English Pig-Dogs

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Those unfamiliar with Monty Python and the Holy Grail will probably be surprised, and a bit appalled, at the taste-challenged exercise in existentialist vaudeville that is Spamalot.

Bu tasteless or not, it’s among the best musicals Sixth Street Playhouse has staged. Inspired by the subversive siliness of the 1975 film, Spamalot is a giddy, goofy delight—and it carries a high degree of life-affirming advice.

Well, sort of.

Eric Idle—who co-wrote the film and adapted it to the Broadway stage in 2005, and who appears as God in a clever bit of stage projection—includes many of the most memorable bits from the original film: the head-banging monks, the “Bring out your dead” guy, the obnoxious French taunters, the Trojan rabbit, the Knights Who Say Ni, and even the fluffy bunny with sharp, nasty, pointed teeth.

The show does an exceptionally clever job of encapsulating all of the film’s teasingly indelicate mayhem. But it does more than just add a few songs and throw it up onstage. With Spamalot, Idle has taken the opportunity to also spoof the traditions and excesses of Broadway musicals in general.

Beginning with a small misunderstanding which results in a chorus of singers praising the country of Finland instead of England (“The Fisch Schlapping Dance”), the story skips back and forth between Arthur’s quest to find the Holy Grail (“Find Your Grail”) and his knights’ gradual discovery that they are actually characters in a Broadway play (“Twice in Every Show”).

Arthur, portrayed with a playful sense of stiff, authoritarian befuddlement by Barry Martin, attempts to keep order with the help of his coconut-clapping servant Patsy (Erick Weiss, a comic delight) and the occasional assistance of the sassy, sexy Lady of the Lake (Taylor Bartolucci, whose strong voice was not served on opening night by some negligent attention to her mic volume).

The knights are a motley crew. There’s Sir Lancelot (a hilarious Mark Bradbury, who dons an outrageous French accent when necessary), the preening Sir Galahad (Evan Atwood) and Sir Robin (Trevor Hoffman), who is frightened by everything except a good tune and stops the show with a second-act number titled “You Won’t Succeed on Broadway,” lamenting the absence of Jewish entertainers in Arthur’s merry band of misfits.

Directed with confident, comic grace by Craig Miller, Spamalot is something completely different, as bracing and funny as a hit upside the head with a shovel.

Rating (out of 5): ★★★★

Honoring Heritage

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An online memorial slideshow for Brent Bearskin Smith, a Santa Rosa teenager who committed suicide on Nov. 13, 2011, tells the story of a somewhat typical teen. The dark-haired and dark-eyed young man wears baggy pants and “Latin Rollers” T-shirts, smiles at car shows, hangs out at barbecues with friends, hugs girls and loads up on food at potlucks.

What’s not so typical are the shots of Smith dancing in traditional Pomo dance attire, an elaborate orange headdress covering his eyes and a wooden flute in his mouth. Taken together, the photos tell a story of a young man caught between two cultures: one that took Smith to the edge of gang violence, and another that connected him to his heritage as a member of the Round Valley Indian Reservation.

And Smith was not alone. “These kids don’t know which way to go; they’re being pulled left and right,” says Agustin Garcia, project coordinator at the Sonoma County Indian Health Project (SCIHP). According to Garcia, Smith’s scenario is all too common—young Native Americans caught between two worlds, feeling they have no place to call their own.

For this reason, SCIHP, with support from the Family Service Agency of Marin, is holding a Gathering of Native Americans (GONA) specifically for Native American youth ages 12 to 17 at the Marin Headlands from Aug. 30–Sep. 2. The GONA curriculum has been applied to numerous events around the country, but the upcoming gathering is the first event of its kind in the Bay Area.

Garcia, himself a member of the Elem band of Pomo in Lake County, calls the GONA a “template” for the four-day ceremony, bringing together Native American youth in the Bay Area and helping them to develop “a sense of belonging.” According to the GONA
training manual, one element
of human growth is addressed each day, beginning with “belonging,” followed by “mastery,” “interdependence” and “generosity.”

The curriculum for the Marin Headlands GONA has been tailored to address specifics of Pomo life, and delves into the history of the area, with the arrival of the Spanish, the Mexicans, the Gold Rush and forced boarding schools run by the U.S. Department of War—and the tragic implications for native cultures in the Bay Area, which were decimated by the imposition of Western cultural economics and values, according to Garcia.

“We live in a society where we’re not seen or even talked about,” he adds. “The version of history we learn in public schools was not written by our own people. There’s such a dark history that nobody wants to discuss.” The goal of the second day of the GONA, “mastery,” is to address this history, specifically in California, where tribes are smaller and entire villages were wiped out overnight by mercenaries like the Humboldt Minutemen.

Those who have studied the issue, like Garcia, trace the high rates of suicide and drug and alcohol abuse among Native American youth to unaddressed trauma, compounded by unpleasant and often abusive experiences in boarding schools and handed down through native families.

According to the Centers for Disease Control and Prevention, suicide is the second leading cause of death among American Indian and Alaska natives aged 15–24, right behind accidents. The suicide rate for American Indian teens and young adults is 2.5 times higher than the national average for the same age group, averaging about 31 per 100,000 in comparison to the national average of 12.2 per 100,000.

The national epidemic has hit home locally with the 2011 suicide of 18-year-old Sam Benzor, followed by Brent Bearskin Smith’s just a few days later. Both were former Elsie Allen students and danced together in a Santa Rosa–based Pomo Indian youth dance troupe.

The final two days of the GONA builds roads toward healing, with youth discussing ways they can develop healthy community connections. According to Dr. Leon Wakefield, director of behavioral health at the Sonoma County Indian Health Project, the community-building element is just one part of a multi-step effort to step up youth services for Native American youth—seven different tribes are represented at SCIHP—in addition to increasing collaboration between counties and developing suicide prevention efforts in what’s called “Indian Country.”

“Our most important thing is to stress prevention,” says Wakefield, “To stress that there’s a place where kids can come to talk about what’s going on in their lives and try to create bonds among the elders, the adults and the kids.”

Live Review: Courtney Love at the Phoenix Theater

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Here was the moment at the Courtney Love show last night, and it was brief: right after “Violet,” there’s the usual applause and all, but then it comes back, and surges into a roar, like the crowd all agrees to just cheer the shit out of Courtney Love for, I don’t know, being through hell, most of it self-inflicted, and being murdered by the media, and having her daughter taken away once or twice, and the Kurt thing, but living through it against the odds, and now, playing a sparsely-populated show in some fuckin’ chicken town, and showing up in a silver cutaway jumpsuit and bare feet and way-fake boobs and ratty blonde hair, and actually smiling while singing lines like “I always wanted to die”—and then, during this spontaneous burst of love from the crowd, Courtney Love, 49 years old, looks out into the Phoenix Theater, coyly grins, then visibly swells with gratitude, cocks her head and blows a kiss, serious as a heart attack.
You know how you see a band that’s famous for being sloppy, or mad at each other, or too drunk, but then there’s the one night they’re super tight, or just happy, or sober, and it’s like “THIS is what this band always could be but now finally, gloriously is“? That was Courtney Love last night at the Phoenix, accepting three bouquets of roses when she hit the stage, opening the set with “Plump,” screaming the lines “IT MAKES ME SICK” like the screech of a malfunctioning tractor and, at the end of the song, looking down at the monitor and telling the soundman: “I just blew a speaker.”

Taylor Maid Opening This Weekend

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There’s a buzz at the Barlow, and it’s not just from the press. Taylor Maid Farms Organic Coffee, one of the largest boutique roasters in the North Bay, is opening its flagship coffee bar at the new commercial complex Saturday, Aug. 24.

The roaster began in Sebastopol in 1993, when organic coffee was almost unheard of in a world where Starbucks was often the only roaster that could tell the origin of its beans. Now, it’s snobbishly hip to ask “where are your beans from?” Taylor Maid call tell you that as well as the climate, method and roasting style of their beans. And they’ll grind and brew cups to order.

The coffee bar and roaster hosts a celebration August 24, 2-5pm with munchables from Undercover Baking Agency, Cookle Take-A-Bite, East West Café and brews from Lagunitas and Revive Kombucha. There will be games, raffle prizes and a DJ spinning your favorite tunes from the 90s (here’s an early request for some Limp Bizkit, Mr. DJ). Nineties attire is encouraged. Pshh, yeah, whatever.

Taylor Maid Farms Coffee Bar & Roastery is located at 6790 McKinley Avenue, Suite 170. 707.824.9110.

Aug. 27: The Gong Show at Bergamot Alley

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What is this American Idol and America’s Got Talent garbage on TV nowadays? I may be old, but these shows are just a pile of doggie doo-doo. What ever happened to the good ol’ days of contest shows that had liveliness and funny people? The Gong Show. Now that was a great ’70s show that persevered for many years. A contestant would perform an act before a panel of judges, who then decided whether or not to kill the performer’s chances by ringing a gong. Now The Gong Show comes to Sonoma County, where contestants can sign up and vie for the Golden Gong Award. The good times are back on Tuesday, Aug. 27, at Bergamot Alley. 328-A Healdsburg Ave., Healdsburg. Free. 8:30pm. 707.433.8720.

Aug. 25: Mother Hips at Long Meadow Ranch

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Hey man, have you checked out Mother Hips’ new album, Behind Beyond? It makes you feel gooood, man. Perfect ’70s nostalgia, am I right? Tim Bluhm and Greg Loiacono are the real deal, man. I mean, this band is two decades old but they’re still singin’, rockin’ and makin’ music. This stuff is actually heavy, man. They talk about political junk and real issues, but in a soothing, makes-you-wanna-zone-out way. Seriously, the songs talk to you, man. “Jefferson Army” is heavy with politics, but hypnotic and relaxing at the same time. “Behind Beyond” gives off the same vibe that makes you forget all your troubles, man, and just go with the flow. Ride that trippy wave, man, when Mother Hips perform at the summer concert series on Sunday, Aug. 25, at Long Meadow Ranch. 738 Main St., Saint Helena. $35—$45. 3:30pm. 707.963.4555.

Aug. 24-25: 19th Annual Bodega Seafood, Art & Wine Festival

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Fans of seafood, art and wine—welcome to the 19th Annual Bodega Seafood, Art & Wine Festival. Nonfans, get outta here! Only joking, but to really assess one’s love of this event, attendees may want to be ready to try some new cuisine. On the menu this weekend are plenty of seafood plates and vegetarian options, while new this year are octopus and swordfish dishes. Ever wanted to try the eight-legged creature of the deep? Now’s your chance. That leaves the art, which features over 70 artists displaying various beading, pottery, sculptures and paintings. Live music is provided by Gypsy swing band Beso Negro, street theater and gymnastics group Daredevil Chicken, Americana band Slim Jenkins and many others. The festival runs Saturday—Sunday, Aug. 24—25. 16855 Bodega Hwy., Bodega. $8—$15. 10am—6pm, Saturday; 10am—5pm, Sunday. 707.824.8717.—Anna Hecht

Aug. 21: Kermit Ruffins & the Barbecue Swingers at Sweetwater Music Hall

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Hey everybody, wait no more! Kermit’s back with barbecue in store! New Orleans jazz favorite, Kermit Ruffins & the Barbecue Swingers, is headed to Mill Valley once again for another crowd-pleasing performance. Fans who know Ruffins know to arrive with an empty stomach. With his band’s name a mix of his two favorite things—swing and food—Kermit is known to fire up the barbecue and cook for his fans between sets. Influenced by Louis Armstrong at a young age, Kermit’s passion for jazz has never ceased, and now he’s back to deliver jazz, barbecue and his lively personality to fans on Wednesday, Aug. 21, at Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. $22. 8pm. 415.388.1100.

Balverne Wines

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Soaring across the Balverne label, a red-tailed hawk catches an updraft, wings spread wide. It wasn’t always so. Some 30 years back in the day, said red-tail was depicted in steep descent, talons grasping for prey—or the words ” Cabernet Sauvignon.”

Surely a fine symbol for the over-leveraged project’s steep decline into receivership, as is the newer, gentler version of Balverne’s rising from the ashes. The question is not, hey, aren’t you talking about a phoenix, not a red-tailed hawk? The question is, hey, why relaunch a failed wine brand?

Tricky question. The short and awkward answer, according to Windsor Oaks Vineyard proprietor Bob Stein, is because they were often confused with a different, highly successful brand. People told him, “Oh, I’ve had your wine,” thinking of the Windsor Vineyards brand—an understandable error. Stein, a creditor who ended up with the property in 1992, had no previous designs on owning a winery. To his credit, he traded in luxury home-site development rights for a Forever Wild designation from the Sonoma County Open Space District, while estate general manager Douglas Lumgair modernized the vineyards.

Today, 17 cultivars are grown in 50 blocks on 225 rolling acres, closely monitored by a viticulturist and a cadre of interns. With such variety, “it’s almost like a party!” says winemaker Margaret Davenport, who was invited to relaunch Balverne (much of the yield is sold to other wineries, who make some 40 Windsor Oaks vineyard designates) along with Doug Nalle, who launched the first vintage in 1979 as a young gun out of UC Davis.

After running a big show like Clos du Bois, as Davenport once did, “you get to try out a lot of coopers, and it makes a big difference,” she remarks. Indeed, the 2012 Russian River Valley Estate Reserve Chardonnay ($40) was barrel fermented but doesn’t hit you over the head with buttered lumber. Golden Delicious, candied lime, dried tropical fruit overtones lead to a cool, substantial palate of cider, with caramel in a supporting role. Also deftly played, the 2012 Estate Unoaked Chardonnay ($25) does not scream ” green apple” but rather whispers “pear cocktail” and “blanc de blancs.”

Just looking at a map, you wouldn’t think to plant Pinot here. But with orange zest steeped in bright, early-ripeness Bing cherry, the 2012 Estate Reserve Pinot Noir ($50) is a silky, spicy, pretty thing. Still in barrel, the 2012 Red Blend promises serious sipping for the Cab crew. First, it needs a proprietary name, and they’re open to suggestions. Maybe they’ll take yet another cue from their mascot: “Scree-yah!”

Windsor Oaks Vineyard and Winery, 10810 Hillview Road, Windsor. By appointment only. 707.433.3810.

Wolf Girls

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Mt. Tamalpais is known the world over as a destination for a dose of nature and spirituality. But in 1979, the mountain, about which Gary Snyder once wrote “[it] gives us a crystal moment of being and a breath of the sky, and only asks us to hold the whole world dear,” became something else altogether: the hunting ground for a walking terror nicknamed the Trailside Killer.

It was this story, of a serial killer who roamed the mountain for more than a year and killed at least five women hikers, that provided the narrative spine for Joyce Maynard’s latest novel, After Her.

Maynard’s home in Mill Valley—where she lived before a recent move to Oakland to be with her new husband—looks out over the mountain. “It was a big presence in my life for 17 years,” Maynard says of Mt. Tam, on the phone from a New Hampshire highway as she heads to a friend’s wedding. “I had been aware that there had been a serial killer at large on those trails many years before, but I didn’t live in California then. It was a haunting knowledge that stayed with me.”

After Her is the fictional tale of two girls, ages 11 and 13, who live on the side of a mountain rocked by murders committed by the Sunset Strangler. The plot is loosely based on a true story told to Maynard by two sisters who attended a one-day writing workshop at her home. The sisters, now in their 40s and living in Ukiah and Novato, were the daughters of the homicide detective originally in charge of the Trailside Killer investigation, and they believed their father’s early death of lung cancer was caused by his deep grief at being unable to ultimately solve the case. (The killer, David Carpenter, was caught in another jurisdiction and eventually sentenced to life in San Quentin.)

A former New York Times columnist, Maynard is probably best known for her 1998 memoir
At Home in the World, which revealed her nine-month affair with J. D. Salinger when she was 18 and he 53. When Maynard sold the letters written to her by Salinger, she was roundly condemned for breaking an “unwritten law” and exposing the private idiosyncrasies of the famously reclusive author. At Home in the World is being rereleased by Picador on Sept. 3; Maynard appears at Book Passage on Aug. 26 and Copperfield’s Books in Petaluma on Aug. 27.

“It’s a book that’s close to my heart,” explains Maynard. “When it was first published 15 years ago, it was enormously battled and condemned. I’m very happy to see it reissued in a different climate.”

Beyond the Salinger connection, Maynard has forged a sizable writing career. Labor Day, her bestselling 2010 novel, is currently being adapted into a film starring Kate Winslet and Josh Brolin by Jason Reitman, the director of Juno. Over her 40-year career, Maynard has authored 15 books and countless magazine articles, including “Domestic Affairs,” a syndicated column that ran over the course of her first marriage, a relationship that produced three children but ended in divorce.

The 59-year-old author describes After Her as a coming-of-age thriller, with a theme inspired in part by one of her favorite movies, Stand by Me, and her desire to provide an opportunity for two girls to have a “wonderful adventure” along the lines of River Phoenix and his friends.

“I didn’t really set out to do this, but adolescence is kind of a going-into-the-woods experience, and this book is very much about the combination of thrill, fascination, anticipation and fear of sexuality experienced by a lot of young girls at that age,” she explains. Maynard drew on her own youth growing up in New Hampshire, describing herself as a “girl who was always looking for trouble,” a trait shared by her latest novel’s narrator.

Maynard’s previous books have an East Coast setting; this is her first set in California. Her research included an immersion in the history and culture of late 1970s Marin, a much more economically diverse community than the privileged enclave it has become. Laura and Janet, the two real sisters, filled up a notebook with memories of their life on Mt. Tam—down to small details about the clothing and music that they loved—mixed with memories of their detective father. In the book, the main characters are children of a divorced household; they live with their mother, with little money, no television or parental guidance, and easy access to the wilds of the woods.

“I wanted them to have some sort of wolf-girl life,” says Maynard.

In the end, while After Her takes on the complexities of family life and the sister dynamic, it’s also deeply about place—specifically, the mountain that looms over Mill Valley and the San Francisco Bay.

“It’s my homage to Marin County,” adds Maynard. “I love the outdoors and the wilderness around the county, and I really wanted to bring that to life on the pages of my book.”

English Pig-Dogs

Those unfamiliar with Monty Python and the Holy Grail will probably be surprised, and a bit appalled, at the taste-challenged exercise in existentialist vaudeville that is Spamalot. Bu tasteless or not, it's among the best musicals Sixth Street Playhouse has staged. Inspired by the subversive siliness of the 1975 film, Spamalot is a giddy, goofy delight—and it carries a high...

Honoring Heritage

An online memorial slideshow for Brent Bearskin Smith, a Santa Rosa teenager who committed suicide on Nov. 13, 2011, tells the story of a somewhat typical teen. The dark-haired and dark-eyed young man wears baggy pants and "Latin Rollers" T-shirts, smiles at car shows, hangs out at barbecues with friends, hugs girls and loads up on food at potlucks. What's...

Live Review: Courtney Love at the Phoenix Theater

Here was the moment at the Courtney Love show last night, and it was brief: right after "Violet," there's the usual applause and all, but then it comes back, and surges into a roar, like the crowd all agrees to just cheer the shit out of Courtney Love for, I don't know, being through hell, most of it self-inflicted,...

Taylor Maid Opening This Weekend

Buzzzz Buzzzz, it's coffee time!

Aug. 27: The Gong Show at Bergamot Alley

What is this American Idol and America’s Got Talent garbage on TV nowadays? I may be old, but these shows are just a pile of doggie doo-doo. What ever happened to the good ol’ days of contest shows that had liveliness and funny people? The Gong Show. Now that was a great ’70s show that persevered for many years....

Aug. 25: Mother Hips at Long Meadow Ranch

Hey man, have you checked out Mother Hips’ new album, Behind Beyond? It makes you feel gooood, man. Perfect ’70s nostalgia, am I right? Tim Bluhm and Greg Loiacono are the real deal, man. I mean, this band is two decades old but they’re still singin’, rockin’ and makin’ music. This stuff is actually heavy, man. They talk about...

Aug. 24-25: 19th Annual Bodega Seafood, Art & Wine Festival

Fans of seafood, art and wine—welcome to the 19th Annual Bodega Seafood, Art & Wine Festival. Nonfans, get outta here! Only joking, but to really assess one’s love of this event, attendees may want to be ready to try some new cuisine. On the menu this weekend are plenty of seafood plates and vegetarian options, while new this year...

Aug. 21: Kermit Ruffins & the Barbecue Swingers at Sweetwater Music Hall

Hey everybody, wait no more! Kermit’s back with barbecue in store! New Orleans jazz favorite, Kermit Ruffins & the Barbecue Swingers, is headed to Mill Valley once again for another crowd-pleasing performance. Fans who know Ruffins know to arrive with an empty stomach. With his band’s name a mix of his two favorite things—swing and food—Kermit is known to...

Balverne Wines

Soaring across the Balverne label, a red-tailed hawk catches an updraft, wings spread wide. It wasn't always so. Some 30 years back in the day, said red-tail was depicted in steep descent, talons grasping for prey—or the words " Cabernet Sauvignon." Surely a fine symbol for the over-leveraged project's steep decline into receivership, as is the newer, gentler version of...

Wolf Girls

Mt. Tamalpais is known the world over as a destination for a dose of nature and spirituality. But in 1979, the mountain, about which Gary Snyder once wrote " gives us a crystal moment of being and a breath of the sky, and only asks us to hold the whole world dear," became something else altogether: the hunting ground...
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