Letters to the Editor: January 15, 2014

Pension Woes

New Sonoma, a volunteer organization of financial experts and citizens concerned about the finances and governance of Sonoma County, has just completed an extensive study of the county’s pension crisis. The full text of the study is at www.newsonoma.org.

In addition to describing how the county has incurred over a billion dollars in unfunded pension and retiree healthcare liabilities, and how the county ignored requirements to notify citizens of the cost of the benefit increase and failed to follow the board of supervisors’ resolution requiring that employees pay for the increase, the report also provides a first-of-its-kind comparison of Sonoma County’s pension system with neighboring counties.

The following is a partial summary of the study’s findings:

• Sonoma County is approaching balance sheet insolvency, which means its liabilities will exceed its net assets when the new accounting standards, which will require the county to list pension liabilities on its balance sheet, kick in and unfunded retiree medical liabilities are included.

• The key driver of the pension problem was the retroactive increases which took effect in 2003 and 2006 for safety and 2004 for general employees. The increases have led to higher pensions, accelerated retirement rates and reduced the average retirement age by five years.

• The retroactive increases combined with a new definition of pensionable compensation increased pensions by
66 percent for general employees and 69 percent for safety employees the year after the increases were enacted.

• Even though the board of supervisors’ resolutions authorizing the new formula required general employees to pay the entire past and future cost of the increase and safety employees to pay the past cost, the resolutions were never enforced by the retirement association. In fact, in the 2008 contract negotiations, the county picked up all but 1 percent of the general employees contributions to the increase and all but 1 percent of the safety employees contributions.

• The county’s pension costs have climbed from $24 million in 2001 to $122 million in 2012. Even with these increased costs, the system has
$1.3 billion in unfunded pension, retiree healthcare and pension obligation bond liabilities.

• When comparing Sonoma County’s pension costs with Tulare, Mendocino, Alameda, San Mateo, Marin and Contra Costa counties, we found that their average pension costs were 16 percent of the general fund, while Sonoma County’s were more than double, at 36 percent. No other county or city we know of has pension costs as high as ours or as a percentage of the general fund.

• When adding payroll costs, the total climbs to 120 percent of the general fund. The average for the other counties is 60 percent.

• The county currently has a funding ratio of 60 percent for pension and retiree healthcare benefits when pension bond debt is added in. That means there is only 60 cents available for every dollar for benefits already earned. This percentage uses a 7.5 percent return on investments. If a more conservative 5.5 percent return is used, the funded ratio drops to 50 percent.

• Sonoma County employees receive on average $110,000 per year in salary and pension benefits, plus health insurance for life after 10 years of service. This is double the average salary and retirement benefits of Sonoma County residents.

We hope this report will be a call to action on the part of all stakeholders, and that they will work together to solve this deepening crisis.

Director of New Sonoma, Santa Rosa

Like It or Leave It?

Sodom meets Gomorrah through a dating service in Sonoma County. Love at first sight. Distilleries and pot dispensaries open tasting rooms. Five-star restaurants open e-cig/wifi sections to compete with fast food restaurants. Apple orchards replaced by vineyards surrounded by organic pot farms. Schools required to stay 50 feet away from taco trucks, with slot machines and ice-cream trucks selling pot-laced brownies. CHP and XYZ towing set up mobile units in casino parking lot. Smart Train adds casino stop. Eat, drink and make merry with the ladies of the night. When debauchery becomes the cornerstone of our tax base, let the good times roll. Stay drunk and stoned. Hopefully, there won’t be a water shortage. Stay tuned for the end game.

Sebastopol

Write to us at le*****@******an.com.

Task Force

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The death of 13-year-old Andy Lopez at the hands of Sonoma County Deputy Sheriff Erick Gelhaus has resulted in the formation of the Community and Local Law Enforcement Task Force, a 21-member panel charged with considering an independent civilian review board for law enforcement—something the U.S. Civil Rights Commission recommended for Sonoma County in 2000. The task force comprises a cross section of Sonoma County, with a healthy mix of ethnicity, gender and social class represented, from former Sonoma County supervisor Eric Koenigshofer and nonprofit directors like Amber Twitchell of Voices Youth Center to Santa Rosa Junior College student body president Omar Paz Jr. Other members include those from law enforcement and government.

The panel had its first meeting Monday night in Santa Rosa, primarily to discuss procedural steps, but members were eager to move past the boilerplate and into the discussion of making changes to the current system. The four main topics (and deadlines for recommendation to the board of supervisors) outlined for the task force’s consideration include: civilian review of officer-involved fatalities (March 14); options for community policing (April 30); elected vs. appointed coroner’s office (June 31); and providing additional community feedback on related topics (Dec. 31).

“We do not have, in our back pocket, what our recommendations might be,” said Jennifer Murray, deputy county administrator, stressing the openness of the process. With a nod to both past and future, task force member Francisco Vásquez suggested a provision that the recommendations made by this group be revisited five or 10 years later, to ensure accountability for a community seeking answers and change.
A full list of task force members is available on Bohemian.com.

Turn of Tumult

Metaphors in film are rarely subtle. The lonely padre dying of stomach cancer in Diary of a Country Priest is an elegant symbol, a devout person corroding from the inside. On the other side of the ledger, legions of movie mothers have contracted breast cancer as punishment for not being nurturing enough.

In August: Osage County, Meryl Streep’s Violet is afflicted with oral cancer: it scalds her mouth as payment for the acid she’s belched up on her family over the years. Her hair is patchy from chemo, but her tongue is in perfect working order, except when the pills (“my best friends!”) send her into a case of nigh-Pentecostal glossolalia. Violet’s husband (Sam Shepard), a sensitive academic drunk, has vanished, and she calls her angry family to her side, awaiting his return.

It’s a barely adapted adaptation of a much-laureled, long-winded play with a reputation as a black comedy. But I didn’t get the humor, and I don’t see how anyone other than a cast of drag queens could hit it home. And August has a stunning cast: Julia Roberts as an angry daughter, Benedict Cumberbatch as a cowed nephew and Abigail Breslin as a blasé granddaughter. (Though filmed in Oklahoma, the film lacks any visual sense and may as well have been shot in Bakersfield.)

Director John Wells, a TV vet smooth with transitions, does almost nothing with this theatrical source material except to watch Streep spellbound. But Streep is too forceful an actor to go for half measures. Such is her career: when she’s on, she’s brilliant, and when she’s bad, you need a gas mask. Streep has been in more difficult material, such as Ironweed, and that excellent Fred Schepisi film everybody mocks, A Cry in the Dark.

She’s tried harder, but in August: Osage County, she’s never been worse.

‘August: Osage County’ is in select theaters now.

Radical Radius

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Imagine that nearly everything you ate for a straight month had to be grown within a 10-mile radius of your home. What would you eat? How much would you have to give up? What might you discover about the strength and weaknesses of your regional food system that you might never have realized before?

In September 2010, Vicki Robin, bestselling co-author of Your Money or Your Life, took on this very challenge in her hometown of Langley, Wash., a semi-rural hamlet on the south end of Whidbey Island, 30 miles north of Seattle.

“Doing this experiment was a huge eye-opener for me in terms of justice, politics, regulations, cooking and community,” Robin says on the phone from her home.

A serial yo-yo dieter and dedicated practitioner of “bedtime mini-gorges,” Robin writes with down-to-earth honesty and humor about her personal transformation through food awareness. Despite a long history of anti-consumerist activism, Robin says, she’d never been able to align her values with her own personal behavior. That is, not until a local farmer friend asked Robin to be a guinea pig in a simple-sounding but logistically challenging proposition: to test whether she could actually feed another human being for a full month entirely from produce grown on a half-acre farm. At the time, the only thing Robin could buy at her local grocery store that fit into the 10-mile limit was a bottle of local honey.

It wasn’t the first time Robin had dived into “sustainability as an extreme sport,” but nonetheless she began blogging about her 10-mile diet immediately. By the end of the month, she’d written 25,000 words—the ideas that came together to make up her new book Blessing the Hands That Feed Us: What Eating Closer to Home Can Teach Us About Food, Community and Our Place on Earth. Robin appears at Copperfield’s in Santa Rosa on Jan. 17 and Copperfield’s San Rafael on Jan. 18.

Early on, Robin and her friend Trina, the farmer, realized that the abundant vegetables from the farm wouldn’t provide enough nutrients for a woman in her late 60s to survive on healthily. So they allowed for a few exceptions, the exotics that would keep Robin going. These included olive oil, lemons and limes, a few Indian spices, salt and caffeine (in the form of tea).

The search began for meats and dairy sourced within a 10-mile radius, most of which Robin found without much trouble, and with the added bonus of developing new friendships. One friend makes her a fresh weekly tub of goat chèvre. Another neighbor with a dairy cow provides her with contraband raw milk. The eternally frugal Robin even buys a $25 local, organic whole chicken, leading to a fascinating breakdown of just why and how a chicken should cost so much, even if Foster Farms has factory-farmed chicken selling for $10 a pop at the local industrial food mart.

“Food in our culture is unnaturally cheap,” explains Robin. “We pay the smallest percentage for food than almost any country in the world. In giving our power over to the industrial food system, we’ve lost a sense of food as a precious part of existence, she adds.

“If you are a revolutionary, you need to cook and you need to teach other people to cook,” says Robin, readily acknowledging how she chafed against domesticity for years and at the prospect of “spending my life in a blowsy kimono cooking eggs” for a husband and two children. In fact, when the publisher asked for recipes to be included in Blessing the Hands, she initially balked. “This isn’t about recipes,” Robin told the publisher. “This is about systems thinking and spiritual transformation.”

These days, she’s seen the light.

“Cooking takes back your power,” Robin says. “If you can grow and cook your own food, you are freer.” A prime place to begin, she says, is learning to cook with whole ingredients, following something she calls “OWL”: organic, whole and local. It’s a luxury not just for hippies and yuppies. “Learning to cook with whole foods can nourish your family, and on a budget,” she adds.

In the book, Robin breaks down the cost of making a grass-fed burger at home with a side of fries made from organic, local potatoes, in comparison to driving to the local fast food joint for the same meal. The almost negligible difference in price is surprising.

An abiding passion for food-shed transformation, food democracy and restoring the vitality and prosperity of regional food chains has become a driving force in Robin’s life—that and how eating and preparing food can bring people together, a process she called “relational eating.”

All of this, in addition to becoming part of the Whidbey Island food web, has helped Robin to conquer a long time “bag lady fear,” she says.

“This sense of belonging is not only nice for my heart and soul, but also, I don’t think I’m going to starve,” she says. “As I get older, people will take care of me. And I entered that social safety net through food.”

Vicki Robin appears at Friday, Jan. 17, at Copperfield’s Santa Rosa (775 Village Court, Montgomery Village, Santa Rosa; 7pm; free) and Saturday,
Jan. 18, at Copperfield’s San Rafael (850 Fourth St., San Rafael; 1pm; free).

Jan. 12: J. Hanrahan Quartet performs ‘A Love Supreme’ at Sweetwater Music Hall

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San Francisco is lucky enough to have the St. John Coltrane African Orthodox Church, where, every Sunday, devotees of Coltrane’s probing form of spiritual jazz gather to honor his music and spirit. Mill Valley, however, gets a little slice of Coltrane this week with Chicago’s J. Hanrahan Quartet performing the landmark album A Love Supreme in its entirety. Now together for over 20 years, Hanrahan’s quartet knows the album better than a saxophonist knows his spit valve; a second set promises Coltrane standards, while a third set is the audience’s choice. Sounds like a sermon from the mount, if you ask me; be there on Sunday, Jan. 12, at Sweetwater Music Hall. 19 Corte Madera Ave., Mill Valley. 7pm. $12—$14. 415.388.1100.

Jan. 11: Wu Man at the Green Music Center

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The pipa is a four-stringed instrument looking somewhat like a lute, or an oud, and though you’ve likely never heard of the pipa, the stunning musician Wu Man plays the hell out of it. As a member of Yo-Yo Ma’s Silk Road Ensemble, Wu Man brings the traditional Chinese pipa to worldwide audiences with elegance and skill—she was named “Instrumentalist of the Year” at the 2013 Musical America awards. In an American premiere, the Santa Rosa Symphony performs Zhao Jiping’s “Concerto for Pipa and Orchestra” alongside Mozart’s Symphony No. 15 and Beethoven’s Pastorale symphony on Saturday, Jan. 11, at the Green Music Center. 1801 E. Cotati Ave., Rohnert Park. 8pm. $20—$80. 707.546.8742.

Jan. 9 -11: French Film Celebration at the Jarvis Conservatory

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If the words “French Cinema” don’t make you salivate with anticipation, read no further. But if you’re one of the many who can’t get enough of the country’s pioneering styles, daring scripts and risqué plot twists, then settle in for three days of Francophile heaven at Jarvis Conservatory’s French Film Celebration. On offer are Mariage à Mendoza (dir. Edouard Deluc), about two brothers on a road trip; Au Galop (dir. Louis-Do de Lencquesaing), about a torrid affair; Comme un Lion (dir. Samuel Collardey), about a teenage footballer; and J’Enrage de Son Absence (dir. Sandrine Bonnaire), about an awkward family reunion. Films run Thursday—Friday, Jan 9-11, at the Jarvis Conservatory. 1711 Main St., Napa. Times vary. $10. 707.255.5445.

Jan. 10: Nipsey Hussle at the Phoenix Theater

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For a relatively underground rapper from Los Angeles, Nipsey Hussle has covered a lot of ground in the industry. His 2008 mixtape Bullets Ain’t Got No Name resulted in features with Drake and Snoop Dogg and a nod in XXL magazine. Unfortunately, his major-label Epic Records debut achieved “infinitely shelved” status, and now Mr. Hussle hustles for himself. In October, his mixtape Crenshaw was available in a limited editon of 1,000 copies, priced at $100 each. Twenty-four hours later, he’d sold them all—100 of them to Jay-Z. Needless to say, the buzz on this guy is huge. Catch him on Friday, Jan. 10, at the Phoenix Theater. 201 E. Washington St., Petaluma. 8pm. $20. 707.762.3565.

Future Days

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Chang-Rae Lee’s latest novel may take place sometime in the future, in a world slightly more sinister than the world we inhabit now, but, bucking the Zeitgeist, there aren’t any zombies coming for dinner in On Such a Full Sea. Instead, the latest
book by the Pulitzer Prize finalist and one of The New Yorker‘s “20 Writers for the 21st century” has given us an aching, somber and beautifully written meditation on community, identity, class and love—with just a hint of cannibalism.

Similar to Cormac McCarthy’s The Road and Octavia Butler’s Parable of the Sower, Lee’s story centers around a protagonist who goes on a journey through a changed world in which the social norms and rules no longer apply, and where the human capacity for violence has run amok. Chang-Rae Lee appears at Copperfield’s Petaluma on Jan. 11.

On Such a Full Sea follows the journey of Fan, a 16-year-old resident of B-Mor who leaves her orderly and sheltered community for the “open counties,” where basic needs are met but not much else. It’s a hero’s journey through a chillingly prescient future world; Fan’s departure to search for her disappeared boyfriend Reg triggers hairline cracks in B-Mor’s complacent society, revealing how thin the line between prosperity and dissolution can be. Told by a collective narrator, the “we” of B-Mor, the story digs into the nuances of Fan’s journey and the ways her decision inspires those she left behind.

B-Mor is a walled community, built over the ruins of what was “once known as Baltimore,” which functions as a hive for a passive worker society of descendants of a people who were transported over from Xixu City in China years before—pushed out of their home after the water was fouled by farms, factories, power plants and mining operations into something beyond “all methods of treatment.”

B-Mor serves as one layer of a three-pronged society segregated by class status, with “open counties” residents at the bottom and the “Charters,” an exalted, wealthy, pampered and hypercompetitive society, at the top. (For further illustration, just look at the lifestyles of any of the current 1%.)

Reading Lee’s book brings to mind an anthropological study I was assigned to read in college. “Body Ritual of the Nacirema” details the odd and ridiculous behaviors of a cultural tribe that seems far removed from our own. It’s only at the end that you realize Nacirema is “American” spelled backwards.

Some of the behaviors of the B-Mor people seem strange, until the reader realizes that many of these behaviors and perversities are already common to the Western experience. A mindless consumption of media; the desire for highly curated temperature- and sound-modulated microenvironments (shopping centers, strip malls, department stores), where consumption is indulged with languid impassivity; sex trafficking; mass shootings of innocents—the list goes on.

Set in the future, Lee’s new book acts as a warning and a parable for what we might be, could be and already are, and the flashes of love, friendship, community and small heroic acts that we all need to employ to survive in a world gone mad.

Chang-Rae Lee appears Saturday, Jan. 11, at Copperfield’s Books. 140 Kentucky St., Petaluma. 7pm. 707.762.0563.

Swirling Script

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Last year, actor-director Jacqueline Wells learned that the Raven Players were looking for directors, specifically encouraging female directors. After applying and interviewing, Wells was offered local playwright Jody Gehrman’s Taste, which was set for its debut staging at the Raven Performing Arts Theater.

“They sent me an email saying that because I’d expressed interest in directing new works, they wanted me to direct Taste,” Wells recalls. “And I wrote back, ‘Great! I can’t wait to read it!’ And luckily,” she laughs, “I liked it!”

Putting a modern, wine country spin on George Bernard Shaw’s Pygmalion, itself the inspiration for the musical My Fair Lady, Taste is the story of a debt-ridden Sonoma County winery whose owner has died. On the eve of an all-important winetasting competition, the deceased owner’s niece, Astrid (played by Raena Jones), arrives to inform the staff (Nick Charles, Saskia Baur and Matthew T. Witthaus) that she has inherited the winery and plans to sell it.

A New York activist hoping to use the winery money to build a shelter for homeless teens, Astrid—who knows nothing about wine and is regrettably fashion-challenged—agrees to let the winery’s head winemaker, Joe (Witthaus), try to transform her into an elegant, make-believe Duchess, whose presence at the upcoming gala will increase the price tag of the winery.

And wine isn’t the only thing that ferments as Astrid and Joe move from a not so cordial relationship into a something a bit steamier.

“It’s definitely a romantic comedy,” says Wells, who admits that the trickiest part of directing Taste is in accurately representing the environment of a Sonoma County winery. “Doing a wine play in wine country has its challenges,” she laughs. “I knew we would have to make sure the actors did things correctly. But not all of the actors were familiar with how to properly hold a wine glass or how to sip and swirl and spit. They had to learn how to pronounce certain wine industry words.

“We had experts come in and work with the cast,” Wells adds, “and we actually practiced spitting—using fake wine and real wine.”

Wells says that she has especially enjoyed working with Gehrman, best known for her popular YA novels (Audrey’s Guide to Witchcraft, Babe in Boyland), but also an experienced playwright.

“I’ve had a dream playwright and a dream cast,” she says. “Not only are they all excellent actors, but the chemistry between us all has been fantastic. I think audiences are going to see that.”

Letters to the Editor: January 15, 2014

Pension Woes New Sonoma, a volunteer organization of financial experts and citizens concerned about the finances and governance of Sonoma County, has just completed an extensive study of the county's pension crisis. The full text of the study is at www.newsonoma.org. In addition to describing how the county has incurred over a billion dollars in unfunded pension and retiree healthcare liabilities,...

Task Force

The death of 13-year-old Andy Lopez at the hands of Sonoma County Deputy Sheriff Erick Gelhaus has resulted in the formation of the Community and Local Law Enforcement Task Force, a 21-member panel charged with considering an independent civilian review board for law enforcement—something the U.S. Civil Rights Commission recommended for Sonoma County in 2000. The task force comprises...

Turn of Tumult

Metaphors in film are rarely subtle. The lonely padre dying of stomach cancer in Diary of a Country Priest is an elegant symbol, a devout person corroding from the inside. On the other side of the ledger, legions of movie mothers have contracted breast cancer as punishment for not being nurturing enough. In August: Osage County, Meryl Streep's Violet is...

Radical Radius

Imagine that nearly everything you ate for a straight month had to be grown within a 10-mile radius of your home. What would you eat? How much would you have to give up? What might you discover about the strength and weaknesses of your regional food system that you might never have realized before? In September 2010, Vicki Robin, bestselling...

Jan. 12: J. Hanrahan Quartet performs ‘A Love Supreme’ at Sweetwater Music Hall

San Francisco is lucky enough to have the St. John Coltrane African Orthodox Church, where, every Sunday, devotees of Coltrane’s probing form of spiritual jazz gather to honor his music and spirit. Mill Valley, however, gets a little slice of Coltrane this week with Chicago’s J. Hanrahan Quartet performing the landmark album A Love Supreme in its entirety. Now...

Jan. 11: Wu Man at the Green Music Center

The pipa is a four-stringed instrument looking somewhat like a lute, or an oud, and though you’ve likely never heard of the pipa, the stunning musician Wu Man plays the hell out of it. As a member of Yo-Yo Ma’s Silk Road Ensemble, Wu Man brings the traditional Chinese pipa to worldwide audiences with elegance and skill—she was named...

Jan. 9 -11: French Film Celebration at the Jarvis Conservatory

If the words “French Cinema” don’t make you salivate with anticipation, read no further. But if you’re one of the many who can’t get enough of the country’s pioneering styles, daring scripts and risqué plot twists, then settle in for three days of Francophile heaven at Jarvis Conservatory’s French Film Celebration. On offer are Mariage à Mendoza (dir. Edouard...

Jan. 10: Nipsey Hussle at the Phoenix Theater

For a relatively underground rapper from Los Angeles, Nipsey Hussle has covered a lot of ground in the industry. His 2008 mixtape Bullets Ain’t Got No Name resulted in features with Drake and Snoop Dogg and a nod in XXL magazine. Unfortunately, his major-label Epic Records debut achieved “infinitely shelved” status, and now Mr. Hussle hustles for himself. In...

Future Days

Chang-Rae Lee's latest novel may take place sometime in the future, in a world slightly more sinister than the world we inhabit now, but, bucking the Zeitgeist, there aren't any zombies coming for dinner in On Such a Full Sea. Instead, the latest book by the Pulitzer Prize finalist and one of The New Yorker's "20 Writers for the...

Swirling Script

Last year, actor-director Jacqueline Wells learned that the Raven Players were looking for directors, specifically encouraging female directors. After applying and interviewing, Wells was offered local playwright Jody Gehrman's Taste, which was set for its debut staging at the Raven Performing Arts Theater. "They sent me an email saying that because I'd expressed interest in directing new works, they wanted...
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