Russian Riverkeeper’s Don McEnhill

Named Ashokawna—“the water to the east”—by the Southern Pomo. Slavyanka, “slavic woman,” by the Russian Colony. “Saint Ignatius” and “big river” by the Spanish colonists who came after. The river itself remains nameless, and mighty, winding 115 miles to the sea.

It drains 1,500 square miles of Mendocino and Sonoma counties, fed by 240 tributary streams and creeks. It fills Lake Mendocino and Lake Sonoma, our drinking reservoirs and the aquifers beneath them. It waters vineland and timberland. Each year, it pours an average of 1.5 million acre-feet into the ocean at Jenner.

An estimated 30 to 40% of Mendocino and Sonoma jobs depend on it, directly or indirectly.

We should bow to the Russian River, artery of the north. Instead, we treat it as a gutter.

In 2025 alone, the Russian Riverkeeper—self-styled protectors of the river—pulled roughly half a million pounds of trash from its waters, a volume that has grown, year over year, for the past five years. To do so, the Healdsburg nonprofit organized 900 local volunteers across 75 separate cleanup events along its length.

That mobilization, says Don McEnhill, deputy director of the Riverkeeper, is one of the clearest signs of a slowly shifting culture. When he was a young recreationalist in Healdsburg, it was common for old-timers summering along the river to stack their garbage on its banks, left for the winter rains to carry away.

McEnhill says the annual Salmon Creek coastal cleanup event has begun turning up noticeably less trash each year. The river’s health—it discharges trash, microplastics, motor oil, industrial chemicals, agricultural fertilizers, feces, pesticides, pharmaceuticals and acidifying minerals into the sea—is a major determinant of our coastal region’s health.

After a prominent career at several distinguished mountain bike and camping companies, McEnhill returned to his native Sonoma County to become leader of the Riverkeeper.

Cincinnatus Hibbard: Among the key victories of your career was ending the destructive gravel mining in the river. What is your assessment of the general health of the river?

Don McEnhill: In some ways, the river has gotten healthier; in other ways, it is not as healthy as it was 50 years ago. I think we have done a fantastic job improving the treatment of our wastewater plants so that they are discharging less pollutants. At the same time, in the last 50 years, we have continued to develop [with agriculture and houses] and shrink the river, when with climate change we know we are going to get bigger and bigger floods. Since 1942, we have shrunken the area that the river occupies by 80%. With land use, we are marching backwards.

And that is the elimination of river ecosystems…

Yes, and the more room we give the river, the more it recharges our groundwater and protects us from drought.

What about overpumping from the river?

(Laughs). That is the political lightening rod of them all… If you look at the paper water rights that exist in the Russian River, there are water rights equivalent to 2.5 times the actual volume of the river.

And still, you’re hopeful.

People are paying a lot more attention to the health of our waterways because of droughts, wildfires and climate change. There is more awareness—and with it, stewardship. Each year, we have more volunteers. And authorities are actually returning our calls. (laughs)

Learn more: One may give back to the river and become a river keeper. The Russian Riverkeeper hosts cleanup and restoration events year-round. Safety gear, river facts and (sometimes) snacks are provided. Donations are welcome: russianriverkeeper.org.

Unbelievably True: Local Artists Workshop New Musical at 6th Street Playhouse

Audiences are in for a whole new, entirely original and locally produced theatrical experience with the premiere of local actor, director and playwright Maureen O’Neill’s pop rock musical The (Unbelievably True) Story of Nicky O, being workshopped July 8, 9 and 10 at 6th Street Playhouse in Santa Rosa. 

The musical biopic of a young musician who passed away in a devastating tragedy “will bring both laughter and tears,” says writer/director O’Neill. 

6th Street Playhouse, under the artistic direction of Emily Cornelius, is quickly becoming the theater space for local playwrights and performers to experiment and workshop their own projects, and to be able to share them with the public through a monthly reading series and now, a full fledged musical workshop in the GK Hardt Theatre space. For the first time, the public can support a nearly finished work on its way, and see the origins of how this project came together. 

Anyone with a keen interest in the artist’s process will no doubt be intrigued by what O’Neill and her company have in store. The show features music and lyrics by Nicky O’Neill and friends, book and stage direction by Maureen O’Neill, music direction by Jake Druzgala, vocal direction by Bill O’Neill, assistant vocal direction by Z Hansen and band direction by John Mayer.

The (Unbelievably True) Story of Nicky O is based on the true story of O’Neill’s brother-in-law, Nicky O’Neill, a talented singer songwriter who, at 18 years old, became the youngest victim of the 2003 Station Nightclub Fire in Rhode Island, which killed 100 concertgoers. According to O’Neill, thematically, “the story is about all the mysterious signs and symbols that the family experienced after the fire. It’s about family and hope and healing.”

O’Neill was inspired by the real life album her brother-in-law made with his teenage friends, and her idea for a musical about “young characters with substance” grew from there. “The musical really all started with the album that Nicky’s band released 25 years ago… I wrote my first draft in three months… That first draft was horrible. I came up with new ideas, and I wrote like crazy for six months.  Rinse and repeat for three years. Every version was a huge leap forward,” she notes.

Honoring the memories of her brother-in-law and his family felt crucial to O’Neill. “All of the characters are inspired by real people,” she says. “I think real life is always more quirky and strange than fiction, so I stole all of those little moments that will really make people feel like they are plop in the middle of a family.”

The workshop format is alive with the energy of creating and exploring. Workshops are a gift for the artist to have the support, input and enthusiasm of their community as they take a leap of faith. To put one’s own work on display requires much courage, because once a project hits the public, it is exposed to all manner of responses. 

O’Neill is grateful to 6th Street Playhouse for supporting her journey to bring an original musical to the stage. She says, “I feel like I have a real partner in 6th Street Playhouse. I’ve performed at 6th Street; I’ve attended shows, so being a part of that family as a playwright and director really makes me feel supported and encouraged. I can’t tell you what that means to me.”

‘The (Unbelievably True) Story of Nicky O’ runs July 8–10 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Weds–Fri, 7pm. $27. 707.523.4185. 6thstreetplayhouse.com.

Your Letters, July 8

War Prophet-eer

Sorry to break the news; wars have always been with us and always will. War is big business, and to those holding the purse, good business. First off, the cost is passed on to us suckers, er, taxpayers, and secondly, all one has to do is look around and do the math. I’d say business is boomin’.  

No war is fought unless someone, somewhere, is making a buck. Otherwise, why bother? 

Remember, you only know what they want you to know. This “war” was a ruse.  

David Dale
Sonoma Valley

The Doctor Is Out

I sought to take lifeless flesh, maketh a man. A monster I wrought. Thy serene slumbers I distraught. Thy grave, sans fanfare, I dug up. Thine fair corpse I invited forth, to sup of life, regardless thy lack of appetite. Thy cadaver I made naked, so mote I impose my godlike lust. Thy hapless cranium I burgled from a madman’s skull, to sate the creator’s impulse. My child. My son. The pain I feel, having given thee birth.

David Madgalene
Windsor

Living Dead

It has been reported by sources in our free and independent press that Sen. Mitch McConnell, a key figure in the disappearance of American democracy along with Nancy Pelosi and other professional politicians, was recently found unconscious.

What has not been reported is exactly how one would be able to discern his condition in the first place, nor have Americans determined what sort of celebration of the senator’s demise will be appropriate once nature has taken its course.

Craig J. Corsini
San Rafael

Going for Gold: Dining at Graton Resort & Casino

Overseeing everything that happens in the multiple dining outlets across the Graton Resort & Casino is Jennifer Murphy-Ellamar, vice president of culinary operations.

Among these spots is the new SoCo Dough Co., a creative doughnut shop that taps some of the innovative flavor creations from Murphy-Ellamar’s mind with lavish preparations, like the Millionaire’s Doughnut with chocolate hazelnut filling, hazelnut crémeux, gold leaf, chocolate crisp and chocolate ganache, paired with a one-ounce pour of Louis XIII cognac. It costs $275; so if one is on a winning streak, they may pop into SoCo.

Amber Turpin: How did you get into this work?

Jennifer Murphy-Ellamar: My Vietnamese mother is an incredible cook, and I spent so much of my childhood just watching her and helping her in the kitchen. I enrolled in culinary school at 18, moved to Las Vegas in my early 20s and fell in love with restaurant culture. I worked my way up from line cook all the way to property executive chef at Caesars Palace. Eventually that path led me here, into operations. Where I once focused on what was on the plate, I now focus on leadership and strategic planning, and honestly, I enjoy this chapter just as much, maybe even more.

What is your favorite thing to cook (or eat) and why?

To cook? A perfectly executed French omelette. It sounds simple, but it is one of the most honest tests of a cook’s skill. It’s something I still practice whenever I make myself breakfast.

To eat? My mom’s phở. No restaurant has ever come close. The broth takes a full day to simmer. I love the smell of the charred ginger and onion, star anise, cinnamon and cloves. You cannot rush it. That patience is what makes it extraordinary.

What ingredients do you use or eat the most?

It depends on what we’re cooking, but fish sauce. It’s the backbone of so much Vietnamese cooking and honestly one of the most underrated ingredients in any cuisine. I like to sneak it in wherever I can because it adds this incredible depth and umami that people can’t quite put their finger on. I learned that from my mom. She’s been quietly adding fish sauce to her spaghetti sauce for years. 

What are some of your go-to places to go out for a sit-down meal? What about take-out?

For a sit-down meal, I almost always gravitate toward Asian restaurants. A great omakase, regional Chinese, especially Sichuan, Thai food, Korean BBQ. I love it all. For takeout? Pizza. Classic pepperoni.

Last meal on Earth?

That’s a hard question. Can it be a buffet? I’m serious … love a good spread. But if I had to pick one thing, I’d say a great cheeseburger. Ask me again tomorrow, and my answer will be different.

SoCo Dough Co.,288 Golf Course Dr. W., Rohnert Park, 707.588.7100, graton.com/fast-casual.

Bluegrass Revival, Spaces Between, Library Celebrates 50, Indie-Folk at Smiley’s

Petaluma
Bluegrass Revival

Few voices have shaped contemporary bluegrass quite like Laurie Lewis, and the Grammy-winning singer, songwriter and fiddler returns to Petaluma for an intimate afternoon concert in the acoustically rich sanctuary of the Unitarian Universalists of Petaluma. Joined by her longtime band, Lewis rekindles the close-knit atmosphere of her beloved Roaring Donkey performances, where virtuosity and warmth shared equal billing. Opening the show is Sonoma County’s own Bluegrass Holiday, whose tight three-part harmonies and high-energy picking have quickly made them favorites on the regional festival circuit. Proceeds support both the performers and the Sonoma County Sanctuary Coalition, making this an afternoon where exceptional music meets community purpose. 4pm, Sunday, July 19, at Unitarian Universalists of Petaluma, 16 Fifth St. Doors open at 3:30pm. Suggested donation $25; additional free-will offering benefits the Sonoma County Sanctuary Coalition. More information at uupetaluma.org.

Petaluma
Turning Pages for 50 Years

For half a century, the Petaluma Regional Library has been far more than a repository of books—it has served as one of the city’s great gathering places. Sonoma County Library celebrates that legacy with a day of family-friendly festivities marking the branch’s 50th anniversary at its Fairgrounds Drive location. The celebration includes historical displays, live entertainment, community activities and an official commemorative ceremony, along with the unveiling of new additions to the library’s Donors’ Tree, honoring longtime library champions Paul Heavenridge and Gerry Groves. While the current building opened in 1976, the history of public libraries in Petaluma stretches back to the city’s earliest reading rooms and the Carnegie Library, making this anniversary both a celebration of one building and a reminder of a much longer civic tradition. 11am–5pm, Saturday, July 11, at Petaluma Regional Library, 100 Fairgrounds Dr. Official program at 1pm; Donors’ Tree unveiling at 1:30pm. Free admission. More information at sonomalibrary.org.

Point Reyes Station
Spaces Between

What happens in the spaces between the tangible and the imagined? That’s the question animating Spaces Between, the annual members’ exhibition at Gallery Route One. Filling the gallery with paintings, sculpture, assemblage and mixed-media works, the show brings together 16 member artists exploring the fertile territory between observation and invention, realism and abstraction, intellect and intuition. This year’s exhibition also welcomes new member artists Mary Ann Leff and Tonia Sassi. The opening reception features an artist talk, followed by the gallery’s “Second Saturday Open Late” celebration with live music by Brian Foster, making for an evening where conversation, art and community comfortably overlap. Exhibition runs July 11–Aug. 17 at Gallery Route One, 11101 CA-1, Point Reyes Station. Opening reception 3–5pm, Saturday, July 11; gallery talk at 3pm; live music 5–7pm. Gallery hours 11am–5pm Thursday–Monday. Free admission. More information at galleryrouteone.org.

Bolinas
Vetiver at Smiley’s

Some bands are best heard through headphones. Vetiver belongs in a small room with a drink in hand. Led by songwriter Andy Cabic, the longtime indie-folk outfit brings its understated blend of warm melodies, West Coast soul and gently psychedelic Americana to the intimate confines of Smiley’s Schooner Saloon, Hotel & Kitchen. Cabic’s songs have always favored subtlety over spectacle, drawing inspiration from folk, Brazilian rhythms and classic California rock to create music that feels both timeless and quietly transportive. 8:30pm, Friday, July 10, at Smiley’s Schooner Saloon, Hotel & Kitchen, 41 Wharf Rd., Bolinas. $20 advance, $25 door; 21 and over. More information at smileyssaloon.com.

For the Win, Another Kind of Victory

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Who would have imagined that an international sporting event would be the next battleground in the fight against authoritarian repression?

Yet that scenario is unfolding right now, and the battleground is the World Cup tournament. In the past year and a half, the Trump administration has deployed ICE as an instrument of state terror. At least 46 people have died in ICE custody since Donald Trump took office last year.

Markwayne Mullin, the secretary of the Department of Homeland Security, made clear that ICE will be present at World Cup venues. Mullin ruled out broad immigration sweeps but not individual apprehensions. 

At the same time, FIFA, international soccer’s governing body, has required stadium workers to disclose sensitive information (Social Security numbers, residential addresses, nationality and country of birth) and to allow the sharing of that information with federal authorities.

Some say that workers, vendors and visitors have nothing to fear if they’re here legally. But the argument is both specious and disingenuous. It denies the toxic power of racialized scapegoating that Trump ratcheted up over the past 11 years. 

From the time he announced his first candidacy in 2015, when he declared that Mexico was sending us rapists, drugs and crime, he has made pronouncements about “sh-thole countries” like Haiti and African nations, about ways that unauthorized immigrants are “poisoning the blood” of Americans and about Haitian immigrants stealing and consuming the pets of their citizen neighbors—to name just a few of the lies.

Solidarity and discipline are needed now at the World Cup games. In Los Angeles, for example, there are about 2,000 unionized workers at SoFi Stadium—servers, cooks and bartenders—and they’ve begun to take action through their union, UNITE HERE Local 11. 

They’ve filed a complaint with California’s attorney general, citing an intrusion of their privacy and the violation of their rights under the California Consumer Privacy Act. They’ve also threatened to strike unless several demands are met, including assurances that ICE will have no place at the games.

Were ICE to be forced into retreat once again, that would indeed be a World Cup victory deserved by all.

Andrew Moss writes on politics, labor and nonviolence from Los Angeles. He is an emeritus professor from the California State University.

Free Will Astrology, July 8-14

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ARIES (March 21-April 19): There are only two types of humans, right? Some of us serve beauty, truth and goodness, while the rest pledge their allegiance to illusions, lies and shadows. Our planet is now caught in a colossal showdown between these two sides. And it’s high time for you to align yourself with one or the other. JUST KIDDING. The truth is far messier and more interesting: Every one of us is a blend of luminosity and ignorance. And now is a perfect moment to study how those two currents move within you. When you clearly see how you contribute to the murky jumble, your commitment to love, harmony and justice will soar.

TAURUS (April 20-May 20): You’ll move with style and purpose if you take quick jaunts, dare gentle risks and make a few nimble leaps of faith. You’ll go awry and astray if you wander too far afield, chase swaggering adventures or try vaulting across yawning chasms. Keep it light, sharp and intuitive, Taurus. Refrain from lugging heavy emotional baggage or drifting into daydream limbo. It’ll be wise to trust your sprightly impulses but foolish to dissect them so ruthlessly that the magic leaks out. The color amber and the number three will be your allies. Somber gray and the number four will not. Align with sly visionaries and soulful realists but sidestep bitter contrarians and nostalgic clingers.

GEMINI (May 21-June 20): I swear I’m smarter in some places than in others. My intelligence soars in Barcelona; Kyoto; Aix-en-Provence, France; and Florence, Italy. But I seem dull-witted in Munich, Moscow and Washington, D.C. Even in Northern California, my long-time home, some areas bring out the best in me. I feel mediocre on Valencia Street in San Francisco, for instance, whereas I’m extra wise in downtown Berkeley. Why is this? The branch of astrology known as astrocartography says that my strengths are more likely to shine in certain spots than others. In the coming weeks, Gemini, I urge you to experiment with the possibility that this may be true for you, as well. Wander far and wide. Find out where you feel most aligned with your deep, bright, genuine self.

CANCER (June 21-July 22): Male humpback whales in the Pacific Ocean change their songs over the years. New phrases can spread across thousands of miles as other whales take up and transform them. Researchers don’t know why, but the pattern is clear: The whales value novelty even in their ancient rituals. They create an evolving musical tradition. Consider what this practice might suggest for your own relationship with the past, Cancerian. The memories and patterns you’re carrying don’t have to remain frozen. You can honor your history while remixing it, adding new verses and changing the key. What needs to be preserved isn’t the exact form but the living spirit.

LEO (July 23-Aug. 22): Leo-born oceanographer Marie Tharp created the first comprehensive maps of the ocean floor. Her work was pivotal in proving theories about plate tectonics.​ She did much of this work in the 1950s, when women weren’t even allowed aboard research vessels. She had to rely on data collected by others, never seeing the terrain she mapped. But her limitation became her advantage; distance allowed her to perceive patterns that field researchers missed. I suspect that you, too, are working with incomplete information, Leo. Does this disqualify you from drawing conclusions? No. I believe your inability to access certain details will compel you to see larger patterns. What you’re missing might be precisely what enables you to see what others can’t.

VIRGO (Aug. 23-Sept. 22): The “problem” confronting you right now is unusual: Your vision is too sharp, your thinking too precise and your words too unambiguous. This would usually be good news to celebrate, but at the moment it’s blocking you from noticing the subtle openings life is presenting. Those portals may only reveal themselves if you soften your intense scrutiny and call on a creative, blurry logic. It’s like how, at night, you sometimes see more clearly when you peer from the edges of your vision rather than staring straight ahead.

LIBRA (Sept. 23-Oct. 22): This is a perfect moment to express your own unique power more than ever before. I invite you to act with conviction, assert your influence and claim what you’ve earned. For best results, clarify your ambitions and assert your authority. Write down a formal vow or two. Don’t wait for approval from anyone higher up, and don’t waste time wondering whether destiny is on your side. The succulent opportunities aren’t somewhere else or someday later. They’re here and now.

SCORPIO (Oct. 23-Nov. 21): I’m exultant when a vigorous bike ride up the trail of my local mountain leaves me so cleansed and energized that a flash of truth strikes and instantly dissipates the illusions I’ve been clinging to. I get a delightful shock when, while wandering through a city’s maze of asphalt and litter, a sudden breeze carries the earthy aroma of a rebellious garden. I love it when the reckless choices of misguided leaders jolt my community into doubling down on our quest for audacious harmony, inventive affection and untamed wisdom. How about you, dear Scorpio? Where do you search for your awakenings and salvations? Keep your inner radar tuned; they’re circling close.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian physicist Freeman Dyson (1923-2020) proposed that advanced extraterrestrial civilizations might build megastructures around stars to capture their energy. These “Dyson spheres” would be detectable from Earth as unusual infrared signatures. We haven’t found any yet, but his idea revolutionized how we think about looking for alien intelligence. Moral of the story: Valuable contributions can come from inventing the framework for how to search for unknown things. In the coming weeks, Sagittarius, you might not solve problems, but you could redesign the questions. You may not find the answers, but you could create better tools for exploration.

CAPRICORN (Dec. 22-Jan. 19): Do you have a muse? If not, please find one. You shouldn’t go another day without a provocative, inspiring presence to stir your imagination and drive you deliciously wild. If you already have a muse and that genius has been faithfully fueling your creative fire, bestow a reward. Give a gift or blessing that provides a muse-like boost to your muse. And if your existing muse has grown quiet lately, go off on an adventure together. Dream up plans to stimulate the bursts of kaleidoscopic energy that you two are capable of generating.

AQUARIUS (Jan. 20-Feb. 18): In some monastic traditions, practitioners engage in “work prayer.” They transform ordinary labor into spiritual practice not by thinking holy thoughts while working but by bringing complete presence and fond attention to ordinary labors. Chopping vegetables becomes meditation. Sweeping floors becomes devotion. The sacredness arises from their wholehearted attitude. This would be an excellent experiment for you to try, Aquarius. Divine solace and inspiration will arrive as you perform your daily duties with verve and gratitude. Try this: For a few days or even two weeks, approach routine duties and familiar obligations with a ceremonial reverence. Be joyful for the privilege of being alive in the most ordinary ways.

PISCES (Feb. 19-March 20): You’ve entered a phase when your magnetism and charisma will expand as you focus on ruminating deeply about what’s most meaningful to you. Seeking out new teachers and fresh lessons will bring lucky breaks and helpful influences into your sphere. Each fresh insight will polish your allure, and every surge of curiosity will add to your glow. Be extra sexy and ultra smart: Cosmic energies will work in your favor as you weave your id and intellect together.

Homework: Imagine I say to you, “Teach me the most important things you know.” https://tinyurl.com/s44s44s44

Advice & Consent: ‘Ask E. Jean’ has answers

E. Jean Carroll has lived several American lives, all worthy of their own headlines.

Before she became the advice columnist who could turn heartbreak, horniness and human folly into copy, Carroll was Miss Cheerleader USA, a beauty queen, a sorority sister and, eventually, one of the rare women to crash the boys’ club of glossy magazine journalism and not merely survive it, but redecorate the place in her own voice. 

Esquire, Playboy, Outside, Elle—Carroll flourished during the golden age of glossy magazines with a preternatural combo of charm and wit.

In Ivy Meerapol’s new documentary, Ask E. Jean, that life is a case study in voice—how one gets it, how one performs it, how one loses it under trauma and how, sometimes very late in the game, one takes it back.

Meerapol, whose previous films include Roy Cohn: Bully, Coward, Victim; After the Bite; and Heir to an Execution, did not come to Carroll as a lifelong devotee of the “Ask E. Jean” column. Her entry point was the 2019 New York Magazine excerpt from Carroll’s book, What Do We Need Men For?, in which she publicly accused Donald Trump of sexually assaulting her in a Bergdorf Goodman dressing room in the mid-1990s.

“I read that and thought, ‘This is a very unique voice,’” Meerapol says.

The film follows that voice back to its source: Carroll’s early career, her move to New York City after years of trying to get published and her rise in the male-dominated world of magazines. This was the era of big bylines and bigger egos, of Hunter S. Thompson and Graydon Carter, of literary machismo lacquered in cologne and expense accounts. Carroll found a way through it by being faster, funnier and more fearless than the others in the room.

Then the film shifts into the event that would reorder the meaning of everything that came before it.

According to Carroll, she encountered Trump at Bergdorf Goodman. The exchange began as banter—“Hey, you’re that advice lady,” he says; “Hey, you’re that real estate tycoon,” she replies—and curdled into assault in a dressing room. Meerapol’s film is especially attuned to the strange, misunderstood behavior of trauma: Carroll’s shock, her laughter, her attempt to process the unprocessable as if it were another absurd anecdote from the city.

That, too, is part of the story. Not simply what happened, but what Carroll could not yet say about what happened.

Twenty-five years later, the Me Too movement changed everything—women were speaking their truth; journalism was making room for testimony; and Carroll, who had spent a career advising other women, began reckoning with her own silence. She made a list of what she called her “hideous men.” Trump was on it.

When her account became public, Trump denied it and called her a liar. For Carroll, a journalist whose credibility was the engine of her life and career, the attack was another violation.

The legal saga that followed gives Ask E. Jean its courtroom spine. Carroll sued for defamation; then, under New York’s Adult Survivors Act, she was able to sue for the assault as well. “Spoiler alert: She won. She won both,” Meerapol says. The first jury found Trump liable. After he defamed her again, a second jury awarded Carroll $83 million.

But Ask E. Jean is not merely a courtroom victory lap. Its richest moments are messier. Meerapol includes archival material that complicates Carroll, including an appearance during the Anita Hill era in which she voiced attitudes that many viewers may find jarring today. For Meerapol, that discomfort is the point. Carroll’s story is not about immaculate sainthood. It is about evolution.

“That’s so important,” Meerapol says of showing Carroll’s trajectory. “It became a very important mission for us with the film to show how, at age 75, she’s reckoning with the advice she gave to other women but also that she didn’t take her own advice.”

Ask E. Jean understands that reclaiming one’s story is not a tidy act. It’s inspirational but awkward, painful, expensive, public and, in Carroll’s case, conducted under what she calls “an avalanche of slime.” Yet, the film insists on celebration, too—Carroll did not simply endure. She changed the record.

‘Ask E. Jean’ plays throughout the Bay Area, including daily at 2:45pm through July 8 at Rialto Cinemas, Sebastopol and Elmwood. Visit rialtocinemas.com for tickets and location info.

Les Claypool Three-Way: Primus leader brings collabs to Napa 

Primus has long been known for creativity in the live environment, doing shows that paid tribute to the many influences that have filtered into the hard-to-define sound of the band led by bassist/vocalist Les Claypool. Now Claypool is giving fans a whole new type of tour this summer, including a local stop as part of Blue Note Napa Summer Sessions on July 4.

This time out, the tour features a triple header of three different Claypool-related acts—the Fearless Flying Frog Brigade, the Claypool Lennon Delirium (with Sean Lennon, son of the late Beatle John Lennon) and Primus finishing the evening.

All three acts have new music to accompany the tour. Primus has released a four-song EP, A Handful of Nugs. The Fearless Flying Frogs have a new live album, Return of the Live Frogs Volume 1, and the Claypool Lennon Delirium has a new studio album, The Great Parrot-Ox and the Golden Egg of Empathy.

“We’ve got a few surprises up our sleeves,” Claypool said of the shows during an interview, noting that they could feature deep cuts, fan favorites and even new songs. 

Primus can only do that, Claypool acknowledged, because the band has, over the last 40 years, built up an audience dedicated to seeing them and hearing their recordings—no matter what they’re doing.

“Thank God for the loyal following,” he said. “The Primus crowd is sort of famous for a big mosh pit. But people want to see more improvisation, deeper cuts; the show changes up every night.”

So, what is that irresistible Primus sound?

“It’s all just devil music,” Claypool quipped, then took on the question more seriously.

“It’s really not a technique or a style,” he said. “I think with Primus, it’s three guys with very different backgrounds and a multitude of influences coming together. It’s funny; I get asked the Frank Zappa question quite a lot. But I didn’t go down the Zappa road. I think I had like one (Zappa) album my whole life. That’s more (guitarist) Larry LaLonde.

“Tim Alexander (drummer) has some world music. So that element comes in,” the frontman continued. “Obviously, I have a background with guys like Geddy Lee and Larry Graham and Peter Gabriel. Early Peter Gabriel was some of the biggest influence on me and Primus forever. But a lot of people don’t really spot that.”

Claypool was instantly drawn to the bass the first time he saw and heard someone play it back in the ’70s.

“I remember going to these dances when I was a kid that had live bands,” he said. “And I’d see these guys up there playing these instruments and I was like, ‘I want to do that.’ Then I saw that skinny one with the six strings, and I thought that one with four strings must be easier.”

“Then I ran across John Paul Jones (of Led Zeppelin), and that reinforced it,” the bassist recalled.

Claypool was about 14 when he got a bass.

“That thing never left my hands. As soon as I got the damn thing, it was just playing it all the time. I was playing along with records, so the notation was probably way off,” he said. “But that’s how I got going, just playing along with records and not actually being able to hear what it was.”

He picked up some influences, like jazz bassist Stanley Clarke, from record covers and by seeing others, like Louis Johnson of the Brothers Johnson, thumping his bass on Don Kirschner’s Rock Concert, a ’70s/early ’80s syndicated television show.  

“Back then, you either had to go to the concert, or (watch) Don Kirshner,” Claypool noted. “That was the only way to get exposed to that.”

Then, how did Claypool develop that distinctive style and impressive technique that gets him listed as one of rock’s top and most innovative bassists?

“I’ve been at it for a long time,” he said. “It’s like anything else, the timbre of your voice, the style of your clothing. As you move through life, you get exposed to more and more, whether it’s film or literature or, for me, bass playing. And then there’s all the people you’re around. That’s what builds your brand. That’s what makes me as a guy, not even just a bass player, you know.”

Claypool founded Primus with two other musicians in 1984. The “classic” lineup with LaLonde and Alexander debuted on the 1989 live album, Suck on This. 

Signed to Interscope Records, Primus released their major label debut, Sailing the Sea of Cheese, in 1991, which featured its breakout single, “Jerry Was a Race Car Driver.” 

The band’s top 10 single, “My Name is Mud,” came two years later, and “Winona’s Big Brown Beaver” became their only song to chart outside of the U.S. in 1995.

 “We got a little bit of MTV play,” he said of the singles. “We didn’t get a lot. We were always kind of under the radar. But we had a couple sparkles in the mix.”

Primus now has nine studio albums, two of them platinum sellers, and regularly tour the world playing arenas and amphitheaters. That, on a commercial level, would seem to be a success for the under-the-radar band. 

“I always say you have to define success,” Claypool said. “Is success making a bunch of money? If you want to make a bunch of money, then you find what’s popular on the radio and you copy it. To me, success has always been being able to do what I want to do. 

“And hopefully when we do a record, we’re writing something to please ourselves … and that translates to other people coming and wanting to see that,” he continued. “That’s an amazing, wonderful thing. But any attempt I’ve ever made at trying to write something to please people or to be popular, it just comes off as contrived, and it falls on its face, at least in my mind.”

Claypool has his side projects to spin off work that doesn’t fit with Primus, and he isn’t looking to put down the bass anytime soon, if ever.

“It’s funny, we did this tour (with Pusifer and A Perfect Circle) celebrating Maynard (James Keenan) turning 60,” Claypool said, referencing the Sessanta tour of 2024, which was brought back for a second outing this past spring. “I was like the old guy on the tour. People have always asked, ‘How long are you going to do this?’ I love Willie Nelson’s response. He said, ‘When are you going to retire?’ He said, ‘Retire from what? Our life? This is what we do.’ He says that’s what keeps you getting up in the morning.

“So I’m going to go as long as I can go, you know,” he added. “My buddy, Bernie Worrell, went to the very end, and he was a glorious human and musician.”

Claypool Gold kicks off at 7pm, Saturday, July 4, as part of Blue Note Napa Summer Sessions at The Meritage Resort and Spa at 850 Bordeaux Way, Napa. For tix and more info, visit bit.ly/claypool-gold.

Piano for Pinot, Sound Waves Might Help Vineyards Cost Cut

At 2pm on a Saturday, “Frère Jacques,” a classic French nursery rhyme, flows from a red speaker mounted on a metal pole with a solar panel in a dormant vineyard in the Russian River Valley in Santa Rosa. 

The music, regulated from a customized app, RegenApp, plays for two minutes, vibrating through the bare vines, which are budding, with the aim of stimulating photosynthesis, essential for the growth and well-being of the grapevines. 

Regina Martinelli, owner of the 14-acre vineyard, part of the Martinelli Winery, hopes the music played at a one-hour interval from dawn to dusk will be the only thing the vines need to grow this year, having tested the technology in 2024 alongside fertilizers and pesticides. She thought the music that year made the plants vibrant and healthier, so if everything goes according to plan, she would not need to fertilize or spray during cultivation. 

“[I’m] curiously experimenting with it and being open-minded,” said Martinelli, who doesn’t yet have a buyer for her grapes after her previous client went bankrupt in 2025 following a drop in wine consumption across the country. She said she will only apply sulphur to amend the soil and not to feed the vines. 

The device known as Quantum Sphere Helios 2 is developed by mathetician and musician Archippe Yepmou, and it’s being experimented in two farms in the Russian River Valley, with the aim of expanding to other farms in Santa Rosa and Napa Valley. 

Yepmou developed the technology in 2015 when he completed his research on rhythmic patterns and pulsation, the mathematical method time is beaten in music. To understand the mathematics behind music patterns, the classical musician used calculus and the equal temperament scale—a universal mathematical algorithm used to set up modern instruments—to recalculate what he believed was the original pulse of music to create his own pattern. 

When he played the patterns on a piano for six months in his Paris apartment, he noticed the plants in his neighborhood blossomed more than that of his neighbors. He thought the music had a positive effect on them. 

“When I told my wife about it, she said I was crazy,” Yepmou said. 

To move beyond his curiosity and prove that he wasn’t just hallucinating, he collaborated with the City of Paris and the Polytechnic Institute in Paris to test the finding before setting up a greenhouse laboratory on the windy mountains of Woodside, San Mateo County.

“I wanted to test the technology in a very complex environment with a lot of wind and different plants,” Yepmou said. He noted that the vegetables and tomatoes he planted in Woodside had an explosive growth, including the sequoia trees around it, because of the music patterns he played systematically. 

There are numerous studies proving that plants are sensitive to music. A 2004 study published in the Environment and Conservation Journal in 2023 found that sound vibration increased the number of roots and lengths of the kiwi plant. One kHz with 100 dB boosted the Adenosine Triphosphate (ATP) content of the plant, which determines how much energy a plant has for growth, nutrients transfer and defense against pests and diseases. 

Sounds can affect the growth of plants negatively or positively, said Dr. Laurent Bekale, a Stanford University biophysicist. Bekale pointed out that either the Quantum Sphere sounds are creating the ideal environment (influencing soil-enriching organisms) for growth of the vines or the sound is solely impacting the plant. “The hypothesis that can be tested in the lab is to validate whether the sounds directly impact the [vines] plants,” Bekale added.

Ryan Maier of Maier Vineyard Management had listened to a similar study in a podcast before Yepmou approached him one spring afternoon in 2023 when he was mowing a plus 30-year-old pinot noir vineyard just in front of Yepmou’s house in the Russian River Valley. Yepmou moved from Woodside to the area with the aim of testing his technology on vines there. 

“When he told me about music helping vineyards to grow, I was skeptical and at the same time curious,” Maier said. He noted that a friend had sent him a podcast about vine owners in France playing Mozart to enhance growth, and he’d dismissed the article for being mystical. Maier recalled having a fascinating conversation with Yepmou, though they didn’t agree to collaborate on the technology.

But two seasons later, he noticed invigoration and dark-green pigmentation from the side of the vineyard a few feet to Yepmou’s house, because he’d been playing the sounds in his yard full of trees, including redwood. “The portion which was in front of (Yepmou’s) house was extremely stunted,” Maier said. He explained that the stuntedness is because of the giant trees shading the vines from sunlight and their roots competing with the vines in soil penetration. 

“The next time (Yepmou) approached me, I had become a believer of the music,” Maier said. He had done his own research about how music vibrations can improve photosynthesis in plants, so when he and Yepmou had another discussion about the project in spring 2025, they were on the same page. 

“He says to me, ‘Ryan, don’t spray any fungicides,’ and I thought that was a huge risk,” Maier said, fearing the vines would be vulnerable to powdery mildew. But he used just the sounds without any fertilizers and pesticides. 

“The vines were mildew-free, and yields climbed from four tonnes per acre to seven,” Maier recalled. Yepmou said they tested the grapes for wine-making, and they were of high quality. 

Maier, who’s been working with wine growers in Sonoma County for almost a decade, has partnered with Yepmou to translate the wonders of Quantum Sphere to farmers. He said adopting the technology will help farmers reduce fertilizer, pesticides and labor cost to 70%. “[It can save farmers] $10,000 an acre,” he noted. 

But he says most farmers are hesitant to pivot, as they’re still dealing with market shocks and are reluctant to abandon traditional cultivation methods passed down for generations.

Martinelli, whose family started growing grapes in the land in the 1880s, is willing to go all out with the sound patterns. But if she gets a buyer for her grapes, it will be down to how the buyer wants the grapes to be cultivated. Yet using sound energy to stimulate growth resonates with her, as she’s a life coach, using energetics and quantum field to help her clients to be emotionally sovereign. 

“If it goes really well, it can really change the landscape of how farming happens,” Martinelli said. “We could spray less, which makes better ground soil [and water].”

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