Bottling the Tradition

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‘That’s a load of crap! That’s not mate!”

I’m in Patagonian Argentina, and Vivi Pitrelli is reacting to an American chocolate-raspberry yerba mate organic energy shot. Including some friends of the family, there are seven of us lounging around the table after dinner.

Catalina Vicintini, a 20-year-old dance student, swigs off the little brown bottle, covers her mouth and crinkles her face.

“It’s the grossest thing! It’s disgusting! It’s disgusting! It’s disgusting!” she cries out in Castellano, Argentina’s dialect of Spanish. Everyone busts out laughing.

“What the fuck’s in it?” asks Pitrelli.

Though the bottle’s label identifies it as a yerba mate energy shot, it is a yerba mate unrecognizable to Pitrelli, the 16 other Argentines I interview and the cultural historians I read during a recent month in Patagonia

As mate-based products have exploded in popularity in the United States, the infusion has been redefined to meet American tastes, with Sebastopol’s Guayakí leading the way. To American-born consumers, the well-respected Guayakí is synonymous with mate: Guayakí sells around two-thirds of all mate consumed in the United States, the remainder consisting of South American brands popular with native mate-drinking immigrants.

Adapting mate to American palates is central to Guayakí’s success. “We’re making it available to the gringo in the way the gringo wants to take it,” remarked David Karr, cofounder of Guayakí, in a 2010 Bloomberg article titled “Guayakí Wants to Take Yerba Mate from Niche to 7-11 Staple.” And the gringo certainly wants to take it: around 60 percent of Guayakí’s approximately $15 million annual revenue comes from pre-made mate products sold in bottles and cans—products unheard of in mate’s native Southern Cone.

However, globalizing and redefining mate has larger implications than most commodities. Americans aren’t surprised to know that cultural U.S. icons like Coca-Cola, for example, are consumed worldwide. Mate, on the other hand, represents and influences life in the Southern Cone much more than anything we eat or drink in America. While drinking a mate latte in the States isn’t sacrilegious, per se—like runway models flaunting mock American Indian headdresses—native mate drinkers aren’t happy with how their infusion is represented here, and they have some words for American consumers.

First of all, what is mate, and what does the act of consuming it mean? As Argentine geographer Felix Coluccio puts it, “Drinking mate is the most significant popular custom in Argentine life, from the deepest roots of the existence of people in South America.” Formally, mate is both the infusion and the receptacle, usually made of gourd, wood or metal. The infusion of water and loose yerba, the leaves and stems of a species of caffeinated holly, is drunk from the mate through a bombilla (straw filter).

The indigenous Guaraní have consumed it for thousands of years in Paraguay, northeastern Argentina, southern Brazil, and parts of Bolivia and Uruguay. After colonization, mate and the rural gaucho became inseparable, and the infusion became deeply entrenched in social life in the rest of Argentina and parts of Chile.

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Unlike other infusions, mate doesn’t stand and steep; the mate is filled and refilled with water, but the yerba endures. As a result, drinkers have developed countless techniques to keep the infusion even and delicious. Additionally, because custom calls for multiple people sharing the same straw and gourd, the act of drinking mate connotes trust and hospitality. A complex culture and vocabulary has reflexively evolved around its ceremony.

“To drink mate is to share,” Pitrelli explains. “It’s something intimate.”

In the language of mate, quotidian objects take on new properties. Water can be tempered, burned or served raw. Kettles can spout wings and fly, or they can dance around the stovetop. Figuratively, mate can be saddled up or plugged, served tufted, in the formation of a star, or like a rancher. It can be hung up or drunk peeled, or it can be long or short. Layered into this vocabulary are jokes and insults and cultural nuances sometimes more powerful than the spoken word.

At least one figure in gaucho folklore has been killed for serving mate lukewarm. Drinking bitter mate like the gauchos is masculine; tempering its strength with sugar or herbs is vaguely inauthentic, for those who can’t handle the “real deal.” To run out of yerba is a sexual reference; if there’s none left, a hypothetical couple deciding whether they want to drink mate or get it on now only have one option.

The Argentine military dictatorship of the 1970s prohibited workers in some industries from drinking mate on the job, fearing that its power to bring people together would facilitate workers organizing. When a girl takes a new boyfriend to her parents’ house, suspicious parents serve him especially hot mate to try to keep his hands busy and away from their daughter. And because parents don’t offer it to children due to its bitter taste and stimulative properties, Argentines consider the first time a child drinks mate home alone as a noteworthy rite of passage.

As their country has acquired a more cosmopolitan character, many Argentines attach less significance to the intricate rituals that characterize mate in its former provincial context. For example, most Argentines today would not interpret receiving mate with lemon balm as a symbol of the server’s sadness or distress, as Coluccio writes it once meant. However, many widely observed customs and symbols concerning mate still exist, and mate’s definition is clear. None of the Argentines I interviewed abroad knew that mate is now sold in the United States, and none of them considered Guayakí’s bottles or cans to be authentic types of mate.

Amid a series of interviews I conducted with strangers in town, I spoke with Alejandro Benitez, a tourist in his 20s from Buenos Aires, who spit out the sample of the mate energy shot I offered him. He defined mate like my other sources.

“Mate” he says, “has three basic elements: the mate [receptacle], yerba and bombilla.” To Benitez, Guayakí’s single-use bottles and cans are “very individualistic,” and he adds an important reminder: “Mate is shared.”

On the porch one afternoon, I discuss American mate with Vivi’s visiting relatives. “Those have nothing to do with what mate is,” says Fernando Pitrelli, Vivi’s brother, referring to some printout labels of Guayakí’s bottles and cans. “Mate isn’t drunk from a bottle; you don’t get it from a can.”

“It’s all for business,” he says. “They’re losing out on what mate is, what mate means to us.”

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“What they’ve got wrong is the definition,” says Nahir Pitrelli, 21, Fernando’s daughter. She points to the printout labels of Guayakí’s cans, featuring Argentine-styled people drinking mate from gourds. “If you look closely in the drawing, that’s mate how we drink it here, but they sell it to you in a can—I mean, nada que ver.

Nahir continues, stopping short of vilifying the American palate. “If [Americans] like them, they should drink them,” she says. “It’s just mediocre.”

However, my sources don’t see Americans’ interpretations of their infusion as necessarily sacrilegious. As Fernando puts it, “What people do with their culo is up to them.”

“It’s all good,” says Sergio Rojel, an elderly campesino I spoke with in town, of mate in bottles and cans. Though wearing the loose bombacha pants and beret characteristic of gauchos, he adds that “we’re already losing traditional Argentine culture here.”

Some were less enthusiastic. “I’m not offended, but they’re deceiving people,” says Iris Ramirez, Benitez’s partner.

Indeed, most Argentines I interview don’t express grudges against Guayakí; in fact, in the progressive area where I stay, some appreciate the idea of organic yerba. (Others, in Ramirez’s words, regard Guayakí’s organic, fair-trade and shade-grown certifications as “marketing.”) They acknowledge that cultural objects take new forms when they cross borders, and that isn’t inherently negative.

“We drink mate,” says Ricardo “El Colo” Romero. “But one of the most popular types of music here is rock.”

It should be noted that Guayakí is well aware of mate’s significance in the Southern Cone; Alex Pryor, a founding member, is from Buenos Aires. (Karr, the other founding member, is from the South Bay; the two met at college in San Luis Obispo.) Pryor writes over email that he feels “honored by the American culture who embraces with respect and admiration the cultural and health attributes” of yerba mate. And though only 20 percent of Guayakí’s sales consist of loose-leaf, from which traditional forms of mate are made, the company does pay homage to mate’s history and ceremony on its website.

When I read Karr some quotes from my Argentine sources reacting to Guayakí’s bottles and cans, he pauses.

“A-ha . . . Um, yeah, I could understand how they would say that,” he says.

Karr has likely been faced with this question before. “We’re trying to bring yerba mate culture to the world. And so for us, that means you have to make it available to different lifestyles,” he says. “We’re doing everything as authentically as we possibly can,” he adds, mentioning Guayakí’s rainforest-protection efforts and relationships with indigenous mate farmers.

“Just because we brew it and package it in the bottles and cans so that more people can have access to it—because that’s the way they drink things—fine,” Karr says. “Not everyone has to feel great about it.”

Back in Argentina, I’d wanted to know on what terms drinking mate is OK; where do Argentines place the limits of its authenticity? At Vivi’s dinner table, I ask if it’s all right that gringos drink mate traditionally outside of the Southern Cone.

Si!” responds my host family in chorus. “It’s great!” Romero says.

“Drinking mate isn’t anyone’s birthright; to drink mate is to share,” repeats Vivi. “It’s fine that gringos drink mate, but let’s make it mate, not those clown things.”

The Breaks

I have a friend whose name is Greg, but most know him as DJ Lazyboy. Without a doubt, he is easily one of the most talented, hardworking and creative DJs I’ve ever met—and I am friends with some of the best and most skilled DJs in the world. But more importantly, he is one of the gentlest, kindest and most inspiring people I know.

The thing is, Greg has some serious medical issues. To put it in simple terms, he survived a rare variation of an aggressive cancer (stage IV squamous cell carcinoma originating in his nasal pharynx) many years ago. However, as a result of the even more aggressive life-saving treatment, he now has a degenerative bone disease from the massive amounts of radiation to his neck and head, which causes him great pain and makes it almost impossible for him to eat. And it’s getting worse. He has only nine patrial teeth left (for now).

Aside from the health aspects, which are life-threatening, Greg’s career suffers because of the way this makes him look. I know people pass on hiring him because they think he is a drug addict. This man, who is so often joyful, won’t even open his mouth to smile in public because of the judgment he is forced to endure. It’s heartbreaking. He deserves better.

Furthermore, I have never heard him complain about this once. Never. It makes me tear up to think about it as I type this. He has only demonstrated a positive attitude any and every time we have discussed it, even when oral surgeon after oral surgeon said there was nothing that could be done. Fortunately, after so many closed doors, he has found an option, albeit a highly dangerous and expensive option.

The procedure is very dangerous—life-threatening, to be more accurate—but Greg is willing to take the chance to live a higher quality life, and we too must be willing to take the chance with him. I trust once people are familiar with his story, they will do what they can.

You can find more about Greg’s story and help contribute to a fundraiser for his medical costs here.

Evan TRUTHLiVE Phillips is a hip-hop artist, nightclub owner and DJ from Santa Rosa.

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Preferred Curds

When Sheana Davis struck upon the name “the Epicurean Connection,” she decided to trademark it in the hopes of one day opening a culinary business. Because she was just 16 years old at the time—a self-described “cooking nerd” who read cookbooks for fun—a teacher helped her file the paperwork at the Sonoma County courthouse.

Almost three decades later, the chef/cheesemaker/caterer/educator is the proud owner of the Epicurean Connection, a specialty cheese shop and cafe in Sonoma. “As a kid, I used to beg to stay home from school,” Davis tells me on a recent afternoon, “so that I could help my grandfather forage and cook.”

This hands-on approach to learning has underpinned Davis’ entire career. Determined to cook and not sit in a classroom, Davis graduated from high school a year early and enrolled in the SRJC culinary program after finding that her first choice, the dairy program, had been canceled due to low enrollment.

A couple of years later, inspired by the cookbook of legendary New Orleans restaurant Commander’s Palace, the 19-year-old SRJC graduate rang up the chef to ask for an internship. “He thought I was a nut!” she says, laughing. “I called every week for weeks and weeks and weeks.”

Her determination eventually paid off, and the fourth-generation Sonoman headed to the Big Easy, where she forged a lifelong relationship that pulls her back to Louisiana a few times a year.

And yet a review of her life makes one thing clear: Davis was destined for dairy. For almost two decades, she’s run a culinary marketing business that has launched 17 cheese companies. She created (with the late Ig Vella of Vella Cheese) the annual Sonoma Valley Cheese Conference, which will bring together cheesemakers, retailers and aficionados for the 10th straight year later this month, running Feb. 23–27.

Once she was ready to get her own hands curd-y, she apprenticed with cheesemakers in Vermont, Wisconsin and Texas. In 2010, her Delice de la Vallee cheese (a blend of triple-cream cow milk and fresh goat milk) won the American Cheese Society’s blue ribbon for Fresh Unripened Mixed Milk Cheese. Just last year, her popular monthly cheesemaking class was featured on the Food Channel.

Housed in a high-ceilinged building with pale-green tin walls, tabletops made of reclaimed doors and flourishes of Mardi Gras beads, the “chef’s pantry” of the Epicurean Connection sells everything from Davis’ own homemade cheese to pickled cauliflower to maple candy and Louisiana hot sauce.

For spreadable delights, there’s the flavored Butter Bar ($9.95 for a trio) and Jam Bar ($6.95 for a trio), which includes Davis’ acclaimed honey orange blossom and raspberry rose petal jam, recently featured in Sunset magazine. The cafe also serves a variety of tartines, grilled cheese sandwiches, crêpes and salads ($7.95–$9.95).

“Building community is a huge part of our shop,” Davis tells me, ticking off the events—open mic nights, guest chef appearances, art shows—that crowd the cafe’s calendar.

Teenage cooking nerds, take heart: if you dare to name your dreams, they just might come true.

Epicurean Connection, 122 W. Napa St., Sonoma. 707.935.7960. The Sonoma Valley Cheese Conference runs Feb. 23–27; for a chance to win tickets, enter our cheese contest at www.bohemian.com.

Roman Empire

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“Something appealing! Something appalling!”

Those succinctly apt words from the classic song “Comedy Tonight,” which opens the musical comedy A Funny Thing Happened on the Way to the Forum, pretty much sum up the entire enterprise. The amiably lewd 1962 musical delivers its first big laugh just seconds into the show, and it features a hilarious act of rag-doll infanticide. Set in the golden age of Rome, the show fuses the clever tunefulness of Stephen Sondheim’s music with the bawdy naughtiness of the Larry Gelbart and Burt Shevelove’s frequently funny script.

Presented by the New Spreckels Theatre Company, Forum has become a community theater staple over the last 50 years. Its medium-sized cast and entertainingly angst-free storyline have made it a popular choice for theater companies whose audiences like a dash of old-fashioned farce, PG-rated one-liners and wholesomely sexy coarseness with their Broadway-born shows.

This one requires an especially strong cast of comic actors to pull off, however, and an orchestra skilled enough to nail the challenges of Sondheim’s music. Fortunately, director Gene Abravaya has assembled a coterie of local performers, veterans and newcomers alike, with enough chops and charm to elevate the show above its 10-piece orchestra’s persistent problems with pitch and musical cohesion.

Musical directors Richard and Sandy Riccardi, known for their work with college and community theater troupes (and their own musical-comedy cabaret act), do keep the energy high, but if Spreckels Performing Arts Center is going to achieve its goal of becoming the go-to destination for North Bay musical theater, it’s going to need a tighter orchestra.

The chief delight in the Spreckels production is the cast, lead by local funnyman Tim Setzer as Pseudolus, a Roman slave eager to be free yet bound to serve the horny property owner Senex (a gleefully randy Elliot Simon) and his Gorgon of a wife, Domina (Tina Lloyd Meals, chewing up the scenery with irresistible fervor).

When their lovestruck son Hero (Matthew Lindberg, appropriately wide-eyed) promises Pseudolus his freedom if he can score a hook-up with the lovely but unavailable Philia (Dene Harvey, wonderfully flirty), the scene is set for an evening of mistaken identities, misunderstandings, near misses and, of course, the deliriously contrived happy ending promised in the opening number.

Though hardly “important” theater, Forum reminds us that it is important to laugh now and then, and this one serves the laughs with fast and furious, sweetly infectious charm.

Mobile Morass

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Some residents of rent-controlled Santa Rosa mobile-home park Rancho San Miguel are crying foul over a $42 monthly increase levied on tenants by new owners Rutherford Investments.

“[We] pleaded that the increase would cause significant financial hardship on our residents, and we hoped Rutherford would make concessions accordingly,” says Don McLeod, president of the park’s homeowners association.

Rutherford, which has offices in Mill Valley and Los Gatos, purchased Rancho San Miguel in April of 2012. The property’s value was reassessed when sold, and subsequently the property taxes for the park increased. That increased tax burden is being passed on to residents.

At a meeting with park owners, residents and city officials in December, it was determined that the owners are within their legal rights to pass the new cost on to residents. “Before we ever went in to pass this through, we made a point of meeting with [residents] and contacting them,” says Greg O’Hagan, one of the park’s managers.

Under the rent-control ordinance, landowners are allowed only a 2.8 percent annual increase in rent. But the ordinance also allows owners to pass along “any new or increase in government mandated capital expenditures and operating expenses, including taxes.”

McLeod’s dispute lies in the hardship placed on park residents. Rancho San Miguel has the second highest maximum base rent of rent-controlled mobile home parks in Santa Rosa, at $655.60. The senior living community has many residents on fixed incomes for whom a $40 monthly increase can be hard to absorb, including several whose sole income is Social Security.

“Park owners hate rent-control ordinances,” says McLeod. “Some park owners will take full advantage of any provision in a rent-control ordinance which allows them to pass through a cost of doing business to residents.”

A similar scenario played out in San Jose in 1988, and the city denied the increase under wording in the ordinance which allowed the city to “take into consideration any increase in rent that results in financial tenant hardship.” That decision was upheld by the U.S. Supreme Court.

Santa Rosa’s rent-control ordinance has no such provision for hardship.

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“It is most frustrating to know that Rutherford could elect to just write off the property tax as a business expense,” says McLeod. Out of the 14 privately owned mobile home parks in the city, only three or four pass through property taxes to residents, he says. “What bothers us in principle is people say, ‘Why should we pay property tax on land we don’t actually own?'” says McLeod.

The current annual property tax for Rancho San Miguel is $147,589, and with 141 spaces, that breaks down to $87.22 per month, per space. The new owners are seeking only $54.39 per month from each resident. The previous owners paid $79,709 annually in property taxes, which breaks down to $46.13 per month, per space, though residents were charged just $12.06 per month.

There is no correlation between previous charges and any new ones, says O’Hagan. “We don’t know what the prior ownership passed through. I can’t comment on what they did.”

Marjorie Jackson of the city’s housing development department met with park owners and residents in December after a petition circulated in the park attracted 111 signatures, and reports that both parties came to an agreement that an increase retroactive to April would be spread out over a longer period, which cut by about $7 per month the immediate increase to residents.

But McLeod is still left with a sour feeling, and believes a 450 percent increase in property tax assessments to residents is too much to handle at once.

Santa Rosa’s 14 privately owned mobile home parks have a total of 2,008 spaces. Of those 14, two have undergone “condo conversion,” meaning the residents own their individual spaces; Rancho San Miguel is not one of those. Out of Rancho San Miguel’s 141 spaces, 124 are regulated under Santa Rosa’s rent-control ordinance, which has been in effect since 1993.

Residents are now concerned that the switch from ownership by a family business to an investment firm will mean more expenses for tenants. “They’re going through everything to maximize their profitability, and any little things they can pass through, they’re going to do it,” says McLeod. “It could all of a sudden not be an affordable place to live anymore.”

Ott. + All-Seeing I (live band) perform at Juke Joint for Valentine’s Day

Emerging from the English cultural revolution of the late 1980’s comes Ott., a multifarious DJ artist, whose organic dub creations are equally balanced takes on the celestial and earthbound  His sonic soundscapes are a treasure chest of world rhythms, synthesizers and drum machines. A progressively interconnected combination of instrumentation and bass-heavy beats that takes chill-out to a whole other level.
Regularly performing at some of the world’s largest electronic music festivals, Ott and his band make a West County stop this week to kick back and no doubt make music to some of NorCal’s finest indica. Turn down the lights and position yourself for meditation to this fan-compiled 3-hour collection of Ott albums. It will most likely induce many gloriously reflective hours of universal awareness.
See Ott perform with his live band All-Seeing I at Juke Joint this Thursday night at Hopmonk in Sebastopol. Also featuring DJs Kilowatts & Lenkadu. Thursday, Feb. 14, at Hopmonk Tavern. 9pm. $25. 230 Petaluma Ave., Sebastopol. 707.829.7300

One Billion Rising

one_billion_rising.jpg

Ever seen a flash mob in person? Want to show support for the movement to end violence against women? Here’s your chance to experience both at once. On Valentine’s Day (that’s this Thursday, Feb. 14) hundreds of women will take part in a flash mob song and dance to “Break the Chains,” in English and Spanish, at 5pm in Santa Rosa’s Courthouse Square. Men will stand by in a semi-circle and sing in support.

The mob is a part of One Billion Rising, an international movement to end all violence. It was spurred by Vagina Monologues author Eve Ensler and will include over 200 countries. “More than one out of every three women on this planet will experience violence during her lifetime,” says Ensler in a press release. “Dance joins us and pushes us to go further, and that is why it’s at the center of One Billion Rising.”

Pope Resigns Due to Poor Health

Pope Benedict XVI

  • Pope Benedict XVI

Something that hasn’t happened in 600 years has finally happened: the Pope resigned.

Pope Benedict XVI will step down at the end of the month due to his inability to perform duties because of failing “body and mind.” He is 85 years old and was elected Pope in 2005. The last time a Pope resigned was in 1415.

The announcement was a shock, to say the least. With all the secrecy of the Vatican, nobody can be truly sure the reason. At such an advanced age and this being such an unprecedented move, it must be something truly serious. It’s not implausible to suspect something like signs of Alzheimer’s or dementia triggered the resignation. Whether it was his own volition or the urging of those around him has not been stated.

What’s certain is his papacy was marred by several sexual abuse scandals and a push toward orthodoxy, including a campaign against condom prevention and any kind of birth control. Even nuns on a mission to serve the poor were chastised because of their outspoken attitude toward women’s rights. This, too, could be a contributing factor to his resignation, if we delve into the realm of conspiracy theories.

Something else that’s certain, this will trigger a spike in Dan Brown’s books and movies, and maybe even inspire a new novel by the
Davinci Code
author. Working title: Forgotten Communion.

What, too soon?

View From Above

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As we reported yesterday, it’s California Pot Week for the Supreme Court.

Sticky green star.

  • Sticky green star.

If you want a view of the issue that’s less tell, more show, this Mother Jones video is for you. It’s an incredible Google Earth tour of Humbolt County’s industrial-scale growers, showing first-hand the environmental devastation that can come with such an under-regulated crop. You’ll see clear-cut, arid patches amid the Redwoods that hide these farm, and hear an overview from environmental sociologist Anthony Silvaggio from Humbolt State University.
“I think the fact that it’s unregulated is a real problem,” he says in the film, adding that local agencies like County Agricultural Commissioners can’t help growers who might want to green up their act because they receive federal dollars and it is, of course, federally prohibited.
Again, watch this awesome video here.

The Marijuana Clusterf*$k, Take 500

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No doubt you’ve seen the slew of headlines positing that a Supreme Court case this week could clarify the federal/state/local muddle about who-if anyone-is actually regulating dispensaries.

Weve reported the many nuances of this tangle before.

  • North Bay Bohemian
  • We’ve reported the many nuances of this tangle before.

The City of Riverside vs. Inland Empire Patient’s Health and Wellness Center has been making its way through the court system for over a year now.
At stake is the question of whether local governments can ban dispensaries via zoning ordinances. It’s yet another page in the same story of Prop 215-Vs. the federal government, and, according to this Mercury News piece, the justices seemed swayed by the fact that Prop 215 (otherwise known as The Compassionate Use Act) does not prohibit cities from banning dispensaries via zoning ordinances. Of course, advocates content that, while it may not do exactly that, it does legalize marijuana for medicinal uses in California, and local zoning prohibitions are against the spirit of the law.
As we’ve said before, it’s only one piece of the smokin’ hot mess that is medical MJ and the law.
There’s this mess, in which lowly harvesters are targeted and then flood the courts, using public dollars and defenders.
And there’s this mess, in which confidential patient information is targeted by the feds in Mendocino.

Bottling the Tradition

In which our reporter travels to Argentina and discovers that when it comes to mate, Americans are doing it all wrong

The Breaks

Area favorite DJ Lazyboy faces surgery

Preferred Curds

Sonoma's Epicurean Connection a cheesemaker's paradise

Roman Empire

Farcical 'Forum' flies freely

Mobile Morass

Residents of rent-controlled senior mobile home park wrestle with sudden monthly hike

Ott. + All-Seeing I (live band) perform at Juke Joint for Valentine’s Day

Emerging from the English cultural revolution of the late 1980's comes Ott., a multifarious DJ artist, whose organic dub creations are equally balanced takes on the celestial and earthbound  His sonic soundscapes are a treasure chest of world rhythms, synthesizers and drum machines. A progressively interconnected combination of instrumentation and bass-heavy beats that takes chill-out to a whole other...

One Billion Rising

Flash mob, anti-violence demonstration all in one

Pope Resigns Due to Poor Health

What was the real reason behind Benedict XVI's desicion to step down?

View From Above

Insane Google Earth tour of Humboldt marijuana farms

The Marijuana Clusterf*$k, Take 500

No doubt you've seen the slew of headlines positing that a Supreme Court case this week could clarify the federal/state/local muddle about who-if anyone-is actually regulating dispensaries. North Bay BohemianWe've reported the many nuances of this tangle before. The City of Riverside vs. Inland Empire Patient's Health and Wellness Center has been making its way through the court system for...
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