RH’s New Rooftop Restaurant

After months of construction at the north end of the Village at Corte Madera (1750 Redwood Hwy, Corte Madera), Restoration Hardware, or RH as it is now officially known, has unveiled its stunning, stand-alone retail outlet. While the 41-year-old company is best known for its sleek furniture designs, it has added rooftop dining, a wine gallery and a park to its repertoire. This new iteration looks more like an upscale hotel than a home-furnishing retail outlet.

Having already rolled out their restaurant concept in several locations including Yountville, the operation feels like a well-oiled machine. It helps that the menu is the same at most restaurants (thanks to celebrated restaurateur Brendan Sodikoff, who got the concept off the ground in Chicago five years ago).

The almost 60,000-square-foot, three-story building is painted the company’s signature cool grey and trimmed with black wrought iron and plenty of eye-catching outdoor lighting fixtures. Fully mature olive trees surround the handsome building along with alluring couches and tables that appear made to attract weary shoppers. 

Perched atop the third floor and brilliantly designed to keep diners low amidst twinkling chandeliers, faux shrubs and statuesque stone features, RH Rooftop Restaurant, Wine Bar and park succeeds in transporting customers far from its parking-lot locale. Retractable glass walls enclose the dining room and wine bar. Unobstructed views of Mount Tam add a majestic touch.

Generously portioned burrata with perfectly vine-ripened cherry tomatoes, a garlicky pesto and toasted sourdough bread make for a perfect starter. A gem lettuce salad with fresh feta and avocado was a favorite—especially the buttermilk herb dressing. It’s easy to complain about burgers, but this one doesn’t disappoint with its brioche bun, pickles and sharp American cheese. In fact, every item sampled hit the mark—shaved ribeye on garlic bread, a lobster roll and truffled French fries tossed in a Parmigiano Reggiano–black truffle mix and served with a truffle aioli are all divine. 

Prices are steep—in line with RH’s furniture and home decor. Entrees range between $20 for the burger up to $52 for charred rib-eye steak. But just like the store offerings, the quality is there and it is apparent that fresh ingredients are used and that the kitchen team is executing at the caliber expected from a brand known for its luxury home furnishings.

The only quibble would be just how “branded” the entire experience feels. From the muted monochromatic color palette, to the dark-clad servers and carefully positioned gold chandeliers—there is a sameness that pervades the entire space. That said, it is likely the intention of the retailer and if RH can consistently deliver this kind of dining experience in the Village at Corte Madera—it’s a win-win for all.

Editor’s note: the original article reported that RH was located at Town Center Corte Madera, RH is in fact located at The Village at Corte Madera, 1750 Redwood Hwy., Corte Madera.

Cannabis Growers Revive the Hessel Grange

Vince Scholten, 52, is packing his bags.

He’s also putting the finishing touches to a half-dozen or so resolutions about weed, hemp and small farmers that he’ll take to the annual state-wide meeting of the Grangers in Sacramento. He’s been there before. He’s eager to be there again and rub shoulders with farmers from all over California.

 A longtime organic nursery man, a Dead Head and a Burning Man veteran, Scholten has revived, over the past year or so, a dormant chapter of the Hessel Grange which is affiliated with The National Grange of the Order of Patrons of Husbandry.

“I have always grown medicinal weed for myself,” he tells me. “My goal has been to breed weed and hemp and sell plants to growers, but the county hasn’t allowed me to do that.”

The Grange was originally formed in 1867 to help farmers from Maine to Caifornia who were trying to eke out a living in the face of railroads and warehouses that set rates and gouged them. In the 1870s membership was close to a million. For a time, the organization was open to African-American farmers as well as whites. Women played leading roles, as did teenage boys and girls. Later, Franklin D. Roosevelt and his wife Eleanor belonged.

Thanks to Scholten, his friends and neighbors, and their friends and neighbors, the Hessel Grange is busy being reborn. It’s also bolstering its core values.

“We’re grangerly,” Scholten tells me. “We try to do things the Granger way, which isn’t the Trump way.” That way means discussion, debate and operating under the guiding spirit of inclusivity.

Scholten is the president of the Hessel Grange and the ag chair for the State of California Grange. His wife Lynn is the secretary of the local branch. An executive board meets and makes decisions. No other group anywhere in Northern California does what the Hessel Grange does; neither the Farm Bureau nor the Community Alliance with Family Farmers (CAFF), both of which steer clear of anything that smells or smacks of cannabis and hemp. (They smell identical.)

The Hessel Grange boasts 70 active members, all of them commercial weed and hemp farmers. The organization grew exponentially through word-of-mouth, though Covid-19 slowed the initial burst. A kids’ auxiliary is in the works.

The Grange on Hessel Road near Sebastopol is the only grange in California made up exclusively of weed and hemp growers who have banded together to survive the onslaughts of corporate cannabis and resist the power of local regulatory agencies, which for years have failed to issue permits in a timely fashion to applicants eager to grow their chosen cash crop.

For Sonoma County’s cannabis farmers, it’s as bad perhaps now as it was for the men and women who tilled the soil in the aftermath of the American Civil War and were squeezed by the robber barons.

“I knew that I had to take a stand and get farmers together to stand with me,” Scholten says. “It’s been challenging to persuade them to meet with one another because for a long time growers kept their heads down and rarely talked to one another. All by myself I didn’t carry much weight. With like-minded farmers we all have a chance.”

Three-and-a-half-years ago, Scholten applied for a permit from the county to grow cannabis. He still doesn’t have one, though in July 2020, late in the growing season, he was issued a permit to cultivate hemp. He’s growing it in a greenhouse at the back of his property which is nestled in the hills of West Sonoma County, where hundreds of acres of vineyards have replaced dozens of apple orchards. Monocropping bothers Scholten and the Grangers as much as anything else.

Just a few years ago, thousands of farmers grew cannabis in the rolling hills of Sonoma. But county officials decided that citizens who owned parcels designated Rural Residential (RR) and Agricultural Residential (AG) were ineligible for permits. Sholten calls that misguided policy “a shit show.” He adds, “Luther Burbank would be up in arms.”

Like Scholten, many of the members of the Hessel Grange feel they have their backs to the wall. That collective feeling stiffens their resolve and brings a goodly number of them to a meeting on a fall Tuesday evening. Under a dark, smoky sky, they pledge allegiance to the flag. Some Grangers puff on joints, others inhale tobacco. Many, though not all, look like they’d have been at home on a commune in the 1970s.

Sam de la Paz, who was born in Mexico and who’s bilingual and a techie, too, tells me, “Growers, like me, have been stuck in the hills and not as outspoken as we could have been.” To get the word out, and draw growers down from remote gardens, de la Paz created a Facebook page for the Hessel Grange and drafted an email list. He sends out “regular blasts.” He adds, “I’m trying to be the glue.”

Half-way through a Tuesday meeting, Sonoma County ag Commissioner Andrew Smith arrives by phone and tells the Grangers that they need a lobbyist in Sacramento, and that they also need to pressure the state to view cannabis as an agricultural commodity, like grapes and apples, not as an agricultural product like milk and eggs. “That’s the biggest thing to do,” Smith says. Clearly, he wants Sonoma to remain an agricultural county, and for hemp and weed to be cash crops, along with grapes and apples. If hemp and cannabis were treated as commodities, it would help to normalize the industry and make the rules more equitable.

David Drips did tours of duty in Kosovo, Afghanistan and Iraq, where he learned, he says, to “get up early, get the job done and curse like a sailor.” He thinks of the Hessel Grange as a “brotherhood and a sisterhood,” a “safety net” and “the collective political voice of the small pot farmer, which is louder than any individual voice.”

Drips grows weed on a windy hilltop west of Petaluma. Like his fellow Grangers, he loves what he does. “It’s good to be legal and out in the open,” he says. “When I go to my son’s school I put on a clean shirt. I’ve told the principal I’m a licensed cannabis grower. No secret there.” This November, Drips says, he plans to cast a write-in ballot for Elon Musk, the CEO at Tesla. “We need a third-party option,” he says. “If we pick a Republican we get fucked and if we pick a Democrat we get fucked. Trump gets things done, but they’re the wrong things.”

Scholten looks at the grape industry and at county bureaucrats in much the same way that the Grangers of the 1860s and 1870s looked at the railroads and the robber barons. “So far, Sonoma has chosen to be guided by the grape industry, and not allow hemp and cannabis to be cultivated here in any significant way,” he says. That’s a bummer for Scholten and everyone else in the Hessel Grange. But Scholten is looking forward to the state-wide meeting of the Grange in Sacramento. “It’s serious business,” he tells me. “We’ll be working the whole time.”

Jonah Raskin is the author of “Field Days: A Year of Farming, Eating and Drinking Wine in California.”

Petaluma Artist’s 53-Song Album Chronicles a Year of Rock

Petaluma musician and visual artist Gio Benedetti has seemingly done it all in the North Bay. He’s performed in every kind of musical outfit, primarily as a bassist in groups like punk-fusion duo Toast Machine, alt-folk ensemble The Brothers Comatose and his current funky jam band Bronze Medal Hopefuls, and he is a masterful graphic designer who creates paintings, prints, fliers and more that often incorporate fantastical elements.

As a father and educator, Benedetti continually uses his art and music in family-friendly projects like “Benedettiville,” the touring storybook-inspired family show he performed with his partner Jen Benedetti.

Most recently, he launched another family-friendly project, “My Town Is Magical,” that finds Benedetti ‘investigating’ reports of classic and original fantasy creatures such as Trolls and Coffee Dragons which he incorporates into artistic field guides that spark the imagination. Benedetti also offers drawing classes and more as part of the endeavor.

When he’s not using his imagination for kid-friendly entertainment, Benedetti still indulges in what he calls “True Rockage,” and his latest digital album proves that Benedetti’s metal chops are as razor sharp as ever.

Available online now, The Ultimate & Eternal Album is a stunning, 53-track heavy metal record that arrives just in time for Halloween and channels classic metal monsters and lore in its instrumental madness.

The album is actually a chronological record of a recent year-long project that Benedetti immersed himself in, which he called ‘The Year of Metal Mondays.’

“During the year of 2018, I made a new song & painting every Monday,” Benedetti writes on his Bandcamp page. “I created art that fit the music, or music that fit the art. This album is a collection of those tracks.”

The album opens with a series of one-minute-long tracks with names like “The Lair of the Swamp Troll” and “Mountaintop Devourment,” before it stretches out into longer and longer pieces like “The Fall of Cyclops Castle.” Most of the tracks and their accompanying art (which can be seen on Bandcamp as well) have a Dungeons & Dragons or Lord of The Rings aesthetic; which is perfect for the epic ’70s metal vibes that these tracks give off. The riffs can be lighting-fast with soaring guitar melodies, or they can sludge through a mire of bass-soaked melodic minefields.

As a whole, the album is a fascinating journey through Benedetti’s ‘Year of Metal Mondays,’ and by the time the album reaches the 40-track mark, some songs take on a late-’80s sci-fi edge with tightly structured riffs, synthesized electro-pop elements and track names like “Bazooka Girl” and “Hammer-Bot-Smash.” The record also includes five bonus tracks not associated with the 2018 series.

The only thing that The Ultimate & Eternal Album leaves out from Benedetti’s ‘Metal Mondays’ project is a series of songs dedicated to a character named El Rojo. Those tracks, which Benedetti describes as ‘Morricone-esque Western Doom,’ will get their own epic release soon. For now, there’s no better way to welcome autumn and expel some pent-up pandemic emotions than putting on The Ultimate & Eternal Album and turning it up LOUD.

Culture Crush: Five Ways to Stay Busy This Weekend

Events boasting music, art, wine and other delights are happening throughout the North Bay and online this weekend, and here’s a round up of what’s worth looking forward to.

Taste of Art
Toronto-based contemporary abstract artist Peter Triantos specializes in creating vibrant, large-scale works that incorporate his splashing-paint technique and expressive brushstrokes of colorful designs. Of Triantos’ most popular works, his “Napa Valley” series is a highly sought-after ode to the region. Seven of Triantos’ paintings are currently featured in the gallery space at Brasswood Estate in Napa Valley, and the artist joins winemaker Angelina Mondavi and Marcus Marquez for a virtual tasting of the new Brasswood Estate line-up, featuring the 2016 Pinot Noir, and a discussion on the inspiration for his “Napa Valley’ series on Friday, Sept. 25, at noon. Brasswood.com.

Bike Up
Since many people in the Bay Area are working from home due to Covid-19, the annual Bike to Work Day event that encourages commuting-by-bike is now “Bike to Wherever Days,” and bicyclists throughout the region are participating in activities the entire month of September.

The celebration is still going strong in its final weekend, and all three North Bay counties are hosting rides and other fun. Log your rides and win prizes from the Marin County Bicycle Coalition (marinbike.org) or the Napa County Bicycle Coalition (napabike.org) and participate in activities with Sonoma County Bicycle Coalition like a Bike Parade on Saturday, Sept. 26. Bikesonoma.org.

Hands-On Harvest
It’s Harvest Season, and that means work is in full swing in the North Bay’s vineyards and farms. If you’ve ever wondered what life is like for a local winemaker during this time of the year, Muscardini Cellars in Sonoma Valley is offering a chance to do just that with the interactive Harvest Experience & Blending Seminar. The three-part event includes a discussion with winemaker Michael Muscardini, vineyard-owner Dan Sanchez and Wine Club director Karen Hannah; a wine-blending event; and a harvest-inspired lunch catered by local purveyors on Sunday, Sept. 27, from 11am to 3pm. 9380 Sonoma Hwy, Kenwood. $105. Muscardinicellars.com.

Birthday Bash
Beloved Bay Area musician and longtime member of the Jerry Garcia Band, Melvin Seals (pictured) always celebrates his birthday with a massive concert experience. Even though the pandemic has kept social gatherings on hold, Seals and friends are rocking out for his big day anyways, performing a virtual concert on his actual birthday via Light Rail Station in San Francisco.

Catch Melvin Seals & JGB in a very special one night event titled, “Cats On The Bandstand: A Very Melvin Birthday Show.” Joining Seals for this major event will be his band, which includes former Furthur and Dark Star Orchestra guitarist John Kadlecik, deSol drummer Jeremy Hoenig, and bassist John-Paul McLean. Also expect call-ins and other surprise appearances from legendary members of the Jerry Garcia Band family, like Grateful Dead publicist Dennis McNally and Jerry Garcia Band manager Steve Parish. Head to Light Rail Station’s Facebook page or Youtube channel on Sunday, Sept. 27. 4pm. Free. Lightrailstation.com.

Revisit the Summit
Each September, nonprofit Roots & Branches Conservancy hosts the Sound Summit music festival on Mount Tamalpais. The fundraiser always features cool bands and awesome sights, though this year’s fest was canceled due to social distancing. In lieu of the live event, Sound Summit is turning the clock back with a streaming event, “Sound Effects: SF Bay Area Musicians Relief,” featuring recorded live performances by Wilco, Los Lobos, Bill Frisell, The Stone Foxes and Matt Jaffe from Sound Summit in 2016. The streaming event benefits local artists through the Sweet Relief Musicians Fund on Sunday, Sept. 27, at 7pm. Free to watch; donations welcome. Soundsummit.net.

Alexander Valley Film Festival Brings Art House to Your House

The Alexander Valley Film Festival regularly screens engaging independent films and welcomes exciting filmmakers to Northern Sonoma County each fall, and this year’s AVFF—hosted by the Alexander Valley Film Society—will stay true to that mission while presenting a virtual version of the sixth annual film festival due to Covid-19.

“Our theme this year is justice,” says Kathryn Hecht, executive director of the Alexander Valley Film Society. “Social, economic, environmental, and mental and spiritual unrest are at crisis levels. And that is exactly where art—namely movies—come into play. Film helps us process our reality, either directly or as a moment of interlude to relax and refocus.”

Now streaming online for five days, the 2020 AVFF will screen feature films, short films and student films, and present panel discussions and Q&A events between Wednesday, Sept. 23, and Sunday, Sept. 27. Patrons can view the festival’s films and events from their computers and use Roku to screen it on their TVs.

The virtual offerings begin with an opening-night film, the 1955 French film Rififi. Watch the film online beginning the morning of Wednesday, Sept. 23, and then tune in at 8pm for a panel featuring Hecht and film-critic Jil Hales in a discussion of Jules Dassin’s quintessential caper film. All other films will be available for viewing starting Thursday, Sept. 24, at 9am and will remain available until Sunday, Sept. 27, at 10pm.

The festival’s feature-film lineup includes several new movies such as Critical Thinking, a biopic about an inner-city chess team that is directed by John Leguizamo; The Artist’s Wife, a drama about living with dementia that stars acclaimed actors Bruce Dern and Lena Olin; and Aggie, a feature-length documentary about art-collector Agnes Gund, who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund.

The festival’s short-film highlights includes 26.2 to Life: The San Quentin Prison Marathon, which tracks San Quentin inmates as they train for a marathon race as part of a prison running team. Director Christine Yoo, volunteer coaches Frank Ruona and Diana Fitzpatrick, and film-subject Markelle Taylor discuss the filmmaking journey and what is next in the process on Sept. 26 at 2pm.

Other featured online panels include an expert discussion covering the media’s representation of the transgender community on Sept. 24; a panel about new queer cinema and how it intersects with social justice on Sept. 25 at 2pm; a conversation on healthcare challenges facing vulnerable members of the community on Sept. 25 at 8pm; as well as many other events focusing on social-justice storytelling, equity in the arts and more.

In addition to feature-length and short-film presentations, AVFF once again spotlights several local student filmmakers, with two blocks of student films from Healdsburg High School, Santa Rosa High School, the Geyserville Unified School District and the AV Film Society’s film camps. Meet the student filmmakers during a panel on Sunday, Sept. 27, at 2pm.

To compliment the movies, AVFF will also team up with local restaurants and wineries to offer pick-up food and wine options for a fully immersive film experience. Healdsburg’s Barndiva offers dinner and wine on Sept. 23; Young & Yonder Spirits sells a summertime paella and cocktail pairing on Sept. 25; Trading Post in Cloverdale helps close out the festival with food and wine on Sept. 27.

Passes to this year’s virtual festival range from $75 to $125, and individual films can be screened for $15 each. All proceeds from the festival benefit Sonoma County students through the Alexander Valley Film Society’s year-round educational and cultural enrichment programs.

The virtual Alexander Valley Film Festival is taking place online between Wednesday, Sept. 23, and Sunday, Sept. 27. Avfilmsociety.org.

Blues Masters Pair Up on New Record

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Rock & Roll Hall of Fame guitarist Elvin Bishop and Blues Hall of Fame harmonica player Charlie Musselwhite have a lot in common.

They both got their starts in Chicago in the ’60s. They both became widely acclaimed for their musicianship early in their careers, they both found success with their own bands and with other master musicians, and they both moved to the North Bay many years ago; Bishop living in West Marin and Musselwhite calling Sonoma County home part-time.

Since crossing paths and becoming friends, Bishop and Musselwhite have become musical compatriots, touring together since the 1980s in addition to touring with their own bands. They have also each continued to create critically acclaimed, award-winning music on vinyl. Though, they’ve never released a record together, until now.

On Friday, Sept. 25, Elvin Bishop and Charlie Musselwhite make their debut as a recorded duo with the release of their first collaborative LP, 100 Years Of Blues.

The down-home collection of music features Bishop and Musselwhite trading songs over the course of 12 spirited tracks that consist of nine originals and three reimagined blues classics.

“It all fell together so quickly and easily,” Bishop says in a statement. “We each brought about half the songs and recorded them all in one or two takes.”

The inspiration for the album came after Bishop and Musselwhite first joined forces in the studio to cut the original version of the song “100 Years Of Blues” for Elvin Bishop’s Big Fun Trio in 2017.

Last year, the two performed a series of widely acclaimed stripped-down shows in which they swapped stories and songs, accompanied by pianist and guitarist Bob Welsh.

After that tour, the three musicians came together in Greaseland Studios in San Jose, as well as in Bishop’s Hog Heaven Studios, to lay down their tracks. The result is a spontaneous and constantly surprising record of laid-back Blues jams and versatile, heartfelt performances. In addition, Bishop and Musselwhite each lyrically mix easy-going storytelling songs with potent protest anthems on their original tunes.

“This is us sitting down to play the music that we love and resonating together effortlessly because we’re coming from the same place on many levels,” Musselwhite says in a statement. “We see things pretty much the same. Musically it’s like falling off a log. It’s so easy and it just makes sense.”

100 Years of Blues’ is available digitally and on CD on Friday, Sept. 25, via Alligator Records. alligator.com.

Cinnabar Theater Plays to the Camera in New Production

As the North Bay continues to stay socially distant due to Covid-19, local theater companies are inventing new ways to perform, including Petaluma’s Cinnabar Theater. This week, the acclaimed organization goes online and opens its virtual run of the one-woman play, The Lady With All the Answers.

“Despite the restrictions of COVID-19, we want to provide the community with a unique theater experience, the opportunity to enjoy streaming theater from the comfort of your home,” says Cinnabar Theater executive director Diane Dragone.

Filmed in Cinnabar’s playhouse in Petaluma with a small staff on hand, the show stars Cinnabar veteran Laura Jorgensen as beloved advice columnist Ann Landers, aka Eppie Lederer, the midwestern woman who took over the popular advice column after Ruth Crowley, the creator of the Chicago Sun-Times’ Ask Ann Landers, died in 1955. Lederer wrote the column for 47 years, and she addressed several taboo topics in that time; writing columns about infidelity, addiction, and even the proper way to hang toilet paper.

The Lady With All the Answers is set in 1975 as Lederer struggles to write a particularly personal column. While she tries to find the words to address her readers, Lederer flips through old newspaper clippings and shares them with the theater audience—essentially talking directly to the crowd throughout the show. At one point she even surveys the audience to get their opinion on the toilet paper topic.

That presents a particular challenge to Cinnabar’s new virtual theatrical experience, though the staff and crew–under longtime director Michael Fontaine–have been preparing all summer, and Jorgensen as Lederer learned to interact with the camera as if it was the audience.

Cinnabar Theater was actually one of the first North Bay theater groups to invest in digital video technology, as the Bohemian reported in July, and before working on The Lady With All the Answers, the theater company honed their video skills by presenting two 30-minute episodes of a new online production, “The CinnaTriv Theater Game Show.” Hosted by another Cinnabar veteran, Clark Sterling, the “Jeopardy”-style game, in which three contestants are tested on their knowledge of all things theater, is available to watch on YouTube now.

The Lady with All the Answers begins streaming online Friday, Sept. 18, and features online performances Fridays, Saturdays and Sundays at 2pm and 7:30pm through Oct. 4. Tickets are $20 for one device or $40 for multiple devices. Ticket sales will offset ongoing expenses and will support the cast and crew, including set designers, lighting designers, stage managers and videographers involved in the production.

“During these uncertain times, it’s important to keep local theater and the arts alive,” Dragone says. “These virtual performances require the same production efforts and cost as their live counterparts. We hope our patrons and the community will discover the same value, joy and entertainment in our virtual productions that we do in creating them. Theater allows us to escape for a time and encourages us to laugh and listen and be connected, even if we can’t be together in person.”

‘The Lady With All the Answers’ streams online Fridays–Sundays, Sept. 18–Oct. 4. 2pm & 7:30pm. $20-$40. Cinnabartheater.org.

Rolling 101

I roll joints, though I’m not an expert. So, on a recent Saturday afternoon, I visited Oaky Joe Munson, who has rolled thousands of joints over his lifetime. Joe was home alone, with nothing better to do than show me his 11-step program. I watched the master at work and took notes, which I sent to a cannabis aficionado who wrote back, “Newbies will want to keep this list as a reference.” Maybe so.

Here you go newbies, and veterans, too: the lowdown from Joe.

One, find something organic that’s worth rolling. Only smoke the good stuff.

Two, find someone to smoke with. Don’t smoke alone.

Three, sit down in a comfortable chair with scissors, rolling papers— preferably Zig Zag Blue Slim, my favorite—and a bud.

Four, remove the exterior leaves so you only use the flower and get the full benefit of the flavonoids and the terpenes which help give cannabis its character.

Five, with your fingers or scissors, break the bud into small pieces (as small as oregano for a pizza topping) so the joint burns evenly.

Six, remove a single rolling paper from a pack, fold the bottom third to make “a boat,” hold horizontally and fill with the chopped flower, which should run to the edge and be even.

Seven, hold the joint carefully with one hand, and, using the first finger on the opposite hand, press down lightly on the weed in the boat.

Eight, roll back-and-forth to form a cylindrical shape, press down lightly, tuck the center of the bottom third so it rolls under the top portion. It may take practice to get it right.

Nine, use your lips to wet the sticky part, working from the middle to the ends. Push protruding weed into the joint.

Ten, roll smoothly and evenly.

Eleven, put the joint between your lips, light the end with a BIC, inhale and enjoy.

You could go to a dispensary for curbside service and buy a pack of pre-rolled joints, but that would deprive you of the enjoyment of rolling your own. Some aficionados combine hashish with cannabis flower. In Europe, smokers add tobacco. I take mine straight, puff a little at a time, inhale and monitor the effects. Sometimes the cannabis kicks in quickly, and sometimes not. I’ve found it’s best not to rush, but rather let the weed do its thing. The 2020 harvest is happening, and there’s an abundance of good weed. Get it before it’s gone.

Jonah Raskin is the author of “Dark Past, Dark Future: A Tioga Vignetta Murder Mystery.”

Beers for Fears

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No word yet if smoke taint will obliterate this year’s wine grape harvest, but the tri-county area has brewed up a backup plan in case 2020 proves to be a year without a vintage. 

As tempting as it is to say that we have a “Plan B for Beer,” the fact is this has always been the region’s Plan A. Before Vineburg there was Hopland and before you look that up to prove me wrong, consider that we are on the eve of October, which means Oktoberfest is coming soon. 

I predict there will be no Halloween this year, so those adults who like to drink and costume themselves in saucy versions of pop culture characters should prepare to pivot and embrace this annual celebration of brews (that is if you need an excuse to dress up as sexy Baby Yoda and drink).

Here’s an Oktoberfest primer I once wrote somewhere else:

“Codified in 19th century Bavaria as an official 17-day beer-fueled celebration, Oktoberfest has been imported and contorted by innumerable celebrants as an excuse to go on a bender.” Still true.

And though I don’t have access to Bavaria, I do have access to the Bohemian and the Pacific Sun archives—specifically to the readers’ polls that comprise our “Best Of” issues. Using this data, I’ve been ruminating on beer; it’s been “room with a brew,” if you will. 

I think this is a fine time to keep a tab on your county’s “Best Brew Pub”—in Napa that would be Hop Creek, in Marin that’s San Rafael’s State Room and in Sonoma it’s Russian River Brewing. My suggestion is to suss out the suds situation online first, followed by a phone call. The laws being in flux as they are, it’s good to learn both what’s open and how it’s open, if it is. Some places allow you to sit outside and breath the ash from your neighbor’s homes, while others proffer beer-to-go, which is marvelous.

Cruising our other beer-related Best Of entries, I caught a double Sonoma County win for Henhouse Brewing: “Best Beer Label: Henhouse Brewing” and “Best Craft Canned Beer: Henhouse Brewing.” Here’s my recommendation—procure yourself two cans of Hen House, one to sip and another so you can admire its label because, as it turns out, you can’t do both at the same time. If you’re looking at labels, remember Marin’s Indian Valley Brewing also picked up a Best Of Marin nod and Napa’s Mad Fritz also scored a Best Of—which begs the question, why hasn’t anyone cashed in on a beer-label art gallery? Here’s a possible answer—saying you’re into beer for the labels is like saying you “read Playboy for the articles”—no one believes it and you come off as a schmuck.

Another question—why haven’t the Heineken corporate overlords virtualized the Lagunitas Beer Circus yet? Instead of hiring a cavalcade of performers and servers to entertain the masses, let them do it themselves: Invite everyone to stay home with a case of the Dutch-owned Petaluma brew and a webcam trained on their own feats of derring-do. This could be a massively multiplayer online game on a global level but everyone wins. As for reenacting Napa’s Blues, Brews, And BBQ—our streak of “Spare the Air” days will likely land you fine for BBQing but surely you can handle the blues and brews part without too much polluting. Pro-tip: Soaking your harmonica in a pint of beer does not make it sound better … unless better means not making any sound at all, which those within earshot may prefer.

Prost! 

Vote to Balance the Power

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The Sonoma County Board of Supervisors made the courageous, unanimous (5-0) decision recently to place the Evelyn Cheatham Effective IOLERO Ordinance on the November ballot as Measure P.

The massive national action and social education initiated by the Black Lives Matter movement raised public awareness. Appreciation to the Board for stepping in to ensure that the democratic will of the citizens will be heard in the fall election.

The Independent Office of Law Enforcement Review and Outreach (IOLERO) is a civilian county committee (staffed by an appointed director) created by the Board in 2016 to investigate the use of force by Sheriff’s deputies and complaints against Sheriff’s Office personnel. Measure P would give the IOLERO access to evidence, the power to interview witnesses and the legal authority to subpoena records.

Steadfast opposition from Sheriff Mark Essick and the police officer’s association from Day One have stymied the work of IOLERO. The agency must be given the power to refer cases to a court for adjudication. Without that power, it’s just a talk shop for community activists.

Measure P will give IOLERO some teeth. We can place the Sheriff’s Office under civilian oversight and restore the balance of power that has been drained from the Board of Supervisors, who nominally has oversight of the Sheriff.

The County Sheriff’s Office and the police association for the deputies are already throwing up the usual lawfare PR flak about “legal flaws” in the Evelyn Cheatham Ordinance. This is a standard “stall and divide” tactic. Right-wingers have a bad intellectual habit of assuming that if they don’t approve of something, it must be illegal. This time, they failed.

The people of Sonoma County, confirmed by their elected officials, can use the power of the ballot to legally compel the Sheriff’s Office to accept public oversight of county law enforcement and to be accountable to the Board and citizens. You, dear citizen, make that happen by voting for Measure P in the November election.

It is our right as citizens in a democracy to have law enforcement that meets community standards. 

Ben Boyce lives in Sonoma.

RH’s New Rooftop Restaurant

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Vote to Balance the Power

The Sonoma County Board of Supervisors made the courageous, unanimous (5-0) decision recently to place the Evelyn Cheatham Effective IOLERO Ordinance on the November ballot as Measure P. The massive national action and social education initiated by the Black Lives Matter movement raised public awareness. Appreciation to the Board for stepping in to ensure that the democratic will of the...
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