Coffee’s Come a Long Way Since 1963

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Although the hyperbolic headline of this article from 1963 was completely unwarranted, it wouldn’t feel too out of place these days in the Bay Area, where coffee is considered sacred in a time when the idea of a $5 16-ounce coffee is far from preposterous.

Whether it began the coffee renaissance in this country is yet to be determined, but it certainly raised eyebrows. Yeah, that cuppa’ jo was just a nickel. Sure, couch fishing spoils could put a pep in your step. But was it worth it? Was the gut rot, the headache, the wonton destruction of taste buds and the horrible breath really worth that nickel? Would caffeine lovers in 1963 have been willing to shell out, say $.25 for a coffee? Still one coin, but substantially more expensive.

To some, coffee is like gas: an irreplaceable necessity of modern life. No matter the cost, it will be consumed. But unlike gas, its quality varies greatly. Directly oppositional to gas, cheaper the brew, the bigger the frown. But that doesn’t mean a more expensive cup equals greatness. Once the basic need for caffeine is met, coffee becomes an artisan food. Just think of all the work that goes into making it: harvesting the cherries, discarding the fruit, drying the beans, roasting and then grinding into a powder to be steeped in hot water. And each of these steps influences the flavor.

Gas is not like that. Gas is a “yes or no” process, meaning “will this make my motor run, yes or no?” Companies like to pretend theirs is better, with special additives. But that’s like toting what kind of milk or sweetener is in one’s coffee. That doesn’t matter if it’s all the same stuff. But coffee is not gas, thankfully.

There is a definite difference between Intelligensia coffee and McDonald’s. There’s a difference between Flying Goat and Starbuck’s, mainly that Goat’s French press coffee has depth with notes of fruit, flowers and chocolate while the Bucks’ has the flavor profile of an dirty oven left on all day.

Maybe it’s the feeling of coolness from typing on a Bluetooth keyboard connected to my phone, maybe it’s the cheerful folk music in this cafe or maybe it’s the second-cup optimism kicking in, but I’m really glad we will never again have to see a headline containing the words “forced” and “swill.” At least not with regard to coffee.

Russian Meteorite Impact a Wake-Up Call

Artists rendition of a giant asteroid about to smash into Earth.

  • Wikipedia
  • Artist’s rendition of a giant asteroid about to smash into Earth.

A meteorite struck the Earth this week, injuring over 1,100 people near the Russian city of Chalyabinsk, which has a population over 1 million. It weighed 10 tons and lit up the sky, streaking through the atmosphere on its way to impact. It’s the worst recorded impact in history. And it went completely undetected. To quote San Francisco Giants broadcaster Duane Kuiper, this is not good, folks.

The idea that the planet can be struck at any time by a space rock that could potentially wipe out a massive amount of the population is scary. Not to seem like Chicken Little, but the sky is always falling, it’s just usually burned up into bits before it hits us. When a large enough rock gets through, it means big trouble. This infographic from the Guardian UK sums it up quite nicely.

The lack of detection could have been due to lack of tracking resources, or it could have been due to the gigantic 2012 DA14 asteroid that narrowly missed the planet. It came so close, in fact, that it passed inside our communications satellites. Had it hit Earth, the impact would have had the power of more than 250 Hiroshima bombs exploding at once in the same place.

A recent discovery showed that within 33,000 years of a massive asteroid hitting the Earth, dinosaurs went extinct. The theory of what killed the dinosaurs can probably be pegged on a massive meteorite impact, at least for the most part. Humans, now the dominant species on the planet, could be next.

It’s not like the Bohemian didn’t see this coming. Or that astronaut Rusty Schweickart, co-founder of the B6-12 foundation, which is dedicated to tracking asteroids and preventing collisions with Earth, hasn’t been trying to explain the importance of this for years. But as he explains, most of the time it takes a tragedy to cement the importance of prevention in people’s minds. Maybe this will be it.

Darius Anderson Wants to “Rape and Pillage Other Publications”

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Sonoma West Times and News reports that (in)famous lobbyist Darius Anderson gave a keynote speech at a recent California Newspaper Publishers Association event in Sacramento.

Press Democrat front page

  • Press Democrat front page

“Anderson said he is not done buying newspapers yet,” the articles reads. “‘We’re coming to a town near you soon,’ he told the room full of fellow newspaper owners. ‘I plan to go to San Francisco and rape and pillage other publications and take their talent and bring it to Santa Rosa.'”

In November, Anderson was one of a team of local investors who bought the Press Democrat.

As we wrote then: “Darius Anderson has a long history as a high-powered lobbyist for companies like PG&E, Station Casinos, Pfizer, Microsoft and Catellus, and has worked for Clint Eastwood and been a fundraiser for Gray Davis. In 2010, Anderson was fined half a million dollars in a corruption probe. He currently wants to build a $30 million boutique hotel off the Sonoma plaza.”

Anderson’s words at the conference were, no doubt, offered in jest. But they have a sinister ring, considering the numerous conflicts-of-interest that could arise from his joint roles as lobbyist and newspaper owner. According to the Sonoma West article, Anderson both “called for a “bigger role” of the newspaper industry in statewide affairs” and “offered himself for a possible run at statewide office in the future.” The piece does report that Anderson declared intentions to put the paper in a non-profit trust if he does run, to “avoid the appearance of any conflicts of interest.”

See the full video of Anderson’s speech here:

In other news, Anderson collects Cuban art.

Cheesy Poetry Contest

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Are you gaga for gouda? Passionate about parmesan? Mad about mozzarella? For all you cheese lovers out there, here’s your chance to embrace your inner Shakespeare and start slinging some stanzas. The lucky winner of the Bohemian’s Cheesiest Poetry Contest will receive two tickets to the tenth-annual Sonoma Valley Cheese Conference, running Feb. 23-27! (For more info, see details here.)

So don’t delay. Send us your best ode to gorgonzola or havarti haiku. Send us a sestina that rhymes its way into our curdled hearts, a sonnet that shows us the whey, a limerick that lingers long after the pizza is gone. Get creative. Have fun. And remember: The cheesier, the better.

Send all entries to le*****@******an.com by midnight on Wednesday, Feb. 20.

(Cheese image via Shutterstock.)

Feb. 17: Pop Wicked Divas at the Wells Fargo Center

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You might remember Nicole Parker from her MADtv days of impersonating Britney Spears with hilarious lyrics like “Went to rehab, left too soon, made my hair look like the moon,” but Broadway-goers know her best as Elphaba, the evil melting green witch from Wicked. This week, the Santa Rosa Symphony teams up with Parker and fellow Wicked star Emily Rozek (Glinda, pictured) for Pop Wicked Divas, a concert of not only songs from Wicked but from Chicago, Phantom of the Opera, My Fair Lady and others, on Sunday, Feb. 17, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 3pm. $32—$75. 707.546.3600.

Feb. 16: Barbara Cook at the Green Music Center

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Known for her powerful soprano voice, from The Music Man to Funny Girl, Barbara Cook has done it all and more than earned the title of “Broadway legend” along the way. Now 85, Cook recently returned to Carnegie Hall—the site of her most famous live recording—and proved that her strength is undiminished; as the New York Times put it the next day, “Ms. Cook has reached the point in her career where she has nothing left to prove.” Catch Cook in a special post—Valentine’s Day concert on Saturday, Feb. 16, at the Green Music Center. 1801 E. Cotati Ave., Rohnert Park. $35—$90. 8pm. 866.955.6040.

Feb. 15-16: North Bay Hootenanny ‘Big Bash’ at the Arlene Francis Center

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Started in 2010, the North Bay Hootenanny is a two-day local music fest of folk, bluegrass and Americana music that began as a forum for local artists to connect and spread their love of music. Featuring close to 30 bands, this year’s event offers warm food, drinks, free dance lessons for couples and a kid’s area for all tiny rockers. See T Luke and the Tight Suits, the Easy Leaves, Under the Radar, Les Bon Temps, the Leftovers, Little Lost Boys (pictured), Travis Hendrix and the Blessed Moonshiners and many others on Friday and Saturday, Feb. 15—16, at the Arlene Francis Center. 99 Sixth St., Santa Rosa. 3pm—midnight. $10—$15 each day. 707.528.3009.

Feb. 15: Jake Shimabukuro at the Marin Center

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Shredding on the ukulele like a mad dog let loose on the new mailman, Jake Shimabukuro is often referred to as the “Jimi Hendrix of ukulele.” Shimabukuro produces sounds no one quite expects from a tiny four-stringed instrument; he has said that although he feels the ukulele is the underdog of all instruments, “if everyone played the ukulele, this world would be a much happier place.” He’s best known for his cover of George Harrison’s “While My Guitar Gently Weeps,” which boasts over 11 million views on YouTube. See him live on Friday, Feb. 15, at the Marin Center. 10 Avenue of the Flags, San Rafael. $25—$45. 8pm. 415.499.6400.

Letters to the Editor: February 13, 2013

Tom Sawyer Days

I read your article about the redwood tree removal on Airport Boulevard and the sale of taxpayers’ trees for the company’s profit (“Deadwood Hwy.,” Jan. 30). That money should be at work patching the potholes or employing someone. Instead, the owner of Ghilotti Bros. is already planning that vacation or new car.

I grew up along Mark West Creek when they built the freeway. My brother and I used to fish that creek for trout, steelhead, blue gill, turtles, frogs, toads, salamanders, crawdads—it was all there, like Tom Sawyer. Then they built the freeway and Wikiup, and after a few years of construction the creek changed. Now water flow is blocked and swimming holes are dried up to be little more than moss-covered ponds.

Vineyards stealing water resources, new construction and now the theft of the taxpayers’ trees—all thanks to officials who did not grow up in Sonoma County. Thanks for your armed robbery without a gun, only with profit in mind.

Santa Rosa

Cool Down, Man

Reading your letters edition, I was blown away by the radical letters from J. B. Grant and Moss Henry. Obviously these people don’t like the government or President Obama. (I like the president, but I don’t like the war we’re in.)

J. B. Grant takes the Ron Paul copout that violence overseas brings violence here—jive! Moss Henry: whistleblowers, torture—please!

Are you guys men or are you babies? You remind me of a bunch of Republicans. Raids on pot clubs, the war in Afghanistan—those things I could complain about, but this other stuff is nonsense. I like Obama. He is cool. You other guys are crybabies, radicals and malcontents.

Grow up, people. Would you rather have Romney running the country? I think not.

Gilroy

Funny Valentine

I told my girlfriend the other day, “Love is but lonely voids. Baby, I know it sounds weird and super emo, but I heard even Einstein believed love was empty space. To exist in space is to be lonely. To exist in space is to be in love. You wouldn’t be lonely if you didn’t need love. You wouldn’t be in love if you weren’t lonely. Lonely love = ‘lovely’ forever and everywhere always . . . even when we’re assholes about it.”

Stars undulate, giving birth to each other, filling empty space for the loneliness of it all. But I feel bad sometimes, feverishly questioning everything worth believing in, out of fear for the loneliness of it all. Shit’s cold up there between warm bodies. She gets scared at things I say, and I can’t blame her. Things like, “Love may be an abstract neurosis beyond the necessity for survival” and “I wonder if the planets ever feel like they’re being held hostage.” Or even, “Love is but lonely voids.” I’m aware that sometimes I fill the aforementioned empty space with stone-jaded plugs of an asshole. But please print this so she knows how much I love her, empty spaces and all.

Cotati

Historic Past

I am not eager for the development of Sonoma into a resort destination and wine country theme park. (Even though many citizens might argue we are already beyond the tipping point.)

The proposed luxury hotel brings us closer to the selling of the town, the plaza for profit, not for the people who live and work here. Perhaps a better vision for Sonoma is one that takes pride in our historic past, our beloved plaza and a community rooted in agriculture. An authentic place, not “branded” to enrich investors. Why would we be eager to install a luxury hotel whose investors profit by Sonoma’s intrinsic values, all the while eroding what we love about our town?

Sonoma

Bad Date

The photo for your cover story (“Worst. Date. Ever.,” Jan. 23) is puzzling. A slickly dressed young man with a cigarette in his hand flirting with a young lady with a plunging neckline states confusing messages. Is he waiting for his Johnnie Walker Blue Label scotch while the target of his affection is waiting for a highly rated Russian River Pinot Noir?

Let’s be more responsible and take that cigarette out of his hand.

Bodega Bay

Write to us at le*****@******an.com.

No Rules

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The ominous, unclassifiable tones of the waterphone have been favorites of sci-fi and thriller movie composers for 40 years, and experimental musicians love its nearly-impossible-to-predict sound. Played underwater with a bow dragged across metal tines, it speaks the language of the whales for miles in every direction. The chance to hear its creator Richard Waters play it live is rare.

This week, Waters plays his most famous instrument and other handmade specialties in Petaluma with the Gravity Adjusters Expansion Band and Full Disclosure in a concert dubbed “When Worlds Collide.” “This kind of music is different,” says bassist Rob Wright, a member of free-jazz group Full Disclosure. “We’re combining avant-garde and free-improv. Our only rule is that there are no rules.”

Gary Knowlton, who will play the flaming hyena, a stringed instrument of his own creation, will add to the program of ephemeral music created entirely in the moment. “I wanted to do something that includes elements of the soundscapes that Richard does with his special instruments with the traditional high-energy, jazz-driven stuff with Full Disclosure,” says Wright.

This might sound beautiful, strange, soothing or scary, but the musicians are all formally trained, including Wright, a bassist and teacher. “For me, this kind of music is an expression of the moment,” he says. “No one who plays this music seriously comes out of a void—it comes out of technique and background.”

The music will feature “lots of invented instruments, and some invented-long-ago instruments,” says Cinnabar executive artistic director Elly Lichenstein, looking forward to the concoction of jazz, blues, classical, experimental music and poetry.

The musical stylings are reminiscent of one-time Petaluma resident Harry Partch. The avant-garde American composer invented hundreds of instruments, and composed music based on speech patterns, fashioning melodies out of the timbre of sentences. One of his most popular works is the 1963 piece “And on the Seventh Day, Petals Fell in Petaluma.”

Another source of inspiration is Tony D’Anna, a musician who passed away at the age of 71 in January of last year. D’Anna spent roughly 25 years as the accompanist of Cinnabar’s summer children’s music program. “He just had a gift working with kids,” says Lichenstein. Though more a jazz player than a musical theater fan, D’Anna fit right in with the program, and, Lichtenstein says, “the kids miss him terribly.”

D’Anna himself played the waterphone, as well as piano and other instruments. Wright played with him for about 15 years, recalling D’Anna’s bebop piano gigs to which he would bring a baby grand piano using a truck and dolly. Between late-night gigs, he’d play Beethoven sonatas each morning. The concert is dedicated in part to his memory.

Wright, whose first bass teacher played in Partch’s orchestra, says though the two never played together to his knowledge, D’Anna and Partch were on a similar path. “There’s some sort of spiritual connection,” he intones, “between Richard and Harry.”

Coffee’s Come a Long Way Since 1963

We're no longer forced to drink swill.

Russian Meteorite Impact a Wake-Up Call

A meteorite killed the dinosaurs... are we next?

Darius Anderson Wants to “Rape and Pillage Other Publications”

New Press Democrat owner also hints at run for office

Cheesy Poetry Contest

Send us your cheesiest poetry for a chance to win two tickets to the Sonoma Valley Cheese Conference

Feb. 17: Pop Wicked Divas at the Wells Fargo Center

You might remember Nicole Parker from her MADtv days of impersonating Britney Spears with hilarious lyrics like “Went to rehab, left too soon, made my hair look like the moon,” but Broadway-goers know her best as Elphaba, the evil melting green witch from Wicked. This week, the Santa Rosa Symphony teams up with Parker and fellow Wicked star Emily...

Feb. 16: Barbara Cook at the Green Music Center

Known for her powerful soprano voice, from The Music Man to Funny Girl, Barbara Cook has done it all and more than earned the title of “Broadway legend” along the way. Now 85, Cook recently returned to Carnegie Hall—the site of her most famous live recording—and proved that her strength is undiminished; as the New York Times put it...

Feb. 15-16: North Bay Hootenanny ‘Big Bash’ at the Arlene Francis Center

Started in 2010, the North Bay Hootenanny is a two-day local music fest of folk, bluegrass and Americana music that began as a forum for local artists to connect and spread their love of music. Featuring close to 30 bands, this year’s event offers warm food, drinks, free dance lessons for couples and a kid’s area for all tiny...

Feb. 15: Jake Shimabukuro at the Marin Center

Shredding on the ukulele like a mad dog let loose on the new mailman, Jake Shimabukuro is often referred to as the “Jimi Hendrix of ukulele.” Shimabukuro produces sounds no one quite expects from a tiny four-stringed instrument; he has said that although he feels the ukulele is the underdog of all instruments, “if everyone played the ukulele, this...

Letters to the Editor: February 13, 2013

Letters to the Editor: February 13, 2013

No Rules

Experimental sounds, handmade instruments in once-in-a-lifetime concert at Cinnabar
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