Hollywood & Vines

On This Week’s Cover: Beyond being a star in Jurassic Park, Star Wars VII, and snagging an Academy Award for Marriage Story, Laura Dern will be among the honorees at an upcoming Napa Valley Film Festival Showcase—editor Daedalus Howell reports. The film coverage continues with the Sonoma screening of Dear Zoe, the latest film from local producers Marc and Brenda Lhormer, starring Stranger Things breakout Sadie Sink. Meanwhile, news editor Will Carruthers reports on a lawsuit filed in Sebastopol that argues a new parking law was crafted to chase out people living in vehicles; and Harry Duke reviews Sweeney Todd in Napa.

‘Dear Zoe’ Screens in Sonoma

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With the uptick of local film development, dealmaking and production, you’d be forgiven if it suddenly seems that there’s a great migration from Hollywood to the North Bay. Nothing to fret—much of the local action is homemade. Case in point, the latest film from Sonoma-based filmmakers Marc and Brenda Lhormer.

Dear Zoe is an adaptation of the young adult novel of the same title by Philip Beard and stars Stranger Things breakout Sadie Sink. The film screens at Sonoma’s Sebastiani Theatre Nov. 4-13. 

Some will recognize the Lhormers as the creative team behind the wine country comedy Bottle Shock, about Napa’s vindicating viticultural victory at the Judgement of Paris, as well as the dynamic force behind Sonoma Valley Film Festival (from 2002 to 2008) and later the Napa Valley Film Festival (from 2010 to 2018).

In their new film, 15-year-old Tess DeNunzio (Sink) loses her sister, Zoe, in a hit-and-run accident on—of all days—Sept. 11, 2001. This epochal American moment understandably complicates how Tess processes her grief and shades her burgeoning relationship with the proverbial “boy-next-door” (who, at least in terms of his career dealings, is anything but). Her relationship with her divorced slacker dad (played by Sons of Anarchy and Luke Cage alumnus Theo Rossi) is also strained when she decamps to his rundown digs unannounced after an emotional flare-up with her mother.

It’s interesting to note that we’ve reached the point in our cultural timeline when those depicting the fall-out of relatively recent historical events were born after them. This factoid steals nothing from the 20-year-old Sink’s performance, which draws from her estimable talent under the direction of Gren Wells, an alumnus of Variety’s prestigious “10 Directors to Watch.”

Dear Zoe has scored honors at film festivals across the nation, and will be available to rent or buy on multiple video on-demand platforms beginning Nov. 4. That said, its producers encourage local audiences to catch it on the big screen, where they will be in attendance after some of the showings for Q&As.

“We are so excited to share our new feature film with our very own community, especially at one of the most special theaters in the country,” said producer Marc Lhormer, who co-wrote the screenplay. “We invite people who love character-driven, heartwarming movies to come out and see Dear Zoe the way it should be seen—on a very big screen in a movie theater!”

For screening days and time, tickets and more information about ‘Dear Zoe,’ visit  sebastianitheatre.com/blog/2022/10/2/dear-zoe.

Civil rights groups sue Sebastopol over parking law

A coalition of civil rights groups last week sued Sebastopol over a new parking law, which they argue was crafted to chase people living in vehicles out of the small city. 

ACLU Foundation of Northern California, Disability Rights Advocates, California Rural Legal Assistance and Legal Aid of Sonoma County filed the lawsuit on behalf of four current and former Sebastopol residents and a local nonprofit, Sonoma County Acts of Kindness, which serves people experiencing homelessness.

Among other things, the group argues that the law, whether it is enforced or just used as a threat, violates the Eighth Amendment’s ban on cruel and unusual punishment. Sebastopol does not have an adequate affordable housing alternatives to offer unhoused people and, instead of creating more options, is using a new law to push “undesirable” people living in vehicles out, according to the lawsuit. 

“Sebastopol’s failure to provide adequate affordable housing for its residents has disproportionate risk for our clients and others like them, who are low-income people with disabilities, who have been forced into housing of last resort—their vehicles,” Thomas Zito, an attorney at Disability Rights Advocates, said in a press release announcing the lawsuit. “Living in an RV, car or trailer is often much safer for people with disabilities than congregate shelters or living in a tent. Sebastopol cannot solve its housing crisis by driving unhoused people with disabilities out of town.”

The city is defending the ordinance. In a statement sent to the press last week, Larry McLaughlin, the city attorney and city manager, said that the civil rights groups’ announcement of the lawsuit “mischaracterizes the nature and intent” of the parking ordinance. 

McLaughlin states that the ordinance was passed in response to health and safety concerns on Morris Street and is not intended to “drive out” unhoused people. The statement also highlights the city’s recent efforts on homelessness, including establishing the Horizon Shine Village, a safe parking site with space for 20 residential vehicles, and paying legal bills to defend the village from a lawsuit brought by angry neighbors. In an interview, McLaughlin said the city hopes to extend the life of the village for another two years despite the potential of further legal challenges.

During the first two years of the pandemic, numerous vehicles used as homes were parked on Morris Street, bordering The Barlow shopping center on the edge of the city. 

According to the lawsuit, in September 2021, police counted 32 vehicles parked on Morris Street. That December, they counted 43 vehicles being used for shelter around the city, more than twice the number of spaces available in Horizon Shine Village, which opened a few months later, in February.

But, facing mounting frustration from some city residents and business owners about the vehicles, the city took action early this year. 

A month after the village opened, the city council passed the Recreational Vehicle Parking Ordinance, which makes it illegal to park any vehicle “designed or altered for human habitation for recreational, emergency, or other human occupancy” in a residential area or park at any time, or in a commercial area from 7:30am to 10pm. Vehicles found in violation are subject to “citation, towing or both.”

The lawsuit argues that the wording of the ordinance and public discussions at council meetings indicate that the city intends to selectively enforce the new law.

“Although the ordinance prohibits parking any vehicle in which a person could sleep, the city has made it clear that they intend to enforce the ordinance only against people who are living in their vehicles or are otherwise considered ‘undesirable,’” the coalition’s Oct. 25 legal complaint  states. 

For instance, at a January meeting described in the complaint, a council member asked the city’s police chief whether the ordinance could be used against a homeowner with “a VW van that they park in front of their house.” Not to worry, the chief responded, enforcement would be “complaint driven by the neighbors.”

In an interview, city manager McLaughlin told the Bohemian that he is “not aware” of police citing anyone under the parking law, since it was passed this March. 

However, the lawsuit argues that the mere threat of using the ordinance, which allows the city to tow vehicles being used for shelter and storage of an individual’s personal property, was enough to make people move to other parts of the county. McLaughlin acknowledged that police had informed residents of the new law and that “theoretically” the remaining vehicles may have left because of the new punishments.

According to the lawsuit, Michael Deegan, one of the plaintiffs, moved his vehicle to Santa Rosa after Sebastopol passed the ordinance. Another plaintiff sold her vehicle because of the increased risk of towing.

“Instead of working with the homeless and providing a reasonable solution, Sebastopol came up with a draconian one, to ban homeless people living in their vehicles from the city,” Deegan said.

Long stereotyped as a hippy city, ahead of the pack on some environmental and progressive issues, Sebastopol is becoming increasingly out of reach for low- and moderate-income individuals. A recent report by the Sonoma County Economic Development Board found that the city’s 3,356 households have a median income of $101,911, paying an average of 35.9% of their income for housing. The median home price is nearly $1.1 million.

The county’s latest Point In Time Count, conducted this February, found that the number of unsheltered individuals in Sebastopol had dropped from 129 in February 2020, to just 40 in February 2022. 

‘Sweeney Todd’ is a Cut Above

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Within the last year, we’ve lost Angela Lansbury and Stephen Sondheim, and each passing brought to mind their most successful collaboration—Sweeney Todd: The Demon Barber of Fleet Street

Following years of pandemic-induced delays, Napa’s Lucky Penny Productions finally takes a stab at it—through Nov. 6.

After years in exile, Benjamin Barker (Ian Elliot) returns to London, having adopted the moniker of Sweeney Todd. Todd seeks revenge on the villainous Judge Turpin (David Murphy) and his enforcer Beadle Bamford (Sean O’Brien) for the loss of his wife and daughter. He enters into a pact with pie-shop owner Nellie Lovett (Taylor Bartolucci) to facilitate his revenge and provide the pie shop with a steady supply of fresh meat.

Director Staci Arriaga had her hands full with making a very large-scale musical work in the small Lucky Penny space. Priority was given to vocal talent and the show really scores there. The score was flawlessly delivered by musical director Craig Burdette (piano) with Wendy Seres (clarinet), Jay Benson (bassoon), Ruth Wilson (horn) and Ellen Blakey (cello).

Elliot’s strong stage presence matched his fine vocals as the tortured Todd. Lovett is a good role for Bartolucci, but her uneven Cockney accent made some of Sondheim’s lyrics indecipherable. Great supporting work is done by Jeremy Kreamer as rival barber Pirelli and Tuolumne Bunter as his assistant, Tobias. Romantic duties were well-handled both vocally and performance-wise by Ethan Thomas as Anthony and Kirstin Pieschke as Johanna.

While they delivered strong vocal work, there was a decided lack of malevolence in both Murphy’s Turpin and O’Brien’s Bamford. These characters are truly loathsome and need to be played exponentially and less-superficially darker.

While the tonsorial parlor customers’ “exits” were well handled, the placement of actors on audience-area platforms and in aisles led to some awkward sightlines and blocked views. Cast members occasionally towered over audience members. Spreading the musicians across the stage and on multiple levels was an interesting idea.

An ambitious production for this company, its successful elements make this Sweeney Todd a cut above your regular community theater fare.

‘Sweeney Todd: The Demon Barber of Fleet Street’ runs through Nov. 6 at the Lucky Penny Community Arts Center. 1758 Industrial Way, Napa. Thurs, 7pm; Fri–Sat, 8pm; Sun, 2pm. $32–$43. 707.266.6305. luckypennynapa.com

NVFF Showcase Honors Laura Dern

Napa Valley Film Festival event delivers wine, food and films

Cinephiles, oenophiles and foodies have reason to rejoice—particularly if their proclivities include all the above—as the Napa Valley Film Festival (NVFF) returns to the Valley with the 2022 Film, Food and Wine Showcase.

Featuring a curated group of film screenings and honoree tributes that reflect some of this year’s most talked about films and performances, the four-day event foreshadows the fest’s return to in-person programming after celebrating film virtually for two years. 

In addition to the film programming, the fest has partnered with the Culinary Institute of America (CIA) at Copia, which will provide culinary experiences designed to complement the screenings and celebrate the food and wine culture evoked in each film.

“Food has long played a central role in film,” said Thomas Bensel, managing director for the CIA’s California campuses. “Teaming up with the NVFF for the 2022 Film, Food and Wine Showcase gives us an opportunity to celebrate these incredible stories and artists with meals inspired by them. Each event will have its own unique flavor, and guests are in for something truly special.” 

Beyond the films, food and wine, the showcase also features enough star wattage to avert an energy crisis. Laura Dern, who is perhaps best known for portraying Dr. Ellie Sattler in the Jurassic Park film franchise, will be honored with the fest’s Legend Award on Friday, Nov. 11.

Other showcase honorees include actor Frank Grillo, who will be presented with the Spotlight Award acknowledging his body of work that includes turns in Warrior, Zero Dark Thirty and Donnybrook.

Luis Guzmán will receive the Trailblazer Award in tribute to his over 30 years in the movie business with roles in Out of Sight, The Limey, Traffic, Boogie Nights, Magnolia and Punch-Drunk Love. Eight-time Grammy-nominated singer, songwriter, producer, performer and fashion icon Janelle Monáe also will receive a Trailblazer Award for her copious contributions to the entertainment world.

Regina Hall is the recipient of this year’s Maverick Award. Hall has numerous film and television credits to her name, including co-hosting the 94th  Annual Academy Awards. Likewise, Rising Star Awards go to Stephanie Hsu, who can be seen in Everything Everywhere All At Once, and multi-hyphenate Cooper Raiff, who wrote, directed, produced and acted in Cha Cha Real Smooth, which premiered at the Sundance Film Festival in January 2022. 

Film screenings and Q&As with the filmmakers include Cha Cha Real Smooth, Corsage, Everything Everywhere All at Once, Glass Onion: A Knives Out Mystery, Lamborghini: The Man Behind the Legend, The Son and finally, Honk for Jesus. Save Your Soul.

“I couldn’t be more thrilled about the 2022 NVFF Film, Food and Wine Showcase nor prouder of our team of dedicated board directors, our partners at The CIA at Copia and our showcase team,” said Cinema Napa Valley chair Rick Garber. “We’ve worked extremely hard to curate a diverse program that will undoubtedly deliver an exciting and fun-filled weekend of amazing films, food, wine and actor honorees,” 

For more information, including a schedule of events, ticket prices and passes for NVFF 2022 Film, Food and Wine Showcase, visit www.napavalleyfilmfest.org

All proceeds from the event will go to Cinema Napa Valley, a registered 501c3 non-profit organization.

‘BuDah’

On This Week’s Cover: The artist known by the single moniker Feldsott is something of a hidden secret and a living legend, writes Jane Vick in her profile of the artist currently showing at Healdsburg’s Paul Mahder Gallery. Meanwhile, news editor Will Carruthers reports that rising food and gas prices spell trouble for North Bay nonprofits; the Mommyheads tune up for two Bay Area gigs in Michael Gioits’ profile; and editor Daedalus Howell interviews the baker who put the “carb” in carbonite with her doughy depiction of space cowboy Han Solo.

Thinning the Veil: A Halloween state of mind

In 1979, around the time horror rock legends The Misfits were singing “I remember Halloween” while dressed in skeleton suits, I was rattled by anticipation tremors leading up to Oct. 31. 

Aged nine, I had my monster mask, ripped clothes and fake blood, and was in the backyard at twilight “playing” with friends, as we called it back then. 

I became inspired—which means “in spirited”—to play a game called Skeleton that would lead us into the magical world of Hallow’s Eve. The only problem was I couldn’t figure out what the game should be, beyond simply hide-and-seek in costume. I’ve clearly filed the episode in my long-term memory as an epic fail of the imagination. 

There’s not a ghost of a chance of such a failure now, of course, since everyday life increasingly resembles a dystopian horror flick through which we’re all forced to live. And you don’t even need your imagination, which has anyway been bludgeoned into passive submission by every aspect of digital life.

All you have to do is go outside and witness the ragged clothes and soulless stares of the walking dead zombie automatons whose consciousness is no longer anchored in the here and now of physical reality. Nor is it connected to higher realms via the divine gifts of reason, will and imagination.

Instead, it has been sucked into the netherworld of their smartphone, a device whose ironic moniker never fails to elicit a hearty laugh from the Prince of Darkness himself, who loves spreading stupidity. This is especially true concerning his own existence, since the devil’s greatest ruse, noted Baudelaire, is convincing you he doesn’t exist. 

In 1979, we didn’t go quite so overboard with Halloween decorations. Pumpkins on the porch was it, and only on the 31st, not three-and-a-half weeks beforehand. 

We who live on the razor’s edge between this world and the other have been forced to conclude that the rise of Halloween mania is a phenomenon of the past two decades, and therefore a reaction to the rise of digital culture, which, in the spirit of the season, is so deliciously dehumanizing. So once a year, we take a month to cosplay the supernatural, hanging ghosts over our front steps and crafting mock graves on our lawns, from which skeletal ancestors seem to rise and shriek, “What have you done?” 

It is perfectly in keeping, in fact, with the ersatz and counterfeit nature of modern life that we prefer to ironically play-act supernatural reality rather than face it head on in the dark caverns of the psyche. Modern life has so body-snatched us that a 2014 study—that’s before Donald Trump, COVID, war and inflation—that was recently discovered and went briefly viral, revealed that two-thirds of adults would rather endure 15 minutes of electric shocks than have to sit along with their thoughts. 

Before the past three centuries, when the rise of scientific reason joined Christianity as a strange bedfellow to gradually exterminate all sense of metaphysical reality, the supernatural was felt as a real and living presence capable of being experienced and understood by anyone with the proper qualifications, which simply meant the intelligence and will to embark on the path of initiation, or awakening of higher consciousness. 

But our predecessors actively sought out times of reflection, like watching the sky grow slowly dark on a cloudy autumn evening, and their divine gifts of reason, will and imagination were not atrophied, but instead virile and fertile. And these are the very faculties the Supreme Principle bestowed upon human beings that they might come to know their creator.

And so the mind boggles, as if replaced through some sinister Frankenstein experiment, why anyone would settle for horror movies and monster toys when you can actually live supernatural reality, when you can read Paracelsus by candlelight rather than Stephen King, and make legitimate tears in the veil between worlds.

The traditions of alchemy and Hermeticism sought to unravel the principles that govern the universe, one of which is the law of equilibrium, which we know as “every action has an equal and opposite reaction.” This is precisely why Halloween mania strikes adepts like a desperate compensating hunger for a loss of connection with higher reality. 

Following the “death of God,” Dostoyevsky famously wrote, the concern is not that people will believe in nothing but that they’ll believe in anything, and, if given enough time, will eventually be so demoralized that their sole connection to the sacred is once a year dressing their yard with plastic totems of supernatural forces they suspect are real but can’t be bothered to actually understand. 

So let this be your first lesson in the occult sciences: The universe balances itself through invisible, magnetic forces subject to divine law, whose social manifestation we call the zeitgeist. This means the creeping breed of soulless phone-drones will eventually be opposed by a new race of metaphysical action heroes, who’ll start out by LARPing (that stands for Live Action Role Play), then eventually come to realize that they are indeed the priestesses and wizards of the apocalypse. 

“Be careful what you wish for” is another chilling bit of folk wisdom trotted out by some toothless oldster from a creaking rocking chair. I finally got my childhood dream, in which every day feels like Halloween. But to paraphrase those great punk-goth rockers The Misfits, you think you’re a zombie? You think this is a scene from some monster magazine? 

Open your eyes: This ain’t no fantasy, boy.

Cinnabar brings ‘Misery’ to Petaluma

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Adaptations of the works of Stephen King for film and television have been hit or miss over the years. For every The Shining or Salem’s Lot, there’s a Firestarter or The Langoliers

Mainstream theatrical adaptations have been limited to a 2018 musical version of Carrie (a major Broadway flop but cult hit) and Misery, which had a short Broadway run in 2015 and featured Bruce Willis’ Broadway debut alongside Roseanne’s Laurie Metcalf. Petaluma’s Cinnabar Theatre has a production running through Oct. 30.

The stage adaptation, like the 1990 film version, was done by playwright William Goldman, so it resembles the film more so than King’s novel.

Author Paul Sheldon (Edward McCloud) wakes up severely injured and bedridden. He has been in the care of Annie Wilkes (Mary Gannon Graham), a former nurse who happened to witness his snow-driven automobile accident and brought him back to her somewhat-isolated cabin to recuperate. Luckily for Sheldon, Wilkes is his number one fan and a passionate devotee to his Misery Chastain novels. When she discovers his latest novel will be Misery’s last, she gets a little upset. And then she gets a lot upset.

Adapting a well-known thriller for the stage can often be difficult, as audience familiarity with the material often robs a show of its suspense and “gotcha” moments, but director Tim Kniffin and his cast do a grand job of setting and maintaining a mood of great discomfort throughout the show while delivering a few jolts.

McCloud renders a very convincing portrayal of Sheldon’s physical and mental anguish, which is impressive, as the majority of the performance is delivered from a bed. Gannon Graham is the type of performer who can communicate as much with her eyes as most other performers can with 30 pages of dialogue, but Goldman’s script makes it apparent she’s batshit crazy from the get-go. It’s almost as if he made the assumption that since you’d already read the book or seen the movie, why bother wasting time building that up? Let’s get right to the hobbling!

The story’s most famous scene is well handled, but the show’s denouement is missing some of the excitement and energy that film can accomplish with quick-cuts and close-ups.

Lovers of Stephen King’s work and those seeking out (former Parisian horror theater) Grand Guignol-ish entertainment this Halloween season will find Misery more than fits the bill.

‘Misery’ runs through Oct. 30 at Cinnabar Theater, 3333 Petaluma Blvd. N., Petaluma. Fri–Sat, 7:30pm; Sun, 2pm. $25–$40. Masking is encouraged. 707.763.8920. cinnabartheater.org

Vamp Champ

A veritable vampire weekend awaits local Halloween celebrants with a taste for blood (and beyond) as the veil thins this week. 

It stands to reason—according to recent analysis by the fine folks at Lawn Love—San Francisco (and by extension the greater Bay Area) is among the researcher’s “Best and Worst Cities for Vampires.”

Their criteria for ranking metro centers was simple: “cities with plenty of warm bodies, blood centers, and vampire-friendly dwellings (a.k.a., casket suppliers and homes with basements).” They also tallied “deterrents like garlic festivals and sunshine, as well as community and entertainment factors, such as vampire groups, nightlife options, and vampire tours.”

So, how did we rank in the San Francisco Bay Area? We were fifth behind New York, Chicago, Philadelphia and Los Angeles, in that order, which I attribute to our relative lack of basements (it’s earthquake country after all) and a relatively low ebb—at least in recent years—of nightlife. That said, it does have plenty of blood centers and, wait for it…vampire groups.

Of course it does. And even if you don’t identify as a sanguisugent member of the undead, there are many ways to get your fix of Halloween, if not hemoglobin.   

Nestled riverside at the edge of Guerneville, Dawn Ranch offers a “Blood Tasting” in lieu of the Russian River Valley’s usual oenophilic offerings. Wine partner ​​Arista Winery is the “blood” donor in this case, providing a variety of, um, blood “types.” Additionally, Agriculture Public House, the rustic lodge’s eatery, offers anyone who dresses up in costume 10% off their meal during dinner service.

The tasting commences at 4pm, Saturday, Oct. 29, Dawn Ranch, 16467 California 116, Guerneville. dawnranch.com.

Halloweird: North Bay Cabaret celebrates freaky Halloween

As the autumn chill falls down upon Sonoma County, a collection of freaks and performing ghouls will rise up seemingly from nowhere to take over the Whiskey Tips in the true wild spirit of Halloween. That’s right; it is again time for Halloweird, A North Bay Cabaret Experience.

Just how weird? How about body modification performance, loop pedal accordion beat box, arthouse cello, dueling silent discos and live punk swing? 

Halloweird is a costume party, variety show, date night, drinking bash held annually at Santa Rosa’s Whiskey Tip, every local artist’s favorite bar for abandon.

Max Madame, renowned “pussy artist,” and partner Charlie Thargic have a reputation for performing incomprehensibly intimate body modification acts together. “They’ll actually be sewing their bodies together,” event organizer Jake Ward told me when we discussed the night’s festivities. Using needles, you understand.

Ward is the proprietor of North Bay Events, which hosts the North Bay Cabaret. The formally monthly cabaret has been largely shuttered since COVID, with the most recent show being last Halloween’s Halloweird. The event is a labor of love for Ward. “I want to book the types of performers and put together the type of show that I would want to see, you know?” he said.

“It is a Halloween party, and people kind of go all out. [In the past], we’ve had strong attendance of people in really great costumes,” said Ward.

There will be prizes for best costumes and a photobooth to share the wackiness on social media. Printed photostrips will be given out on the spot for free as keepsakes. 

The evening starts with a variety show running from 7 to 10pm and including the body art of Madame and Thargic. More than a dozen acts will inspire and thrill, including death-defying acts of pole dancing and spoken word.

Cellista will play the cello during the variety show in a way you have never, ever heard, with samples and post-punk sensibility rooted in the deep-to-squeak range of what remains the coolest of stringed instruments.

Jet Black Pearl is a comedic accordion and flute player from Amsterdam who uses loops and beatboxing to mesmerize audiences. 

When the variety show ends at 10, live music and the silent disco kick off. Inside the bar, East Bay swing punks Van Goat, described as both upbeat and gritty like their home town of Oakland, are followed by local legends The Crux, a folk punk gospel outfit known for changing lives with their theatrical audacity. 

A neighborhood vendor will be selling pupusas, tacos and the like, while, outside, three different DJs will be holding silent discos. Dancers can check out headphones, dial up the DJ they like—funk, EMD, hip-hop—and boogie in blissful connection with other dancers, often to the bewildered amusement of onlookers. The headphones will have color-coded lights, so revelers can find others on their same wavelength. Literally.

Halloweird commences Saturday, Oct 29 at the Whiskey Tip in Santa Rosa. Tickets are $40 at the door or $30 for presale at the Whiskey Tip, the Next Record Store and NorthBayEvents.com.

Hollywood & Vines

On This Week's Cover: Beyond being a star in Jurassic Park, Star Wars VII, and snagging an Academy Award for Marriage Story, Laura Dern will be among the honorees at an upcoming Napa Valley Film Festival Showcase—editor Daedalus Howell reports. The film coverage continues with the Sonoma screening of Dear Zoe, the latest film from local producers Marc and...

‘Dear Zoe’ Screens in Sonoma

Dear Zoe
With the uptick of local film development, dealmaking and production, you’d be forgiven if it suddenly seems that there’s a great migration from Hollywood to the North Bay. Nothing to fret—much of the local action is homemade. Case in point, the latest film from Sonoma-based filmmakers Marc and Brenda Lhormer. Dear Zoe is an adaptation of the young adult novel...

Civil rights groups sue Sebastopol over parking law

Morris Street, Sebastopol - Will Carruthers
A coalition of civil rights groups last week sued Sebastopol over a new parking law, which they argue was crafted to chase people living in vehicles out of the small city.  ACLU Foundation of Northern California, Disability Rights Advocates, California Rural Legal Assistance and Legal Aid of Sonoma County filed the lawsuit on behalf of four current and former Sebastopol...

‘Sweeney Todd’ is a Cut Above

Sweeney Todd
Within the last year, we’ve lost Angela Lansbury and Stephen Sondheim, and each passing brought to mind their most successful collaboration—Sweeney Todd: The Demon Barber of Fleet Street.  Following years of pandemic-induced delays, Napa’s Lucky Penny Productions finally takes a stab at it—through Nov. 6. After years in exile, Benjamin Barker (Ian Elliot) returns to London, having adopted the moniker of...

NVFF Showcase Honors Laura Dern

NVFF Showcase
Napa Valley Film Festival event delivers wine, food and films Cinephiles, oenophiles and foodies have reason to rejoice—particularly if their proclivities include all the above—as the Napa Valley Film Festival (NVFF) returns to the Valley with the 2022 Film, Food and Wine Showcase. Featuring a curated group of film screenings and honoree tributes that reflect some of this year's most talked...

‘BuDah’

On This Week's Cover: The artist known by the single moniker Feldsott is something of a hidden secret and a living legend, writes Jane Vick in her profile of the artist currently showing at Healdsburg's Paul Mahder Gallery. Meanwhile, news editor Will Carruthers reports that rising food and gas prices spell trouble for North Bay nonprofits; the Mommyheads tune...

Thinning the Veil: A Halloween state of mind

In 1979, around the time horror rock legends The Misfits were singing “I remember Halloween” while dressed in skeleton suits, I was rattled by anticipation tremors leading up to Oct. 31.  Aged nine, I had my monster mask, ripped clothes and fake blood, and was in the backyard at twilight “playing” with friends, as we called it back then.  I became...

Cinnabar brings ‘Misery’ to Petaluma

Adaptations of the works of Stephen King for film and television have been hit or miss over the years. For every The Shining or Salem’s Lot, there’s a Firestarter or The Langoliers.  Mainstream theatrical adaptations have been limited to a 2018 musical version of Carrie (a major Broadway flop but cult hit) and Misery, which had a short Broadway run...

Vamp Champ

A veritable vampire weekend awaits local Halloween celebrants with a taste for blood (and beyond) as the veil thins this week.  It stands to reason—according to recent analysis by the fine folks at Lawn Love—San Francisco (and by extension the greater Bay Area) is among the researcher’s “Best and Worst Cities for Vampires.” Their criteria for ranking metro centers was simple:...

Halloweird: North Bay Cabaret celebrates freaky Halloween

As the autumn chill falls down upon Sonoma County, a collection of freaks and performing ghouls will rise up seemingly from nowhere to take over the Whiskey Tips in the true wild spirit of Halloween. That’s right; it is again time for Halloweird, A North Bay Cabaret Experience. Just how weird? How about body modification performance, loop pedal accordion beat...
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