It was not my first. At the other two services, my mind and emotions shut off. I don’t remember them, more than arriving, feeling weird and feeling no connection with anyone else present, alive or underground, although I was related to the celebrants.
I didn’t know what to expect from a funeral service, much less that it was being held in a cemetery, at her gravesite. A friend asked, “Where else would it be held?” “Uh, I don’t know,” I answered.
The lady was a gracious, gentle soul who delighted in life and in nurturing life around her. Her joy at being alive was unmistakable; that she revered life in all its forms was obvious.
I suppose I had some preconceived notions about size being important. “The bigger the better.” “The one with the most toys when he dies, is the winner!“ (or, in this case, “she”). The greater the number of people who show up for the service, indicates how “good” a person they were or “how well-loved” or “how many points they had accumulated in their lifetime” …
Achievements are often listed pompously and at great volume; her achievements were palpable in the loving gentleness and the humorous laughter shared by her family members and friends present for their last farewell, a remembrance of her kindness and encouragement to all. A life well lived and well loved.
The feelings were authentic, as was she. The sadness I experienced among the witnesses at her last resting place and felt at the service was mixed with the elation her loved ones held close to their hearts at remembering how much joy she brought to all, each day she walked with us.
I had no clue that a funeral remembrance service could be so fulfilling, so uplifting, so honoring of her enjoyment of life and overflowing with unifying community spirit. Could we but exchange those feelings with each other every day, remembering that each moment of life is a gift, and hoping that we can all tune into sharing the “present.”
Joy Appleby lives in West Marin. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.
Fourteen months into the Covid-19 pandemic, the North Bay’s restrictions are slowly, but surely, lifting on social gatherings.
With that, one of the region’s most popular past times–live music–is making its way back with socially distant, outdoor concerts like the upcoming SOMO Grove Dinner & Music Series.
The series is curated by event producer, booker and promoter Bryce Dow-Williamson, who worked with venues and organizations like Second Octave, Railroad Square Music Festival, SOMO Concerts, and The Mystic Theatre before the pandemic.
For this new pop-up series, Dow-Williamson blends locally sourced meals and locally sourced bands for seated, outdoor shows.
“Its been strange times for so many,” Dow-Williamson says. “People are hungry to see music.”
Located under the redwoods at the SOMO Village in Rohnert Park, the series starts on Friday, May 21, with the already sold-out show by Sonoma County folk trio Rainbow Girls with Daniel Steinbock, Caitlin Jemma and Eric Long.
Following that, North Bay band Kingsborough (fronted by Billy Kingsborough and lead guitarist Alex Leach) and King Dream (songwriter and multi-instrumentalist Jeremy Lyon) team up for a royal rock show on Friday, June 4.
Next, soulful rock outfit Highway Poets pair with new project TERRIER (Ben Morrison of Brothers Comatose and Erika Tietjen of T Sisters) for a concert on Friday, June 18.
Each night has a limited 200-person capacity and safety protocols such as face coverings and social distancing will be in effect. Tickets sell in pairs and groups of four or six starting at $30 and going up to $35 ten days before the show. Ten dollars of each ticket goes towards the cost of dinner.
Dow-Williamson hopes to add more shows in July, and he’s keeping the lineups local to showcase the North Bay’s array of talented artists.
“It’s so satisfying for me to work with folks who are from here,” he says. “We have so many of these acts that are gaining momentum. It’s a good time to be able to help these bands out in that way and sell something that has some heart in it.”
The SOMO Grove Dinner & Music Series takes place on Fridays May 21, June 4 and June 18, at 1100 Valley House Drive, Rohnert Park. Doors 7pm, Show 7:30pm. $30-$35. Tickets available on Eventbrite.
Each June, Sonoma County Pride gathers in locales like the Russian River Valley and downtown Santa Rosa for massive, celebratory festivals filled with parades, dance parties and other fun.
Last summer, the Covid-19 pandemic forced the Sonoma County Pride Board of Directors to cancel the 2020 Pride Festival & Parade. A year later, Sonoma County Pride returns for in-person celebrations with the help of Graton Resort & Casino, which is joining the festivities as Annual Title Sponsor of this year’s Pride celebrations and hosting this year’s re-imagined “Beyond the Rainbow Drive-Through Parade” on Saturday, June 5.
The parade event acknowledges and adapts to Covid-19 safety and social distancing regulations by creating a new drive-through experience in the Graton Resort & Casino’s parking lot. Attendees will drive along the parade route and experience the excitement and community of Pride through the stationary displays and celebrations that organizations and individual partipants will display along the route. A streaming soundtrack will also be available to guide and entertain parade-goers as they make their way through the route.
“Our goal is to have no more than 20 to 30 contingents made up of local LGBTQI organizations, allies, and Sonoma County Pride sponsors,” writes Sonoma COunty Pride in a statement. “Each group will occupy a designated area in the large outdoor lot at the south end of the property to stage their stationary ‘float’, with mindful limits on the number of people allowed on-premise. As in our traditional parade, Sonoma County Pride 2021 judges will judge and choose the winning parade displays for 2021, to be announced during one of our live streams.”
Sonoma County Pride President Christopher Kren-Mora is confident that this distanced adaptation to the Pride Festival will be a fun and memorable experience.
“Sonoma County Pride is proud and grateful to announce that Graton Resort & Casino has determined once again to partner with our organization in presenting events for 2021 so that SCP is able to continue to be a beacon of education, solidarity, equality and unity to the community,” writes Kren-Mora in a statement. “Graton Resort & Casino has been a supporter and major contributor to Sonoma County Pride and the LGBT community for since it opened in 2013.”
Graton Resort & Casino Chairman Greg Sarris led the move to offer the Resort’s support for Pride and the Sonoma LGBTQ community again this year.
“Graton Resort and Casino is honored to be the Annual Title Sponsor of 2021 Sonoma County Pride. Our core values are fostering compassion, inclusiveness and understanding of all citizens in our community,” writes Sarris in a statement. “I am always adamant in making sure that the LGBTQ community is not only represented but protected. As I have said before, the only thing we don’t tolerate here at the casino resort is intolerance.”
The drive-through parade is one of several “micro-events” that Sonoma County Pride will host throughout Sonoma County in June. The other planned events will offer activities for all ages and abilities.
The theme for this year’s monthlong Pride Festival, “Beyond the Rainbow: Surviving, Reviving, and Thriving,” takes inspiration from The Wizard of Oz to offer renewal and support to the LGBTQ community. “There’s no place like home being back together with our community,” writes Sonoma County Pride’s Secretary Cheryl Kabanuck in a statement. “Courage leads us here, knowledge is how we survive and heart is what keeps us together.”
Sonoma County Pride hosts “Beyond the Rainbow Drive-Through Parade” on Saturday, June 5, from 11am to 2pm. Free admission; suggested donation of $5 at the gate. To reserve your time block or have your own float or display in the parade visit SonomaCountyPride.org.
Already a popular spot for outdoor gatherings, Sonoma’s Historic Plaza is getting an artistic addition this summer, as Sonoma Valley Museum of Art and the City of Sonoma present the new public art installation, “A Delicate Balance.”
On view in the downtown plaza from May 4 to October 19, the exhibition will feature 8 large-scale sculptures by four outstanding artists from diverse backgrounds—Bruce Beasley, Catherine Daley, Peter Hassen, and Jun Kaneko.
Bruce Beasley is an American abstract expressionist sculptor born in Los Angeles and currently living and working in Oakland. He studied sculpture at UC Berkeley under the instruction of Peter Voulkos and helped found the famous Garbanzo Works foundry in west Berkeley. Beasley continues to explore various sculptural mediums ranging from cast aluminum to Lucite to bronze to granite to wood. His works are in collections of major museums around the world including the Museum of Modern Art, New York; Musee d’Art Moderne, Paris; and the National Art Museum of China, Beijing; among other prominent institutions.
Catherine Daley’s sculptural works range from large installations to small and delicate pieces in bronze, aluminum, plexiglass, wood, steel and granite. Her Aurora series is based on the stunning beauty of the Aurora Borealis and allude to light, water and music. Daley teaches art at Sonoma Academy and serves on the board of Pacific Rim Sculptors. Her works have been exhibited throughout California at Sonoma State University, Marin MoCA, Luther Burbank Center for the Arts, Paradise Ridge, Pepperwood Preserve, and Oakwilde Ranch.
Peter Hassen is a conceptual artist working in sculpture, painting, printmaking, photography, video and landscape intervention. He has exhibited work in national galleries and on public lands for more than two decades. The Cycles series focuses on themes of nature, science, and spirituality. Born in Cincinnati, Ohio, Hassen received his BFA from University of Colorado in Boulder and now lives and works in Sonoma.
Jun Kaneko was born in Nagoya, Japan, and studied painting with Satoshi Ogawa during his adolescence. He came to the United States in 1963 to continue his studies at UC Berkeley, Chouinard Art Institute (CalArts), and Scripps College. He studied with Peter Voulkos, Paul Soldner, and Jerry Rothman during the time now defined as the California Clay Movement. Kaneko later taught at various U.S. art schools, including Scripps College, Cranbrook Academy of Art and Rhode Island School of Design. Based in Omaha since 1986, Jun Kaneko’s artwork appears in numerous international and national solo and group exhibitions and is included in more than seventy museum collections.
Comprised of abstract and representational sculptures in metal, granite, and plexiglass, “A Delicate Balance” explores the relationship between the natural world and humankind’s technology, and viewers are reminded of the fragile nature of life.
“SVMA is pleased to partner with the City of Sonoma to bring the art of such diverse and stellar artists,” says SVMA Executive Director Linda Keaton in a statement. “Providing public art fulfills SVMA’s mission of Building Community Around Art.”
The sculptures will be installed on May 4 and a formal opening reception, attended by some of the artists, is being planned for late June pending Center for Disease Control (CDC) guidelines. In addition to the partnership between the City of Sonoma and the SVMA, this public exhibit is made possible with support from Sonoma Valley Chamber of Commerce, Creative Sonoma, Elaine and Graham Smith, Dana Simpson-Stokes and Ken Stokes, Leslie and Mac McQuown, Bank of Marin and Steel Geisha Designs. Get more information at svma.org.
Right now, the National Park Service is rewriting its General Management Plan for Point Reyes National Seashore, and the agency must decide whether to sunset the expired livestock grazing leases across tens of thousands of publicly-owned acres, or to continue authorizing unsustainable overgrazing, tillage agriculture and even the killing of native tule elk by extending leases that were never intended to continue on indefinitely.
It shouldn’t be a difficult choice for the National Park Service, but the livestock industry has some surprising supporters. Rep. Jared Huffman, a former National Resources Defense Council attorney and Green New Deal signatory, has staked out an anti-environmental position on what is arguably the most important environmental issue inside his own congressional district, and is in fact leading the charge in advocating for continuing the ongoing environmental destruction on Point Reyes.
The ranchers who rent National Park Service lands are permitted to graze them down to bare dirt. As a result, the cattle pastures are made up uniformly of European annual grasses and foreign thistles. Livestock grazing has completely destroyed the native coastal prairie on Point Reyes and turned it into a vast weed patch, destroying native shrubs and bunchgrasses that otherwise would have beneficially sequestered soil carbon underground. On top of the direct grazing impacts, almost 1,000 acres of Point Reyes are devoted to producing “silage crops”—more non-native weeds, which infiltrate surrounding lands—which are harvested in spring using combine harvesters, mowing down ground-nesting birds and deer fawns in a grisly spectacle attended by flocks of carrion birds. In addition, the dairies produce cow manure by the ton, which gets spread out on the hilltops, runs into the stream courses and creates some of California’s most polluted waters. These streams run to beaches and estuaries frequented by beachgoers, exposing them to potentially fatal fecal coliform contamination and other animal-borne diseases.
Then, consider that most of the tule elk, the rarest subspecies of elk in the world, are trapped by a tall fence on a small peninsula of the National Seashore for the sake of protecting forage resources for cattle. Without adequate water and forage, tule elk die by the hundreds during droughts—which are becoming deeper and more frequent—unable to escape to find food and water through natural dispersal. Outside the fence, small elk herds are harassed by ranchers and even killed by the Park Service for wandering onto lands leased by cattle. And then there are Endangered Species Act–listed plants, birds, amphibians and salmon runs on the National Seashore, and none of them flourish in these degraded habitats.
It’s that bad, and paradoxically, Huffman is fighting hard to keep it that way.
Huffman isn’t listening to his constituents. Not even when 91% of those who commented on the Park’s proposed plan wanted to end industrial agriculture on the Seashore. Not when locals showed up at his town hall meetings demanding protections for native tule elk. And not when his constituents picketed his district office and staged massive protests outside the elk fence during a new die-off that even now is killing more than 150 elk. It’s a strange position for an elected official to take, but Californians seem cursed to live in interesting times.
Huffman has some strange bedfellows in his quest to keep ranching the Seashore. Former President Trump made it a personal priority to extend cattle operations on Point Reyes. Trump invited Kevin Lunny, the ringleader of the Point Reyes ranching lobby, to be a featured speaker at a White House bill-signing ceremony. His administration then proposed a management plan which would not only extend commercial ranching and dairying on the park lands, but expand livestock use and further harass and kill tule elk for the benefit of livestock operations.
When Huffman authored legislation to force the National Park Service to extend industrial-scale dairy and beef operations on Point Reyes and authorize the Park Service to kill tule elk at the behest of tenant ranchers, he turned to Utah Rep. Rob Bishop to co-sponsor the legislation. Bishop was Public Lands Enemy #1 during his tenure in Congress. He tried to repeal the Endangered Species Act. He supported transferring federal public lands to the states, and sought to amend the Antiquities Act to strip the president of the authority to designate National Monuments. Bishop’s lifetime League of Conservation Voters score is 3%. Bishop’s endorsement of Huffman’s bill should be a red flag that it’s a big problem, but Huffman seems proud to have Bishop on board.
The League of Conservation Voters scores Huffman’s lifetime voting record at 98% pro-conservation. But while Huffman’s voting record has been reliably good on national conservation issues from climate change to endangered species protection to wilderness designations, his currently abysmal, anti-environmental record on Point Reyes will haunt him in his home district. We hope he comes around, and starts listening to the 3 million National Seashore visitors who aren’t coming for the unsavory sights and sounds of working dairies and ranches. They’re coming for the public recreation, benefit and inspiration for which, by law, Point Reyes is supposed to be managed.
Point Reyes National Seashore—and its iconic tule elk—are too special to sacrifice for politics.
Erik Molvar is Executive Director, and Greta Anderson is Deputy Director, of Western Watersheds Project, a conservation nonprofit working to protect and restore wildlife and watersheds throughout the American West.
All across the U.S., Americans of every shape, size and skin color are taking up farming and growing vegetables in the spirit of Joy Harjo, the Native American poet who writes:
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth, brown earth.
They’re remembering the earth in the North Bay’s valleys and hillsides, and they’re jump-starting the latest incarnation of the worldwide farming movement that comes and goes, from boom to bust and back to boom again.
Right now, the movement is cresting at Radical Family Farm, where Leslie Wiser and her partner, Sarah Deragon, grow Asian vegetables. The two women and their children are newcomers to farming and might need reminding that “radical” means “of, relating to, or proceeding from a root.” Carrots, beets, radishes, corn, turnips and many more vegetables have roots.
Unlike most local farmers, Wiser broadcasts her many identities: “Queer, first-generation Taiwanese-Chinese-German-Polish-American.”
Also, unlike most farmers, she says that her farm is on “Coast Miwok and Southern Pomo land.” Once, all the land was indigenous, though the Native Americans didn’t have European ownership with deeds and titles. They “tended the landscape,” as it’s called, and grew plants, radically.
During the pandemic, local farms and farmers fared well. Vegetables continue to grow despite Covid-19. Farmers markets from San Rafael and Point Reyes Station to Sebastopol and Sonoma sold produce hand over fist, while Instagram helped the farm movement grow by leaps and bounds.
Curiously, some farms keep such a low profile that it’s impossible to find them. I tried to locate County Line Harvest in Marin, but it wasn’t where it was supposed to be, and there was no sign of its legendary founder, David Graetsky. Rumor has it he moved to Thermal, California where he has more abundant land than North of the Golden Gate and more water, which is almost always a worry in these parts.
Oak Hill Reborn
Oak Hill Farm in Glen Ellen, which has been around for decades, is a multi-generational family operation drawing on the resources and skills of the whole Bucklin tribe, which has deep roots in Sonoma Valley. You can’t miss Oak Hill or the Red Barn where produce is sold. For years, Anne Teller, the family matriarch, ran Oak Hill with a team of versatile Mexican field workers and a series of white guys who came and went and sometimes thought they knew most everything about vegetables. Not true.
When Anne passed on May 27, 2019, a month or so shy of her 88th birthday, hundreds of friends, neighbors and family members attended her memorial. In the wake of her passing, the farm descended into near chaos. Anne’s daughters, Arden and Kate, scrambled to get Oak Hill back on track and managed to keep their heads above water, barely.
“The farm was a wreck,” Arden tells me. “Morale was low, the land was depleted and leadership lacking.”
Oak Hill didn’t really find its stride again until Arden and Kate’s niece and nephew, Melissa Bucklin and Jimi Good, both of them young but experienced farmers, relocated from Oregon, put down roots, ploughed fields, planted and harvested, and persuaded the earth to sing again. They also tested and amended the soil, planted cover crops and added compost.
“When Melissa and Jimi first applied to work here, I said ‘No,’” Arden tells me. “I didn’t want more family. But I have come to see that having skin in the game makes all the difference in the world.”
Melissa and Jimi have helping hands from everyone in the family, including those of their 8-year-old son, Bodhi, who minds the chickens and gathers the eggs. Aunt Lizanne looks after the bees and collects the honey, and Melissa’s father, Ted, adds his skills as a carpenter. Kate works on the farm’s infrastructure.
Arden lends her wisdom almost every day. Across Highway 12, a stone’s throw away, Lizanne’s husband, Will, grows grapes and makes full-bodied red wines that go well with pasta, steak and grilled veggies.
Soon after I first met Anne Teller in 2007, she told me, “People come and go, the land remains.” It was hard for me to wrap my head around that idea, but the longer I thought about it the more it made sense. Anne’s second husband, Otto Teller, an avid environmentalist, was gone. Now Anne was gone and so were the two farmers, Paul Wirtz and David Cooper, who aimed to put their own stamp on the land and sometimes clashed with the family matriarch.
On a warm spring afternoon, I sat and talked with Melissa and Jimi, 38, the new kids in the fields. It was obvious that the land remained, though it had been punished by drought and fire, and though field workers came and went. Some went back to Mexico for good. “I’m the greasy thumb and take care of all the farm machinery,” Jimi tells me. “Melissa is the green thumb and spends most of her days in the fields.”
Jimi adds, “In Sonoma the growing season starts earlier and runs later than where we were farming in Oregon. It’s hotter here, and the rainy season doesn’t last as long.”
He and Melissa are learning about the climate and about the people who buy their produce inside the Red Barn at Oak Hill and at the Friday morning outdoor market in the town of Sonoma where locals meet and greet one another, and tourists join the festivities.
“It’s essential to communicate,” Jimi says. “Also, we have to educate our customers, and explain for example how to prepare turnips.” Melissa adds, “People want stuff for salads, so we’re growing more lettuce.”
At Oak Hill there are 90 different species of flowers and dozens of different kinds of vegetables and fruits. “Diversity is the way to go,” Melissa says. “It allows for year-round cultivation and seasonal plantings. You can rotate, not suck nutrients out of the soil and keep a field crew going in all four seasons.”
After 15 months at Oak Hill, she and Jimi seem as settled as any farmers can be. They are balancing what they call “the romance of farming” with the “practically of farming.”
Arden tells me, “My mother would do things differently, but I think she’d be proud of how things are going and growing at Oak Hill now.”
Jimi smiles and says, “There’s nothing more manly than farming.” Melissa adds, “Farming is for everybody.” Arden says that young, college-educated women, more than any other demographic group, want jobs on farms, perhaps because farming is associated with nurturing and harmony with Mother Earth. “It beats the hell out of sitting at a desk and looking at a screen,” she adds.
No longer can a landowner expect migrants from Mexico to plant and harvest. It’s also a challenge to persuade low-income families to buy local produce, which is more expensive than produce cultivated by big machines in the Central Valley. Still, if the pandemic taught Sonoma farmers one thing, it’s that shoppers want vegetables grown close to home. The question, “Is it local?” is heard every Friday at the farmers’ market and in the Red Barn. Arden smiles and says, “Yes.”
The Cannards
RETURNING Ross Cannard followed in the footsteps of previous generations of his family and joined Green String farm, which runs a local CSA program and also provides vegetables for Alice Waters’ Chez Panisse restaurant in Berkeley.
There are several beautiful family farms, including Green String, within a 15-mile radius of Oak Hill. Green String is run by Bob Cannard, the grandfather of local, organic agriculture. Bob educated thousands of farmers who now grow crops from Maine and Florida to Michigan and New Mexico. The Green String Store sells honey, vinegar, olive oil, eggs, dairy, meats, fruits and vegetables galore.
Bob’s son, Ross, who studied linguistics at UC Santa Cruz, came home to follow in the footsteps of his father and grandfather. “Studying linguistics at Santa Cruz isn’t helping me plant onions this morning,” he tells me. Along with his wife, he’s rearing two small children.
Ross belongs to the “returning generation” which is populated by the sons and daughters, grandsons and granddaughters of farmers who went away and then felt the tug of the land and did an about-face. On Sobre Vista Road—a short distance, as the crow flies, from Green String—Ross grows year-round. He and his dad respect one another and keep a comfortable distance.
Fifty or so locals subscribe to Ross’ CSA. Once a week, they receive a box with goodies which they pick up at the Tasting House for Sixteen 600 Winery in Sonoma, where they can visit with wine maven, Sam Coturri, and purchase excellent grenache and cabernet from local, organic grapes.
Ross provides vegetables to Chez Panisse, the Berkeley restaurant founded by Alice Waters, who has done more than any other chef in America to educate the public about local produce and healthy food. On a Monday morning when I visited Ross, two women, both bartenders at Chez, were planting thousands of onions in a field bathed in sunlight. Kayla and Sydney belong to what might be called the bartending-to-outdoors movement. Sydney says, “I’ve learned how hard farming is and how much planning is involved.”
Ross looks away from the onions he’s planting. “Farming goes in cycles,” he tells me. “Until the 1940s, small farms were the norm around here. Then, Big Ag arrived. Now the pendulum is swinging back. The small farm movement is growing again all around the world.”
And close to home, too.
The “Farmily”
Flatbed Farm in Glen Ellen on Highway 12, a mere 1.8 miles from Oak Hill, is operated by three women who call themselves “a farmily.” Sofie Dolan owns the farm with her husband, Chris, the co-founder, and with his cousin, Matthew, the executive chef at 25 Lusk, which is one of my favorite San Francisco restaurants. Once, Lusk took much of the produce Flatbed had to offer. Now, the produce is mostly sold on Saturdays, from 9am to 3pm, to loyal locals who shop as though it’s part of their religion.
“We have a series of monthly outdoor workshops to educate people on how to garden on their own,” Sofie says.
Her family members were farmers in Sweden. She still remembers “Hostbeck”—that’s the name of the farm—the land, the hayloft and the chicken coop. “We’ve tried to recreate some of Hostbeck here,” she says.
Hayley, from Maine, has long felt passionate about plants. She’s the farm manager during the day and in the evening a waitress at Salt & Stone on Highway 12 in Kenwood—which features local mushrooms, oysters from Drake’s Estero and Atlantic lobster.
“During the pandemic, Flatbed has been my sanctuary and my pride,” Hayley tells me. “I talk to the plants and play classical music for them.” She pauses a moment and adds, “One of the silver linings of the pandemic is that it has brought the farming community closer together than ever before. We have reached out one to another, shared seeds and did trouble shooting together.”
Hayley is helping to educate customers about companion planting. She’s also putting into practice things she learned at school. “I belong to a network of women farmers who are also mothers,” she tells me. “We embrace Mother Nature and have a sense of acceptance about the rhythms and cycles of farming.”
Amie Pfeifer writes the Flatbed newsletter, which includes recipes for meals that are “fast, healthy and delicious.” She also runs the Flatbed store, which sells produce, flowers and “value-added products” like preserves and pickles. Amie grew up on a farm in Nebraska which once depended on manual labor, but is now “industrialized” and grows GMO corn. “I got out of unhealthy and into health,” Amie tells me. “If you want to be happy, don’t take a pill, go to a farm or to a farmers’ market.”
It’s time to head to Flatbed, where you can buy vegetable starts and meet the “farmily.” Hayley, Amie and Sofie would like nothing better. Erase the blues. Turn over the soil and grow your own. You might find it addicting.
Jonah Raskin is the author of “Marijuanaland: Dispatches from an American War.”
The Sonoma County Board of Supervisors adopted a resolution Tuesday declaring a local drought emergency and asking the governor to seek a drought declaration from the federal government.
The action follows the April 21 visit to Lake Mendocino by Gov. Gavin Newsom, who proclaimed a state of emergency in Sonoma and Mendocino counties due to drought conditions in the Russian River Watershed.
Lake Mendocino is at 43 percent of target capacity and Lake Sonoma is at 62 percent of capacity, both the lowest they have been on this date, according to Sonoma county officials.
Supervisor Lynda Hopkins, the board’s chair, said the resolution provides the county with more tools to support the region’s agriculture and economy, including seeking funding requests.
“The drought in Sonoma County may result in broad impacts and considerations that extend beyond drinking water and conservation efforts,” she said in a statement released Tuesday by the county. “In some instances, such as local agriculture, the drought has created a critical emergency with significant crop loss and costs to local producers. Now is the time to save every drop of water. There is no water to waste.”
After more than a year since the pandemic canceled live events, local theater companies have moved online and are still finding new ways to produce dramatic works for virtual and distanced audiences.
In May, two North Bay productions add interactive and multimedia elements to their plays, as Left Edge Theatre presents Eat the Runt, May 1–23 and Marin Theatre Company presents the world premiere of Brilliant Mind, May 18 to June 13.
Inspired by true stories of first-generation Americans, Brilliant Mind is an innovative new work, created by Egyptian-American playwright Denmo Ibrahim, that deals with generational trauma and the challenges facing immigrant communities, as well as a story of hope, resiliency and family.
“The idea for the project stemmed around my interest in immigrant communities and their relationship to mental health, in particular when they are developing families in America,” Ibrahim says.
After the death of her father in November 2020, Ibrahim developed the plot of two siblings who learn of their estranged father’s death and bury a man they never knew.
Knowing that the play would not be told in a live setting anytime soon, Ibrahim shared the idea with producer and digital and interactive designer Marti Wigder Grimminck, and they began collaborating on the project though Storykrapht, an international production company the two launched earlier this year.
“I had already been dreaming of a digital experience, and as soon as I started telling Marti this idea of family and perception, she could see how the technology could support the story,” Ibrahim says.
Utilizing the digital platform, Brilliant Mind tells its personal story through the lens of real-time live performance blended with film, text messaging and other audience engagements.
Ibrahim adds that Marin Theatre Company Artistic Director Jasson Minadakis committed to the project before he saw the finished work, and that his support to the process gave space for the creative team to reimagine what a theatrical experience could be in a digital space.
“In this experience, we’ve had to think about this story in many different textures,” Grimminck says. “But, we’re not losing sight of this story; it’s a beautiful story that Denmo has written, and we don’t want the tech to overshadow that.”
Audiences can also get involved in Left Edge Theatre’s digital production of the satirical comedy Eat the Runt. The play streams live May 1–9 and on-demand May 10-23.
Each night, the eight actors don’t know which of 7 roles they’ll play until the audience chooses any one of the 40,320 possible casting combinations through an interactive online poll.
“It’s really different night by night,” Left Edge Theatre Artistic Director Argo Thompson says of the play, which is about a series of job interviews. “It’s a play about your preconceived ideas about people and the job interview process, and how it’s a hotbed of politicization.”
Thompson hopes that Eat the Runt will be Left Edge’s last digital-only production as Covid restrictions ease. The company is already planning to present its final play of the season, Slow Food, in-person as well as online in June.
“We’re going to continue to record our shows and offer them livestreaming or on-demand, even after we move to in-person,” he says.
Everyone’s a rock star; it’s true. What is also true conversely, is that every “rock star” is a person just like you. How so? Rock stars appear to do what they want, when they want. They make cool things, keep their own hours. They live by their own rules. How am I also, a rock star? I’m just a normal person.
You can approach this existence simply by being yourself; a “normal person.” By being open to the fact that “rock stars” are everywhere. You can attract other stars more easily than you think. And, as we come out of this pandemic mess, it all starts locally.
You like sculpture? Start a sculpture-appreciation night once a month and host walking tours of acceptable locales. Food? Throw together a cooking class at the BBQ in the park to show what you’ve got. There’s no limit.
Passionate about music? Put up a flyer and invite musicians over. If your yard is too cluttered, ask a local establishment if you can “drum up some business” every other week and start a local music night at the local falafel shop. What you focus on expands.
Combine your interests for fun and merriment. If you like something and wish it to be more prevalent in your life, make it so! Love live music? Making friends? You like to know what’s going on in your town? You wish to practice extroversion?
Create space for these things to happen. Create a space where ideas are shared, where things happen. In Coviddy times, it can be your front yard or garage—that vacant lot at the end of the block.
What’s important—in fact, the only important thing—is to be yourself and share your passion. Passion comes through. Passion resonates. Pretty soon, you’ll find yourself getting better at living your dream life.
Pretty soon you’ll realize you’ve been amongst rock stars this entire time.
Greg Ceniceroz—a.k.a. “Ceni”—hosts Open Mic With Ceni at Hopmonk Sebastopol every Tuesday night, forever. To have your topical essay considered for publication, write to us at op*****@******an.com.
Heroines, Harpies and Harlots—a theater project born to let all who identify as female have a voice—returns for a second year with another festival of theater pieces that delve beneath the surface of what society thinks a woman should be to find who they actually are through individual stories.
They are presenting, in conjunction with the Cloverdale Performing Arts Center, a program of original works titled “In Their Own Voice: a virtual on-line festival about what happens when you let a woman speak.” The festival will stream May 8–16.
The festival features an all femme/female-identifying/non-binary group of Sonoma County artists of varying ethnicities, races, sexualities and ages. “I started looking for artists in the community that I knew had stories to tell,” said festival-producer Beulah Vega. “Artists who I respected as strong human beings, who I saw as people who had stared trauma in the face and who had found ways to grow beyond it. I looked for artists who I saw turning around to help others along the way. I especially looked for artists who had something to say, and were never given a chance to say it.”
Last year, Vega worked very hard to find stories about women/female-identifying/non-binary people that were not focused on domestic or sexual violence, as she believes there is more to telling someone’s story than just the worst moment of their lives.
For this year’s festival, 22 Sonoma County–based artists are working on five pieces in which the authors will also perform. “Yes, some of the stories that came from this are traumatizing,” Vega said, “but some stories are only focused on trauma as a way of saying ‘Look! You wanted to see real trauma, look at it for what it is. Now change it!’”
Vega adds that other stories, while rooted in trauma, are about rising from it and coming back to wholeness.
“Some of the stories don’t focus on or use trauma at all, they are stories about the experience of deciding to be oneself no matter what others say you should be, and no matter what the world does,” she said. “Some are true stories about the artists themselves, some are conglomerate stories about a slew of experiences. There is dance, poetry, storytelling and traditional theater. The voices are multi-racial. The voices are every color on the queer spectrum. The voices come in every shape and size. The one thing that they all have in common is their strength.”
By Joy Appleby
I just attended a funeral.
It was not my first. At the other two services, my mind and emotions shut off. I don’t remember them, more than arriving, feeling weird and feeling no connection with anyone else present, alive or underground, although I was related to the celebrants.
I didn’t know what to expect from a funeral service, much...
Fourteen months into the Covid-19 pandemic, the North Bay’s restrictions are slowly, but surely, lifting on social gatherings.
With that, one of the region’s most popular past times–live music–is making its way back with socially distant, outdoor concerts like the upcoming SOMO Grove Dinner & Music Series.
The series is curated by event producer, booker and promoter Bryce Dow-Williamson, who worked...
Each June, Sonoma County Pride gathers in locales like the Russian River Valley and downtown Santa Rosa for massive, celebratory festivals filled with parades, dance parties and other fun.
Last summer, the Covid-19 pandemic forced the Sonoma County Pride Board of Directors to cancel the 2020 Pride Festival & Parade. A year later, Sonoma County Pride returns for in-person...
Already a popular spot for outdoor gatherings, Sonoma’s Historic Plaza is getting an artistic addition this summer, as Sonoma Valley Museum of Art and the City of Sonoma present the new public art installation, “A Delicate Balance.”
On view in the downtown plaza from May 4 to October 19, the exhibition will feature 8 large-scale sculptures by four outstanding artists...
Local farming makes a comeback
Rooted
All across the U.S., Americans of every shape, size and skin color are taking up farming and growing vegetables in the spirit of Joy Harjo, the Native American poet who writes:
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth, brown earth.
They’re remembering the earth in the North Bay’s valleys and...
After more than a year since the pandemic canceled live events, local theater companies have moved online and are still finding new ways to produce dramatic works for virtual and distanced audiences.
In May, two North Bay productions add interactive and multimedia elements to their plays, as Left Edge Theatre presents Eat the Runt, May 1–23 and Marin Theatre Company...
By Greg Ceniceroz
Everyone’s a rock star; it’s true. What is also true conversely, is that every “rock star” is a person just like you. How so? Rock stars appear to do what they want, when they want. They make cool things, keep their own hours. They live by their own rules. How am I also, a rock star? I’m...
Heroines, Harpies and Harlots—a theater project born to let all who identify as female have a voice—returns for a second year with another festival of theater pieces that delve beneath the surface of what society thinks a woman should be to find who they actually are through individual stories.
They are presenting, in conjunction with the Cloverdale Performing Arts Center,...