Letters to the Editor: October 22, 2013

Cat Call

“Black Panther” by fall writing contest winner Don Stoddard (“It Showed Up on My Doorstep,”
Oct. 16) was especially endearing; a special reminder of growing up in the ’50s. My 93-year-old mother still has her black panther proudly displayed.

Via online

What’s a Forest?

Artesa would clear-cut 1.25 million board-feet of redwood and Douglas fir at the site, based on 2004 inventory, according to what the project description in the EIR says would be logged (“Chainsaw Wine,” Oct. 16). That sure sounds more like a forest than “agriculture,” unless you define “forest” as “tree farming”—except that it’s a final harvest forever, converted to monoculture vineyards, not regenerating young forest after clear-cut.

Via online

Hemp, Not Wine

There is not one original oak left in Oakland. For 75 years, we have been destroying our forests instead of growing hemp. How many golf courses and “vineries” full of pesticides and harmful chemicals do we need?

Via online

Refusing Waste

Bea Johnson can fit her household’s annual trash inside a small jar because she defers her waste to someone else—sending back the plastic strip from her Netflix envelope is a great example of how she’s letting someone else clean up her mess (“The Simple Life,” Oct. 9). It’s important for everyone and anyone to reduce their waste output, but ooh-ing and aah-ing over the antics of a material anorexic is not the point. Industrial and corporate waste is the prime source of our ecological crisis. If Bea Johnson wants to deprive herself and her family of everything except seven pairs of shoes, let her, but I’d personally rather see articles about p eople who are fighting the real actors in the environmental breakdown we’re witnessing: Big Oil, Big Ag, Big Pharm and Big Coal. Nothing Bea Johnson is doing, so far as I can tell, impacts that.

Author, ‘Urban Homesteading’

Petaluma

Now is a good time to clarify that since 2011, the Johnson household has taken advantage of Netflix streaming, a fact that we neglected to mention in our original article.—The Ed.

No New Taxes

It’s voting time again, and many cities are asking for a sales tax increase. When is the Sonoma County taxpayer going to take a stand and say no to any sales tax increases until cities start seriously reforming the gigantic pension hole that we taxpayers are burdened with? Should we just pay higher and higher taxes so public employees can retire on twice the amount we will? Vote no to our tax dollars going to fat county and city pension plans and lifetime medical benefits. Are you getting that when you retire?

Willits Bypass

I’m a one-year, eight-month resident of Willits, a community activist and ex-biology student. I’ve been protesting this bypass project by Caltrans for more than seven months. This project has not, cannot and will not help the environment. It will probably not affect “traffic” significantly, which in any case has almost never existed in Willits, especially if locals just get off Main Street. (Honestly, 99 percent of the time it sees less traffic than the average in West Los Angeles, where I lived for 28 years.) And it will cost $300 million to $600 million, that latter balloon figure reflecting the true adjusted-for inflation bond price(s).

That’s why over one-third of all area residents have signed the petition against it. That’s why people contact their uncaring “representatives.” And that’s why people have and will continue to get arrested (some of us don’t need to, I joke, having been exposed heavily to poison oak, reducing our mobility heavily, along the way).

This is bad, but we are peaceful.

Via online

Write to us at le*****@******an.com.

Libretto for Rats

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Bertolt Brecht, the 20th-century Marxist playwright and poet, made him do it. That’s how Josh Windmiller, the voice behind Gypsy-punk-Americana act the Crux, explains the origin of his band’s acclaimed collaboration with experimental theater troupe the Imaginists that resulted in the 2012 stage production The Ratcatcher.

“I’d seen their production of
The Wizard of Oz and I thought, this could work really well with what the Crux is doing,” says Windmiller. “Their style is not hokey. You can feel the experimentation. They are trying to do new stuff, and they show you the gears working.”

Part social satire, part poignant commentary on what happens to the children in a community when the creative arts are shoved into a dusty corner in favor of bourgeois branding and profit margins,
The Ratcatcher took Sonoma County (and critics in the greater Bay Area) by storm during its month-long run.

Subsequently, a successful Indiegogo campaign raised $5,000, allowing the band to release the songs as a new full-length Crux album, also titled The Ratcatcher. Don’t expect a cast recording of the original play, however; as Windmiller puts it, the album should be taken as another entry in the Crux discography, which also includes last year’s Be Merry and their debut, Now, Ferment.

“I consider this album an important step in the band’s development,” says Windmiller, about the decision to sing songs himself that were voiced by different actors in the original production. “My voice being constant throughout the band is one of the few things I can have to keep that consistency going.”

The strongest tracks include the haunting “The Gate (What the Children Saw),” written and sung by Annie Cilley, the Crux’s saxophone and fiddle player. Another standout song is the epic “Dogs Made of Rust (The Mayor’s Ballad),” originally voiced by Imaginists cofounder Brent Lindsay as the town’s mayor but given a wearier, heavier weight in Windmiller’s album interpretation, sounding like a lost track from Tom Waits’ Rain Dogs.

“The play is fantastic, it’s really great, but it just played for a month or so in this town,” adds Windmiller, who plans to take the songs on the road nationally for people who might never have seen the original play. “If we’re going to put all this time and energy into this album, it needs to be able to stand on its own.”

The Crux perform ‘The Ratcatcher’ in its entirety (with help from the Imaginists) as part of the All Hallow’s Eve Multicultural Variety Showcase on Thursday, Oct. 31, at the Arlene Francis Center. 99 W. Sixth St., Santa Rosa. 7pm. $10–$15. 707.528.3009.

Who Art in Theaters

The independently made film I’m in Love with a Church Girl is a genre-blender, with Ja Rule lending his street cred to a story of born-again conversion. The film is materialistic enough for Not of This World gear shopping sprees, private planes and pricey real estate, but sacred enough that it literally credits God as an executive producer.

Church Girl had its world premiere last week to a packed house at San Jose’s California Theatre, an awe-inspiring picture palace where I caught up with Santa Rosa’s Marjorie Mann, who plays Ja Rule’s mother in the film. Not too long ago, Mann was playing a far bigger palace, the Radio City Music Hall. There, she did flying stunts, 50 feet off the stage, for a live production of The Wizard of Oz.

Of her character, Mann says, “She’s warm, nurturing, trying to do right by her son, which is sometimes not easy because he hasn’t been on a very good path.” She and rapper Ja Rule have an easy chemistry onscreen for several scenes in the film, which was shot in San Jose.

This isn’t the first film for the vivacious Mann—she also appeared in 1992’s Class Act, and onstage has done everything from Shakespeare to Andrew Lloyd-Webber. From Detroit originally, Mann went to the University of Michigan, where she and a student named Madonna Ciccone took a choreography class together. “I stayed in touch with Madonna after I moved to New York,” she tells me. “I used to get into her shows for free at New York’s Roxie Theater.”

Lately, Mann’s been bringing history to life in performances at local schools, portraying Harriet Tubman and Coretta Scott King. But Mann is also working on a one-woman show, playing a series of characters, each under the influence of one of the Seven Deadly Sins. Her favorite? “Pride.”

With Church Girl, Mann has a reason to be proud—and not the sinful kind.

‘I’m In Love with a Church Girl’ opens Friday, Oct. 25, at the Roxy Stadium 14 in Santa Rosa.

Live Review: Treasure Island Music Festival 2013

View from the Ferris Wheel on Treasure Island

Treasure Island Music Festival is more than just music, it’s an experience. The festival is so well produced that it wouldn’t be difficult to have a good time having never heard of any of the bands playing. The seventh incarnation of the two-day festival wrapped up yesterday, and it was another beaming success. In addition to music, there is a shopping area, arts and crafts tent, zine and comic library, silent disco (live DJ spinning for wireless headphone-wearing listeners), food trucks, a Ferris wheel, bubbles and the best people watching money can buy. Wow, that last part sounded creepy, but you get the idea.
But there’s also music—lots of it. Each stage is timed down to the minute, so there is never a dull moment. There’s also never a moment to let the ears relax, and the only booth with earplugs was selling them for a buck a pair. Note for next year, guys: GIVE AWAY FREE EARPLUGS.
I’ve listed some favorites and least favorites, not based on the quality of their set (I’m sure there are fans of the bands who might think it was the band’s best performance ever), but on entertainment quality from an outside perspective. I must stress that even what I found to be the most banal of musical performances still turned out to be quite entertaining.
Saturday’s Favorites
Atoms For Peace
Atoms For Peace: 4.5/5 Incredible texture from this group of musically sensitive players, with Flea leading the charge via driving, lead-focused bass guitar. Felt almost like a post rock version of Radiohead with Flea on bass (he is his own adjective). Very cold weather led to most people leaving before the end of the second encore (myself included), which is a shame since that’s when they played the Thom Yorke song “Black Swan,” arguably the best from his solo album.
Little Dragon: 3.5/5 Good stage presence and real instruments made this a highlight on a day of laptop-driven DJ tunes and pumping bass. Singer Yukimi Nagano flows musically and visually as the leader of this electronic music group. They split the difference with a live drummer playing an electronic drum kit.
Danny Brown
Danny Brown: 3.5/5 Once the sound engineer figured out how to properly mix rap vocals (it took a couple songs), Danny Brown’s nasally, violent delivery emerged and piqued the ears of festivalgoers that might not have come specifically to see the last-minute replacement for Tricky. The early performance was a good boost of live human energy to contrast the repetitive bass and synthesizer drum sounds the rest of the day had in store.
Saturday’s Least Favorites
Major Lazer
Major Lazer: 2/5 About 20 minutes into the set, we figured out that Major Lazer is actually just a group of hype men. There are no real instruments, no actual music being made. The three dudes in suits trade off turns at the elevated laptop station at the back of the stage, but there was no singing no playing of anything. Just guys on wireless mics yelling at everyone to jump and put their hands up. By the end of the set everyone was so tired they chose to be berated for not following directions rather than expend one more joule of energy on this choreographed high school dance.
Disclosure: 2/5 In haiku: such low energy / could not keep my eyes open / what was that you said?
Sunday’s Favorites
STRFKR: 4.5/5 Not surprised that this electro-indie group was top notch, but surprised at how well their albums translated to live performance. They know their music is, at times, slow to develop. But they spruce up the show with visuals, like two dudes in padded sumo suits going at it for a couple tunes. They even played along with the bits, and it didn’t sacrifice the quality of the music.
James Blake: 4/5 Great soundtrack for the day shifting gears into cold night. Focused songs had energy in their own way, giving a nice break from nonstop dancing. Blake is an excellent performer whose passion is evident when he plays. His songs feature piano and good songwriting, a timeless, classic combination.
Haim
Haim: 4/5 Wow. These girls rocked harder than anyone at the festival. The three sisters and their male drummer had a sound reminiscent of Prince, during his more rocking moments, and even captured some funk to go with it. Their “girl power” shtick was a little heavy at times, like when they spoke at length how they now know what Beyonce feels like when the wind blows hair into their mouths, and when they squealed with delight when handed candy from the crowd. But I’m not a young girl, so maybe it was indeed the perfect concert set for their target audience. Either way, it was impressive.
Sunday’s least favorites:
Animal Collective: 1.5/5 Sometimes art is so conceptual that it goes over my head. I was hoping this was the case with Animal Collective, and at one point I actually asked a friend if they knew what the point was supposed to be. Nobody knew. I’m not sure Animal Collective knew. A very cool stage set (inflatable teeth with individual projections made the stage look like a gigantic open mouth) and light show helped slightly, but the music was so repetitive and the melodies so simply and leading nowhere that I left to watch football about two-thirds of the way through. I still heard the music (it was impossible not to from anywhere on the island, really), and still was not impressed.
Beck. Still going after all these years. Still good, pretty much the same as the last time you saw him.

Oct. 22: UFO expert Jim Ledwith at the Sonoma Community Center

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The phrase “parental discretion advised” is a surefire attention-grabber. When it’s used in conjunction with a lecture about alien abductions titled “Strange Harvest,” it’s begging it. This week, UFO expert Jim Ledwith talks about the 10,000 animal abductions since 1967—why are farms the target of alien research? Are extraterrestrials curious, or just really hungry? With actual footage of a bovine abduction and substantiating FBI files on the subject, the answers will surely be revealed on Tuesday, Oct. 22, at the Sonoma Community Center. 276 E Napa St., Sonoma. 7pm. $5—$10. 707.938.4626.

Oct. 19: Pink Floyd Laser Spectacular at the Lincoln Theater

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It’d be easy to make a joke connecting the Pink Floyd Laser Spectacular and psychedelic drugs, but that’d be doing the spectacle a disservice. A Pink Floyd laser show is awesome, even at age 10, even at age 70, and should be experienced at least once in everyone’s life. With a 50,000-watt stereo system, the Lincoln Theater is just the place to witness this glorious combination of audio and visual stimulation. And be sure to high-five the veterans in wheelchairs who might be there—the theater routinely gives free tickets for its events to residents of the nearby veterans home. Shine on Saturday, Oct. 19, at the Lincoln Theater. 100 California Drive, Yountville. 7pm. $20—$30. 707.944.9900.

Oct. 19: Ruth Moody at the Sebastopol Community Center

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As a member of the Wailin’ Jennys, Ruth Moody has made a name for herself with a down-home vocal style and honest songs. She’s won two Juno awards (sorta like Canada’s Grammy, but with more integrity) and been featured several times on A Prairie Home Companion. Listening to her sing puts the mind at ease, stacking those troubles neatly on the shelf, in chronological order, not to be forgotten but to be managed. See her Saturday, Oct. 19, at the Sebastopol Community Center. 390 Morris St., Sebastopol. 8pm. $18—$23. 707.823.1511.

Oct. 19: Rudolf Budginas at SRJC’s Newman Auditorium

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Internationally renowned concert pianist Rudolf Budginas has an unassuming daily life as a music faculty member at Santa Rosa Junior College, but he’s about to bust out of the mold. This week, he plays in a concert with Steve Miller Band guitarist Kenny Lee and Kingsborough drummer John Whitney for a rock-themed concert called “Piano on the Edge.” His 21st-century arrangements vary from smooth-jazz versions of “Ave Maria” to dubstep-infused classical piano. Witness a rare vision on Saturday, Oct. 19, at SRJC’s Newman Auditorium. 1501 Mendocino Ave., Santa Rosa. 8pm. $20. 707.527.4011.

Oct. 19: ‘The Phantom Carriage’ at the Jarvis Conservatory

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It sounds like a slow, moody interlude of an epic post-rock group like Explosions in the Sky or Not to Reason Why, but no—it’s the soundtrack to a 1921 silent film called ‘The Phantom Carriage,’ composed by 2013 Vintage High School grad Raja Orr. The film will screen with a live performance of this new composition from the pit orchestra, comprised of members of the Napa Valley Youth Symphony and conducted by Orr himself, on Saturday, Oct. 19, at the Jarvis Conservatory. 1711 Main St., Napa. 7pm. $15. 707.255.5445.

Local Lit

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Santa Rosa–based psychotherapist Jo Lauer applies her knowledge of the human psyche to a new genre in ‘Best Laid Plans: A Cozy Mystery’ (CreateSpace; $11.69). Her story begins with Jenny Pond, an ex-felon who “hadn’t planned to kill anyone, but fate has a lousy sense of humor.” Jenny meets Shalese, a blue-collar social worker from Detroit, and the two fall in love as they work together at the First Step, a recovery house in San Francisco. Things go afoul when Florence, a wealthy benefactress with a particularly unsavory history, comes along, forcing the relocation of the recovery house to Santa Rosa. Like Orange Is the New Black for the wine country set, the book’s characters—mostly women who’ve spent time in jail for various offenses—only get deeper into mystery and adventure after the big move.—L.C.

Reading stories about a town that used to be famous for making cigars gives a whole new appreciation for the hand-rolled tobacco sticks favored by mobsters, businessmen and Cuban dictators alike. Santa Rosa author Emilio Gonzalez-Llanes’ ‘Cigar City Stories: Tales of Old Ybor City’ (iUniverse; $9.95) is a small but robust first-person account of the city outside of Tampa, Fla., which became a haven for Cuban, Italian and Spanish immigrants with a knack for rolling cigars. Before machine-rolled cigars become commonplace in the 1950s and ’60s, cigars were all rolled by hand. Ybor City was demolished in the 1960s to make way for urban gentrification, but the memories in Cigar City Stories create a visual, vibrant image of diverse life in the city. Whether the smell of a cigar induces salivation or an urge to vomit, Cigar City Stories is a reminder of the history and personality of one of the most luxurious methods of slow suicide.—N.G.

Long revered as a site of archaeological mastery, the ancient Toltec city of Teotihuacán sees a gazillion visitors annually (give or take a bazillion). Though many seek out the 2,000-year-old pyramids in order to simply cross another cool destination off their bucket lists, others view Teotihuacán as a serious power destination that brings all sorts of healing. ‘Dreaming Heaven’ (Agape Media International; $24.95) is the story of one group’s experience with the healing powers of this ancient site. An accompanying guidebook and workbook to the documentary of the same name, Dreaming Heaven is authored by the four guides featured in the film, including Bodega Bay’s Francis Rico, and gives step-by-step instructions to transform life circumstances in 12 short weeks. The book not only comes with the 76-minute DVD, but links to free inspirational downloads as well. That’s a lot of Toltec magic in one package!—D.B.

The Napa Valley of yore was very different from the wine-soaked, spa-laden tourist playground it’s become today. Last year, the Napa Valley Historical Ecology Atlas by Robin Grossinger explored the changes in the ecology of the valley over a span of centuries. Now ‘Run of the Mill: A True Life, Napa Adventure, by Dona Stanley Bakker ($13.95; Pastime Publications), explores an older way of life in the same region, with a focus on five years of the author’s childhood spent living at the historic Bale Grist Mill north of St. Helena. Built circa 1841 by Dr. Edward Turner Bale, the mill ceased operation around 1879, when it was run out of business by larger commercial mill operations in San Francisco and Vallejo. Bakker lived there between 1959 and 1964, after her grandparents were hired on as caretakers, and her book serves both as a celebration of times past and a reminder that every piece of land has hidden, and often fascinating, history.—L.C.

Marin County’s Raymond Welch has worked in the energy industry for 30 years, and his first novel, ‘A Change in the Weather’ (Ice Cap Publishing; $14.99), illustrates his imaginative world of social and political fallout in the face of abrupt climate change. The thriller follows the Russell family during the 10th anniversary of the disappearance of the polar ice cap in 2028. In the story, each family member does what he or she thinks is right in an America of the future that struggles to hold its democratic and Christian values during the wake-up worldwide disaster. The Arctic ice caps have completely melted and rainfall patterns change around the world. As agriculture fails, and the international economy collapses, terrorism surges—and while the Russell family struggles to fight for what they believe is right, their ideas could not be more in conflict.—T.K.

In her debut collection of poetry, Sonoma’s Lisa Summers explores the seasons and contradictions found within the West’s topographic and emotional terrain. ‘Star Thistle and Other Poems’ (FMRL; $12.95) grapples, too, with altered landscapes. A native of the Bay Area, Summers reflects her first-hand experience of witnessing our local environment transform. In “House Finches,” Summers writes: “The only traces of the old farm / its rich soil was buried alive / by sidewalks, roads and houses / are the anise weeds that burst forth / from the memory of good earth / in the last open field.” Drawing on mythology—Kuan Yin, Aphrodite, Eros—Summers explores the psyche, often bringing the reader back to the great vast ocean for a breath of fresh air.—D.B.

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Baseball fans know Amy G as the in-game reporter for the San Francisco Giants, but Petaluma locals know her as the Casa Grande grad who turned her passion for sports into the world’s best job: hanging around the dugout and talking to Matt Cain, Pablo Sandoval, Hunter Pence and the rest of the greats in orange and black. Written for kids, ‘Smarty Marty’s Got Game’ (Cameron + Company; $17.95) is the first book by Amy G (still lives in Petaluma, real last name Gutierrez)—a simple story of an older sister passing on the contagious love of baseball to her younger brother during a day at the ballpark. Because of trademark issues, illustrator Adam McCauley doesn’t use Giants logos in his vibrant full-page images, but the panda hats, garlic-fries stands and giant Coke bottle make it more than evident which team is playing. (Jon Miller’s trademark call “It is outta here!” makes a key appearance.) Of particular interest is the book’s emphasis on scoring the game by hand, something of a forgotten art that might be lost on younger readers—and that, frankly, one sees more frequently over in Oakland. But if Gutierrez’s book reaches its intended audience, there’s no question there’ll be a future audience of scorers for “the greatest game in the world.”—G.M.

Gracianna Winery in Healdsburg is named for co-owner Trini Amador’s great-grandmother Gracianna Lasaga. She also provides the title of Amador’s first book, ‘Gracianna’ (Greenleaf Book Group Press; $24.95), out this fall. Combining fact with fiction, Amador—who works as a principal at BHC Consulting doing brand strategy and insights development—takes World War II and the Nazi occupation of Europe as his novel’s backdrop. Gracianna, a Basque woman who dreams of going to America but is stymied after the escalation of the war, finds herself in a fight to the death after discovering that her sister has been forced into labor at Auschwitz. Summoning all of her courage, she attempts to free her sister and learns about her own strength in the process.—L.C.

‘The Adventures of the Omaha Kid’ (Buffalo Publishing Company of the Napa Valley; $12.99) has sports, celebrity, wine and, of course, romance. St. Helena author Nathaniel Robert Winters has penned the life of Timothy Jacobson, nicknamed “the Omaha Kid,” a crossover sports superstar with an unlikely combination of skills: baseball and tennis. After a successful baseball career, the Kid goes on to compete in the U.S. Open and does very well, and finds himself a superstar almost overnight. But his romantic life doesn’t always fare as well as his swinging sports career. Using many California cities as a setting, Winters chronicles the Kid’s life through the later half of the 20th century. Using the natural drama of sports to build anxiety, the same feeling translates into the Kid’s love life. Will he strike out in love? Or will he, ahem, hit a home run?—N.G.

When Jack London’s Glen Ellen Wolf House caught fire in August 1913, little did London fans realize that the root causes of the incident would remain an unanswerable question over the following hundred years. Sonoma County resident and SSU professor Jonah Raskin attempts to unravel the mystery of what circumstances led the 15,000-square-foot house to its demise with his new chapbook ‘Burning Down the House: Jack London and the 1913 WolfHouse Fire’ (Clone; $5). Raskin interviewed over two dozen people for the chapbook, including local historians, park docents and writer-historian Kevin Starr about thefire, addressing several hypotheses in Burning Down the House. Arson,combustion or an act of self-destruction, the Wolf House fire continues to fascinate and baffle all these years later.—D.B.

‘Tales of Jack the Ripper’ (Word Horde; $15.99), the latest anthology from Petaluma’s Ross E. Lockhart (editor of The Book of Cthulu), marks the 125th anniversary of the Whitechapel slayings. Although the mystery of Jack the Ripper has captured the public’s imagination for over a century—as it is, we don’t know jack about Jack—what we know for certain is that he was a cold-blooded murderer of women. Lockhart’s anthology pulls together 17 stories and two poems from distinct voices in dark fantasy and horror such as Laird Barron, Ramsey Campbell, Ennis Drake and others. Each story illustrates a unique part of Jack the Ripper’s story in varying locales, from his childhood and personal life to those of his victims. Overall, the collection is a unique exploration of the legacy of Jack the Ripper from the point of view of authors of completely different backgrounds, each holding his own vision of the legend.—T.K.

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Katy Byrne began writing “hairballs,” her word for the dark things that we hold in until they metastasize, when she was single and lonely. Part diary entry, part philosophical musing, ‘The Courage to Speak Up: Getting Your Hairballs Out’ (Langmarc Publishing; $16.95) gathers Byrne’s thoughts into book form. A licensed psychotherapist, radio personality and animal rights activist, the Sonoma County resident has poured onto paper her thoughts on love, anger, fear of sex, aging, overeating, the importance of neighbors, friendship, judgment, holidays, money anxiety, the difficulty of moving, family stress, living simply and losing a beloved pet (in her case, a cat named Einstein). The book is interactive by way of three reflection questions included at the end of the chapter, which allows readers to discover—and let go of—their own hairballs.—L.C.

Say you’re an upright bass player. What if you were asked to perform music for one of your least favorite people? In Sebastopol author Bill Amatneek’s case, that’d be a gig offer playing for president George W. Bush, as chronicled in ‘Acoustic Stories: Pickin’ for the Prez and Other Unamplified Tales’ (Vineyard Press; $27). “This was a moral decision,” Amatneek writes, “to entertain or not entertain an immoral man. I wanted to pass it up, but I also wanted to play it.” In the end, Amatneek plays the gig anyway, adding another chapter to a jam-packed book of memorable bass playing jobs. Growing up in a household on Bleecker Street that hosted legends like Pete Seeger and Paul Robeson, Amatneek went on to accompany the likes of Jerry Garcia, Bill Monroe, Peter Rowan, and Peter, Paul & Mary (whom Amatneek still clearly carries a torch for). All those stories are here, as are anecdotes of helping Bob Dylan find the stage in Philadelphia, being sung “Happy Birthday” to by Dionne Warwick, interviewing Aretha Franklin in San Francisco, playing a jazz funeral in New Orleans and many others. Overall, Amatneek’s tone is conversational and not boastful, and places the reader into the action of a life well lived in music.—G.M.

Michael Rinaldini’s ‘Daoist Practice Journal: Come Laugh with Me’ (CreateSpace; $11.98) sheds a light on walking the Taoist path from the author’s unique perspective. A former surfer turned Taoist, in The Daoist Practice Journal, Rinaldini, a Sebastopol resident, compiles journal entries written over the past 20 years. Each entry explains a different aspect of his spiritual journey, from surrendering to his beloved waves to the beauty in a simple cup of tea. The entries include selections from ancient writings in addition to current masters of the Way, and informs readers of the different Taoist practices available for study and practice, covering topics like meditation, qigong, the value of silence and solitude and much more.—T.K.

Ralph Milton Ingols was a guidance counselor at St. Helena High School for over 30 years, and, as you can imagine, he has many stories to tell about student and faculty life. ‘St. Helena High School: The Golden Years’ (Pastime Publications; $13.95), co-written with Napa Valley resident Dona Bakker, collects these tales into one volume. Told in collage fashion, the book combines recollections from students, custodians and faculty, with graduation speeches and introductory essays that give a historical context to each decade, starting in 1941 and running through 1972. Approximately 2,000 students passed through the school’s doors during this time, and they’re all accounted for in comprehensive class lists for each year. The result is an insightful peek into small-town life in a bygone era. With all proceeds benefiting a scholarship fund for current students, the book itself would make a great gift for just about anyone who attended St. Helena High School between 1941 and 1972.—L.C.

As 100.1-FM KZST’s expert CPA, Santa Rosa’s Montgomery Taylor is already known and trusted by many Sonoma County taxpayers. And maybe they want to learn how to become just as successful in life. Montgomery has compiled writings from “the world’s leading experts” in ‘The New Rules of Success’ (Celebrity Press; $19.95) to help you do just that. Though none of the authors is quite a household name, each is successful (in this case, that also means wealthy) in life, and shares a nugget of wisdom on how to achieve your goals. It’s a personal book, with each author writing specifically to you, the reader, using mostly first-person examples. Topics include motivation, customer service, relentless thinking about the customer, raising a family for success, online marketing, managing stress, commitment and more. Taylor writes a chapter himself, detailing his own rise from “farm boy” to “wealth advisor.” With so many different topics and perspectives, it’s a safe bet that if you’re looking to achieve financial success, this book is going to be helpful.—N.G.

Every woman should have a mentor. Mentors provide the inspiration, empowerment and encouragement that we don’t tend to get from greater society. Karilee Halo Shames, a holistic nurse best known for her work with husband Dr. Richard Shames around hypothyroidism, has made it easy to learn from women mentors by compiling their stories in ‘Amazing Mentors: Real Hot Mama’s Path to Power’ (Inkwell Productions; $18). Contributors include Code Pink founder Medea Benjamin, former U.S. congresswoman Lynn Woolsey, healer and chiropractor Shalamah Yahchove, Gen. Clara Adams-Ender and others. “If no leadership exists, step up and bring others along,” says Woolsey in the chapter devoted to her—that’s exactly what Halo Shames has done in compiling these thoughts and interviews.
L.C.

Letters to the Editor: October 22, 2013

Cat Call "Black Panther" by fall writing contest winner Don Stoddard ("It Showed Up on My Doorstep," Oct. 16) was especially endearing; a special reminder of growing up in the '50s. My 93-year-old mother still has her black panther proudly displayed. —Vicki S. French Via online What's a Forest? Artesa would clear-cut 1.25 million board-feet of redwood and Douglas fir at the site, based...

Libretto for Rats

Bertolt Brecht, the 20th-century Marxist playwright and poet, made him do it. That's how Josh Windmiller, the voice behind Gypsy-punk-Americana act the Crux, explains the origin of his band's acclaimed collaboration with experimental theater troupe the Imaginists that resulted in the 2012 stage production The Ratcatcher. "I'd seen their production of The Wizard of Oz and I thought, this could...

Who Art in Theaters

The independently made film I'm in Love with a Church Girl is a genre-blender, with Ja Rule lending his street cred to a story of born-again conversion. The film is materialistic enough for Not of This World gear shopping sprees, private planes and pricey real estate, but sacred enough that it literally credits God as an executive producer. Church Girl...

Live Review: Treasure Island Music Festival 2013

Treasure Island Music Festival is more than just music, it’s an experience. The festival is so well produced that it wouldn’t be difficult to have a good time having never heard of any of the bands playing. The seventh incarnation of the two-day festival wrapped up yesterday, and it was another beaming success. In addition to music, there is...

Oct. 22: UFO expert Jim Ledwith at the Sonoma Community Center

The phrase “parental discretion advised” is a surefire attention-grabber. When it’s used in conjunction with a lecture about alien abductions titled “Strange Harvest,” it’s begging it. This week, UFO expert Jim Ledwith talks about the 10,000 animal abductions since 1967—why are farms the target of alien research? Are extraterrestrials curious, or just really hungry? With actual footage of a...

Oct. 19: Pink Floyd Laser Spectacular at the Lincoln Theater

It’d be easy to make a joke connecting the Pink Floyd Laser Spectacular and psychedelic drugs, but that’d be doing the spectacle a disservice. A Pink Floyd laser show is awesome, even at age 10, even at age 70, and should be experienced at least once in everyone’s life. With a 50,000-watt stereo system, the Lincoln Theater is just...

Oct. 19: Ruth Moody at the Sebastopol Community Center

As a member of the Wailin’ Jennys, Ruth Moody has made a name for herself with a down-home vocal style and honest songs. She’s won two Juno awards (sorta like Canada’s Grammy, but with more integrity) and been featured several times on A Prairie Home Companion. Listening to her sing puts the mind at ease, stacking those troubles neatly...

Oct. 19: Rudolf Budginas at SRJC’s Newman Auditorium

Internationally renowned concert pianist Rudolf Budginas has an unassuming daily life as a music faculty member at Santa Rosa Junior College, but he’s about to bust out of the mold. This week, he plays in a concert with Steve Miller Band guitarist Kenny Lee and Kingsborough drummer John Whitney for a rock-themed concert called “Piano on the Edge.” His...

Oct. 19: ‘The Phantom Carriage’ at the Jarvis Conservatory

It sounds like a slow, moody interlude of an epic post-rock group like Explosions in the Sky or Not to Reason Why, but no—it’s the soundtrack to a 1921 silent film called ‘The Phantom Carriage,’ composed by 2013 Vintage High School grad Raja Orr. The film will screen with a live performance of this new composition from...

Local Lit

Santa Rosa–based psychotherapist Jo Lauer applies her knowledge of the human psyche to a new genre in 'Best Laid Plans: A Cozy Mystery' (CreateSpace; $11.69). Her story begins with Jenny Pond, an ex-felon who "hadn't planned to kill anyone, but fate has a lousy sense of humor." Jenny meets Shalese, a blue-collar social worker from Detroit, and the two...
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