Fresh Blood

When he was 11 years old, Angelo Chambrone started washing dishes and bussing tables in his parents’ restaurant, Sweet Lou’s, in Cotati. By the time he was 12, he’d been, as he puts it, “lured into the kitchen.” At 14, Chambrone was training new hires who had two decades on him.

Little wonder, then, that at an age when many people are still figuring out what they want to do when they grow up, Chambrone has already blazed his career path. The executive chef of Barolo in Calistoga is also, at 23, the youngest chef in all of the Napa Valley.

“I like to go to other restaurants,” Chambrone tells me on a recent afternoon, “prepared to get my ass kicked.” Though he’s seen an increase in Barolo’s business since taking over the burners and revamping the menu nearly a year ago, the self-described “old soul” still puts plenty of pressure on himself. His biggest critics are his three older brothers, who all sport the same tattoo of their family name. Their ancestors on both sides are from Calabria in southern Italy—”in the toe of the boot,” Chambrone says, pointing to the tattoo of his motherland on the flip side of his arm.

If all the ink isn’t proof enough, Chambrone’s fierce Italian pride is evident in his food. “My dad makes fun of me for being a purist,” he says, “but I just don’t want to cook or eat anything else.”

Potential diners, be grateful. Chambrone does as little as possible to his ingredients, allowing them—and not extra sauces or cream or butter, which he refuses to cook with—”to speak for themselves.” The olive oil aficionado makes his own ricotta salata, mozzarella, salami, gnocchi, and cavatelli—a drier fresh pasta that he describes as “toothsome”—in-house. “I cook seasonally and source locally,” he tells me, “not because it’s a fad, but because it’s the Italian way.”

Growing up, Chambrone, who was born and raised in Roseland in Santa Rosa, was the kind of picky kid “who always ordered the chicken.” He started working in seventh grade, and by high school was holding down a dizzying schedule of school, football and late nights at the restaurant. He graduated from Elsie Allen High School in June of 2007, the same month his parents closed Sweet Lou’s.

“The more I work, the more I stay sane,” testifies Chambrone, who’s shaken skillets at Healdsburg Bar & Grill, Rosso Pizzeria and Francis Ford Coppola Winery, where, together with his childhood friend and sous chef, Dominic Fabiani, he “helped build it into the empire it is today.”

These days, the chef duo (Chambrone and Fabiani have been working together since Sweet Lou’s) are happy to be cooking in Barolo’s small kitchen, just a fraction of the size of Coppola’s, where they served an average of 650 diners a day. “When you’re turning over that many people,” Chambrone says, “there’s not a whole lot of love or emotion being put into the food.”

When asked what else he enjoys doing, the still-picky Chambrone laughs and says, “Nothing. This is it.” He recently moved into a studio apartment just a 30-second walk from his restaurant, and in his spare time reads biographies of chefs.

Chambrone may be single-minded, but as I watch him turn asparagus, bread crumbs, lemon zest and Parmesan into a sumptuous plate-scraping dish, it’s clear that his most potent ingredient is, indeed, love.

Lobbying is Great!

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Hey, did you read the front-page story in the Press Democrat about lobbyists? Man, they’re so great, these lobbyists! All you have to do is give them money, and they make sure you get even more money back! Just like a casino, but with people and stuff, instead of slot machines!

Like the article says: “Talk about getting a bang for the buck!”

And the online headline! ‘Sonoma County Says Money Spent on Lobbying Is a Good Investment‘! Well! I, as a lifelong resident of Sonoma County, have struggled for years to put into words exactly how my community feels about lobbyists! The Press Democrat‘s on-point investigative reporting has really blown the lid off this one!

What’s that, you say? The Press Democrat is owned by Darius Anderson, himself a high-powered Sacramento lobbyist? Who has said that lobbying is a “misunderstood” field, and has surely hoped to correct the misperception of lobbying as, oh, I don’t know, maybe a microcosm of everything that’s wrong with too much money in politics? Who is quoted in his own paper saying, about his own lobbying firm, “I think we’re well-connected. . . . I think we give great advice”? Whose firm, Platinum Advisors, made $8.6 million last year? Who has eight full paragraphs in his paper about his own rising “star” and about Platinum Advisors’ success in Orange County?

What a coincidence!

In short, we should all come together in these trying times and give our money to lobbyists, because they are great, says a newspaper owned by a lobbyist.

Hangin’ Tough

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Seems like BottleRock won’t be the only music festival in Napa Valley this year. Between April 5–7, Napa offers yet another big music fest, except this one is so exclusive, attendees cannot buy tickets. ‘Live in the Vineyard’ is a three-day festival with performances from the Goo Goo Dolls, Tegan & Sara, New Kids On The Block and more, and the event pairs with top notch chefs for a night of sweet tunes, good food and an endless wine hangover.

So how does one get tickets to this shindig? Hopeful concertgoers must win their place at the festival by applying online at the event website. New Kids On The Block fans also have the chance to win tickets to the last day of the festival by tuning in to Mix 104.9 middays with Monika and being the ninth caller for select giveaways.

Chefs, wineries and small acoustic concerts are all part of the deal, and most bands will perform at the Uptown Theatre; the closeout concert with New Kids on the Block is held at Sutter Home Winery in order to accommodate the band’s fanbase, consisting of screaming teenagers thirtysomething moms. For more info., see liveinthevineyard.com. —Estefany Gonzalez

Loud Quiet Loud

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One hour ago, I stood in danger of being trampled by a throng of bodies, strangled by a microphone cord and kicked in the face by flailing feet.

In other words, it’s 1am, and I’ve just returned from seeing Iceage, a punk band made up of 20 year-olds from Copenhagen, Denmark.

With the exception of excellent local punk bands like Ceremony, No Sir, Creative Adult and a bevy of others playing in warehouses, basements and living rooms, the North Bay’s top music offerings for the next several months are of the decidedly calmer, quieter variety—and after all, everyone needs a breather.

To wit: the Green Music Center this week announced their second-season lineup, and it’s got plenty to dazzle classical music fans. The great Renee Fleming kicks off the season on Sept. 15, with Lang Lang and Izthak Perlman also part of the opening-week festivities. Hilary Hahn, Jessye Norman, Herbie Hancock, Richard Goode, Jean-Yves Thibaudet, Mariza, Bryn Terfel, Garrick Ohlsson, Ruth Ann Swenson and more round out the concert headliners. Because of the center’s partnership with MasterCard, you’ll have to be a MasterCard holder to buy tickets on April 2; the general public onsale is April 22. (Remember, SSU students get 50 percent off.)

The Healdsburg Jazz Festival this year honors the great jazz bassist Charlie Haden in a two-day tribute, featuring six sets of don’t-miss jazz; collaborators include Geri Allen, Chris Potter, Lee Konitz, Ravi Coltrane, Gonzalo Rubalcaba, Bill Frisell and Haden’s Liberation Music Orchestra. The Fred Hersch trio, Oliver Lake solo, the Azar Lawrence Quartet and a unique duo of Charles Lloyd and Jason Moran—who’ll be fresh from his jazz-and-live-skateboarding shows in San Francisco—are among the many other top-notch jazz acts in Healdsburg this June; tickets will be on sale within the week.

The rumors are true: the Last Day Saloon appears to be closing in May. The for-sale banner draped from the side of the Railroad Square venue says it all: “Owner Retiring.” Dave Daher, who has certainly earned his retirement, is selling the building through Sotheby’s; asking price is $2.15 million. After a retirement roast and party featuring Commander Cody, Bill Kirchen and special guests on April 28, the venue has a few select shows booked with Pride & Joy, John Courage and others until closing day on May 5.

The Lincoln Theater in Yountville has been quiet as of late, but country star Travis Tritt drops by on April 20, with a Napa Valley Youth Symphony Red Gala on May 25. Not to be outdone, on Sept. 21, Symphony Napa Valley holds an opening gala as well.

As for the tougher music fans out there who look forward to getting kicked in the face? Not to worry: Leftover Crack plays the Phoenix Theater on April 14.

Forum Fizzles

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The 100 people protesting this past Wednesday night outside the Pickleweed Community Center—and the three cops patrolling the parking lot, with four more officers inside the meeting room—appeared prepared for a fight Wednesday night at Citizen Marin’s first-ever town hall meeting on Bay Area planning and affordable housing.

Instead, they got a nearly hour-long presentation from real estate financier, media activist and community organizer Bob Silvestri on the history of regional planning and housing development.

The Canal Alliance and Marin’s Action Coalition for Equity held up signs saying “I Just Look Illegal” and “End Apartheid in Marin,” protesting the neighborhood groups that have worked to stop affordable housing projects. Groups like Friends of Mill Valley and the Novato Community Alliance, both part of Citizen Marin, have come out against low-income developments in the past, citing concerns about high density. While many in the organizations have said they don’t associate with the extreme right, their rhetoric has often become nasty, and has divided communities.

But Silvestri, who called his politics “far to the left of President Obama,” gave a speech arguing that the “top-down, one-size-fits-all planning” of the One Bay Area Plan, which allocates housing requirements, isn’t going to solve Marin’s problems. Instead, he argued—to increasing applause and heckles from the audience as the night went on—that what Marin needs is senior housing, infill housing, second units and the ability for young, working-class families to buy into the community.

Worse, he said, forcing large developments into Marin would ruin small-town communities and do nothing but put money in the pockets of developers.

“We already have everything they’re trying to sell,” he said.

Instead of building more high-density, low-income projects next to freeways, he argued, the minimum wage should be raised, healthcare should be provided for free, and ground-up community priorities should be created for Marin’s towns. He posited further that Marin should opt out of the Association of Bay Area Governments (ABAG) and create, with Napa and Sonoma, its own council of governments—an idea supported by Corte Madera’s withdrawal from ABAG last year.

While some in the audience cheered at the ideas, others saw Silvestri’s speech as nothing but a smokescreen.

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“A lot of what you said makes sense, but a lot of your solutions are way down the road,” said Steve Bingham, of San Rafael.

As the night went on, the town hall forum became a public space for people to decry mortgage payments, question the existence of global warming, and yell at Silvestri that some of his proposals sounded like communist socialism. Toni Shroyer and Susan Kirsh, supporters of the anti-ABAG movement and moderators of the forum, battled with speakers for control of the microphone and encouraged hostile forum-goers to wrap it up.

As previously reported in the Bohemian, Marin tops the list of the least affordable markets in the United States, according to an annual study by the National Low Income Housing Coalition. The median county rent is $1,523.

Due to land-use restrictions, zoning policies and neighborhood opposition, Marin is lacking in below-market-rate units. This has forced up to 60 percent of the local workforce to live outside the county.

A one-person household is considered “low-income” in Marin at $62,200, according to the Department of Housing and Urban Development; households making less have to pay more than 30 percent of their income on rent. And an American Community Survey from 2006-2010 examining age and ratio of income to the poverty level indicates that over half of Marin’s residents over 65 fall into this bracket. According to a housing inventory released by the county in 2008, Marin is home to only 1,032 low-income units designated for seniors and 196 units for people with disabilities, a rough ratio of just one unit rented per 17 who qualify.

While there was talk of lawsuits to fight ABAG and more forums in the future to discuss alternatives, many who came hoping to learn about affordable housing options felt discouraged. Few solutions or changes were tangible—and that wasn’t good enough, said a number of activists.

“Business as usual,” said Kiki LaPorte of Sustainable Fairfax, “is how we got to where we are now.”

Spring Fever

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With the giant BottleRock music festival coming in May, the Napa Valley Film Festival approaching its third year and new resorts on the rise, Napa Valley is well on its way to becoming a year-round arts destination. Spring has always brought the breaking of buds, but now art is also bursting into full bloom, with the onset of the third annual Arts in April.

Throughout the month, a bevy of weekly delights from Calistoga to Carneros highlights a different region’s offerings. The month-long showcase features more than 30 wineries presenting artsy affairs and tastings paired with events and exhibits at local galleries on the weekends.

Here’s a hint at some of the highlights.

The month kicks off with an opening reception for the “Napa Valley Collects” exhibit at the Napa Valley Museum, highlighting select works from Marc Chagall, Cy Twombly, Pablo Picasso, Robert Arneson, Joan Brown, Roy De Forest, Stephen De Staebler, Peter Voulkos and more, on loan from local vintners and friends. An opening reception with the collectors—think names like Coppola and Mondavi—gets underway on Thursday, April 4, from 6-8pm at the museum.

For many moons, St. Helena’s Markham Vineyards has been host to the ’60s rock photos of Rolling Stone magazine’s first chief photographer, Baron Wolman. But this April brings a brand-new Wolman exhibit, “The Groupies.” The collection debuted in London in December, and Markham marks the first (and possibly only) stop on the stateside tour.

The collection of photos is anything but tame, especially in St. Helena. Wolman is quick to classify the work more clearly: “It’s not X-rated, just on the edge.” “The Groupies” is indeed a probing photographic presentation of the women who hung out backstage with popular rock bands. While Wolman is far from bashful about his affinity for women, and even less so in his conjuring of excuses to photograph them, he maintains that his catalyst for the collection was less about backstage sexual encounters than a new subculture of chic style burgeoning at the time.

Wolman was so impressed with his subjects, who dressed for backstage “appearances” with aplomb, that he pitched the idea of a groupies exposé to Rolling Stone founder Jann Wenner. The breadth of material was such that it morphed into a dedicated issue, centered around “The Groupies.” Wolman is reverential when he speaks about the experience; on his life as a photojournalist, he quips, “The big darkroom in the sky will go away, but the stories will remain.”

Wolman will be on hand in person on Saturday, April 13, from 11am-1pm, at Markham Vineyards. The event is free; RSVP required.

Other funky fare includes a live taping of the popular Judd’s Hill Winery video series “Wine Booty,” staring Judd Finkelstein and a man known only as the Pirate. Red carpet attire is encouraged, which in this realm means nautical wear (or black tie if you’re really angling to impress). In true Tinseltown form, attendees can bump elbows with the stars of the show and chow down on not only movie popcorn, but Hollywood’s famed Pink’s hot dogs, which are being flown in fresh for the event. Tickets are $25 per person and limited to 75 attendees. The taping takes place at the winery on April 26 from 5:30-8pm.

Stags’ Leap Winery, which serves up stellar views of the valley, showcases artist-in-resident Seth Carnes’ work in the Manor House. Carnes, who grew up in St. Helena but now resides in New York, enjoys the melding of digital and physical form; this is evidenced in some of his latest works, spawned from digital iPhone images that are developed, printed and melted onto wood blocks with solvents.

More traditional art forms are found at Calistoga’s Chateau Montelena, which just garnered a spot on the National Register of Historic Places—yet it’s probably most famous for taking home a top prize at the famous Paris tasting of 1976. April brings another draw with plein air artist Timothy Howe, whose arresting local landscapes are on display in the winery’s Estate Room.

Howe, a New Zealander, moved to the valley three years ago after 30 years in his native land and stints in Vancouver and Barcelona. Howe shoots photos which he then paints on canvas with heavy oil paint and a palette knife. He prefers oils to watercolor, which dry too quickly; “I can cheat a lot more this way,” Howe jokes. His work is available for viewing throughout the month, but those looking for face time with the man can hit the artist reception (with wine, cheese and canapés) on Saturday, April 6.

Throughout the month, staple studios feature special events and openings, including “Ekphrasis,” a photography and mixed media exhibit at the Calistoga Art Center, and “Awaken,” at Yountville’s Ma(i)sonry Napa Valley. Mid-month culinary arts cravings can be cured at Appellation St. Helena’s splish-splashy-spendy affair, bASH, at the Culinary Institute of America, where cooking wizards face off and the audience casts their votes.

Regardless of what type of art ultimately rocks your boat, this year’s Arts in April is sure to keep the scene afloat, all month long.

Live Review: Iceage at the Rickshaw Stop

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Elias Bender Rønnenfelt staggered onto the stage, a Hamm’s in one hand. He clasped his other hand around the microphone, and then looked blankly from under his canvas hat, out onto the audience, all detachment and potential energy. Unimpressed with what he saw. The show had not started yet. Rønnenfelt was a walking magnetic field.
In ten minutes, Rønnenfelt would be falling into the crowd, wishing it was a mattress and beating the people in the front rows when he realized, over and over again, that it was not. He would be curling in a ball in front of the bass drum. He would be refusing offered replacements for a broken guitar strap, opting to sing lead, dropping his guitar on the ground.

Renee Fleming, Izthak Perlman, Hilary Hahn, Lang Lang, Jessye Norman, Herbie Hancock to Play Green Music Center

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Made public in a season announcement today, the Green Music Center‘s second season includes Renee Fleming, Izthak Perlman, Hilary Hahn, Lang Lang, Jessye Norman, Herbie Hancock, Richard Goode, Jean-Yves Thibaudet, Mariza, Bryn Terfel, Garrick Ohlsson, Ruth Ann Swenson and more.
Without a doubt, this is another star-studded season for the center, which opened on the campus of SSU last year. Classical enthusiasts, especially, have reason to celebrate.
Renee Fleming will appear in a season opener on Sunday, Sept. 15, at 3pm.
Lang Lang, who performed at the hall’s grand opening last September, returns on Sept. 17.
Tickets for the season range from $27–$140 each, with subscription packages available starting today for donors in the $1,000 Benefactor Society and higher; Tuesday, April 2 for current subscribers and all MasterCard holders; and Monday, April 22 to the general public.
SSU students receive 50% off.
Ticket sales and more info. can be found at the Green Music Center’s site.
Other dates are as follows:

Three Horrible Things That Happen When You Google “Twilight Fan Fiction”

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Dearest Bohemian reader: Perhaps you, too, were bumming around the blogosphere this morning and saw that another work of Twilight fan fiction got a book deal.

Another work of Twilight fan fic will get published.

  • Another work of Twilight fan fic will get published.

If you’re like me, you feel outraged at first. You think: Isn’t Twilight strange and disturbing enough? Isn’t it already shameful that a work of fan fiction then became a wildly popular three-part series? Do we really need a third set of tomes inspired by the already-flat characters of a sparkly deer-eater, a sometimes-wolf with rapist tendencies and a teenage girl who could really benefit from some kind of extra-curricular activity?

But then, if you’re like me, you admit that you’re strangely compelled by the whole notion of fan-ficiton. You overhear 16-year-old boys talking about their Game of Thrones fan fiction in coffee shops (but they’re mostly writing about Cersei so you don’t really want to know). You once wrote an article about Gone with the Wind fan fiction, for which you spent three months listening to Gone with the Wind fan fiction, which is so full of bizarre plot twists and decadent clothing that you felt bored and empty when you were done. You remember this term from college, “intertextuality,” which is basically a smart way of saying that everyone writing literature is ripping someone off.

So you take to the Internet and Google “Twilight fan fiction,” to see what horrible and fascinating things emerge.

First, you find that there are several professional-looking forums, in which hopeful writers of Twilight fan fic post their plot ideas. They list the number of chapters, the language, the genre. They include summaries—everything from future snapshots of the Cullen clan to this one, which is kind of awesome: “Falling asleep on a bus and missing his stop, a man ends up in Forks for the weekend…poor guy.”

Then, you find that Googling “Twilight fan fic” brings up a number of Tumblr pages. Apparently, if you’re wanting to write Twilight fan fic and can’t find the words to express the wonder and longing inspired by the original series, you can use pictures! But, wait, never mind. Don’t click on those links! While there are some lovely watercolors of wolves (which would look right at home on a tie-dye shirt), there are also some photoshopped images of Edward in pants that zip…oh my goodness. You can’t un-see that.

Finally, in a moment of soul-crushing despair, you’ll realize that the worst has already happened. Frankenstein’s monster has birthed a child, who has, in turn, birthed a child. Or, to be more Twilight-appropriate, that half-human, half-vampire child from the series that started it all has found a half-human, half-vampire mate, and their sparkly progeny is destined to outlast us all.

Twilight fan-fiction has inspired fan-fiction.

Review: Reggae Legends Sister Carol & Mykal Rose In Santa Rosa

Sister Carol took the stage ten minutes before midnight. In dark glasses and tall rasta head dress, the 54-year-old radiates reggae empress on stage. Born Carol East in Kingston, Jamaica, Sister Carol is celebrating three decades of bringing women up in a culture dominated by masculinity. Part roots singer part rhymer, her signature chatty dancehall style has crowed the “Black Cinderella” one of the most eloquent women in reggae music.
A fashionably late entrance is standard affair in reggae culture. The practice is a gesture of sorts, giving the crowd a chance to appreciate the DJs and fill the dance floor. In fact, a seasoned fan knows to arrive no earlier than 11pm so as not to wander aimlessly until someone gets on stage. Arriving just before show time, the venue had already filled with people who had seen Sister Carol or Mykal Rose several times before. Fans came down from Mendocino County, Lake Tahoe, and up from the City owing to the significance of having these two reggae legends play such a small venue with a live band.
Now in its second year as the only reggae genre night in Santa Rosa, Casa Rasta has garnered a steady following of local fans. Resident DJ Kieran “Sizzlak” Eagan is lead seleckta, building on experience as a late-night reggae music programmer with San Jose’s KKUP, 91.5FM. And now taking to the decks is DJ Dinga, better known for his MC techniques with the wildly popular mixed martial arts event, Cage Combat.  With Bay Area sound system Jah Warrior Shelter dropping in on a regular basis, the dynamic duo are coming into their own, booking quality live talent and attracting a fan base four counties wide.
Sister Carol’s performance was memorable. Having seen her perform on festival stages for thousands of people, it was an entirely different experience to see her engage a small audience. She took care to give attention to those in the front row and was absolutely on point with the back-up band. Going into several free styles, even within songs, the clarity of her rhymes was beyond impressive. It was if she had played a thousand times yet this time’s rhymes had renewed potency. Flawless renditions of “Rasta Girl” and “Womb-Man” sounded like album recordings, and the classic anthem “Reggae Arena” was, as always, the highlight of her set. Not a minute of lagging, just pure concentration in the music and the vibe. To our dismay though, the crowd did not realize “Wild Thing” was her last song and failed to produce an applause worthy of an encore. When she did not come back on stage, a sense of somber awe filled the room. The crowd knew they were not ready to say goodbye.

Fresh Blood

Barolo's Angelo Chambrone turning heads as youngest chef in Napa Valley

Lobbying is Great!

Says newspaper owned by lobbyist

Hangin’ Tough

Tegan and Sara, New Kids on the Block playing Napa

Loud Quiet Loud

Announcements, closures and more

Forum Fizzles

Heated atmosphere, no solutions at Marin meeting on housing

Spring Fever

April is the artsiest month in Napa

Live Review: Iceage at the Rickshaw Stop

Elias Bender Rønnenfelt staggered onto the stage, a Hamm’s in one hand. He clasped his other hand around the microphone, and then looked blankly from under his canvas hat, out onto the audience, all detachment and potential energy. Unimpressed with what he saw. The show had not started yet. Rønnenfelt was a walking magnetic field. In ten minutes, Rønnenfelt would...

Renee Fleming, Izthak Perlman, Hilary Hahn, Lang Lang, Jessye Norman, Herbie Hancock to Play Green Music Center

Made public in a season announcement today, the Green Music Center's second season includes Renee Fleming, Izthak Perlman, Hilary Hahn, Lang Lang, Jessye Norman, Herbie Hancock, Richard Goode, Jean-Yves Thibaudet, Mariza, Bryn Terfel, Garrick Ohlsson, Ruth Ann Swenson and more. Without a doubt, this is another star-studded season for the center, which opened on the campus of SSU last year....

Three Horrible Things That Happen When You Google “Twilight Fan Fiction”

Dearest Bohemian reader: Perhaps you, too, were bumming around the blogosphere this morning and saw that another work of Twilight fan fiction got a book deal. Another work of Twilight fan fic will get published. If you're like me, you feel outraged at first. You think: Isn't Twilight strange and disturbing enough? Isn't it already shameful that a work of...

Review: Reggae Legends Sister Carol & Mykal Rose In Santa Rosa

Sister Carol took the stage ten minutes before midnight. In dark glasses and tall rasta head dress, the 54-year-old radiates reggae empress on stage. Born Carol East in Kingston, Jamaica, Sister Carol is celebrating three decades of bringing women up in a culture dominated by masculinity. Part roots singer part rhymer, her signature chatty dancehall style has crowed the...
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