Generation Jobless

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As of July 2013, the unemployment rate for youth is 21 percent. It’s rising every year, not only in Sonoma County, but everywhere around the United States. Research that I have conducted reveals a picture of unemployment within Sonoma County specifically within youth ages 18 to 24.

I wanted to understand why our youth feel discouraged over the low-wage job opportunities that Sonoma County offers. I conducted a survey of 100 phone interviews and looked at several aspects that may contribute to my hypothesis.

I hypothesized that most of the youth in Sonoma County are unemployed, with few jobs being available for 18–24 year olds, and assumed that if an 18–24 year old were offered a job with hourly pay at $8.75, he or she would take it. According to my research, of those between the ages of 18 and 24 who are employed, 28 percent work full-time, 67 percent work part-time and 5 percent are on-call. Twenty-seven percent of youth in this age bracket are in school full-time, while 60 percent are not in school; 58.5 percent of these youths are employed in Sonoma County.

The last question I asked in my phone survey was “Do you ever feel discouraged thinking about your job opportunities?” Exactly
50 percent answered yes and 50 percent answered no.

After doing more research from the phone surveys, I found that 60 percent of unemployed youth would take a job that paid $8.75 per hour and 40 percent would not. Sixty percent also think our market is discouraging, while 40 percent don’t. Seventy-one percent of youth unemployed in Sonoma County are full-time students,
16 percent of them are part-time students and 13 percent are not in school. Sixty-three percent say they are job searching, while
37 percent are not actively looking.

Even though my phone survey results show that more youth are employed in Sonoma County, the unemployment rate is still rising every year. The “discouraged worker” among youth is becoming more evident in the world.

Frankie Larios is a student currently studying at SSU.

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Buckle Up

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It is tempting, amid the ongoing folk-bluegrass-acoustic revival, to submit oneself to the notion that Sonoma County is a mecca for the trend. KRSH-FM has carried the torch of the roundwound string for years, and KRCB-FM’s new format favors a mix of Americana favorites and underground singer-songwriters.

These days, an acoustic band can nearly always find a paying job—be it at a winery, a cafe, an outdoor farmers market or a casual club. Banjos, bandanas, vests and ukuleles are still hot in Sonoma County, so much that members of punk bands have swapped their Stratocasters for dobros.

But what’s important to remember is that Sonoma County has always been a center of this music. From the glee club–style groups like the Saxon Folk Quartet in the ’60s, to the myriad Joni Mitchell and John Prine protégés throughout the 1970s, the area has a rich history of quiet, reflective song. Golden fields of autumn on an album cover call to mind the late local songwriter Kate Wolf, but a new self-titled album by Frankie Boots and the County Line has reclaimed the image and updated the ever-meandering strains of local folk music, current trends be damned.

Boots is an effective singer with just the right dollop of rasp in his inflection; he can be plaintive when required, but excels at bending notes and drawling out vowels for more emotional material. (This is on particular display during “Wolf in Pig’s Clothing,” a minor-key song that lumbers along somewhere between “St. James Infirmary” and “Rain Dogs” and sounds as if it’s sung by a sad, faithless, defrocked preacher.)

Live, Frankie Boots and band have a reputation for being upbeat, but as Boots tells me, many of the album’s songs were written after a failed relationship. As such, they span the wreckage, “from the initial sparks, to the inevitable demise, to the self-destruction that comes in its wake and even the personal redemption you find within yourself once the ash settles.” But what makes the album truly shine is the seven-piece band, especially Sally Haggard on vocals, Andrew Hobbs on pedal steel, and Josh Jackson playing trumpet parts reminiscent of Bright Eyes’ “Road to Joy.”

The band recorded in Santa Fe, N.M., in an adobe structure in the high desert, working and sleeping around the clock. (“The only thing we had to worry about outside those adobe walls,” Boots tells me, “was a beer run every afternoon.”) Such a tight-knit environment shows on the warm intimacy of the music, as well as the band’s countenance on the album cover—bedecked in all white, looking like a mystic cult.

Boots and his band play regularly, and it’s a safe bet they haven’t heard of 95 percent of Sonoma County’s long-lost former singer-songwriters who resonated in the same environs they now inhabit. But they’re pushing our favored local music forward, and they’re among the best doing so.

Student Help

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Up to 150 students will be able to breathe a little easier this semester thanks to $52,500 in scholarship money from the Santa Rosa Junior College Foundation. The SRJC announced Dec. 18 scholarships in $350 increments for the spring semester to boost enrollment of new and reinstated classes; SRJC Foundation scholarships are usually only awarded in the fall.

The scholarships are designed to cover the extraneous costs of attending the school, like books, parking and health fees. “Affordability should never be a barrier to attending college,” says Dr. Frank Chong, SRJC superintendent and president, in a statement. “These scholarships are our investment in Sonoma County’s future.” The college receives about 2,000 applications for the scholarships annually, and over 950 awards were given out this year from the SRJC Foundation.

The board of governors fee waivers, available to low-income students, covers the total cost of academic instructions (up to 12 units, or $552, per semester) and can be coupled with SRJC Foundation scholarships. Scholarship program manager Rachel Cutcher says over 13,500 state-funded waivers were awarded to SRJC students.

Meanwhile, the Exchange Bank’s Doyle Trust brought in just over
$1 million of scholarship money to the school this year—an increase of more than $100,000 from last year, but a far cry from its peak of $6.4 million in 2004–2005. The scholarship was suspended in 2008 after the bank took big losses from construction loans, but was reinstated last year. Cutcher says 700 Doyle scholarships, given to incoming freshmen, were awarded this year at $700 each. “We awarded [it] to almost everyone who applied,” says Cutcher. “We’re anticipating the number of scholarships and dollar amount of each to increase next year,” she added.—Nicolas Grizzle

Bill McKibben Calls Out Obama’s Shoddy, Contradictory Policies on Climate Change

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Bill McKibben is never one to mince words about the steadily encroaching monster that is climate change, but in his latest article, ‘Obama and Climate Change: The Real Story,’ the writer and environmental activist lays it all out in plain, powerful language. It’s definitely worth a read. Just like the Obama administration has a consistently worse record for marijuana prosecutions than the Bush administration, it’s proving to be the same kind of failure on a massive level for environmental policy and regulations.

If you want to understand how people will remember the Obama climate legacy, a few facts tell the tale: By the time Obama leaves office, the U.S. will pass Saudi Arabia as the planet’s biggest oil producer and Russia as the world’s biggest producer of oil and gas combined. In the same years, even as we’ve begun to burn less coal at home, our coal exports have climbed to record highs. We are, despite slight declines in our domestic emissions, a global-warming machine: At the moment when physics tell us we should be jamming on the carbon brakes, America is revving the engine.

And this is no joke. The surprise drop of a new Beyonce album may be on the minds of most Americans under the age of 40 this week, but maybe what we really should be getting all crazy about is the fact that it’s almost ‘game over’ for the climate, according to recently retired senior climate scientist James Hansen. Pretty may hurt, but dead oceans, water shortages, endless droughts, killer typhoons and devastated ecosystems hurt a lot worse.

Dec. 21: Volker Strifler and Ron Thompson at Rancho Nicasio

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Hey man, are you listening? Because I hear sleigh bells ring. And in the lane, check it out—snow! Glistening! Man, I’m happy tonight. It’s like the bluebird has gone away and a new bird is here, singing a happy song. Let’s kick it in the meadow and build a snowman. We can pretend he’s Parson Brown, and that he’s gonna marry us. Yeah, I’m serious. Let’s get hitched. Then we’ll dream by the fire about these plans that we’ve made. Maybe even buy a house if the real estate market stops soaring like crazy. Pick up a used Buick or something. Man, it’s thrilling when your nose gets a chilling. We frolic and play the Eskimo way when we go see Volker Strifler and Ron Thompson on Saturday, Dec. 21, at Rancho Nicasio. Town Square, Nicasio. 8:30pm. $15. 415.662.2219.

Dec. 20: Roberta Donnay and the Prohibition Mob Trio

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Remember that night in Truckee? Man, it was lovely weather for a sleigh ride with you. The snow was falling, friends were calling “Yoo-hooo!” and it was just grand holding your hand, through our lined leather gloves. You better know we were getting into the brandy, so our cheeks were nice and rosy, and on that seat we were comfy cozy, snuggled up together like birds of a feather. Remember that party at Farmer Gray’s house, where we danced to LCD Soundsystem? With the coffee and pumpkin pie? Man, it was like a print by Currier & Ives. Then we went to see Roberta Donnay and the Prohibition Mob Trio on Friday, Dec. 20, at Silo’s. 530 Main St., Napa. 8pm. $20—$25. 707.251.5833.

Dec. 20: Melvin Seals and the JGB at Hopmonk Tavern

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You know, I heard the bells on Christmas Day and all their old familiar carol play, walking down Main Street in Sebastopol. And I was all, “What the hell is up with this peace-loving place anyway? Do these people really believe there can be peace in the world? As if.” ’Cause, you know, hate really does seem to prevail. But then pealed the bells more loud and deep—the sound of righteousness and goodwill and legal marijuana, and I was like, “Damn, the wrong shall fail, the right prevail, and Melvin Seals and the JGB shall play on Friday, Dec. 20, at Hopmonk Tavern.” 230 Petaluma Ave., Sebastopol. 9:30pm. $25. 707.829.7300.

Dec. 19: Hot Club of San Francisco at Napa Valley Opera House

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So there we were, on the city sidewalks—busy sidewalks dressed in holiday air. And all up in the air was this feeling of Christmas, right, with children laughing and people passing, with hella people offering, like, smile after smile. Strings of street lights blink that bright red and green, and shoppers rush home with their treasures, and it’s like, man, remember when we were all worried about Rick Perry? Such a distant memory now. Snow crunches, kids bunch, it’s Santa’s big scene. And above all this bustle you’ll hear the Hot Club of San Francisco playing on Thursday, Dec. 19, at the Napa Valley Opera House. 1030 Main St., Napa. 8pm. $20—$25. 707.226.7372.

Pleeeease I Hafta Have It!

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It’s a Christmas wish engraved in the grain of our culture: an official Red Ryder Carbine-Action 200-Shot Range Model Air Rifle. And even as “You’ll shoot your eye out, kid” has turned into an overused catchphrase, there’s a reason little Ralphie’s desperate wish from A Christmas Story resonates. Every one of us, at one time or another, once wanted something with a similar fervor—more than anything in the world.

Wish is universal. A while back, we here at the Bohemian started telling each other about our personal Red Ryders in the office one day. All our stories were different, but every one was relatable, and we’ve included them below. Hopefully, you’ll see a little of yourself somewhere in here—or, for those going over wish lists from children, you’ll see how kids process desire all these years later.

On with the unwrapping . . .

The Verbot
By Gabe Meline

It must have been the TV commercials sandwiched between The Cosby Show and Family Ties that did it. The year was 1984, the “future” was “now,” synthesizers and jetpacks and Commodore 64s and hoverboards were in the collective consciousness, and all I wanted for Christmas was a Verbot. To a precocious kid interested in the possibility of artificial intelligence at the young age of nine, a voice-controlled robot that could bring a Milk Bone to the dog or deliver a cup of hot chocolate with just a simple vocal command was a futuristic dream come true.

“We can’t afford it,” said my mom, and she was probably right. A Verbot cost $75, and we were just barely off drinking Alba powdered milk and eating Appian Way box pizza. Still, if it was the only thing I asked for, I reasoned, I might have a chance. And so every trip to Toys “R” Us on Santa Rosa Avenue was spent staring at the box. I learned to draw a Verbot, and left scraps of my sketches all over the house. I even babbled at the dinner table about the Omnibot—the larger, better, $200 model—in a concerted effort to show my parents that I was at least asking for the more affordable option.

As my robot dreams gathered silicon, so my mom’s denials gathered volume. “You’re going to have to be happy even if you don’t get a Verbot,” she’d say. “Besides, a robot is a luxury. There are kids starving in Ethiopia, you know.” (Yes, my mom really said that, and often.)

When I woke up early on Christmas morning, I ran into the living room. There, near the tree, unwrapped, was my beautiful, magical Verbot! I rushed to unbox it and started playing with it—flipping through the manual, moving the arms up and down, turning the control microphone on and off. And then my mom walked into the room. She was still dressed.

“What are you doing?!” she demanded. “It’s 11:45!”

It is an unsettling sensation for a nine-year-old to be made to go back to bed after just receiving the most anticipated Christmas present of all time. But she was right; 11:45 was too early. It wasn’t even Christmas yet, technically. So I went back to bed, clutching my beloved Verbot, and slept under the covers—that is, until 3am, when I woke up again.

As it turned out, my robot love affair was short, but intense. Realistically, there simply wasn’t a whole lot Verbot could do. Move forward, move backward, turn left and right, pick things up, put them down and “speak,” which meant flashing lights and 8-bit bleeps. Plus, the voice activation was spotty, and I soon learned it was nothing at all like the TV commercial. I probably got bored of it after three weeks.

A person never forgets that elusive toy of their dreams. While others look up YouTube videos or even go on eBay to reclaim a portion of their youthful innocence, I’ve still got my Verbot. In fact, it sits in residency as the office mascot here at the Bohemian. In our minds, he’s a talisman of the newsroom. He tells the copy editor what to mark with red ink, and tells the calendar editor what to list as an “Event,” and shamelessly hits on the married staff writer. We blame all our typos on his bad influence. It’s hard living with him sometimes, but I’ve stopped telling him what to do. He gave me the most joy possible once, and for that, I owe him for life.

The Playmobil Dollhouse
By Rachel Dovey

It had window boxes full of pink and white flowers and wallpaper that you had to paste on yourself. There were lace curtains to assemble and doorframes to attach, and if you were lucky enough to have the kitchen set (I was), you could hang ladles and rolling pins from a shelf and arrange Tic Tac–sized silverware in a drawer that slid open and shut. I’m talking, of course, about the Playmobil dollhouse—the four-story Victorian one with two balconies, none of that modern suburban crap.

I was nine, it was December 1994 and oh my did I love Playmobil! I had all the furniture advertised in the catalogue—the kids’ bunk beds and doll carriages, the parents’ twin beds that you could snap together or keep apart (depending on how you were raised), the carpets and ferns, chairs and fireplaces and bookshelves for tiny, individual books. Currently, all the little plastic people and their earthly goods lived in a purple tub that I would pour onto my bedroom floor on Saturday mornings at 6am, as soon as I woke up. Going back and forth between my divorced parents every week, I never once forgot that tub.

I called them “figgies,” short for figurines, a title that worked well around this time of year. “Oh bring me a Figgie pudding, oh bring me a Figgie pudding, oh bring me a Figgie pudding and bring it right here!” I’d sing, hoping the hint was direct enough. Usually my mom sighed and looked extra weary, so I figured she was catching on.

I know now that the four-story mini-mansion cost her upwards of $400—no small chunk of change for a single mom. It was money she could easily have spent on rent or utilities or tuition for the Ph.D. program she was completing slowly in incremental bits.

I know it was yards of petroleum-based plastic that will wind up in a landfill one day. I know it did strange things to me, encouraging my already manifesting tendencies toward OCD. I would arrange and rearrange for hours—this wallpaper with these flowers, those curtains but with that stick-on portrait, those chairs, placed at a perfect right angle on the edge of the rug. And God help anyone who tried to assist me. “You’re so mean!” my friend Danielle screamed the fifth time I called her patio set-up “kind of disgusting,” hurling a marble-sized vase against my bedroom wall so hard it cracked.

I know it was extremely gendered, and if I’d built airplanes with Legos, maybe I’d be earning enough money now to afford a real house like that. But my mom still has a picture of me that Christmas morning. My hair is messed up from sleep, I’m wearing some kind of hot pink cape over my pajamas, my mouth is round in a gasp and I’m holding a huge box that could only be one thing, my arms stretched as wide as they could possibly reach.

The Casio PT-82
By Leilani Clark

When I was 12, what I most wanted for Christmas was a Casio PT-82 synthesizer, the one that played “Greensleeves” and came with exotic built-in rhythms like “samba” and “beguine.” I knew the acquisition of this keyboard, alongside a steady diet of living-room lip-sync practice, was essential in my quest to become a Kids Incorporated cast member. I hounded my mom about it for months, and come Christmas morning, ran toward the oblong box under the tree, knowing it to be my envoy to synth heaven.

As the paper fell away, I don’t know what burned more, the anticipation or the crushing disappointment. What I uncovered was not the Casio, but a knockoff—a bulky purple thing, the Barney of keyboards, really—nothing like the white, streamlined melody machine of my dreams. I threw a fit, crying, pouting and holding it against my mom that we didn’t have the money to get the real deal.

She must have broken down and exchanged the thing, because I have later memories of crouching over a white Casio with my sister, following along with the blinking lights and competing to see who could play “Greensleeves” the fastest.

Last week, I called my mom to confirm all of this, but she claims not to remember the incident. But she admits that she probably didn’t get me the Casio originally because it was too expensive.

“I think I wanted to get you a really, really good keyboard,” she adds, talking loudly over the sounds of my three-year-old nephew playing in the background. “Maybe I returned it and got you the Casio later?”

She starts listing all of the other gifts that my sister and I received over the years. The Barbie Corvette. The Barbie Playhouse. The Barbie Styling Head. My Little Pony . . .

I stop her.

“Mom, this isn’t a story about how deprived Antonia and I were at Christmas time,” I say. “This is a story about what a brat I was and how I threw a hissy fit when I didn’t get what I want.” But she’s totally blocked out the fact that I was your run-of-the-mill Veruca Salt–style holiday ingrate.

I then called my sister, trying to get to the bottom of this ancient Christmas mystery. She’s less delicate than my mom and always willing to remind me what a jerk I could be when we were kids.

“I totally remember that Casio,” she says with a laugh. “I talk about it all the time.”

She reminds me how I ended up playing a white Casio PT-82 on tour with in an indie electronic band. But she doesn’t remember the first disappointment either—the generic purple keyboard that caused such woe.

“It does sound completely plausible,” she confesses. “You know how Mom is. I do the same thing. I’ll get the cheapest thing, or the second cheapest thing, and hope it works out, and then feel bad and maybe return it for something better.”

In the end, my bad behavior paid off and I was rewarded with the lusted-after PT-82, though it must have cost more than what my parents would have liked to spend.

But did it get me a guest spot on Kids Incorporated? Alas, no.

The Major Matt Mason Action Figure
By David Templeton

In 1968, as Christmas approached, my mom was broke. We lived in a tiny apartment in Glendora, and the meager monthly welfare benefits my mom received were barely enough to pay the rent and feed us all—my brothers Steve and Jef included—let alone provide much in the way of Christmas presents.

Still, if I could have had anything that year—with my eight-year-old mind still reeling from the recent manned orbiting of the moon by the crew of Apollo 8—it would have been a Major Matt Mason action figure. The TV commercials for the new toy were electrifying. “He lives on the moon! We may all be there soon!” teased the deep-voiced narrator, as two boys played in their yard, dangling Matt Mason from a string, flying him around his spectacular plastic moon base.

God, I wanted one of those.

I didn’t care that the little bendable arms of Major Matt Mason were already known to break after just a few hours of play, the wires inside snapping so that he could only stick his arms out like a man walking a high wire. Somehow, that just made him seem even cooler.

On Christmas Eve, hoping against hope that my dream of space adventure would come true, my mom gathered us boys together to tell us that, sadly, there was not enough money that year for presents or even a tree. Later that afternoon, a knock came at the door, and outside was an entire pack of Boy Scouts, standing there on the balcony with a fully decorated tree, bags full of holiday food and boxes of presents. Our name was evidently on a list of families in need, and the Boy Scouts were doing their part to make Christmas happen for . . . well, for us.

As tears rolled down my mom’s face, the scouts set up our tree, sang a Christmas carol or two, and left us with all of those alluringly wrapped gifts. That one of them contained a Major Matt Mason was more than I could actually believe.

I mean, if that happened, if there actually was a Major Matt Mason in one of those packages, not even allowing myself to think there could also be a Matt Mason moon base set, well then, maybe everything they said about the magic of Christmas was real.

Of course, the magic of Christmas was that we had anything at all—presents, a tree, plenty of food. And on Christmas morning, I had to content myself with that, because there was no Major Matt Mason in any of those boxes. I seem to remember a squirt gun of some kind, an Etch-A-Sketch and a box of toy soldiers.

I must have been disappointed, but all I remember is the look on my mom’s face as she watched us open presents on a Christmas morning that she’d thought wouldn’t bring her anything to be thankful for at all. By the next winter, Mom was working again. In July of 1969, the crew of Apollo 11 successfully made the first landing on the moon. By Christmas, Apollo 12 did it again, but by then, I’d already been there myself, in my imagination, having traveled to the moon with the entire Major Matt Mason moon base set my mom had given me for my ninth birthday. By that Christmas, I already had the entire men in space action figure team, and I am happy to say, I’d already broken all of their arms.

The Super Nintendo
By Nicolas Grizzle

Christmas 1992, a life-changing moment. On that fateful morning, a wrapped box sat beneath my stocking, atop the wood stove. I prolonged the anticipation of opening that box by inspecting the meager contents of my stocking: candy, small toys I would forget about in a few weeks, maybe some cool pencil toppers—I don’t remember. But what I’ll never forget is that moment when I ripped the paper off the box to reveal the greatest gift ever given: a Super Nintendo.

The new console was released just in the past year, and I was finally one of the cool kids who had one. This was a big deal, because I was never a cool kid. I didn’t typically have the latest gizmos and gadgets, and I really liked wearing sweatpants to school (they were comfortable and came in so many different colors!). I was even friends with certain kids because they had a Super Nintendo, and they’d let me come over to play it. It was so expensive—at that age, $200 seemed like $1 million. We weren’t millionaires, so I just tossed out the idea of ever having my own.

But that morning, it was like I had won the lottery. “Whooaaaaaaaaaa!” I yelled. Sure enough, my parents then came stumbling downstairs, muttering something about Santa (I was so over the Santa game by then, but played along to milk the last drops of childhood). All I could say was “I got a Super Nintendo!” as if they didn’t know, and I hooked it up myself (RCA and composite cables into the VCR, TV has to be on channel 3, TV/VCR button must be on VCR). Immediately, the 16-bit universe of Super Mario World blew my mind. I had played it before, but this felt special. I didn’t have to wait my turn. I didn’t have to ask permission. In my mind, there was no better way to celebrate the holiday, because surely, this is what Jesus would buy himself as a Christmas present. Hallelujah!

I was walking on air all day. Nothing else mattered—I might as well have donated those other presents, because I wouldn’t be using them unless they plugged into the TV. This new system, a little too new for my parents to really understand, unleashed a love of technology that stays with me to this day. These days, video game consoles cost $600 and require an internet connection, but they look the way I wish my dreams did and their wireless controllers have joysticks and headphone jacks. But even as the technology evolves, the feeling of unwrapping that unexpected, life changing gift will always be the same.

The Barbie Jeep
By Tara Kaveh

Santa, I want a jeep like my Mommy’s, I scribbled with my periwinkle crayon.

Playing in the cornstalks and tall grasses, our acre of lush land was a magical forest. My cousin Daniel lived with my family, and for him and me, at age five, this little piece of land was our kingdom. Our wild imaginations took us on adventures up and down the trees, through the fields and into valleys of mystical flowers and enchanted animals. He was the king, I was the queen, and our English springer-spaniel was our loyal companion and ferocious protector. There was only one thing missing: we needed a proper jeep to take us on safaris through the unruly kingdom.

“A toy car is too expensive,” my parents said, so Daniel and I had to get inventive. We tried bikes and skateboards, which only ended in tearful eyes, cuts and bruises after we went over rugged terrains. We were ready to try the wagon until my mom ran out frantically yelling and waving her hands to stop before we took the plunge, practically freefalling down a 30-foot drop to the bottom of the hill. After that, there was nothing with wheels left to try, so I’d try riding the dog, but she didn’t like it very much and abandoned us while we were up against a pack of giant eight-legged bears.

Without a source of transportation through our kingdom, our parents began to worry about the scrapes that were quickly turning into bigger and bigger gashes (and about the fact that the dog would run away at the sight of Daniel or me). On Christmas morning that year, I nearly cried at the sight of little boxes under the tree. Surely, there was no jeep in there. I began to slowly let go of my dream as the boxes left to unwrap became smaller and smaller.

But as Daniel and my little brother played with their new toys, my parents took me outside where, lo and behold, there it was—a bright pink Barbie jeep. I called for Daniel, and in the blink of an eye we were off riding through our magical forest.

After a few days, Daniel wanted to drive more and more, but that was OK—just as long as there was a crisp breeze to blow on my face. Now that I had my jeep, no monster, lion or crazy jungle person could hurt us.

As time went by, the kingdom lost its king to a faraway land called Sweden, and I was the only one left to watch over the magic forest. My jeep began to slow down, and with every rain, the bright pink color faded. Time had rendered the jeep too slow and small—just as the act of growing up had done to my once-wild imagination. Eventually, the faded Barbie jeep sat worn and torn on rocks aside the once-magical forest, rarely touched by an older me, as a reminder of days of innocence, imagination and true joy.

Food-Fad Fails

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I‘ve spent plenty of holiday seasons on the other side of the register, working retail in culinary stores. Sure, the pay stunk, but it was fun in its manic way. The many shots of free espresso we brewed with the automatic coffee machines and the ceaseless soundtrack of peppy Christmas standards kept us alert and full of . . . well, it wasn’t cheer, really. Let’s just call it adrenaline.

Often, I was not really behind the register at all, but slowly circling the shelves laden with specialty serving pieces and larding needles, seeking fresh customers to zero in on. But I also handled scores of merchandise returns, especially in January. Sometimes people exchanged things because they wanted a Dutch oven in eggplant instead of cobalt, or a knife with an eight-inch blade instead of a six-inch blade.

But often it was because the gifts they’d received just plain didn’t work. The things listed below? I highly advise you not buy them for those you care about. But don’t take my word for it. Trust the sad sight of the returns shelf in the stockroom, sagging with busted crap.

1. Peugeot pepper and salt mills This French company makes luxury automobiles, bikes, scooters—and pepper mills. Their mills are not cheap, and they are often handsome to look at. Too bad they don’t work. What to give instead: I like Mr. Dudley mills, but, to be honest, my favorite mill was some off-brand acrylic thing. It still works great. Vic Firth (specialty: drumsticks, rolling pins) mills are well made, too.

2. Battery-operated milk frothers These little wands seem like such a great solution: froth milk at home for cozy, fancy coffee drinks. Save money all year long! But they’re fragile and often junky; many have life spans of less than a year. What to give instead: The much more expensive Nespresso Aeroccino works exceptionally well, until it stops working. I’ve seen dozens of frothing gadgets, and there’s no single one to recommend unequivocally. That’s why I like to leave it to the pros. How about a gift card for the recipient’s favorite coffee shop?

3. Silicon bakeware of any kind I’ve used this stuff and it’s awful: floppy, challenging to store, impossible to get clean and (most importantly) useless at browning things in the oven. What to give instead: Aluminum baking pans are moderate in cost, and they usually outperform their more expensive, heavier counterparts. Steer away from nonstick lining if you can; it wears out, interferes with browning and still needs to be greased anyway.

4. Expensive knife block sets A hefty wooden knife block packed with a dozen different knives is visually impressive, especially if those knives are made by one of the big-name players: Wusthof, Shun, Henckel. Of the seven knives I keep in my kitchen, I use three in regular rotation: the chef’s knife, the serrated knife and the paring knife. There’s no reason to have a massive knife block using up a bunch of counter space when you’re only going to use only three or four of those knives. What to give instead: An empty, smaller knife block with a gift certificate. Real knife geeks don’t covet knife block sets; they covet individual knives.

5. Stupid cutting, pitting and dicing gadgets The mango pitter. The avocado slicer. The melon gutter. Useless. This is the junk that’s appealing for a month, until you discover it’s actually not helpful at all, and then it languishes in the back of some overcrowded drawer until it goes to the Goodwill or garage sale. What to give instead: A gift certificate to a knife-skills class, where it’s possible to learn to pit mangos, slice avocados and dice onions with one handy tool: a decent knife.

6. Boxed gourmet baking mixes We’re talking Stonewall Kitchen and Barefoot Contessa. At eight to 12 bucks a pop, you are buying a box full of flour, sugar and baking powder at a 500 percent markup, plus the baker still has to furnish the eggs and butter. What to give instead: A good baking book (I’m really fond of John Barricelli’s Seasonal Baker) or a decent electric kitchen scale.

7. Gravy separators I used to think these were a Thanksgiving lifesaver—they are supposed to make it easy to pour the fat off your roasted bird’s pan juices—but after a few frustrating annual gravy-making sessions, I’ve decided it’s just as easy to skim off the fat with a big metal serving spoon, and most people already have one of those. Plus, gravy separators are a bitch to clean. What to give instead: Martha Holmberg’s excellent Modern Sauces. Honestly, I don’t recall if she recommends using a fat separator or not, but in that book, she offers tips culled from a lifetime of savvy sauce-making.

8. Digital probe thermometers This is the kind of thermometer that has a probe connected to a digital command center by a cord. You stick the probe in your hunk of roasting meat, pop the whole thing in the hot oven, then conveniently look at the digital display on your oven door or countertop, thereby getting up-to-the-second temperature readings of your cooking beast without even opening up the oven! What a great idea, right? Yeah, if the thermometer wasn’t made to break. These things quit working if you even look at them the wrong way. Besides, I’m a fan of poking and prodding and examining. How are you ever going to be familiar with what properly cooked meat looks like or feels if you don’t, you know, look at it and touch it from time to time? What to give instead: Instant-read thermometers, the cheap ones. I prefer the dial kind over the digital kind, because you can easily calibrate them. I have two, and I usually cross-check if I’m cooking up a very expensive piece of meat I don’t want to ruin.

9. Crappy mandolines A crappy mandoline is worse than no mandoline. I’ve used a bunch that are hard to store, flimsy and give inconsistent results. And the more rickety a mandoline, the more likely you are to cut yourself. OXO, Zyliss, Swissmar, Chef’n: suck, suck, suck, suck. What to give instead: A decent mandoline does not have to break the bank. There’s a reason chefs always gush over those Japanese Benriner mandolines: they work—and usually start around $25.

10. Waring pro blender Waring is the granddaddy of blenders, dating back 60-some years. And they are fine if you want to whirr up a smoothie or have a margarita party now and then. But they are not very powerful, and therefore less versatile than other, more modern blenders. What to give instead: Santa, I have been, at times, very, very good. I could ask for a KitchenAid or a Breville, but I’m an all-or-nothing kind of gal. So, yeah, a Vitamix, please. If not this year, then next, or the one after that. Until then, I can always use an extra instant-read thermometer.

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As of July 2013, the unemployment rate for youth is 21 percent. It's rising every year, not only in Sonoma County, but everywhere around the United States. Research that I have conducted reveals a picture of unemployment within Sonoma County specifically within youth ages 18 to 24. I wanted to understand why our youth feel discouraged over the low-wage job...

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