Lucky Look – Lena Claypool’s Buck Lucky Creative Collective

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Good morning, lovelies! Happy Wednesday! How was everyone’s weekend? I spent the time in Paso Robles, which is far more beautiful than I could have realized. Has anyone been to Daou Winery? It’s one of the more beautiful places I’ve ever seen, with 360 views of golden hills and vineyards. Who knew Central California was so tremendous?

To this week’s “Look”—you lucky ducks, get ready for Buck Lucky! Founded by Les Claypool’s daughter, Lena, Buck Lucky is a dealer-based creative collective located in Petaluma. The shop houses artists, makers and resellers local to the area, providing an eclectic selection of unique and vintage wares.

For those not familiar with the Claypool name, Les Claypool is the founder, lead singer, bassist and primary songwriter of the funk metal band Primus. Suffice to say, he shreds. Following in her father’s creative and entrepreneurial footsteps, Lena Claypool founded Buck Lucky on her own in 2016, sourcing all her products and collaborators to create the thriving Kentucky St. store front Buck Lucky is today. Already in her young life, Claypool has been a photographer, fashion buyer and designer and now brings all her skills together to house and curate creative talent.

If out in Petaluma for a stroll and a shop, make sure to visit Buck Lucky at 170 Kentucky St. And find a curated debut of Buck Lucky’s best at the North Bay Fashion Ball, Saturday, May 28! Visit @bucklucky or www.bucklucky.com to check them out online.

Looking phenomenal, everyone.

See you next week!

Love,

Jane

 
Jane Vick is an artist and writer currently based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

Letters to the Editor – Sheriff Pick

Why should you care about the Sonoma County Sheriff’s election? In my view, it’s the most important office next to choosing your County Supervisor, primarily because, as the top cop in the county, the Sheriff has a lot of power. This individual’s office has the ability to detain you, arrest you, hold you in custody and maintain your imprisonment in the county jail.

Even before the George Floyd killing, the cry for police responsibility after fatal events, excessive aggression, racial and ethnic discrimination, and militant and bullying tactics has been loud and clear. Examples abound nationwide, but Sonoma County has its own dark history of fatal “events” and a track record of physical brutality in its ranks.

The Board of Supervisors established the Independent Office of Law Enforcement Review and Outreach (IOLERO) following the cold-blooded killing of a 13-year-old boy carrying a toy gun by a Sheriff’s deputy. But it is now plainly clear that IOLERO needs a good deal more power if it is to function viably.

This Sheriff’s election should be about police reform. After reviewing the candidates’ websites and watching numerous public debates, I have concluded that the best candidate for affecting real change is Carl Tennenbaum. He fully and unequivocally embraces and pledges to strengthen citizen oversight and police accountability.

As I see it, paramount in a top cop is the overriding motivation to improve the lives of people, earn public trust, end over-aggression and unwarranted physical force, and aim to use diplomacy and reason as a first resort. I believe we have that in Carl Tennenbaum (www.carltforsheriff.com).

Will Shonbrun

Boyes Springs

Mind Map – A Petaluma ‘Thought Experiment’

For many, abstract explorations of “place” begin and end with polymathic superhero Buckaroo Banzai’s observation that “No matter where you go, there you are.”

Carin Jacobs, executive director of the Petaluma Arts Center (PAC), is interested in bringing more dimension to the concept with the latest of her series of evocative, quarterly-posted questions or “Thought Experiments.” Each query is designed to inspire the community to think about the notion of “place” and the arts—this quarter, the question is: “What are three special places that should be on any map of Petaluma?”

Collecting answers to this question is only the beginning of what Jacobs envisions as a much larger project.

Once she has 100 responses from the public, Jacobs will use them to discern the 15 or 20 most popular Petaluma landmarks. Next, she hopes to commission artists to create maps featuring these places (grant funding pending). The results, she suggests, could be displayed throughout the community, as well as in the arts center gallery, perhaps juxtaposed with archival maps from the Historical Society.

What follows is a recent email conversation between Jacobs and the Bohemian.

Bohemian: “Mapping” seems to have particular resonance for you and many conceptual applications—what about mapping inspires you so much?

Carin Jacobs: I suppose it’s possible to talk about “place” without a map, but as someone who has always felt comfort in knowing, rather than not knowing, spatial anchors are important to me.

One of the first exhibitions I curated was titled “Mapping Sacred Ground.” The artists interpreted the theme in unexpected ways, situating the sacred in the mind, in the home and in the heart, with nods to archaeological sites that had their own intrinsic reverence.

I suppose the subjectivity of “mapping” revealed itself then, and I wanted to explore it further. I am interested in how the answers to this Thought Experiment might differ from generation to generation. I’m referring there not only to grandparents and grandchildren, but to native Petalumans and to the robust transplant population we’ve experienced in the last several years.

B: Per your Thought Experiment—what are your three special places that should be on any map of Petaluma?

CJ: When I moved to Petaluma nine years ago, I didn’t know a soul. There were three sites that fostered community building and integration, so I guess those places have informed my experience of this town. They are PAC, where I volunteered, years before my current tenure as director; my neighborhood block near St. Vincent De Paul Church, and the towers that always seemed to orient me in my early phases of navigation; and Della Fattoria, where I never felt like an outsider and always ran into someone I knew.

B: What have you learned from the answers you’ve received?

CJ: I was surprised by the way the answers clustered themselves around natural landmarks, architectural landmarks, gathering places and businesses connected to the agricultural roots of Petaluma.

B: What are your three places?

CJ: My “Three Places” response was based on a newcomer’s experience of Petaluma. Since our sense of place is rarely static, nor is the landscape around us, it feels important to revisit my responses nearly a decade into my life here. In doing so, Petaluma Arts Center remains on the list, an anchor at the literal crossroads of town. It is now joined by the burgeoning cultural district just south and east of downtown (on both sides of the river) and by Petaluma Market-—part inspiration in the culinary wasteland that is cooking for one; part sustenance (even during surreal times); and part unintentional gathering place, especially in the wine aisle.

Answers to “What are three special places that should be on any map of Petaluma?” can be sent directly to ca***@****************er.org.

SONG OF THE SEA

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Novato

Isabelle Allende

This Thursday, spend an evening hearing from Latinx author Isabel Allende Live at College of Marin. The evening will begin with students in the College of Marin’s Drama Department performing an excerpt from The Stories of Eva Luna, dramatized and directed by instructor Erin McBride Africa. Following the performance, Allende will be interviewed on stage by College of Marin English professor Dave King, and will take questions from the audience. This will be a celebration of Allende, Spanish, Latinx cultures, feminism and democracy, and of bilingual, immigrant and refugee families. Isabel Allende Live at College of Marin will be held at the James Dunn Theater, 835 College Ave., Kentfield, Thursday, May 12, 6:30-8:30pm. Free. For more information visit www.marinarts.org.

Marin

Album Release

The joy of hearing music continues with the release of San Francisco Bay Area’s The Things of Youth (aka Jon Fee)’s latest album, The Things of Youth Volume 2. Fee has been active in the indie community since the early ’90s, playing bass and fronting Bay Area indie rockers The Rum Diary and post-rockers Shuteye Unison, and founding indie-eco label Parks and Records. Along the way, he has managed to grow a family and have a career at Salesforce and BlackRock. The Things of Youth was born as a solo project while Fee was between bands, filling the void on business trips and looking to push his song writing in new directions. The new album, Volume Two, comes seven years after Volume One. Although Jon Fee and friends may be getting long in the tooth and soft in the middle, still they continue the musical musings of The Things of Youth. Release show is Sunday, May 14, at 7pm, at the Fairfax Barber Shop, 67 Broadway, Fairfax. All ages. Free.

Rohnert Park

String Quartet

Hear powerful music in an idyllic location this Sunday with the St. Lawrence String Quartet, live at the Green Music Center. Known for the intensity of their performances, breadth of repertoire and commitment to concert experiences that are at once intellectually stimulating and emotionally alive, the St. Lawrence String Quartet offers an in-concert presentation that explores one of the seminal quartets of Franz Josef Haydn, the “father” of the string quartet. The Green Music Center is the performing arts center at Sonoma State University. As a cornerstone of the university’s commitment to the arts, the center is a place to witness artistic inspiration through year-round programming, serving as home to the Sonoma State University Music Department, the Santa Rosa Symphony and Sonoma Bach. The St. Lawrence String Quartet is playing Sunday, May 15, at 3pm, at the Green Music Center, 801 E Cotati Ave, Rohnert Park.Tickets $25-85. Visit www.tickets.sonoma.edu to purchase.

Windsor

Mariachi Party

Come out for a day on the Windsor Town Green! El Mercadito de Windsor presents Mariachi & Mimosas, sponsored by Barefoot Bubbly—to celebrate Mom all month long. This event offers family entertainment for all ages. Join in as the summer series kicks off with Children’s Museum of Sonoma County’s Museum on the Go, Story-time in Spanish with Encanto’s short story, Mariachi, DJ Vino Manny, Makers Market with over 50 vendors, food vendors, swag bags for the first 50 guests and free children’s Mercadito bags with free scoop cards from Baskin-Robbins, Sunday, May 15, Windsor Town Green, 701 McClelland Dr., Windsor, 5-9pm. Free. For more information, visit www.happeningsonomacounty.com.

—Jane Vick

Astrology – Week of May 11, 2022

ARIES (March 21-April 19): “Choose the least important day in your life,” wrote Aries author Thornton Wilder. “It will be important enough.” I recommend that you make those your words to live by in the next two weeks. Why? Because I suspect there will be no tremendously exciting experiences coming your way. The daily rhythm is likely to be routine and modest. You may even be tempted to feel a bit bored. And yet, if you dare to move your attention just below the surface of life, you will tune into subtle glories that are percolating. You will become aware of quietly wondrous developments unfolding just out of sight and behind the scenes. Be alert for them. They will provide fertile clues about the sweet victories that will be available in the months ahead.

TAURUS (April 20-May 20): “Every successful person I know starts before they feel ready,” declared life coach Marie Forleo. Author Ivan Turgenev wrote, “If we wait for the moment when everything, absolutely everything, is ready, we shall never begin.” Here’s what educator Supriya Mehra says: “There’s never a perfect moment to start, and the more we see the beauty in ‘starting small,’ the more we empower ourselves to get started at all.” I hope that in providing you with these observations, Taurus, I have convinced you to dive in now. Here’s one more quote, from businesswoman Betsy Rowbottom: “There’s never a perfect moment to take a big risk.”

GEMINI (May 21-June 20): Poet Ranata Suzuki writes, “There comes a point where you no longer care if there’s a light at the end of the tunnel or not. You’re just sick of the tunnel.” That’s good advice for you right now, Gemini. The trick that’s most likely to get you out of the tunnel is to acknowledge that you are sick of the damn tunnel. Announce to the universe that you have gleaned the essential teachings the ride through the tunnel has provided you. You no longer need its character-building benefits because you have harvested them all. Please say this a thousand times sometime soon: “I am ready for the wide-open spaces.”

CANCER (June 21-July 22): In the coming weeks, your imagination will receive visions of the next chapter of your life story. These images and stories might confuse you if you think they are illuminating the present moment. So please keep in mind that they are prophecies of what’s ahead. They are premonitions and preparations for the interesting work you will be given during the second half of 2022. If you regard them as guiding clues from your eternal soul, they will nourish the inner transformations necessary for you to welcome your destiny when it arrives. Now study this inspirational quote from poet Rainer Maria Rilke: “The future glides into us, so as to remake itself within us, long before it occurs.”

LEO (July 23-Aug. 22): “Remember that you will never reach a higher standard than you yourself set,” wrote author Ellen G. White. That’s true! And that’s why it’s so crucial that you formulate the highest standards you can imagine—maybe even higher than you can imagine. Now is a favorable phase for you to reach higher and think bigger. I invite you to visualize the best version of the dream you are working on—the most excellent, beautiful, and inspiring form it could take. And then push on further to envision even more spectacular results. Dare to be greedy and outrageous.

VIRGO (Aug. 23-Sept. 22): Before Virgo-born Leslie Jones achieved fame as a comedian and actor, she worked day jobs at United Parcel Service and Roscoe’s House of Chicken and Waffles. Her shot at major appreciation didn’t arrive until the TV show Saturday Night Live hired her to be a regular cast member in 2014, when she was 47 years old. Here’s how she describes the years before that: “Everybody was telling me to get a real job. Everybody was asking me, What are you doing? You’re ruining your life. You’re embarrassing your family.” Luckily, Jones didn’t heed the bad advice. “You can’t listen to that,” she says now. “You have to listen to yourself.” Now I’m suggesting that you embrace the Leslie Jones approach, Virgo.

LIBRA (Sept. 23-Oct. 22): “A person must dream a long time in order to act with grandeur, and dreaming is nursed in darkness.” Author Jean Genet wrote that, and now I’m offering you his words as the seed of your horoscope. If you’ve been attuned to cosmic rhythms, you have been doing what Genet described and will continue to do it for at least another 10 days. If you have not yet begun such work, please do so now. Your success during the rest of 2022 will thrive to the degree that you spend time dreaming big in the darkness now.

SCORPIO (Oct. 23-Nov. 21): “Cursed are those who feel floods but who can only express a few drops.” So says an internet proverb. Luckily, this principle won’t apply to you in the coming weeks. I expect you will be inundated with cascades of deep feelings, but you will also be able to articulate those feelings. So you won’t be cursed at all. In fact, I suspect you will be blessed. The cascades may indeed become rowdy at times. But I expect you will flourish amidst the lush tumult.

SAGITTARIUS (Nov. 22-Dec. 21): “It takes a great deal of experience to become natural,” wrote Sagittarian author Willa Cather. I’m happy to report that in recent months, you Sagittarians have been becoming more and more natural. You have sought experiences that enhance your authenticity and spontaneity. Keep up the good work! The coming weeks should bring influences and adventures that will dramatically deepen your capacity to be untamed, soulful and intensely yourself.

CAPRICORN (Dec. 22-Jan. 19): “I intend to live forever,” proclaims 66-year-old comedian Steven Wright, who then adds, “So far, so good.” I offer you his cheerful outlook in the hope that it might inspire you to dream and scheme about your own longevity. Now is a great time to fantasize about what you would love to accomplish if you are provided with 90 or more years of life to create yourself. In other words, I’m asking you to expand your imagination about your long-term goals. Have fun envisioning skills you’d like to develop and qualities you hope to ripen if you are given all the time you would like to have. (PS: Thinking like this could magically enhance your life expectancy.)

AQUARIUS (Jan. 20-Feb. 18): “Stop insisting on clearing your head,” advised author Charles Bukowski. “Clear your f—ing heart instead.” That will be a superb meditation for you to experiment with in the coming weeks. Please understand that I hope you will also clear your head. That’s a worthy goal. But your prime aim should be to clear your heart. What would that mean? Purge all apologies and shame from your longings. Cleanse your tenderness of energy that’s inclined to withhold or resist. Free your receptivity to be innocent and curious.

PISCES (Feb. 19-March 20): “The winner will be the one who knows how to pick the right fights,” wrote author Jane Ciabattari. Heed her advice, please, Pisces. You will soon be offered chances to deal with several interesting struggles that are worthy of your beautiful intelligence. At least one will technically be a “conflict,” but even that will also be a fruitful opportunity. If you hope to derive the greatest potential benefit, you must be selective about which ones you choose to engage. I recommend you give your focus to no more than two.

Homework: Is there somewhere in your life where you try to exert too much control—and should loosen your grip?

Sign of the Times – Peace sign at di Rosa Center for Contemporary Art

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The power of words is not lost on di Rosa Center for Contemporary Art.

In 2020, the word VOTE sat at the entrance to the grounds, encouraging people to consider their power in deciding the country’s fate. Today, those driving down Sonoma Highway will see the word PEACE on the di Rosa’s dam, installed by the same local educator and artist responsible for the VOTE sign.

Walt Williams is a teacher at Creekside High School, writer of a long-standing blog called the Valley Voice, and well known for the SONOMAWOOD sign he builds together with his students, which graces the Sonoma Plaza every March during the Sonoma International Film Festival.

Williams is dedicated to raising awareness around important issues. When war broke out in Ukraine, he said he felt powerless.

“I needed to do something. So after the film festival, I had letters left over and decided to paint them Ukrainian colors and put them up, hoping that people who drive by will realize what a horrible situation it is. Do everything you can,” he explained.

The pertinence of art as social critique and the catalyst for heightened awareness plays a big role in di Rosa’s work. Kate Eilertsen, di Rosa’s executive director, says this kind of art has ever been a part of their mission. 

“Di Rosa has always been a platform for local artists to speak out on the issues of our day,” said Eilertsen. “This philosophy has been baked into the DNA of di Rosa from its beginnings and is needed more today than ever. Di Rosa extends a huge thank you to Walt and Tuck for their continued support.”

As of May 5, a third evacuation operation was underway in the destroyed Ukrainian city of Mariupol, where thousands of civilians and Ukrainian soldiers are still trapped inside the Azovstal power plant, of which the Russian military is fighting to gain control. It is reportedly the last Ukrainian held outpost in Mariupol. The death toll is still unclear, but in the thousands.

The Bohemian spoke with Williams at greater length on his latest sign, and his work as an artist and activist.

Why words?

Walt Willams— I’ve always worked in my classroom and life to get information out and motivate people. With VOTE sign, and now with the PEACE sign, in Ukrainian colors, I’m hoping to raise awareness. Kate (Eilertsen) is always incredibly open with me, and serendipitously this year di Rosa is doing a few events and exhibitions around peace as part of their 25th anniversary celebration. So this particular piece fit well. And I want to get a point across. I’ve been writing a blog for about six years called Valley Talking; that’s been my way of getting my word out there. And these are my one-word messages.

How do you choose—why PEACE? 

WW— PEACE is a concept that I wanted to use, really because I wanted to do everything I could. And I feel so lucky to have this platform and opportunity to put these signs up. The PEACE sign was chosen because we want to get the word out to people. I’ve been amazed at the response—the number of Russians who think that this war is justified for example— it all points to how different the world is, and how much misinformation is being spread. It’s a time of mistrust and confusion, and we’re trying to get real information out there.

What do you want people to think when they see the sign?

WW—I want people doing everything they can to help. Donating to a cause, taking in a refugee if it’s possible—early in the war U.S. citizens were paying for Airbnb’s in Ukraine just to get some funding to the citizens. It might not change the world, but it can change a little bit of the world.

How does your son work with you?

WW—Tuck came back during Covid and is home with us. He works for the Boys and Girls Club, and while he’s here I love bringing him onto any projects that I do. He and I share the same interests in terms of sharing ideas. He’s always happy to help. And it makes him proud to see our work. It’s part empowerment, part father/son bonding.

How do you use art to deal with your challenges?

I find great catharsis in my production. My art really addresses the reality of these issues we’re all facing, and moves it out into the world. You really can’t be sad after painting for a couple of hours. There’s an incredible catharsis to it. 

Is that part of why you teach your students art?

Definitely. With high school juniors and seniors, I’m seeing that they’re not as involved as they once were. I’ve been doing this for 22 years and there’s a general decline in involvement and attention. And it’s not an empowering activity, or good for mental health, to spend so much time detached from the world and attached to cell phones. I see what art does, I see how it can change people, change a mood, a direction in life. If I can empower the kids to create, I feel good about that. I want kids off their phones and engaged in their capacities. I feel teaching them art gives them a coping strategy for today’s world. A lot of kids think what we’re going through is just normal; they don’t know much else outside of these circumstances. But we’re in a bad way, and once they realize that, I want them to be empowered to process it. My students helped to make this PEACE sign, and I want it to help make them feel connected to their community, the way the SONOMAWOOD sign does, and connected to the circumstances we’re all facing right now.

Williams’ PEACE sign, installed by him and his son, Tuck, and painted along with his Creekside High School students, can be viewed at the di Rosa Center for Contemporary Art. Di Rosa is celebrating their 25th anniversary this year all year long with special programming, including artist talks, films, concerts and theatrical performances, honoring their last 25 years in the community as well as dedicating themselves to continued growth and community engagement in the next 25.

For more information and to engage with the center, visit www.dirosart.org.

Mrs. Saturday Night: Catskills come to Sonoma

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The Borscht Belt comes to wine country with the Sonoma Arts Live presentation of Saturday Night at Grossinger’s. This musical by Stephen Cole (Merman’s Apprentice) and Claibe Richardson runs in Sonoma through May 8. It’s co-directed by Larry Williams and SAL artistic director Jaime Weiser Love.

An area in New York’s Catskill Mountains, the Borscht Belt was where hundreds of resorts that catered to the Jewish community thrived for over 50 years. Some of the world’s greatest entertainers either got their start there or appeared in their heydays to appreciative audiences.

Grossinger’s Catskill Resort Hotel was one of the largest, and Cole tries to give the resort and the driving force behind it their due.

The show opens as if the audience were the audience for a Grossinger’s show in the 1960’s. Tummler (entertainer) Sheldon Seltzer (co-director Larry Williams) welcomes the crowd with a few era-appropriate jokes before he’s informed that the evening’s main attractions—Judy Garland, The Nicholas Brothers and Alan King—are stuck in a snow drift. Well, the show must go on, so the entire Grossinger family is enlisted to tell the story of how the resort came to be.

There’s Papa (Dan Schwager), who seems to thrive on telling his daughter, Jennie (Daniela Innocenti Beem), “No!” in triplicate to any of her ideas about building a resort; Jennie’s long-suffering but loving husband, Harry (David Shirk); and their children, Elaine (HarrietePearl Fugitt), and Paul (Tommy Lassiter).

Beem is in her element here as the brassy and driven Jennie and delivers her usual powerhouse vocals. Williams had the audience in his hands as the resort’s roving entertainer, who pines for Jennie. The heavy lifting in the dance department was done by the youthful Fugitt and Lassiter, who also contributed some nice vocal work.

An affectionate look at a by-gone era, Saturday Night at Grossinger’s is sometimes uneven and could use a tighter script. Also, the vocals were occasionally drowned out by Sherill Peterson’s on-stage band—a problem when most of the story is told in song.

‘Saturday Night at Grossinger’s’ runs through May 8 at Andrews Hall in the Sonoma Community Center, 276 E. Napa St., Sonoma. Thurs–Sat, 7:30pm; Sun, 2pm. $25–$42. 866.710.8942. sonomaartslive.org. Proof of vaccination or a negative test with ID required to attend. Masks optional.

Zero Effect: Less is more

By Christian Chensvold

What do you have when you have nothing? According to ancient teachings, you still have one thing, the one thing that can never be taken from you. Potential comes from the Latin word for power, and when you feel like you’ve lost everything, you still have the potential to access a power capable of achieving the impossible.

The three-part organization of a human being into body, soul and spirit is known throughout the world’s wisdom traditions. Your body is the earthly vessel, much of which runs on its own involuntarily. It also carries around an emotional layer of the joys and sorrows you’ve experienced, moving us from the physical realm into that of the soul.

But when you’re weighed down by fear and melancholy and sweating through the dark night of the soul, it becomes possible to see the third part, the golden needle hiding in the messy haystack of your disordered self.

Consider George Bailey in It’s A Wonderful Life, ready to jump off a bridge to end his life. Someone else splashes down, and without thinking, George leaps over the railing to save him. Instinct governs the self-preservation of the body, which would have kept George safely on the bridge, so he couldn’t have jumped for that reason. Something else must have made him take the plunge, as if divine intervention sent him to an appointment with destiny.

Now think of a critical juncture in your own life when you faced a choice between comfortable misery and a terrifying step into the unknown. Your mind just wants to go home and curl up in the fetal position, but a strange force inside pushes you, everything becomes a dizzy blur, and next thing you know you’ve done it and your life is headed in a new direction.

Years later, after everything worked out and you’re embarrassed for having been so scared, you find yourself wondering about that strange force that seemed to just take hold of you and act of its own volition. It certainly wasn’t your timid body, nor was it your trembling soul, which was busy rationalizing why you shouldn’t do it.

It was that elusive third part of you, the supra-human invisible intelligence capable of taking over, in vital moments related to the potential written in your stars, to act on behalf of what is good for you.

So if you ever feel like you’ve got plenty of nothing, plagued by problems impossible to solve, never forget you still have the Spirit. You’ll be surprised what it can do for you.

Content is Dead, Long live content

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By Daedalus Howell

Remember when “content was king?” I do—in fact, I remember the very moment I first heard that damnable phrase. It was 1999 and I was sitting across from an entertainment attorney who was working up some contracts for me. He bundled my paperwork into a folder, winked and said, “Content is king.” At $300 an hour, I could see how he came to that conclusion.

And now “content” is so ubiquitous as to be meaningless. Movies, for example, once the pinnacle of the content ecosystem in terms of the relative costs of their achievement, are glutting our broadband. Netflix, for example, went from curating and creating pitch-perfect original programming to a fire hose model to quench a thirst that its recent stock plummet proves was never there. Instead of drowning in a sea of mediocrity, millions of viewers cut bait. This is surely an indication that the content bubble is about to burst. It certainly already has for those in the lower echelons—journos included.

What’s a media maker to do? Evolve. Or more specifically, mutate. Hence, this emergent species known as a “creator,” a creature that has evolved to specifically survive in the piss puddle that is social media. Like the many of us content-making serfs, creators require a corporate platform—a host body, if you will—to survive. However, their relationship isn’t parasitic so much as symbiotic—the host needs the creator to create the content it monetizes. Every post, everywhere, is making someone else money.

Creators are like dolphins born in captivity—cute, slick and can’t survive in the wild. At least us legacy media types can write a cogent paragraph and tape it to a wall somewhere until those too come tumbling down. Of course, there’s little upside to posting broadsides, or frankly anything newsworthy, ever since some paywall-averse idiot in the ’90s thought “information wants to be free” was a business model rather than a slogan.

Thus, we dolphins must be subsidized by big media barons and special interests (which are often one and the same) and hope enough crumbs fall in the tank to sustain us.

The only way a creator can make real money is in the art market, which has its own absurd economics and over-valuations. Hence, as of this moment, I’m pivoting. Instead of a mid-market media maven, I now identify as a conceptual art project. Let’s start: Clip this article and tape it over the hole in the wall we mistook for a window into the future of democratized media. Now that’s rich.

Daedalus Howell is an ongoing performance art piece at daedalushowell.com.[1] 

Protect intellectual property for growth

America can’t outcompete low-wage countries when it comes to manufacturing cheap, mass-produced widgets.

But we can—and historically have—outcompeted every other nation when it comes to creating superior technology. Unfortunately, this advantage is disappearing. Our leaders are actively weakening the patents, trademarks, copyrights and other intellectual property protections that incentivize companies to make investments in new technologies. 

Until recently, the U.S. patent system was the global “gold standard.” It was imitated by other nations, particularly archrival China. In recent years, China has upgraded its system to the point that, in many respects, it now surpasses our own. Patents are more rapidly granted, remedies to prevent IP theft are more common, and the laws are modernized almost annually.

Meanwhile, the United States has been weakening its patent system. In 2011, Congress over-reacted to exaggerated complaints by Big Tech companies about “patent trolls” and instituted a powerful tribunal inside the U.S. Patent and Trademark Office that usually invalidates patents challenged there.

The Supreme Court has also made challenging patents easier, made injunctions to stop infringement generally unavailable, and shrank the scope of inventions eligible for patenting. Today, many important inventions held ineligible for patenting here are eligible throughout Europe and in China.    

This represents a huge failure of U.S. leadership.

Fortunately, leaders are emerging in the U.S. Senate who are endeavoring to make more inventions eligible for patenting. There are also proposals to increase federal funding for technology by sponsoring the American Innovation and Competition Act. 

This effort is vital to U.S. recovery in economy and technology because public funding, which helps spur private sector innovation, has been shrinking for decades—as has private investment. Venture capital firms insist on their clients obtaining ownership rights before committing the needed funds. So, prospects for our future prosperity rise or fall in line with the strength of IP protections.

However, Big Tech has convinced many of their colleagues to leave matters alone. Their legions of lobbyists swarm Capitol Hill, suggesting that patent revival is not necessary.

Economic progress requires fixing our ailing patent system.  And we must do so soon—before China replaces us as the world’s leader in the advanced technologies that will dominate the 21st century. 

— Paul R. Michel, former chief judge of the United States Court of Appeals for the Federal Circuit

Lucky Look – Lena Claypool’s Buck Lucky Creative Collective

Image from www.bucklucky.com LENA’S VISION Lena Claypool curates a group of artists and makers in downtown Petaluma.
Good morning, lovelies! Happy Wednesday! How was everyone’s weekend? I spent the time in Paso Robles, which is far more beautiful than I could have realized. Has anyone been to Daou Winery? It’s one of the more beautiful places I’ve ever seen, with 360 views of golden hills and vineyards. Who knew Central California was so tremendous? To this week’s...

Letters to the Editor – Sheriff Pick

Why should you care about the Sonoma County Sheriff’s election? In my view, it's the most important office next to choosing your County Supervisor, primarily because, as the top cop in the county, the Sheriff has a lot of power. This individual's office has the ability to detain you, arrest you, hold you in custody and maintain your imprisonment...

Mind Map – A Petaluma ‘Thought Experiment’

Archival image of the 1940 Petaluma Census Enumeration X MARKS THE ART A vintage map of Petaluma, updated to indicate the approximate location of the Petaluma Arts Center.
For many, abstract explorations of “place” begin and end with polymathic superhero Buckaroo Banzai’s observation that “No matter where you go, there you are.” Carin Jacobs, executive director of the Petaluma Arts Center (PAC), is interested in bringing more dimension to the concept with the latest of her series of evocative, quarterly-posted questions or “Thought Experiments.” Each query is designed...

SONG OF THE SEA

Photo provided by College of Marin SONG OF THE SEA Isabel Allende discusses her work at College of Marin this Thursday, May 12.
Novato Isabelle Allende This Thursday, spend an evening hearing from Latinx author Isabel Allende Live at College of Marin. The evening will begin with students in the College of Marin’s Drama Department performing an excerpt from The Stories of Eva Luna, dramatized and directed by instructor Erin McBride Africa. Following the performance, Allende will be interviewed on stage by College of...

Astrology – Week of May 11, 2022

ARIES (March 21-April 19): “Choose the least important day in your life,” wrote Aries author Thornton Wilder. “It will be important enough.” I recommend that you make those your words to live by in the next two weeks. Why? Because I suspect there will be no tremendously exciting experiences coming your way. The daily rhythm is likely to be...

Sign of the Times – Peace sign at di Rosa Center for Contemporary Art

Photo provided by Erik Williams WORD WORKS Walt Williams uses one-word installations to raise awareness and increase thought in the community.
The power of words is not lost on di Rosa Center for Contemporary Art. In 2020, the word VOTE sat at the entrance to the grounds, encouraging people to consider their power in deciding the country’s fate. Today, those driving down Sonoma Highway will see the word PEACE on the di Rosa’s dam, installed by the same local educator and...

Mrs. Saturday Night: Catskills come to Sonoma

Photo by Miller Oberlin BORSCHT BELTERS The cast of ‘Saturday Night at Grossinger’s,’ now playing at Sonoma Community Center.
The Borscht Belt comes to wine country with the Sonoma Arts Live presentation of Saturday Night at Grossinger’s. This musical by Stephen Cole (Merman’s Apprentice) and Claibe Richardson runs in Sonoma through May 8. It’s co-directed by Larry Williams and SAL artistic director Jaime Weiser Love. An area in New York’s Catskill Mountains, the Borscht Belt was where hundreds of...

Zero Effect: Less is more

Jacek Dylag NOTHING can be something else.
By Christian Chensvold What do you have when you have nothing? According to ancient teachings, you still have one thing, the one thing that can never be taken from you. Potential comes from the Latin word for power, and when you feel like you’ve lost everything, you still have the potential to access a power capable of achieving the impossible. The...

Content is Dead, Long live content

Daedalus Howell SECRET CODE Do it if you dare.
By Daedalus Howell Remember when "content was king?" I do—in fact, I remember the very moment I first heard that damnable phrase. It was 1999 and I was sitting across from an entertainment attorney who was working up some contracts for me. He bundled my paperwork into a folder, winked and said, “Content is king.” At $300 an hour, I...

Protect intellectual property for growth

America can't outcompete low-wage countries when it comes to manufacturing cheap, mass-produced widgets. But we can—and historically have—outcompeted every other nation when it comes to creating superior technology. Unfortunately, this advantage is disappearing. Our leaders are actively weakening the patents, trademarks, copyrights and other intellectual property protections that incentivize companies to make investments in new technologies.  Until recently, the U.S. patent...
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