Feb. 23: Mr. Healdsburg Pageant at the Raven Performing Arts Center

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Far from the traditional male beauty pageant with bodybuilders and Speedos, the 10th annual Mr. Healdsburg Pageant features everyday members of the community. Each contestant creates a nickname and competes in the talent, eveningwear, beachwear and interview categories. This year’s seven finalists include 74-year-old Mr. Basso Profundo, who plans to blow the crowd away with his singing voice; Mr. Hot Stuff, who hopes to wow everyone with his winning looks; and Mr. Hotlicks, who started a Facebook campaign in attempts to seal the deal. Who will take home the plastic crown? Find out Saturday, Feb. 23, in a benefit for the Raven Performing Arts Theater. 115 North St., Healdsburg. 7:30pm. $40—$60. 707.433.6335.

Feb. 23: Paco Peña at the Marin Center

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If you’ve never heard Paco Peña, your ears have been sorely deprived. Peña is the legendary flamenco guitarist from Spain that has been dazzling and mesmerizing audiences with his skill for close to five decades. Now 70, he can still deftly slay the frets with his fingers and elicit torrents of emotion and passion from the strings. See him on Saturday, Feb. 23, at the Marin Center. 10 Avenue of the Flags, San Rafael. $20-$50. 8pm. 415.499.6400.

Feb. 21: Victor Wooten at the Napa Valley Opera House

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When it comes to playing the bass, Victor Wooten is a giant among men, slapping the strings since he could sit up straight and pushing he boundaries of funk and jazz ever since. Called “the Michael Jordan of the bass,” Wooten was ranked one of the top 10 bassists of all time by Rolling Stone. His technical skill and unique style have been his bread and butter, winning him five Grammys and worldwide renown as one of the founding members of the super-group Bela Fleck and the Flecktones. Bear witness to Wooten’s virtuosic talents on Thursday, Feb. 21, at the Napa Valley Opera House. 1030 Main St., Napa. 8pm. $30—$35. 707.226.7372.

Cut and Dried

Directed by Richmond, Calif.–bred Carl Franklin, the adaptation of the cherished young-adult book Bless Me, Ultima is as good-looking as any movie made in New Mexico: the piñons are polished by the fine air, drying chile peppers glow with the hearty crimson of a neon sign at dusk, and the silver streams and moonscapes gleam with the purest light.

Bless Me, Ultima is a book banned with regularity—if you’ve ever seen the kind of terrified evangelicals who haunt PTA meetings, you’ll know why—and yet has become one of the bestselling works of Chicano literature in history. It centers on the post-war childhood of Antonio, or “Tony” (Luke Ganalon), the youngest son of a small-time Chicano farmer. The black-clad curandera who delivered Antonio when he was a baby, Ultima (the veteran actress Míriam Colón), comes to spend her last days with him. The name “Ultima” is significant: she is at the end of a tradition as healer and curse lifter.

Her gentle influence teaches Tony to seek out the Virgin Mary’s side of Catholicism, instead of the hell-fire-stoking religion pushed at the adobe church. (Of sinners, Tony asks the question, “Do you think if God was a woman, he would forgive them?”)

The subject matter is unique, but the approach is often clumsy. The narration couldn’t possibly sound more straight-off-the-page. Regarding his parents, “They took their truth from the earth,” narrates the elder Antonio. In the smaller parts, we get a portion of the contraction-free overemphasis actors frequently use when playing their simpler, nobler rural forebears. (I’ve seen little-theater actors who could put five syllables and 11 l‘s in the word “tortilla.”)

That’s not the problem of the player with the role of Narciso, Nayarit-born ex–James Bond villain Joaquín Cosio, who steals scenes with the ardor of Thomas Mitchell in a John Ford movie.

‘Bless Me, Ultima’ opens Friday, Feb. 22 at the Roxy Stadium 14 (85 Santa Rosa Ave., Santa Rosa).

Mr. Reich

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In post-Occupy 2013, the term “one percent” has crept dangerously close to jargon—a phrase used by everyone from Fox News to Mitt Romney in order to land some demographic points with the rest of us.

Read anything written by Robert Reich, Secretary of Labor in the Clinton administration and current UC Berkeley professor, and you’ll remember why those two words set the country on fire. In his numerous articles and book Beyond Outrage, Reich drops sentence after fact-laced sentence that will have you laughing—or crying—in disbelief. Take this little nugget: “The 400 richest Americans now have more wealth than the entire bottom half of earners—150 million Americans—put together.”

Or this, from his blog: “A half century ago, American’s largest private-sector employer was General Motors, whose full-time workers earned an average hourly wage of around $50, in today’s dollars, including health and pension benefits. Today, America’s largest employer is Walmart, whose average employee earns $8.81 an hour.” (A third of those employees don’t qualify for benefits.)

A strong advocate for union-less workers—those without political capital or Super PACs or, really, much of a voice—Reich offers comprehensive and clear outlines of what we already know but might be tempted to forget. As Rohnert Park contemplates opening a Walmart supercenter and zoning exemptions are made for other big-box retailers, his work is a reminder why the language of Occupy is worth reclaiming by the 99 percent.

Robert Reich speaks on Walmart, the new economy and America’s future on Monday, Feb. 25, at the Glaser Center. 547 Mendocino Ave., Santa Rosa. 7pm. Free. 707.568.5381.

Illusory Light

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Anton Orlov owns a darkroom on wheels, in the form of his Photo Palace Bus, a unique gallery that will be parked in Occidental on Feb. 22. Since emigrating from Russia, Orlov has pursued his love of analog photography to several historic discoveries—glass slides depicting scenes from WWI and the Russian Revolution.

The Slavic stills from 1917 were colored and converted into Magic Lantern slides by their original creator, an American missionary named John Wells Rahill. They show soldiers in gas masks and great coats, as well as what appears to be peaceful rural life, undisturbed by war.

The Magic Lantern is an instrument with a checkered and bizarre history. Though perfect for displaying brightly colored miniatures now, it was once used by clergymen and magicians alike to conjure floating images of saints, demons and ghosts. The strange instrument began to fall out of use in the ’60s, Orlov writes, and “currently there are only a few Magic Lantern shows in the world.”

Why not go to one, then, in a bus parked in Occidental?

Orlov’s Magic Lantern Experience comes to town on Friday, Feb. 22, at 7pm, hosted by Rahill’s granddaughter, Barbara Hoffman, at a private residence in Occidental. To reserve a spot, call 707.874.2787.

Projected Figure

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The great irony of the Alan Parsons Project lies in the fact that the ensemble’s namesake can scarcely be heard on their initial recordings.

“I didn’t do anything on the early albums in particular other than engineer and produce,” the transplanted Englishman admits by phone from his home near Santa Barbara. “I occasionally sang a backing vocal or [played] a small guitar part, but I wasn’t really part of the outfit.”

As the Alan Parsons Project progressed, Parsons’ musical participation increased gradually, but “the public at large had always thought I was the artist,” he admits. “And in fact it was a subject of much laughter in the late ’70s when I was nominated as the 13th best male vocalist in Cashbox magazine. And of course, I’d never sung a note.”

Not that it mattered to listeners. Starting in 1976, the Project crafted a series of popular albums, distinguished by elegantly melodic songs organized around a loosely defined concept and a rotating cast of featured vocalists, all burnished to a high-gloss sonic sheen. Radio-friendly albums like I Robot, Eve and The Turn of a Friendly Card meshed with the rise of soft-rock FM, and spun off such AM hits as “Eye in the Sky” and “I Wouldn’t Want to Be Like You.”

Through all that, the Alan Parsons Project remained studio-bound.

“We didn’t really have the mechanical requirements to play live” back then, he says. Plus, “it was questionable what I would actually do onstage,” he laughs.

Still, for a 1994 “solo” album Try Anything Once, “we decided to assemble a band and see how it went,” Parsons recalls. “I played a few keyboards and a little guitar and we had some really great musicians in the band playing their parts, and it worked. And we’ve been doing it ever since.”

Parsons plays the Uptown Theatre in Napa on Feb. 24, and though he enjoys these occasional road trips, he sometimes wonders why he waits so long to begin them. “In some ways, I regret it,” he muses, “because we could have possibly become a much bigger live act, possibly even a stadium act, if we’d started doing it earlier.”

Despite his well-deserved reputation as an audio expert—known for his work behind the board with Al Stewart, Ambrosia and Pink Floyd’s Dark Side of the Moon, he recently put out a triple DVD set, The Art and Science of Sound Recording—Parsons is firm that his concert performances are not electronically enhanced.

“The keyboards are important to recreate the orchestration,” he elaborates. “But we don’t cheat; it’s all coming from the stage, it is a band playing, there’s no obvious taped sound. There’s the occasional rhythm track loop that we play to, but otherwise it’s very real.”

Letters to the Editor: February 20, 2013

Mate Trail

Jay Scherf is to be commended for his daring expedition to outermost Patagonia, where he discovered the shocking news that canned and bottled mate drink is not exactly traditional yerba mate (“Bottling the Tradition,” Feb. 13). He also reveals that Argentines speak a peculiar dialect known as “castellano” (a term interchangeable with “Español,” a language spoken by people in most of South America as well as Spain, Mexico, Central America and the Caribbean. Argentines have a distinctive accent—so do lots of others who speak Spanish; it’s all castellano). He also researched “indigenous mate farmers”—presumably the folks who grow the gourds that yerba mate is sipped from, unless he was trying to describe yerba growers.

Santa Rosa

SRJC’s Job Board

I recently encountered this article in the Bohemian (“Living in Limbo,” Jan. 23), which was promptly followed by the astounding realization that the SRJC Job Board has been farmed out to a company called College Central Network, which charges $200 to post an employment offer for 30 days.

I have been going to the JC for the last three years studying graphic design. I am graduating this year, and an internship that I found on the original (free) JC job board has turned into a real job for me already. My employers were so pleased with me and the training that I received at the JC that they were eager to post another job offer to fill a currently available post. We went through the steps on the new job board, only to come to the bottom of the page and find that it costs $200! Needless to say, this small yet growing and thriving local employer jumped ship. No wonder there haven’t been any posts on the job board lately.

It is a great loss to this community, the local economy, and especially the students at the JC that someone decided that this was an appropriate budget cut. They perhaps thought, erroneously, that they might make money for the JC from this site, when a nominal charge could have covered the costs of maintaining the original job board.

With Craigslist charging $70 to post job offers and SonomaCountyHelpWanted also charging $200, it’s no wonder people can’t find jobs. Word of mouth and social connections are the most viable way for people to find work in an environment like this. It’s not surprising that an 18- or 20-year-old can’t find a job—they have few useful connections for finding a job.

Just sayin’.

Forestville

Illegal Torture

Recently, the national discussion has again turned to gun control and the issue of excess violence in our culture, along with increased, untreated mental illness. Sadly, the entertainment industries continue to feed American consumers a steady diet of violent action thrillers—games, films, books—filled with brutality for young and old audiences alike. This type of entertainment does not model or encourage well-adjusted social behavior such as compassion, kindness or understanding. Instead, it feeds an already unhealthy trend in our society that emphasizes aggressive behavior.

We have a deep concern about the showing of the new film Zero Dark Thirty in local theaters. This film presents viewers with a “fictionalized” story depicting many graphic scenes of the horror and brutality of U.S.-sanctioned torture and assassination. We are deeply concerned that these images strengthen the mass psychology that otherwise immoral and deplorable behavior is acceptable in the face of perceived threats to national or personal security.

Some argue that the film does not endorse torture, but it is undeniable that its extreme content—along with hundreds of similar films—desensitizes our minds and normalizes these brutal acts. Our moral fabric is being torn apart, and with it, a notable lack of life-nourishing experiences. Today’s field of entertainment offers little of humankind’s positive aspects and the need to care for our beautiful world, but there is no reason that it couldn’t.

Signed By: The Peace & Justice Center of Sonoma County; Veterans for Peace, Chapter 71, Sonoma County; Praxis Peace Institute; California 2nd Congressional District of the Peace Alliance/Department of Peacebuilding Campaign; Healdsburg Peace Project; Petaluma Progressives; Metta Center for Nonviolence; Sonoma Valley Peace & Justice.

Write to us at le*****@******an.com.

Alsace Varietals Festival

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Anderson Valley can get downright hot, I’m told. No doubt, the mature trees shading a patch of turf in the Mendocino County Fairgrounds provide welcome shade. Even in the midst of winter, it’s clear enough: just north of the Lamb Palace, arrayed around a gazebo, thick-trunked redwood trees bear the mark of summer fairgoers past, who have lounged in their shade, year on year, rubbing the bark smooth to a height of just about six feet.

As a wine region, it’s Anderson Valley’s comparative coolness, of course, that’s lately made it a haven for Pinot Noir. But Pinot, most often hitched with Chardonnay in such cool-climate locales as this remote valley, shares the spotlight here with a few other French cousins: Pinot Blanc, Pinot Gris, Muscat, Gewürztraminer and Riesling.

Although the latter two are commonly associated with Germany, France’s Alsace region grows them, too, and the style there is much like the style here: dry. For eight years running, the Anderson Valley Winegrowers have held their International Alsace Varietals Festival at the fairgrounds in Boonville. It’s a small event, but to keep it even simpler, I stuck with Riesling. Happily, it was well represented.

Truly international, the event includes imports from Germany, Alsace, New Zealand, even Napa. Stony Hill Vineyard’s Peter and Willinda McCrea, who make the trip from St. Helena every year, appreciate that this event attracts a more serious sort of taster. Sure enough, only one glass was heard crashing to the floor—to no applause. All the better to appreciate Stony Hill’s sizzlingly crisp, floral 2011 Riesling.

Oregon winemaker Chris Williams concurs. Whether or not it’s a boon to sales, says Williams, he likes the vibe of this friendly, little festival. And it’s great to get another taste of Brooks Winery’s outstanding 2009 Willamette Valley Riesling. From down south, look for dry Riesling from San Luis Obispo’s Claiborne & Churchill, and Santa Barbara’s up-and-coming Tatomer.

Local highlights include Breggo’s orange-blossom-scented 2010 Riesling and Toulouse’s 2012 Riesling, cashew-scented and creamy as per usual. Greenwood Ridge’s 2011 Riesling is lean and dry, with a hint of petroleum—if you know, and like, what I mean—and apricot. And Riesling from Michigan’s Old Mission Peninsula—who knew?

Why have I spent so much time talking about an event that won’t happen again until February 2014? Because Anderson Valley is not really that far away, and it rewards the adventurous taster who can keep a firm hand on the wheel.

Meanwhile, check out the 16th Annual Anderson Valley Pinot Noir Festival, May 17–19. Mendocino County Fairgrounds, 14400 Hwy. 128, Boonville. Tickets go on sale March 15 at www.avwines.com.

All Things Cheese

Like a good cheddar, the annual Sonoma Valley Cheese Conference has come of age. This week, for the 10th year running, artisan cheesemakers, retailers, distributors, food writers and aficionados from all over the country gather in Sonoma for three days of tasting, sipping and chatting. Hosted by Sheana Davis of the Epicurean Connection, this year’s conference focuses on the next generation of young cheesemakers who have heeded the curdling call.

Festivities kick off in Sonoma on Sunday, Feb. 24, with a Winter Artisan Cheese Fair. In addition to plenty of beer and winetasting, guests will sample selections from the mac-and-cheese cook-off, featuring chefs from Hopmonk, Depot Hotel, Hot Box Grill and Real Food Company, among others.

Two days of seminars, speakers and networking sessions follow on Monday and Tuesday, with local cheesemakers Gabe Vella of Vella Cheese Company and Carleen Weirauch of Weirauch Farm & Creamery joining in a panel discussion with Wisconsin farmhouse cheesemakers Andy Hatch and Katie Hedrich. Proving that cheesemaking isn’t just for farmers, urbanites Bob Willis and Kurt Dammeier discuss the art of curdling in the midst of the concrete jungle. And on Wednesday, author, CEO and self-described “lapsed anarchist” Ari Weinzweig gives a presentation on how to build a better business with less bureaucracy and more fun.

The conference runs Feb. 23–27 with various price points; to register, email Sheana Davis at sh****@*om.com or call 707.935.7960.

Visit www.theepicureanconnection.com to learn more.

Feb. 23: Mr. Healdsburg Pageant at the Raven Performing Arts Center

Far from the traditional male beauty pageant with bodybuilders and Speedos, the 10th annual Mr. Healdsburg Pageant features everyday members of the community. Each contestant creates a nickname and competes in the talent, eveningwear, beachwear and interview categories. This year’s seven finalists include 74-year-old Mr. Basso Profundo, who plans to blow the crowd away with his singing voice; Mr....

Feb. 23: Paco Peña at the Marin Center

If you’ve never heard Paco Peña, your ears have been sorely deprived. Peña is the legendary flamenco guitarist from Spain that has been dazzling and mesmerizing audiences with his skill for close to five decades. Now 70, he can still deftly slay the frets with his fingers and elicit torrents of emotion and passion from the strings. See him...

Feb. 21: Victor Wooten at the Napa Valley Opera House

When it comes to playing the bass, Victor Wooten is a giant among men, slapping the strings since he could sit up straight and pushing he boundaries of funk and jazz ever since. Called “the Michael Jordan of the bass,” Wooten was ranked one of the top 10 bassists of all time by Rolling Stone. His technical skill and...

Cut and Dried

'Bless Me, Ultima' an arid desert adaptation of celebrated novel

Mr. Reich

In post-Occupy 2013, the term "one percent" has crept dangerously close to jargon—a phrase used by everyone from Fox News to Mitt Romney in order to land some demographic points with the rest of us. Read anything written by Robert Reich, Secretary of Labor in the Clinton administration and current UC Berkeley professor, and you'll remember why those two words...

Illusory Light

Anton Orlov owns a darkroom on wheels, in the form of his Photo Palace Bus, a unique gallery that will be parked in Occidental on Feb. 22. Since emigrating from Russia, Orlov has pursued his love of analog photography to several historic discoveries—glass slides depicting scenes from WWI and the Russian Revolution. The Slavic stills from 1917 were colored and...

Projected Figure

Studio whiz Alan Parsons goes live

Letters to the Editor: February 20, 2013

Letters to the Editor: February 20, 2013

Alsace Varietals Festival

Bahl hornin' in Boonville

All Things Cheese

Like a good cheddar, the annual Sonoma Valley Cheese Conference has come of age. This week, for the 10th year running, artisan cheesemakers, retailers, distributors, food writers and aficionados from all over the country gather in Sonoma for three days of tasting, sipping and chatting. Hosted by Sheana Davis of the Epicurean Connection, this year's conference focuses on the...
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