Pleeeease I Hafta Have It!

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It’s a Christmas wish engraved in the grain of our culture: an official Red Ryder Carbine-Action 200-Shot Range Model Air Rifle. And even as “You’ll shoot your eye out, kid” has turned into an overused catchphrase, there’s a reason little Ralphie’s desperate wish from A Christmas Story resonates. Every one of us, at one time or another, once wanted something with a similar fervor—more than anything in the world.

Wish is universal. A while back, we here at the Bohemian started telling each other about our personal Red Ryders in the office one day. All our stories were different, but every one was relatable, and we’ve included them below. Hopefully, you’ll see a little of yourself somewhere in here—or, for those going over wish lists from children, you’ll see how kids process desire all these years later.

On with the unwrapping . . .

The Verbot
By Gabe Meline

It must have been the TV commercials sandwiched between The Cosby Show and Family Ties that did it. The year was 1984, the “future” was “now,” synthesizers and jetpacks and Commodore 64s and hoverboards were in the collective consciousness, and all I wanted for Christmas was a Verbot. To a precocious kid interested in the possibility of artificial intelligence at the young age of nine, a voice-controlled robot that could bring a Milk Bone to the dog or deliver a cup of hot chocolate with just a simple vocal command was a futuristic dream come true.

“We can’t afford it,” said my mom, and she was probably right. A Verbot cost $75, and we were just barely off drinking Alba powdered milk and eating Appian Way box pizza. Still, if it was the only thing I asked for, I reasoned, I might have a chance. And so every trip to Toys “R” Us on Santa Rosa Avenue was spent staring at the box. I learned to draw a Verbot, and left scraps of my sketches all over the house. I even babbled at the dinner table about the Omnibot—the larger, better, $200 model—in a concerted effort to show my parents that I was at least asking for the more affordable option.

As my robot dreams gathered silicon, so my mom’s denials gathered volume. “You’re going to have to be happy even if you don’t get a Verbot,” she’d say. “Besides, a robot is a luxury. There are kids starving in Ethiopia, you know.” (Yes, my mom really said that, and often.)

When I woke up early on Christmas morning, I ran into the living room. There, near the tree, unwrapped, was my beautiful, magical Verbot! I rushed to unbox it and started playing with it—flipping through the manual, moving the arms up and down, turning the control microphone on and off. And then my mom walked into the room. She was still dressed.

“What are you doing?!” she demanded. “It’s 11:45!”

It is an unsettling sensation for a nine-year-old to be made to go back to bed after just receiving the most anticipated Christmas present of all time. But she was right; 11:45 was too early. It wasn’t even Christmas yet, technically. So I went back to bed, clutching my beloved Verbot, and slept under the covers—that is, until 3am, when I woke up again.

As it turned out, my robot love affair was short, but intense. Realistically, there simply wasn’t a whole lot Verbot could do. Move forward, move backward, turn left and right, pick things up, put them down and “speak,” which meant flashing lights and 8-bit bleeps. Plus, the voice activation was spotty, and I soon learned it was nothing at all like the TV commercial. I probably got bored of it after three weeks.

A person never forgets that elusive toy of their dreams. While others look up YouTube videos or even go on eBay to reclaim a portion of their youthful innocence, I’ve still got my Verbot. In fact, it sits in residency as the office mascot here at the Bohemian. In our minds, he’s a talisman of the newsroom. He tells the copy editor what to mark with red ink, and tells the calendar editor what to list as an “Event,” and shamelessly hits on the married staff writer. We blame all our typos on his bad influence. It’s hard living with him sometimes, but I’ve stopped telling him what to do. He gave me the most joy possible once, and for that, I owe him for life.

The Playmobil Dollhouse
By Rachel Dovey

It had window boxes full of pink and white flowers and wallpaper that you had to paste on yourself. There were lace curtains to assemble and doorframes to attach, and if you were lucky enough to have the kitchen set (I was), you could hang ladles and rolling pins from a shelf and arrange Tic Tac–sized silverware in a drawer that slid open and shut. I’m talking, of course, about the Playmobil dollhouse—the four-story Victorian one with two balconies, none of that modern suburban crap.

I was nine, it was December 1994 and oh my did I love Playmobil! I had all the furniture advertised in the catalogue—the kids’ bunk beds and doll carriages, the parents’ twin beds that you could snap together or keep apart (depending on how you were raised), the carpets and ferns, chairs and fireplaces and bookshelves for tiny, individual books. Currently, all the little plastic people and their earthly goods lived in a purple tub that I would pour onto my bedroom floor on Saturday mornings at 6am, as soon as I woke up. Going back and forth between my divorced parents every week, I never once forgot that tub.

I called them “figgies,” short for figurines, a title that worked well around this time of year. “Oh bring me a Figgie pudding, oh bring me a Figgie pudding, oh bring me a Figgie pudding and bring it right here!” I’d sing, hoping the hint was direct enough. Usually my mom sighed and looked extra weary, so I figured she was catching on.

I know now that the four-story mini-mansion cost her upwards of $400—no small chunk of change for a single mom. It was money she could easily have spent on rent or utilities or tuition for the Ph.D. program she was completing slowly in incremental bits.

I know it was yards of petroleum-based plastic that will wind up in a landfill one day. I know it did strange things to me, encouraging my already manifesting tendencies toward OCD. I would arrange and rearrange for hours—this wallpaper with these flowers, those curtains but with that stick-on portrait, those chairs, placed at a perfect right angle on the edge of the rug. And God help anyone who tried to assist me. “You’re so mean!” my friend Danielle screamed the fifth time I called her patio set-up “kind of disgusting,” hurling a marble-sized vase against my bedroom wall so hard it cracked.

I know it was extremely gendered, and if I’d built airplanes with Legos, maybe I’d be earning enough money now to afford a real house like that. But my mom still has a picture of me that Christmas morning. My hair is messed up from sleep, I’m wearing some kind of hot pink cape over my pajamas, my mouth is round in a gasp and I’m holding a huge box that could only be one thing, my arms stretched as wide as they could possibly reach.

The Casio PT-82
By Leilani Clark

When I was 12, what I most wanted for Christmas was a Casio PT-82 synthesizer, the one that played “Greensleeves” and came with exotic built-in rhythms like “samba” and “beguine.” I knew the acquisition of this keyboard, alongside a steady diet of living-room lip-sync practice, was essential in my quest to become a Kids Incorporated cast member. I hounded my mom about it for months, and come Christmas morning, ran toward the oblong box under the tree, knowing it to be my envoy to synth heaven.

As the paper fell away, I don’t know what burned more, the anticipation or the crushing disappointment. What I uncovered was not the Casio, but a knockoff—a bulky purple thing, the Barney of keyboards, really—nothing like the white, streamlined melody machine of my dreams. I threw a fit, crying, pouting and holding it against my mom that we didn’t have the money to get the real deal.

She must have broken down and exchanged the thing, because I have later memories of crouching over a white Casio with my sister, following along with the blinking lights and competing to see who could play “Greensleeves” the fastest.

Last week, I called my mom to confirm all of this, but she claims not to remember the incident. But she admits that she probably didn’t get me the Casio originally because it was too expensive.

“I think I wanted to get you a really, really good keyboard,” she adds, talking loudly over the sounds of my three-year-old nephew playing in the background. “Maybe I returned it and got you the Casio later?”

She starts listing all of the other gifts that my sister and I received over the years. The Barbie Corvette. The Barbie Playhouse. The Barbie Styling Head. My Little Pony . . .

I stop her.

“Mom, this isn’t a story about how deprived Antonia and I were at Christmas time,” I say. “This is a story about what a brat I was and how I threw a hissy fit when I didn’t get what I want.” But she’s totally blocked out the fact that I was your run-of-the-mill Veruca Salt–style holiday ingrate.

I then called my sister, trying to get to the bottom of this ancient Christmas mystery. She’s less delicate than my mom and always willing to remind me what a jerk I could be when we were kids.

“I totally remember that Casio,” she says with a laugh. “I talk about it all the time.”

She reminds me how I ended up playing a white Casio PT-82 on tour with in an indie electronic band. But she doesn’t remember the first disappointment either—the generic purple keyboard that caused such woe.

“It does sound completely plausible,” she confesses. “You know how Mom is. I do the same thing. I’ll get the cheapest thing, or the second cheapest thing, and hope it works out, and then feel bad and maybe return it for something better.”

In the end, my bad behavior paid off and I was rewarded with the lusted-after PT-82, though it must have cost more than what my parents would have liked to spend.

But did it get me a guest spot on Kids Incorporated? Alas, no.

The Major Matt Mason Action Figure
By David Templeton

In 1968, as Christmas approached, my mom was broke. We lived in a tiny apartment in Glendora, and the meager monthly welfare benefits my mom received were barely enough to pay the rent and feed us all—my brothers Steve and Jef included—let alone provide much in the way of Christmas presents.

Still, if I could have had anything that year—with my eight-year-old mind still reeling from the recent manned orbiting of the moon by the crew of Apollo 8—it would have been a Major Matt Mason action figure. The TV commercials for the new toy were electrifying. “He lives on the moon! We may all be there soon!” teased the deep-voiced narrator, as two boys played in their yard, dangling Matt Mason from a string, flying him around his spectacular plastic moon base.

God, I wanted one of those.

I didn’t care that the little bendable arms of Major Matt Mason were already known to break after just a few hours of play, the wires inside snapping so that he could only stick his arms out like a man walking a high wire. Somehow, that just made him seem even cooler.

On Christmas Eve, hoping against hope that my dream of space adventure would come true, my mom gathered us boys together to tell us that, sadly, there was not enough money that year for presents or even a tree. Later that afternoon, a knock came at the door, and outside was an entire pack of Boy Scouts, standing there on the balcony with a fully decorated tree, bags full of holiday food and boxes of presents. Our name was evidently on a list of families in need, and the Boy Scouts were doing their part to make Christmas happen for . . . well, for us.

As tears rolled down my mom’s face, the scouts set up our tree, sang a Christmas carol or two, and left us with all of those alluringly wrapped gifts. That one of them contained a Major Matt Mason was more than I could actually believe.

I mean, if that happened, if there actually was a Major Matt Mason in one of those packages, not even allowing myself to think there could also be a Matt Mason moon base set, well then, maybe everything they said about the magic of Christmas was real.

Of course, the magic of Christmas was that we had anything at all—presents, a tree, plenty of food. And on Christmas morning, I had to content myself with that, because there was no Major Matt Mason in any of those boxes. I seem to remember a squirt gun of some kind, an Etch-A-Sketch and a box of toy soldiers.

I must have been disappointed, but all I remember is the look on my mom’s face as she watched us open presents on a Christmas morning that she’d thought wouldn’t bring her anything to be thankful for at all. By the next winter, Mom was working again. In July of 1969, the crew of Apollo 11 successfully made the first landing on the moon. By Christmas, Apollo 12 did it again, but by then, I’d already been there myself, in my imagination, having traveled to the moon with the entire Major Matt Mason moon base set my mom had given me for my ninth birthday. By that Christmas, I already had the entire men in space action figure team, and I am happy to say, I’d already broken all of their arms.

The Super Nintendo
By Nicolas Grizzle

Christmas 1992, a life-changing moment. On that fateful morning, a wrapped box sat beneath my stocking, atop the wood stove. I prolonged the anticipation of opening that box by inspecting the meager contents of my stocking: candy, small toys I would forget about in a few weeks, maybe some cool pencil toppers—I don’t remember. But what I’ll never forget is that moment when I ripped the paper off the box to reveal the greatest gift ever given: a Super Nintendo.

The new console was released just in the past year, and I was finally one of the cool kids who had one. This was a big deal, because I was never a cool kid. I didn’t typically have the latest gizmos and gadgets, and I really liked wearing sweatpants to school (they were comfortable and came in so many different colors!). I was even friends with certain kids because they had a Super Nintendo, and they’d let me come over to play it. It was so expensive—at that age, $200 seemed like $1 million. We weren’t millionaires, so I just tossed out the idea of ever having my own.

But that morning, it was like I had won the lottery. “Whooaaaaaaaaaa!” I yelled. Sure enough, my parents then came stumbling downstairs, muttering something about Santa (I was so over the Santa game by then, but played along to milk the last drops of childhood). All I could say was “I got a Super Nintendo!” as if they didn’t know, and I hooked it up myself (RCA and composite cables into the VCR, TV has to be on channel 3, TV/VCR button must be on VCR). Immediately, the 16-bit universe of Super Mario World blew my mind. I had played it before, but this felt special. I didn’t have to wait my turn. I didn’t have to ask permission. In my mind, there was no better way to celebrate the holiday, because surely, this is what Jesus would buy himself as a Christmas present. Hallelujah!

I was walking on air all day. Nothing else mattered—I might as well have donated those other presents, because I wouldn’t be using them unless they plugged into the TV. This new system, a little too new for my parents to really understand, unleashed a love of technology that stays with me to this day. These days, video game consoles cost $600 and require an internet connection, but they look the way I wish my dreams did and their wireless controllers have joysticks and headphone jacks. But even as the technology evolves, the feeling of unwrapping that unexpected, life changing gift will always be the same.

The Barbie Jeep
By Tara Kaveh

Santa, I want a jeep like my Mommy’s, I scribbled with my periwinkle crayon.

Playing in the cornstalks and tall grasses, our acre of lush land was a magical forest. My cousin Daniel lived with my family, and for him and me, at age five, this little piece of land was our kingdom. Our wild imaginations took us on adventures up and down the trees, through the fields and into valleys of mystical flowers and enchanted animals. He was the king, I was the queen, and our English springer-spaniel was our loyal companion and ferocious protector. There was only one thing missing: we needed a proper jeep to take us on safaris through the unruly kingdom.

“A toy car is too expensive,” my parents said, so Daniel and I had to get inventive. We tried bikes and skateboards, which only ended in tearful eyes, cuts and bruises after we went over rugged terrains. We were ready to try the wagon until my mom ran out frantically yelling and waving her hands to stop before we took the plunge, practically freefalling down a 30-foot drop to the bottom of the hill. After that, there was nothing with wheels left to try, so I’d try riding the dog, but she didn’t like it very much and abandoned us while we were up against a pack of giant eight-legged bears.

Without a source of transportation through our kingdom, our parents began to worry about the scrapes that were quickly turning into bigger and bigger gashes (and about the fact that the dog would run away at the sight of Daniel or me). On Christmas morning that year, I nearly cried at the sight of little boxes under the tree. Surely, there was no jeep in there. I began to slowly let go of my dream as the boxes left to unwrap became smaller and smaller.

But as Daniel and my little brother played with their new toys, my parents took me outside where, lo and behold, there it was—a bright pink Barbie jeep. I called for Daniel, and in the blink of an eye we were off riding through our magical forest.

After a few days, Daniel wanted to drive more and more, but that was OK—just as long as there was a crisp breeze to blow on my face. Now that I had my jeep, no monster, lion or crazy jungle person could hurt us.

As time went by, the kingdom lost its king to a faraway land called Sweden, and I was the only one left to watch over the magic forest. My jeep began to slow down, and with every rain, the bright pink color faded. Time had rendered the jeep too slow and small—just as the act of growing up had done to my once-wild imagination. Eventually, the faded Barbie jeep sat worn and torn on rocks aside the once-magical forest, rarely touched by an older me, as a reminder of days of innocence, imagination and true joy.

Food-Fad Fails

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I‘ve spent plenty of holiday seasons on the other side of the register, working retail in culinary stores. Sure, the pay stunk, but it was fun in its manic way. The many shots of free espresso we brewed with the automatic coffee machines and the ceaseless soundtrack of peppy Christmas standards kept us alert and full of . . . well, it wasn’t cheer, really. Let’s just call it adrenaline.

Often, I was not really behind the register at all, but slowly circling the shelves laden with specialty serving pieces and larding needles, seeking fresh customers to zero in on. But I also handled scores of merchandise returns, especially in January. Sometimes people exchanged things because they wanted a Dutch oven in eggplant instead of cobalt, or a knife with an eight-inch blade instead of a six-inch blade.

But often it was because the gifts they’d received just plain didn’t work. The things listed below? I highly advise you not buy them for those you care about. But don’t take my word for it. Trust the sad sight of the returns shelf in the stockroom, sagging with busted crap.

1. Peugeot pepper and salt mills This French company makes luxury automobiles, bikes, scooters—and pepper mills. Their mills are not cheap, and they are often handsome to look at. Too bad they don’t work. What to give instead: I like Mr. Dudley mills, but, to be honest, my favorite mill was some off-brand acrylic thing. It still works great. Vic Firth (specialty: drumsticks, rolling pins) mills are well made, too.

2. Battery-operated milk frothers These little wands seem like such a great solution: froth milk at home for cozy, fancy coffee drinks. Save money all year long! But they’re fragile and often junky; many have life spans of less than a year. What to give instead: The much more expensive Nespresso Aeroccino works exceptionally well, until it stops working. I’ve seen dozens of frothing gadgets, and there’s no single one to recommend unequivocally. That’s why I like to leave it to the pros. How about a gift card for the recipient’s favorite coffee shop?

3. Silicon bakeware of any kind I’ve used this stuff and it’s awful: floppy, challenging to store, impossible to get clean and (most importantly) useless at browning things in the oven. What to give instead: Aluminum baking pans are moderate in cost, and they usually outperform their more expensive, heavier counterparts. Steer away from nonstick lining if you can; it wears out, interferes with browning and still needs to be greased anyway.

4. Expensive knife block sets A hefty wooden knife block packed with a dozen different knives is visually impressive, especially if those knives are made by one of the big-name players: Wusthof, Shun, Henckel. Of the seven knives I keep in my kitchen, I use three in regular rotation: the chef’s knife, the serrated knife and the paring knife. There’s no reason to have a massive knife block using up a bunch of counter space when you’re only going to use only three or four of those knives. What to give instead: An empty, smaller knife block with a gift certificate. Real knife geeks don’t covet knife block sets; they covet individual knives.

5. Stupid cutting, pitting and dicing gadgets The mango pitter. The avocado slicer. The melon gutter. Useless. This is the junk that’s appealing for a month, until you discover it’s actually not helpful at all, and then it languishes in the back of some overcrowded drawer until it goes to the Goodwill or garage sale. What to give instead: A gift certificate to a knife-skills class, where it’s possible to learn to pit mangos, slice avocados and dice onions with one handy tool: a decent knife.

6. Boxed gourmet baking mixes We’re talking Stonewall Kitchen and Barefoot Contessa. At eight to 12 bucks a pop, you are buying a box full of flour, sugar and baking powder at a 500 percent markup, plus the baker still has to furnish the eggs and butter. What to give instead: A good baking book (I’m really fond of John Barricelli’s Seasonal Baker) or a decent electric kitchen scale.

7. Gravy separators I used to think these were a Thanksgiving lifesaver—they are supposed to make it easy to pour the fat off your roasted bird’s pan juices—but after a few frustrating annual gravy-making sessions, I’ve decided it’s just as easy to skim off the fat with a big metal serving spoon, and most people already have one of those. Plus, gravy separators are a bitch to clean. What to give instead: Martha Holmberg’s excellent Modern Sauces. Honestly, I don’t recall if she recommends using a fat separator or not, but in that book, she offers tips culled from a lifetime of savvy sauce-making.

8. Digital probe thermometers This is the kind of thermometer that has a probe connected to a digital command center by a cord. You stick the probe in your hunk of roasting meat, pop the whole thing in the hot oven, then conveniently look at the digital display on your oven door or countertop, thereby getting up-to-the-second temperature readings of your cooking beast without even opening up the oven! What a great idea, right? Yeah, if the thermometer wasn’t made to break. These things quit working if you even look at them the wrong way. Besides, I’m a fan of poking and prodding and examining. How are you ever going to be familiar with what properly cooked meat looks like or feels if you don’t, you know, look at it and touch it from time to time? What to give instead: Instant-read thermometers, the cheap ones. I prefer the dial kind over the digital kind, because you can easily calibrate them. I have two, and I usually cross-check if I’m cooking up a very expensive piece of meat I don’t want to ruin.

9. Crappy mandolines A crappy mandoline is worse than no mandoline. I’ve used a bunch that are hard to store, flimsy and give inconsistent results. And the more rickety a mandoline, the more likely you are to cut yourself. OXO, Zyliss, Swissmar, Chef’n: suck, suck, suck, suck. What to give instead: A decent mandoline does not have to break the bank. There’s a reason chefs always gush over those Japanese Benriner mandolines: they work—and usually start around $25.

10. Waring pro blender Waring is the granddaddy of blenders, dating back 60-some years. And they are fine if you want to whirr up a smoothie or have a margarita party now and then. But they are not very powerful, and therefore less versatile than other, more modern blenders. What to give instead: Santa, I have been, at times, very, very good. I could ask for a KitchenAid or a Breville, but I’m an all-or-nothing kind of gal. So, yeah, a Vitamix, please. If not this year, then next, or the one after that. Until then, I can always use an extra instant-read thermometer.

Gold Stars & Black Marks

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Though some government officials are responsive on issues of the environment, others still give preference to political and business interests, according to the 2013–2014 Sonoma County Conservation Action (SCCA) annual report card. Based on citizen input and the opinion of the SCCA, the report assigns officials a letter grade based on their environmental voting record and citizen responsiveness. Among county supervisors, Susan Gorin and Mike McGuire received the highest marks for taking initiative on water issues and renewable-energy zoning amendments, respectively. The lowest mark went to Efren Carrillo, who was rated a C-/D- for his “personal controversy” that distracted from constituent outreach, along with being an unreliable vote on the environment.

Over at the Petaluma City Council, Teresa Barrett and David Glass received A’s, but Chris Albertson, Mike Harris, Kathy Miller and Gabe Kearney came up short. Albertson, in particular, opposed both the plastic-bag ban and a lawsuit over access to the city-owned Lafferty Ranch. Unsurprisingly, the Sebastopol City Council made the Dean’s List, with top grades all around. Michael Kyes, Sarah Glade Gurney, John Eder and new mayor Robert Jacob received particular praise.

Over at the infighting-plagued Santa Rosa City Council, mayor Scott Bartley was critiqued for “relying too heavily on staff for council decision-making” while Jake Ours was accused of “acting as if environmental issues get in the way of economic development” and being responsive only to chamber of commerce and business interests. Julie Combs and Gary Wysocky received high marks for supporting a plastic-bag ban and being approachable and responsive to constituent concerns. The full report is at www.conservationaction.org.

Balance of Justice

Obtaining justice can be a pernicious ordeal.

Eighty-two years after the first trials of the nine Scottsboro Boys, my home state of Alabama has finally righted the scales of justice. On Nov. 21, the state parole board approved posthumous pardons for the three men who were never pardoned.

The cruel fact is that, but for the racism, prejudice and segregation present in Alabama, the pardons were unnecessary. The many books written about the trials and a reading of the trial transcripts all lead to the same conclusion: the nine young African Americans did not rape the two young white girls. One of the girls repudiated her earlier testimony and stated on the witness stand in the fifth trial that the boys had not raped them. The all-white jury still found the defendants guilty.

What are we to learn from all of this?

It’s easy to point fingers at po’ ol’ Alabama, the state that never seems to get it right or, like many things Southern, takes its own good time to do so. It’s also easy to point at Alabama, Texas and most Southern states, which refuse to accept Medicaid coverage for their working poor as part of the Affordable Care Act.

But pause and look around you. California, along with many other states, incarcerates young African American males at alarming rates. California struggles to meet court-imposed requirements to improve prison conditions and reduce populations.

Sonoma County just experienced a tragic killing of a 13-year-old Latino boy, Andy Lopez, whom a deputy sheriff shot when he mistook a toy gun the kid was carrying for an AK-47 assault rifle. Just recently, there have been two other incidents where Sonoma County deputy sheriffs have shot and killed an individual. Arguably, these are difficult situations, but there seems to be a propensity to rush to shoot rather that to seek a safe intervention.

You can explain it as you wish. But it’s hard to deny that people of color and those on the lower economic rung continue to bear the brunt of our latent prejudices: racism and overzealous police actions.

Waights Taylor Jr. is a Santa Rosa writer and the author of ‘Our Southern Home: Scottsboro to Montgomery to Birmingham—
The Transformation of the South in the Twentieth Century.’

Open Mic is a weekly op/ed feature in the Bohemian. We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Capping the Stem

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The age-old lifestyle of hunting wild mushrooms was once a quiet and secretive one, with favorite porcini and chanterelle patches kept within tight circles of friends and family, and newcomers in the woods regarded with suspicious eyes.

But in recent years, mushroom hunting has become trendy. Mycological societies and foraging classes, advertised online and geared toward adventurous foodies, have helped spur the craze, and by some anecdotal reports, there may now be more people than ever before prowling the local woods in search of edible mushrooms.

Because nearly all public parks in California prohibit mushroom collecting, the few that allow the activity take the brunt of the fungi-hungry crowds. For them, Salt Point State Park is the favored destination. Though the park is large and remote, its 6,000 acres can become relatively congested with foragers during the rainy months.

Park ranger Todd Farcau says mushroom hunters impact the environment by illegally creating new trails through the woods and causing hillside erosion. Farcau attributes the growing interest in Salt Point’s mushrooms to foraging groups, like ForageSF, popular with young foodies and urban hipsters, and MycoVentures, a Bay Area mushroom-hunting tour company. These services bring 15 to 25 newcomers into the Salt Point forest on each trip throughout the fall and winter.

“All those people go home and tell their friends,” observes Farcau, who says mushroom collecting “has increased exponentially” in popularity.

Regional mycological clubs also lead regular group outings, or forays, into Salt Point’s forests to hunt mushrooms. These trips, unlike those of a private tour company, are usually free. But Curt Haney, with the Mycological Society of San Francisco, says most collectors practice sustainable harvesting methods, like leaving some mushrooms undisturbed to allow spore dispersal and not visibly disturbing the duff layer as they search for concealed mushrooms. Some mushroom hunting clubs even host volunteer trash cleanup days in Salt Point. Not that mushroom hunters necessarily litter.

“I’ve never seen that,” says Petaluma resident Bill Wolpert, formerly a foray leader for the Sonoma County Mycological Association (SOMA). He says allegations that mushroom hunters leave heaps of garbage in the forest are false.

Still, Wolpert says he grew frustrated with SOMA’s public outreach efforts, in part prompting him to quit the organization several years ago. “We were bringing too many people out there,” Wolpert says. “There were forays when I’d have 70 people. I saw the crowds getting bigger and bigger, and I felt the club was doing a disservice to itself.”

Todd Spanier, who owns the San Francisco–based wild-mushroom purveying company King of Mushrooms, believes tour guides that put vanloads of people onto easy-to-access public patches may risk overrunning these areas with newbie foragers. He thinks tour leaders should only bring their groups to privately owned lands. This would prevent people from easily returning to, and possibly picking clean, the very same place. Spanier notes that traditional ethics of mushroom hunting deem it unethical for a person to return to another’s patch unless they are invited to go.

The environmental effects of mushroom hunting have been a common subject of discussion. Field studies have indicated that harvesting does not impair future blooms. Some even say that carrying baskets of picked mushrooms through the woods facilitates spore dispersal. Moreover, mushroom hunting has been a sustainable pastime and industry for centuries in Europe and Asia. Indeed, the worst impacts of mushroom hunting on the environment may simply be the crowds.

Closing Salt Point State Park to mushroom collecting has been informally discussed, according to Farcau, an idea that makes hobbyist collectors nervous.

In fact, many mushroom collectors think doing the opposite—opening up more land to foraging—would be the best way to alleviate pressure on Salt Point. “That would spread the same number of people across a bigger area,” says Ken Litchfield, a mushroom enthusiast and a horticulture teacher at Oakland’s Merritt College.

Spanier, meanwhile, believes a universal education and licensing process, much like that involved in gaining the privilege to drive, would be the best way to manage mushroom collecting.

Spanier says he enjoys teaching others the secrets of wild mushroom hunting, but doing so has its risks.

“Sharing is a great part of mushroom hunting, but it’s unfortunate that you have to be careful who you show,” he says. “If you bring the wrong person, or too many people, to your most productive spot, you could lose it.”

Big City, Big Show

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Magic is a state of mind, created out of environmental conditions and a strong desire to believe. During the holidays, these conditions are at their height, as the massive Christmas machinery works overtime making everything from the streets to the rooftops drip with the glittering promise of magic, all at a time so many of us desperately need to feel it.

In San Francisco, the American Conservatory Theater, located two blocks away from Union Square, is both the progenitor and beneficiary of this arrangement. With its grand annual production of Dickens’ Christmas Carol, ACT has established one of the Bay Area’s most indelible holiday traditions, to which kid-toting families, packs of friends and couples in love are drawn each year.

This year’s staging of ACT’s tailor-made adaptation, written in 2005 by Carey Perloff and Paul Walsh, is typically first-rate. Directed by Dominique Lozano, it’s a heady mix of solidly traditional Victorian details, trippy hallucinogenic additions (capped by an adorable chorus line of singing vegetables) and visionary special effects. The show matches heartfelt emotion and warmth with masterful, thoroughly engaging spectacle.

As Ebenezer Scrooge, one of the greatest literary creations of all time, James Carpenter (in his ninth year in the role) never lets us forget the very human, studious and joke-loving little boy beneath the covetous old sinner of Dickens’ classic tale. Scrooge’s redemption, served up with a few literary deviations that fill important gaps in the original, is brought about by delightfully designed spirits, rising from beds, dangling from the rafters and towering over the stage.

As good as the play is, it would be naïve not to recognize that a part of its power comes from the season itself, and that the environment of Union Square—a destination for those hungry for some holiday spirit—is part of the experience. I recommend parking in the garage beneath Union Square and winding your way up the stairs that open onto the square, where the enormous decorated tree looms in front of you.

At one end of the square, as carolers and bagpipers and trashcan percussionists treat revelers to indigenous San Francisco music, a temporary ice rink beckons, surrounded by folks sipping hot chocolate and seasonal adult beverages—dressed warmly, and soaking up the crisp, contagious magic of Christmas.

Rating (out of five): ★★★★½

Toasty Tastings

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Never mind that a wine cave has a comparatively comfy ambient temperature compared to the chilly outdoors. We’d like to warm our hands by a nice, crackling fire when we venture out for holiday winetasting in Sonoma and Napa counties, please, Spare the Air day or not! That’s no problem at Fritz Underground Winery, because the wood stove in the corner is the only form of heat—besides warming sips of brambleberry-fruited Zinfandel. 24691 Dutcher Creek Road, Cloverdale. Daily, 10:30am–4:30pm. $10–$15 fee. 707.894.3389.

Fires both inside and out flare up with a flick of the switch at Dutcher Crossing Winery—gas-fueled, they can be depended upon during any cold snap. The wide variety of wines is dependably good, too. 8533 Dry Creek Road, Healdsburg. Daily, 11am–5pm. Tasting fee $5; $10 option weekends. 866.431.2711.

Looming like some northern fishing lodge in the mist, Lambert Bridge Winery would just have to sport a grand old hearth stocked with hours’ worth of firewood. And so it does, except on Spare the Air days, when a heater fills in. The glow of chandeliers in the redwood cellar creates a scene of rustic warmth, in any case. Suave Sauvignon Blanc, Zinfandel, Cabernet Franc. 4085 West Dry Creek Road, Healdsburg. Daily, 10:30am–4:30pm. Tasting fee $15–$25. 707.431.9600.

Bless humble Mill Creek Vineyards, where all the wines are above average. A wood-burning stove makes the tasting room a toasty spot to sip award-winning Gewürztraminer, and they are technically allowed to use it on Spare the Air days but often choose not to “flaunt that.” 1401 Westside Road, Healdsburg. Daily, 10am–5pm. Tasting fee, $5–$10. 707.431.2121.

With free sparkling winetasting, it’s Christmas every day at Korbel Champagne Cellars. During the holiday season, there’s also a tree with all the trimmings, and a gas fire going, too. 13250 River Road, Guerneville. Daily, 10am–4:30pm; tours, 11am–3pm. 707.824.7317.

Stare down a portrait of “the Count” from a comfy chair in front of the mantel at Buena Vista Winery. For those who like historical restorations, now is a great time to revisit this place, filled with artifacts and lore. Watch for the crocodile. 18000 Old Winery Road, Sonoma. Daily, 10am–5pm. Tasting fee, $10; Saturday tour, $20. 800.926.1266.

Gas hearths blaze away at mid-day at small plate mecca Ram’s Gate Winery, 28700 Arnold Drive, Sonoma. Thursday–Monday, 10am–6pm. $15–$20. 707.721.8700.

At bubble palace Domaine Carneros, the wood-burning fire is for members, only; all others may enjoy toasted almonds and Le Rêve Blanc de Blancs in the gassy way. 1240 Duhig Road, Napa. Tastings $20-30. Daily, 10am–5:45pm. 800.716.2788.

Letters to the Editor: Dec. 18, 2013

Terrific Takei

Although I haven’t been much of a “Trekkie,” an interred Asian or specifically gay man, I still find the career and life of George Takei fascinating (“George Takei’s New Trek,” Dec. 11). The author of this article paints a picture of an uncomplicated American original who has survived, and is now thriving in an ambiguous culture with an uncertain future. His bravery is demonstrated when virtual and actual worlds of real people meet. It is not surprising that he has gained an immense following in the realm of social media. A man of this caliber would be a natural for political office in any arena.

Takei’s ending statement about humor being the connective glue that binds us speaks to his humanity: someone with this much insight and wisdom is desperately needed to lead us out of our virtual prison camps and into a closet that fits us all (pun intended).

Via online

George is also active in the Japanese-American community, producing a musical drama on his imprisonment here called Allegiance. And when he posted a petition to stop a proposed fence at Tulelake Municipal Airport, the site of the former Tule Lake Segregation Center, to his followers, he bumped the petition by about 25,000 signatures. Fighting for civil rights with passion and humor—an amazing human being!

Walmart Isn’t
the Problem, Apparently

Marty Bennett, the Living Wage Coalition and their knee-jerk reaction—and I do mean “jerk”—are all typical of the kind of people and attitudes that have plunged Rohnert Park into the financial morass where it wallows (“Sam’s Takeover,” Dec. 4).

Pacific Market was a business failure. Its business plan—putting a high-end, high-priced market into a median-income area where the closest surrounding customers were in apartments—was a failure. It tried to put on the front that it would fail if Walmart expanded its store. Truth is, it failed anyway. Walmart had nothing to do with it.

As for the study about how Walmart would decimate them, note that Pacific Market’s “owners petitioned [the] study from Sonoma State University.” It is easy to conceive of a study and execute it to produce a preordained result. Any egghead can do it. Academia is full of them.

Via online

Twin Oaks Triumphs

Saturday night my wife and I went to the Twin Oaks Tavern in Penngrove, under the new ownership of Sheila Groves-Tracey and her sister (“Honoring the Arts,” Nov. 6). There has been some new work done on the interior, and it is very warm and inviting. The band was good (no cover charge that night) and Rasta Dwight’s barbecue was killer. Lastly, the staff was super welcoming. We can’t wait to go back!

San Rafael

True Peace

Although peace has been the goal of mankind for thousands of years—and the desire for peace is never so great as it is at Christmas—it seems that our ability to find or establish peace continues to elude us. Today, after the end of the Cold War, bloody hostilities continue on nearly every continent, reaching global proportions once again after the terrorist attacks of Sept. 11 in New York City, Washington, D.C., and near Pittsburgh.

As Pete Seeger’s well-known folk song from the ’60s asked, “Where have all the flowers gone? When will they ever learn? When will they ever learn?” True peace on every level—from international conflicts to our personal lives—has become more difficult than ever to achieve.

“And in Bethlehem today, children fear, yet still they play

While mothers cry and fathers pray for peace to come again.

And a round the weary world echoes the refrain: “Christmas in Bethlehem, when shall true love reign?”

Write to us at le*****@******an.com.

Chicano Shredding

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There have been some crazy band ideas, but not always are they acted upon with such reverent fervor as Metalachi.

The idea is simple: traditional mariachi orchestration highlights the sweet melodies of heavy classic rock songs with a touch of theatrics for a fine-tuned ode to the dark lord in a fun and nonthreatening setting. It’s loco, one might say, but that’s how it goes.

Upon first glance, it might appear that these Los Angeles troubadours are, indeed, going off the rails on a crazy train. But no, they’re just livin’ on a prayer with the man in the box as they run to the hills to find the sweet child o’ mine. And, yes, those are all songs they’ve arranged for their unique style, and, yes, they’re all very, very mariachi.

Cover bands aren’t always a topic of conversation in the music business, as they are often seen as merely capitalizing on
other artists’ work and copying what’s already been done. But this sextet isn’t just a cover band; they’ve busted these songs open like a piñata and tied them back together with strings from the guitarrón and violin.
When the crucifixes go down and the trumpet rises, it’s Metalachi time. Metalachi plays Saturday, Dec. 21, at the Mystic Theatre.
21 Petaluma Blvd. N., Petaluma. 8:30pm. $20. 707.765.2121.

Ballad of a Thin Man

You were expecting A Mighty Wind, maybe? Folk singer Llewyn Davis (Oscar Isaac) is homeless in the winter of 1961—he’s a couch surfer especially unappreciated by Jean (a miscast Carey Mulligan), the girlfriend of his buddy Jim (Justin Timberlake). Jean is pregnant after a misspent night with Llewyn, and she hates him for it.

Davis is making a few dollars here and there playing trad folk at pass-the-hat “basket houses” in Greenwich Village, but the situation takes a toll when he loses his host’s cat. On a spur of the moment trip to Chicago to see a promoter, Davis tries to escape his personal hell as well as the memories of a long-gone partner he once had.

Inside Llewyn Davis is intelligently anti-nostalgic—it makes you not want to go back to the 1960s. As with TV’s Mad Men, you remember what a tightly run, unsparing place J.F.K.’s America was. Bruno Delbonnel’s dove-gray photography puts a halo of frost on New York, but the Coens’ usual depth of frame is lucid as always.

As a musician, Isaac is sensationally watchful and sympathetic, even playing a seething man who doesn’t give up much. He pours full tragic force into “Death of Queen Jane,” a ballad about Jane Seymour’s demise in 1537. But his Llewyn also plays along on a goofy novelty song about John Glenn’s then-upcoming rocket ride.

The humor isn’t just in easy, dumb gags, like having a middle-aged intellectual (Robin Bartlett) yell the word “scrotum.” The most deadly wit comes from Davis’ co-passenger on the Chicago trip, a fountain of bile named Roland Turner—played by John Goodman, once again the Coens’ wrecking ball swung against an unoffending wanderer.

Watching Inside Llewyn Davis, some will shrug, as F. Murray Abraham’s promoter Bud Grossman does, and say “I don’t see a lot of money here.” But though the film isn’t cuddly, it’s loaded with soul. And it is one memorably harrowing look at an artist pushed to the point of oblivion by scorn, misfortune and the iron hand of the market.

‘Inside Llewyn Davis’ opens Friday, Dec. 20, in limited theaters.

Pleeeease I Hafta Have It!

It's a Christmas wish engraved in the grain of our culture: an official Red Ryder Carbine-Action 200-Shot Range Model Air Rifle. And even as "You'll shoot your eye out, kid" has turned into an overused catchphrase, there's a reason little Ralphie's desperate wish from A Christmas Story resonates. Every one of us, at one time or another, once wanted...

Food-Fad Fails

I've spent plenty of holiday seasons on the other side of the register, working retail in culinary stores. Sure, the pay stunk, but it was fun in its manic way. The many shots of free espresso we brewed with the automatic coffee machines and the ceaseless soundtrack of peppy Christmas standards kept us alert and full of . ....

Gold Stars & Black Marks

Though some government officials are responsive on issues of the environment, others still give preference to political and business interests, according to the 2013–2014 Sonoma County Conservation Action (SCCA) annual report card. Based on citizen input and the opinion of the SCCA, the report assigns officials a letter grade based on their environmental voting record and citizen responsiveness. Among...

Balance of Justice

Obtaining justice can be a pernicious ordeal. Eighty-two years after the first trials of the nine Scottsboro Boys, my home state of Alabama has finally righted the scales of justice. On Nov. 21, the state parole board approved posthumous pardons for the three men who were never pardoned. The cruel fact is that, but for the racism, prejudice and segregation present...

Capping the Stem

The age-old lifestyle of hunting wild mushrooms was once a quiet and secretive one, with favorite porcini and chanterelle patches kept within tight circles of friends and family, and newcomers in the woods regarded with suspicious eyes. But in recent years, mushroom hunting has become trendy. Mycological societies and foraging classes, advertised online and geared toward adventurous foodies, have helped...

Big City, Big Show

Magic is a state of mind, created out of environmental conditions and a strong desire to believe. During the holidays, these conditions are at their height, as the massive Christmas machinery works overtime making everything from the streets to the rooftops drip with the glittering promise of magic, all at a time so many of us desperately need to...

Toasty Tastings

Never mind that a wine cave has a comparatively comfy ambient temperature compared to the chilly outdoors. We'd like to warm our hands by a nice, crackling fire when we venture out for holiday winetasting in Sonoma and Napa counties, please, Spare the Air day or not! That's no problem at Fritz Underground Winery, because the wood stove in...

Letters to the Editor: Dec. 18, 2013

Terrific Takei Although I haven't been much of a "Trekkie," an interred Asian or specifically gay man, I still find the career and life of George Takei fascinating ("George Takei's New Trek," Dec. 11). The author of this article paints a picture of an uncomplicated American original who has survived, and is now thriving in an ambiguous culture with an...

Chicano Shredding

There have been some crazy band ideas, but not always are they acted upon with such reverent fervor as Metalachi. The idea is simple: traditional mariachi orchestration highlights the sweet melodies of heavy classic rock songs with a touch of theatrics for a fine-tuned ode to the dark lord in a fun and nonthreatening setting. It's loco, one might say,...

Ballad of a Thin Man

You were expecting A Mighty Wind, maybe? Folk singer Llewyn Davis (Oscar Isaac) is homeless in the winter of 1961—he's a couch surfer especially unappreciated by Jean (a miscast Carey Mulligan), the girlfriend of his buddy Jim (Justin Timberlake). Jean is pregnant after a misspent night with Llewyn, and she hates him for it. Davis is making a few dollars...
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