the other. For, if it lies in the nature of indifference and of the crowd to recognize no solitude, then love and friendship are there for the purpose of continually providing the opportunity for solitude. And only those are the true sharings which rhythmically interrupt periods of deep isolation.”

Maybe Valentine’s Day, despite its largely forgotten historic origins and the tacky modern commercial hype, is a reminder that a warm, life-giving force stirs beneath the surface during the month of suicides. Perhaps it is a reminder to expand the human heart at the very moment when the bleakness seems eternal.

Love Notes

Though it may have been all but drowned-out in the endless coverage of President Donald Trump’s border wall and Brexit, the 21st century has seen the rise of a small-but-growing movement that advocates the elimination of national boundaries altogether.

The careful, non-threatening language of politics calls this “open borders”—and the details of how it might possibly work could fill a book.

Musicians can be far more blunt. In the famously public-school-suppressed fifth verse of Woody Guthrie’s “This Land is Your Land,” he fired a shot across the bow of the very concept of private property. John Lennon asked the world to “Imagine there’s no countries,” because “it isn’t hard to do.” And in the Dead Kennedys’ song “Stars and Stripes of Corruption,” Jello Biafra sang, “Look around, we’re all people / Who needs countries anyway?”

The title track of Santa Cruz singer-songwriter Keith Greeninger’s new record, Human Citizen, continues that tradition of thinking outside the invisible lines drawn by centuries of politicians and despots, instead championing “A one-world community / Of tolerance and dignity / Everybody’s got a right to be free / Everybody, everywhere.”

It might seem like a utopian vision for the future, especially with the constant news coverage about the tightening of borders. But that’s not how Greeninger sees it. To him, the recent resurgence of nationalism is actually a response to the huge strides already made toward that one-world community, with the internet allowing social movements to spread internationally, and not allowing oppressive regimes to do their dirty work in secret. He calls this nationalist pushback a “last gasp” from those used to getting their way without resistance.

“They’re like, ‘We can’t let this happen,'” says Greeninger. “So ‘Human Citizen’ for me became, ‘Wait a minute. It’s already happening. It’s here.'”

Obviously, this kind of unbridled positivism doesn’t reflect the general mood on any part of the political, social or cultural spectrum right now. Which is why it’s more important than ever.

“Negativity is a killer—it’s self-defeating,” says Greeninger. “At a certain point, if we lose our sense of humanity and our sense of positivity, we’re fucked. And I think that’s a lot of what’s going on with the powers that be: ‘We gotta break ’em down. We gotta make them think there’s no hope.’ Well, everywhere you look in your neighborhood, there’s hope springing up like grass through the concrete every day.”

One longtime collaborator who knows Greeninger’s musical mind is Dayan Kai, who will join him live in concert on Feb. 7 in Sonoma.

“I think people would be surprised to know all the things he does and that he’s involved in,” Kai says. “I don’t know if they really understand the scope of it.”

Kai says that, as musicians, they have always been in tune.

“Keith and I had a really good telepathy from the beginning,” he says. “We have a lot of similar influences, I think, including a big soul influence.”

“I love writing the best songs that I can, being the best singer I can,” Greeninger says. “I love getting out in front of people and bringing things that hopefully mean something to their life.”

Garagiste Wine Fest Exposes Micro-Wineries in Sonoma on Feb. 15

Now in its third year, the Garagiste Wine Festival is the North Bay’s best chance to try the region’s small-scale wines from hard-to-find winemakers who often do not have their own tasting rooms. The afternoon tasting also includes artisan food vendors pairing bites with the more than 150 wines on hand, and the VIP all-access experience lets you get...

Local Stars Burrows & Dilbeck Headline Mystic Theatre on Feb. 16

It’s an insanely packed week of concerts at the Mystic Theatre & Music Hall, with touring acts like punk icons the Melvins on the 14th, funk legends George Clinton & Parliament Funkadelic on the 17th and an already sold-out Ani diFranco show on the 19th. In the middle of all that, don’t pass on a local showcase featuring power...

How I Became an Art Thief

Ever want to post a nude online but fear future repercussions? Conceptual artist Andy Sewell has you covered—literally. At a recent exhibit of the artist's work and collaborations at Petaluma's Sonoma Coast Surf Shop, Sewell showcased his knitted, wearable digital pixelation garments for "When you want to fake that nude but not regret it later ... cover your bits with...

To B or Not to B

We are so proud of our students, teachers and the exceptional education at our West County high schools. We're asking the public's help in holding onto the quality we now enjoy. Since 1993 we have financed key programs at Analy, El Molino and Laguna high schools with a parcel tax that our voters steadfastly approve every time it expires. It expires...

Gazette Lives On

Karin Seritis (letter published Feb. 5) also sent me her letter telling me she had posted it on Yelp. It was kind of her to send it to me since I was able to respond to her directly. She explained that she thought the Gazette gets distributed on the first of each month and our newsstands were empty, so...

From Gun to Gavel

Former Santa Rosa Mayor Chris Coursey, now running for a slot on the county board of supervisors, tells me I ought not be surprised that Tom Schwedhelm, the current mayor and former chief of police, is pro-cannabis. "Cops knew the war on cannabis was lost a lot sooner than most folks," Coursey says. Last December at the Emerald Cup, Schwedhelm suggested...

Mad House

Arthur Miller's A View from the Bridge, running now at Santa Rosa's 6th Street Playhouse through Feb. 23, may not be his best play (that's Death of a Salesman) or even close to his most-produced work (probably The Crucible). What it is, is a punch-to-the-gut look at one man's destructive obsession and the ramifications of that obsession on his...

Coast Boast

There's such a want of wine-tasting opportunities on the Sonoma Coast that the loss of the Joseph Phelps Freestone tasting room, a few years back and a few miles inland, was one to be lamented. So why has it taken me so long to stop by Sonoma Coast Vineyards, which opened five years ago in a convenient pitstop location...

Sideswiped

My husband and I have been married for 27 years, and for most of that time we have lived on a quiet street in a quiet neighborhood. All but one of our four kids flew the SoCo coop to L.A., where they struggle to find their feet, slogging through the existential goo of late capitalism, creative saturation and infrastructure...

Love Notes

Though it may have been all but drowned-out in the endless coverage of President Donald Trump's border wall and Brexit, the 21st century has seen the rise of a small-but-growing movement that advocates the elimination of national boundaries altogether. The careful, non-threatening language of politics calls this "open borders"—and the details of how it might possibly work could fill a...
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