Astrology – Week of 06/29/22

ARIES (March 21-April 19): In her poem, “Two Skins,” Bahamian writer Lynn Sweeting writes, “There is a moment in every snake’s life when she wears two skins: one you can see, about to be shed, one you cannot see, the skin under the skin, waiting.” I suspect you now have metaphorical resemblances to a snake on the verge of molting, Aries. Congratulations on your imminent rebirth! Here’s a tip: The snake’s old skin doesn’t always just fall away; she may need to take aggressive action to tear it open and strip it off, like by rubbing her head against a rock. Be ready to perform a comparable task.

TAURUS (April 20-May 20): “Imagine a world 300 years from now,” writes Japanese novelist Minae Mizumura, “a world in which not only the best-educated people but also the brightest minds and the deepest souls express themselves only in English. Imagine the world subjected to the tyranny of a singular ‘Logos.’ What a narrow, pitiful and horrid world that would be!” Even though I am primarily an English speaker, I agree with her. I don’t want a world purged of diversity. Don’t want a monolithic culture. Don’t want everyone to think and speak the same. I hope you share my passion for multiplicity, Taurus—especially these days. In my astrological opinion, you’ll thrive if you immerse yourself in a celebratory riot of variety. I hope you will seek out influences you’re not usually exposed to.

GEMINI (May 21-June 20): Imagine you’re not a person, but a medley of four magical ingredients. What would they be? A Gemini baker named Jasmine says, “ripe persimmons, green hills after a rain, a sparkling new Viking Black Glass Oven and a prize-winning show horse.” A Gemini social worker named Amarantha says she would be made of “Florence and the Machine’s song, ‘Sky Full of Song,’ a grove of birch trees, a blue cashmere knee-length sweater and three black cats sleeping in the sun.” A Gemini delivery driver named Altoona says, “freshly harvested cannabis buds, a bird-loving wetlands at twilight, Rebecca Solnit’s book, Hope in the Darkness, and the Haleakalā shield volcano in Maui.” And now, Gemini, what about you? Identify your medley of four magical ingredients. The time is right to re-imagine the poetry of YOU.

CANCER (June 21-July 22): Filmmaker Jean-Luc Godard believes there’s only one way to find a sense of meaning, and that is to fill your life to the bursting point, to be in love with your experience, to celebrate the flow of events wherever it takes you. When you do that, Godard says, you have no need or urge to ask questions like “Why am I here?” or “What is my purpose?” The richness of your story is the ultimate response to every enigma. As I contemplate these ideas, I say: wow! That’s an intensely vibrant way to live. Personally, I’m not able to sustain it all the time. But I think most of us would benefit from such an approach for brief periods now and then. And I believe you have just entered one of those phases.

LEO (July 23-Aug. 22): I asked Leo readers to provide their insights about the topic “How to Be a Leo.” Here are responses that line up with your current astrological omens. 1. People should try to understand you’re only bossing them around for their benefit.—Harlow Hunt 2. Be alert for the intense shadows you may cast with your intense brightness. Consider the possibility that even if they seem iffy or dicey, they have value and even blessings to offer.—Cannarius Kansen 3. Never break your own heart. Never apologize for showering yourself with kindness and adoration.—Amy Clear 4. At the moment of orgasm, scream out your own name.—Bethany Grace

VIRGO (Aug. 23-Sept. 22): It’s your birthright as a Virgo to become a master of capitalizing on difficulties. You have great potential to detect opportunities coalescing in the midst of trouble. You can develop a knack for spotting the order that’s hiding in the chaos. Now is a time when you should wield these skills with artistry, my dear—both for your own benefit and for the betterment of everyone whose lives you touch.

LIBRA (Sept. 23-Oct. 22): One of my heroes died in 2021: the magnificent Libran author bell hooks (who didn’t capitalize her name). She was the most imaginative and independent-minded activist I knew. Till her last day, she articulated one-of-a-kind truths about social justice; she maintained her uncompromising originality. But it wasn’t easy. She wrote, “No insurgent intellectual, no dissenting critical voice in this society escapes the pressure to conform. We are all vulnerable. We can all be had, co-opted, bought. There is no special grace that rescues any of us. There is only a constant struggle.” I bring this to your attention, Libra, because I suspect the coming weeks will require your strenuous efforts to remain true to your high standards and unique vision of reality.

SCORPIO (Oct. 23-Nov. 21): You now have the power to make yourself even more beautiful than you already are. You are extraordinarily open to beautifying influences, and there will be an abundance of beautifying influences coming your way. I trust you understand I’m not referring to the kinds of beauty that are worshiped by conventional wisdom. Rather, I mean the elegance, allure, charm and grace that you behold in old trees and gorgeous architecture and enchanting music and people with soulful idiosyncrasies. P.S.: The coming weeks will also be a favorable time to redefine the meaning of beauty for yourself.

SAGITTARIUS (Nov. 22-Dec. 21): It’s the Season for Expressing Your Love—and for expanding and deepening the ways you express your love. I invite you to speak the following quotes to the right person: 1. “Your head is a living forest full of songbirds.”—E. E. Cummings 2. “Lovers continuously reach each other’s boundaries.”—Rainer Maria Rilke 3. “You’re my favorite unfolding story.”— Ann Patchett 4. “My lifetime listens to yours.”— Muriel Rukeyser

CAPRICORN (Dec. 22-Jan. 19): In the coming weeks, make sure you do NOT fit this description articulated by Capricorn novelist Haruki Murakami: “You’re seeking something, but at the same time, you are running away for all you’re worth.” If there is any goal about which you feel conflicted like that, dear Capricorn, now is a good time to clear away your confusion. If you are in some sense undercutting yourself, perhaps unconsciously, now is the time to expose your inner saboteur and seek the necessary healing. July will be Self-Unification Month.

AQUARIUS (Jan. 20-Feb. 18): A Tweeter named Luxuryblkwomen articulates one of her ongoing goals: “bridging the gap between me and my ideal self, one day at a time.” I’d love it if you would adopt a similar aspiration in the coming months. You’re going to be exceptionally skilled at all types of bridge-building, including the kind that connects you to the hero you’ll be in the future. I mean, you are already a hero in my eyes, but I know you will ultimately become an even more fulfilled and refined version of your best self. Now is a favorable time to do the holy work of forging stronger links to that star-to-be.

PISCES (Feb. 19-March 20): A blogger named Lissar suggests that the cherry blossom is an apt symbol for you Pisceans. She describes you as “transient, lissome, blooming, lovely, fragile yet memorable and recurring, in tune with nature.” Lissar says you “mystify yet charm,” and that your “presence is a balm, yet awe-inspiring and moving.” Of course, like all of us, you also have your share of less graceful qualities. And that’s not a bad thing! We’re all here to learn the art of growing into our ripe selves. It’s part of the fun of being alive. But I suspect that in the coming weeks, you will be an extra close match for Lissar’s description. You are at the peak of your power to delight and beguile us.

Finding Melody – Strauss’ latest solo album 

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By Jane Vick 

Guitarist Walter Strauss has released his third solo album.

For Melody, Wherever She May Find Me is the result of an exploration of melodies, both original and covered. During the pandemic, Strauss, an often-touring and collaborating musician, found himself alone with time and his guitar.

Without an audience to perform for or players to perform with, Strauss found himself taking more time with the music, exploring the stripped down throughline of melody. Playing his guitar solo resulted in a different, more focused attention to melody over all else.

In his own words: “The isolation offered a special window to engage the transcendent power of great melodies. I followed where they led.” 

For Melody is a beautiful homage to Strauss’ solitude, his devotional attention to the pathways of music and his mastery of the instrument. Seasoned guitar lovers and new listeners alike will find inspiration and tranquility in these tracks.

Though a Sebastopol local now, Strauss was raised in Pennsylvania, the youngest of four in a creative family with European heritage on his mother’s side. Strauss describes his mother as immensely creative and a gifted landscape painter. Creativity of any kind was encouraged in his household. He began playing drums at the age of eight, and at ten took up the guitar. 

Strauss went to Hampshire College for writing, but during his studies came across a collection of field recordings of West African music that significantly inspired him, specifically because of its polyrhythmic quality. Strauss refers to it as “a feast of rhythm and melody.”

He discovered the kora, a 22-stringed gourd harp from West Africa. Strauss has been engaged with the instrument ever since, translating many kora melodies onto the guitar.

The musician’s appreciation for African music and instruments has resulted in myriad collaborations with Malian musicians, including Grammy Award-winning kora player Mamadou Diabaté. The two met in Ithaca, NY by chance in the 1990s and later completed several international tours.

In 2012, Strauss’ capacity for translating the layered, multi-tonal sound of the kora onto guitar garnered him an invitation to Mali from esteemed kora player Toumani Diabaté to further expand his knowledge of the instrument. Strauss stayed in Mali for several months and recorded a record with Diabaté’s son, Sidiki, a talented 20-year-old kora player.

Strauss has an ongoing collaboration with West African artist Mamadou Sidibe. Together they are known as the Fula Brothers, with Strauss on guitar and Sidibe playing the six-stringed donso ngoni, another African instrument.

Strauss says that while the influence of West African instruments and musicians on his playing has been significant, he does not attempt to recreate or imitate their sound. Still, Strauss has garnered respect from expert kora and kamale ngoni players because of his ongoing effort to understand the music and the culture it represents.

“I’ve basically stirred some of the beautiful and inspiring musical leanings of these traditions into the pot of my own creative drive and musical history, in a way that I hope is unique and new,” said Strauss. 

All of this to say, Strauss’ music is generally collaborative and percussive. For Melody offers a different, more reflective face of his music.

His unique, West-African inspired guitar playing was able to express itself in full on an entirely solo album. Much like the kora or the kamale ngoni, Strauss plays his guitar like a harp, stretching his hands to play a note on each string.

The album,recorded at Soundwell Studios by Strauss and Rich DePaulo, is available for purchase on bandcamp.com. Dave Hall of Lone Cricket Productions filmed creative videos to several tracks on the album, which can be found at walterstrauss.com.

Strauss will be performing songs from the new album this Thursday, July 30 at Jam Cellars in Napa. The music starts at 8pm.

Trivia – Week of 06/22/22

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1 This treelike southern California plant was so named because its greatly extended branches resembled the outstretched arm of a biblical figure. What unusual tree is this?

2 This bird’s name means flame in Portuguese, because of its bright reddish-orange color. What is it?

3 What African-American writer won the Nobel Prize in Literature in 1993 for the “visionary force and poetic import” of her writing?

4 What were the first two edible nuts mentioned in the Bible?

5 Dolly Parton established her personal theme park in Sevierville, TN, with what clever name?

6 What two U.S. presidents were fifth cousins?

7 Reggae music evolved in the early 1960s in what capital city of what island nation?

8 Suffering from short-term memory loss, an ex-insurance investigator named Leonard uses notes and tattoos to hunt for the man he thinks killed his wife. The story is told backward, in what clever 2000 mystery film from Christopher Nolan?

9 Identify each of these quadrilaterals (four-sided figures) whose names begin with the same letter:

9a. Has equal angles but not equal sides. 

9b. Has equal sides but not equal angles. 

10 What U.S. state is home to Glacier National Park?

BONUS QUESTION: This active game originated in Britain in the 1880s, mostly among the upper-class as an after-dinner parlor game. They commonly called it “Wiff-Waff,” but today we call it what?

Want more trivia for your next party, fundraiser or special event? Contact ho*****@********fe.com.

ANSWERS:

1 Joshua Tree, resembles the biblical Joshua pointing with his spear (Joshua 8:18)

2 Flamingo

3 Toni Morrison

4 Almonds and pistachios

5 Dollywood

6 Theodore and Franklin Roosevelt

7 Kingston, Jamaica

8 Memento

9a. Rectangle  9b. Rhombus

10 Montana

BONUS ANSWER: Ping Pong or Table Tennis. The ball was made of cork and the paddle from parchment, and it made a wiff-waff sound.

Workplace Woes

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‘9 to 5, the Musical’ clocks in at 6th Street

By Harry Duke 

It’s been over 40 years since Dolly Parton made her film debut in 9 to 5 and the title tune topped the charts. The film and song (which garnered Parton an Academy Award nomination for Best Original Song) became markers in the struggle for parity in the workplace for women. Thank goodness it was achieved decades ago.

Just kidding.

Parton herself collaborated with one of the original screenwriters to come up with 9 to 5, the Musical. The pretty straightforward musical adaptation of the film runs at Santa Rosa’s 6th Street Playhouse through June 26.

The book of the show closely follows the film script, as three disparate office workers join together to take on their “sexist, egotistical, lying, hypocritical bigot” boss. The too-frequently-overlooked-for-promotion Violet Newstead (Daniela Innocenti Beem) joins forces with the newly-employed Judy Bernly (Julianne Bradbury) and the unfairly maligned secretary-to-the-president Doralee Rhodes (Anne Warren Clark) to bring some equity to the offices of Consolidated Industries and some payback to its loathsome leader, Franklin Hart (Mark Bradbury).

There are minor differences between the film and the stage show, but the basics are all there, plus about a dozen more tunes by Parton. including “Backwoods Barbie.”

Director Carl Jordan has cast the show well. Each of the principals brings a strong voice and clear characterization to the stage. Violet is a good role for Beem, and Bradbury really impresses with her vocals as Judy. Clark has the difficult task of not being too Dolly Parton-ish and succeeds, big hair and all. Mark Bradbury is effectively sleazy as Hart, and Jen Boynton matches well with him as the office busybody.

There’s a large ensemble doing good work in multiple supporting roles, and they do the bulk of the dancing. They also spend a good deal of time moving set pieces around. This show has a lot of moving parts, and credit goes to the ensemble (and stage crew) for keeping the pace up. Credit also to set designer Eric Broadwater for the best-looking set I’ve seen at 6th Street in a while. Projections by Chris Schloemp really complement the sense of place.

9 to 5 is the type of show that delivers exactly what you expect it to deliver, and that includes a couple of appearances by Parton herself. 

‘9 to 5, the Musical’ runs through June 26 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. Sixth St, Santa Rosa. Thurs-Sat, 7:30pm; Sat-Sun, 2pm. $26–$45. Proof of vaccination and masking are required to attend. 707.523.4185. 6thstreeetplayhouse.com

Do Nothing

The most difficult endeavor

By Christian Chensvold

Here’s a simple test to check your health that doesn’t require any medical paraphernalia or professional diagnosis. It’s the simplest thing imaginable, which means in a chaotic age such as ours, only seasoned experts can do it.

Here’s the test: can you sit and do absolutely nothing for five minutes? That is, can you leave the house without your phone, find a bench or a plot of grass, and just be? If you can’t sit alone with yourself for five minutes and not slip into a state of irritability, with a million agitated thoughts running through your mind, then your “mental health” is in serious trouble.

You’re what I call a replicant; you look like a human being from the past, except that you’re a counterfeit version. You got body-snatched, or rather, soul-snatched. Think about it: shouldn’t you be able to sit with your body and your thoughts and not have to auto-lobotomize yourself because of all the anguish and nihilism built up inside, and which only goes away if you distract yourself?

When you start listening to others who’ve awakened to metaphysical reality, you find a recurring theme. Eckhart Tolle became world famous as a spiritual guru, and recounts how after reaching peak suffering and finally awakening, he spent the next two years sitting on park benches in a state of rapt wonder at the mystery of simply being alive.

Once you’ve mastered sitting and doing nothing for five minutes, you can try doing it while imagining yourself as an ancient king or queen, and I’m not being a court jester here. Throughout Greece, Persia, India and the other great spirit-infused kingdoms, the ability to sit on the throne in a state of immutable calm was the visible expression of a sovereign’s divinity. In Egypt, the ability to sit perfectly still with an aura of supreme command was believed to be a supernatural quality of a king or queen that proved their celestial lineage.

After learning to sit in simple tranquility, then with resolve and poise, you may be ready to take up yoga in its higher dimension, and learn to sit in superior calmness to everything external, completely centered to the transcendent dimension within, the part of you that is greater than you. As the great religious historian Mircea Eliade wrote in a seminal study of yoga, body postures are capable of evoking hieratic stillness, the purpose of which is to become transformed into the image of a deity.

And so what began with sitting on a park bench doing nothing becomes the first step on the path to immortality.

Roundup at Rialto

‘Children of the Vine’ screens

With 2.3 million pounds of pesticides and herbicides used annually in Sonoma County—97% on wine grapes, including 30 tons of Roundup, the investigative documentary Children of the Vine couldn’t be more timely. Shot primarily in the famed wine regions of Napa and Sonoma counties, the film makes its debut for a one day showing on July 12 at the Rialto Cinemas, Sebastopol.  It is an unsettling investigation into the controversial herbicide Roundup and its impact on public health.

Directed by filmmaker Brian Lilla, who after moving to Napa Valley to start a family, witnessed the nightmare unfolding around him as farm workers sprayed vineyards with thousands of gallons of Roundup each winter. Beyond the manicured beauty of Napa’s vineyards, Lilla found the wine industry is using more Roundup in vineyards than most agricultural crops. At the center of this controversy is glyphosate, the primary active ingredient in Monsanto’s Roundup. Glyphosate is now found in breast milk, baby food, wine and 80% of food grown in the United States.

Lilla interviewed both farmers who depend on Roundup and those paying the ultimate price for spraying it on their crops. He also digs deep into Monsanto’s misleading science and 40 year campaign that Roundup is “safe as salt.” In the end, Children Of The Vine highlights more sustainable farming practices that don’t put public health at risk and are capable of feeding the world.

With many residents still using Roundup on their properties, the information in this explosive documentary should be a game-changer for local residents and moreover, the ag and wine industry.

The screenings will be followed up with a panel of experts and director Brian Lilla, to answer questions and discuss the options of non-toxic farming practices. Proceeds benefit Neighbors to Preserve Rural Sonoma County.

—Padi Selwyn

Co-chair, Neighbors to Preserve Rural Sonoma County.

‘Children of the Vine’ plays at 3 pm and 7 pm, Tuesday, July 12 at Rialto Cinemas, 6868 McKinley St, Sebastopol. More information at rialtocinemas.com.

Clouded by Coho

Last winter’s coho run spawns hope

By Cole Hershey

The rains of 2021 were a soothing balm to the drying lands of California, filling reservoirs to the edges of dams across Marin and Sonoma counties.

During and proceeding these heavy downpours, many in the media noted the season as a miracle for the coho salmon that live in Lagunitas Creek in Marin County, stretching their spawning across the watershed into areas they have not been seen in over a decade. The rains of late 2021 helped the Lagunitas coho, as in [1] the most plentiful streams in all of California lay nearly 400 nests (called redds), according to preliminary data acquired by the Bohemian.

While this preliminary number is nearly double the coho redds found last year, when looking at seasons historically, the number may have less to do with the rains than many observed.

Coho spend parts of their lives in freshwater and parts of their lives in the ocean. They live in freshwaters for a year and a half before they venture out to the ocean, only returning to breed in their third year of life, after which they pass away. For coho conservationists, the important information to observe is the parent generations and their offspring generations, meaning the salmon spawning season three years prior.

As it currently stands, the coho redd count is higher than the previous generation. The data is still being collected by the National Park Service, Marin Municipal Watershed District, and the Salmon Protection and Watershed Network (SPAWN).

“The generation following has always been greater than the one that preceded it,” said Preston Brown, director of watershed conservation at SPAWN.

“Those rains in December which drew headlines said, ‘Yeah coho! Coho everywhere!’” remarked Brown. “But when you look at it, the number of coho was just a little above average, at least in Lagunitas.”

In the Russian River Watershed of Sonoma County, where coho are known to make redds, the appearance of a large swelling of coho also occurred. The large number of coho observed in this watershed [2] was due to the heavy rains shortening their spawning season, which gave off the appearance of more coho in the stream, according to a recent Sonoma Water report.

Due to the heavy rains before their spawning season began, coho swam further upstream than usual, reaching higher into small tributaries. Since they spread out across the watershed further than usual, it gave the appearance that the run was more bountiful than other years.

“They were in amazingly high places, so it painted this picture that could be sort of misconstrued,” said Brown.

This occurred in Sonoma as well for the threatened Chinook salmon. However, exact numbers are hard to discern, seeing as Chinook are listed as threatened, unlike steelhead and coho, so monitoring their numbers across California has not been prioritized.

“Because the rains were so perfect—they came right at the right time at the right amount of duration—it made these little tributaries full of water,” said Brown. “Coho were getting up into those waters where they hadn’t been seen in maybe 10 years or so.”

As the winter season continued, however, there was very little rain to show, quickly drying Lagunitas creek, which has very little groundwater to maintain its flow throughout the summer. By the beginning of spring in some tributaries further upstream, the pools of water were beginning to lower into trickles.

“We got these coho spawning in these tiny tiny tributaries, and once those eggs hatch and the fish are swimming around, those tributaries [could] start to go dry,” said Brown.

Luckily, the April rains greatly aided the coho living further upstream.

The fact that the coho spawned so far upstream, according to Eric Ettlinger, aquatic ecologist for the Marin Municipal Water District, is the important takeaway from this year’s run of endangered coho. 

“Even if we hadn’t gotten those spring rains, I think salmon spawned in enough places that we would’ve gotten a good juvenile population this year, regardless,” Ettlinger said.

This, Ettlinger explained, is because there was a wider variety of habitats and locations where the salmon could thrive.

“There’s this idea of a portfolio where you want as much diversity as possible in order to maximize your returns,” Ettlinger said. “You want them to have as many options as possible, and this winter we saw that.”

While this year has been a positive moment for coho, steelhead and Chinook alike, California is heading yet again into an exceptionally hot and dry summer, with nearly all of the state in a severe drought.

According to a 2019 report by the National Oceanic and Atmospheric Association, most coho in California are at a very high risk from[3]  climate change, due to a greater sensitivity to ocean acidification, along with water temperatures and other stressors.

“This population here is particularly vulnerable to climate change,” said Ettlinger. “[This] is the southernmost wild coho population in the world, and climate change is going to have the biggest impact on populations [of all species] closer to the equator.”

Due to large-scale fishing, along with habitat loss mainly from large-scale dam building across California, coho have been greatly reduced from their historical numbers, when the streams all across Northern California used to run red with coho. Since their listing as endangered in 1996, coho populations in California have steadily been on the incline.

While there is little to be done to reduce the temperature of ocean water, other than eliminating the use of fossil fuels, there are things to be done to help coho survive in a less hospitable climate.

Marin Water for decades has been adding logs and other plants into streams themselves, something that has been proven to help juvenile coho survive through the summer.

According to Ettlinger, while dams across the county have created many setbacks for the salmon, the release of water from the reservoirs may give coho in Lagunitas a better chance in the future.

“Ironically, the cold water that’s released from our reservoir, Kent Lake, year round may be one of the reasons that this population will persist when other populations in the region are not going to,” Ettlinger said. “So that acts as a buffer against the rise in temperatures that are expected with climate change.”

SPAWN, for one, helps with countless restoration activities across the watershed, such as running a native plant nursery and reestablishing historical floodplains. This June, SPAWN made an agreement with Marin County to implement a new stream conservation ordinance to help protect stream banks and floodplains from building.

However, the work of protecting coho salmon in the North Bay is not relegated just to the small watershed of Lagunitas Creek.

In 2021, a study was conducted in Dry Creek, a small tributary of the Russian River, in order to understand why many smolts, young coho traveling to the ocean, do not make it to the Pacific. While this was the first year of the study using hatchery-caught coho to study the effects of predators on the young fish, it is data Sonoma Water could use in order to inform how they proceed with ongoing restoration projects aimed at saving coho.

One potential tool, which now could be used to help mitigate the effects of drought and climate change on coho in streams, is beavers.

“A group of us are working to reintroduce beavers into Lagunitas Creek,” said Ettlinger. “It would be really beneficial to coho in particular because coho like slow water, they like wood in the channel and beavers can create a really ideal nursery habitat. So that would be a big change.”

In May of this year, the state of California approved five new staff members to lead a beaver restoration assessment program across the state, signaling a shift in how the government may feel about the animals, seeing as the rodent has a great many benefits to the land beyond coho restoration.

It should be noted that beaver relocation is currently illegal under state law, California being one of the few states west of the Rocky mountain range to do so.

With the work of countless individuals across Sonoma and Marin counties, coho are steadily increasing in number, and there is still plenty of reason to hold out hope. According to Brown, coho, a keystone species like the beaver, are critical for the preservation of coastal ecosystems and local economies. Even in Sonoma County, the fish were once so plentiful that there was a cannery in the southern region of the Russian River Watershed.

While coho are still far from those booming numbers, with the tireless work from Marin Municipal Water District, SPAWN and Coho Partnerships in Sonoma County, coho are slowly but surely on the rise.


Limit Look

Jenny DeYoung, new owner of Disguise the Limit

By Jane Vick

Hey loves! Happy Wednesday! How is everyone?! Surviving this heat wave? Rush, rush to the coast, gas prices be damned! Bring roasted chicken and cherries and a light heart. Go!

And straight to this week’s Look, which is lovely indeed. Jenny DeYoung, new owner of Disguise the Limit, the 40 year standing costume shop in Santa Rosa’s Railroad Square, is a gem of a human, and I was thrilled to learn more about her this week. See below, and for any costume needs—especially during Pride Month!—look no further.

Jane Vick—When and why did you buy Disguise the Limit?

Jenny DeYoung—I’ve always had a dream of owning my own shop, selling all my favorite things, to include fashionable items like festival wear, vintage wear and also costumes! But I always wanted the store that had a little bit of everything, so that everyone would find a little bit of treasure when they came to the shop. The year 2016, this store became available for purchase, and my business partner at the time helped me with acquiring it. It was the beginning of everything I had ever wanted and more. I’ve been working hard to re-design it and making it the favorite store for everyone in every sense.

JV—Where does your love of costume come from?

JD—I  started off being a theater major at UCLA, primarily focused on production design for film and theater. Production design encompasses the entire art department of a film or theater play. Which means it also encompasses costume design. I love all things fashion, and I love dressing up so it all comes together. My shop is like my biggest set design I have ever created yet.

JV—Is there a message you’d like to share with the community this Pride Month?

JD—First of all, we are so grateful that there is a Pride Parade here and that we get to participate in it by vending and supporting that community! Disguise the Limit stands for unity and that we should all love and respect and appreciate each other‘s diversities and love choices! Love is love!

You heard it here, everyone. Love is LOVE!

See you next week!

Love always,

Jane

Jane Vick is an artist and writer based in Oakland. She splits her time between Europe, New York and New Mexico. View her work and contact her at janevick.com.

Vote Volunteers

I’ve been a voter in Marin County since I first voted at age 18 in 1975.

We must recruit as many nonpartisan volunteers as possible to ensure that no eligible voter is discouraged or wrongly turned away from the polls in 2022.

In America, voters should have the final say. But Donald Trump and far-right extremists engaged in a criminal conspiracy by helping to promote and pay for election sabotage efforts that culminated in the deadly attack on our country on Jan. 6, 2021.

The January 6th House Select Committee’s public hearings are present[1] ing the facts about this attack and its lead up. The committee’s investigation has been nonpartisan and factual.

We must support the January 6th Committee in investigating and holding accountable everyone involved in this crime—to both ensure it never happens again and make sure that our elected leaders respect the will of the people. This includes making sure everyone’s vote is counted by volunteering as an Election Protection volunteer.

Register to volunteer for Election Protection to make sure we protect the results of the 2022 election at cmnca.us/jan6ep.

Dennie Mehocich

Marin County

Freedom Lost

Your freedom wasn’t in Iraq and it’s not in Ukraine. It isn’t gone yet, but as soon as Julian Assange is extradited, you will lose it. It might not be immediately apparent, but one day you will miss its absence sorely. I don’t care if you hate him, if you’re convinced he was working for Trump or Russia. Assange’s extradition is the precedent that will begin the end of the First Amendment to the U.S. Constitution. Those rights apply to all of us, and this is how close we are to losing them completely.

Jason Kishineff

American Canyon


Eliminated the word “upcoming” here, and changed “will present”  to “are presenting,” since several have already happened.

Silent = Death

How the media and congress enable president’s silence on nuclear war

By Norman Solomon

I’ve just finished going through the more than 60 presidential statements, documents and communiques about the war in Ukraine that the White House has released and posted on its website since Joe Biden’s State of the Union address in early March. They all share with that speech one stunning characteristic—the complete absence of any mention of nuclear weapons or nuclear war dangers. Yet we’re now living in a time when those dangers are the worst they’ve been since the 1962 Cuban Missile Crisis.

You might think that the risks of global nuclear annihilation would merit at least a few of the more than 25,000 words officially released on Biden’s behalf during the 100 days since his dramatic speech to a joint session of Congress. But an evasive pattern began from the outset. While devoting much of that speech to the Ukraine conflict, Biden said nothing at all about the heightened risks that it might trigger the use of nuclear weapons.

A leader interested in informing the American people rather than infantilizing them would have something to say about the need to prevent nuclear war at a time of escalating tensions between the world’s two nuclear superpowers. A CBS News poll this spring found that the war in Ukraine had caused 70% of adults in the U.S. to be worried that it could lead to nuclear warfare.

But rather than publicly address such fears, Biden has dodged the public—unwilling to combine his justifiable denunciations of Russia’s horrific war on Ukraine with even the slightest cautionary mention about the upward spike in nuclear-war risks.

Biden has used silence to gaslight the body politic with major help from mass media and top Democrats. While occasional mainstream news pieces have noted the increase in nuclear-war worries and dangers, Biden has not been called to account for refusing to address them. As for Democratic leaders on Capitol Hill, party loyalties have taken precedence over ethical responsibilities. What’s overdue is a willingness to insist that Biden forthrightly speak about a subject that involves the entire future of humanity.

Giving the president and congressional leaders the benefit of doubts has been a chronic and tragic problem throughout the nuclear age. Even some organizations that should know better have often succumbed to the temptation to serve as enablers.

In her roles as House minority leader and speaker, Nancy Pelosi has championed one bloated Pentagon budget increase after another, including huge outlays for new nuclear weapons systems. Yet she continues to enjoy warm and sometimes even fawning treatment from well-heeled groups with arms-control and disarmament orientations.

And so it was, days ago, when the Ploughshares Fund sent supporters a promotional email about its annual “Chain Reaction” event—trumpeting that “Speaker Pelosi will join our illustrious list of previously announced speakers to explore current opportunities to build a movement to reduce and eventually eliminate nuclear weapons once and for all.”

The claim that Pelosi would be an apt person to guide listeners on how to “build a movement” with such goals was nothing short of absurd. For good measure, the announcement made the same claim for another speaker, Fiona Hill, a hawkish former senior director for Europe and Russia at the National Security Council.

Bizarre as it is, the notion that Pelosi and Hill are fit to explain how to “build a movement to reduce and eventually eliminate nuclear weapons” is in sync with a submissive assumption—that there’s no need to challenge Biden’s refusal to address nuclear-war dangers.

The president has a responsibility to engage with journalists and the public about nuclear weapons and the threat they pose to human survival on this planet. Urgently, Biden should be pushed toward genuine diplomacy, including arms-control negotiations with Russia. Members of Congress, organizations and constituents should be demanding that he acknowledge the growing dangers of nuclear war and specify what he intends to do to diminish instead of fuel those dangers.

Such demands can gain momentum and have political impact as a result of grassroots activism rather than beneficent elitism. That’s why (on June 12,) nearly 100 organizations co-sponsor(ed) a “Defuse Nuclear War” live stream—marking the 40th anniversary of the day when 1 million people gathered in New York’s Central Park, on June 12, 1982, to call for an end to the nuclear arms race.

That massive protest was in the spirit of what Martin Luther King Jr. said in his speech accepting the Nobel Peace Prize in 1964: “I refuse to accept the cynical notion that nation after nation must spiral down a militaristic stairway into the hell of thermonuclear destruction.”

In 2022, the real possibility of such a hell for the entire world has become unmentionable for the president and his enablers. But refusing to talk about the dangers of thermonuclear destruction makes it more likely.

Norman Solomon is the national director of RootsAction.org and the author of a dozen books, including ‘Made Love, Got War: Close Encounters with America’s Warfare State,’ published this year in a new edition as a free e-book.

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