Dreams on Hold

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A neighborhood battle over a center for homeless youth in Santa Rosa continues to raise accusations of both NIMBY-ism on one side and distorted facts on the other.

The Dream Center, a proposed development in Bennett Valley by the nonprofit Social Advocates for Youth (SAY), would provide short- and long-term affordable housing units for youth between the ages of 18 and 24, a contingent that’s grown steadily. SAY’s annual homeless youth count in 2009 found 268 people between the ages of 12 and 24 living on the streets; in 2013, that number is 1,128.

After discovering that the 38,000-square-foot former Warrack Hospital had sat empty since 2008, SAY’s executive director Matt Martin approached Sutter about taking over the building. Sutter agreed, and SAY proposed the Dream Center, a full-service facility with administrative offices, job training and employment counseling, healthcare services and on-site housing.

SAY cites the success of Tamayo Village, an existing 25-unit development down the road, as a model for the future center. But Community Unite, a coalition of Bennett Valley residents, began raising opposition at planning meetings in the spring, citing safety concerns and accusing SAY of misrepresenting the facts.

“There are issues with Tamayo Village, which is the benchmark for this facility,” says Brenda Chatelain, a homeowner who lives within 300 yards of the Warrack Hospital site. “We can confirm that Tamayo has had sex offenders, gang members and violent felons.”

Chatelain charges that SAY has not been forthcoming about the criminal element at Tamayo Village. She cites a September 2013 letter, “written on behalf of 12 Sonoma County deputy probation officers,” which asserts that gang members, sex offenders and violent felons have all been either supervised, seen at or housed in Tamayo Village.

Out of 25 Tamayo Village residents, one is currently on probation, says SAY communications manager Caitlin Childs. SAY works in partnership with the probation department to “ensure our youths’ joint success,” she adds via email, but clarifies that youth are not “sent” to live at Tamayo Village and that it isn’t a halfway house, as some have portrayed. Likewise, residents of the Dream Center would not be sent by the courts, but would voluntarily apply in an open-application process.

But Chatelain and others from Community Unite say they’re concerned about whether staff will be adequately trained, as well as the scope of the proposed Dream Center, which could contain as many as 63 units for homeless youth. “It’s pretty well known that the optimum environment for people transitioning out of probation, foster care or homelessness, where they really thrive, is six to 10 people,” Chatelain says.

After soliciting the neighborhood for feedback on the project in November 2012 and looking at models of already successful affordable housing in the county, such as Burbank Housing, the ambition to build a 100-unit facility was scaled down.

“We got a lot of feedback from neighbors that said it felt to big,” says SAY director of development Cat Cvengros. The current plan proposes 40 units of affordable housing for the first year. If successful, 14 units would be added over the next two years, capping at a maximum of 63 units. Potential residents would be subject to a criminal background check, a sex-offender check and a lease agreement. The facility will also offer 10 free, short-term housing slots of up to three months for residents that have been pre-drug- and alcohol-screened.

Courtney Lavelle, 22, has been an onsite facility manager at Tamayo Village for the past year. “Have you sat down and had a conversation with them?” Lavelle says. “They’re regular kids that go to high school, go to the JC. They’re regular kids who’ve had hardships in their lives. They’re beautiful creatures, in my opinion.”

Concerns raised by Bennett Valley neighbors have helped logistically, Cvengros says. “Out of it has come a lot of positive feedback to make this a place that will meet the youth’s needs and the needs of the neighborhood. The more people involved, the better the Dream Center will be.”

Meanwhile, Community Unite, according to Chatelain, demands a neutral, third-party socioeconomic impact report before any further decisions are made.

“It’s easy to be reflexive and say they’re about helping kids,” says Chatelain. “When you drill down, things are seldom black-and-white. It’s incumbent upon Bennett Valley residents to do due diligence. A neutral, third-party study is the only way to do it, because I believe there is an agenda in place that doesn’t necessarily serve anyone well.”

The application for the Dream Center is scheduled to go before the planning commission in early 2014, and then to the Santa Rosa City Council, where it will again be open to public comment.

Undue Influence

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Americans across the political spectrum are suffering. Families have lost jobs and homes while struggling to meet basic needs, and seniors have lost retirement savings while “safety nets” are under attack. Education has been cut to the bone, and a generation of college graduates, already deeply indebted, struggles to find work.

We look to our government for recourse from this disaster and we witness systems corrupted by corporate cash. Our voices are drowned out by lobbyists as corporate money flows freely into political coffers. Gridlock has become a political ploy, holding essential human needs hostage to special interests. A small group of radical Republicans in the House of Representatives, backed by several billionaires, have no reservations about shutting down our government and threatening the global financial system. Their goal is not only to defund Obamacare, but to roll back all progressive legislation, including Social Security and Medicare.

The key factor in this scenario is the 2010 Supreme Court Citizens United decision that overturned legislation restricting the use of corporate money in federal elections, declaring that such restrictions violated free speech rights guaranteed by the First Amendment. This decision allows a small group of billionaires to dictate public policy. In the face of such power, what can we do?

David Cobb, former Green Party presidential candidate and passionate spokesman for the Move to Amend Coalition, offers a path to reclaim our democracy by supporting a constitutional amendment that states corporations are not people, and money is not speech. This amendment strips corporations of First Amendment rights that belong only to the people. If it becomes the law of the land, it nullifies Citizens United and allows regulation of corporate cash into our government.

On Nov. 13, Cobb will let us know where we are in the struggle, what has been accomplished so far and what is left to accomplish. He will also help us spread the word in our community so that all citizens understand what is at stake. Join us at the Grange Hall, 6000 Sebastopol Ave., Sebastopol, at 7pm.

Anna Jacopetti is an organizer with Move to Amend Sonoma County who lives in Santa Rosa.

We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

The Beatles x 100

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There are your average stupid records—Having Fun With Elvis on Stage, most of Seals & Crofts’ catalog—and then there are your really stupid records, musical artifacts utterly bereft of any reason to exist other than to showcase their own uselessness.

These are the cacophonous curios that get played for a full 20 seconds before your theretofore pleasant company turns sour and pleads: “For the love of Peter Dinklage, turn it off.”

I am drawn to these records. On my shelves is a record of hundreds of manipulated Pachinko machines; a record of compact discs smashed with hammers, glued back together and played, skipping, in a CD player; and a record with 1,000 separate lock grooves that repeat 1,000 different sound loops, depending on where you drop the needle.

Rutherford Chang has just created my new favorite stupid record, and ironically, it’s made from what is many peoples’ favorite record of all time: The Beatles’ White Album.

Chang, who lives in New York City, runs an exhibition at Recess gallery in SoHo called We Buy White Albums. He sells nothing, and buys only first-edition copies of the White Album. His exhibition is set up like a record store, stocked with hundreds of copies of the White Album, arranged by the chronological number stamped on the front cover.

Chang doesn’t want pristine collector’s copies, instead preferring the many drawings, poetry and other errata that young Beatlemania-afflicted baby boomers opted to scrawl onto the blank canvas of the album’s cover while listening to “Revolution 9” in the Nixon era.

Early this year, Chang posted online an mp3 of 100 copies of the White Album played simultaneously. At the first chords of “Back in the U.S.S.R.,” the sound echoes boldly, covered in a patina of pops and scratches from 100 old records. But because of the fluctuations in pressing, and variations in turntable speed, the records slowly, over the course of Side A, play slightly off from each other. “Dear Prudence” sounds like it’s sung by a chorus of ghosts. “Ob-La-Di, Ob-La-Da” is a total mess. “Wild Honey Pie” is barely recognizable, awash in noise.

And yet Chang has recorded all four sides of the White Album this way, following in the footsteps of other musicians who’ve presented intentionally faulty playback as art, such as Stefan Wolpe, John Cage, Jim Kirby and William Basinski. Just this week, he put up for sale professionally manufactured vinyl copies of his experiment as its own standalone record: 100 copies of the Beatles’ White Album played at the same time, condensed into one album. The cover, above, is a composite of 100 albums from his collection, complete with handwritten names, drawings and tape on the edges.

He’s selling copies of his record for $20, and you might want to buy it before it gets shut down for copyright infringement—that is, if you love stupid records as much as I do. Get one at at 100whitealbums.tumblr.com.

Step Down

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Though Sonoma County courts and its Department of Health have a long history of exclusively referring clients with a history of substance abuse to 12-step programs, which rely on a belief in a higher power, that policy is about to change. As reported in the Bohemian in July 2012, Santa Rosa resident Byron Kerr has made it his mission to see that all specific references to 12-step support and specific 12-step practices be removed from Sonoma County policy and court sentencing—to be replaced with recommended neutral language. Kerr has repeatedly requested that the County refer substance users to abstinence-based, self-help support groups on a clear and equal basis, without preference given to sobriety programs that promote powerlessness over alcohol in the face of God, such as Alcoholics Anonymous. It’s an argument strengthened by the Ninth District Court of Appeals, which ruled in 2007 and 2013 that forcing clients to attend a 12-step program, without offering secular alternatives, constitutes a violation of the Establishment Clause of the First Amendment—also known as separation of church and state. Kerr—a member of LifeRing, a secular recovery group based in Oakland—tells the Bohemian that at an Oct. 30 meeting with Mike Kennedy, the Sonoma County Director of Behavioral Health, and Deputy Counsel Phyllis Gallagher, he was told that Sonoma County will begin “clear and equal choice of support” and that all specific references to 12-step support and specific 12-step practices will be removed from applicable documents. Consider this a victory for those desiring secular recovery alternatives.

After the Verdict

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On Nov. 21, 2011, Mark Herczog was killed by my nephew Houston during a psychotic break. At the time, we were aware of Houston’s disabling depression, isolation and uncharacteristic behaviors. We didn’t know he’d been experiencing the classic onset of schizophrenia. We had no knowledge of severe mental illness, the penal or legal system. That morning, our very average family woke up in hell.

If we’d believed that Houston took his father’s life under the influence or with premeditation, we’d have been quiet while justice was served. In our case, justice had an agenda. For 18 months, we were honest and forthcoming with District Attorney Jill Ravitch and Deputy District Attorney Bob Waner about our knowledge, including how desperately Mark and Houston’s mom, Marilyn, wanted help for their son.

We had it on good authority that when the third expert found Houston insane, Jill Ravitch would finally hospitalize him. She changed her mind, and the district attorney’s office requested its own fourth doctor. Livid, I called Waner about him. He replied, “He’s not a prosecution whore, if that’s what you think.” Politics. Unbelievable. Bless you, jury, for finding the truth.

Mr. Waner assured us the state would act in Mark’s interest, but he became a footnote in the district attorney’s $250,000 mission to win the case. We learned how Mark died in the Press Democrat. We had no warning that the local media would print the gruesome details of my brother’s death. I started every interview with, “Please, don’t let my brother Mark get lost in all this.” He was the victim. This district attorney’s office “champions” victim’s rights. Shame on them.

Mark Herczog was the finest, funniest and most kindhearted man I’ve ever known. He was an extraordinary guitar player, vocalist and songwriter whose music evoked joy and inspiration. Mark helped thousands find experience, strength and hope in the 36 years he was a member of AA. He was genuinely loved by anyone who had the good fortune of knowing him. How blessed I am that he was my brother. Rest in peace now, Marky. Your family is healing. May you always be remembered not for how you died, but for how you lived.

Annette Keys is the sister of Mark Herczog, whose story was featured in the April 10, 2013, issue of the ‘Bohemian.’

Open Mic is a weekly op/ed feature in the Bohemian. To have your
topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: November 20, 2013

Deputy Shooting

Thank you for this detailed, unbiased article (“Gun Crazy,” Oct. 30) about the sickening, unnecessary death of 13-year-old Andy Lopez.

Via online

Two thoughts occur to me as I consider the shooting of Andy Lopez by a law enforcement officer. First, some people think that because Andy’s toy gun looked like the real thing, the officer was justified in shooting him. However, considering that the officer in question is a so-called firearms expert, he should have been able to tell the difference between a real AK-47 and a toy. For example, Andy was effortlessly carrying the rifle with one hand by the grip, which is difficult to do with a real AK-47. (Firing an AK-47 with one hand is very difficult and requires advanced training to be able to do so accurately.)

Secondly, some people say they would have done the same thing if they were the officer. Well, if I saw someone carrying what looked like an AK-47, I would not be so quick to confront such a person, even if I were a police officer. A more prudent approach might have been to observe the subject from a safe distance, and perhaps try to get their attention using the patrol car’s PA system while waiting for backup. The officer really didn’t need to put himself in a position of potential danger.

Yes, hindsight is 20/20, and I am Monday-morning quarterbacking, but that doesn’t mean we shouldn’t try to figure out what went wrong and fix it so it doesn’t happen again. If we don’t change law enforcement’s engagement policies and we don’t change officers’ training and we don’t hold officers accountable for their mistakes, then we are all in very real danger of being killed anytime, anywhere, just because we’re holding a toy gun or a cell phone that an officer thinks is a gun, or a wallet that an officer thinks is a gun, or a broom that an officer thinks it might hurt to be hit with (all of which have actually resulted in people being killed by police officers, none of whom were charged with a crime).

Santa Rosa

There are situations where a police officer should be warranted to engage in open fire: (1) to retaliate when fired upon; (2) to save the life or well-being of a hostage held by someone with a weapon, after repeated verbal attempts to reason had failed; (3) to stop an armed suspect from fleeing the scene of the crime after committing a confirmed serious felony—after yelling a warning; and (4) in response to imminent risk during a dangerous event such as a drug bust, bank heist or prison revolt where a serious crime has already been committed.

However, is it appropriate that an officer opens fire in a routine drive-by when encountering a person of interest, where none of the above factors pertain? If personal safety becomes a concern, aren’t there other initial options available, including calling for backup, communicating via loudspeaker and using the patrol car as the shield it is? If official police training/protocol dictates otherwise, is it time for a re-evaluation by the community served?

How come we’re encouraged by some to own/hold/use guns proudly, while simple possession (toy or not) can get us killed? Is it appropriate that the existence of a removable colored tip on a toy be the deciding factor on whether a child’s life is in danger?

Finally, why would we try to equate the sadness a deputy surely feels following his shooting of an innocent toy-gun-toting child with the horrible grief of the dead child’s family? Doesn’t one involve a bad memory which in time will fade, while the other involves an everlasting agony like no other we could imagine?

Penngrove

Beach Burn

A few days ago, without a public forum or announcement, the state parks department burned down all the driftwood structures that have stood on the beach in Jenner for some 50 years. A part of Sonoma County history, these whimsical lean-tos, buildings and sculptures represented a cultural moment in California history.

It took four fire trucks and two helicopters to clean up the mess after the “controlled burn” went out of control. Besides the structures, the fire burned up the entire hillside and threatened the 101 bridge. As one witness reported, “They told me they were gonna burn up the wood on the beach so no one would burn the wood on the beach.” Yeah—that about sums it up.

Forestville

Write to us at le*****@******an.com.

Autumn Delight

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Sinatra impersonators are a dime a dozen, especially when one enters the 702 area code. No fly-by-night Vegas crooner, John DeMers is a master of recreating Sinatra’s phrasing and inflection—and he even looks like a late-era Ol’ Blue Eyes. On Wednesday, Nov. 20, DeMers hosts “Come Fly With Me,” a fundraiser for the Healdsburg Jazz Festival, with a special dinner at Madrona Manor in Healdsburg prepared by chef Jesse Mallgren. Wine, dessert and dancing rounds out the cocktail-attire night, swinging and swaying from 5:30-9pm. Tickets, $150, can be had at
www.healdsburgjazzfestival.com.

Forty years ago, ‘A Charlie Brown Thanksgiving‘ first aired on TV, and a nation was introduced to Snoopy’s idea of Thanksgiving dinner: toast, pretzels, popcorn and jelly beans. That same meal is on offer Saturday, Nov. 16 at the Schulz Museum at 1:30pm; the special screens at 12:30pm and 3:30pm. Two cans of food equals one free children’s admission; for more, see
www.schulzmuseum.org.

The Model Bakery has been a Main Street mainstay in St. Helena for generations, and the just-released Model Bakery Cookbook (pictured) finally divulges some of its recipes for success. Fans of the joint can learn from the owners, Karen Mitchell and Sarah Mitchell Hansen, in a cooking class on Saturday, Nov. 16, at Whole Foods in Napa. $40 includes cookbook and take-home cookies and pie. To sign up, see
www.copperfieldsbooks.com.—Gabe Meline

MacLaren Wine Company

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I don’t know much about MacLaren when I walk into this tasting room, except that they’re new, they specialize in Syrah and their name sounds vaguely Scottish. I find them in the back of “Vine Alley” off Sonoma Plaza, past a gauntlet of retail shops and winetasting rooms. As soon as winemaker Steve Law greets me from behind the bar in the smartly but sparely decorated tasting lounge, it is confirmed: it’s a Scottish thing, all right.

MacLaren, that’s his clan name. Hailing from the land of another lovely, smoky beverage aged in oak casks, the former electronics engineer didn’t get bit by the wine bug until he worked for Hewlett-Packard in Grenoble, France. Weekends spent exploring the northern Rhône nurtured his love for Syrah, which he took with him to California.

After a weekend jaunt to Dry Creek Valley, Law became a friend of Zinfandel specialist Michael Talty. “When I took my vacation, I’d go and help with harvest,” he says. “You need to do something about this addiction,” his winemaker friends said. So in 2007, he started making some of his own at Tally’s winery.

Some retirement project this is not. Toward the end of the 2011 harvest, Law used up all of his vacation hours. After a productive conversation with his wife, an elementary school teacher, he switched gears to being a full-time winemaker. At just 1,000 cases a year, it was a wee bit of a gamble to open up a tasting room, Law admits. But direct-to-consumer sales are the way to go—particularly when trying to sell cool-climate, food-friendly Syrah in today’s market, although Law says that when he gets a chance to pour for chefs and somms, they’re instant fans.

The 2010 “Drouthy Neebors” ($30) is a blend chosen by democratic vote of wine club members. Meaning “thirsty neighbors” in the Scots language, it’s aromatic and elegant, with nice tension on the finish. The 2010 Russian River Valley Syrah ($30) sports licorice and liqueur notes, and might pleasingly surprise Bordeaux-centric wine drinkers.

Law describes the 2010 Samantha’s Vineyard, Russian River Valley Syrah ($40) as his biggest wine. It’s complex, with spicy oak and high-toned blueberry fruit, but did not entice me as much as the 2010 Judge Family Vineyard, Bennett Valley Syrah ($40). With savory aromas of Kalamata olive, and a sensuous mouthfeel, this wine remains lively and bright throughout. Despite its location in the center of Sonoma County, this vineyard is directly in the path of the Petaluma Gap fog line. “The only place colder,” jokes Law, “is probably Scotland!”

MacLaren Wine Company, 27 E. Napa St., Suite E, Sonoma. Open Monday–Thursday, noon–5pm; Friday–Sunday, noon–6pm. Tasting fee, $15. 707.938.7490.

Children of Then

The rushed, jostling sequel Hunger Games: Catching Fire has a severe case of middle-child syndrome; it’s only there as a conduit to the invention of the two-part sequel.

In the film, the military-industrial-entertainment complex of futuristic Panem celebrates the 75th anniversary of the Hunger Games by staging a pit-match with more than a dozen badly introduced previous winners. The traumatized Katniss Everdeen (Jennifer Lawrence, still solid and enigmatic, an action heroine to reckon with) must fight alongside the boy whose life she saved in the last film. He’s Peeta, played by the inert Josh Hutcherson. The government is propagandizing a trumped-up romance between Katniss and Peeta, while the Girl on Fire’s old flame, Gale (Liam Hemsworth), languishes in coal country. But “Bow” comes before “boyfriend” in Katniss’ dictionary. The most dangerous game commences in a tropical thunderdome, beset by mustard gas, annoying birds and purple-assed baboons.

As in the Harry Potter films, it’s the character actors that wake this movie up. Stanley Tucci corners the market on humor here as the smarmy TV host Caesar, with his cotton-candy purple mullet. Playing the new torture-master, Philip Seymour Hoffman has a tunnel-visioned viciousness, as does Johanna (Jena Malone), the Faith to Katniss’ Buffy.

We don’t get a better idea of how Panem exists here, except as twittery partygoers and proles standing around giving the Boy Scout salute. Donald Sutherland, as the aging President Rose, glowers, sneers and personally delivers information that a smarter dictator would keep to himself. We know Rose is declining, but it’s strange how Panem doesn’t have the interesting power struggles that commence when an elderly totalitarian leader has no clear successor.

Director Francis Lawrence, of I Am Legend, softens the distressing kid-killing violence, but he composes as if for the cellphone screen, a matter visible even in IMAX. The Zardozian outfits suggest that the costumers and the makeup people get to have the most fun in this, a solemn sci-fi parody of our own gargantuan American excesses.

‘The Hunger Games: Catching Fire’ opens Friday, Nov. 22, in wide release.

Dreamed a Dream

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‘Les Misérables makes a huge impression,” says actor Christopher Hohmann of Santa Rosa, describing the beloved stage musical. “It’s the story of how bad things can be in the world. But it’s also the story of how some people survive that, how they get on with their lives.”

In the soaring, heart-rending 1980 musical adaptation by Alain Boublil and Claude-Michel Schönberg—as in the 1862 novel by Victor Hugo—the longsuffering ex-convict Jean Valjean endures a lifetime of hardship, loss, isolation and misunderstanding. Somehow, he prevails, discovering a sense of purpose in spite of the crushing obstacles of his life.

Hohmann identifies with that. A lot.

Valjean’s perseverance is just one of the characteristics that attracted the 20-year-old actor to the role, which he tackles in Santa Rosa Junior College’s winter production of Les Misérables, running Nov. 22–Dec. 8. Hohmann first encountered the show while a sophomore at El Molino High School, playing the part of the bishop who gives Jean Valjean a second chance. Ironically, Hohmann now takes on the part of Valjean, having had his own fair share of second chances.

“I grew up with an alcoholic mother,” he explains, matter-of-factly. “She’s bipolar and partially blind, has been in and out of jail, and all of my life I was in and out of different foster homes, starting at the age of seven. If my life were a movie or something, people would describe it as, you know, being ‘forced into a life of abuse and violence.’ Which I guess was pretty much true. I’ve been homeless. I’ve lived in public shelters. I’ve been in jail. I’ve lived on the streets.

“But through all of that,” he adds, “I stayed in school, even when I was homeless. I kept up pretty good grades. Took singing lessons. I just tried to keep moving forward, because I didn’t know what else to do. So yeah, I definitely connect with the character of Jean Valjean.”

Hohmann learned early to watch out for danger. When he was five, he suffered a concussion when another boy in a local homeless shelter threw him to the ground. When he and his half-sisters were taken from their mother not long after that incident, he spent some time at the Valley of the Moon Children’s Home. Eventually, he entered the foster system, only occasionally reuniting with his mother.

“That was the beginning of my induction into the lifestyle of a foster kid,” he says. “You learn quickly what it’s like to be on your own. The kids in the system have all been abused and neglected, one way or another, and they tend to take it out on each other. You learn in a hurry that you have to be strong.”

Through the early part of Hohmann’s life, his father was mostly out of the picture. But after a few years in foster homes, Hohmann and his dad were suddenly reunited. A longtime keyboard musician who’d performed with the likes of Carlos Santana and others, Hohmann’s father was then operating a barbershop in Guerneville.

“That’s when I finally got to know my dad,” Hohmann says, “which was really cool. He was a respectable kind of guy, a working professional. He taught me how to fish, how to shake hands with people to get their respect. He was a drinker, though. He had a lot of problems.”

Over the next few years, Hohmann bounced back and forth between his father, foster homes, his mother and the streets, where his mom still lives most of the time. A few years ago, his dad died of lung cancer. In spite of it all, Hohmann graduated from high school and was accepted into Sonoma State University.

There, facing an accusation from a fellow student of unwanted sexual contact, he was arrested and spent time in county jail. Determined to turn his life around with both sobriety and counseling, he’s now working hard on his dream of being an actor and singer, with the help of Les Misérables director Laura Downing-Lee and a massive student and community cast.

“Laura has put together a great team,” Hohmann says. “There are some incredible makeup artists, prop designers, set builders, everything. It’s amazing to be onstage with these huge pieces of scenery flying into place. There will be a lot of interesting pyrotechnics and some pretty cool elements of realism in the fight scenes.”

And then there’s Valjean, a role coming fully equipped with some of the most gorgeous and recognizable songs in modern Broadway history, and one that mirrors Hohmann’s own troubled life.

“I did see my mom the other day,” he says. “She came to a rehearsal and watched for a while.” Unfortunately, he adds, she won’t be able to see the actual show, as she’s about to begin serving a jail sentence. But she did get to see him sing.

“That was nice,” Hohmann admits. “I think she’s kind of proud of me.”

Dreams on Hold

A neighborhood battle over a center for homeless youth in Santa Rosa continues to raise accusations of both NIMBY-ism on one side and distorted facts on the other. The Dream Center, a proposed development in Bennett Valley by the nonprofit Social Advocates for Youth (SAY), would provide short- and long-term affordable housing units for youth between the ages of 18...

Undue Influence

Americans across the political spectrum are suffering. Families have lost jobs and homes while struggling to meet basic needs, and seniors have lost retirement savings while "safety nets" are under attack. Education has been cut to the bone, and a generation of college graduates, already deeply indebted, struggles to find work. We look to our government for recourse from this...

The Beatles x 100

There are your average stupid records—Having Fun With Elvis on Stage, most of Seals & Crofts' catalog—and then there are your really stupid records, musical artifacts utterly bereft of any reason to exist other than to showcase their own uselessness. These are the cacophonous curios that get played for a full 20 seconds before your theretofore pleasant company turns sour...

Step Down

Though Sonoma County courts and its Department of Health have a long history of exclusively referring clients with a history of substance abuse to 12-step programs, which rely on a belief in a higher power, that policy is about to change. As reported in the Bohemian in July 2012, Santa Rosa resident Byron Kerr has made it his mission...

After the Verdict

On Nov. 21, 2011, Mark Herczog was killed by my nephew Houston during a psychotic break. At the time, we were aware of Houston's disabling depression, isolation and uncharacteristic behaviors. We didn't know he'd been experiencing the classic onset of schizophrenia. We had no knowledge of severe mental illness, the penal or legal system. That morning, our very average...

Letters to the Editor: November 20, 2013

Deputy Shooting Thank you for this detailed, unbiased article ("Gun Crazy," Oct. 30) about the sickening, unnecessary death of 13-year-old Andy Lopez. —Glory Kennemer O'Rooney Via online Two thoughts occur to me as I consider the shooting of Andy Lopez by a law enforcement officer. First, some people think that because Andy's toy gun looked like the real thing, the officer was justified...

Autumn Delight

Sinatra impersonators are a dime a dozen, especially when one enters the 702 area code. No fly-by-night Vegas crooner, John DeMers is a master of recreating Sinatra's phrasing and inflection—and he even looks like a late-era Ol' Blue Eyes. On Wednesday, Nov. 20, DeMers hosts "Come Fly With Me," a fundraiser for the Healdsburg Jazz Festival, with a special...

MacLaren Wine Company

I don't know much about MacLaren when I walk into this tasting room, except that they're new, they specialize in Syrah and their name sounds vaguely Scottish. I find them in the back of "Vine Alley" off Sonoma Plaza, past a gauntlet of retail shops and winetasting rooms. As soon as winemaker Steve Law greets me from behind the...

Children of Then

The rushed, jostling sequel Hunger Games: Catching Fire has a severe case of middle-child syndrome; it's only there as a conduit to the invention of the two-part sequel. In the film, the military-industrial-entertainment complex of futuristic Panem celebrates the 75th anniversary of the Hunger Games by staging a pit-match with more than a dozen badly introduced previous winners. The traumatized...

Dreamed a Dream

'Les Misérables makes a huge impression," says actor Christopher Hohmann of Santa Rosa, describing the beloved stage musical. "It's the story of how bad things can be in the world. But it's also the story of how some people survive that, how they get on with their lives." In the soaring, heart-rending 1980 musical adaptation by Alain Boublil and Claude-Michel...
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