Live Review: Good Friday Stabat Mater at St. Vincent’s Church

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The rear windows at St. Vincent's Church in Petaluma were designed by Tiffany.
Sitting, eyes closed, in St. Vincent’s church in Petaluma, the usual first world annoyances do not penetrate my skin, neither physically nor mentally. The uncomfortable wooden pew, the cell phone ring—they hold no power now, not while countertenor Chris Fritzche and soprano Carol Menke sing Pergolesi’s Stabat Mater with Marilyn Thompson transcribing the full score, on sight, to church organ.
Giovanni Pergolesi composed his Stabat Mater in 1736, just a couple weeks before his death. The piece shares life timing with Mozart’s Reqiuem—his was composed on his deathbed, supposedly finished by another’s hand. Both are each composer’s most moving efforts. The pieces even share similar setting—the death and rebirth of Jesus—but Pergolesi’s is about half as long as Mozart’s, but still packs the same emotional wallop.
The music descended from the rear balcony as Good Friday churchgoers filed in the the noon mass. We saw no musicians but heard ethereal voices telling the story of a mother’s pain of watching her son die at the hands of another, holding him in her arms after his final breath had been taken. The English translation of the Latin text was read from the pulpit between movements, but otherwise not a word was spoken.
Religious or not, it was a very moving afternoon.
The 45-minute piece is divided into twelve movements. It’s quite varied, but the somber duets are the most transcendent moments, especially with the low bass of St. Vincent’s organ resonating the ribs while the notes resonate the heart. Gosh, that a cheesy take on such a magnificent piece, but sacred music is meant to be evocative.
Mozart’s Reqiuem is one of the most celebrated pieces of music ever composed. The D minor Mass is the most moving piece of religious music in the Western world, but it has a predecessor that moves me even more: Pergolesi’s Stabat Mater. Fritzche and a few other very talented singers in the North Bay perform this piece semi-regularly, and any chance to see it should not be passed up. It is traditionally performed with a small Baroque orchestra, but the arrangement is inconsequential to the music. It’s one of those pieces that’s just plain beautiful.

World’s Fair Presented in Awesome Digital Format 50 Years Later

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This is journalism porn, right here. The New York Times had really hit it out of the park with this digital layout of memories of the 1964 World’s Fair. It combines personal memories in short, meaningful, snippets with photos of the attractions. It’s tied together with enlarged, high resolution scans of the map, broken into sections, that appear and fold up into the top of the screen like a roll-up shade when the page is scrolled down. The names and ages of the writers are includes on their memories, giving the piece weight rather than reducing it to a trending Twitter feed.

A lot of work went into this, both in planning and execution. Major kudos to the team of Alicia DeSantis, Jon Huang, Matthew McCann, Jacky Myint, Dagny Salas, R. Smith, Daniel Victor and Amy Zerba. As with many digital efforts from the Times, it’s nearly flawless. In fact, I’m having a hard time finding something I don’t like about it. But despite its fascinating and thought provoking content and presentation, it brings a twinge of sadness.

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This could never be executed today, and it pains me that I will never experience the wonder, hope and fascination the World’s Fair brought. People today wouldn’t be as impressed with the technology, no matter how advanced it was, because almost everyone carries a computer in their pocket. There would be more geopolitical implications and reactions to the highlighted countries (as in, why isn’t country X represented? Or, why is country Z given so much prestige?). It would never get built on such a grand scale because of the payola to government officials and insurance requirements. And for some reason, religious groups would protest. I don’t know why, but they’d find a way. The lines would be hours long for everything, and considering a single ticket to Disneyland is now $92, admission would certainly cost too much for lower and middle class families to attend. It would simply become a playground for the rich, and cater to that audience. There wouldn’t be any surprising future ideas on display because it’s all patented and nobody would want their potential gold mines being stolen.

But enough with the Debbie Downer nonsense, here’s a video of Disneyland’s Splash Mountain ride, complete with characters from the incredibly racist yet heartwarming creepy Disney film, Song of the South.

April 17: Paris Combo at the Napa Valley Opera House

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If you want the best French pop music today, you need to go to the source. Straight from the city of love, Paris Combo effortlessly craft that distinct Parisian mix of bright jazz horns, smooth bass riffs and demure vocals, and their bubbly fun is never more apparent than on their latest release, 5. The band’s first album in as many years, 5 is also their most lauded effort, an eclectic and energized collection filled with all the romanticism and joie de vivre that has been their staple sound since they formed in the mid-1990s. Paris Combo appear April 17, at the Napa Valley Opera House, 1030 Main St., Napa. 8pm. $25-$35. 707.226.7372.

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April 18: Opening Reception for “Landscapes” at the IceHouse Gallery

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Digital Grange in Petaluma is a fine-arts service that specializes in (surprise!) digital imaging and graphic design. Their clients include the de Young in San Francisco and the Art Institute of Chicago, and now the collective opens its own gallery in the ivy-covered Burdell Building next door to their offices. IceHouse Gallery will feature Digital Grange’s impressive roster of artists, such as Chester Arnold (whose art is pictured below) and modern surrealist Don MacDonald. The gallery’s inaugural exhibit, “Landscapes,” opens with a reception April 18 at IceHouse Gallery, 405 East D St., Petaluma. 6pm. Free. 707.778.2238.

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April 19: Sebastiani Theatre 80th Anniversary Kickoff

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The historic Sebastiani Theatre screened its first movie on April 7, 1934. Fugitive Lovers, starring Robert Montgomery and the Three Stooges, brought out a crowd of a thousand people who lined the streets around the Sonoma Plaza and welcomed the impressive structure. Admission was 30 cents. Times have changed, but the theater remains a cultural and community landmark, and this year its 80th anniversary kicks off with a deservedly festive variety show and celebration. The party highlights performances from local musicians, dancing, magic and more. The first of a yearlong series of events, the 80th Anniversary Celebration happens on April 19 at Sebastiani Theatre, 476 First St. E., Sonoma. 7:30pm. $25. 707.996.9756.

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April 22: Barbara Ehrenreich at Book Passage

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Writer and political activist Barbara Ehrenreich has written more than 20 books since 1969. She is best known for her eye-opening 2001 account of trying to survive on minimum wage, Nickel and Dimed: On (Not) Getting By in America, and the author never shies from controversy to explore and expose social strife. Her new book, Living with a Wild God: A Nonbeliever’s Search for the Truth About Everything, is her most ambitious, personal and controversial work to date, as she endeavors to tackle nothing less than the meaning of life. Ehrenreich reads from her book and talks in conversation with KQED Forum radio host Michael Krasny on April 22 at Book Passage, 51 Tamal Vista Blvd., Corte Madera. 7pm. $10. 415.927.0960.

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The Bite Goes On

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The much-anticipated opening of the California recreational ocean salmon fishing season in Bodega Bay on April 5 started strong but petered out late last week, an unwelcome trend for anglers that continued through the weekend.

Captain Rick Powers runs two boats out of Bodega Bay. He said fishing aboard his 65-foot open boat the New Sea Angler was red-hot all week after the season started until it went cold Friday.

As the saying goes, that’s why they call it “fishing” and not “catching.”

Posted fishing reports from early in the week spoke of a steady pull of king salmon for anglers, and Powers says the online reports coming out of the Bodega grounds prompted boats from Berkeley and Sausalito to make the long trip north to get in on the action. Before the bite crapped out, many of his anglers, Powers says, went home with their bag limit of two king salmon, some in the 20-pound-plus class. On slow days, he supplemented the scant salmon catch for his fares with an offering of Dungeness plucked from his crab pots.

To hear Powers tell it, the 2014 king salmon season started where last season left off.

Powers says that in a half-century fishing North Bay waters, he had never seen a king salmon season like the one enjoyed by local anglers last year. The 60-year-old captain started his career working as a deckhand on San Francisco open boats when he was nine years old. In all that time, he says, “I never experienced the grade, the quality and the size of the salmon.”

Last year’s bite gave him reason to be “very optimistic about this season.”

The 2014 season opener marks something of a watershed year for North Bay anglers and fisheries. This is the tenth year of an intensive restoration program to help save coho salmon from extinction in California. Powers says he starts seeing coho in May and June when he’s trolling for salmon—and stresses that any that are caught are released under state law.

The state has ramped up drought-remediation efforts that may have side benefits of helping restore salmon stocks, and especially the coho, which tend to favor smaller and more environmentally sensitive creeks over larger rivers when it’s time to spawn.

A 2012 state initiative called the Coho Help Act is now underway; it set out to “make it easier for landowners to do good things for the coho,” says Brian Stranko, water program director for the Nature Conservancy of California.

The Coho Help Act pays landowners up to $100,000 to fix up their piece of the creek to make it more amenable to the coho, either by removing impediments or water diversions, or by returning a creek to a more natural state by adding (or not removing) wood debris from the water.

Gov. Jerry Brown’s proposed 2014–15 budget would spend
$113 million on statewide fisheries-restoration programs. A similar proposal from his 2012–13 budget was whittled to $95 million by the time the budget was passed. Another $22 million is included in the proposed 2014–15 budget for an inland hatcheries fund.

For the first time, the state proposed funding a $1.5 million program this year to investigate and enforce marijuana-cultivation water diversions, a growing problem in the state and one that directly affects the coho’s chances of a lasting rebound. The fishery is hovering around 1 percent of its historical numbers in California—a figure that has yet to budge upward despite the various efforts underway.

California enjoys an unusual degree of cooperation among the various players invested in fisheries management: regulators, environmentalists, commercial and recreational anglers, ranchers and farmers. “Everyone sees themselves as being part of the solution for cohos,” says Stranko. “There was a time when everyone was at loggerheads.”

One unaddressed area of concern for Stranko is coho salmon “bycatch,” which refers to fish that are not targeted but wind up on the hook or in the net anyway. The commercial ocean salmon season opens May 1, just around the time Powers says he starts to see off-limits coho hit his baits.

“We do not want to see a coho bycatch problem or mortalities in coho because of the bycatch,” says Stranko. “But the problem is, we don’t have a lot of information on how many coho get caught in bycatch. So it’s hard to say whether it’s a big problem or a little problem.”

Letters to the Editor, April 16, 2014

Vet Smart

This is a very moving and informative story (“Homeless Front,” April 9). I don’t know how any military person returning home after serving on active duty in Iraq or Afghanistan could not have PTSD. The terror of what they did (in the name of our country) and what they experienced over there would really mess up anyone. Then coming home to an entirely different reality and trying to fit into their old lives and relationships is another corkscrew.

IMHO, the problem is at the front end, and that’s really where the focus should be.

Defending our country on our soil is one thing; engaging in an optional war is really unfair to those who we ask to serve as our surrogates. Those who believe in starting such a war should be the ones who serve in it. I understand that all those who serve do so in a volunteer capacity; we don’t have a draft. However, some of them see no other option in their lives, and others naively believe that the benefit they receive (in experience, money, education, personal growth and responsibility) will outweigh the horrific blowback of the experience. Though not all service people serving in war end up with such debilitating PTSD that it’s nearly impossible for them to function normally in our society, I have a hard time believing that most of them don’t have varying degrees of it.

Via online

Dharma Karma

I don’t understand (“Dharma Bummer,” April 9)! Seems to me that Cazadero resident Mike Singer and other residents are taking the same approach the Chinese government did with Tibet. Didn’t we learn a lesson? The residents of Ratna Ling are trying to bring enlightenment and understanding to a dark world, and some want to restrict that freedom? Though it seems many in Sonoma county are very accepting and tolerant, not everyone is, unfortunately. If Dharma Publishing ceases, there will no doubt be another publisher, person or thing that will carry the same principles, just as Tibet did.

Keep on with it, Ratna Ling. You bring us freedom. Cazadero, leave those monks in peace!

Guerneville

I have just one question for Dharma Publishing: What would Buddha think of your barbed wire fences?

Windsor

Jello Shot

Mr. Biafra blames computer whiz kids for raising the cost of San Francisco housing (“Jello-Rama,” April 2). His waxing nostalgic about the ’70s should be adjusted for inflation, lest he become the kind of curmudgeon who starts every sentence with “Why, I remember when . . .”

Rent control had the effect of maxing out rent increases every year, maintaining high baseline rents for empty units and for builders growing reluctant to meet demand. Why, I remember a time when landlords would value a decent renter and not raise rents for years. But those “good old days” ended in 1979—just about the time the Dead Kennedys came on the scene. Coincidence? You decide.

Petaluma

Lawn Liberation

I rented a house for 10 years from a landlord who forced me to waste water on a front and back lawn. What did he care? He doesn’t live in Sonoma County, and we had to pay the water bill.

This past year, we were lucky enough to buy our own place, where we promptly ripped out the lawn and installed low-water-use plants. Unfortunately, there are still many other renters who are forced to waste water to satisfy the whims of an absent landlord. This is an issue that needs to be addressed, from the standpoint of both water conservation and renters’ rights.

Santa Rosa

Write to us at le*****@******an.com.

Unknowable Rumsfeld

In head-and-shoulders close-up, Donald Rumsfeld shares some anecdotes from his life as a public servant—first as a Congressman, later as a special envoy and finally, and ruinously, as Secretary of Defense in the George W. Bush administration.

In Errol MorrisKnown Unknown, you get the answer to how Rummy sleeps at night, not that the question is asked in so many words. Rumsfeld was right, and when he wasn’t right, it was because the definition of the phrase “he was wrong” is too restrictive. Besides, no one could have foreseen what was over the hill. So again he was right.

If necessary, Rumsfeld can cast a passive sentence so that the “he” in it vanishes utterly. A wasted moment in the film occurs during the revisitation of Rumsfeld’s meeting with Saddam in 1983, when he’s seen greeting the dictator with a smile and a handshake. Asked about the incident, Rumsfeld shifts the ground without opposition from his questioner. Morris loses the chance to prompt Rumsfeld back from his memories as Man of Diplomacy to the matter of the consequences of encouraging Saddam.

Known Unknown is a minor and sometimes agonizing film, not just because of the eel-like subject or because we endured the Rumsfeld Show for years. There are tedious stylistic quirks Morris recycles from previous efforts, such as the time-lapsed sun, rising and falling, as cars zizz by on the Koyaanisqatsi Expressway and as Danny Elfman pays tribute to Philip Glass.

In the end, it seems there’s too much that’s been put off-limits here. We’re never treated to what it was like for this political animal to be locked out of power. Instead, we get Rumsfeld shedding a few grateful tears at our luck as a nation. Our nation will not survive much more of Rumsfeld’s kind of luck. Rather than telling it to the camera, Rumsfeld should be telling it to a judge.

‘The Known Unknown’ is screening at Summerfield Cinemas,
551 Summerfield Road, Santa Rosa. 707.522.0719.

March for Rights

Since 2006, when hundreds of thousands marched nationwide, including 10,000 in Santa Rosa, the local May Day march has focused on immigrant and workers’ rights, universal healthcare, family unity and an end to deportations. This year brings an additional focus on police accountability, brought to prominence in Sonoma County with the killing of 13-year-old Latino youth Andy Lopez by sheriff’s deputy Erick Gelhaus.

Historically, the Santa Rosa May Day march, organized by the May 1st Coalition of Sonoma County, has been largely an expression of the Latino community, but the killing of Andy Lopez has brought together a wider response. Many communities have been fearful of the police in recent years, and policing has become a prominent issue in Sonoma County, where many people avoid involving law enforcement in resolving problems because of a perception that the presence of police only escalates the problem.

There have been nearly 60 fatalities involving law enforcement in Sonoma County since 2000. The statistic reflects an increasing number of police killings throughout the United States in recent years, which seems to have become epidemic with the advent of police militarization.

Still, insistence on workers’ rights is the guiding focus of this year’s May Day march. Nationwide demonstrations at fast food restaurants and Walmart highlight the increasing disparity between rich and poor, and the reality of a rapidly vanishing American middle class.

This year’s Santa Rosa May Day march begins at Roseland Plaza, in the old Albertson’s parking lot at 665 Sebastopol Road, near Dutton Avenue. Marchers will gather at 4pm for a short rally, then proceed to Courthouse Square downtown at 4:45pm, where the event continues with speakers and music.

Attila Nagy, of Comité VIDA, and Michael Rothenberg, founder of 100 Thousand Poets for Change, are both members of the May 1st Coalition, which yearly sponsors the May Day march.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Live Review: Good Friday Stabat Mater at St. Vincent’s Church

Sitting, eyes closed, in St. Vincent’s church in Petaluma, the usual first world annoyances do not penetrate my skin, neither physically nor mentally. The uncomfortable wooden pew, the cell phone ring—they hold no power now, not while countertenor Chris Fritzche and soprano Carol Menke sing Pergolesi’s Stabat Mater with Marilyn Thompson transcribing the full score, on sight, to church...

World’s Fair Presented in Awesome Digital Format 50 Years Later

A must-read for a disenchanted generation

April 17: Paris Combo at the Napa Valley Opera House

If you want the best French pop music today, you need to go to the source. Straight from the city of love, Paris Combo effortlessly craft that distinct Parisian mix of bright jazz horns, smooth bass riffs and demure vocals, and their bubbly fun is never more apparent than on their latest release, 5. The band’s first album in...

April 18: Opening Reception for “Landscapes” at the IceHouse Gallery

Digital Grange in Petaluma is a fine-arts service that specializes in (surprise!) digital imaging and graphic design. Their clients include the de Young in San Francisco and the Art Institute of Chicago, and now the collective opens its own gallery in the ivy-covered Burdell Building next door to their offices. IceHouse Gallery will feature Digital Grange’s impressive roster of...

April 19: Sebastiani Theatre 80th Anniversary Kickoff

The historic Sebastiani Theatre screened its first movie on April 7, 1934. Fugitive Lovers, starring Robert Montgomery and the Three Stooges, brought out a crowd of a thousand people who lined the streets around the Sonoma Plaza and welcomed the impressive structure. Admission was 30 cents. Times have changed, but the theater remains a cultural and community landmark, and...

April 22: Barbara Ehrenreich at Book Passage

Writer and political activist Barbara Ehrenreich has written more than 20 books since 1969. She is best known for her eye-opening 2001 account of trying to survive on minimum wage, Nickel and Dimed: On (Not) Getting By in America, and the author never shies from controversy to explore and expose social strife. Her new book, Living with a Wild...

The Bite Goes On

The much-anticipated opening of the California recreational ocean salmon fishing season in Bodega Bay on April 5 started strong but petered out late last week, an unwelcome trend for anglers that continued through the weekend. Captain Rick Powers runs two boats out of Bodega Bay. He said fishing aboard his 65-foot open boat the New Sea Angler was red-hot all...

Letters to the Editor, April 16, 2014

Vet Smart This is a very moving and informative story ("Homeless Front," April 9). I don't know how any military person returning home after serving on active duty in Iraq or Afghanistan could not have PTSD. The terror of what they did (in the name of our country) and what they experienced over there would really mess up anyone. Then...

Unknowable Rumsfeld

In head-and-shoulders close-up, Donald Rumsfeld shares some anecdotes from his life as a public servant—first as a Congressman, later as a special envoy and finally, and ruinously, as Secretary of Defense in the George W. Bush administration. In Errol Morris' Known Unknown, you get the answer to how Rummy sleeps at night, not that the question is asked in so...

March for Rights

Since 2006, when hundreds of thousands marched nationwide, including 10,000 in Santa Rosa, the local May Day march has focused on immigrant and workers' rights, universal healthcare, family unity and an end to deportations. This year brings an additional focus on police accountability, brought to prominence in Sonoma County with the killing of 13-year-old Latino youth Andy Lopez by...
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