Nov. 1: George Scribner at the Healdsburg Center for the Arts

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The art of George Scribner is so enchanting that it hangs on the walls in “the happiest place on earth” in the Disneyland Gallery on Main Street. If you’ve ever seen The Lion King, Fantasia Continued, Dinosaur or Oliver and Company, which he directed, you’ve experienced the magic of Scribner’s works. This rare breed of Disney directors and animated artists will be illustrating his experiences in an appearance called “Working at Disney” on Friday, Nov. 1, at the Healdsburg Center for the Arts. 130 Plaza St., Healdsburg. 7:30pm. $5. 707.431.1970.

Nov. 1: Coco Montoya at Hopmonk Tavern

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Coco Montoya, a lefty who plays his “icy hot” guitar style on an upside-down, right-handed guitar like Albert King, never took one lesson. A self-taught guitarist, Montoya learned by mirroring some of the best guitarists of his time, with artists like King who taught him, “Don’t think about it, just feel it.” His heartfelt musical style caught the ear of John Mayall at a bar gig, and Montoya was recruited to his band to follow in the footsteps of former Bluesbreaker guitarists like Eric Clapton, Peter Green and Mick Taylor. Montoya plays solo on Friday, Nov. 1, at Hopmonk Tavern. 230 Petaluma Ave., Sebastopol. 8:30pm. $17. 707.829.7300.

Time for Charges

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The morning after Sonoma County Supervisor Efren Carrillo was arrested on Aug. 20 on suspicion of prowling and burglary, infamously clothed in only his socks and underwear after reportedly attempting to enter a woman’s bedroom at 3am, he admitted that alcohol was involved and said, “I realize that my behavior was embarrassing.”

But embarrassment might be the least of Carrillo’s troubles. Since his arrest and subsequent trip to rehab, he’s heard his fellow supervisors condemn his actions and question whether he’s fit to serve on the board. Add to that a mounting recall effort and possible criminal charges at an upcoming court date this week, and it appears Carrillo has much more to worry about than embarrassment.

But even so, Carrillo’s goose might not be cooked.

“He can weather this,” says Sonoma State University political scientist David McCuan. Though a felony conviction would mean automatic removal from office, McCuan suggests Carrillo’s career could survive if charges were dropped, if he were acquitted of a felony or even if he were convicted of a misdemeanor. “Voters love to forgive their politicians, but they don’t always reward them,” says McCuan, suggesting Carrillo’s aspirations for higher office may be dashed. “He has a long time to look at reelection, but he won’t move up.”

Since his arrest, Carrillo’s sentencing hearing has been postponed three times; the current court date is set for Friday, Nov. 1, but that could be postponed yet again if prosecutor Cody Hunt of the Napa district attorney’s office—which has been characterized as notoriously aggressive—asks for more time to build his case.

In the meantime, many have cast the ongoing delays as a plot by Carrillo’s side to buy time for solidifying a more bulletproof story. Rosanne Darling, the lawyer representing the unidentified woman who called 911 twice before Carrillo’s arrest, said at the Oct. 18 hearing that she felt the most recent postponement was politically motivated. Chris Andrian, Carrillo’s lawyer, says Darling, a former Sonoma County prosecutor herself, should know that court cases are often delayed multiple times, and that this isn’t a political move. Efren Carrillo, meanwhile, repeats the mantra of “No comment.”

Carrillo is playing it safe in the wake of the scandal, a story that has legs internationally; McCuan says he’s fielded calls about the case nationally and from as far away as London and Singapore. With the public keeping a close eye on the story, a recall effort would have to be well orchestrated, including finding the right replacement candidate, says McCuan.

“We don’t want to do it and not be successful,” says Alice Chan, leader of the Coalition for Grassroots Progress, the group organizing the recall effort. After initially announcing they would press forward with a recall on
Sept. 15, the group has since backed off, waiting for more information and political strategies to play out. The North Bay Labor Council, a group representing 71 labor unions in California, has come out in support of a recall effort and would be able to bankroll the potential $200,000 cost. There’s just one missing piece of the puzzle: a viable candidate to replace Carrillo.

“We are identifying a candidate that, for the voters of the 5th District, will be preferable,” says Chan, a 5th District voter. “We would definitely want to elect someone to replace Efren who is progressive.”

If he feared a recall effort might be successful, Carrillo could resign, and Gov. Jerry Brown would appoint a replacement to fill the seat until the next election cycle. Carrillo’s friend and close political ally, former U.S. Congressman and Press Democrat co-owner Doug Bosco, certainly has Gov. Brown’s ear as far as a replacement goes—Bosco has hosted fundraising parties, with Brown in attendance, in his McDonald Avenue home in Santa Rosa, and would be all too willing to suggest a replacement.

Even though Carrillo’s environmental voting record is spotty, it could be worse for the progressive 5th District of west Sonoma County; Gov. Brown could simply appoint a former supervisor and friend of Bosco to fill the position. “There couldn’t be a bigger nightmare than [former supervisor] Eric Koenigshofer for the progressives,” says McCuan.

Carrillo, who won reelection in 2012 by a landslide, could possibly even weather a recall effort, says McCuan. “There is a current of support that is deeper than Doug Bosco,” he says, “deeper than others in the community that he might be allied with.”

Friction Point

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In the land of kinetic sculptures, accordion festivals and rubber duckie races, the competition for quirky niftiness is tight around these parts. Still, “we want to create something unique that you can’t find anywhere else in Sonoma County,” says Gary McLaughlin of this weekend’s concert by the Friction Quartet.

McLaughlin is the founder of Brave New Music, whose aim is to present serious chamber music in a casual setting. For the Friction Quartet performance, that setting is SHED in Healdsburg, upstairs in the Grange Room. “It’s very informal—the musicians may be playing in jeans—but with a high level of playing,” says McLaughlin, adding that craft beer, wine, kombucha and food will be served.

In keeping with Friction Quartet’s tendency to premiere new works, the program includes pieces by Noah Luna and Eric Deluca, the latter of which is an artist-in-residence with the national park system and whose composition accompanies a screened film. Beethoven and Debussy, round out the offerings, but in every other way, “we’re trying to re-create chamber music,” says McLaughlin. The Friction Quartet performs Sunday,
Nov. 3, at SHED. 25 North St., Healdsburg. 8pm. $25. 707.431.7433.

Lasseter Family Winery

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It should surprise no one that a movie mogul owns a vineyard in Glen Ellen. That’s what successful folks do around here. But mention John Lasseter, and you’ll generally widen some eyes.

Yes, the very same creator of Toy Story, Finding Nemo, WALL-E and dozens of other hugely successful Pixar features that are all too well known to anyone who’s had kids in the past 20 years. And yes, befitting of one of the nation’s leading grownup kids, his home vineyard is ringed with its own narrow-gauge railroad, serviced by a charismatic little steam engine called the Marie E. If it all sounds like so much fun, there is one more surprise: the only carryover from Lasseter’s groundbreaking career in computer animation is a discreet “Wally B.” in the winery’s logo.

The Lasseters want the experience here to be just about the wines, explains their winemaker, Julia Iantosca (pictured), which is why you’ll find no giant statues of Buzz Lightyear (or even the mere mention of the word “Pixar” on their website). The modest, compact winery and hospitality center was built from scratch on the site of the former Grand Cru Vineyard, by a babbling “brook” that recycles water from the vineyard pond. Visitors should not expect to drop in on John and Nancy Lasseter here, although their portly dachshund may come scuttling by in his never-ending search for Iantosca, who is obliged to give him a treat upon being found.

The Marie E. makes an appearance on the label of Lasseter’s 2011 Chemin de Fer ($46), a juicy Rhône-style blend with a spice box more like Pinot Noir. The 2012 Enjoué Rosé ($24) also employs the triple threat of Syrah, Mourvèdre and Grenache. Fastidiously Francocentric, the Lasseters wanted to make a rosé like those they enjoy from the south of France, so they brought back three dozen bottles to survey before deciding on this wine’s style: classic salmon-pink, orange zest flavor, mouth-filling but crisp. “Because the Lasseters are very visual people,” Iantosca says, “it was important to get the color correct.”

The vibrant, magenta-rimmed 2010 Paysage ($52), a Merlot-based blend, and the Malbec-based 2010 Amoureux ($54), with graphite and wild raspberries on the nose, are fine Bordeaux facsimiles. With engaging wines, paired with a plate of locally made cheeses and chocolates, this seated tasting should not disappoint adult fans of well-made wine. Children, on the other hand, may be bored out of their tiny minds—except on the day that the Lasseters invite classes from neighboring Dunbar School to release and learn about the “good bugs” that inhabit the insectary bordering their organically farmed vineyards, and it’s a bug’s life here, after all.

Lasseter Family Winery, 1 Vintage Lane, Glen Ellen. Daily by appointment only, $25 per person. 707.933.2800.

Gun Crazy

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Ten seconds.

Ten seconds is how long it takes to tie one’s shoes, or to send a text. But for a sheriff’s deputy last week, 10 seconds was all the time it took between calling in to report a suspect and then calling again to report the boy had been shot.

This is what we know about the shooting of 13-year-old Andy Lopez from the deputy’s perspective: that Lopez, wearing shorts and a blue hoodie, was seen by two deputies walking along Moorland Avenue holding an Airsoft gun made to look like an AK-47. That the orange tip, signifying it as fake, had been removed. That the lights of the deputies’ car came on, that the boy, from behind, was told twice to “put the gun down.” That as he moved to turn around and face the deputy, the barrel of the toy gun “was rising up and turning in his direction.”

We know all too well what happened next: that deputy Erick Gelhaus fired at Andy Lopez eight times, striking him seven times, killing him on the spot.

What we know about the shooting of Andy Lopez from witnesses’ perspectives is that Gelhaus kept firing after Andy Lopez hit the ground, according to a neighbor across the street. That he instructed Lopez to put the gun down from inside the vehicle, not outside, according to two women who were on the block. That after the deputy’s door opened, it took only three to five seconds before shots were fired, according to another man in the neighborhood.

What we know from visiting the site on Moorland Avenue is that the location of the deputies’ vehicle is still marked on the asphalt, very much behind where Andy Lopez was walking. That Gelhaus has stated he “couldn’t recall” if he identified himself as law enforcement when he called out to drop the gun. That by the SRPD’s own admission, Andy Lopez hadn’t fully turned around to see who might be calling to him before he was struck with bullets. That according to the autopsy, he was struck, among other places, in the right hip and right buttock—from behind.

In the week since the shooting of Andy Lopez, more questions than answers have arisen from a community still in shock and still struggling with how a 13-year-old carrying a toy can be killed in plain daylight. “The public expects that the investigation will be thorough and transparent,” said Sonoma County Sheriff Steve Frietas, in a prepared statement. “As sheriff, I will do all in my power to see that expectation is satisfied.”

Likewise, the Santa Rosa Police Department and District Attorney Jill Ravitch have all promised thorough, transparent investigations into the incident. Additionally, after the incident timeline and preliminary autopsy results were released last week, the FBI announced it will conduct its own independent investigation into the shooting, taking all perspectives into account.

But the perspective that’s missing is the one of Andy Lopez—and, tragically, the one person who can offer his perspective is no longer alive.

In marches, vigils and calls to action over the last week, the community has demanded—and deserves—a detailed explanation of what happened last week on Moorland Avenue. But in Sonoma County, detailed facts about officer-related shootings are often impossible to obtain.

Per longstanding protocol after officer-related shootings, the Andy Lopez shooting is being investigated internally by the Sonoma County Sheriff’s Office and also by the Santa Rosa Police Department—ostensibly an independent, outside agency. But as many are quick to note, the close relationship and shared duties between these two departments negates any possibility of complete impartiality. Currently, the SRPD is being investigated by the sheriff for an incident earlier this month. How, people are correct to ask, can the SRPD be impartial to the sheriff? And how can the district attorney, a sworn representative of law enforcement, also be impartial in its own analysis?

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Such questions have yet again brought up the need for a civilian review board, which could potentially have subpoena powers and could provide taxpayers with a mechanism to oversee the public servants whose salaries they pay. In fact, a civilian review board was recommended for Sonoma County by the U.S. Civil Rights Commission in 2000, after a one-year probe into a spate of officer-related deaths and the conflicts of interest inherent in local protocol for investigations. Civilian review was criticized by law enforcement, then as now, as unnecessary.

Even longtime activists like Mary Moore admit that civilian review boards aren’t perfect. “I am personally one of those that feels that civilian review boards have their downsides,” she says. But considering the current practice of local departments investigating each other, Moore adds, “I just don’t see that anybody would trust that process to be either transparent or accurate. We definitely need an outside eye on this.”

Longtime police-accountability activist Robert Edmonds points out that in the 26 officer-related fatal shootings that have occurred since 2000—a number that includes deaths caused by Taser—no officer has ever been convicted of any wrongdoing. Edmonds says this underscores the need for outside investigations, even while predicting that civilian review boards can create extra levels of bureaucracy—and won’t always stop complaints. “Police say they’ll be stacked with liberals who are opposed to police at all times,” Edmonds notes, “and liberals will say it’s stacked with conservatives who side with police at all times.”

Still, Edmonds says, something needs to be done to stop the cycle of citizens being shot. Looking at other models in San Francisco and beyond, a civilian review board could be set up in such a way to provide that opportunity. As Marty McReynolds of the ACLU stated last week, “Only such an independent investigation can supply the facts needed for corrective recommendations and give the public confidence in the actions of the agents pledged to protect our community.”

Sheriff Frietas asserts that the existing grand jury serves as the impartial outside body that police accountability activists continue to demand. Comprised of 19 voluntary applicants, the grand jury delivers the final report on the district attorney’s findings into officer-related shooting investigations.

But a community like that of Andy Lopez’s won’t see itself represented in the grand jury. The current grand jury, for example, is very predominantly white and over 50 years old. “Typically, grand jury membership involves a time commitment of some portion of two to three days a week,” reads the grand jury’s operational summary, and who, living in the low-income neighborhood of Moorland Avenue, has that kind of time?

The FBI will investigate the shooting, and has stated that Andy Lopez’s civil rights will be an issue in their investigation. This can hopefully address questions about the shooting’s racial implications and the marginalization of the Latino community at large in Sonoma County. Just this month, Santa Rosa police and SWAT members surrounded a house for 11 hours after reports of a man firing a gun at his wife. Why would officers wait 11 hours when dealing with a man shooting a real gun and only wait 10 seconds when dealing with a teenager carrying a replica gun? Could it be that the man was a middle-aged business developer living in Fountaingrove, instead of a teenager in a hoodie walking in a largely Latino neighborhood?

Chances are that amid the slow investigation process, more facts could come to light via a wrongful death lawsuit filed by Lopez’s family, who reportedly has hired an attorney. This could yield much more information on the shooting than is available to the public or the press, says Santa Rosa attorney Patrick Emery, who represented the family of Jeremiah Chass, a 16-year-old shot and killed by county deputies in 2007.

The wrongful death lawsuit filed by Emery on behalf of the Chass family resulted in a
$1.75 million out-of-court settlement. But it also resulted in a collection of evidence that Emery says conflicted with official reports at the time coming from the sheriff’s department, the SRPD and the Press Democrat.

That evidence was never stifled by a nondisclosure agreement; if the family wanted to, they could have released it, says Emery. “In the Chass case, my clients chose not to speak further once the case was settled. It was their choice simply to avoid further emotional upset, and that was a very emotional personal decision they made.”

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Rather than shield themselves from the public, Andy’s parents, Sujey and Rodrigo Lopez, have been active in marches and vigils for their son, and have demanded that justice be served. If a wrongful death lawsuit were to be filed and evidence collected, it’s likely they would push for its release.

Currently, audio recordings from dispatch continue to be withheld by the sheriff’s department. With further details like post-incident interviews, witness accounts, depositions and the deputy’s personnel records that could come from the “discovery phase” of the legal process, “I think a wrongful death suit would be appropriate, unless there is a complete disclosure of all the facts, and those facts clearly justify what the officers did,” says Emery. “Frequently, the only way to obtain a thorough and detailed explanation of the facts is through a wrongful death suit.”

While select facts on the investigation trickle out from the SRPD, the online background of deputy Erick Gelhaus is disappearing. Gelhaus, a 24-year veteran deputy who served in Iraq and led gang-prevention and narcotics efforts for the department, had no prior civilian shooting record before last week. An avid hunter and gun enthusiast, he served as senior firearms instructor for the sheriff’s department and posted regularly to online gun forums, using his real name. While many of those posts have now disappeared, easily accessible cached pages show that Gelhaus made comments pertinent to the events of last week.

“Does anybody have or know of a location for an AK-47 nomenclature diagram?” he asked in April 2001.

In a 2008 article for S.W.A.T. magazine, Gelhaus wrote that law enforcement is a “contact sport,” and he gives a warning to his trainees: “Today is the day you may need to kill someone in order to go home.”

In 2006, Gelhaus replied to a discussion about being threatened by someone with a BB or pellet gun, and it’s indicative of his knowledge of the investigation process. “It’s going to come down to YOUR ability to articulate to law enforcement and very likely the Court that you were in fear of death or serious bodily injury,” he wrote. “I think we keep coming back to this, articulation—your ability to explain why—will be quite significant.”

Taken together, the posts show that Gelhaus was familiar with AK-47s, was prepared to kill somebody, and knew that should he ever shoot someone carrying a fake gun, the requirement to convey afterward that he feared for his life was paramount.

In a news conference last week, Lt. Paul Henry of the SRPD stated as much about Gelhaus’ testimony after the shooting. “He was able, at least in interviews with us, to articulate that he was in fear of his life, the life of his partner, and the community members in the area. And that’s why he responded in the way that he did.”

Ethan Oliver is the witness who first appeared in front of TV cameras to say that Erick Gelhaus continued to fire at Andy Lopez after the boy had fallen to the ground. Speaking in front of his house four days after the shooting, he reiterated what he saw from his front porch on Moorland Avenue.

Though the autopsy eventually bore out his statements about how many shots were fired, Oliver says that in the days following his statements on TV, he’s been targeted by law enforcement.

“I’ve been harassed real bad over this,” he says. “I’ve been arrested twice in one day, and then I just caught a bogus DUI for nothing because they said they had a report of a drunk driver, which wasn’t the case. They saw me, and then they had six cops follow me. Six cops for a traffic stop. And then twice, they got me. The other one, you know, I kind of understand where their standpoint was on that, because I got pretty extensively verbally violent with them. But to me, it’s still harassment.”

Oliver also notes that the field where Lopez was shot is a common play area for kids with toy guns, where neighborhood children “play with their paint-ball guns all the time.” Oliver’s little brother often played with Lopez, a boy that Oliver describes as a “real good kid.”

“He wanted to be a boxer, he wanted to do a lot of things. He was real friendly, real popular around the school,” Oliver says, as dozens of mourners gather nearby around a candlelit shrine where Andy Lopez was killed. “To me, I really don’t care [about being harassed]. Just as long as there’s justice for this little boy and his family.”

Destination: Rancho Obi-Wan

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You have taken your first step into a larger world.—Ben Kenobi

Anaheim has Disneyland. San Diego has Legoland. And Petaluma has “Lucasland.” Well, sort of. To be more precise, it has Rancho Obi-Wan (ROW), Steve Sansweet’s huge collection of Star Wars memorabilia housed in a converted 9,000-square-foot barn on his two-acre ranch.

Where some 20,000 chickens once roosted, over 300,000 items are now on rotating display, making Sansweet’s Star Wars collection officially the largest in the world. With the creation of Rancho Obi-Wan, a 501c3 nonprofit museum, Sansweet’s famous collection is open for tours to members and the occasional larger event, like this weekend’s “World Record Night.”

For 26 years, Sansweet was a well-respected, award-winning journalist (nine of them as Los Angeles bureau chief for the Wall Street Journal). Months before seeing Star Wars in 1977, he caught the bug.

“In early ’77, a fellow reporter at the Journal got a promotional brochure from 20th Century Fox touting the upcoming film,” Sansweet recalls. “He flipped through it and threw it away. I waited until he left for the day, then I fished it out of his wastebasket.”

And Sansweet was hooked.

“I didn’t plan on collecting over 300,000 items—it just sort of happened,” he says. “I always had the collecting gene when I was a kid—baseball cards, matchbook covers—and I always loved science-fiction and fantasy. But when I saw Star Wars at a screening on the Fox lot, it blew my mind.

Star Wars is the most significant worldwide pop-cultural phenomenon in the past 50 years,” he says. “George Lucas’ saga changed my life, and all for the better.”

The original trilogy’s force was so strong, Sansweet decided to take mythologist Joseph Campbell’s advice, “Follow your bliss.” So in 1996, he packed it in at the Journal, gathered his collectibles from his three-level L.A. home and five rented storage units, and unpacked in Petaluma to become director of content management and head of fan relations for Lucasfilm. Since then, he has acted as a “Star Wars ambassador,” making public appearances at conventions around the world (the most recent this summer in Essen, Germany), written 16 Star Wars books and co-hosted no less than 27 themed shows on QVC in the 1990s.

“I’ve often been the only person from Lucasfilm who fans can personally meet and chat with on a fan-to-fan basis,” Sansweet explains.

In 2011, Sansweet retired from Lucasfilm, although he remains a consultant for the company. In October 2012, staff from Guinness World Records visited ROW and confirmed what most insiders had already known: that Sansweet is owner of “the largest collection of Star Wars memorabilia.” The 2014 Guinness book was released in mid-September.

“People assume that I’m a millionaire,” says Sansweet, “or that I get everything for free from licensees, but that’s not true. Most of my collection has been bought and paid for out of my own pocket, and I’m struggling to get my credit card debt down just like everybody else. Some of the items in my collection are made by fans that show their passion for the saga as well as their skill. And those are among my favorite items.”

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These include a large bantha piñata—the beast of burden ridden by fierce Tusken Raiders in Star Wars—and a full-sized wearable costume of the wampa creature that attacked Luke Skywalker in The Empire Strikes Back. Fans have even made and sent Sansweet a dozen figures of himself, usually as a Star Wars character. And how’s this for symmetry: the abandoned door from the Mos Eisley Cantina in Star Wars, which later was used on a chicken coop in Tunisia, is now a permanent fixture at ROW—in Petaluma, one-time chicken-and-egg capital of the U.S.

“I love to share my collection with other fans and collectors, who come from all over the world,” Sansweet says. “They really enjoy hearing little-known stories and anecdotes about many of the pieces. I try to never leave any question unanswered. That’s why the tours average three hours or longer.” ROW also donates tours to other charities for fundraising and does tours for school and community groups.

One of those visitors who traveled from a galaxy far away to see Sansweet’s legendary collection was Texan Anne Neumann. She offered her services to catalogue the collection, guesstimating the job would take six months to complete.

“That was eight years ago,” Neumann says with a laugh, “and it’s far from done.”

As vice-president and general manager of ROW, Neumann maintains its website, coordinates traveling exhibitions and schedules tours for schools and individuals as well as special onsite events.

“Like weddings,” she adds. “People have been inquiring if it’s possible to get married at ROW. The answer is an unqualified yes!”

Two major events take place in early November. Sansweet, who has married five couples throughout California, is looking forward to conducting his sixth wedding on Nov. 1.

“It’ll be the first of what I hope will be many at Rancho Obi-Wan,” he says.

Ross Cuddie and fiancé Charmaine Picot, both nurses, are from a distant-rim planet named Saskatoon, Saskatchewan. They say they “wanted a venue that was classy yet fun.”

Picot, who has a penchant for Princess Leia art, explains, “We were engaged in San Francisco in July 2011 during our first visit to the city, and we found the surrounding area beautiful. Having the premier Star Wars collection onsite is a unique and fitting location for us and our friends who are attending.”

Adds Yoda collector Cuddie, “Plus, Steve Sansweet—friend, collecting guru, mentor and all-around swell guy—couldn’t be a better person to perform the ceremony.”

Nov. 2 is the date for a major fundraiser (“World Record Night @ Rancho Obi-Wan”) commemorating the second anniversary of the museum as a nonprofit, and being included in the Guinness World Records 2014. Fans and collectors from all over the United States and overseas will descend on ROW like it’s party time on the forest moon of Endor.

“To be included in the Guinness book has been a tremendous honor, and recognition for
Rancho Obi-Wan is growing internationally,” says Sansweet. “And Star Wars fever is only going to increase as five more feature films are scheduled, starting in 2015. That will keep us on the map.”

Sonoma County, the Force is with you.

A Just Community

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Every town needs a conscience—
a Jiminy Cricket to its Pinocchio tendencies. In the case of Santa Rosa, and the surrounding county, conscientiousness manifests in the form of the North Bay Organizing Project, a coalition working for those who lack representation and voice in the community. Since forming three years ago, members of the NBOP’s task forces have agitated for Restorative Justice in Santa Rosa city schools, hosted vigils in front of the contested site of a Social Advocates for Youth Dream Center, fought for immigration reform and against deportations, and revived the spirit of protest and democracy in a county that maintains deep stratifications between the haves and have-nots.

On Nov. 3, the NBOP holds its annual public meeting at the Sonoma Academy (only slightly ironic, considering tuition at this college-prep school runs to five figures). The public is invited to attend, with the promise of galvanizing presentations by the NBOP’s immigration task force, education task force and a newly formed transportation/neighborhood development task force. Also presented is an idea whose time has come—the rollout of a transit rider’s union.

Last year’s public meeting featured a who’s who of community leaders, activists and politicians, in addition to a large contingent of regular citizens looking to participate in positive community change. This year’s event promises to carry the same energy. This is a bilingual event with free childcare. “Unite to Win,” The North Bay Organizing Project’s third annual public meeting, gets underway on Sunday, Nov. 3, at Sonoma Academy. 2500 Farmers Lane, Santa Rosa. 4–5:30pm. Free. 707.236.7501. For more, see www.northbayop.org.

Not a Drag

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Appearances can be deceiving. In Cinnabar Theater’s dramatically grounded, musically joyous production of La Cage Aux Folles, the opening anthem, “I Am What I Am,” is presented as a celebration of the art of female impersonation, a chorus of sexy, shimmying men in dresses singing the words, “I am what I am, and what I am is an illusion.”

As directed by Sheri Lee Miller, what’s often staged as an over-the-top spectacle of gender-bending farce and envelope-pushing comedy is revealed as the moving, honest, detailed love story that always existed below the wigs, high heels, feathers and glitter. By anchoring the comedy in clear, recognizable believability, and by keeping the motivations of the characters away from the trap of outsized caricature, Miller—who also serves as choreographer and costumer, with assistance in the latter from Clay David—establishes a rich, gradually escalating sense of emotional risk as these very real people bump, bruise, hurt, heal and, ultimately, love each other.

The nightclub of the title, La Cage Aux Folles—roughly translated as “Birds of a Feather”—is a cabaret on the French Riviera where the nightly stage show features a chorus of spectacular drag queens, with headliner ZaZa the most popular and famous gay performer on the Riviera. ZaZa is the stage name of Alban (Michael Van Why, spectacular, hilarious and moving), who for 20 years has raised a son with his longtime lover Georges, the boy’s biological father (an equally splendid Stephan Walsh, spot-on and marvelous). When their son, Jean-Michel (Kyle Stoner) arrives with news that he is engaged to the daughter of a French politician committed to shutting down all of the gay cabarets in the city, an escalating series of farcical plots is concocted to convince the in-laws that Alban and George are not what they really are.

What begins as two gay men pretending to be straight quickly becomes . . . well, something else entirely, as Alban and Georges improvise their way through a very long dinner party. Ultimately, each member of this affectionately eccentric family has a chance to rediscover and reaffirm his or herself—also rediscovering the love that holds them together—all while dancing their way through some pleasingly eye-popping song-and-dance numbers that show off Miller’s facility for staging everything from jazzy tap-dance numbers to a truly sultry tango.

The multiple Tony-winning 1983 musical was created by Jerry Herman and Harvey Fierstein, adapting a 1973 French stage play by Jean Poiret which itself inspired a series of popular French movies (along with the poorly received Americanized version The Birdcage, in 1996). The tuneful musical, with spirit-lifting songs that may end up battling in your head as the most likely to make you hum out loud, is often played as pure camp, a safe but unsatisfying approach to a show with so much built-in humanity and genuine heart.

The tight six-piece band, under the musical direction of Mary Chun, handles the difficult score with feisty aplomb.

Under Miller’s guidance, the cast meets the challenge of keeping everything real, while not missing the opportunities for bust-out-loud comedy and outrageous surprises. As Jean-Michel, Stoner handles the difficult task of making his character understandable and still likable, even when asking his parents to deny who they are in order to impress the father of the woman he loves. As Anne, Audrey Tatum is appealingly besotted with her fiancée, and as her parents, the stiffly straight-laced Monsieur and Madame Dindon, Stephen Dietz is delightfully prunish and Madeleine Ashe shows the carefree naughty-girl hiding beneath her conservative surface. Some of the show’s funniest moments come from James Pelican as Jacob, Alban’s faithful butler-maid-confidante, who dreams of getting a chance to step into the nightclub’s star-making spotlight. As the club’s beautifully bitchy chorus dancers, aka the Cagelles, J. Anthony Favalora, Jean-Paul Jones, Quinn Monroe, Valentina Osinski, and Zack Turner all shine. Ely Lichenstein, Clark Miller and Valentina Osinski all have their own moments, with Osinski also stepping in as one of the Cagelles.

The deceptively complex set, with hanging panels that instantly change the set from the front of the La Cage stage to backstage, is by David Lear, and Wayne Hovey does nice work with the mood-setting light design.

But the most dazzling onstage effects come from Alban and Georges, whose rocky but real relationship stands at the center of the whole undertaking. Georges’ affection for Alban is obvious, and when Alban takes his own turn with the song “I Am What I Am,” the wounded-but-proud emotional electricity Van Why generates as he sings “I am what I am, and what I am needs no excuses,” the moment is as complex and rich and raw as any speech by Arthur Miller or David Mamet.

La Cage Aux Folles is what it is—one of the best, most life-affirming musicals to appear onstage this season.

Rating (out of five): ★★★★½

Letters to the Editor: October 29, 2013

Justice for Andy

This story makes me heartsick (“13-Year-Old Boy Fatally Shot by Sonoma County Sheriff’s Deputies,” Oct. 23). All of the details will be analyzed by those investigating, and the public will only hear about the most obvious and least critical details. There is so much that is not published, not shared and can’t be rationalized; few people ever hear the whole story unless it goes to a jury. The debates over “toy vs. replica” or “shoot first ask questions later” ultimately are just factors in the more important issue of the lack of communication.

My prayers are with the Lopez family and all others who are feeling pain at the loss of Andy Lopez. My prayers are with the investigators, that they will look into every factor and truly find where justice lies. My prayers are with the officers that if or when they return to duty, it will be with a greater sense of diplomacy and compassion.

Via online

I think that the police officers need to adopt the policy from the military: do not fire unless fired upon. This will 100 percent designate who is an enemy. I can tell from the picture that this is a toy gun. If you ever held an AK-47, you know this is a bulky heavy weapon and not easily carried. I feel for the parents for their loss; I played with toy guns all the time, and never did I have an issue with cops or any law enforcement over it. This officer now has to live with knowing he gunned down a child because he couldn’t tell a toy from the real thing.

Via online

The Personal Is Political

It made me sad to read Rachel Kaplan’s snarky reaction to your article on Bea Johnson (“Refusing Waste,” Oct 23). Full disclosure: I own Kaplan’s book and admire her work. But I live in a regulated senior mobile home park, and can’t raise chickens or even have a compost pile. I’ve enjoyed Johnson’s blog, “Zero Waste Home,” for the past year. It has given me many great ideas, which I have implemented to pare down my own waste.

Scientist Jane Goodhall recently stated that “the world is in a terrible mess, but the place to start making change is in your own life.” I don’t choose to go up against Big Oil, Ag, Pharm and Coal, since these are remote entities to my every day struggle to buy food, pay the bills and keep a roof over my head. Rather than diss Johnson for being a “material anorexic,” Kaplan should keep in mind that we are all in this world together, doing our best to evolve and change as rapidly as the circumstances around us. Please keep publishing articles about local people contributing their own unique skills to creating positive change.

Novato

People Movers

Veolia provides essential human services to both Israelis and Palestinians (“Bus Stop,” Oct. 23). I traveled on the light rail, as it twisted through Arab and Jewish neighborhoods. It was filled with all sorts of people, and was lovely, efficient and affordable—just what you’d want people-movers to be. I hope that, ultimately, our elected officials make their decision based on what’s good for Sonoma County—not on some conflict thousands of miles away.

Via online

Fun With
Data Mining

This idea might actually work (“Monkeywrenching the Data Mines,” Oct. 16). I’m nervous that if I like everything, my pages will be full of stuff I don’t like, like Michele Bachmann. But I can see how snoops and commercial profiling would fail if I feed the beast way too much. If we all do it in a short period of time, ya never know: it might back up like a cybernetic sewer.

Via online

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Letters to the Editor: October 29, 2013

Justice for Andy This story makes me heartsick ("13-Year-Old Boy Fatally Shot by Sonoma County Sheriff's Deputies," Oct. 23). All of the details will be analyzed by those investigating, and the public will only hear about the most obvious and least critical details. There is so much that is not published, not shared and can't be rationalized; few people ever...
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