No Probation

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Jailhouse Rock

By Bruce Robinson

WHAT WE FOCUS ON these days are sex and violence,” says Paul Aguilera. “That’s all we can do anymore.” The director of adult probation for Sonoma County, Aguilera has watched the caseloads of his officers swell dramatically in recent years, from about 30 cases per officer in 1981 to 180 or more today. “We even have some caseloads that border on 300.”

With such massive numbers of people to administer, the amount of personal supervision the probation officers are able to provide has inevitably declined. “The larger the caseload, the more violations you’re going to have” among those cases, Aguilera explains, even if many of them are minor or technical violations. “Every violation requires three reports, so you’re more office-bound than ever before.”

Meanwhile, the Sonoma County Probation Department’s budget, now about $18 million a year, has remained “pretty flat” in recent years, Aguilera says. In 1993, “we lost four and a half officers because of the tight budget, and no, we haven’t gotten them back.”

So the department has made choices–for instance, the officers no longer actively supervise felony DUI cases–and concentrated its efforts where the need is seen as greatest. “San Diego has 18,000 felons and actively supervises 3,000 of them,” giving full attention only to violent and sexual offenders, Aguilera says. “That appears to be the model that’s being taken on more and more all over the state.”

Contrary to what one might expect, the burgeoning workload shouldered by the Probation Department is not due to California’s “three strikes” law, at least not yet. “We’re still waiting for that fallout,” Chief Probation Officer Bob Gillen says. So far, “the impact has more to do with the increase in felonies that are being charged and processed by the courts, and the ultimate placing of those felons on probation.”

“There’s nobody here who disagrees with the concept of ‘three strikes’ for violent offenders,” Aguilera adds. In fact, he says, many take it a step further and support “one strike for sex crimes.”

But the pace is now being set by prosecutors, Gillen notes, as the law leaves little flexibility for other players in the judicial process. “The decision-making of the courts is limited, and that probably has more impact on what’s happening [to the Probation Department] than anything else,” he observes. “You just don’t have the discretion of the judge playing a role with these individuals. There is a sentencing that is set in law, and whether it fits or not, that’s what has to be followed.”

And the caseload in local courts has been growing rapidly, too. According to Greg Abel, executive officer for Sonoma County courts, “We had two years of 30 percent increases in felony filings” in 1994 and 1995. Even though the filings dropped off by 20 percent in 1996, that is still a net increase of 40 percent over three years.

At the same time, the persistent crowding in the Sonoma County jail has forced implementation of various forms of alternative sentencing, such as work release, home confinement, and electronic monitoring, all of which place additional demands on probation officers. “They’re getting squeezed pretty hard in a number of areas,” Abel says. “It sort of has an exponential impact on them.”

Further, Abel notes, the cases are more serious than ever before. “We had a huge increase in the number of assaults, both felony and misdemeanor. And we’ve had a lot of increase in the domestic violence filings.”

In response, the Probation Department has created “one of the first domestic violence units in the country,” Aguilera says. “We’re very committed to this area,” which he characterizes as “an overlooked part of crime.”

The new emphasis is well justified, he continues, because of the ripple effect domestic violence has throughout our society. “Kids in domestic violence households are 65 percent more likely to be abused, physically, sexually, or emotionally,” Aguilera elaborates. “When these children grow up in a house where violence is the norm, they take it not only into their next home, but into society. Because that’s the only thing they know that works.”

Established last February, the domestic violence unit was initially set up with 125 cases for each of the officers involved. Within six months, that number had grown to 175 cases each. “These officers ought to be working 40 cases, at best 60 or 75,” Aguilera sighs. The national standard, he adds, is 50. These officers not only monitor the defendants, “to make sure they are not being a danger to victims and provide a line of communication for them,” but also help set up protection plans for the victims and encourage the clients “to get into counseling, to become aware of the dynamics of domestic violence,” Aguilera says.

ANOTHER SOURCE of frustration is drug offenders. “Every dollar spent on drug treatment saves $7 in future costs,” Aguilera says, “yet we’re spending all this money building prisons” while cutting treatment programs.

He cites a study produced by the state that found that in 1991-92, California reaped $1.5 billion in savings from the $209 million spent on drug treatment efforts. “We’ve proven over and over again that way works,” Aguilera says. “The problem is that a lot of that stuff is political.”

And in the current political and economic climate, “treatment on demand just isn’t there,” he says. “A lot of our clients sit in jail 12 months or more waiting to get into a treatment program.”

Not only does that compound jail-crowding concerns, but the delay also tends to dilute the effectiveness of the programs, as someone who has already served a major part of his or her sentence incarcerated tends to be far less motivated to make a good-faith effort in a drug rehab program.

There are just 155 residential drug treatment “slots” available at any one time in Sonoma County, which are “pretty much full all the time,” confirms Geoff Wood of the county’s Alcohol, Drug, and Tobacco Services, while the programs get more than 300 referrals a year. “There are always more [referrals] than there are slots available,” he says.

Despite all these frustrations, Aguilera insists that morale in the department is holding strong. “You do what you can with the resources you have,” he shrugs. “We are critical in the lives of people. Every client we see off drugs, every person we teach to use non-violence, that’s a success.”

The probation officers even mounted their own toy drive again this Christmas, playing Santa to some 450 kids in their client families. “We don’t believe the child should go without because the parents are in trouble,” Aguilera smiles.

“We’re incurable do-gooders here.”

From the January 9-15, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

The Scoop

Pot Shots

By Bob Harris

LAST NOVEMBER, voters in California and Arizona approved the use of marijuana for medical reasons. Because it reduces intraocular pressure, marijuana wails on glaucoma, and since it creates major munchies (hmm, Clinton jogs every day and still never loses weight), it’s also useful in treating life-threatening anorexia, chemotherapy-induced nausea, and the wasting syndrome of many AIDS patients.

Last week, Attorney General Janet Reno–who permanently wears Mr. Yuk Face–flouted democracy, announcing that doctors who prescribe marijuana will still face federal prosecution. Even though truly dangerous crap like cocaine, morphine, and Percodan is perfectly legal to prescribe, Janet Reno says medical marijuana sends the wrong message about drugs.

Messages? Hello?!?! Joe Camel is the best known cartoon in America, and–watch carefully–a single pro football game on TV contains nearly 100 beer ads. You want to save kids from drugs? Publicly denounce Jesse Helms and Dick Gephardt as front men for Philip Morris and Anheuser Busch.

Janet Reno should grill noted stoners Bill Clinton, Newt Gingrich, Al Gore, and Rush Limbaugh before screwing with the 60 million other Americans who have tried pot–or the doctors who want to use it to save dying people. Banning medical marijuana doesn’t send a message to children; it just sends compassionate doctors to prison.

Can marijuana really be a medicine? Yup. It was first used as a pain reliever in China over 5,000 years ago, and herbalists in India have prescribed it for headaches, insomnia, and nausea for at least 3,000 years. Its use in Europe extends all the way back to Galen and the ancient Greeks. Between 1839 and 1940, cannabis was one of the most common pain relievers in America. Over 100 medical journal articles recommended cannabis for various conditions, and the drug was sold over-the-counter by Parke-Davis, Eli Lilly, and Squibb. Only laws subsequent to the Marijuana Tax Act of 1937, which had less to do with public health than with protecting the paper and synthetic textile markets from hemp production, curtailed marijuana’s legal medical use in the United States.

However, continuing clinical studies reported that marijuana can even be used as a powerful antidepressant, anticonvulsive, and antibiotic. Illicit medical use remained widespread.

Still, from 1976 to 1990, the U.S. government supplied over 160,000 marijuana cigarettes to about 50 glaucoma and cancer patients under the Compassionate Investigative New Drug Program. The results were encouraging, and in 1988, even the DEA’s own administrative law judge wrote that “marijuana, in its natural form, is one of the safest therapeutically active substances known.” So there you are. The program was killed because, to be blunt, George Bush is evil.

In marijuana’s place, the government approved Marinol–tetrahydrocannabinol (THC), marijuana’s go juice, in pure form–from which the drug industry (in which Bush was personally invested) can make a jillion dollars. Trouble is, Marinol is often useless: patients who need THC precisely to fight severe nausea tend to vomit the capsule.

Marinol also has scary physical and psychoactive side effects, and an overdose can kill. Window-box pot is cheap, euphoric, and impossible to overdose on.

So is medical marijuana just a Trojan horse to legalize pot for recreational use? No. It’s about saving lives.

Look, I smoked enough hemp in college to rig the U.S.S. Constitution, but I stopped 10 years ago. The cancer risk bugged me, I write better straight, and it’s nice to actually remember the lyrics to my favorite reggae songs. However, before my own father died of chemotherapy last year, my family watched him slowly wither as a result of severe nausea. If Dad had wanted to light a joint so he could ease his pain and swallow a solid meal, I would have gladly gotten him one. So would you.

That’s all this is about. How many cancer specialists consider marijuana a useful medicine? Forty-four percent of oncologists recently surveyed admitted to illegally recommending marijuana at least once. Your government considers these doctors criminals. I’m surprised Janet Reno hasn’t called out the BATF, sprayed flammable CS gas into Mt. Sinai, and incinerated the cancer ward–all in the name of saving the patients.

You can hear The Scoop in RealAudio or check out the columns in print.

From the January 9-15, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Wal-Mart Censorship

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Wal-Mart Blues


Banned in Rohnert Park: Is Marilyn Manson too nasty?

The nation’s biggest retailer is under fire, not for gun sales (sorry, Sheryl Crowe), but for censorship of rock and rap CDs.

By Hank Hoffman

SNOOP Doggy Dogg is being executed in the aisles of my local Wal-Mart store. A dozen or more display TVs in the aisle next to the compact discs department are tuned to MTV, airing the video for “Snoop’s Upside Ya Head,” a cut from the platinum-selling gangsta rapper’s hit Tha Doggfather album.

In the video version, a white actor playing the warden of the prison in which the controversial rap star is held addresses a press conference in the voice of a circus ringmaster. “Ladies and gentlemen! It is with great pleasure that I welcome you to the first execution of a gangsta rap singer, Snoop Doggy Dogg!” he exclaims with a flourish. “Our country and its people will be renewed by the elimination of this scourge to propriety, this menace to wholesome values.”

He pauses to wipe some unsightly dust off the electric chair. “So, without any further ado, let’s juice him!”

In Wal-Mart, consider him juiced.

I ask a clerk where I can find the Snoop Doggy Dogg disc. “Hmm, well, I don’t think we have it, but if we do, it would be here,” he says, thumbing through the “S” bin of pop CDs. Sure enough, we don’t dig out that Dogg. This isn’t really a surprise. Wal-Mart has a policy of not carrying any CDs that carry the notorious parental warning label.

Still, I ask the young clerk why they don’t have it. “It’s a family store,” he elaborates. “We don’t carry other things that might bother people, like Marilyn Manson or Korn either.”

These are hit records. Up the street at a chain record store, they are arrayed on the wall in the Billboard Hot 100 display. Does anybody at Wal-Mart–which has an outlet in Rohnert Park and another planned for Windsor–ever complain about their absence? “Some people do,” he shrugs. “But it’s Wal-Mart; it’s not a real record store.”

Perhaps not, but it is a real power in the retailing biz. In some areas of the country, Wal-Mart is the only place to buy CDs or tapes. While it is well known that Wal-Mart doesn’t carry labeled CDs, the New York Times recently detailed in a front-page story how the chain and other big retailers are having an insidious effect on music and movie production. Like cancerous cells, adulterated censored CDs are proliferating in Wal-Mart’s bins, in many cases without being identified as such.

In some cases, CDs are altered to bleep out “bad” words. For instance, the cover of a White Zombie disc, Supersexy Swingin’ Sounds, was cleaned up by airbrushing a bikini onto a nude model reclining in a hammock (even though no naughty bits were visible). A song on the back of Primitive Radio Gods’ Rocket CD is identified as “Motherfker” in the aforementioned record store, but as “Mother” at Wal-Mart.

The New York Times also identified creepier instances of corporate power being used to suppress ideas. Wal-Mart won’t carry Sheryl Crow’s new record because she chides the company for allegedly selling guns to children. The figures of Jesus and the Devil flanking John Mellencamp on the cover of his new record, Mr. Happy-Go-Lucky, are airbrushed out of the copies available at Wal-Mart. Mellancamp reportedly OK’d the change in the interest of record sales.

In a sanitized world, apparently, we can’t acknowledge moral conflict. Since then, Usenet newsgroups have been buzzing with calls to “Boycott Wal-Mart!” and dialogues over whether it’s really censorship if the pressure on the artists comes from private corporations rather than the government.

And record companies are running scared.

This makes Sen. Joseph Lieberman, D-Conn., very happy. For the past few years, Lieberman, along with virtuecrat and former federal drug czar Bill Bennett, C. Delores Tucker of the National Political Congress of Black Women, and ex-Sen. Sam Nunn, D-Ga., have been leading the charge against the entertainment industry. Lieberman and his cohorts have targeted violent video games and trash-talk TV and, accepting the baton from Tipper Gore (who’s been quiet on the issue since hubbie Al Gore became vice president and L.A. record execs eagerly opened their wallets to the Clinton presidential campaigns), have lambasted record companies for promoting products that feature violent and misogynistic lyrics, particularly in rap.

“Some of the rap music and other music is just the most violent, anti-woman, pro-drug stuff that I’ve ever heard. So three cheers for Wal-Mart,” says Lieberman. “There is freedom of speech in this country–we’ve always said that in our appeals to the record companies to try and clean up their act–and just as there’s free speech, in a free market Wal-Mart doesn’t have to carry anything it doesn’t want to carry, and of course that has an effect because they’re such a big retailer.”

But does Lieberman–who says he got involved with Wal-Mart in the campaign to get ratings on video games–find the Mellencamp or Crow cases worrisome? “I have felt that the record companies, the big businesses that produce music, have been so irresponsible that my first reaction to the Wal-Mart story was, ‘Thank God that these people are being responsible’ and, generally speaking, I think that’s true,” explains Lieberman, who says he was briefed about the article and was not familiar with those particular details.

“But you have presented me with some cases where, if I were Mr. or Mrs. Wal-Mart, I would have done it a little differently, sure, but this will all work itself out.” He allows that “in the best of all worlds” Wal-Mart would inform the customer that CDs have been altered.

“My guess is, knowing how fast information flies, this will make people who are buying records skeptical and they may ask questions at the counter or they may decide to shop elsewhere,” Lieberman says.

And anyway, he adds, the consumer market is so big in this country that anyone can get anything–by mail even, if Wal-Mart is the only retail game in town.


Wal-Mart Rebels: Is Korn not wholesome enough for local consumption?

SINCE the censorship story broke, Wal-Mart’s PR flacks have been in damage-control mode. Although the retailer’s bins bulge with bleeped “fucks” and sanitized airbrushed covers that would be the envy of any Stalinist, the company’s corporate face is frozen in an expression of wounded innocence. There are no boastful statements on how they’ve muscled sleazeball singers into washing out their mouths with electronic soap.

Instead, the huge Arkansas-based retail chain founded by patriarch Sam Walton presents itself as a warm and fuzzy family-friendly company that stands for “traditional values.”

But the corporation is a bare-knuckled, sharp-elbowed competitor with a reputation for going into a community, engaging in predatory pricing, and leaving local storefronts empty. Wal-Mart denies using its corporate power to create an alternate market of bowdlerized CDs. In the official pronouncement posted on its Web site, the company states that it “does not alter CDs, albums, or other music that is offered in our stores.” (It’s a disingenuous statement; no one has accused non-manufacturer Wal-Mart of altering the discs itself.) Nor does the company feel it has any obligation to identify such altered discs for its customers.

“We do not talk to artists, we do not go to the recording industry and say you have to do a, b, and c for us to sell your product,” says Betsy Reithemeyer, a spokesperson at Wal-Mart headquarters in Arkansas. “If a manufacturer wants to sell their product in Wal-Mart, they have to meet certain standards. If a manufacturer chooses to place a warning label on their merchandise, we have to look at that and consider it. If they want to put two CDs out on the street–one with one set of lyrics and one with another, that is certainly their choice.”

According to Reithemeyer, it is the distributors and record companies that have the responsibility to identify product as altered, not the retailer.

The consumers, it seems, have the choice to trust Wal-Mart’s judgment, not to use their own. Wal-Mart’s denials aside, it’s counterintuitive–as one individual who works with both producers and retailers on free speech issues told me–to imagine that manufacturers would change their product without impetus from the retailers. And Wal-Mart is the most outspoken. As the retailers act to advance a conservative cultural agenda and protect record consumers from their own tastes, the music industry is running for cover.

“The most telling thing in that New York Times article is the dog that didn’t bark. There’s not a single record executive quoted,” says rock critic Dave Marsh. “In the wake of the Tucker-Lieberman thing, that’s how cowed they are.”

Publisher of the politically oriented newsletter Rock and Rap Confidential, Marsh is a stalwart opponent of censorship. He rejects even the parental warning stickers, pointing out that they result in the blacklisting of the CDs that carry them. He believes retailers have a civic obligation to make available a wide range of material, even–perhaps, especially–material that makes people uncomfortable.

“The point of the First Amendment is not to protect things everyone agrees on. It’s to protect things people don’t agree on,” Marsh argues. “If they’re eliminating what is controversial, they’re not being good citizens.

“This is not about protecting people. Wal-Mart sells guns, they sell junk food–how many carcinogens do you think they sell at Wal-Mart?” asks Marsh. “It’s about forcing people to think like Christians from Arkansas.”

Imagine if, instead of banning obscenity-prone rappers, a major national retail chain announced it would no longer carry Christian pop music. Not because it doesn’t sell–it sells big–but because it doesn’t comport with the values the retailer likes to think it shares with its customers. And, imagine further, that the store had a demonstrable, if unstated, policy of accepting those same recordings if all references to Jesus or God were expurgated.

Christian conservatives would be up in arms at attempts to pressure their brethren and sistren into denying their faith.

I didn’t get very upset a decade or so ago when Tipper Gore and the Parents Music Resource Center were pushing for warning stickers on records. What’s so bad about letting the consumer know what’s on a disc?, I thought. And even now, as the father of an 8-year-old son, I find the ratings on videos helpful in deciding which are appropriate for him to watch. But it has turned out that so-called alarmists such as Dave Marsh and the late Frank Zappa–the avant rocker who led the charge in the 1980s against the PMRC–were right. The warning labels are used to compile blacklists. And the surrender on the warning labels has just led to further surrenders, which has led to censored compact discs in the bins of Wal-Mart.

They look the same but they aren’t the same–they’re different by a factor of fear.

Censorship is easily recognizable when it’s practiced by the government. But this is censorship, too: It’s the attempt to impose the conservative values of Wal-Mart and Joe Lieberman on the public by denying access to cultural products that differ from those values. It is argument by suppression, intimidation, and–in Wal-Mart’s case–stealth.

It isn’t just Snoop Doggy Dogg who is being executed in the aisles of Wal-Mart. It is also the idea of an open and lively culture, one in which values are debated rather than imposed by authoritarian fiat, a culture in which the mainstream still has access to the margins and vice versa. Wal-Mart has a right to act as a cultural censor.

It’s just wrong to do so.

From the January 9-15, 1997 issue of the Sonoma County Independent

This page was designed and created by the Boulevards team.
© 1997 Metrosa, Inc.

Chili Peppers

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Where There’s Smoke


peppers are hot, hot, hot

By Gretchen Giles

WHEN CHRISTOPHER COLUMBUS first set foot on North America, proclaimed it to be India, plucked a chili from the ground, and pronounced it black pepper, he couldn’t have known that his mistakes would then make him the biggest mass marketer of chili peppers in history.

Bringing chilies back from the New World to the Old, Columbus set tongues afire wanting more–literally. Endorphin exciters, these peppery little puppies are actually addictive, mixing pleasure with pain in an oral mix of tastebud receptors and opiate downloads. Coupled with coffee, tobacco, and chocolate–peppers help indict poor Chris as probably the first pusher. And as with any good high–the more you do, the more you can take–capsaicin, the active heat element, burns out sensitivity with each new rush.

Today, there are more than 200 different varieties of peppers, more than 100 of which are indigenous to Mexico, and the chili craze is just getting hotter. With peppers a $2 billion-a-year industry in the United States, growing them is the easy part; it’s the curing of the peppers after plucking that’s a peck of trouble.

Just ask Lee James. Partnered with her brother Wayne in Healdsburg’s Tierra Farms, James first grew peppers to string in decorative ristras, those long red chains of chilies first hung by Aztecs anxious to ward off bad spirits or burned by them to build a wall of virulent smoke against their enemies. Now considerably domesticated, ristras are more likely to adorn a suburban kitchen’s wall, right next to the cozy die-cut of a calico-clad goose.

Taking her fresh peppers and ristras to farmers’ markets in Sonoma, Marin, and San Francisco counties, James was implored by a customer to begin growing the fiery chipotle variety. “I told her that you don’t grow them,” remembers James, “you make ’em.” So make ’em James did, working with her brother to ingeniously build a smoker out of their grandmother’s abandoned refrigerator, and using the trimmings of their backyard vineyard to stoke the fires. Beginning with the traditional jalapeño variety, the Jameses now apply the chipotle style of preservation to their Serrano, New Mexican, and Wax Hungarian varieties in their new brick smoker. Even their summer’s-end bounty of homegrown tomatoes often get chipotle-ized.

Producing some two tons of fresh chilies a year and one ton of dried, the Jameses have found that peppers are a blazing business. Retailing directly through farmers’ markets this team has found that while their basil, winter squash, corn, and asparagus crops are snapped up, it’s the peppers that people come back for. And grocery store chipotles just simply won’t do.

“They’re probably about two to three years old,” Lee James estimates of these chilies, brought mostly from Mexico. “I’ve never been able to get a seed to germinate from a store-bought chili. They’re always a sort of brownish orange, some of them are black; they get black with age. Our chilies are bright red, the stems are green, and the flavor is just really fresh. We don’t sell anything that is over a year old.”

As for Americans’ growing devotion to anything with the promise of a tongue-sear, well–blame it on the world. After all, next to salt, chili is the second most commonly used spice on the sphere. Those in the know warn that water and beer are the oil-to-fire anti-antidotes to chili heat; they just make it worse. Dairy products chill the chili best, their protein casein interrupting the fiery job of the capsaicin, and a pinch of salt under the tongue or a squeeze of lime helps quell the flames–if that’s what you want.

But why dull the buzz when that’s just what you’re after? Ask any devoted chili-head and she’ll tell you that it’s the heat that gets them into the kitchen. In fact, more than one Web page on the Internet is devoted to nothing but the oral fixations on chilies (try http://firegirl.com for a mixture of the naughty and nice).

And what’s better, the darn things are good for you. Loaded with vitamin C when they’re fresh and with vitamin A all the time, the capsaicin in chilies–found in the vegetable’s seeds and membranes–is used as an analgesic to soothe aching joints, as a treatment for impotence, psoriasis, poor circulation, parasites that like to party in your intestine, and even, of all things–to ward against ulcers. In the homeopathic concept of like likes like, researchers are discovering that eating plenty of spicy foods actually protects your stomach’s lining. Next they’ll be telling us that cigarettes rejuvenate the lungs.

Whatever the reasons, what a joy to discover a guilty pleasure that one doesn’t need to feel guilty about. As for Lee James, a chili a day seems to have kept all doctors away. Strong, with unlined skin and clear eyes, James smiles when asked if she imbibes daily. “Oh,” she chuckles, looking around her storage barn where chilies are hung, bagged, boxed, and floored all around. “Probably.”

For more information on Tierra Farms, call 433-5666.

From the Dec. 26, 1996 – Jan. 1, 1997 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

Antennas

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Site Lines


communications antennas

By Bruce Robinson

BRACE YOURSELF. The second wave of telecommunications antennas is heading this way. From Sebastopol’s English Hill to Rincon Valley, Sonoma County has become an uneasy host to the proliferation of cellular telephone technology. By the time the county adopted a new policy governing the locating and permitting of new telecommunications facilities last summer, there were more than 50 cellular phone antenna sites already in place across Sonoma County, from remote hilltops to the roofs of high-profile buildings. That was the first wave of the new technology.

The second is about to break.

“By and large, the cellular telephone network is pretty mature,” says Greg Carr, the senior planner for the county who drafted the new policy. “But the PCS [personal communications systems] is the newest wave of the service, and it’s the one that is generating most of the applications at this point.”

How many applications are coming? No one has a clear sense of that yet, not even the industry itself. Unlike the first wave of cellular service, PCS signals are entirely digital. Among other things, that means that they take up less bandwidth, which in turn does not require installations as large as typical cellular antennas. Unlike cellular, however, PCS does need to maintain line-of-sight transmission points, which usually means more relay stations positioned closer to one another.

A standard PCS antenna is about six inches wide and three feet tall, explains Pacific Bell spokesman Eric Johnson, and can “see” a range of 120 degrees. With three antennas mounted on a single pole, that site can send and receive in all directions. But in urban areas, Johnson says, the three antennas can sometimes be separated and disguised, so that they are less noticeable. “What PCS provides is the ability to camouflage, to place them in such a way that they’re not noticeable,” he explains.

This camouflage often includes placing the antennas on the sides of existing structures, which can be anything from billboards to church steeples. In one case, Johnson says, the antenna was attached to the side of a building and covered with stucco to mask it.

However, the first public debate over this new technology in Sonoma County centered on a tower that will remain clearly visible, much to the distress of neighboring property owners. The 48-foot tower, to be erected on Pac Bell­owned property surrounded by homes, will stand between Ed Sherman and his view of Annadel Park. Even though that is shorter than the 65-foot tower that was first proposed, Sherman contends the Santa Rosa City Council failed to impose adequate conditions to screen the tower.

“I was very disappointed that the City Council didn’t want to listen to the neighborhood,” Sherman says. “We pointed out several times that there’s an existing law on the books that covers existing antennas and how they affect the neighborhoods. It says in black and white, here are the conditions you have to meet in terms of screening something. And they don’t want to even enforce their own laws.”

Sherman has lobbied, so far unsuccessfully, to have the antenna installation disguised as an artificial tree, something that has already been done once elsewhere in Sonoma County.

That installation, on a ridgetop overlooking Highway 101 south of Petaluma, is 40 feet tall and has been an effective deception, according to dairy rancher Jerry Corda, on whose land the fake tree stands. “It blends in fairly well with the landscape. For the commuters going through, it’s a little taller-looking tree is all,” Corda says. “From a distance I don’t think you would really know unless you looked with field glasses or a scope or something.”

But there are strong disincentives for the industry to plant these kinds of false trees, says Dave Hardy, a Santa Rosa planning consultant who works with GTE MobileNet on antenna applications. “They are 10 times more expensive [than conventional antennas] and they take a long time to get shipped,” Hardy explains. GTE has had its first fake tree approved for a site in another county, “and they’re waiting six months for it, whereas most of the other towers are available within weeks or a month.”

Despite those drawbacks, “it can be an effective measure,” Hardy says, “but can also be a poor imitation of a tree.”

As local cities scramble to adopt their own policies and ordinances governing antennas, the focus is likely to move from location to mitigation measures such as the false trees or “co-location,” in which several carriers install antennas on a shared pole.

Healdsburg planning director Richard Spitler notes that the state Public Utilities Commission’s General Order 159 gives the PUC authority to override local planning decisions if a phone company application for an antenna site is repeatedly denied. “The purpose is to make sure that a major carrier isn’t held up, either procedurally or by conditions that are so costly they can’t reasonably provide the service at the time or cost they need,” Spitler explains. “You can’t just keep denying these things and hope they will go away, because they won’t.”

From the Dec. 26, 1996 – Jan. 1, 1997 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

The Scoop

Online Porn

By Bob Harris

IF YOU BELIEVE Time, Newsweek, and the Weekly World News, online pornography is becoming a national crisis: children everywhere are logging onto the Internet, stumbling into pictures of nude women and immediately degenerating into drooling little perverts.

I use the Internet constantly to research these articles and my lectures. Last week, when I needed to double-check some stuff about Kurdistan, I had everything in about 10 minutes. And I didn’t see any naked ladies.

But is it possible the kids are at risk? Finding out meant hours of grueling research, seeking out and examining dirty pictures. Never one to shirk my devotion to truth, your intrepid reporter spent an evening last week fearlessly immersing himself in cyberfilth. It’s a dirty job, but somebody’s gotta do it.

Here’s what I found:

The World Wide Web is full of kid-friendly point-and-click graphics, so that’s where I began. Using about a dozen search engines, I found roughly 200 sex-oriented sites in about five minutes. Wow.

But don’t get sweaty yet. Kids can’t even find their own shoes, much less remember 10 phrases like http://www.altavista.digital.com and then come up with keywords to describe things they’ve never seen.

Even if they could, most of what they’d find is about as dangerously erotic as an episode of Baywatch. A lot of “adult” websites are simply lingerie catalogs and such. Many others are just weird and harmless, like The Online Image Museum of Lycra, where some guy with a lot of time (and God knows what else) on his hands keeps an archive of speed skaters, disco singers, and TV superheroes for your viewing self-pleasure.

Nearly all of the hardcore stuff is at pay-per-view sites requiring a password and a credit card. Besides, the pictures take so long to download I can’t imagine anyone, especially short-attention-span kids, preferring this to a simple magazine. Peeking at my Dad’s hidden Playboy stash was a lot easier and dirtier.

The Usenet is a text-based area for such useful discussion groups as alt.elvis.sighting and alt.dinosaur.barney.die.die.die. You can’t just blunder into something horny here, and even if you did, photos have to be laboriously converted back and forth into binary code. And half the postings are for get-rich-quick schemes, which makes sense, since it’s all so time-consuming that regulars couldn’t possibly have a job.

Typical here is alt.pictures.celebrities.nude, with naked shots of Demi Moore, Raquel Welch, and Madonna–like you need a computer for that–and stuff like alt.binaries.pictures.erotica.disney, which is as goofy as it sounds. There are also skin shots aplenty of famous actresses making serious career mistakes.

Diff’rent Strokes, indeed.

Alt.binaries.pictures.erotica.fetish made me laugh out loud: pictures of men wearing diapers and wrestling in mud; a girl with about a hundred piercings swimming underwater; and a bald woman doing something with a beer can you’ll just have to imagine. (Yes. Exactly. You pervert.)

The best part was trying to figure what in hell happened to these people in junior high.

Obviously, this is nothing you want the kids to play with, but 6-year-olds can rarely type, much less penetrate Unix filename structures and uuencoding.

Notably, I saw no sign of the legendary kiddie porn, although religious zealots were everywhere, usually in nut-case-friendly All Caps: SINNERS! ESCAPE THIS TAWDRY NIGHTMARE! answered by a bunch of underwater diaper-wearing beer lovers writing things like “bite me bite me bite me.”

Now I see why people actually consider CNN’s Crossfire a form of intelligent debate.

I also sampled a few sex-oriented IRC channels and FTP sites and whatnot, with similar results. Of course, the Internet is big enough that there are certainly some bad things going on that I didn’t see. Welcome to Earth.

Still, just to be sure the kids are all right, I ran one final test. I sat my 6-year-old nephew down at my PowerBook. A bright kid from a family of engineers, he uses computers at school. If I pretended not to watch, would he soon get his very first jpeg?

Nah. In three minutes, he was back at the TV playing Nintendo, gleefully kicking little electronic people in the neck until they collapsed.

Now there’s a real danger.

Read more of the Scoop online or hear the Scoop in RealAudio.

From the Dec. 26, 1996 – Jan. 1, 1997 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

Theater ’96

0

Closing Acts


Gemma La Mana

On Stage: Rebecca Dines and Joseph Lustig in ‘The Philadelphia Story.’

The year in theater sat well

By Gretchen Giles

WHILE THE THEATER season pays no attention to the swings of the solar and lunar calendars, beginning instead like an inverted almanac with those seasons that start with the harvest and end with the sowing, reviewers must doggedly define the year by the 3-6-5 that ends in December and begins the next day with a headachy jump to Jan. 1.

Thus, in addition to the fashioning of twiggy photo frames to shamefacedly give as gifts, reviewers must frown over a year’s worth of columns (surely one is a better writer than that!) and make some sense of the Year That Was.

In Sonoma County theater it was a remarkably good year, with several companies doing some exceptional work. As with all things, changes have been wrought over the year, most notably at Actors Theater, where artistic directors Eric Engdahl and Theresa Gianotti have left, citing the “amicable differences” phrase that means so little to so many.

AT had a tough year with plenty of misses and only one solid show, playwright Steven Dietz’s Lonely Planet, a serious comedy about the AIDS epidemic, superbly acted by Michael Fontaine and Dwayne Stincelli. Another small good thing was their Parallel Lives: The Kathy and Mo Show. Fresh, feminist, and funny, this overly indulgent piece was nonetheless innovative in direction and scope.

Actors J. Eric Cook–formerly of Sebastopol’s Main Street Theatre–and Argo Thompson are working with AT chair Tom Harris on the scheduling and vision for the new season, as well as adding their thoughts to the revamping of what’s left of the current roster. No news yet on what the inaugural show will bring.

Administrator Ross Hagee has announced his resignation at the Santa Rosa Players, effective as soon as he can be replaced. “I may be here until June,” he laughs. Hagee hopes to leave his office duties in mid-January, though he’ll still be seen pounding SRP’s boards. “This organization and I have very different goals,” he says tactfully. “But I still plan to be here as a director and an actor.” Hagee, who was recently seen in Sonoma County Repertory Theatre’s excellent production of A Sondheim Affair, will make good on that promise by directing January’s production of Dangerous Liaisons and performing in the subsequent mounting of Carnival.

The Players had their usual year: when they’re good they’re very, very good, and when they’re bad, well. . . . Of note was Hagee’s early-year direction of a joyous production of Pippin. This fall’s The Wizard of Oz was also a delight, and although this reviewer missed Brigadoon, the buzz is that–with its ambitious sets and live music–there was much to miss.

The Pacific Alliance Stage Company over at Spreckels had two outstanding shows, both featuring the remarkable actress Rebecca Dines. PASCO started the year with the absorbing dramedy Lake No Bottom, a wicked chuckle that places a writer on an isolated weekend with his toughest critic and the woman they both love. Sort of. Dines was next seen in a frothy Katherine Hepburn tribute in The Philadelphia Story, a sumptuous, big-stage setting of Philip Barry’s jocularly wise play. Dines, a working professional, is a sure indicator as to why PASCO shells out the small bucks for Equity actors.

Main Street Theatre and its companion stage, the Sonoma County Repertory Theatre, continue to mount the most reliably entertaining productions in the county. One of the thrilling moments of the year came on the stormy opening night of MST’s Blithe Spirit, a Noel Coward send-up of the afterlife, smartly directed by Jim dePriest. When shortly into the performance the power blew in Sebastopol, actress Priscilla Sanford–who was, after all, preparing onstage for a séance–missed nary a beat, calmly chatting into the dark while theater staff secured enough candles to light the action.

Sanford also shone in Playboy of the Western World, Main Street’s contribution to the Sebastopol Celtic Festival. Putting more sensuality into the phrase “shearing sheep” than a lonely shepherd on a solitary hill, Sanford and actor Jennifer King had a ball with this patricidal comedy about a foolish young man who becomes a town hero when he claims to have bashed his Da over the head.

Sonoma County Rep flared beautifully with Moss Hart’s affectionate send-up of the theatrical world, Light up the Sky, and ended the year with the joyous revue A Sondheim Affair. Though overly reverential of Stephen Sondheim’s genius (and this is a criticism?), Affair was so tightly rehearsed by creator and director Mary J. Gorak, was delivered with such passion by the cast, and featured costumes so beautifully wrought by Holly O’Hara, that it deserves special note.

Actor Guenevere Wolfe stole every stage she stepped on, featured in both Light up the Sky and Affair. Robin Downward earns a nod for his naive gaiety in Pippin and for the overall professionalism and beauty of his voice. And Jim Sampietro didn’t get proper notice from this paper for his performance in Affair, in which he sang the starkly beautiful ending tunes from Sweeney Todd.

Indeed, it was a fine year to sit in the dark.

From the Dec. 26, 1996 – Jan. 1, 1997 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

Talking Pictures

0

Not Talkin’


the ones that got away

By David Templeton

For three years writer David Templeton has been taking famous people to interesting movies in an ongoing quest for the ultimate post-film conversation–a strange, difficult-to-explain quest that occasionally results in misunderstanding and confusion, and often in cold, unflattering rejection.

The charter bus bumps and rattles its way down the Waldo Grade, progressing noisily toward the Golden Gate Bridge. The bus is crammed with geologists–all associates of my wife, Susan, herself a geologist–and we are on our way to her company’s annual Christmas party, to be held on a yacht out on the windy bay.

“You’re a writer, aren’t you?” asks one tuxedoed fellow, bouncing in his seat as we rumble onto the bridge. “You do that movie thing. I always wondered how you actually get all those people to go to the movies with you.”

It’s a question I am often asked. Having recorded nearly 100 post-film conversations with various authors, musicians, and the like, people often wonder how some busy celebrity was cajoled into spending an afternoon at the movies with a total stranger. My usual response to say that I get on my knees and beg.

Tonight, however, in the spirit of corporate civility–and the knowledge that we won’t reach the boat for another 15 minutes–I offer my new friend a significantly longer explanation.

“First, I call them up,” I explain. “I try to sound sane, and I talk as fast as I can before they hang up on me.” This, I must admit, is not far from the truth, though neither was the part about begging.

“Sometimes they’re kind of charmed at the very idea, and they say yes right away,” I go on. “But it usually takes more work than that.” I think of Ram Dass, the famous spiritual teacher and author of Be Here Now, who called me one afternoon after I’d placed the umpteenth message with his assistant.

“I guess I’ll have to do this just to get rid of you,” he said. I still like to think he meant that as a joke.

“1996,” I continue, “has been the Year of Larry King.” I describe how I called up the publicist for the world-renowned talk show host last February, inviting Mr. King to see the news drama Up Close and Personal. He agreed to participate, but asked to wait to see one of the big summer blockbusters, either Eraser or Independence Day.

“Summer came, I called, they said he’d be busy until the election was over–but to keep trying,” I laugh, as the bus comes to a stoplight. “The day after the election, I called back. They said he still wants to do it, maybe with a big Christmas movie, either Jingle All the Way or Space Jam.

Christmas has come and gone–and it looks like Larry King may end up on my Ones That Got Away list. For every famous personality that has deigned to meet me at a theater, there have been at least three that said no, or “Try again later,” or “I don’t go to movies!” That third one was Garrison Keillor of the Prairie Home Companion, whom I had invited to see Fargo. “He never goes to movies,” I was told. “They make him cranky.”

Folksinger Holly Near, though admitting to movie attendance, insists that she hates talking about them afterwards. “I don’t even like seeing movies with my friends,” she apologized sweetly. “Because they always want to talk about them.”

Some of the others that got away include writer Isabelle Allende, professional female Ru Paul, former Secretary of State George Shultz, folksinger Joan Baez, writers Anne Lamott and John Gray, and Bozo the Clown. (“I am a lawyer who represents Bozo,” said the message on my machine. “I am calling to say that Bozo did not understand your request. Therefore he feels he must decline.”)

Of all the ones that got away, however, a special place is held for the psychologist/writer Gerald Jampolsky, author of the best-selling spiritual guidebook, Love Is Letting Go of Fear. After receiving a message from me inviting him to see Fearless, he called right back.

“I prayed about you,” he told me. “I told the Holy Spirit that you wanted me to go and sit in judgment of a film. I do not feel peaceful when I judge things. So the Holy Spirit told me to stay away from you.” A rejection like that is one not easily forgotten.

“Well,” offers the man in the tuxedo kindly, as the bus arrives at the pier. “Don’t give up on Larry King.”

Two days later a voice on my machine intones, “I’m calling for Larry King. He’s decided that he’d like to see either Jerry Maguire or the new Woody Allen movie. And he’d like to do it soon.”

Well, hallelujah!

He must be trying to get rid of me.

From the Dec. 26, 1996 – Jan. 1, 1997 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

Russian River Vineyards Restaurant

0

Table Setting

By Steve Bjerklie

THE TOPOLOS WINERY and its Russian River Vineyards Restaurant rest agreeably on a small knoll at the southern edge of Forestville. The restaurant occupies a renovated farmhouse that has looked out from the knoll since the decade after the Civil War; the adjoining winery was built in 1969 in an eclectic style combining two of Sonoma County’s several heritages: two towers mimic hop kilns, and a conical Russian-style peak echoes Fort Ross.

The restaurant’s menu also reflects parts of the county’s heritage and interests. The bias slants toward Greek appetizers and entrées, but several simple dishes stress fresh organic ingredients. All entrées–which range in price from $12 to $21–come with the restaurant’s “famous” ratatouille-stuffed tomato. Not surprisingly, the wine list showcases Topolos bottlings to the near exclusion of anything else.

While dining at Topolos on a recent quiet Saturday night with my teenage daughter, I was often distracted by the details of the establishment’s gentle setting: a warm, glowing fireplace, the lovely outside grotto, and Jim Adams softly playing jazz standards on a guitar. That’s because the food, frankly, did not much hold my interest. Topolos offers fair-priced meals that have touches of style, but these stand out among weaknesses.

My roast Petaluma duck, for example, was dry and stringy–even the piquant black currant Madeira wine sauce could not hide the meat’s threadiness. At the same time, the broiled salmon was tender as rose petals, and carefully flavored to high satisfaction with dill, capers, and a chardonnay butter sauce. A flaming appetizer of kasseri cheese was disappointingly leathery on the bottom. But the house-specialty creamy blue cheese dressing on an “heirloom” salad of old-fashioned lettuces beautifully harmonized the disparate tastes of the greens. Yet our dessert, a chocolate marquis torte accented with a blossom of hazelnut whipped cream, seemed to be oddly lacking. The chocolate flavor was deep and luscious, the cream wasn’t overwhelmed by hazelnut spice . . . and yet.

The wines, too, reveal some of the same problems as a few of the restaurant’s entrées. I found a glass of Topolos 1994 estate chardonnay to be unremarkable–thin on the nose and nearly flavorless. The “old vineyard reserve” zinfandel, on the other hand, was bursting with so much berry flavor one could’ve baked and served it à la mode.

But Topolos’ setting is not to be ignored. Many of the county’s higher-priced restaurants don’t have a quarter of this establishment’s charm or sense of quiet. Note also that through the winter Topolos offers a unique “rain check”: a 20 percent discount any night (except Saturday) that the windshield wipers are required.

Russian River Vineyards Restaurant

5700 Gravenstein Hwy. N. (Hwy. 16), Forestville; 887-1562
Hours: Lunch: 11:30 a.m. to 2:30 p.m.; dinner, 5:30 to 9:30 p.m. Closed Monday-Tuesday
Food: Californian Mediterranean
Service: Excellent
Ambience: Elegant vineyard dining
Price: Moderate to expensive
Wine list: Tantamount to Topolos in toto

From the December 19-25, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

The Family Connection

0

Making a Connection


Janet Orsi

Home Team: Deanna Avery, right, and her three children are among the local homeless families being helped through an innovative case-management program.

Agency pairs homeless families, volunteers to deal with national problem

By Zack Stentz

THE CHANGE is dramatic. Tess–the thoughtful, soft-spoken college student and retail employee who sits in the Family Connection offices explaining the circumstances of her life–is a far cry from the homeless, formerly drug-addicted mother who emerged from treatment nearly two years ago in an unfamiliar county with no job, no housing, two suitcases of belongings, and three children to care for. “It was a very hard time for me,” says Tess, with a certain amount of understatement.

“I was just coming out of the Women’s Recovery Center for drugs and alcohol abuse. I had spent eight and a half months there, so we were in a tough spot, and all my family was in the East Bay. But I knew where I wanted to go with my life. I knew I wanted to stay off drugs and go in the right direction.

“In the lifestyle I had lived for six years,” she continues, “with the drugs, and the alcohol, there was no honesty, no trust–you were just out there on your own, and it’s a rough life out there.”

Headquartered in a modest building amid the cluster of homeless support organizations on Morgan Street in Santa Rosa just east of Highway 101, the Family Connection serves between 20 and 30 families at a time. And on a modest scale at least, the program seems to be successfully moving beyond short-term assistance to tackle some of the root causes behind Sonoma County’s intractable homeless problem. “Well, our better than 90 percent success ratio speaks for itself,” says Pam Fisher, Family Connection’s energetic, blunt-spoken director.

The concept behind the program sounds so simple as to seem blindingly obvious: Match homeless families with community volunteers who can then help them line up housing, child care, and employment and otherwise reintegrate into society’s mainstream.

And while the Family Connection isn’t a silver-bullet solution to all Sonoma County’s problems of poverty and homelessness, the effects of the program on individuals have been dramatic.

One of its co-founders is Michael De Vore, a local minister and advocate for the homeless who developed the program in 1988 in conjunction with Susan Marshall and several other community activists after hearing about a similar program operating in Sacramento. “The program in Sacramento was church-based, sort of a church-to-family operation,” recalls Marshall, who still works at Family Connection and pops in from an adjoining office to share her thoughts. “People here were interested in the idea, but modified it to become a team-to-family [operation], so the connections between people could be more personal.”

“This is a very unusual model,” Fisher acknowledges. “I mean, we still need the emergency shelters and standard ‘roof over head’ services, but studies have shown that the highly successful anti-poverty programs all involve the formation of real relationships over time.”

So just how real are the relationships developed and nurtured by the Family Connection? As real as any human connection one could hope for, to judge by the warm embraces exchanged by team members John and Polly Post and Leigh Ross and their assigned family of a mother, Tess, and her children Melissa, Christina, and Winslow. The adults all wax eloquently on the positive, healing nature of the program.

While some in the program opt to terminate the relationship gracefully at the end of the year, Tess and her team actually found themselves extending their commitment to each other beyond the standard duration. “They’ve been together a year and seven months,” says Linda Shoreman, the Family Connection caseworker for this particular team. And according to Fisher, the bond the volunteers feel with Tess and her children isn’t unusual among Family Connection teams and families. “Many families and at least some team members stay together indefinitely,” says Fisher.

The reason for the enduring strength of their bond goes straight to the heart of the Family Connection’s philosophy, which views the breakdown of traditional neighborhood and community-based support networks as a key cause of homelessness and vulnerability. Hillary Rodham Clinton’s famous slogan “It takes a village to raise a child” may have become a chestnut through overuse, but Fisher believes in the truth behind the cliché.

“We’re artificially creating small-scale communities and support networks for people who don’t have them,” she explains. “And there are a lot of us who don’t, these days.”

Sonoma County certainly has no shortage of families in dire need of assistance from which to choose. “Five hundred and fifty families go through the shelter system each year,” says Marshall, “but there are many more than that who are car camping, living with relatives, or otherwise aren’t eligible for the shelters.”

Once referred through the county’s shelters, the selected families are matched with the teams of volunteers. As to how families and teams are matched with one another, Fisher explains: “We look for people whose skills complement each other. Maybe one team member’s a good listener and very empathetic, while another one is a type A person, a doer.”

The volunteers are then put through a training session to make sure they are ready for the rigors of staying involved in the life of a family of strangers for a year. To facilitate an immediate bonding between the family and team members, the caseworker typically sets them to work meeting the family’s most immediate need. “That’s typically housing,” says Fisher. “So we get them started helping the family find a place. Sometimes they give them rides to look for housing, or take care of their kids, or help them deal with landlords. And then there’s the matter of finding furnishings you need to outfit an entire household.”

No small task, to judge from Tess’ case.

“When I first got out of the Women’s Recovery Center, I had two suitcases and three backpacks,” recalls Tess, who, instead of returning to the East Bay, opted to stay in Sonoma County after her treatment. “That’s all.”

“And that’s with three kids, in a place she’s never lived before,” adds Polly Post.

“No silverware, no blankets, no sheets,” the intense, 30-ish Ross enumerates. “But we all got together, and asked people we knew, and even put up flyers, and ended up getting everything we needed.”

After the initial move-in hurdles like the ones described by Ross get cleared, the support given to the family in question usually ends up being determined by what the particular team can bring to bear. “Just as every family has unique needs, each team has unique skills and talents and connections, just like any real family or circle of friends in a community does,” Fisher explains.

In some cases, the help might involve lining up child care or helping a family member brush up on job interview skills. In the case of Tess and her family, much of the help centered around Tess’ desire to continue her education. “I really wanted to go back to school,” Tess says. “And Polly, especially, really encouraged me, and John [Post] was there too.”

“And Leigh [Ross] helped her a lot with the applications and paperwork and financial aid forms,” the ever self-effacing Polly adds.

Currently holding down a job while studying toward her MFCC (“I’d really like to counsel others with substance problems,” Tess says), and with three cheerful, intelligent children and a roof over her head, Tess would seem to be a veritable Family Connection poster girl. But Fisher and the other staffers and participants admit that the road to a success like Tess’ isn’t always a smooth one.

For instance, the program’s training often doesn’t entirely prepare volunteers for the realities of working with families from radically different backgrounds. “There are chances for people to back out along the way,” Fisher says. “Team members who don’t get along with each other can be matched with other people; and families and teams who aren’t meshing can also be reassigned, though that rarely happens.”

“That 12 hours of training don’t begin to tell you what you’re getting into,” agrees Polly Post, definitely speaking with the voice of experience. “There was a lot we had to learn along the way, like the difference between caretaking and caregiving.”

That is one of Family Connection’s most vexing difficulties: how to help the group’s mostly middle-class volunteers offer practical help and support to poor families without coming across as condescending liberal do-gooders.

“It’s a major issue that we’re very aware of,” says Fisher, sharing a knowing look with fellow staffer Nancy Frank that indicates the matter has been the subject of much discussion. “Nancy and I come from backgrounds of poverty ourselves, so we’re both really aware of those issues, and can sometimes catch them. We do have working-class and poor volunteers, and we added a section into our training that deals with class-based cultural differences, which is something you very rarely see addressed in so-called diversity workshops. But despite all the training, it happens anyway.”

“The problem isn’t so much condescension as judging,” adds Frank. “You need to acknowledge the judgment and move beyond it, such as in a case when a team member doesn’t agree with a family’s decision.”

“It’s hard not to be judgmental sometimes, like with the family who called the Psychic Friends hotline for career advice,” agrees Ross, rolling her eyes in recollection of the incident.

Yet the team members, too, say they had many of their perceptions and beliefs altered by their interactions with Tess. “I’ve learned a great deal about the welfare system, and how hard the lack of affordable housing and transportation makes life for people like Tess,” says John Post. “And I’ve been so inspired by Tess’ wonderful spirit and by her family’s desire to turn their lives around.

“I’m not sure I could have done it in their shoes.”

Tess breaks eye contact and looks down at the floor, a little embarrassed but obviously moved by the compliment.

Indeed, despite their markedly different economic and racial backgrounds, as they sit around the table joking and sharing stories, the relationship between Tess, her kids, and the members of her team seems more like the bond of a close-knit extended family than the bond between a social worker and client. The casual touching on the arm, the finishing of each others’ sentences, the trotting out of oft-told stories and anecdotes–all attest to a depth and genuineness of feeling among the people in the room.

“We’re both single women in the community, so we have a lot of those issues in common,” says Ross of her kinship with Tess. “And when something terrible’s going on my life, I can call her at 11:30 at night to cry, and she can do the same with me.”

For more information on the Family Connection or to volunteer as a team member, call 579-3630.

From the December 19-25, 1996 issue of the Sonoma Independent

This page was designed and created by the Boulevards team.
© 1996 Metrosa, Inc.

No Probation

Jailhouse Rock By Bruce RobinsonWHAT WE FOCUS ON these days are sex and violence," says Paul Aguilera. "That's all we can do anymore." The director of adult probation for Sonoma County, Aguilera has watched the caseloads of his officers swell dramatically in recent years, from about 30 cases per officer in 1981 to 180 or more today. "We even...

The Scoop

Pot ShotsBy Bob HarrisLAST NOVEMBER, voters in California and Arizona approved the use of marijuana for medical reasons. Because it reduces intraocular pressure, marijuana wails on glaucoma, and since it creates major munchies (hmm, Clinton jogs every day and still never loses weight), it's also useful in treating life-threatening anorexia, chemotherapy-induced nausea, and the wasting syndrome of many AIDS...

Wal-Mart Censorship

Wal-Mart BluesBanned in Rohnert Park: Is Marilyn Manson too nasty?The nation's biggest retailer is under fire, not for gun sales (sorry, Sheryl Crowe), but for censorship of rock and rap CDs.By Hank HoffmanSNOOP Doggy Dogg is being executed in the aisles of my local Wal-Mart store. A dozen or more display TVs in the aisle next to the compact...

Chili Peppers

Where There's Smokepeppers are hot, hot, hot By Gretchen GilesWHEN CHRISTOPHER COLUMBUS first set foot on North America, proclaimed it to be India, plucked a chili from the ground, and pronounced it black pepper, he couldn't have known that his mistakes would then make him the biggest mass marketer of chili peppers in history. Bringing chilies back from...

Antennas

Site Linescommunications antennas By Bruce RobinsonBRACE YOURSELF. The second wave of telecommunications antennas is heading this way. From Sebastopol's English Hill to Rincon Valley, Sonoma County has become an uneasy host to the proliferation of cellular telephone technology. By the time the county adopted a new policy governing the locating and permitting of new telecommunications facilities last summer,...

The Scoop

Online PornBy Bob HarrisIF YOU BELIEVE Time, Newsweek, and the Weekly World News, online pornography is becoming a national crisis: children everywhere are logging onto the Internet, stumbling into pictures of nude women and immediately degenerating into drooling little perverts.I use the Internet constantly to research these articles and my lectures. Last week, when I needed to double-check...

Theater ’96

Closing ActsGemma La ManaOn Stage: Rebecca Dines and Joseph Lustig in 'The Philadelphia Story.'The year in theater sat wellBy Gretchen GilesWHILE THE THEATER season pays no attention to the swings of the solar and lunar calendars, beginning instead like an inverted almanac with those seasons that start with the harvest and end with the sowing, reviewers must doggedly...

Talking Pictures

Not Talkin' the ones that got awayBy David TempletonFor three years writer David Templeton has been taking famous people to interesting movies in an ongoing quest for the ultimate post-film conversation--a strange, difficult-to-explain quest that occasionally results in misunderstanding and confusion, and often in cold, unflattering rejection.The charter bus bumps and rattles its way down the Waldo Grade, progressing...

Russian River Vineyards Restaurant

Table SettingBy Steve BjerklieTHE TOPOLOS WINERY and its Russian River Vineyards Restaurant rest agreeably on a small knoll at the southern edge of Forestville. The restaurant occupies a renovated farmhouse that has looked out from the knoll since the decade after the Civil War; the adjoining winery was built in 1969 in an eclectic style combining two of Sonoma...

The Family Connection

Making a ConnectionJanet OrsiHome Team: Deanna Avery, right, and her three children are among the local homeless families being helped through an innovative case-management program.Agency pairs homeless families, volunteers to deal with national problem By Zack StentzTHE CHANGE is dramatic. Tess--the thoughtful, soft-spoken college student and retail employee who sits in the Family Connection offices explaining...
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