Weed Weekend on the Cannabis Trail

As the weather warms up and our coastal forest is blanketed in that summer smell of redwoods, have I got an idea for you. Go west, young human, for an afternoon of cannabis consumption at one of the sweetest, most historically significant spots in the new world of cannabis.

We’re talking about Riverside Wellness Collective in Guerneville, one of the cultural landmarks along the Cannabis Trail, a non-profit project commemorating the people and places that helped to establish the legal cannabis we know and love today. 

I spoke with the Cannabis Trail founder, Brain Applegarth, about the legacy of Riverside Wellness and the Cannabis Trail Project.

“Currently there are 10 cultural landmarks along the Cannabis Trail that are installed and ready for visitors … all the way from San Francisco up to Humboldt County,” Applegarth told me during a recent phone chat. So far, Sonoma County is home to two of those landmarks—one is Riverside Wellness. 

“Riverside Wellness is a cultural landmark that honors [not just the dispensary’s importance in] cannabis history,” he said, but also the story of Brownie Mary and what they call “the bust heard around the world.” This occurred when the medicinal activist Mary Jane Rathbun, already famous for providing cannabis to AIDS patients in the Castro, was arrested at the home of a pot grower in Cazadero.

The national attention given to the bust “opened up a huge dialogue around medicinal cannabis, and lo and behold four or five years later, [the bust] led to Proposition 215,” said Applegarth, referring to California’s Compassionate Use Act of 1996, which legalized the sale and use of cannabis for medical purposes. 

To get to Riverside Wellness, drive west along River Road from Santa Rosa. Just as you enter Guerneville, the dispensary is on your left. You’ll find that Riverside Wellness is situated in one of the most beautiful places in the world, right along the Russian River, in the little resort town known for a mix of hippy counter culture, farm-to-table foodie-ism and queer chill.

“They have a beautiful location with all kinds of sitting areas by the river. You can’t get a much better environment to be relaxed and enjoy nature,” Applegarth said. Right next door you’ll find the lovely Farmhand Cafe for bites and bevies. 

Ah yes, I think soon I’ll go get a half gram pre-roll and walk into town for some ice cream in Guerneville. Sounds perfect. I can’t imagine a more fitting tribute to the work of the pioneers celebrated by the Cannabis Trail than for buying a joint on a summer afternoon to be the most normal thing in the world.

Hot Summer Guide 2022

It’s summertime and the living is easy—at least for those whose privilege it is to enjoy the attractions of this wine country wonderland we call home.

For many of the season’s offerings, your daddy need not be rich nor your mama good looking. For others—to borrow from another classic lyric—same as it ever was. Except that there’s now so much more.

What follows is a highly subjective and necessarily incomplete list of local summer offerings happening within the first month or so of a hot summer season brimming with options (including the “nuclear option,” if we’re to pay any mind to geopolitical saber rattling—which we’re not). So hush little baby, don’t you cry…

Windsor Summer Nights on the Green

Windsor’s annual spate of musical programming kicks off Thursday, June 2 with Foreverland, which is billed as “The Electrifying Tribute to Michael Jackson.” What’s germane is that the band isn’t a tribute or impersonation act—it’s just a straight up cover band interpreting the music of the King of Pop (which, frankly, is a relief for those still overcoming ’80s zipper-fatigue). The gig is sponsored by Friends of the Windsor Library. 

For more information, visit foreverland.com or townofwindsor.com/342/Summer-Nights-on-the-Green.

Orsi Winery Summer Concert Series

Located just two minutes from downtown Healdsburg and surrounded by 70 acres of vineyard, Orsi Family Vineyards is known for bringing its Italian sensibilities to local environs—at least in the wine department. In the music department, however, there’s an apparent penchant for tribute bands with clever names—Fleetwood Mask and Petty Theft, each of which are playing the winery in June and July, respectively. The gigs are part of the Orsi Winery Summer Concert Series, which pairs a bevy of acts with their award-winning wine throughout the season. For more information, orsifamilyvineyards.com/calendar.html.

Sonoma County Pride Presents ‘Love, Simon’

Sonoma County Pride, whose mission is to promote equality for all while preserving and educating the community about the LGBTQIA+ history of Sonoma County, has put together a bevy of events during the annual June Pride Month celebration. Among the many, many highlights are “Pride Movie Night” featuring Love, Simon, hosted by Pride master of ceremonies Jan Wahl, the beloved film critic, Hollywood historian and fashionable hat fanatic. Fans are encouraged to “grab a blanket and your low-back lawn chairs, and order dinner from one of our downtown favorite restaurants for an evening of family time…” The festivities commence at 5pm, June 2 at Old Courthouse Square in downtown Santa Rosa. The event is free and for all ages. 

For more information, visit sonomacountypride.org.

Beer Fest: The Good One

Before there was Vineburg, there was Hopland, which is another way of saying that we might reevaluate Sonoma County’s identity as a wine capital and recall that its beer scene has gone longer and perhaps stronger than their vintner colleagues might admit. Proving the point is Beer Fest: The Good One, which returns to the lawn of the Luther Burbank Center for the Arts and promises “mouth-puckering sour beers, hop bombs, barrel-aged brews, and a wide range of other cool libations that make Northern California one of the best beer-producing regions in the world.” With more than 40 breweries and cideries pouring samples, this brew-haha is a must for those with grain on the brain. The flow commences at 1pm and lasts until 4:30pm, June 12 at the Luther Burbank Center for the Arts, 50 Mark West Springs Rd., Santa Rosa. Tickets are $50–$65, and net proceeds benefit Face to Face, whose mission is “…ending HIV in Sonoma County while supporting the health and well-being of people living with HIV/AIDS.”

For more information, visit beerfestthegoodone.f2f.org.

Railroad Square Music Festival

The Sixth Annual Railroad Square Music Festival welcomes all aboard June 12. Voted Sonoma County’s “Best Music Festival” all six of its years by readers of the Bohemian, the line up is a whirlwind of styles on multiple stages, including local luminaries like “gritty local rockers Kingsborough, powerhouse funk stalwarts Burrows & Dilbeck, Oakland/Guerneville hip hop artist Kayatta, indie rock salty pals Bad Thoughts, Petaluma’s surf pop-punkers The Happys, 5 piece norteño group La Agencia, indie jazz act Echolyptus, Petaluma R&B artist Simoné Mosely, railroading songstress Jade Brodie…” The list goes on and is as impressive as it is blissfully long. The multi-genre event commences at noon and continues to 7:30pm, Sunday, June 12, at Santa Rosa’s historic Railroad Square.

For more information, including the full line up, visit railroadsquaremusicfestival.com.

Get Booked

Billed as an “intimate fundraising event” for the Sebastopol Community Cultural Center, fans of former host of KQED’s Forum and author Michael Krazny and novelist, non-fiction writer, activist and writing teacher Annie Lammot are in for a double dose of literary love at this June 12 event. The author talk includes a book signing, live music and libations (of varying degrees, depending on your ticket preference). 

For more information, including times and price, visit seb.org/special-events.

Healdsburg Jazz Festival

Jazz and wine are a natural pairing—both are expressive of their particular environs, both take a level of mastery to get right and both tend to get better with age. Now in its 24th vintage, the Healdsburg Jazz Festival proves all the above and more. Beginning June 13 and lasting through June 19, this year’s fest promises a thrilling week of music drawing from an array of influences. From National Endowment for the Arts (NEA) jazz master Dave Holland and blues legend Charlie Musselwhite to San Francisco vocal star Bobi Céspedes, the week-long event offers Healdsburg’s most enduring and celebrated soundtrack.

For more information, visit healdsburgjazz.org.

Fair Play

A couple of local traditions bookend Sonoma’s summers—the Sonoma-Marin Fair in June and the Sonoma County Fair in August. Both offer an array of festivities, vendors and attractions galore and both promise family-friendly fun and best of all—fair food. Deep-fried and delicious, the authentic stuff can only be gotten at local and county fairs—and you know you want it. Indulge! The Sonoma-Marin Fair runs from June 22–26, which gives you enough time to recover from the rush of salts, fats, sugars and umami to take on the Sonoma County Fair, which runs from Aug. 4–14. 

To plan your gustatory gluttony, visit sonoma-marinfair.org and sonomacountyfair.com/fair/sonoma-county-fair.php.

Rock the Ride

We need look no further than the fatal shooting of 10 Black people by a white supremacist gunman in Buffalo, NY, to understand that gun violence is a real and present danger in America. Rock the Ride, pedal-powered protest and fundraiser against gun violence, encourages bicyclists at all levels to help raise awareness and monies for local and national nonprofit organizations that are addressing what is one of the most pressing issues of our time. Rock the Ride begins at various times throughout Saturday, June 25, in Napa Valley. 

For specific times and location, visit raceroster.com/events/2022/57493/rock-the-ride-napa-ca.

Freshtival 2022

Who could resist a portmanteau that combines the concept of fresh beer (no older than a week) and festival at which to enjoy? HenHouse Brewing Company, in collaboration with the Bay Area Brewers Guild, Somo Arts Village and Fat Dogg Productions, returns to present the largest variety of brewery-fresh beer ever poured in a single location. All 150 of the beers poured at this event will be less than seven days old, meaning they will be in perfect, brewery-fresh condition, having suffered none of the taste-tolling effects of time, temperature and travel. The Freshtival commences on June 25 at SOMO Village Event Center, 1400 Valley House Dr., Rohnert Park. For times and tickets, visit somovillage.com/event/the-freshtival-2022.

Fireworks at Green Music Center

Instead of potentially igniting the burbs with an errantly deployed Whistling Pete, consider watching some professional pyrotechnics, with the added bonus of the Santa Rosa Symphony and Transcendence Theatre Company providing a soundtrack of show tunes and patriotic classics. The 4th of July Fireworks Spectacular at the Green Music Center is the biggest fireworks display in Sonoma County and a fine way to celebrate American independence from the Brits. There’s also a “Kids Zone” that opens at 4:30pm and features carnival games, bounce houses and face painting. Indoor and outdoor seating options are available (indoor guests will be given time to relocate outside prior to the start of the fireworks display). Michael Berkowitz conducts. 

July 4. Tickets are $30–$60. More information at gmc.sonoma.edu/4th-of-july-fireworks-spectacular.

Paradise Cost: The Price of Supporting Private Ranching With a Sales Tax

Chief Marin, Leader, Rebel, and Legend by Betty Goerke traces how European settlers drove Indigenous peoples out of Marin County with guns, crosses and cows. Without irony, the colonizers named the territory after the Miwok rebel leader Marino.

The forests and wetlands of these coastal lands—tended since time immemorial by humans, elk, lions, birds, insects and plants—were transformed by the spread of extractive industries, cattle ranching, freeways and suburbs, and the old ways were overwhelmed.

In Chief Marin, we read the words of an unnamed Wintu woman, recorded by a 20th century anthropologist, “The white people never cared for land or deer or bear. When we Indians kill meat we eat it all up. When we dig roots we make little holes. When we build houses we make little holes. When we burn grass for grasshoppers we don’t ruin things. We shake down acorns and pine nuts. We don’t chop down trees. We use only dead wood. But the white people plow up the ground, pull up the trees, kill everything. … The spirit of the land hates them.” 

Indeed, global heating and rising seas may be construed as warnings from the spirit of the land to Petroleum Man; change or die.

The populace of Marin largely supports sequestering rural lands from urban development and reducing climate harms. Funded by private donations and government grants and sales tax revenues, the Marin Agricultural Land Trust (MALT) and the Marin Resource Conservation District (MRCD) are examples of county conservation efforts. However, these two organizations are limited by design to primarily serving the interests of commercial ranching. Members of cattle and dairy ranching families have long formed majorities on both boards of directors.

On June 7, Marin will vote on renewing Measure A, a $16 million per year sales tax supporting county parks and dairy and beef ranching enterprises. The ordinance is written to ensure that 14% of the sales tax revenue will continue to fund MALT and MRCD.

In the official election guide, prominent environmentalists, such as Dr. Martin Griffin and Kenneth Brower, urge the public to vote against Measure A. They claim that the sales tax “bankrolls the private businesses of Marin County’s largest landowners.” They suggest that  Measure A be rewritten to fund only parks and be re-voted upon in the fall.

Proponents of renewing the sales tax, including MALT co-founder Phyllis Faber, retort, “These grants are not gifts to private landowners, but an opportunity to purchase development rights on private parcels so that natural ecosystems can flourish and be sustained.”

Public records show, however, that MALT and the MRCD often use sales tax revenue intended for conservation purposes to capitalize ranching enterprises which, in some cases, are operated by board members and their families.

MALT and Measure A

Since 2012, MALT has expended $13.3 million in Measure A monies to purchase conservation easements from ranching families. Easements prohibit the selling of conserved lands for non-agricultural development—such as freeways, malls, or housing.

“Malted” ranchers often use the cash to buy more land and pay off mortgages and business debts and to erect barbed wire fences. In 2020, Pacific Sun-Bohemian reported that MALT’s board of directors had purchased $50 million in easements from two dozen board members and their families since 1980. The investigation related how MALT was compelled by the county to return $833,000 in Measure A funds after it was revealed that executives had not disclosed an appraisal for the purchase of an easement from a board member that was less than the amount paid by the county. Subsequently revamped MALT policies now prohibit the buying of easements from current, but not former, board members and staff.

Public opinion has soured on using county funds to pay for private ranching easements, according to a poll conducted last year by Marin County Parks. MALT is campaigning hard in support of Measure A, proclaiming that without more MALT easements, West Marin will turn into Malibu. That may have been the case 50 years ago. But since then Marin has insulated rural areas from urban development with a combination of zoning and property tax restrictions and scores of MALT easements, all prohibiting nonagricultural development.

MALT is not hurting for money. Its audited financials through June 2021 reveal assets of $30 million, much of it invested in securities. Last fiscal year, MALT received $7.6 million in grants and private donations and investment earnings. The non-profit corporation spent $5.8 million and posted a $1.8 million surplus. MALT is flush without Measure A funds, yet its 20-member board, largely composed of West Marin ranchers, is pushing for more sales tax money to finance buying more private easements. MALT stands to pull about $15 million in Measure A funds during the next decade, if the controversial sales tax is approved.

Measure A and the MRCD

If the 0.25% point of sales tax is renewed by two-thirds of the voters, MRCD is slated to harvest 4% of the projected revenues, $640,000 a year, nearly $6 million through 2031.

According to the MRCD’s audit for the year ending June 30, 2020, about 40% of its $1.3 million budget was sourced from Measure A, the Marin County General Fund, MALT and donations. The balance was filled by federal and state conservation grants.

Since 2011, MALT has granted $1.3 million to the MRCD for improving specified ranches. And since 2000, MRCD has expended $22 million in public monies on ranching infrastructure and habitat restoration. Records show that the underlying purpose of most of these projects is to protect ranching environments from the degrading impacts of ranching, including greenhouse gas emissions and water and soil pollution.

According to a MRCD report published in 2009, “A Half Century of Stewardship,” the district had serviced West Marin ranchers by procuring funds for 173 miles of barbed wire fencing, 60 miles of irrigation pipelines, 24 stock ponds and 592 livestock watering facilities. MRCD supported the construction of miles of ranch access roads, a score of loafing barns and more than 100 “lagoons” holding liquified manure for use as fertilizer on pastures.

It turns out that from 2014-2021, MRCD expended $664,850 in Measure A funds on construction and restoration projects on West Marin ranches and dairies—including for projects benefiting its own board members.

Photo by Marin Resource Conservation District
FENCES Ranchers have used Measure A funds from MALT and MRCD to construct fences on their properties, although fences don’t improve carbon sequestration. Photo by Marin Resource Conservation District

How it all began

Shortly before he died in 2012, Gary Giacomini, 76, taped an interview archived at the Marin County Library. As a teenager, he sailed the Bay and hunted on ranching lands owned by his many relatives. Law school was a necessary bummer, he recalled.

After earning six figures as a land use lawyer, Giacomini sat on the board of supervisors from 1972-1996, representing West Marin, salary: $14,000. When he returned to private practice, Giacomini bragged that he earned several million dollars in his first year. Money and politics are synergistic, of course. And in no small part, the geography and ecology of Marin County was shaped by Giacomini as a supervisor, and as the go-to attorney for the ranching families who own or lease most of West Marin and a third of Point Reyes National Seashore.

“They came from a place called Chiavenna, which is up near the Swiss border. … All the ranchers are either Portuguese or Italian. They’re all hopelessly intermarried,” Giacomini mused.

In the 1970s, allied with local environmentalists, such as Griffin, and Rep. Phil Burton, Giacomini moved to kill developer plans to build freeways and suburbs in rural Marin. Funded by local philanthropists and government programs, a coalition of Marin environmental interests bought up land for parks and open spaces and passed a zoning law that prohibited more than one dwelling per 60 acres.

Alongside ranchers Ralph Grossi and Ellen Straus and Phyllis Faber, Giacomini co-founded MALT in 1980. Sitting on MALT’s board, while still serving as a county supervisor, Giacomini oversaw the dispensation of millions of MALT easement dollars to his friends and relations. In the interview, he admitted misgivings, “There’s a ghost that haunts me. … We saved the place. But there were collateral effects. … It’s one of the big reasons Marin is so expensive. There’s hardly any place for the kids to grow up and live here. The seniors can’t afford to stay here. So one of the unintended consequences of all that—having open space and agriculture zoning—has been to really run up the prices and values. … It would wreck affordable housing, because you’re not going to have any affordable housing on one unit on 60 acres, right?”

And it was racist in effect. “The effect of the zoning excluded minorities … We did it with a big, broad brush. And we were heroes. We painted everything green. … Well, really, a lot of that land wasn’t good ag lands, we just did it because we could. … And I think that’s one thing in hindsight I would have been more careful. … We could have had some development on the margins.”

Resources for whom?

Founded in 1959, the MRCD is a member of the California Association of Resource Conservation Districts which lobbies on behalf of 96 local districts. That organization is supported by state and federal agencies, farm bureaus, corporate-sponsored conservation groups and PG&E. It partners with industry-led organizations, such as National Grazing Coalition, which itself partners with the National Cattlemen’s Beef Association, a “free market” trade group dedicated to promoting beef worldwide as “the protein of choice.”

Over the decades, the MRCD has restored some salmon spawning habitats that were desiccated by 150 years of the ranching industry. It has fenced off streams from herds of defecating cows, often curtailing the freedom of wildlife to roam the lands in search of food and drink unimpeded by artificial obstacles. The district’s official mission statement combines mutually exclusive goals: “To conserve and enhance Marin’s natural resources, including its soil, water, vegetation and wildlife. It is our belief that the health of the county’s natural landscape is dependent upon a robust agricultural economy and the active preservation of our agricultural heritage.”

In practice, the MRCD’s historical mission may be more accurately described as protecting the profitability of ranching operations impacted by the rising costs of complying with increasingly stringent environmental regulations.

MRCD is required to hold regular elections for its five seat board of directors, but it is not democratic—only local landowners are eligible for office. And candidates must be nominated by five other land owners. The law allows the board of supervisors to appoint candidates as directors if there are not more than five declared candidates, and board seats are rarely contested. The director of the California Association of Resource Conservation Districts, Karen Buhr, told the Pacific Sun-Bohemian that, typically, conservation district boards “pass their seats down generation after generation, for better or worse.”

Buhr also confirmed that the MRCD board is governed by the California conflict of interest laws which prohibit its directors from receiving district grants.

Photo by Marin Resource Conservation District
POND The MRCD’s Pine Gulch Creek Enhancement and Pond Project spent $3.2 million building a series of massive, landscape-altering, water storage reservoirs on the three organic farms.

Fair political practices

This investigation analyzes MRCD records produced to Pacific Sun-Bohemian in March by executive director, Nancy Scolari, and Marin deputy county counsel, Tarisha Bal. In response to a request for records providing more details on transactions with board members, Bal wrote that those records would be produced on May 2. On May 2, she wrote that the records will not be produced until June 9, which is two days after the referendum on Measure A.

This investigation also utilized MRCD project reports available online from the California Association of Resource Conservation Districts. Scolari told Pacific Sun-Bohemian that some of those reports contain serious data entry errors—as much as $9 million in one instance, and she provided some corrections. Notwithstanding, the available records demonstrate a pattern of board members receiving MRCD grants during decades of service.

According to the California’s Fair Political Practices Commission’s A Quick Guide to Section 1090, all governmental agencies and districts are bound by California Government Code Section 1090:

“When members of a public board, commission or similar body have the power to  execute contracts, each member is conclusively presumed to be involved in the making of all contracts by his or her agency regardless of whether the member participates in the making of the contract. In most cases, this presumption cannot be avoided by having the interested board member abstain from the decision. Rather, the entire governing body is precluded from entering the contract.”

Furthermore,

“Apart from voiding the contract, where a prohibited interest is found, the official who engaged in its making is subject to a host of civil and (if the violation was willful) criminal penalties, including imprisonment and disqualification from holding public office in perpetuity. The FPPC also may impose administrative penalties for violations of Section 1090.”

When asked if the MRCD is subject to state conflict of interest laws, Scolari confirmed that the district is covered by Section 1090, but, she wrote, “Section 9412 of the Public Resource Code authorizes …. MRCD to provide assistance to private landowners who are directors of the district. It states, ‘Notwithstanding the fact that the landowner or land occupant is also a director, any landowner is qualified to and may receive assistance or loans under this program.’” County counsel Brian Washington concurred.

After being informed of Scolari’s claim, Fair Political Practices Commission spokesperson, Jay Wierenga, stated without equivocation, “1090 applies to all district officers and employees.” Notably, the FPPC Guide cites a California state appeals court opinion, “An important, prophylactic statute such as a Section 1090 should be construed broadly to close loopholes. It should not be constricted and enfeebled.” According to the FPPC Guide, even the “appearance of a conflict of interest” is prohibited. State law requires MRCD board members to periodically take a refresher course in Public Service Ethics Education authorized by the California attorney general. Four current MRCD board members and Scolari are recorded as doing so.

Note that as a non-profit corporation, MALT is not covered by state conflict of interest laws that apply to governmental institutions such as the MRCD. It is covered by state and federal rules and regulations applying to non-profits, which are somewhat more permissive than state regulation of governmental institutions.

Giacomini, Giacomini & Giacomini

Waldo Giacomini was the founding president of the MRCD board. His son, Robert Giacomini, joined the MRCD board in 1997 and there he sits. Robert and four daughters operate the Point Reyes Farmstead Cheese Company. The family’s fortunes have long been affected by the synergies of MRCD and MALT.

Robert served on the MALT board from 1983-1994. In January 2005, the agricultural land trust purchased a $1.86 million easement on Robert Giacomini Dairy’s 714 acre cattle ranch on Tomales Bay.

Robert’s daughter, Lynn Giacomini Stray, joined the MALT board in May 2005, serving until 2013. Daughter Diana Giacomini Hagan has served on the MALT board since 2018; she is the treasurer.

While Robert was on the MRCD board in 2020, district “cost share” grants to Giacomini dairy included $33,271 from Measure A, $17,425 from MALT and $31,300 in state funds to build a sediment basin to comply with state water quality mandates.

In past years, MRCD has funded Giacomini Dairy with $9,000 for “gutter and roof replacements,” $12,000 for a “manure irrigation gun,” $15,000 for a “compost turner” and $6,870 for a “Prop 13 reimbursement.”

In 2018, Giacomini was awarded a MALT—and MRCD—supported Carbon Farm Plan, but it is not currently funded.

MRCD board minutes show that Giacomini and other board members have abstained on voting to approve certain projects funding their businesses. Giacomini confirmed receiving the MRCD grants, but he did not respond to a Pacific Sun-Bohemian query about his possible conflicts of interest under Section 1090 as a member of the MRCD board. 

Point Reyes Farmstead Cheese Company executive Jill Giacomini Basch told Pacific Sun-Bohemian that “there are no ethical issues surrounding receipt of [MALT] funds” for MALT and MRCD projects while Ms. Hagan has served on the MALT board, pointing to MALT’s bylaws and conflict of interest policy. MALT, of course, is a nonprofit corporation and not subject to Section 1090, as is MRCD, a governmental body.

Gale enterprises

The president of the MRCD board, Sally Gale, was appointed by the board of supervisors in 1996. Gale and her husband, Mike Gale, own the 586-acre Chileno Valley Ranch “settled” by her Swiss immigrant great-great-grandfather.

In 2000, MALT bought a $586,000 easement from the Gales. According to MALT, the Gales “leveraged the capital from the conservation easement to restore the barn and purchase their first herd of beef cattle.” Mike served on the MALT board from 2008 until 2018.

With funding from MRCD and the MALT Stewardship Assistance Program, the Gales have controlled invading thistles and installed fencing to exclude cattle from creeks.

MRCD board minutes show that when the board voted to approve a Carbon Farming Plan for Chileno Valley Ranch in 2021, Sally Gale abstained. Gale told Pacific Sun-Bohemian, “The carbon plan is in process.” Its budget is under development.

Responding to a Pacific Sun-Bohemian query about possible conflicts of interest, Gale replied that the MRCD board is allowed to award grants to directors, citing Scolari’s response.

Gale confirmed that her property tax is reduced by 35% in return for agreeing that the land only be used for agricultural purposes.

According to the California Department of Conservation, the Williamson Act and Farmland Security Zone programs “enable local governments to enter into contracts with private landowners for the purpose of restricting specific parcels of land to agricultural or related open space use” in return for tax reductions of up to 65%.

Chileno Valley Ranch does not appear to be just a farm. According to its website, the ranch “is an authentic California farm wedding venue with a 150-year-old redwood barn and beautifully restored Victorian farmhouse.” For a $8,000 fee, “Mike and Sally” will plan your wedding and a banquet in the barn. Tables and chairs, “vintage wedding props,” catering, food, liquor, photographers and porta potties are extra.

Gale told Pacific Sun-Bohemian that, contra the website, they stopped doing weddings and events three years ago. After this inquiry, the website’s wedding and events section disappeared.

Asked if MALT easements that prohibit non-agricultural uses allow for hoteling and the hosting of commercial events, MALT executive director Jenifer Carlin replied, “The purpose of MALT easements is to enable properties to remain in agricultural use for the production of food and fiber, and we interpret all easements with that purpose in mind. If limited events, lodging and related activities are not interfering with agricultural use and can help allow property owners to financially support agriculture, we believe they are generally consistent with our easements. At the time some of MALT’s earlier agricultural conservation easements were written, many agritourism-based events were not envisioned, and thus are not explicitly addressed.”

Martinelli & Quince

At Michelin-starred Quince restaurant in San Francisco, the course tasting with wine pairing is $655 before tax and tip. The organic chow is local, seasonal, sustainable and curated by Peter Martinelli, who operates Fresh Run Farms at his Paradise Valley Ranch in Bolinas.

Martinelli was on the MALT board from 2008 to September 2017. In 2014, while he was on the board, MALT purchased a $2.5 million easement on his coastal ranch which requires the land to be used for agriculture in perpetuity. Martinelli said he recused himself from voting to approve his own easement.

Four years later, the county lowered Martinelli’s property tax exposure in return for him agreeing, again, to keep the land in agriculture.

In August 2017, Martinelli was appointed to the MRCD board, where he still serves and MRCD supports his business.

Pine Gulch Creek runs through Martinelli’s ranch into Bolinas Lagoon. In 1997, the National Park Service determined that drawing water out of Pine Gulch Creek for agricultural use was draining the summer habitat of Coho salmon spawn. According to MRCD reports, Martinelli’s and two adjacent organic farms, Paradise Valley Produce and Star Route Farms, were pumping large amounts of water from Pine Gulch Creek to irrigate their crops. Thus began years of searching for an ecological solution.

From 2015-2018, the MRCD’s Pine Gulch Creek Enhancement and Pond Project spent $3.2 million building a series of massive, landscape-altering, water storage reservoirs on the three organic farms—including $78,133 from Measure A and $12,702 from MALT. In return, the ranchers voluntarily agreed to only draw water from the creek during the wet season when it was recharging the water table.

It turns out that the construction of the reservoirs required extensive excavation and installing pumping machinery and thousands of feet of pipe. Marin County records reveal that the project was slated to cause substantial changes to its arboreal and wetland surrounds and to the many sites where Indigenous peoples had inhabited the watershed. After intensive lobbying by the MRCD, the Marin County Community Development Agency ruled that a scientific study of the ecological and archeological consequences of constructing the industrial reservoirs would not be necessary under the California Environmental Quality Act. According to the county, there would be “no significant impact to the environment” due to proposed “mitigations” of the effects of construction and the impacts of operating the irrigation system. Ultimately, the reservoirs fundamentally altered the landscape and the natural hydrology system.

Photo by Marin Resource Conservation District
RANCH PROJECTS According to a 2009 MRCD report, the agency has supported the construction of miles of ranch access roads, a score of loafing barns and more than 100 “lagoons” holding liquified manure for use as fertilizer on pastures. Photo by Marin Resource Conservation District

Problems with carbon farming

Henry Corda was appointed to the MRCD board in 1990 and stayed for 26 years. 

In 1994, MALT bought an easement on Corda Ranch near Petaluma for $1 million. Corda told Pacific Sun-Bohemian that he is the trustee of the entity that owns the ranch.

Along with MALT and the Carbon Cycle Institute, MRCD is a core member of the Marin Carbon Project. In 2013, the district implemented a Carbon Demonstration Farm on Corda’s ranch. The district secured $30,000 to spread compost—an oxygenated churn of cow manure and organic waste—upon 20 acres of Corda’s grazing land in an attempt to sequester carbon.

Corda said the project brought him no monetary gain, and it was the only MRCD project he participated in during his tenure on the board.

Composting is a main component of the Marin Carbon Project’s carbon farming plans, and it is expensive. MRCD calculates the cost of composting an acre at more than $600.

Field studies on a composted West Marin test site performed by University of California scientists from 2008-2011 reveal that improvements in carbon sequestration rates are generally short-lived, and are often canceled out by a range of unwanted side-effects. For example, compost itself contains carbon dioxide and nitrous oxide that floats into the atmosphere as planet heating gasses, and nitrogen that leaches into the soil, feeding invasive plant species. Fossil-fueled trucks haul raw materials distances to production sites and then truck the compost to farms. Oil-driven machinery mixes and spreads the fertilizer on fields. Cows ruminate the super-charged grasses into methane, which is 25-80 times more harmful greenhouse gas than carbon dioxide. Composting grazing lands may have some positive effects as part of a more comprehensive carbon reduction strategy, but deployed by itself, composting is a largely ineffective carbon-reduction strategy, experts say.

The district’s carbon farming plans utilize a software application designed by the U.S. Department of Agriculture called Comet-Planner. MRCD claims as a “reported performance measure” that the Corda project sequestered 32 metric tons of greenhouse gasses. But Comet-Planner does not measure performance results. According to the U.S. Department of Agriculture, the program only estimates the potential greenhouse gas impacts of conservation practices, and should be used for planning purposes only.

Scientifically testing soil to measure the impacts of carbon farming requires high-tech instruments and years of experiments. Carbon farming in general is not a magic tool, far from it, observe many studies. Scolari agreed that Comet Planner does not empirically measure the performance of carbon sequestration; she did not explain why MRCD uses it as a performance measure.

Got bucks?

A 2003 University of California study reported that 63% of the dairy and beef operations in Marin were unprofitable. The study concluded that public and private subsidies of “grass-fed” and “organic, sustainable” boutique products for rich consumers was the best option for promoting survival of the ailing dairy and cattle businesses.

One of the biggest names in Marin’s organic dairying industry receives MALT, MRCD and Measure A monies, the Straus family.

The late Ellen Straus co-founded MALT in 1980 and served either as a director of the corporation or on its “advisory board” until 2003.

In 2016, Robert McGee, who is the president of Straus Family Creamery, joined the board. This year, Vivien Straus, Ellen’s daughter, signed on. Siblings Vivien, Miriam and Michael Straus own Straus Home Ranch. 

Brother Albert Straus owns Blakes Landing Farms and Straus Family Creamery, where Vivien served as the marketing vice president.

In 1992, MALT approved two deals on Straus family properties while Ellen sat on the advisory board. It paid $223,768 for an easement on Straus Home Ranch, and $664,564 for an easement on Blakes Landing Farms.

The Marin County assessor has granted both properties tax breaks in return for restricting the land to agricultural and open space uses.

According to its website, Straus Home Ranch is available for “magical” weddings for a minimum fee of $9,500. The cost for a stay in the four-bedroom ranch house—complete with chef’s kitchen and “sustainable” bed linens—is $1,782 per night. Corporate retreats at the Straus Home Ranch can be customized to the cost of one’s tastes and guests are invited to “meet the heifers.”

In response to a Pacific Sun-Bohemian query about the propriety of these non-agricultural uses, the Home Ranch Strauses replied, “The farm stays, agritourism and private events which we host are, to our understanding, compatible with our MALT easement. Our understanding is that the reduced property tax assessments were set up as a mechanism for protecting agricultural and open space land from premature and unnecessary urban development and, as we have been engaged in agriculture on our contracted lands and have not added any new structures, we are in complete compliance.” Albert Straus and McGee did not respond to requests for comment.

MRCD records indicate that in the last two decades, MRCD has overseen more than $300,000 in grants for Straus family projects. According to Scolari, Straus Dairy has received $29,810 in Measure A and MALT cost share funds. Straus Home Ranch has received $33,419 in Measure A and MALT cost share funds. Here are a few examples.

At Blakes Landing in 2012, MRCD constructed “a permanent barbed wire fence [to] exclude livestock from the creek … while a fence does not directly increase biological carbon sequestration, this fencing practice is a necessary supporting practice …”

In 2013, Albert Straus was awarded Carbon Farm Plan #2, budgeted at $1 million. MRCD reports securing $30,000 of the projected cost, and “no accomplishments to report.”

In 2018 at Blakes Landing, a quarter mile of fence was replaced. A quarter mile of livestock pipeline and a cattle watering trough were installed on a pasture. Noting that the project does not sequester carbon, MRCD explained, “Providing cost-share to help ranchers be proactive stewards of the land empowers them and ultimately benefits their operation in the long run.”

In 2013, MRCD supported Straus Home Ranch with two conservation grants to install fencing and a hedgerow and to support “agri-tourism.” MRCD explained that the “ranch promotes agritourism by renting the historical home. Landowner goals include: continuing the family legacy …. sustainable organic agriculture … carbon sequestration.” A few hundred feet of hedgerow were planted in 2014 and 14 acres were “mulched” in 2019.  MRCD used Comet-Planner hypotheticals to claim that 51 tons of greenhouse gasses were sequestered by these activities.

Records show that in 2014/15, MRCD paid Straus Home Ranch LLC a $6,280 “consulting fee” to repair a washed out dirt road and build water diversion ditches on the ranch. 

Back to the future

If Measure A did not include millions of dollars for MALT and the MRCD, environmentalist-led opposition to renewing the sales tax would likely evaporate, as parks are protected public spaces enjoyed by all. And in contrast to MALT and MRCD practices, there are climate-conscious land conservation methods in play in rural Northern California that do not capitalize commercial ranching operations.

For example, the Sonoma County Land Trust often purchases agricultural lands to remove them from agriculture and urban development and generating greenhouse gasses.

There is a growing, world-wide, Indigenous-led movement to protect open spaces, forests, lakes, oceans and the atmosphere by titrating down on the breeding of our animal relatives as food and the practice of consigning cows to endless pregnancy, calf-removal and lactation.

In truth, we can farm our foods without depending on fossil fuels. We can meet our need for sustenance without degrading the lands and waters—and even “grass-fed” and “sustainable” dairy and cattle ranching are fountains of pollution. Using modern permaculture methods and the lessons of Indigenous science, we can provide the millions of acres of healthy carbon sinks our planet needs to ameliorate or partly  reverse the disastrous impact of atmospheric heating—which threatens to eclipse the planetary hegemony of the sapiens species.

Or perhaps we will continue to fail to meet the existential challenge. If we cannot do it in “progressive”  Marin County, where can we do it?

In the early 1930s, Miwok elder Tom Smith told Isabelle Kelly a story. “Coyote lost his people once. After a while he made another kind of people.”

All is not lost.


This story is supported by the Fund for Investigative Journalism and the Reporter’s Committee for Freedom of the Press. Support investigative journalism: www.peterbyrne.info

Eclectic Arts: Downtown Santa Rosa’s Calabi Gallery

Sometimes there’s more to a story than meets the eye. Dennis Calabi is a shining example. 

His unassuming storefront, Calabi Gallery, sits on Tenth Street in downtown Santa Rosa, where its simple exterior belies both its contents and Calabi himself. 

The Calabi Gallery is extending its current “contemporary” exhibition for another few weeks, through June 4. In order to understand the gallery’s present, however, one must understand Calabi himself and the path that led him here.

Calabi grew up on a farm in rural New York state, the son of two Holocaust refugees. His parents, city folk who missed the art and culture of their former metropolitan European lives, exposed him to both from an early age, instilling in him a lifelong interest in art and artists. He moved to the West Coast to attend UC Berkeley in the 1960s, dropped out after a year, and then opened an art gallery with his father and began voraciously reading histories of American painting, ultimately specializing in 19th century American landscapes.

He also began visiting museums and galleries, but quickly concluded they were part of a corrupt, dog-eat-dog world that would eat him and his father alive. Still wanting to work with fine art in some capacity, though, in 1968 he found a mentor and entered into an “Old World” apprenticeship, where he worked six days a week for free, and learned his life’s trade as an art restorer in a mere two years, without putting his parents into debt or going into debt himself. Since 1970, he has been in private practice as a conservator of paintings.

In the ensuing years, he stayed mostly in the Bay Area, eventually moving north from San Francisco in search of a slower-paced life. While he initially opened Calabi Gallery in Petaluma 13 years ago with hopes he could find “a more sedentary and less stressful way of working with art,” he found that in reality he’s “in the studio day and night trying to pay for the gallery, which has never even broken even, let alone made a profit.” He says his clientele includes “anyone who calls—museums, dealers, collectors, people who own a few pieces, whatever.”

Having found that shipping paintings is an expensive and risky proposition, he tends to keep local Bay Area clients, sometimes even picking up and delivering paintings himself. In fact, more than once he’s weighed shipping costs and odds, and driven all the way to Los Angeles to hand-deliver restored paintings to their owners. After four years in Petaluma, he moved his gallery to its current Santa Rosa location, and still restores paintings in his home studio.

The Calabi Gallery is set up such that the first little room to the right upon entering has a more static, traditional—that is, either antique or modern contemporary works in the old style—inventory, while the main room and the other side room show more movement with their inventory as exhibitions with various themes come and go. 

The gallery’s last show was a solo exhibition of a local artist, Christian Quintin. Calabi writes on his website: “[Quintin’s] fantastic visionary scenes derive much of their power from his remarkable technical skills and his use of the best materials available. While the conceptual compositions are of paramount importance to the art, his technical prowess is extremely rare in contemporary art.”

The show prior to that was part of the international art effort called “Extraction,” a project, organized by the Codex Foundation in Berkeley, which included multiple exhibitions with work by artists who are concerned with humankind’s over-extraction of natural resources and the resulting climate change humans and the planet now experience. Calabi kept the exhibition open for five months, by far the longest he has ever shown one, partly due to “Covid inertia” and partly because it “made an important political statement at a time when few people were coming in.”

Covid hit the gallery hard. “Being mostly closed during that time—except by appointment—had a devastating effect on sales,” Calabi says. “We survived due to much-appreciated government loans and grants, as well as heavily discounted sales to better-heeled dealers.”

The current exhibition, in Calabi’s own words, “represents the eclectic nature of my gallery” and “contains a little bit of everything—some antique, some modern, some contemporary, some totally abstract, some photographic realism—in every conceivable medium.” He adds, “Most [artists] are from the Bay Area, but we show work from all around the country and the world. We also do shows on specific themes, as well as 1- or 2-person shows, but this is clearly not one of them.” When I ask him about the public response to this exhibition, he says, “We haven’t had much traffic … but most visitors were enthusiastic about the experience.”

I know little of art, and expected only paintings when I stepped into Calabi’s gallery. So the delightful, colorful sculptures dotting the floor caught me entirely unaware, and had me smiling ear to ear. When I expressed my surprise, Calabi assured me his gallery contains art of all types—paintings and sculptures among them.

Calabi’s decision to extend the current exhibition through June 4 is informed by his desire to get more people in the gallery, viewing art. Sales tend to be made in-person, not online. With Covid on the wane, he hopes to promote more foot traffic, which is good for the whole downtown area.

What of the future? “Our next show, opening June 11, will feature local artist Alejandro Salazar,” Calabi tells me. “Later this year, we will be showing works by prominent artists working shortly after World War II. We tend to make show decisions spontaneously rather than planning way in advance, but that entails marathon work sessions to accomplish the goal in a reasonably timely fashion. We often display art dealing with social issues and politics during election season. Most shows run for about two months.”

Long ago, Calabi made a conscious choice of lifestyle over professional laurels, eschewing greed for his love of art itself. Still, he’d like to see business pick up, and with Covid on the wane, now is as good a time as any.

His advice to anyone who’d like to know more about his gallery?

“All of our past shows are archived on our website,” he says. “You may wish to glance through them to get a better idea of the breadth of our program.”

Calabi Gallery, 456 Tenth St., Santa Rosa. Hours: Thu–Sat, 11am to 5pm. 707.781.7070 www.calabigallery.com

Faithful Friends: Gunderson’s ‘Book’ opens in Healdsburg

William Shakespeare never had a play actually published in his lifetime. They existed, often in pieces, in hand-scrawled scripts and in the memories of the actors who performed them. If not for Shakespeare’s friends and colleagues’ efforts to preserve his work, high school drama students would have a lot of free time on their hands and community theaters would have big holes in their season schedules.  

Playwright Lauren Gunderson (the Christmas in Pemberley series) won the 2018 ATCA/Steinberg New Play Award for The Book of Will, her historically-based look at the long-shot effort to keep Shakespeare’s work available for the ages. Healdsburg’s Raven Players has a production of the play running through May 29.

After being exposed to a butchered version of Hamlet (“To be, or not to be, ay, there’s the point…”), members of Shakespeare’s theatrical troupe, under the leadership of Richard Burbage (Robert Bauer), decide something must be done. Burbage’s untimely death leaves it to John Heminges (Steven David Martin) and Henry Condell (Craig Peoples) to come up with a preservation plan. They decide to do something never before done—publish a book of plays. All they’ll need is money, a publisher and a written record of all the plays. They lack all three.

How they accomplish this seemingly impossible feat makes for a very entertaining evening of theatre. Director Diane Bailey (with a Covid-necessitated assist from Martin) gathered many of the Raven regulars, added a few newcomers, placed them on a simple set that’s evocative of the time and let Gunderson’s amusing and oft-emotional script do the talking. 

That script was well-delivered by leads Bauer, Martin and Peoples. Bauer does double duty as Burbage and William Jaggard, the less-than-honorable publisher with whom they must deal.  Solid support was provided by Nicholas Augusta as Shakespeare rival/friend, Ben Jonson; Bill Garcia as the more honorable son of Jaggard; and Aimee Drew as Heminge’s daughter, Alice.   

Bailey makes effective use of the Raven space, but transitions between scenes were inconsistent and could be tightened, as there are no set changes of which to speak. The play runs two-and-a-half hours, inclusive of an intermission.

Fans of Shakespeare (or Shakespeare in Love) will find The Book of Will a nice addition to the folio of Bard-related popular entertainments.

‘The Book of Will’ runs through May 29 at the Raven Performing Arts Theater, 115 North St., Healdsburg. Thursday–Saturday, 7:30pm; Sunday, 2pm. $10–$25. Proof of vaccination required. Masks recommended. 707.433.6335. raventheater.org

On the Sculpture Trail: Public Art in Cloverdale

Public art in Cloverdale

For many, knowledge of sculpture starts with Rodin’s “The Thinker” and ends somewhere near David’s fig leaf. Fortunately, for nearly two decades, the Cloverdale Sculpture Trail has expanded local appreciation for the discipline with its biannual public art exhibit. 

The Sculpture Trail’s 2022-24 season, which was installed in late April, brings nine new pieces installed along and nearby Cloverdale Boulevard.

“Being an artist, but especially a sculptor, venues are hard to come by,” says artist Bryan Tedrick, who has participated in the event since its inception 19 years ago. “The logistics of moving heavy objects, preparing sites to place them, and maintaining public safety are not simple tasks.”

Over the years, the event has seen an increase in funding, publicity and access to heavy equipment to aid in transporting and installing the artwork, which Tedrick credits to local arts maven Joyce Mann, who retires from her tenure with the Sculpture Trail this year. 

“The satisfaction for me of the Sculpture Trail is seeing families walking down the streets and stopping to admire and discuss the sculptures,” says Janet Howell, who runs J. Howell Fine Art in Healdsburg and is taking over as lead chair for Mann. “Nineteen years ago, Joyce Mann had the vision of bringing public art to our small community, and I hope Cloverdale can continue with this tradition for many years to come.”

Among this year’s new works are Tedrick’s “Thistle,” “Salvaged Horse” by Pierre Riche, “Lips” by Beth Hartmann, ‘The Disc” by David Mudgett (which took “Best of Show”), “Icarus,” a joint piece by Hector Ortega and Taryn Moore, Peter Hassen’s “Cycles2: Science” (which garnered an honorable mention), “Hekate” by Stan Huncilman, Peter and Robyn Crompton’s “Celestial Poodle,” and first place winner “Being” by Diego Harris.

The works were judged by gallery owner Danielle Elins and Todd Barricklow, a lauded Sonoma County artist.   

“As a Sonoma artist, it is particularly gratifying to share my work locally. The public exposure guarantees many will see my work,” says Tedrick. “While actual sales of work may be limited, it is at least an opportunity that wouldn’t exist otherwise, and hope springs eternal.”

The Sculpture Trail was made possible by a grant from Creative Sonoma and a bevy of local “sculpture sponsors,” from local businesses to individuals. A “People’s Choice Award,” sponsored by the Cloverdale Nursery, will be announced at a reception June 4. The public is invited to vote for their favorite works at cloverdalesculpturetrail.org.   

“The impact that public art has is not always immediately recognizable, but has a way of imprinting on one’s environment and mind like an old majestic tree,” says Hector Ortega, one of the artists behind “Icarus.” “Normalizing the arts and making a visual impact to better our built world is something that the Sculpture Trail does for its community.” 

A reception for the artists is scheduled from 5 to 7:30pm, Saturday, June 4 at Cloverdale Performing Arts Center, 209 N. Cloverdale Blvd., Cloverdale. cloverdalesculpturetrail.org

Bohemian, Pacific Sun Win Journalism Awards in Statewide Contest

0

The news team for the North Bay Bohemian and Marin County’s Pacific Sun won nine awards in this year’s California Journalism Awards contest, including two first-place and four second-place awards. 

“As always, I’m extremely proud and impressed by my team, who—every week—answers the call to bring vital and interesting stories to our loyal readers. It’s an incredible feat in this day and age and especially gratifying to see them get the recognition they deserve,” said Daedalus Howell, editor of the Bohemian and Pacific Sun. Both papers, which competed in the category for weekly newspapers with circulations between 11,001-25,000, are owned by Weeklys, a chain of Bay Area newspapers.

Nikki Silverstein, writer-at-large for the two papers, won first place in the Coverage of Local Government category for her reporting on the arrest of Jeremy Portje. Silverstein was the first to write about the Sausalito Police Department’s decision to arrest Portje, a freelance journalist filming at a city-sanctioned homeless encampment as part of his work on a documentary about homelessness in Marin County.

Silverstein’s reporting quickly drew attention from the San Francisco Chronicle and national press freedom advocacy groups.

“[The stories offer] a chilling lesson about how some overzealous members of law enforcement can manipulate circumstances to create false narratives, while disregarding First Amendment rights,” the judges wrote.

In the same category, Bohemian reporter Chelsea Kurnick and news editor Will Carruthers took fourth place for their five-part series on the intrigue surrounding the April 2021 vandalism in Santa Rosa.

“This story has everything, from a severed pig’s head to pig’s blood to mysteries to thorny First Amendment issues,” the judges wrote.

In the In-Depth Reporting category, Peter Byrne’s 2021 stories on the Point Reyes National Seashore for the Pacific Sun won first place. Chelsea Kurnick’s Bohemian series on the numerous allegations against West County restaurateur Lowell Sheldon won second place in the same category. 

Will Carruthers’ Bohemian and Pacific Sun series on Press Democrat owner Darius Anderson’s behind-the-scenes work at the Sonoma-Marin Area Rail Transit won second place in the Investigative Reporting category. 

“What appears to be a serious conflict of interest and questionable business dealings is laid out in this story,” the judges wrote.

Carruthers also won second place in the Agricultural Reporting category for his series on the Petaluma Creamery’s unpaid debts to the city of Petaluma, as well as the owner’s history of code violations. After Carruthers broke the story, the Petaluma Argus-Courier and Press Democrat also wrote about the Creamery’s struggles. The company ultimately reached an agreement with Petaluma to comply with safety requirements and pay off its bills.

Nikki Silverstein took second place in the Columns category and fourth place in the Enterprise category for her reporting on the Marin Housing Authority’s management of Golden Gate Village, the county’s largest public housing complex.

“Nikki Silverstein’s Golden Gate Village series turned the tide on Marin Housing Authority’s attempt to gentrify subsidized housing and dislocate generations of Black families,” the judges wrote.

Lastly, Chelsea Kurnick won fifth place in the Feature Story category for her coverage of World AIDS Day.

Links to some of our winning articles are available below. A full list of this year’s print winners is available here.

First Place Awards

Coverage of Local Government — Nikki Silverstein

In-Depth Writing — Peter Byrne

Second Place Awards

Agricultural Reporting — Will Carruthers

Columns — Nikki Silverstein

In-Depth Reporting — Chelsea Kurnick

Investigative Reporting — Will Carruthers

The Green Music Center’s Summer Lineup is Here!

Sponsored by The Green Music Center

The Green Music Center at Sonoma State University is set to present its 2022 Summer concert season—Summer at the Green 2022. This new season features indoor-outdoor concerts from a range of popular artists including R&B/pop icon Patti LaBelle, multi-platinum hitmakers Andy Grammer and Fitz & The Tantrums, Latin music icons Los Tigres del Norte, powerhouse folk duo Indigo Girls, and the acclaimed folk/Americana groups Punch Brothers and Watchhouse.

All concerts take place in Weill Hall with seating both in the hall and on the outdoor grass and terraces of Weill Lawn. Lawn tickets are $30 ($15 for kids 12 and under).

Patrons are encouraged to pack a picnic, or enjoy the wide variety of concessions available before and during performances including meals, snacks, beer, and wine.

Buy tickets now at gmc.sonoma.edu.

Summer at the Green 2022
Weill Hall + Lawn

4th of July Fireworks Spectacular
Santa Rosa Symphony
Michael Berkowitz, conductor
& Transcendence Theatre Company

Monday, July 4 at 7:30 p.m.

Tickets $30-$60

fourth of july fireworks, green music center sonoma

The biggest fireworks display in Sonoma County returns with a bang! Join us for a family-friendly celebration featuring Sonoma County’s own Transcendence Theatre Company and Santa Rosa Symphony in an evening of show tunes and patriotic classics, followed by a spectacular post-concert fireworks show! Bring the whole family—lawn tickets for kids 12 and under are half price! Families, make sure to arrive early and check out our Kids Zone beginning at 4:30 p.m., complete with carnival games, bounce houses, and face painting plus food, music, and more!

Supported in part by Sonoma Cutrer, Clover Sonoma, and Exchange Banks

Patti LaBelle

Thur, July 7 at 7:30 p.m.

Tickets $30-$110

patti labelle, summer at the green, sonoma california

Beautiful simply does not describe the incomparable force known to the world as Patti LaBelle. Over a distinguished career, the soulful songbird’s name has become synonymous with grace, style, elegance, and class. Belting out classic rhythm and blues, pop standards, and spiritual sonnets have created the unique platform of versatility that she is known and revered for.

Supported in part by Sonoma Cutrer, Redwood Credit Union, and The Press Democrat

Free Community Concert
Presented by the Green Music Center
and Santa Rosa Symphony
featuring Villalobos Brothers
and the Santa Rosa Symphony
Francesco Lecce-Chong, conductor

Sun, July 24 at 7 p.m.

Free tickets available beginning July 12 at 10 a.m.

community concert, Villalobos Brothers, green music center summer

Enjoy live music and warm sunshine at our Free Community Concert! A collaboration between the Green Music Center and Santa Rosa Symphony, the Community Concert is a favorite, annual tradition. This year features a leading contemporary Mexican ensemble—the Villalobos Brothers.

Supported in part by Balletto Vineyards and Redwood Credit Union

Los Tigres del Norte
La Reunión Tour

Sat, July 30 at 7:30 p.m.

Tickets $30-$105

One of the most popular and influential bands in the history of Latin music, Los Tigres del Norte have been superstars for five decades. The band has sold over 40 million albums worldwide, while notching 24 #1 albums, more than 50 #1 singles, and placing more tracks (66) on the “Hot Latin Songs Chart” than any other artist or group.

Supported in part by Exchange Bank

American Acoustic:
Punch Brothers and Watchhouse
Featuring Sara Jarosz

Sat, Aug 6 at 7:30 p.m.

Tickets $30-$95

american acoustic, music at the green, sonoma

Craft Beer Festival

5-7:30 p.m.

$30

Punch Brothers and Watchhouse join forces this summer for the American Acoustic US tour with Sarah Jarosz. Punch Brothers’ Chris Thile says: “It took five years, but I’m elated to announce the second traveling edition of American Acoustic for this summer. Joining my fellow Punch Brothers and me in front of a pair of large condenser microphones will be our dear friends, Watchhouse and Sarah Jarosz, for a collaborative evening of music that traverses our respective catalogs and celebrates being together.”

Craft Beer Fest

Pair your American Acoustic experience with our 5th-Annual Craft Beer Fest! Featuring unlimited tastings of stellar brews. The Craft Beer Fest will kick off at 5 p.m. and go until 7:30 p.m. Only $30 in addition to your show ticket.

Supported in part by Cartograph Wines, Willow Creek Wealth Management, and Oliver’s Market

E.T. the Extra-Terrestrial
In Concert
Santa Rosa Symphony

Sat, Aug 13 at 7:30 p.m.

Tickets: $30-$95

e.t. the extraterrestrial in concert, green music center summer

Director Steven Spielberg’s heartwarming film is one of the brightest stars in motion picture history. Experience all the mystery and fun of their unforgettable adventure in the beloved movie that captivated audiences around the world, complete with John Williams’ Academy Award®-winning score performed live by a full symphony orchestra in sync to the film projected on a huge HD screen!

Fitz and the Tantrums and Andy Grammer
The Wrong Party Tour

Friday, August 26 at 7:30 p.m.

Tickets $30-$105

fitz grammer, summer at the green, sonoma

Fitz and the Tantrums have quickly grown from independent upstarts to bonafide hitmakers. The LA-based band recently released its much-anticipated, fourth full-length album All the Feels, featuring singles “123456” and “I Just Wanna Shine.” All the Feels follows the band’s 2016 release Fitz and the Tantrums, which spawned the group’s biggest hit to date, “HandClap.”

Multi-Platinum troubadour Andy Grammer’s numerous hits include the quadruple-platinum “Honey, I’m Good,” platinum singles “Keep Your Head Up,” “Fine By Me,” “Don’t Give Up On Me,” “Fresh Eyes,” “Good To Be Alive (Hallelujah).”

Opening the night is genre-crossing singer, Breland. His high-profile collaborations include country superstars Keith Urban, Thomas Rhett, and Lauren Alaina.

Supported in part by The Press Democrat and Exchange Bank

Indigo Girls

Thur, Sept 8 at 7:30 p.m.

Tickets: $30-$95

indigo girls, summer at the green sonoma

Released in 1989, Indigo Girls’ eponymous major-label debut sold more than two million units under the power of singles “Closer to Fine” and “Kid Fears” and turned Indigo Girls into one of the most successful folk duos in history. Over a thirty-five-year career that began in clubs around their native Atlanta, the Grammy®-winning duo has recorded sixteen studio albums (seven gold, four platinum, one double platinum), sold more than 15 million records, and built a dedicated, enduring following.

Supported in part by Sonoma Cutrer


Movies at the Green

Brought to you by Bank of America

with additional support by Sonoma State University Involvement

Lawn tickets only $5 per person | 12 and under free

Encanto

Sat, July 9 at 5 p.m.

The Mighty Ducks

Sat, Aug 27 at 5 p.m.

Sing & Sing 2

Sat, July 23 at 5 p.m. | 7 p.m.

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Sat, Sept 10 at 5 p.m. | 7 p.m.


ABOUT THE GREEN MUSIC CENTER

Nestled in the foothills of Northern California’s esteemed Wine Country, the Green Music Center (GMC) at Sonoma State University is a focal point for arts in the region. It is comprised of the spectacular 1,400-seat Weill Hall, an acoustically exceptional venue with a modular rear wall that opens to terraced lawn seating, providing picturesque views of the surrounding countryside, and the 240-seat Schroeder Hall, a cathedral-like recital hall designed specifically to accentuate instruments, organ and voice in a small, intimate setting. The Green Music Center presents year-round programming of top classical, contemporary, jazz, and world music artists and is home to the Santa Rosa Symphony.


View a complete listing of the Green Music Center’s upcoming events at gmc.sonoma.edu.
Weill Hall | Schroeder Hall
Green Music Center | Sonoma State University
1801 East Cotati Ave, Rohnert Park, CA 94928

Kids in Revolt – Roald Dahl’s ‘Matilda’ in Rohnert Park

After a two-year pandemic-induced delay, Matilda the Musical finally hits the stage at the Spreckels Performing Arts Center in Rohnert Park. The musical adaptation of Roald Dahl’s tale of a gifted little girl navigating a treacherous world runs through May 22.

Matilda Wormwood (Gigi Bruce Low, alternating with Anja Kao Nielsen) is a miracle child, though her loutish parents (Shannon Rider and Garet Waterhouse) refuse to acknowledge her. Upon Matilda entering school, Miss Honey, her teacher (Madison Scarbrough), immediately recognizes her gifts and tries to advance Matilda a few grades. The school’s tyrannical headmistress (and former champion hammer thrower) Miss Trunchbull (Tim Setzer) will have none of it. Trunchbull takes sadistic pleasure in disciplining the students, or “maggots” as she refers to them, but she may have met her match in the rebellious Matilda.

Dahl’s children’s stories are chock full of villainous adults offset by one or two kindly grown-ups. Cartoonish cruelty is also a hallmark, and it’s manifested here with activities like Trunchbull swinging a student around by her pigtails, forcing another to eat an entire chocolate cake and dragging students off for a session in the dreaded “chokey.”

Director Sheri Lee Miller endured many challenges in getting this show on the boards, so its raggedness in some areas is somewhat understandable. Low gives a technically strong performance, but it appears as if Miller was unable to coax any of the layers of character out of her that would induce an audience to embrace, sympathize and root for Matilda beyond what the script demanded. It was left to her “classmates” to bring range and energy to the show. Other young performers like Tyler Ono as the cake-challenged Bruce and Molly Belle Hart as Matilda’s new best friend, Lavender, were able to rally the crowd to their side.

Among the adults, Waterhouse and Rider were amusingly grotesque as the parents, and Scarbrough and Gina Alvarado as a friendly librarian brought heart to the show. Setzer, and the audience, reveled in the glorious comedic nastiness of Trunchbull.

Tim Minchin’s music and lyrics were drastically underserved by significant sound issues at the opening night performance, an aberration at this usually reliable venue that they will hopefully correct. Far too much of the singing was unintelligible.

In Matilda the Musical, children should be seen AND heard.

‘Matilda the Musical’ runs through May 22 at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Fri, 7pm; Sat & Sun, 2pm; Thurs, May 19, 7pm. $12–$36. 707.588.3400. spreckelsonline.com Unvaccinated individuals must mask.

Play On – Not just for kids

I passed by a martial arts studio one day, peered inside and was shocked to see a recreation of the battle of David and Goliath, for there were two young boys in full headgear and pillowy boxing gloves sparring away like a couple of tousling puppies.

Now here’s the twist: one kid was the archetypal bully, towering six inches above his opponent and fortified with plenty of meat, while his opponent was the archetypal scrawny pipsqueak. It was a matchup straight out of Hollywood—and perhaps your most traumatic childhood memories—but there was the tiny one doing flying Superman punches and taking knocks on the head like it was just a game of tag. I found the little one’s courage astonishing, for not only was he fearless, but there was no anxious adult ego holding him back. He simply did what kids do when faced with any activity: he played.

Learning things through spontaneous play is a vital life energy of which kids are masters. In a cruel reversal, the more we mature in other aspects of life, the more we lose that golden key we had as children: the ability to learn and experiment in a judgment-free state of mind. When we take on new skills as adults, whether for work or play, we often succumb to paralysis by analysis, berating ourselves with self-criticism driven by an insecure ego terrified of how we must appear in the eyes of others and especially ourselves, since we are always our own toughest critics.

So-called “divine play” is the primary energy of the divine child archetype, the most important energy driving our early years. The Jungian psychologists and myth experts Robert Moore and Douglas Gillette have written, “The Divine Child within us is the source of life. It possesses magical, empowering qualities, and getting in touch with it produces an enormous sense of well-being, enthusiasm for life, and great peace and joy.” Losing touch with it, on the other hand, blinds us to the possibilities of life, so that “we are never going to seize opportunities for newness and freshness.”

In the Wisdom Tradition, the entire construction of reality, from the heavens to the Earth and all the humans who inhabit it, has been called one vast dream of the cosmos, and all of us merely materialized thought-forms living inside the dream. In Hinduism, the universe is called the cosmic dance of Shiva, an ever-changing tapestry of energies one can liken to creative play. So cast off self-conscious concern over outcome and play the game of life spontaneously. You’ll be in harmony with all this is and ever will be.

Weed Weekend on the Cannabis Trail

As the weather warms up and our coastal forest is blanketed in that summer smell of redwoods, have I got an idea for you. Go west, young human, for an afternoon of cannabis consumption at one of the sweetest, most historically significant spots in the new world of cannabis. We’re talking about Riverside Wellness Collective in Guerneville, one of the...

Hot Summer Guide 2022

It's summertime and the living is easy—at least for those whose privilege it is to enjoy the attractions of this wine country wonderland we call home. For many of the season's offerings, your daddy need not be rich nor your mama good looking. For others—to borrow from another classic lyric—same as it ever was. Except that there’s now so much...

Paradise Cost: The Price of Supporting Private Ranching With a Sales Tax

Photo by Marin Resource Conservation District
Chief Marin, Leader, Rebel, and Legend by Betty Goerke traces how European settlers drove Indigenous peoples out of Marin County with guns, crosses and cows. Without irony, the colonizers named the territory after the Miwok rebel leader Marino. The forests and wetlands of these coastal lands—tended since time immemorial by humans, elk, lions, birds, insects and plants—were transformed by the...

Eclectic Arts: Downtown Santa Rosa’s Calabi Gallery

Sometimes there’s more to a story than meets the eye. Dennis Calabi is a shining example.  His unassuming storefront, Calabi Gallery, sits on Tenth Street in downtown Santa Rosa, where its simple exterior belies both its contents and Calabi himself.  The Calabi Gallery is extending its current “contemporary” exhibition for another few weeks, through June 4. In order to understand the...

Faithful Friends: Gunderson’s ‘Book’ opens in Healdsburg

William Shakespeare never had a play actually published in his lifetime. They existed, often in pieces, in hand-scrawled scripts and in the memories of the actors who performed them. If not for Shakespeare’s friends and colleagues’ efforts to preserve his work, high school drama students would have a lot of free time on their hands and community theaters would...

On the Sculpture Trail: Public Art in Cloverdale

Public art in Cloverdale For many, knowledge of sculpture starts with Rodin’s “The Thinker” and ends somewhere near David’s fig leaf. Fortunately, for nearly two decades, the Cloverdale Sculpture Trail has expanded local appreciation for the discipline with its biannual public art exhibit.  The Sculpture Trail’s 2022-24 season, which was installed in late April, brings nine new pieces installed along and...

Bohemian, Pacific Sun Win Journalism Awards in Statewide Contest

The news team for the North Bay Bohemian and Marin County’s Pacific Sun won nine awards in this year’s California Journalism Awards contest, including two first-place and four second-place awards.  “As always, I’m extremely proud and impressed by my team, who—every week—answers the call to bring vital and interesting stories to our loyal readers. It’s an incredible feat in this...

The Green Music Center’s Summer Lineup is Here!

summer at the green, sonoma california, concerts live music
Sponsored by The Green Music Center The Green Music Center at Sonoma State University is set to present its 2022 Summer concert season—Summer at the Green 2022. This new season features indoor-outdoor concerts from a range of popular artists including R&B/pop icon Patti LaBelle, multi-platinum hitmakers Andy Grammer and Fitz & The Tantrums, Latin music icons Los Tigres del Norte,...

Kids in Revolt – Roald Dahl’s ‘Matilda’ in Rohnert Park

Photo by Jeff Thomas MIRACLE CHILD Anja Kao Nielsen stars as one of the Matildas.
After a two-year pandemic-induced delay, Matilda the Musical finally hits the stage at the Spreckels Performing Arts Center in Rohnert Park. The musical adaptation of Roald Dahl’s tale of a gifted little girl navigating a treacherous world runs through May 22. Matilda Wormwood (Gigi Bruce Low, alternating with Anja Kao Nielsen) is a miracle child, though her loutish parents (Shannon...

Play On – Not just for kids

Photo by Clem Onojeghuo PLAY'S THE THING All work and no play makes Jack a dull boy.
I passed by a martial arts studio one day, peered inside and was shocked to see a recreation of the battle of David and Goliath, for there were two young boys in full headgear and pillowy boxing gloves sparring away like a couple of tousling puppies. Now here’s the twist: one kid was the archetypal bully, towering six inches above...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow