Anderson Valley: Spring with a northern neighbor

There’s so much to love about the Anderson Valley year-round, but spring is an especially delightful time of year.

With mellow temperatures, gardens bursting with fresh produce, verdant vineyards spotted with mustard and the scent of wildflowers in the air, this is a magical time of year—before the summer crowds descend. From newly opened tasting rooms and wine tasting adventures to yet to be discovered immersive culinary events, spring is the time to visit Anderson Valley.

New Wineries and Wine Experiences

Fathers + Daughters Cellars

Fathers + Daughters Cellars, a tiny family owned winery operated by Guy Pacurar and his wife, Sarah, has begun to offer tasting experiences at their Ferrington Vineyard property. The Pacurars are delighted to be able to welcome visitors to the property and share their wines with them. Previously, Fathers + Daughters wines were only available to taste at the Brewery Gulch Inn, which Guy Pacurar owned until selling the property in late 2022.

Specializing in small batch, carefully crafted and fermented wines made with native yeasts, Fathers + Daughters wines reflect their unique terroir.


Reservations are required in order to book an experience at Fathers + Daughters. As of yet, the winery doesn’t have a reservation option on their website, so guests may email Guy Pacurar at da*@**********rs.com. Weather and time permitting, guests will be treated to a tour of the vineyard and an outdoor tasting overlooking the vineyards.

Brashley Vineyards

Brashley Vineyards, started by Ashley Palm and her husband, Bram, is the newest winery addition to the valley. Since opening their doors to visitors, the Palms have infused the valley with new energy—offering a fun and casual experience and environment, including unique features such as a giant chess board and corn hole. They have also opened the space up as a place to watch key sports games, as well as to host fun events like their Pizza Mondays, where the couple’s CIA trained chef bakes up ridiculously delicious pizza in the winery’s outdoor pizza oven.

Culinary and Other Special Events

Anderson Valley Open House Weekend, May 27-29

The artists of the Anderson Valley are hosting their annual open studio tour to showcase the quality and diversity of the artists living in the region May 27-29. In addition to the open studio showcase, there will be group exhibitions and community networking. artistsofandersonvalley.org.

Boonville Hotel Winemaker Dinners

Boonville Hotel is hosting a series of Winemaker Dinners. The next two events are a Pennyroyal Winemaker Dinner on Sunday, May 7 and a Handley Cellars Winemaker Dinner Friday, May 19. boonvillehotel.com.

Saturday Suppers at The Apple Farm

The Apple Farm has launched a new monthly Saturday Supper series, featuring different local wineries at each dinner. These dinners are all-inclusive and inspired by Apple Farm matriarch and original French Laundry founder Sally Schmitt (who passed away in 2022), Schmitt’s cooking and her recently published cookbook, Six California Kitchens. It is not required to be guests at The Apple Farm in order to purchase seats and attend these events.

The Saturday Supper schedule runs from May through October. philoapplefarm.com/saturday-suppers.

Tapas and Wine Experience at Wickson, May 20

Winemakers from Domaine Anderson, Goldeneye, Long Meadow Ranch and Maggy Hawk will join together for an evening tapas and wine affair with live music at Wickson restaurant on May 20. Chef Jason Azevedo will demonstrate traditional live fire cooking techniques and serve tapas paired with wines from all four wineries. exploretock.com/wicksonrestaurant/event/408824/anderson-valley-pinot-fest-dinner.

The Sierra Nevada Music Festival, June 16-18

Sierra Nevada Music Festival is back, June 16-18. This festival has always had a big national and international following. However, the event hasn’t been held for some years due to the death of one of the founders. This will be the 26th edition, after a three-year COVID hiatus and the passing of festival creator and promoter Warren Smith. snwmf.com.

Pinot Fest

May is Anderson Valley Pinot Month and the month during which the valley’s popular annual Pinot Fest is held.

This year, the Anderson Valley Winegrowers are assembling 12 unique auction experience lots for their second ever annual online auction. Lots can be viewed at 32auctions.com/AVPNF2023.

The 3-Day Pinot Fest Event Schedule

Friday, May 19

Technical Conference, 8:30am-4pm

“Historical Perspective of Vineyards and the Valley’s Future”

“The Role of Barrel Aging in Anderson Valley Pinot Noir”

“40 Years of Anderson Valley Pinot Noir: In Conversation With Old Roots and New Shoots”

Casual BBQ & Sunset in the Vineyard, 5-8pm

Saturday, May 20

VIP Bubble Lounge at Scharffenberger Cellars, 10am-1pm

Grand Tasting at Scharffenberger Cellars, 11am-3pm

Sunday, May 21

Winery Open Houses, 11am-5pm

avwines.com/pinot-noir-festival.

Special Offers

Boonville Hotel has a 25% discount offer for reservations the weekend of May 5/May 6 *while supplies last. When booking a room for this weekend, request “April Showers May Flowers Special” to get 25% off of a room cost. boonvillehotel.com.

 

Pinot Fest Wickson Dinner May 20

Winemakers Darrin Low, Kristen McMahan, Stephane Vivier and Sarah Wuethrich will be at The Madrones in Philo following the annual Pinot Noir Festival for an evening affair of Tapas, Wine and Live Music. This full Anderson Valley experience of thoughtfully curated tapas prepared by Wickson Restaurant will be paired with fine wines from Domaine Anderson, Goldeneye Winery, Long Meadow Ranch and Maggy Hawk.

Wickson Winemaker Dinner

Lula Cellars

As a highlight of the upcoming Anderson Valley Pinot Noir Festival, happening May 19-21, Lula Cellars will be hosting the Friday night opening BBQ and Sunset Event.

Lula Cellars, 2800 Guntly Road, Philo, 707-895-3737, www.lulacellars.com.

Fathers + Daughters

At Anderson Valley’s Pinot Noir Festival, Fathers + Daughters Cellars will be pouring their new releases of pinot noir (2020 Weir Vineyard and 2020 Ferrington Vineyard) and providing barrel samples of their 2021 Ferrington Vineyard Pinot Noir.

‘The Addams Family’ at SRJC

The mysterious, kooky and altogether ooky Addams family has moved on to the Santa Rosa Junior College campus. Or have they? The Addams Family, a musically-updated take on the beloved Charles Addams characters, runs on the Burbank Auditorium’s Main Stage through May 7.

As always with the Addamses, family is at the core of the predictable plot. Wednesday (Austin Aquino-Harrison) is in love. There’s only one hurdle in her plan to marry Lucas Beinecke (Aidan Cumming) and live unhappily ever after—her mother. With the help of her devoted father, Gomez (a phenomenal Michael Coury Murdock), Wednesday concocts a plan to have a “normal” family dinner with her soon-to-be in-laws before telling her mother, Morticia (Gwenevieve Nelson), about the upcoming nuptials.

Will Gomez lie to his wife? Will the metaphorical (and literal) family ghosts be allowed back into their crypts, or will everything turn out alright after some dueling, tangoing and the appearance of a rocket ship?

Director Laura Downing-Lee is known for strong, exacting stage leadership. That strength and a focus on cohesion have produced a gorgeous visual and auditory feast. Costume designer Maryanne Scozzari and set designer Peter Crompton always deliver when the show demands extravagance. Robin de Lucca’s lighting design manages to be both crisp and moody. Musical director Nate Riebli and the live orchestra are phenomenal. Choreographer Alyce Finwall guides the cast through clean and dynamic on-stage movement.

This show looks professional because all of the above-mentioned artists are professionals. So where are the students in this college production? They’re there, in the background, in a very large ensemble that does its job efficiently.

The main cast features several standout performances (in addition to Murdock’s) from Noah Bartolome’s Lurch to Kathy Ping-Rogers’s joyfully balmy grandmama and from Tina Traboulsi’s inhibited Alice Beinecke to Genevieve Smith’s adorable Cousin Itt. Some of the other performances are flat, but it’s quite a challenge to pull off iconic characters in new and interesting ways.

The script doesn’t help. Social media trends and sledgehammer innuendo result in a play that tries too hard to be relevant and often falls into (to quote the Zennial beside me) “cringe.” Of course, the main complaint of both the Zennials attending with this reviewer was “Where are Wednesday’s braids?!”

If one goes for a spooky visit with La Familia Addams, try to solve the mystery of the missing braids. The Zennials (and those of us escorting them) will be thankful.

‘The Addams Family’ runs Thurs–Sun through May 7 in Santa Rosa Junior College’s Burbank Auditorium Main Theatre, 1501 Mendocino Ave. Thurs–Sat, 7:30pm; Sat & Sun, 2pm. $5–$25. 707.527.4307. theatrearts.santarosa.edu.

Their Kind of Country: Ismay Returns to SoCo

Avery Hellman, stage name Ismay, makes their return to the Sonoma County live music scene on Saturday, May 6 with a gig opening for Misner and Smith at Santa Rosa’s The Lost Church.

Yet their journey really started about a decade ago after the passing of their grandfather, Warren Hellman, patriarch of San Francisco’s Hardly Strictly Bluegrass music festival.

While Ismay attended most if not all of the Hardly Strictly Bluegrass weekends, they never really thought about making a career out of music until later.

“I grew up going to the festival, and I was about eight years old when it began,” explains Ismay via phone from their family ranch in Petaluma. “I was around it, and I played music kind of casually, but when he passed away [in 2011], it kind of opened a new door for me and my family, and we started playing music in his bands, kind of in his place in a way.” It was in preparation for Warren Hellman’s memorial service, where Ismay was singing and playing with Jimmie Dale Gilmore and his band The Wronglers, when they realized the musical path was possibly meant for them.

“We were at a studio in San Francisco, and they were having me rehearse a song with them, and there was a moment where I was like, ‘Oh my gosh, this is what I want to do!’” says Ismay. Funnily enough, they continue, “You know, [it] just never really occurred to me that I could [make a living being] a musician.”

While indeed it’s a bit melancholy their grandfather never got to see them pursue their nascent musical career, Ismay says, “It is kind of sad that because of him passing away, this door opened, but a good thing is that sometimes when someone passes away, new opportunities come about because there’s a way to celebrate that person through your own actions, even though they aren’t around.”

If Ismay seems familiar, it may be because you saw them on Apple TV+’s music competition series, My Kind of Country. The show features a new spin on both the reality music competition, as well as the “norms” surrounding country music makers.

According to the website for the show, My Kind of Country sought to provide “an extraordinary opportunity to diverse and innovative artists from around the world.” The show, which is executive produced by country star Kacey Musgraves, as well as Reese Witherspoon and others, features professional musician “scouts” Orville Peck, Mickey Guyton and Jimmie Allen, who offer feedback as performers square off against one another for a chance for musical stardom.

When asked how their involvement with the Apple TV+ show came to be, Ismay says, “They approached me a few years ago, kind of in the beginning of the pandemic,” concluding, “I think they found me online.”

Asked what engaged them about appearing on the show, they said, “I was just really intrigued by the idea of them not wanting the typical people you might think of when you think of country music; they wanted more musical outsiders.” What impressed and motivated Ismay was that the show “took people from across the world, from different backgrounds. I always think some of the best new material comes when you have diverse cultures or people from different backgrounds coming together and combining new things.”

Ismay’s performance of the classic Cranberries song “Linger” provided a spotlight for them on the show and has since been released as a single featuring video shot for the show. Asked how they decided on “Linger,” Ismay says it was a collaboration between them and the show’s producers. “I would suggest a song, then they would suggest a song and we finally landed on that one,” they said. “I was so excited about it because I really love The Cranberries and I love that song, so I tried to make it a little bit country as much as I can with the guitar playing and whatnot.”

Although Ismay’s guitar playing style is based around bluegrass music’s flat-picking style, the sound they produce feels unique and almost like piano chords or notes plucked on a large harpsichord. One can hear it clearly on their 2020 album, Songs of Sonoma Mountain, which, as one may have guessed, was recorded with the local landscape in mind. For recording in a 100-year-old sheep barn on the family’s farm, Ismay brought in sound engineer Robert Cheek, who had engineered albums for Band of Horses and Chelsea Wolfe as co-producer.

The album dropped right as the COVID lockdown began, which actually turned out to be a blessing in disguise for Ismay. “When the lockdown started, I was in the middle of planning a tour, and I was really disorganized at the time,” they laugh. “So when I couldn’t do it, I was like, ‘Thank God, now I don’t have to do this tour that I was planning really badly.’”

Listening to Songs of Sonoma Mountain, one gets the sense of poetry set to music with Ismay’s evocative, vivid and present lyrics interplaying perfectly with their aforementioned guitar style. The songs also feature beautiful field recordings of wildlife they encountered on the mountain, which gives the songs a kind of gentle multimedia feeling. Yet for their new album, Ismay wanted to change things up and go for a more rhythmic sound.

They enlisted the help of folk/Americana multi-instrumentalist, songwriter and producer Andrew Marlin of Watchhouse (formerly Mandolin Orange) and recorded at Echo Mountain Recording Studios in Asheville, North Carolina.

At first, there was a bit of trepidation, as Ismay explains, “Really, at first…I was just really curious and didn’t know how it was gonna go.” Pausing for a moment, they continue, “Like, how is it going to go for someone who’s done records in the past that are mostly finger picking, not as much rhythmic, [combining] with someone [like Marlin, who has] really more of a bluegrass, mandolin rhythmic style of playing.”

Ultimately Ismay feels the partnership paid off, as Marlin and Watchhouse started as bluegrass but are now much more indie, whereas Ismay feels they started as indie and now sounds more bluegrass. “It kind of felt like two roads in opposite directions crossing in the middle,” they say.

As Ismay gears up for their Lost Church performance, they echo the sentiments of pretty much everyone who really loves what Lost Church is doing for the music scene. “I always love playing there; it’s such a well run, thoughtfully managed venue that it’s really cool to be able to collaborate with them,” says Ismay. “They really get what it’s all about.”

Ismay can be found on the web at IsmayMusic.com. The first single, titled “Stranger in the Barn,” from a possible new album, drops May 2.

Be Afraid

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The huntsman lifts his ax, but finds he doesn’t have the heart to strike the young maiden. He sobs for her forgiveness and explains that he was ordered by the wicked queen. Snow White flees into the forest, terror-stricken by the evil plot that had come to her innocent world. In a state of panic, everything now suddenly seems to be attacking her, as shrubs reach out with spiky claws, logs turn into alligators and trees become monsters.

The 1937 Disney classic superbly dramatizes Snow White’s descent into fear as she succumbs to the phantoms of her own mind. There is no escape from evil spirits of this kind. And although this is surely one of mankind’s oldest and bitterest lessons, it must be learned first-hand by each and every one of us.

The particular madness known as panic, catastrophizing or irrationality is usually brief, as higher reason eventually restores the troubled mind to equilibrium. But this only occurs after the pendulum has reached its apex, which sends Snow White collapsing to the forest floor, exhausted and sobbing. When she calmly awakes and finds herself surrounded not by demons but furry helpers, she apologizes for having been afraid.

There’s a good reason why it’s been said that there’s nothing to fear but fear itself. You should fear fear. You should fear it very much, for fear is not the same as danger. Danger is a situation wherein instinct takes over with the fight-or-flight response, which is almost always successful in guiding you to safety. But fear is not a situation but rather an irrational response to dangers that are not so much real as imagined, as our thoughts run amok and drag us along screaming in fright.

Edgar Allan Poe was a pioneering genius for dramatizing the state of fear. Writing all the way back in the 1830s, Poe showed the paralyzing effect fear has upon the will, rendering us frozen and unable to act. Will, imagination and reason are our three primary divine faculties, above and prior to all the quirks of our individual character, and fear neutralizes all three of them.

Ancient spiritual paths emphasize the conquering of fear as a conditioning qualification for the awakening process. Not only because understanding metaphysical reality requires that our faculties be sharp and clear, but because when faced with the gradual understanding that our will, imagination and reason are divine powers independent of our puny human selves, we are likely to become terrified at the realization that we are in fact that which we are: mortal beings with immortal souls.

Your Letters, 4/26

Price of Justice

As Roy Wood has aptly expressed, if one is going to purchase a Supreme Court justice, why would one expend resources on luxury vessels and lavish air travel on Judge Thomas when Judge Kavanaugh can be had for a bottle of Jager and a Southwest boarding pass? Boarding group B, please.

Craig J. Corsini

San Rafael

High Stakes

I would be much more willing to coexist with Christians if they did not have a nearly 2,000 year bloody history of burning, conquering and slaughtering people who were not Christian, and even many Christians as well.

I still remember being burned at the stake in a past life. Then, “Live and let live,” indeed!

P.S. There were many pagan saviors/sons of a virgin mother/goddess with ritualized deaths and subsequent resurrections, like some of the forms of Zeus, such as Marnas.

Barbara Daugherty

Santa Rosa

Free Will Astrology, Week of 4/26

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ARIES (March 21-April 19): According to a study by Newsweek magazine, 58% of us yearn to experience spiritual growth; 33% report having had a mystical or spiritual experience; 20% of us say we have had a revelation from God in the last year; and 13% have been in the presence of an angel. Given the astrological omens currently in play for you Aries, I suspect you will exceed all those percentages in the coming weeks. I hope you will make excellent use of your sacred encounters. What two areas of your life could most benefit from a dose of divine assistance or intervention? There’s never been a better time than now to seek a Deus ex machina. (More info: tinyurl.com/GodIntercession)

TAURUS (April 20-May 20): After the fall of the Roman Empire, political cohesion in its old territories was scarce for hundreds of years. Then a leader named Charlemagne (747–814) came along and united much of what we now call Western Europe. He was unusual in many respects. For example, he sought to master the arts of reading and writing. Most other rulers of his time regarded those as paltry skills that were beneath their dignity. I mention this fact, Taurus, because I suspect it’s a propitious time to consider learning things you have previously regarded as unnecessary or irrelevant or outside your purview. What might these abilities be?

GEMINI (May 21-June 20): I’m turning this horoscope over to Nigerian poet Ijeoma Umebinyuo. She has three messages that are just what you need to hear right now. 1. “Start now. Start where you are. Start with fear. Start with pain. Start with doubt. Start with hands shaking. Start with voice trembling but start. Start and don’t stop. Start where you are, with what you have.” 2. “You must let the pain visit. You must allow it to teach you. But you must not allow it to overstay.” 3. “Write a poem for your 14-year-old self. Forgive her. Heal her. Free her.”

CANCER (June 21-July 22): Historical records tell us that Chinese Emperor Hungwu (1328–1398) periodically dealt with overwhelming amounts of decision-making. During one 10-day phase of his reign, for example, he was called on to approve 1,660 documents concerning 3,391 separate issues. Based on my interpretation of the planetary omens, I suspect you may soon be called on to deal with a similar outpouring. This might tempt you toward over-stressed reactions like irritation and self-medication. But I hope you’ll strive to handle it all with dignity and grace. In fact, that’s what I predict you will do. In my estimation, you will be able to summon the extra poise and patience to manage the intensity.

LEO (July 23-Aug. 22): Is it even possible for us humans to live without fear—if even for short grace periods? Could you or I or anyone else somehow manage to celebrate, say, 72 hours of freedom from all worries and anxieties and trepidations? I suspect the answer is no. We may aspire to declare our independence from dread, but 200,000 years of evolution ensures that our brains are hard-wired to be ever-alert for danger. Having provided that perspective, however, I will speculate that if anyone could approach a state of utter dauntlessness, it will be you Leos in the next three weeks. This may be as close as you will ever come to an extended phase of bold, plucky audacity.

VIRGO (Aug. 23-Sept. 22): “Dear Sunny Bright Cheery Upbeat Astrologer: You give us too many sunny, bright, cheery, upbeat predictions. They lift my mood when I first read them, but later I’m like, “What the hell?” Because yeah, they come true, but they usually cause some complications I didn’t foresee. Maybe you should try offering predictions that bum me out, since then I won’t have to deal with making such big adjustments. —Virgo Who is Weary of Rosy Hopeful Chirpy Horoscopes.” Dear Virgo: You have alluded to a key truth about reality: Good changes often require as much modification and adaptation as challenging changes. Another truth: One of my specialties is helping my readers manage those good changes. And by the way: I predict the next two weeks will deliver a wealth of interesting and buoyant changes.

LIBRA (Sept. 23-Oct. 22): Poet Pablo Neruda wrote, “Let us look for secret things somewhere in the world on the blue shores of silence.” That might serve as a good motto for you in the coming weeks. By my astrological reckoning, you’ll be wise to go in quest for what’s secret, concealed and buried. You will generate fortuitous karma by smoking out hidden agendas and investigating the rest of the story beneath the apparent story. Be politely pushy, Libra. Charmingly but aggressively find the missing information and the shrouded rationales. Dig as deep as you need to go to explore the truth’s roots.

SCORPIO (Oct. 23-Nov. 21): We’ve all done things that make perfect sense to us, though they might look nonsensical or inexplicable to an outside observer. Keep this fact in your awareness during the next two weeks, Scorpio. Just as you wouldn’t want to be judged by uninformed people who don’t know the context of your actions, you should extend this same courtesy to others, especially now. At least some of what may appear nonsensical or inexplicable will be serving a valuable purpose. Be slow to judge. Be inclined to offer the benefit of the doubt.

SAGITTARIUS (Nov. 22-Dec. 21): I completely understand if you feel some outrage about the lack of passion and excellence you see in the world around you. You have a right to be impatient with the laziness and carelessness of others. But I hope you will find ways to express your disapproval constructively. The best approach will be to keep criticism to a minimum and instead focus on generating improvements. For the sake of your mental health, I suggest you transmute your anger into creativity. You now have an enhanced power to reshape the environments and situations you are part of so they work better for everyone.

CAPRICORN (Dec. 22-Jan. 19): In the 17th century, renowned Capricorn church leader James Ussher announced he had discovered when the world had been created. It was at 6pm on Oct. 22 in the year 4004 BCE. From this spectacularly wrong extrapolation, we might conclude that not all Capricorns are paragons of logic and sound analysis 100% of the time. I say we regard this as a liberating thought for you in the coming weeks. According to my analysis, it will be a favorable time to indulge in wild dreams, outlandish fantasies and imaginative speculations. Have fun, dear Capricorn, as you wander out in the places that singer Tom Petty referred to as “The Great Wide Open.”

AQUARIUS (Jan. 20-Feb. 18): We often evaluate prospects quantitatively: How big a portion do we get, how much does something cost, how many social media friends can we add? Quantity does matter in some cases, but on other occasions may be trumped by quality. A few close, trustworthy friends may matter more than hundreds of Instagram friends we barely know. A potential house may be spacious and affordable, but be in a location we wouldn’t enjoy living in. Your project in the coming weeks, Aquarius, is to examine areas of your life that you evaluate quantitatively and determine whether there are qualitative aspects neglected in your calculations. 

PISCES (Feb. 19-March 20): “Dear Dr. Astrology: Help! I want to know which way to go. Should I do the good thing or the right thing? Should I be kind and sympathetic at the risk of ignoring my selfish needs? Or should I be a pushy stickler for what’s fair and true, even if I look like a preachy grouch? Why is it so arduous to have integrity? —Pinched Pisces.” Dear Pisces: Can you figure out how to be half-good and half-right? Half-self-interested and half-generous? I suspect that will generate the most gracious, constructive results.

Park Concessions: Private enterprise in public spaces

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One of the oft repeated arguments against having agriculture in a national park is that it is a commercial venture, and private commerce should not be allowed in national parks.

It might surprise people who proffer this argument to know that there are today more than 500 separate private businesses operating inside America’s National Parks and Seashores, many of them chains with multiple outlets scattered about the Park Service. And many produce carbon footprints far larger than that of a ranch or dairy farm.

Included in the long list of private concessions in national parks are bath houses, cruise lines, hotels, marinas, outfitters, parking facilities, service stations and perhaps the most ecologically destructive of them all—golf courses.

These booming enterprises are all linked together by blacktop highways which host millions of fossil fuel burning cars, trucks, snowmobiles and motorcycles, and where thousands of animals, some of them endangered species, become roadkill. Many highway victims are drawn to the roads by tasty vegetation planted on median strips or rotting food tossed by the wayside.

It really has become quite difficult for humans or wildlife to find true peace or a semblance of wilderness in an American national park. But a good meal, comfortable bed, a movie, sleigh ride, souvenir teddy bear, coffee table book or a fine bottle of wine are never far from a National Park Service (NPS) parking lot, all offered to the public by private concessionaires attracted into the parks by the NPS’s active and expanding Commercial Services Program.

If commerce is to continue to be a central purpose of our national parks (a good topic for debate), why not include healthy food production as one of the welcomed concessions in the mix? If, on the other hand, the NPS decides to limit or cut back the number of private concessions in the parks they manage, why not begin by expelling or dismantling the golf courses, fancy lodges, snowmobile rent shops, cruise ships and marinas that allow the use and rental of jet skis?

Mark Dowie is an investigative historian outside Willow Point. He is the author of ‘The Haida Gwaii Lesson: A Strategic Playbook for Indigenous Sovereignty.’

Of Galas and Grace Notes

Sebastopol

pianoSonoma

Despite our brand-conscious quibbles about portmanteaus and camel case wordmarks, we remain fans of pianoSonoma, which entreats music fans to experience, first-hand, the talents of their artists-in-residence program. There, “Classical virtuosity meets contemporary improvisation meets ground-breaking innovation in this eclectic and energizing program featuring classical, jazz, and original compositions,” according to their PR. We’re inclined to believe it thanks to its line up of emerging stars. Mezzo-soprano Kara Dugan, violinist Charles Yang, and pianists Peter Dugan, Jessica Shinn and Michael Shinn will showcase their talents at 7pm, Tuesday, May 16, at the Community Church of Sebastopol, 1000 Gravenstein Hwy. North. The performance is free.

Sausalito

Marin Open Studios Gala Fundraiser

Art can open one’s mind, but it’s especially potent when it’s straight from the source—an open studio. This is a phenomenon Marin Open Studios knows well after 30 years of offering a self-guided tour of local artists’ studios. This year kicks off with a gala fundraiser from 6 to 7pm, Saturday, April 29, at the Sausalito Center for the Arts, 750 Bridgeway. During Open Studios weekends, art lovers are invited to visit artists in their studios to meet the artists personally, enjoy a portfolio of artworks and purchase work directly from the artists. The Open Studios Tour takes place from 11am to 6pm, Saturday, May 6 and Sunday, May 7, as well as Saturday, May 13 and Sunday, May 14. Tickets for the Gala Fundraiser are $30. Visit MarinOpenStudios.org for more information.

Napa

Historical Society Turns 75

If one is looking for an alternative to blowing in the wind, the answer, my friend, is “Shouting Down the Wind: Napa’s Pioneering Women,” which explores women’s stories, primarily from the 1830s to today, and the contributions they have made to the Napa Valley. The exhibit is part of the Napa County Historical Society’s 75th Anniversary celebration that opens to the public at 10am, Friday, May 12 at the historic Goodman Library, located at 1219 First St. in downtown Napa. “Shouting Down the Wind” depicts an array of experiences through the lenses of education, health, sciences, arts and leisure, business and politics, as well as touching on the experiences of pre colonial Wappo and Patwin women and the rancho women of the 1830s and 1840s. The exhibit is free. There will be live music and refreshments. For more information, including the specifics of a members-only preview, visit napahistory.org.

Santa Rosa

First Responders Event

First Responders Resiliency, Inc., a science-based approach to the physiological, neurological, psychological and emotional effects of trauma and stress on first responders and their families, hosts its first Responder Resiliency Gala fundraiser from 5:30 to 8:30pm, Saturday, April 29 at Balletto Vineyards, 5700 Occidental Rd., Santa Rosa. The event includes an auction led by Aaron Johnson, live music by Max Vogel and a family-style dinner by celebrity chef Domenica Catelli. The organization’s goal is to eventually raise the $15 million needed to build a first-of-its-kind First Responder Resiliency Center on 17.75 acres recently purchased in Cotati. The future center will not only offer training but will also provide real-time access to wellness and support services. To purchase tickets to the fundraiser, visit resiliency1st.org/gala.

North Bay Lesbians Bond Over Film

In 2021, Pam Adinoff traveled to Provincetown, Massachusetts, and watched a documentary that would change her life remarkably.

The Unlikely Story of the Lesbians of First Friday, produced by Kathryn L Beranich, tells the story of lesbians in the early 1980s who formed a large, tight-knit community called First Friday in Roanoke, Virginia. At a time when same gender relationships were reviled by much of the general population, it was vital for lesbians in this rural area to come together for dances, parties and weekend-long retreats.

Adinoff, who lives in Sonoma County, came out 50 years ago, while studying at Sonoma State University. She found a social life and support system among fellow students in the women’s studies program.

“As I was watching the documentary, it really just rang so true about my own community—how amazing we were, how engaged, how much fun we had,” Adinoff said.

Community gatherings like the ones seen in Beranich’s documentary of Roanoke were happening all over the country in the 1970s and 1980s, said Adinoff, noting that Sonoma County lesbians created a women’s center, bookstore, political organizations, “softball teams galore” and more.

In the film, footage of the Roanoke retreats show women participating in costume contests and mock-Olympic games that opened with someone carrying a torch with tampons for the wick. More than a dozen First Friday participants share their memories of the group.

“We just wanted community, and we had to be very protective of it. It’s not something that we could do out in the open. Although that’s kind of sad in one way, it made it very rich and very fun,” one woman recalls.

After seeing the film, Adinoff was inspired to reconnect with the women she knew decades ago, first reaching out to a few friends she was still in contact with. In December 2021, a group of seven founders launched a Facebook group called Sonoma County Lesbian Reunion (SCLR). Today, the group has close to 300 members, between Facebook and an email list.

Members meet regularly on Zoom and in person. Last year, they held a picnic in Sebastopol with more than 100 people and a fall tea dance with a live band. Online, members find and share old photos.

Like the women of First Friday, Adinoff said although she is relieved it is safer to be out about one’s sexual orientation in 2023 than it was in the past, changes resulted in a loss of close community. SCLR aims to bring people together again for fun times and valuable connections.

“What can we do to continue to get a vibrant, engaged community and continue to be with each other as we age?” Adinoff said.

SCLR will host two screenings of The Unlikely Story of the Lesbians of First Friday on Sunday, April 23 at 1 and 4pm at Rialto Cinemas in Sebastopol. Beranich and associate producer Nancy Kelly will attend for a live Q&A. People of all ages are welcome.

Patsy Cline Returns

When it comes to jukebox musicals, Always… Patsy Cline may be North Bay theatergoers’ favorite. That’s evidenced by the number of productions put on in the area in recent years. Sonoma Arts Live reprised their 2018 production late last year, and now Santa Rosa’s 6th Street Playhouse has mounted a Jared Sakren-directed production that runs through April 30.

The production stars Shannon Rider as Patsy Cline and Liz Jahren as Louise Seger, a Houston housewife who turned a chance encounter with Cline at a Texas honky tonk in 1961 into a pen pal relationship that lasted until Cline’s untimely death in 1963. Both performers have taken a crack at the roles in the past, and the two actually shared the stage for a weekend of performances back in 2008.

Using the framing device of the letters shared between the two and Louise’s reminiscences, the Ted Swindley-created show contains 26 musical numbers, including such classics as “Walkin’ After Midnight,” “I Fall to Pieces” and “Crazy.” Rider, a seasoned singer and actor, delivers the goods as Patsy, and Jahren really works the room as Seger. She regularly interacts with the audience, from leading them to join in on communal clapping to dancing in the aisle with an audience member or two.

An on-stage, six-piece band under the musical direction of Nate Riebli provides the terrific musical accompaniment. The bulk of the performance area represents Nashville’s Grand Ole Opry and Houston’s Esquire Ballroom, with Louise’s kitchen occupying the left of the stage. It’s a nicely detailed and very functional stage design by Carrie Mullen. Great period costuming by Pamela Johnson adds to the sense of time and place.

What detracts from that sense is the introduction of on-stage advertising to the playhouse. It’s tough to mentally transport oneself to the Grand Ole Opry in 1961 when a slide show featuring local restaurants and businesses is prominently displayed behind the band. The shout-out to a local country radio station from Louise didn’t help either.

In these financially-trying times for all, it’s understandable that theater companies would seek additional sources of revenue, but the obtrusiveness of this approach really takes one out of the world of the show. At the very least, the use of a graphic designer to create ads in the style of the era might help them blend better into the scenery.

The artists are working too hard to be upstaged by the ads.

‘Always… Patsy Cline’ runs through April 30 in the GK Hardt Theatre at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Thurs-Sat., 7:30pm; Sat-Sun, 2pm. $26–$45. Masking is recommended. 707.523.4185. 6thstreeetplayhouse.com.

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