State Oversight Agency Places PG&E Under ‘Enhanced Oversight’

Already under fire for its vegetation management practices by the federal judge overseeing its criminal probation proceedings, PG&E got slammed Thursday by another one of its masters.

Citing numerous deficiencies in PG&E’s wildfire mitigation efforts, the California Public Utilities Commission voted to adopt a resolution that places PG&E on Step 1 of a six step ladder of “enhanced oversight” that at Step 6 would lead to “the potential revocation of PG&E’s ability to operate as a California electric utility.”

The six stages of oversight were established as part of the CPUC’s approval of PG&E’s plan of reorganization, the mechanism by which PG&E was able to exit from its Chapter 11 bankruptcy proceedings. 

The “Triggering Event” that sparked the CPUC’s order was a finding that PG&E has not made adequate progress in utilizing risk management tools to determine where its vegetation management efforts should be directed.  

The management of trees and shrubbery throughout PG&E’s extensive system of power distribution and service lines is of great importance in reducing wildfires because when high winds blow trees or vegetation onto uninsulated wires, sparks can fall to the ground and ignite the dry grasses. 

U.S. District Judge Alsup is currently considering proposals that would require PG&E to consider the risk of trees falling onto power lines as part of the conditions to its criminal probation.  

Alsup has been highly critical of PG&E’s efforts to abate the risk of wildfires. In one recent order Alsup recounted what he called a “a stunning chapter in California history.” 

According to his tally, since PG&E was placed on probation following a 2016 conviction for a 2010 gas pipeline explosion in San Bruno, “PG&E has ignited 20 or more wildfires in California, killing at least 111 individuals, destroying at least 22,627 structures, and burning half a million acres.”

Alsup’s order recounted the grim specifics:  the Wine Country Fires in 2017 (22 dead, 3,256 structures destroyed); the Camp Fire in 2018 (85 dead, 18,793 structures burned); the Kincade Fire in 2019 (374 structures destroyed); and most recently the Zogg Fire in 2020 (4 dead, 204 structures destroyed). 

Judge Alsup has frequently criticized PG&E for neglecting to perform vegetation management at required levels for a decade. The judge has also criticized CPUC for allowing that neglect.

The CPUC order requires among other things for PG&E to submit within 90 days a “corrective action plan” that explains in detail “how it will both perform risk modeling and use the results of risk modeling to ensure the highest risk power lines are prioritized for vegetation management.”

The action was based on an audit conducted the Wildfire Safety Division of the CPUC during the period from Oct. 21, 2020 to Feb. 5, 2021. The audit identified deficiencies in PG&E’s use of risk modeling to inform its vegetation management efforts.

Santa Rosa Symphony Makes Television Debut This Weekend

Last year, the Santa Rosa Symphony–the resident orchestra of the Green Music Center–changed it’s production model in the face of a pandemic with the online presentation of its ‘SRS @ Home’ virtual concert series.

The decision to move performances online and to make the concerts free of charge proved to be a success, as the symphony’s inaugural virtual presentation exceeded expectations and drew nearly 3,000 unique viewers when it premiered in October. Later online concerts averaged more than 5,000 viewers who tuned in from 22 states and three countries.

Now, the Santa Rosa Symphony debuts on television for the first time in its 93-year history. Beginning on April 18, Northern California Public Media will televise three of the ‘SRS @ Home’ virtual concerts on Public Broadcasting Service channel KRCB and non-PBS channel KPJK on select dates through June.

Through the partnership of the symphony and NorCal Public Media, these concerts– entitled Santa Rosa Symphony Presents–will reach 2.8 million households across nine Bay Area counties.

“In a season of firsts that we never would have imagined before the pandemic, the Symphony is, once again, stretching and growing rather than closing its doors, as so many other orchestras have had to do,” Symphony President and CEO Alan Silow says in a statement. “This is the first time, in our 93-year history, that we have televised a concert. The Symphony has enjoyed a long-standing relationship with NorCal Public Media over the years. We are very grateful for their similar commitment to delivering arts to the community, which allows us to expand our reach to the greater Bay Area and also into underserved communities.”

All three upcoming Santa Rosa Symphony Presents concerts are conducted by SRS Music Director Francesco Lecce-Chong and all were recorded at the Green Music Center’s Weill Hall on the campus of Sonoma State University. Each concert includes a guest artist performing with the socially-distant orchestra on stage for a work composed by SRS Artistic Partner Ellen Taaffe Zwilich, the first woman to receive a Pulitzer Prize in Music.

The first of the three Santa Rosa Symphony Presents concerts airs on April 18 and 19, and features critically acclaimed, Grammy Award-winning cellist Zuill Bailey performing Pulitzer Prize-winning composer Zwilich’s Concerto for Cello and Orchestra. The program also includes Samuel Barber’s Adagio for Strings, Jessie Montgomery’s Starburst for String Orchestra, Charles Ives’ The Unanswered Question for Chamber Orchestra and Johannes Brahms’ Serenade No. 2 in A major for Orchestra.

KRCB broadcasts Santa Rosa Symphony Presents on Sundays at 8pm on April 18, May 30 and June 20. KPJK broadcasts the same concerts on Mondays at 7:30pm on April 19, May 31 and June 21.

KRCB broadcasts over the air in Sonoma, Napa, Marin, San Francisco, Alameda, Solano, Contra Costa and the southern tip of Mendocino and Lake counties. KPJK’s over-the-air coverage reaches the south parts of Sonoma, Napa and Solano; all of Contra Costa, Alameda, Santa Cruz and San Mateo counties.

“We treasure our partnership with the Santa Rosa Symphony,” Darren LaShelle, NorCal Public Media President and CEO says in a statement. “This series on KRCB TV and KPJK TV extends the reach and the impact of the SRS into homes all throughout our region. Having this exciting new series on our air is a perfect fit for our mission as the Bay Area’s trusted, independent and essential public media broadcaster.”

srsymphony.com / norcalpublicmedia.com

Spliff Film Fest: Movies by stoners, for stoners

Someone, somewhere, once said, “People who remember the ’60s weren’t really there.” Or something like that. Whoever uttered the quip doesn’t matter. It’s not true. I remember my LSD trips, my mescaline experiences and the first time I got stoned, had a bad case of the munchies and ate a quart of strawberry ice cream.

In the spirit of marijuana, the munchies and more, two brilliant Asian-American comedians and videographers created a very funny award-winning short film titled Candy Sandwich. At the 2019 Spliff Film Festival it took the much-deserved prize for “funniest.”

Gabby La La, of Oakland, and Sayuri, of Portland, are the two boundary-breaking videographers who aren’t afraid to look ridiculous in front of the camera. Their antics prompt hysterical laughter from viewers. Sometimes, the videographers themselves can’t keep a straight face.

During a phone conversation, Gabby stepped out from her on-screen role to talk about the current wave of hate crimes against Asian-Americans. “We stand in solidarity with our Asian-American brothers and sisters,” she said. “When we turn the camera on ourselves, we try to emphasize beauty, love and friendship.”

Candy Sandwich falls into a genre known as “Autonomous Sensory Meridian Response” or ASMR. It’s been described as “a relaxing meditative experience” that’s triggered by sounds and images.

Candy Sandwich works as a spoof on those deadly serious TV cooking shows, and also as a send-up of cannabis culture and stoners.

The Spliff Film Festival, which bills itself as a place “where filmmakers, artists, animators, and stoners share original shorts that examine and/or celebrate cannabis and its liberating effects on our imaginations, appetites, libidos, and creative energies,” is the perfect home for Gabby’s and Sayuri’s masterpiece.

BTW the word “spliff” comes from Jamaica, the home of ganja, the Rastafarians and reggae royals like Bob Marley and Jimmy Cliff.

In Candy Sandwich, Gabby wears purple hair and a black hat with a pompon. Sayuri wears long hair and a tie-dyed T-shirt. They both sport mustaches that look hand drawn.

Step one highlights an ordinary croissant, which they turn it into a fantasmagoric object that ought to be in a surrealist art museum. While Sayuri slices the croissant in half, Gabby looks at the camera, and in a motherly tone of voice says, “If you’re a child, make sure an adult is present.”

Once the croissant is open and inviting, the women coat both sides with Hersey’s chocolate syrup, add wafer cookies for “crunch,” sour candies in place of pickles and Skittles for color.

Gabby says, “Eat a rainbow in every meal,” as though to mock the U.S. Department of Agriculture food guidelines. Then, the duo touts their sandwich as a model of fresh, natural and seasonal. To top off the skit, they thank cultural icon, Betty Crocker, for sponsoring their show. I don’t want to give away the ending, though I’ll say it’s perfect.

Gabby and Sayuri took a couple of years off to make quilts and babies, but now they’re back. At this year’s virtual festival, April 16–24, the duo have a new entry, Friendship Cake, which won’t be screened until the start of the festival.

Gabby’s father, Owen Lang, has a short film, titled Bong Memories, that will also be at Spliff this year. In a rare color photo with a bong, notepad and hat, he looks like a stoned artist. Born in Canton, China in 1947, the last of seven children, he came to the U.S. in 1953, studied at Harvard, became a landscape architect, worked on the planning and the design of Disneyland in France, and met and married a Jewish woman from Brooklyn. Indeed, Gabby is part Jewish, part Chinese and a real Californian.

BONG MEMORIES Filmmaker Owen Lang. Photo courtesy of Owen Lang.

Now, at the age of 73, Owen is recreating himself for the era of Facebook and Instagram and learning from Gabby. “I’m a proud father,” he says. “Gabby is the kind of daughter who keeps me young and creative with the juices flowing. I go to concerts with her and they card me!”

Long ago, Owen enjoyed bong hits, and what’s more, remembers them. “I’d get stoned and design stuff,” he says. “Bong hits helped me create the space between what’s invisible and what’s visible.”

“Has Gabby influenced you, or have you influenced her?” I ask.

“It’s a combination,” Owen replies. “She has taken after me and now I’m taking after her. You know, she’s multitalented: an artist and a musician who plays the sitar and the guitar, and she’s a mother, too. How’s that for a proud father and grandfather!”

For tickets to the Spliff Film Festival, visit bit.ly/splifffest.

Jonah Raskin has screen credit on the marijuana feature “Homegrown.”

Napa Art Show Opens In-Person

After closing its 217-acre campus to the public last year due to the pandemic, di Rosa Center for Contemporary Art welcomes visitors back to revel in its extensive collection of Bay Area art from the last 70 years.

On April 17, di Rosa unveils its first major exhibition of this year, “The Incorrect Museum: Vignettes from the di Rosa Collection.” The show features several works pulled directly from founder Rene di Rosa’s collection of Northern California art, as curated by the organization’s Executive Director Kate Eilertsen.

“We made some shifts in the exhibition programming and decided to focus on the collection,” Eilertsen says.

Rene and his wife Veronica di Rosa accumulated approximately 1,700 pieces of art during their lifetimes, and Eilertsen shares more than 150 of those pieces in the upcoming show.

“The exhibition honors Rene,” Eilertsen says. “Because the art world needs more people, like Rene, who believe that art should be collected and that supporting artists should be the priority.”

Eilertsen chose the name “The Incorrect Museum” for the show as a tribute to Rene’s immersive curatorial expertise.

“Rene hated labels; he wanted people to stand in front of a work of art and have their own experience with it, without being told what to think,” Eilertsen says.

When visitors walk into the exhibit entrance, they are greeted by a floor-to-ceiling explosion of art, hung in Rene’s personal style with little to no regard for labels.

“You’re sort of bombarded with all this great art,” Eilertsen says.

Once inside the massive exhibit, visitors have six different glimpses—through Eilertsen’s vignette displays—into the notable moments that shaped 20th century Northern California art.

For those unable to visit in person, “The Incorrect Museum” will be available to view on di Rosa’s website, including artwork images, curatorial texts and historical resources.

“We’re trying to re-write H.W. Janson’s ‘History of Art’ book, and teach people about art from Northern California,” Eilertsen says.

Also opening April 17 is “Ceramic Interventions.” The group exhibition boasts art by Nicki Green, Sahar Khoury and Maria Paz; all of whom exemplify the Bay Area’s long tradition of radical experimentation in ceramic arts with their thought-provoking works.

The di Rosa Center for Contemporary Arts’ campus is currently open to the public Saturday to Sunday, 11am to 3pm. When the exhibits open on April 17, di Rosa will extend its hours and offer an enhanced visitor experience featuring docents on hand to guide art enthusiasts across its outdoor sculpture gardens.

“The property looks just beautiful,” Eilertsen says.

One major sculpture will be impossible to miss. Mark di Suvero’s “For Veronica” (pictured) was recently relocated from the sculpture garden to a prominent position on the hillside in front of Winery Lake, where di Rosa and di Suvero originally intended to place the piece 25 years ago.

“We moved it from the back to the front of the property, so that when people drive by they don’t think it’s another winery,” Eilertsen says. “They will think it’s an arts center.”

For more information visit www.dirosaart.org.

Sonoma County Cities Developing Police-Free Crisis-Response Teams

It has been almost one year since nationwide protests against police brutality began in response to a Minneapolis Police Officer killing George Floyd, an unarmed Black man who had not committed a violent crime.

As a result of these protests, communities across the U.S. have looked at how city and county funds are allocated, highlighting the large size of police budgets relative to mental health services, substance use treatment, housing and resources uplifting communities of color. 

In Sonoma County, a few cities are now developing crisis teams that will act as first responders to nonviolent 911 calls concerning mental illness, homelessness and other crises for which police are not necessary. Santa Rosa, Petaluma and Rohnert Park are each developing programs modeled after Crisis Assistance Helping Out On The Streets (CAHOOTS), a program operated by White Bird Clinic in Eugene, Oregon, for more than 30 years.

In 2016, Governing.com reported that mental health situations account for about 10% of all 911 calls in the U.S. With little funding for mental health services and housing resources, police are often first responders to non-violent emergencies concerning mental illness and homelessness. Over time, this trend has increased. 

A 2011 survey of 2,406 senior law enforcement officials found that 84% said there has been an increase in the mentally-ill population over the length of their careers, and 63% said that the amount of time their department spends on calls serving individuals with mental illness has increased as well.

In Sonoma County, the largest psychiatric facility is the jail. In 2017, the Press Democrat reported that nearly 40% of the 1,100 people incarcerated in the main jail and the lower-security North County Detention facility had a mental illness.

Activists argue that, because police officers are armed and are not mental health professionals, they respond in ineffective and often dangerous ways to people experiencing mental health crises. Statistics support the activists’  argument.

“While about 3 percent of U.S. adults suffer from a severe mental illness, they make up a quarter to one-half of all fatal law enforcement encounters, according to the nonprofit Treatment Advocacy Center,” Mike Maciag writes in the Governing.com article

In Sonoma County, Santa Rosa was the first to pursue development of a CAHOOTS-like team. As part of the city’s response to protests last year, Santa Rosa Police Captain John Cregan visited White Bird Clinic and presented on the program at an August 2020 City Council meeting. With the enthusiastic buy-in of Santa Rosa’s City Council and Police Department, White Bird Clinic entered into a contract with the City of Santa Rosa to guide the program’s development.

On April 12, Cregan told the Bohemian that the city has purchased two vans, just like those used by the Eugene nonprofit’s team. Cregan says that Santa Rosa has yet to name its program, but that the program will not be called CAHOOTS.

The projected start date is July 2021. At first, the service will operate 10 hours per day, seven days a week. Two teams will be established, each composed of a paramedic, a mental health professional and a homeless outreach specialist. The team is dispatched through 911, when dispatchers assess that it’s appropriate and safe to send this unarmed team of specialists. All three individuals respond as a team to every call.

“The two teams will overlap on Wednesdays, so they’ll have meetings that day and also be able to provide extra support and services, following up with people who they’ve interacted with through the week,” Cregan says. 

Santa Rosa is working with existing agencies to create the program. Cregan says that, for its first year, Santa Rosa will work with Buckelew Programs to provide the mental health professionals for the team, Catholic Charities for the homeless outreach specialists and the Fire Department for the paramedics.

In late January, multiple attendees at a Santa Rosa Public Safety Subcommittee meeting voiced concern that the city’s unhoused community doesn’t trust Catholic Charities, which has long been contracted with the city to provide homeless outreach. During that meeting, Councilmember Victoria Fleming echoed community voices calling for an open request for proposal (RFP) process.

“They might be the best nonprofit in the world, but we have [the RFP process] in government to inspect our contracts and scrutinize them. I’m not for expanding that without a careful and critical eye,” she said in the meeting. Fleming did not respond to a request for comment on April 12.

Cregan says the City has done a lot of subsequent outreach and presentations, and he finds the feedback he has received to be overwhelmingly positive for Catholic Charities.

“I do think it’s a valid question about the RFP process and making sure it’s a fair process for all the city,” Cregan says. “My general response is that we self-identified that there’s a strong and urgent need to have this team in our community, and so we want to get this one-year pilot program off the ground and running. There will still be the possibilities for RFP as we decide what the future of the team is.”

Cregan says the program, if successful, is expected to scale up to offer service 24 hours a day, 7 days a week by its third year of operation. It would cost roughly $1.2 million per year to operate the unit 24/7, so Cregan is seeking a range of funding sources for the program. Catholic Charities, he says, is seeking private funding to support their branch of the team.

Although funding sources for these new programs are still being determined, it is possible they will benefit from the $1.9 trillion American Rescue Plan, signed by President Joe Biden in March. Section No. 9813 of the bill is “State Option to Provide Qualifying Community-based Mobile Crisis Intervention Services.”

This section, added by Oregon Senator Ron Wyden, grants states increased Medicaid funding for three years in order to provide community mobile crisis services like CAHOOTS to individuals experiencing a mental health or substance use disorder. Through Medicaid, the federal government would pay for 85% of the crisis-response programs. Wyden has said that Medicaid funding is appropriate because most people using these programs are low-income.

Although Petaluma announced their intention to create a CAHOOTS team after Santa Rosa, the county’s second-largest city is on track to begin roll-out of their team slightly sooner than Santa Rosa. A poll released by City Manager Peggy Flynn and Police Chief Ken Savano in February 2021 revealed that 59% of residents polled ranked establishing a CAHOOTS team the most urgent citywide policy priority.

Petaluma is in contract with Ben Adam Climer, who founded the consulting company C.R.I.S.I.S. after working with CAHOOTS in Oregon for five years. Petaluma is aiming to launch their program on July 1, begining with one vehicle operating 12 hours per day, seven days a week. They expect to be operating 24/7 by September of this year. Their mental health professionals will be staffed through Petaluma People Services, a nonprofit which provides a variety of programs, including senior services and homeless prevention.

Climer also presented information about the CAHOOTS model to the Rohnert Park City Council on April 6, 2021. The city and Rohnert Park Department of Public Safety appear eager to develop their own version of the program, too.

At the county level, the County’s Community Advisory Council is expected to present information about the CAHOOTS Model at a meeting in August.

The Bohemian spoke to Karin Sellite, director of the Sonoma County Mobile Support Team (MST), which is currently a team of mental health professionals who may be requested by law enforcement officers of the Sheriff’s Department at officers’ discretion once they have secured a scene.

Sellite says, “MST is currently in the process of increasing staffing in order to expand our coverage area to include Healdsburg, Geyserville and Cloverdale, and any unincorporated areas in between. We will also add Saturday and Sunday, so the program will operate 7 days a week [beginning] sometime in the next few months.”

She also noted that MST is considering alternative models that would allow them to respond independently from law enforcement.

Cregan and Sellite both told the Bohemian that there’s a lot of open sharing of ideas between jurisdictions right now, and that they are all seeking to expand services without duplicating efforts.

While community support for CAHOOTS-like programs is strong in Sonoma County, the rapid development of this type of alternative to police response throughout the country is also creating some hesitation among activists who are also critical of social work.

Speaking to Eugene’s Register Guard newspaper in March, Mineappolis Social Worker Deana Ayers warned, “If we’re trying to have social workers solve all these societal problems and be some kind of Band-Aid, then we also have to be doing the work within social work to get rid of this deep-seated, baked-in racism. Otherwise, social workers are just going to be police without guns.”

Scott Roberts, senior director of criminal justice campaigns for Color Of Change, told the publication, “When we say we want to change policing, we’re not saying to just plug in other institutions like social work. We have to reimagine policing and public safety.”

Best of the North Bay 2021: Arts and Culture

Napa Sonoma Arts & Culture

Best Art Gallery

Napa

Sofie Contemporary Arts

Sonoma

Sebastopol Center for Arts

Best Band

Napa

Mama Said

Sonoma

David Luning

Best Cover Band

Sonoma

Petty Theft

Best Indy Filmmaker

Sonoma

Brown Barn Films

Best Maker Event

Sonoma

Head West Marketplace

Best Media Personality

Napa

Leslie Sbrocco

Sonoma

Bill Bowker, KRSH 95.9 FM

Best Movie Theater

Napa

Cameo Cinema

Sonoma

Rialto Cinemas

Best Museum

Napa

Napa Valley Museum

Sonoma

Charles M. Schulz Museum

Best Music Venue

Napa

Blue Note Napa

Best Outdoor Art Event

Napa

Napa Lighted Arts, Art After Dark

Sonoma

Sonoma County Art Trails

Best Outdoor Music Venue

Napa

Oxbow River Stage Blue Note Napa

Sonoma

Green Music Center

Best Performing Arts Center

Napa

Napa Valley Performing Arts at Lincoln Theater

Sonoma

Luther Burbank Center for the Arts

Best Performing Dance Company

Napa

Transcendence Theatre Company

Sonoma

Transcendence Theatre Company

Best Photo Services

Napa

Briana Marie Photography

Sonoma

Shutterbug Camera Shops

Best Place to Dance

Sonoma

HopMonk

Best Videographer

Napa

David Schloss, Inventive Filming

Sonoma

Brown Barn Films

Best Virtual Ballet Company

Napa

Napa Valley Ballet Company

Sonoma

Petaluma School of Ballet

Best Virtual Charity Event

Napa

WinePAWlooza  Jameson Animal Rescue Ranch

Sonoma

Art for Life, Face to Face

Best Virtual Comedy

Napa

The Laugh Cellar

Sonoma

The Laugh Cellar

Best Virtual Dance Studio

Napa

The Dance House Napa Valley

Sonoma

The Dance Center of Santa Rosa

Best Virtual Festival

Napa

Festival Napa Valley

Sonoma

Rivertown Revival

Best Virtual Film Festival

Napa

Napa Valley Film Festival

Sonoma

Sebastopol Documentary Film Festival

Best Virtual LGBTQ Event

Napa

LGBTQ Connection

Sonoma

Sonoma County Pride

Best Virtual Music Festival

Napa

Bottlerock

Sonoma

Petaluma Music Festival

Best Virtual Outdoor Music Event

Napa

Bottlerock

Sonoma

Railroad Square Music Festival

Best Virtual Symphony

Napa

Symphony Napa Valley at Lincoln Theater

Sonoma

Santa Rosa Symphony

Best Virtual Theater Troupe

Napa

Cafeteria Kids Theater

Sonoma

Left Edge Theatre

California Attorney General’s Office Takes up Foppoli Investigation

Sonoma County District Attorney Jill Ravitch announced in a press release Monday afternoon that she has passed her investigation into the numerous sexual assault allegations against Windsor Mayor Dominic Foppoli to the California Attorney General’s Office, the state’s top prosecutor, due to a conflict of interest.

The news comes five days after the San Francisco Chronicle published a lengthy investigative article quoting four women alleging that Foppoli had assaulted them between 2003 and 2019. Since then, more women have come forward with similar allegations, including Windsor Town Councilmember Esther Lemus.

In a statement published over the weekend, Foppoli denied the allegations against him. He has also stated that he does not intend to step down as mayor of Windsor.

Although her statement doesn’t name Lemus, Ravitch seems to imply that investigating Lemus’s allegations would pose a conflict of interest for Ravitch’s office because of Lemus’s day job: working as a prosecutor in Ravitch’s office.

“Over the weekend I became aware of allegations made by a member of my office that made clear to me that my office would have a conflict of interest proceeding with any further investigation, or potential subsequent prosecution of charges related to the allegations. As such, I contacted the Attorney General’s office to share my concerns. I was advised this morning by that agency that they will immediately assume the responsibilities of reviewing these incidents, and if appropriate, charging and prosecuting any relevant violations of the law,” Ravitch’s statement reads in part.

Ravitch encourages anyone with information about the allegations against Foppoli to contact the Sonoma County Sheriff’s Office or the California Attorney General’s Office.

On Wednesday at 6:00pm, the Windsor Town Council will hold a special virtual meeting to discuss the possibility of forcing Foppoli to resign. Foppoli and Lemus reportedly will be allowed to attend the meeting, though it remains unclear whether Foppoli will.

Open Mic: Sonoma County’s ‘Me Too’ Reckoning is Long Overdue

The recent revelations about Dominic Foppoli are the tip of a dirty and wretched iceberg that is long overdue to be destroyed.  

Sonoma County has never had its “Me Too” reckoning. Let this finally be the moment.  This county has a deep history of sexual assault, rape and torture of womxn, beginning with the widespread enslavement of California native people, and the enslaved Black people forcibly brought here by the Southern slave holders from Missouri and elsewhere who “founded” this county.   

While these atrocities are not unique to Sonoma County, the crushing plantation system and “good ol boy” white supremacist power structure has allowed generations of rape to continue without consequence, along with the acquiescence of white women who uphold this patriarchy, oppression and sexual violence.  

Members of the Pomo, Black, API and Latinx communities have shared stories of rape and sexual assault by law enforcement, sustained in a cycle of generational trauma by their mothers and grandmothers.  There is a complete erasure of information on the rape and sexual assault of Mexican, Mam, Triqui, Mixteco and Central American womxn working in the vineyards.  

There are stories shared among womxn in whispers, warning of certain vineyard owners with a penchant for rape.  Stories and unsolved mysteries spoken in hushed tones about the activities at the Bohemian Grove, and the complicity of law enforcement and elected officials.  

Nasty tidbits about oppressive structures like the Sonoma County Alliance, the Farm Bureau, and the dirty intersection with elected officials, through money, influence and power. Dominic Foppoli’s “defiance” and refusal to step down is a reflection of the entitlement and privilege he enjoys as a white, cisgender, heterosexual, conservative male in Sonoma County. 

It is a reflection of the absolute lack of accountability for white men, the bloated hubris of those whose wealth comes from exploited labor, and think nothing of the conquest and destruction of their economic fiefdoms.  Sonoma City council member David Cook also refused to step down after he was arrested for the sexual assault of a child, instead letting his term expire.  Social media was awash with apologists and business continued as usual with his vineyard management company.

Large numbers of undocumented womxn work in hotels, restaurants, vineyards, as domestic servants, and the men who control their pay and personal safety know they will not report sexual assault for fear of exposure.  

I decry the rape and abuse of the womxn who came forward to bravely tell their stories. I also want to state that there are many womxn whose stories have never been heard, and who can not come forward because their survival depends on their silence. 

To the white power structure, who made deals, clinked wine glasses and enjoyed political and economic privilege and power with Dominic Foppoli and all the other rapists in Sonoma County yet to be revealed: You are all Guilty.  Your pearl-clutching statements of shock and disgust are performative and offensive to survivors.

Let this house of cards fall. Let all the names be revealed. Let all the survivors come forward.  Let’s make rapists afraid again.

D’mitra Smith is the former chair of the Sonoma County Commission on Human Rights. To have your topical essay considered for publication, write to us at op*****@******an.com.

Four Dead Grey Whales Found on Bay Area Beaches This Month

At least one grey whale died this week in the San Francisco Bay Area after being struck by a boat, the Sausalito-based Marine Mammal Center said Friday.

The nonprofit, which focuses on the protection and rehabilitation of marine mammals, determined that one of two grey whales found dead Thursday near Marin County had been killed by blunt trauma due to being struck by a ship. 

The whales were found separately at Angel Island State Park and Muir Beach, according to the Marine Mammal Center. A necropsy, or animal autopsy, on the whale found at Muir Beach determined it had bruising and hemorrhaging to muscles around the animal’s jaw and neck that are consistent with the blunt force trauma of a ship strike. 

A necropsy of the whale found at Angel Island did not find any initial evidence of similar trauma, but the Marine Mammal Center intends to reexamine the whale in the future to fully confirm that the whale did not die due to human interaction. 

According to the Marine Mammal Center, four grey whales have been found dead in the Bay Area since Wednesday, March 31. The cause of death has been confirmed for only the whale found at Muir Beach.

“Our team hasn’t responded to this number of dead gray whales in such a short span since 2019 when we performed a startling 13 necropsies in the San Francisco Bay Area,” said Dr. Padraig Duignan, the Marine Mammal Center’s director of pathology.

“Gray whales are ocean sentinels due to their adaptability and foraging habits, meaning they have a lot to tell us about the health of the ocean, so to see the species continue to suffer with the added threats of human interaction is a major cause for concern,” Duignan said.

Since 2019, marine biologists in the Bay Area have noticed several grey whales with physical abnormalities during their annual migration to cool Arctic waters.

The National Oceanic and Atmospheric Administration declared an Unusual Mortality Event for grey whales in 2019. 

Since the NOAA’s last grey whale population assessment in 2015 and 2016, the agency has determined that nearly one quarter of grey whales migrating up the West Coast have died.

But that mortality rate could be even higher, according to the NOAA and Marine Mammal Center, because of observation limitations during the Covid-19 pandemic. 

“It’s alarming to respond to four dead gray whales in just over a week because it really puts into perspective the current challenges faced by this species,” Duignan said. 

Members of the public can report whale sightings to the Marine Mammal Center.

The public can also report dead whales and whales in distress to the Marine Mammal Center’s rescue hotline at (415) 289-7325.

Several Inspiring Art Murals Are Coming to Sonoma Valley

Sonoma and Glen Ellen will be the scene for uplifting public art projects that are currently in the planning or fundraising stages.

On March 31, Sonoma Valley Museum of Art (SVMA) announced that Mexican-born and Santa Rosa-raised artist Maria de Los Angeles will be creating two major murals as part of a building rehab project in Glen Ellen.

Currently living in New York City, De Los Angeles immigrated to the North Bay from Mexico at age 11 with her family. She began making art as a child and graduated from Santa Rosa High School in 2006. Bolstered by selling artwork to friends and neighbors in Santa Rosa, De Los Angeles continued her art education at Pratt Institute and then earned an MFA at Yale University.

She has subsequently taught at the Pratt Institute in Venice, and participated in artist-in-residence programs at Los Angeles County Museum, MASS MOCA and elsewhere. De Los Angeles wrote about her childhood and early adult experiences in the feature article, “A Dreamer’s Diary,” published in the Bohemian in March 2017.

For the upcoming Glen Ellen murals, De Los Angeles aims to highlight the local historical and cultural iconography and she is currently researching the history of Glen Ellen and meeting with diverse community members for inspiration.

“I want to celebrate the ecological and sociological diversity of the Sonoma Valley,” De Los Angeles says in a statement.  “A mural brings visibility forth.  It’s a public work to promote conversation about shared experience—what we’re proud of, who we want to be, what we want to protect.”

The building, located on Arnold Drive, will house a remodel of the Garden Court Café and also accommodate affordable housing units. Murals will be painted on two facades of the building—a North-facing wall (facing a parking lot) and a South-facing wall on the corner of Arnold Drive and Carquinez Avenue. The anticipated start of the mural installation will be late June/early July 2021. A community opening celebration will be organized after the murals are completed.

“SVMA is pleased to be collaborating with Maria de Los Angeles and the Glen Ellen community to bring important public murals to the region. Maria is working hand-in-hand with the SVMA team and a diverse group of Glen Ellen residents on the project,” said SVMA Executive Director Linda Keaton in a statement. “We are grateful for the enthusiastic response from the community.” 

Another mural project popping up in Sonoma is currently fundraising online.

Sonoma County Artists Propelling Equity (SCAPE)–a grassroots collective of local artists who are people of color–have plans for mural which will feature D’mitra Smith, a Black, Indigenous bi-racial, queer woman of color who is one of Sonoma County’s fiercest anti-racism advocates.

Smith served on the Sonoma County Human Rights Commission from 2012 to August of last year. She also served as the program manager for the Junior Commission, mentoring over 100 Sonoma County students between 2013- 2020. Smith also co-founded Food for All–Comida para Todos, and Save Your VI, providing education and advocacy for civil rights protections guaranteed to students nationwide. Smith is a regular contributor to the Bohemian’s “Open Mic” opinion column.

The owner of Sonoma Originals, a skate shop at 17400 Sonoma Hwy, has offered SCAPE the large wall on the side of the building as a canvas, and the group is fundraising to buy paint and materials, to rent scaffolding and pay the artists for their hard work and creativity. Donate to the project at GoFundMe.com now.

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Several Inspiring Art Murals Are Coming to Sonoma Valley

Sonoma and Glen Ellen will be the scene for uplifting public art projects that are currently in the planning or fundraising stages. On March 31, Sonoma Valley Museum of Art (SVMA) announced that Mexican-born and Santa Rosa-raised artist Maria de Los Angeles will be creating two major murals as part of a building rehab project in Glen Ellen. Currently living...
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