What Lies Beneath

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What Lies Beneath.

To Catch a Thief

Zemeckis rips off Hitchcock in his would-be tribute ‘What Lies Beneath’

By Nicole McEwan

AFTER TOM HANKS and Robin Williams, Harrison Ford is undoubtedly the most vanilla A-list actor in Hollywood today–which may partially explain his participation in What Lies Beneath–an agonizingly trite ghost story so implausible that it makes the overrated Sixth Sense make sense.

A patently derivative mishmash of classic scary movies like Psycho and Rosemary’s Baby, the Robert Zemeckis-directed flick sets Ford up as Dr. Norman Spencer, a college professor working overtime to complete an important research project. While Norman slaves away at the lab, his wife, Claire (Michelle Pfeiffer), keeps the Martha Stewartesque gleam of perfection aglow at their sumptuously appointed lakefront home. Her efforts in maintaining this gorgeous Vermont Victorian should not be underappreciated–if you find yourself bored in some of the film’s slower bits, perusing the set passes the time quite nicely.

Having just sent her only child off to college, Claire, formerly a Juilliard-trained cellist, is suffering from empty-nest syndrome. Depression hardly has a chance to settle in, however, because all sorts of strange things begin to happen. First, the apparition of a beautiful young woman walks out of the lake (with lush production values like this it makes sense that this ghost is supermodel Amber Valletta). Soon things are going bump in the night, including the next-door neighbors.

In a voyeuristic setup straight out of Hitchcock’s Rear Window, Claire thinks she may have witnessed someone’s death. Naturally, staid scientist-hubby Norman is a wee bit of a skeptic. Before you know it, Claire is seeing a shrink. Eventually she even consults a Ouija board in an attempt to defend her sanity. Of course, the ghost isn’t simply on a holiday from the underworld–it is feeding Claire clues that might point to what really happened.

By this point, Clark Gregg’s threadbare script has so lazily telescoped its story that there’s really no doubt as to what will happen next. But given the genre, this should have represented only a minor handicap for a seasoned filmmaker like Zemeckis (Forrest Gump, Back to the Future). Yet instead of ingenuity, we get a barrage of visual clichés. The chills are of the peekaboo variety: people popping into a frame unexpectedly may make you jump in your seat once or twice, but such overt manipulation ultimately wears thin.

To her credit, Pfeiffer, who has the lion’s share of screen time, turns in a fearless performance, even as she’s jumping through Scream-style hoops to evade the bad guy. Ford does get to break out of his mold, but overall this level of talent seems wasted in such a B-movie trifle.

Moreover, the film’s endless references to Hitchcock (including Alan Silvestri’s Bernard Herrmann-like score) prompt the question: What is homage and what is simply a series of ripoffs? By the time the film’s final half-hour slides into near-parody, the answer should be apparent to even a casual filmgoer. Zemeckis has created what he may have intended as an homage to Hitchcock, widely known as the Master of Suspense; unfortunately, What Lies Beneath doesn’t deliver any. Suspense, that is.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Time Regained

Time Regained.

Past Imperfect

‘Time Regained’ offers bold but confusing interpretation of Proust’s novel

By Richard von Busack

LISTEN: Marcel Proust has become unstuck in time. Time Regained is Raul Ruiz’s lengthy and ultimately baffling adaptation of one of literature’s most difficult classics. I watched Time Regained with the disadvantage of never having succeeded in reading the seven-volume novel by Proust (1871-1922): À la recherche du temps perdu, a title usually translated as “Remembrance of Things Past,” and published 1913-27.

Time Regained is the adaptation of Proust’s final volume (Le Temps retrouvé). Thus, Ruiz complicates matters for the uninitiated by beginning at the end.

Time Regained is really one long flashback by the dying Proust, slowly asphyxiating with asthma in his humidor, that famous cork-lined bedroom to which no gram of unfiltered air could be admitted. His reveries tie up the epic; we see the last of his friend Baron de Charlus, the end of Saint-Loup (Pascal Greggory), the arrogant soldier who conceals a broken heart.

The passing reference to “Swann, the collector” is unexplained in Time Regained, though we do meet the ruins of Swann’s ruination, Odette de Crécy (Catherine Deneuve). She turns up in middle age, the property of a peevish, jealous old aristocrat.

Here also is the summing up of Proust’s love life with Gilberte (Emmanuelle Beart) and Albertine (Chiara Mastroianni), the narrator’s two great loves. In the end, Proust learns of the uncertain sexuality and fidelity of those he loved. The shock causes his retreat from society.

As critic Edmund Wilson sees Proust’s landmark work, “Despite all of its humor and beauty it is one of the gloomiest books ever written.” He qualifies this gloom by mentioning the Baron de Charlus, whom Wilson likens to Falstaff and the comic characters of Dickens. De Charlus is the ultimate wealthy decadent, so finicky that he even chooses the accent of the male prostitute hired to flog him. As played by John Malkovich, de Charlus is astringent as battery acid. But we have only 15 minutes with de Charlus, and then the confusion descends again.

Loaded with insinuations, the movie is a frustrating puzzle. Ruiz has cut 45 minutes of the film for American distribution, and from the way what’s left scans, I don’t think he did the narrative a favor by trimming it. As befits the man who made the mordant yet playful Genealogies of a Crime, Ruiz avoids the Theatre Chef d’Oeuvre (Masterpiece Theater) look of the typical French classic adapted for the screen. He uses deliberate artifice: blue scrims for skies and props wheeled away from the camera.

Ultimately, Ruiz’s film is a bold interpretation if not a flexible and coherent film. Never boring, but never quite comprehensible, Time Regained seems to be shards of Proust. Like the broken teacup treasured by Gilberte, Time Regained might serve as a keepsake of an ideal Proust movie.

Time Regained screens Friday, July 28, through Thursday, Aug. 3, at 7:15 p.m. on weekdays and 4 and 7:15 p.m. on weekends at the Rafael Theater, 1118 Fourth St., San Rafael. 415/454-1222.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Lucy Pearl

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Shining Pearl!

R&B supertrio offers a sexy disc

Lucy Pearl Lucy Pearl Pookie/Beyond

WHENEVER R&B and hip-hop artists from different groups collaborate, the results are often overproduced and lackluster. That isn’t the case with the neo-soul supertrio Lucy Pearl, which consists of graduates of two of the best soul acts of the ’90s (ex-En Vogue member Dawn Robinson and singer/songwriter Raphael Saadiq from the underrated and much-missed Tony! Toni! Tone!) and a DJ/producer from one of the most brilliant hip-hop groups ever (Ali Shaheed Muhammad, the wizard behind the jazz grooves of the now defunct Tribe Called Quest). Highlights on this brash and breezy self-titled debut include the slinky “Dance Tonight,” the playful “LaLa,” and the terse, hard-rocking “Hollywood,” sort of a companion piece to Public Enemy’s 1990 anti-racial stereotyping rant “Burn, Hollywood, Burn.” Robinson, who had the most powerful and versatile voice of all the En Vogue singers, has never sounded sexier. Jimmy Aquino

Nina Gordon Tonight and the Rest of My Life Warner Bros.

OFFERING DECENT, if average, pop fare, this solo debut from the co-founder of Veruca Salt (Gordon left the band in 1998) displays the same lack of identity as did the band best known for “Seether” and “Volcano Girls.” While Gordon’s vocals are sweet and lilting in the tradition of the Bangles, Lisa Loeb, and the Corrs, she’s still trying to find her own distinctive voice. The title track sounds like one of Madonna’s ballads, but the uptempo “Badway” and “Number One Camera” rock like some of Veruca Salt’s more palatable songs. Still, although tepid and innocuous, most of the material is very pretty. Highlights include “Horses in the City” and “Too Slow to Ride.” Gordon also does a cover of Skeeter Davis’ “The End of the World.” Sarah Quelland

Lil’ Kim The Notorious K.I.M. Queen Bee/Undeas/Atlantic

FORGET SARAH JESSICA Parker. Lil’ Kim should toss Parker’s bland, I-refuse-to-do-nudity ass over to the curb and take over as the star of HBO’s summer hit Sex and the City. The much-hyped sex-com needs the verbal authority and street-tough charisma that Kim displays in The Notorious K.I.M., the skilled, randy Brooklyn shock rapper’s first album in nearly five years. It’s like Sex and the City for those who can’t relate to the all-white cast. Too bad much of the Puffy-produced music isn’t worthy of Kim; it’s full of the same old R&B vocal clichés and touches of overproduction that make Puffy-produced pop-rap so grating to the ears of this reviewer and serious hip-hop enthusiasts. Overdone tracks like “How Many Licks?” (which features Sisqo of “Thong Song” fame) will make you say, “Not tonight, honey. I have a headache.” J.A.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Aimee Bender

Numbers Game

Characters and plot add up in ‘An Invisible Sign of My Own’

By Patrick Sullivan

ONCE UPON a time there was a sad and very peculiar girl. She lived in an odd little town where the hospital was made entirely of blue glass and the hardware store was run by a former math teacher who wore big wax numbers around his neck to indicate his relative state of mind, with 47 indicating ecstasy and 2 indicating suicidal depression.

Neither wolves, nor witches, nor wicked stepsisters appear in these pages, but Aimee Bender is nonetheless offering us a whopper of a fairy tale in An Invisible Sign of My Own (Doubleday; $22.95).

Summed up in clinical terms, the novel’s plot (like that of any fairy tale) sounds elementary. Her psychological development thrown off kilter by a father who suddenly develops an apparently terminal case of hypochondria, a little girl named Mona Gray grows up to be a troubled young woman in love with turning away from what she loves, from piano lessons to track runs to sexual relationships.

The book’s neurotic narrator explains her decision with brutal but compelling logic: “No piano. No dessert. No track. Nothing. I am in love with stopping. It’s a fine art, when you think about it. To quit well requires an intuitive sense of beauty; you have to feel the moment of turn, right when desire makes an appearance, here is the instant to be severed, whack, this is the moment where quitting is ripe as a peach turning sweet on the vine: snap, the cord is cracked, peach falls to the floor, black and silver with flies.”

This is Bender’s first novel, but we’ve heard from her before. In 1998, she published The Girl in the Flammable Skirt, a collection of short stories also populated by peculiar characters enmeshed in bizarre situations. The collection demonstrated Bender’s truly remarkable gift for language, but the plots and people felt annoyingly contrived, bizarre for the sake of being bizarre, as artificially peculiar as an in-your-face TV commercial designed to sell you sodas by catching you off guard with cheap irony and hokey wackiness.

An Invisible Sign of My Own is something very different. Here, a gift that seemed stunted in the short-story form finds room to blossom, and Bender’s characters graduate from twitchy bundles of peculiar quirks to genuinely interesting strangers in a deeply compelling strange land.

The turning point in Mona’s life comes at age 20, when her one remaining passion–a love of numbers–leads to her being hired as the math teacher at the local elementary school. Suddenly she finds herself plunged into a world where everyone is 8 years old and 4 feet tall and full of weird but wonderful ideas about the world.

Eager to infect her young charges with her fever for word problems and multiplication tables, Mona quickly discovers what most math teachers never do: numbers don’t mean anything unless they jump off the blackboard and crawl into the real world.

So she invents Numbers and Materials, and the class quickly embraces this numerical game of show and tell–a game that underscores the book’s use of math as a metaphor. But the students keep bringing in stranger and stranger numbers from nature, starting with a hospital IV turned into a zero and escalating to a severed arm that makes the perfect 1.

Eventually things get really out of hand, as the class and its teacher struggle for possession of a sharp ax that could be seen either as a good example of the number 7 or as an excellent way to do some real-life long division. Indeed, the weapon provides one kid with a homicidal inspiration: “I have an idea, Ms. Gray, she said, let’s make a Number and Material out of you.”

This is Up the Down Staircase as told by the Brothers Grimm, or Hansel and Gretel traipsing through The Blackboard Jungle. That’d be compelling enough, but the enterprise is further blessed by Bender’s new-found ability to match her fantastic imagination with fully developed characters and a plot that moves beyond mere quirkiness to offer a compelling exploration of death and desire.

The whole thing is almost enough to make you pick up your old math book and check the margins for some magic you missed the first time around.

Aimee Bender reads from An Invisible Sign of My Own on Friday, July 28, at 7:30 p.m. at Readers’ Books, 130 E. Napa St., Sonoma. 939-1779.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Appeals court reinstates Macias lawsuit

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Photograph by Janet Orsi

Case Study

Appeals court reinstates Macias lawsuit

By Greg Cahill

SUPPORTERS of a $15 million lawsuit against the Sonoma County Sheriff’s Department by the family of a woman slain on the streets of El Verano in a domestic violence dispute are claiming victory after a federal court last week reinstated the case. The 9th Circuit Court of Appeals decision on July 20 sent the landmark wrongful-death lawsuit back to the U.S. District Court. The family of Teresa Macias now can resume its claim that the Sheriff’s Department failed to provide equal protection to the woman after she tried to have her husband, Avelino, arrested for stalking.

For more than a year, Macias had repeatedly sought help from the Sheriff’s Department to protect her from Avelino, who she alleged had abused her and her three children. Her diary and public records indicate that Macias called deputies at least 14 times in the last three months of her life, having obtained a restraining order that was subsequently misplaced by deputies.

In 1996, Avelino shot and killed his estranged wife, wounded his mother-in-law, and then committed suicide.

Macias’ murder sparked the ire of women’s rights groups and prompted a state probe of the way in which the Sonoma County Sheriff’s Department and District Attorney’s Office handled domestic violence cases. The agencies eventually announced numerous reforms in their practices and policies.

“This victory is of national significance,” says Rick Selzer, attorney for the Macias family. “It notifies law enforcement all across the country that they must take their responsibility for victims of violence against women very seriously.”

Victims’ rights advocate Marie De Santis of Santa Rosa agrees: “This decision now establishes a woman’s constitutional right to hold law enforcement agencies legally accountable for their failure to respond to domestic violence complaints. That’s huge–that wasn’t true before this ruling.”

Federal District Judge Lowell Jensen last year tossed out the lawsuit, saying that citizens do not have a constitutional right to expect law enforcement to prevent their murder. The 9th Circuit Court ruled that Jensen erred when he dismissed the case. The new ruling states, “There is a constitutional right . . . to have police services administered in a nondiscriminatory manner–a right that is violated when a state actor denies such protection to disfavored persons.”

THE LAWSUIT claims that the Sheriff’s Department discriminated against Macias and denied her equal protection under the law by failing to take reports, ignoring evidence, discouraging her from calling again, and other actions.

The Sheriff’s Department never arrested Avelino, even though it had a written policy to do so in these types of cases. The lawsuit further states that the Sheriff’s Department’s indifference to Macias’ plight emboldened Avelino in his escalating pattern of stalking, threats, and intimidation, placing Macias and her children at greater risk.

The lawsuit maintains that the Sheriff’s Department’s disregard for Macias’ endangerment reflected a departmental policy and custom of discrimination against women, against victims of domestic violence, and against Latinos. The suit alleges that this denial of Macias’ 14th amendment right to equal protection under the law led directly to her murder.

Usual Suspects loves tips. Call our hotline at 527-1200 or e-mail us at In**@******re.com.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Mickey Hart Band

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Hart Beat

Mickey Hart Band plays deep grooves

By Alan Sculley

WHEN THE GRATEFUL Dead disbanded after the 1995 death of bandleader and guitarist Jerry Garcia, it might have seemed like a good time for the surviving band members to step back from music after three decades of steady activity. But former Grateful Dead drummer Mickey Hart is, if anything, busier than ever.

The Occidental resident’s post-Dead projects have included Mystery Box, a 1996 CD that combined grooving pop music with the vocals of the female a cappella group Mint Juleps. He also regrouped his trailblazing percussion/vocal ensemble, Planet Drum, to record Supralingua, a 1998 follow-up to that group’s acclaimed 1991 self-titled CD. He then joined forces with Grateful Dead bandmates Bob Weir (guitar) and Phil Lesh (bass) and frequent Dead guest musician Bruce Hornsby (keyboardist) in the Other Ones. That band, which also includes Dave Ellis, Stan Franks, and drummer John Molo, headlined the 1998 Furthur Festival, an outing that marked the first time Hart, Weir, and Lesh had played Dead material since the demise of the group.

Last year, Hart also co-authored and compiled a book, Spirit into Sound, an entertaining and enlightening collection of quotes from musicians from around the world reflecting on the magical power of music. Hart released a CD with the same title as a companion to the book.

“It’s sort of the soft side of Planet Drum [a similar collection of drum-oriented world music], the soft, gentle romance side of drums,” Hart says of the Spirit into Sound CD. “I was listening to the nature spirits while I was doing that. It was just a companion to the book. Nothing more and nothing less. . . . I just wanted to have some relation, a nonliteral connection to the book. It’s gentle, sort of spiritual, very beautiful and soft. That’s the way I look at these quotes.”

Rewarding as all of those projects have been, Hart says he’s most excited about his latest undertaking, the Mickey Hart Band. The group, which features former Grateful Dead keyboardist/vocalist Vince Welnick, three members of Planet Drum–Gladys “Bobi” Cespedes (vocals, percussion), Rahsaan Fredericks (bass), and Humberto “Nengue” Hernandez (percussion, vocals)–and two new recruits, Rick Schlosser (drums) and Barney Doyle (guitar), is playing a mix of Grateful Dead songs and original material, with an eye on recording a CD.

The band performs Aug. 5 at the Marin Summer Music Festival.

“It’s the best time I’ve ever had, in recent memory,” Hart says of the shows his new band has played so far. “I have to say the chemistry is certainly part of it. The music is just extraordinary, it really is, better than I had ever anticipated.”

CONSIDERING that Hart’s 20-plus years in the Grateful Dead, along with his Planet Drum and Mystery Box projects, certainly qualify as some of the greatest adventures a musician could hope to have, Hart’s praise for his new band is no small statement.

Hart says he put together the Mickey Hart Band as a vehicle to reinterpret some Grateful Dead material. And while he clearly wanted to put a different rhythmic spin on the songs, he was looking for a band with a rock ‘n’ roll attitude.

“I had the urge to revisit some of the old Grateful Dead material and reset it, stay true to the melody and the words, but musically I wanted to put it in a new context, and that wasn’t Planet Drum,” Hart says. “That was exploring the world’s rhythm on the periphery. That’s a different kind of machine. So I sort of wanted to change the pace of this, do a little more rocking. That was the reason.

“This is like rock ‘n’ roll, almost. I mean it is, and then it isn’t. It’s like a new hybrid,” Hart says. “And I’ve never really sung as much as I’m doing now. And I wrote a lot of new material for this band. So that makes this really different. The Planet Drum stuff was rhythmic oriented; it was in what we call the supralingua, which is like phonetic–[the vocals] didn’t have any literal translations. This is quite different. And it’s really easy and it’s fun. Everybody is really having a great time with playing deep grooves. This is really surprising people. We’re having double, triple encores.

“It’s really ecstatic.”

The Mickey Hart Band performs Saturday, Aug. 5, at the sixth annual Marin Music Festival, Marin Center, Avenue of the Flags, San Rafael. The Steve Kimock Band, Clan Dyken, and the Gasoline Cowboys also perform. The daylong festival begins at 10 a.m. Tickets are $25 in advance, $30 at the gate. 415/472-3500.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Bowling

Going Solo

Joiners no more: New book portrays America’s political scene as a land of lonely bowlers

By Tamara Straus

1995, Robert D. Putnam, a professor of public policy at Harvard University, published an academic article that received the kind of attention usually reserved for writers with the authority of Gary Wills or the mass appeal of Stephen King. Within months, “Bowling Alone: America’s Declining Social Capital” became the most talked-about scholarly statement of the decade. It brought Putnam to Camp David. It made him a darling of the lecture tour. It earned him a half-million-dollar book advance. And generally caused a chain reaction of conversations among Republicans and Democrats, policymakers and academics, grassroots organizers and denizens of the nonprofit world–all of whom wondered why Americans have become less engaged in politics and community life than ever before.

Putnam’s thesis of political and civic disengagement caught on partly because of its chief symbol: the lonely bowler. He argued that though the number of Americans who bowl has grown, league bowling had decreased drastically in the past few decades. No longer do Americans of all stripes head down to the alleys to trade news and gossip with their fellow-leaguers; today the lanes are filled with loners who, after a few solitary games, return to their fractured neighborhoods or, worse, their gated-community homes.

Putnam’s point, of course, was not that we should be terribly concerned about the decrease in bowling leagues, even if they did show how we could all get along. Our real concern should be the sharp diminishment of what he calls “social capital,” exemplified by voter participation, club meetings, voluntary groups, church functions, and visits with friends and relatives.

This downturn, Putnam said, is turning the average American into an island in a sea of alienation. It is sounding the death knell of the voluntary spirit championed by Alexis de Tocqueville as well as every social scientist who came after him.

Not everyone favored the ideas put forward in Putnam’s article. Detractors argued that he was nostalgic for the 1950s, when community life was more cohesive, sure, but that was because women had the time to run the PTA bake sales and men defined the terms of a homogenous, clubby civic society.

Critics also argued that the voluntary organizations Putnam analyzed to provide proof for his theoretical pudding–such as the 4-H Club, the American Legion, the Elks, and the Shriners–had lost members because they no longer suited the times. The nature of community life, they said, had changed. And if it had taken a recent beating it was because of the social upheaval caused by women’s transition into the workplace and the emphasis on individual achievement and making money above anything else.

Now Putnam’s book-length treatise, Bowling Alone: The Collapse and Revival of American Community (Simon & Schuster; $26), has hit the stores–a 541-page tome jammed with analysis, statistics, and surveys. It is, no doubt, a thoughtful, research-intensive exploration of late-20th-century political activity and civic life. We learn, for example, that among people under 35 only one-third read a daily newspaper, as opposed to the two-thirds who did so in 1965; that in the past 25 years, the number of voluntary organizations has tripled, but membership is about a 10th as large; that American adults average 72 minutes every day behind the wheel, more than twice the time they spend with their kids; and that even such a mundane activity as the picnic has been slashed since 1975 by 60 percent.

Putnam is relentless in proving his point about the decline in social capital, and throughout much of his analysis he is convincing. He argues that although the number of nonprofit organizations grew from 10,299 in 1968 to 22,902 in 1997, these groups are not bringing about stronger community ties. To be a member of Greenpeace or the National Audubon Society, one need only write a check. Memberships are kept high at the Sierra Club not through public hearings or demonstrations but through the aggressive tactics of Washington, D.C., professionals whose chief tool is the direct-mail campaign.

Equally depressing is Putnam’s assertion that the most innovative and popular voluntary organizations in the late 20th century are self-help groups such as Alcoholics Anonymous and Gamblers Anonymous and neighborhood crime watch associations, a finding that underscores the emergence of a troubled, alienated society. These types of groups are a far cry from the Red Cross and the American Legion, created by the “long civic generation”–the cohort of men and women born between 1910 and 1940, who Putnam shows voted more, joined more, and trusted more than boomers and Xers.

INDEED, Putnam–who co-authored the poli-sci classic Making Democracy Work (Putnam, 1994)–cites generational change as the most important factor in the decline of civic engagement and social capital. Americans who came of age during the Depression and World War II, he believes, lent a hand to their neighbors or volunteered at the local soup kitchen because the war reinforced solidarity among strangers. It created an atmosphere of national unity and patriotism, which Putnam says was not replicated by the social movements of the 1960s, largely because those movements emphasized a libertarian distrust of government and institutions.

Putnam even goes so far as to say that the boomer indictment of Gen-X civic disengagement–as well as the Xers’ unifying interest in materialism and individualism–is misplaced (an unusual statement for a boomer to make). “The erosion of American social capital began before the Xer was born,” writes Putnam, “so the Xers cannot reasonably be blamed for those adverse trends.”

But this does not mean that Xers are in the clear. On the contrary, Putnam reports that their political cynicism and social isolation are on the rise and directly related to widespread clinical depression: “The younger you are, the worse things [got] over the last decades of the twentieth century in terms of headaches, indigestion, sleeplessness, as well as general satisfaction with life and even the likelihood of taking your own life.”

All in all, Putnam’s prognosis for a healthier, more civic-minded America is bleak. We are a nation of couch potatoes, who on average spend 40 percent of our free time in front of the television. We are strapped by pressures of time and money to the especial detriment of our family happiness. And our social ties are in tatters as American daily life is increasingly shaped by such malevolent forces as suburbanization and sprawl.

Even the bright spots of our contemporary culture are marred by impending blights. Although Putnam does not completely write off the organizing potential of the Internet, he is not hopeful that virtual communities will serve as even a partial salve to our civic disengagement. “Most online groups have the structure of either an anarchy (if unmoderated) or a dictatorship (if moderated),” he writes, citing a September 1999 Time magazine study that found extensive Internet usage causes greater social isolation and depression. Unfortunately, no mention is made of the cyber-activism that came out of the November WTO protests in Seattle, possibly because Putnam was unaware of the phenomenon.

Putnam’s book is subtitled “The Collapse and Revival of American Community,” but its real focus is the collapse (the revival is charted in an 11-page “agenda for social capitalists” tacked on at the end of the book). Reading along, one gets the feeling that if Putnam had his wish he would revive the conditions that created the Greatest Generation, Tom Brokaw’s phrase for the sage, self-sacrificing pre-boomers. Although Putnam is quick to admit that the social movements of the 1960s created a more tolerant and egalitarian society, those benefits, he implies, have not outweighed its detriments.

Putnam mourns the communitarian spirit of the 1940s and 1950s, and never quite owns up to the fact that that spirit went hand-in-hand with the chaos of war and a more oppressive society. As a result, there is much missing in his accounting for civic decline. Margaret Talbot in the New York Times Book Review has rightly accused Putnam of not focusing enough on the drain on civic engagement brought about by women’s new work lives. Francis Fukuyama in the Washington Post has also made the persuasive point that Putnam’s analysis of how Americans are associating is off the mark, since the data he uses do not include the newer, less institutionalized groups like AIDS advocacy and Usenet discussion groups.

Another missing piece is America’s changing ethnic composition brought about by mass immigration.

The fact is that the men and women of the Greatest Generation were largely of European descent and often the first in their families to be native-born Americans. Between 1901 and 1910, the years directly preceding the GG’s coming of age, immigration accounted for 39.6 percent of the population growth. The number is even larger today. Immigration between 1991 and 1997 accounted for 45.5 percent of the population growth. Yet that population is predominantly nonwhite, as opposed to the ethnic makeup of the mass influx of Europeans at the beginning of the century.

Putnam provides little statistical evi dence of the social capital created by the Mexicans, Dominicans, Chinese, and Koreans in today’s U.S. cities and suburbs. There are no comparative statistics on their voting rates, no analyses of whether they picnic more or spend the usual daily four hours in front of the boob tube. My observation from living in a predominantly Dominican building in upper Manhattan is that at the very least Dominicans spend plenty of time eating and socializing with their neighbors. Places like San Francisco are chock full of Asian-American groups that organize everything from community festivals to political fundraisers.

Putnam writes that the decline in social connectedness and social distrust that began just after the civil rights revolution cannot be correlated with “a kind of civic ‘white flight.’ ”

He says that racial differences in associational membership are not large and that the erosion of social capital has affected all races, particularly college-educated African Americans. At the same time, he argues that “one surprisingly strong predictor of the degree of social capital in any state in the 1990s is the fraction of its population that is of Scandinavian stock,” indicating that his definition of social capital is based largely on how Americans of Northern European descent create community life. Moreover, of the 40 voluntary organizations whose decline he charts in the appendix, only two, Hadassah and the NAACP, are ethnic associations.

I also wonder whether the annual studies like the DDB Needham Life Style survey that Putnam relies on gather adequate information on the habits of millions of new Americans.

Well-off, well-educated Americans several generations from immigration will likely nod their heads as they read through Putnam’s book. It is hard to argue with his points about the effects of television, which he says “privatizes” leisure time and breeds “lethargy and passivity.” It is also hard to argue against Putnam’s observation that Americans are politically disengaged. Fewer Americans have gone to the polls to vote since the 62.8 percent who showed up to choose between John Kennedy and Richard Nixon. Yet about the same percentage (48.9 percent) voted in the 1996 presidential election as in the 1928 presidential election (51.8 percent).

WHAT PUTNAM does not show is that political engagement at the end of the century is on a par with political engagement at the beginning of the century, when the United States was in the throes of widespread economic and social upheaval. For many Americans today, poverty and social marginalization are real forces even in the midst of the great late-20th-century boom. For them, there is no GI bill, no patriotically inspired neighborliness to help forge connections and mitigate ethnic tensions, as between Italians and Irish, blacks and Jews. Instead there are a poor public education system and the demands of a two-income family, a dwindling social safety net, and a concentration of wealth not seen since the age of the robber baron.

Robert Putnam’s Bowling Alone is an impressive contribution to the American conversation about community, but it fails to take into consideration what America looks like today. There can be no return to the mores and traditions of the Greatest Generation, even if our need to celebrate them grows, thanks to the efforts of Tom Brokaw and Saving Private Ryan director Steven Spielberg. Perhaps the civic engagement and community life of the future will accommodate the strains of family life and the new diversity of our country, or they will stem from economic conditions created by war or economic tumult.

Either way, bowling leagues will certainly not reflect whatever it is we are to become.

From the July 27-August 2, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Chocolate

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Sweet Dreams

It’s the sweet, melty stuff gods dream about. . . . Hazelnut pralines covered with milk chocolate, vanilla bean caramels, white chocolate ganaches spiked with fresh ginger or passion fruit, dark chocolate wafers infused with cherries or pears. And don’t forget truffles–the sensually satisfying mixture of chocolate and heavy cream, in mouthwatering flavors like raspberry, Irish cream, and double-dark amaretto. Someone (probably an active chocoholic) once stated it’s almost a fact: fourteen out of every 10 people love chocolate. And what’s not to love? It’s the ultimate antidepressant, a guaranteed aphrodisiac, a dark addiction, and an earthly ambrosia. Indeed, the Aztec king Montezuma was so enamored of a bittersweet beverage made with pounded cocoa beans, which he considered to be an aphrodisiac, he purportedly drank 50 goblets of it per day. It’s true that chocolate does contain phenylethylamine, an endorphin that, when consumed in your chocolate bar, can create the giddy, breathless sensation of being in love. It’s the sweet life for humble byproduct of the cocoa bean, which has now reached supremely elevated status (think Godiva, Lindt, and Valrhona). Many local artisan chocolatiers handcraft exquisite confections using these European lovelies. So where in Sonoma and Napa counties do you go to satisfy that fiercely powerful chocolate craving when it hits? See below for suggestions for a quick fix.

Sonoma County

The Chocolate Cow 452 First St. E., Sonoma. 935-3564.

Hearts Desire Chocolate 101 Golf Course Drive, Rohnert Park. 585-7673.

La Dolce V Fine Chocolates Santa Rosa. (Money order only.) 781-9866.

Peter Rabbit’s Chocolate Factory 2489 Guerneville Road, Santa Rosa. 575-7110.

Rocky Mountain Chocolate Factory 2200 Petaluma Blvd. N., Petaluma (778-2120); 1219 Napa Town Center, Napa (253-1985).

Sweet Memory Chocolates 305 Center St., Healdsburg. 433-5351.

Traverso’s Gourmet Foods Third and B streets, Santa Rosa. 542-3472.

Whole Foods/ Food for Thought 1181 Yulupa Ave., Santa Rosa (575-7915); 6910 McKinley St., Sebastopol (829-9801); 621 E. Washington St., Petaluma (762-9352).

Napa County

Anette’s Chocolate & Ice Cream Factory 1321 First St., Napa. 252-4228.

Candy Cellar 1367 Lincoln Ave., Calistoga. 942-6990.

Gillespie’s Ice Cream and Chocolates 6525 Washington St., Yountville. 944-2113.

Jeanette’s Confections 117 Karen Drive, Napa. 252-4296.

Napa Valley Chocolates 1325 Main St., St. Helena. 967-0808.

Vintage Sweet Shoppe 3261 Browns Valley Road, Napa. 226-3933.

From the July 20-26, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

The Guide to the North Bay

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The Guide

Inside tips and tricks on thriving in the North Bay

Body Politic: Local activist organizations work for change.

Sweet Dreams: Satisfy your chocolate cravings.

Rush Hour: North Bay coffee selections.

Byte This: Local hardware/software gurus.

Easy Does It: Indulge in a myriad of tension-busting treatments.

Family Values: Services and programs for parents and their kids.

Happy Feat: Local options for dancers and wannabes.

To Your Health: Resources that will help you take your health into your own hands.

Gimme Shelter: Find a place to live.

Paws for Thought: Pretty up your pet.

Vegetarian Vittles: Restaurants for non-carnivores.

Swirl, Sniff, Sip, and Spit: Wine 101 for Wine Country residents.

From the July 20-26, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

Usual Suspects

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Woolsey wants president to resign–his membership in the Boy Scouts, that is

By Greg Cahill

SPECIAL Prosecutor Ken Starr spent tens of millions trying to convince the American public that Bill Clinton is no Boy Scout. But it turns out that Clinton is. Now Rep. Lynn Woolsey, D-Petaluma, wants the president to resign his honorary position as head of the Boy Scouts of America in protest of the organization’s policy against homosexuals.

“In order to disavow this policy of intolerance, as well as clarify any misconception of presidential approval, we urge you, the leader of our nation, to resign as the honorary head of the BSA,” Woolsey wrote in a July 13 letter to Clinton. “Scouting should help boys grow and learn how to be leaders and good citizens, but intolerance is not a value we want our children to learn and it’s not a value that the president of the United States should support.”

Ten other Democratic Congressional representatives agreed and signed their names to the letter as well.

The action in the wake of the June 28 U.S. Supreme Court ruling that as a private organization, the BSA could exclude homosexuals from participating as leaders or a scouts. Woolsey and her colleagues contend that the BSA policy barring gays teaches intolerance and should not receive the support of the federal government.

Woolsey became active in the effort to expand the BSA to include gays when Steve Cozza, a Petaluma teen, started Scouting for All, a national grassroots campaign aimed at persuading the BSA to change its policy toward gays.

In a July 15 letter, Cozza, a 15-year-old Eagle Scout, told Clinton of his love for scouting and asked the president’s help. “As an Eagle Scout . . . I think any form of discrimination is wrong,” he wrote. “. . . The current leadership of the BSA [has] shamed scouting in America by supporting a practice of discrimination against gay kids and adults and atheists. My mother told me that when you ran for office the first time you told the American people, ‘To discriminate against an American is un-American.’

“I agree with you.

“As an eagle Scout, I am asking you to find the courage to step down as the honorary president of the [BSA]. This courageous act would give a great message to millions of gay kids in this country that they are accepted, loved, and supported by you as president of the United States. . . . Right now all that my gay friends have heard from the BSA is that they are immoral and no good.

“Actually the Boy Scouts of America is acting immoral by the way they are discriminating.”

Clinton has not responded to either letter.

Help Wanted: Pat Thurston Need Not Apply

BIG HOOP-TEE-DOO on the local progressives’ mail network this week. The Armaturo Group–which dumped sometimes-outspoken KSRO radio talk-show host Pat Thurston a couple of months ago–has listed the following ad on Radio Online:

“Community talker wanted in Paradise. 1350 KSRO, heritage News/Talk in wine country of Sonoma County is considering a live and local afternoon show if we find the right person. Looking for someone who can immerse themselves in the community, and talk to Sonoma county about Sonoma County and the world. We ARE NOT looking for inflammatory talk or political blab.”

That prompted Linda McCabe to respond (in a draft letter sent out over the e-mail chain) to opine that “having no opinion or being afraid to alienate people by being wishy-washy in talk radio is the single worst thing you can do as a host.” McCabe urged the Armaturo Group “to get Pat Thurston back on the air. Our community needs the forum and not just taped delay blather from cities far away from Sonoma County.”

Meanwhile, in an unrelated faux pas (or convenient synchronicity), the Independent last week accidentally printed an old KSRO promotional ad emblazoned with boxing gloves and touting the Pat Thurston Show.

Ooops.

Hey, maybe they should just hire her back–the print promos are ready and the fans are all dialed in.

Usual Suspects loves tips. Call our hotline at 527-1200 or e-mail us at In**@******re.com.

From the July 20-26, 2000 issue of the Sonoma County Independent.

© Metro Publishing Inc.

What Lies Beneath

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Chocolate

Sweet Dreams It's the sweet, melty stuff gods dream about. . . . Hazelnut pralines covered with milk chocolate, vanilla bean caramels, white chocolate ganaches spiked with fresh ginger or passion fruit, dark chocolate wafers infused with cherries or pears. And don't forget truffles--the sensually satisfying mixture of chocolate and heavy cream, in mouthwatering flavors...

The Guide to the North Bay

The Guide Inside tips and tricks on thriving in the North Bay Body Politic: Local activist organizations work for change. Sweet Dreams: Satisfy your chocolate cravings. Rush Hour: North Bay coffee selections. Byte This: Local hardware/software gurus. Easy Does It: Indulge in a myriad of tension-busting treatments. Family Values: Services and programs for parents and...

Usual Suspects

Woolsey wants president to resign--his membership in the Boy Scouts, that is By Greg Cahill SPECIAL Prosecutor Ken Starr spent tens of millions trying to convince the American public that Bill Clinton is no Boy Scout. But it turns out that Clinton is. Now Rep. Lynn Woolsey, D-Petaluma, wants the president to resign his honorary...
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