Tunnel Visions

0

Barbara Barrigan-Parrilla, executive director of the organization Restore the Delta, scoffed at a declaration made by Gov. Jerry Brown in the days after the South Napa Earthquake. He told KGO radio that the 6.0 quake was nothing compared to what scientists say is in store for Californians. He said global warming and the threat of the Big One should motivate wary citizens to support his twin Delta Tunnels, part of Brown’s ambitious, $25 billion Bay Delta Conservation Plan.

“That’s a continuation of the Brown propaganda machine for the Delta Tunnels,” Barrigan-Parrilla says with a sharp, short laugh.

Whoa, governor. State legislators have already said no to the plan, at least for now, stripping it out of a historic $7.5 billion water bond headed for the ballot in November as Proposition 1.

In the grips of the drought, Sacramento lawmakers came to an almost unanimous agreement on the wisdom of the water bond. Along the way to passage in the Legislature, the Water Quality, Supply and Infrastructure Improvement Act of 2014 went from “tunnel-neutral” to tunnel-wary in the final language signed by Gov. Brown.

That’s not stopping Brown from chasing his Delta twin-pipe dream, as he pursues a legacy project comprising two 40-foot-wide, 30-mile-long tunnels built under the Sacramento River-San Joaquin Delta that would ferry water to parched Big Ag valleys and water districts to the south.

Brown’s post-temblor comment had a whiff of the “shock doctrine” to it—a term coined by writer and activist Naomi Klein that refers to the use of a natural or man-made disaster to promote “disaster capitalism,” projects otherwise unpopular with the public; e.g., the invasion of Iraq or the destruction of the public school system in New Orleans after Hurricane Katrina.

The governor has been pitching the tunnels at public events and in speeches throughout the year, says chief spokesman Evan Westrup.

“The governor has been sounding this same alarm for the better part of two years, from the news conference where he announced his [tunnel] proposal in 2012 to a radio interview less than a month before the Napa earthquake,” says Westrup via email. “This is hardly a new warning, but in light of recent events, it seems a few more Californians are listening.”

If they are, it’s too late for any legislative motion on the tunnel front this year.

Indeed, voters’ wariness over the tunnels translated into a legislative fatwa on the subject in the final bond language that emerged in legislative negotiations. Voters will decide its fate in November when they vote on Proposition 1, but they won’t be voting on the tunnels or other parts of the Delta-conservation plan.

All of that was scrubbed by July, when the Legislature passed a
$7.5 billion bond with overwhelming support—and no money for the tunnels.

The road to Proposition 1 started in 2009, with a proposed $11 billion bond that stalled over high pork content after passing the Assembly. Some of the pork was tunnel funds that proved difficult to remove. When lawmakers took up the bond again this year, they still had to grapple with Brown’s tunnel scrapple.

State Assemblyman Marc Levine, D-San Rafael, says that an earlier version of the renegotiated and putatively pork-free bond this year still had some “wiggle room” to spend money on tunnel-related activities. He recalls that environmentalists told him they would be “OK if the bond was tunnel-neutral, because there’s a lot of good stuff in there.”

Tunnel neutral, says Levine, “wasn’t good enough for me.”

[page]

Nor for other lawmakers. Now the language specifically says “you can’t use the money at all for the tunnels,” says Levine. The bond language also forbids eminent domain acquisitions and any planning for “Delta conveyance facilities,” a fancy way of saying “tunnels.”

The Legislature passed the bond bill with only two no votes, from North Coast Assemblyman Wes Chesbro and Tea Partier Tim Donnelly. The former, an outgoing Democrat who is termed-out as of November, said $2 billion for new dams was too much for him—and the bond overall didn’t “create” any new water. Donnelly said that, except for the new dams, the bond was a waste of taxpayer money.

The urgency of the endless drought pushed lawmakers this year to find a palatable bond. It will add $7.1 billion in new debt to California, and also repurposes other unspent bond money from previous, water-focused initiatives to bring it to $7.5 billion.

Levine is hopeful about a hypothesis he’s come up with: If voters support it this fall, the aggregate effects of the bond and a new statewide groundwater management law will eliminate the underlying rationale for Brown’s tunnels, which is to keep water flowing to Big Ag and water districts down south.

Levine didn’t have specifics and said it was too early to say, but the bond would emphasize resource management and enhanced efficiencies in water usage as a way to beat the drought without resorting to draconian conveyance measures.

The two initiatives together add up to an pivotal moment in California water politics: The groundwater management law sets the stage for state oversight of local water districts—and the bond helps municipalities better manage their water district.

The groundwater law (see “Of Water and Wine,” July 23) requires that localities develop water-basin sustainability plans with the assistance of, and approval from, the state. Or else. Pump stations would be state-monitored and subject to takeover for water-use violations.

Levine says the combined legislative package represents the most significant California water-use reform in a century, but he opposes the tunnels out of environmental concerns for the Delta and its fisheries.

But Proposition 1 could be put to good use in the North Bay.

“Water districts and nonprofits would make a pitch to the Department of Water Resources,” says department of spokeswoman Nancy Vogel, cautioning that “there’s always more proposals than actual money.”

The bond would send millions to programs and initiatives that promote safe drinking water, wastewater treatment and watershed restoration projects. There’s $200 million to enhance stream-flow projects, $900 million for groundwater sustainability projects and other pots of money of potential benefit to the North Bay, says Vogel.

Local organizations and water districts would compete for a share of the bond, based on need and their compliance with the 2009 Water Act, which requires municipalities to come up with water-management plans or face state sanction. And, says Vogel, the North Coast is eligible for part of the $2.7 billion big-ticket bond item for water storage.

“That was the great debate in the Legislature,” says Vogel. “Dams and reservoirs. But groundwater is storage as well—and that $2.7 billion can be used to improve groundwater storage.”

Shirlee Zane, Sonoma County Water Agency director and a Sonoma County supervisor, says those funds could be used to fund pilot projects that could help recharge groundwater levels.

Levine says the bond is a “huge win environmentally,” and highlights the millions dedicated to enhanced stream flows, of special benefit to hammered North Bay fisheries. “Two hundred million dollars is not enough, but it is a significant sum that can provide a great benefit,” he says, adding that the bond was supported by the two biggest fish organizations in the state: Trout Unlimited and California Trout.

Meanwhile, Brown is moving ahead with his project.

After an eight-month public comment period that ended in July, the Department of Water Resources is reviewing thousands of public comments to a draft environmental study and review, and has unspecified plans to adjust the overall Delta-restoration project based on those public comments.

[page]

“That plan is very much moving forward,” says Vogel. “Those comments and other things we’ve been hearing all along from the public make it clear that we need to go out and recirculate the plan again for public review. There will be changes, to the plans based on [environmental studies].”

Absent the tunnels, Brown warned, the Big One could bring with it a perilous mixing of fresh and seawater—disastrous to Big Ag and big city water authorities that rely on the Sacramento flow.

Brown’s plan has scores of opponents throughout the state—particularly in the Delta, where concerns are more about strengthening the levee system for the half-million-odd residents who live in the area. They say the bond doesn’t go far enough, even as it offers $300 million for levee restoration.

Barrigan-Parrilla says that in the event of a Big One with an epicenter in the Delta, residents there would face “100 percent of the loss of life, and 80 percent of the economic losses. The tunnels wouldn’t do anything about that.”

[image-4

In a fact sheet, the organization notes the “shock doctrine” aspect of Brown’s tunnel plan: “Powerful water interests control California’s water resources and the message about the state’s water. Since the devastation of Hurricane Katrina, these powerful forces have stoked fear of flooding and earthquakes to make a case for transforming a unique, beautiful and productive Delta region into a permanent way station for water going somewhere else.”

The anti-Brown right-wing blogosphere took note of Brown’s post-earthquake tunnel pronouncement with a spin of its own. The lads at the high-profile, right-leaning breitbart.com wondered at the wisdom of building underground tunnels in the high-seismic activity zone, and of course compared Brown’s plan with Red China’s massive Three Gorges Dam project.

The issue is not so much whether the tunnels would be impervious to earthquakes. Two months before the quake, a panel of engineers assured the public that the tunnels would be built to specifications far beyond the maximum predicted strength of whatever Big One is on its way.

The Delta Tunnels are part of Brown’s broader Bay Delta Conservation Plan, which also highlights habitat restoration as a key goal. For Delta residents, the issues are the levees and what they say are Brown’s indifference to their concerns.

“We have never lost a levee in the Delta due to earthquakes,” says Barrigan-Parrilla, who opposes Proposition 1. “The governor is putting habitat restoration above humanity when it comes to Delta residents,” she says.

“The levees are in better shape than ever,” she says, “but they should spend money on reinforcing some of them—there are a couple of hundred miles of levees that should be brought up to the highest standard. The funding in the water bond doesn’t bring them to the highest possible standard.”

Vogel says that levee restoration is part of an ongoing priority for the governor. “The state has steadily invested in Delta levees,” she says. “Whether the [Bay Delta Conservation Plan] is implemented or not, that investment is needed. We’re not going to walk away from the Delta and the need to invest in the Delta this year.”

Vogel also defends the proposed tunnel-fund. Sixty-eight percent of the tab, she says, would be paid for by the public water districts that buy water. “They will pay the bulk of the costs of it,” says Vogel. How those costs are then parlayed to ratepayers remains to be seen, but Vogel noted that boards of directors of the various water districts are in ongoing discussions about the plan.

“The habitat conservation costs would be picked up by the state as a whole, and that goes toward endangered and threatened species,” she adds.

Vogel would not provide details on possible changes to the tunnel plan. “That remains to be seen,” she says, and says only that the “general categories are impacts to Delta residents and water quality. We’re looking hard at the comments and at the plan and looking at ways to improve it.”

As for the bond act’s excision of tunnel funds? “We don’t need those funds in this water bond. We assume there will be money down the road,” she adds. “Maybe another bond.”

Maybe not, says Levine: “Let’s lay the foundation for solving our water problems in a way that allows us to break away from the rigid thinking of the Governor’s tunnel vision.”

Cold, Old Gin

0

Bandit knows the drill. When Timo and Ashby Marshall lead a tour of their Sebastopol distillery, their Boston terrier trots alongside, pausing for an explanation of the grain milling process with an expression of utter concentration, before dutifully moving on to the next feature in tandem with the shuffling shoes.

Perhaps Bandit thinks he’s working, too, since everyone works on the production room floor at SpiritWorks, from the tasting-room manager to, on this day, the visitors.

The occasion is the distillery’s inaugural release of barrel-aged gin. SpiritWorks opened in 2013 in a reconditioned warehouse in Sebastopol’s Barlow center. It’s a “grain to glass” distillery, meaning that the process is controlled every step of the way, from receiving pallets of California-grown, organic red winter wheat to rectifying the final product in a column still.

The first job of SpiritWorks is to produce gin, a spicy gin that’s fragrant with fresh-zested citrus, coriander and other herbs and spices that are displayed in jars on a table by the distillery sofa. “No vodka!” was their rallying cry, until they made the mistake of offering their grain-neutral spirit—only as an interesting contrast to the finished product—to a very large distributer with whom they’re thrilled to be associated, says Timo. “Great, we’ll take both,” said the very large distributer. So SpiritWorks makes both gin and vodka.

But it may have been sloe gin, all along, that was the goal, the way that Timo Marshall waxes over the bitter, Eurasian berry of the blackthorn bush. Reared partly in Peru, Marshall speaks, with an international British accent, about his family’s passion for the sloe berry. Now back in Britain, his mother carries a walking stick on country strolls, not for balance but to craftily hook branches laden with berries over stone walls. SpiritWorks sloe gin, quite a different product from the treacly sweet product that older visitors may recall—and younger ones have never heard of—is made with macerated Bulgarian berries.

In 2014, SpiritWorks added a rickhouse for aging wheat and rye whiskey in barrels. Several of these have iPods and headphones attached to them, each matched to a control barrel, in a “why-not” bid to see whether ballet has a different effect on the aging spirit than rock, for instance.

The whiskey will rock on into 2015 before being bottled. Meanwhile, SpiritWorks has just bottled its first batch of barrel-aged gin. Unlike American whiskey, which is required by law to be aged in new, charred American oak barrels—if even for a matter of minutes, for some white whiskeys—this style of gin was a rarity outside the Netherlands, but it’s catching on with craft distillers.

Amber-hued in a clear bottle, hand-numbered with sparkly pen for “extra bling,” according to Timo, Batch 001 Barrel Gin (expect to pay about $50) is a highly aromatic product with citrus zest, juniper and coriander overwhelming the typical alcohol aroma of clear spirits. From its four-month sojourn in oak, it also picked up caramelized wood notes and sweet vanillin, so it can be tried in place of either gin or whiskey, for different takes on the martini or Manhattan. And it’s also meant for sipping neat.

SpiritWorks Distillery, 6790 McKinley St., Sebastopol. 707.634.479.3

Help Kurt Stenzel Heal!

0

Back a few months ago we did an online exclusive interview with Kurt Stenzel, a San Francisco–based composer who scored and played the spooky, synthy music on Jodorowsky’s Dune. Kurt’s an awesome guy, a veteran punk rocker from New York who loves him some Devo, Hawkwind and Jethro Tull.

The film that Kurt scored, you might recall, was about the kooky filmmaker Alejandro Jodorowsky and his failed attempt, in the 1970s, to make the filmic version of Dune, which was eventually made by David Lynch. That version was pretty terrible by most accounts, despite—or was it because of?—the presence of Sting.

Not so the documentary. Just as Jodorowsky’s Dune was taking off—numerous indie-film award nominations, a national release—Stenzel talked with Nicolas Grizzle about the film and his work on it.

But just two freaking days after Grizzle spoke with him, Kurt suffered a massive stroke, and he’s still recovering from it. Geez.

Three-plus agonizing months later, the good news is that Kurt went home this week—finally got out of the hospital. His fiance Jen reports that he’s relaxing at home and checking out the remastered soundtrack to Jodoworsky’s Dune—as they await the arrival of the 2 LP soundtrack on vinyl. That’s fine medicine indeed.

But he needs yer help. Kurt has a long way to go, as he racked up some mighty medical bills while his recovery has slowly unfolded. His health insurance has run out, according to his partner—and those suckers won’t cover speech rehabilitation in any event.

Such times as these: Kurt’s partner created a gofundme account with a goal of generating $100,000 to pay off the bills and get him set up in the new home with the medical gizmos he’ll need moving forward. As of today, Kurt’s received over $20,000 from 172 people through the gofundme portal—in just one week. Help this man heal!

New Headline

0

Back a few months ago we did an online exclusive interview with Kurt Stenzel, a San Francisco–based composer who scored and played the spooky, synthy music on Jodorowsky’s Dune. Kurt’s an awesome guy, a veteran punk rocker from New York who loves him some Devo, Hawkwind and Jethro Tull. 

The film that Kurt scored, you might recall, was about the kooky filmmaker Alejandro Jodorowsky and his failed attempt, in the 1970s, to make the filmic version of Dune, which was eventually made by David Lynch, and was pretty terrible by most accounts, despite—or was it because of?—the presence of Sting.

Just as Jodorowsky’s Dune was taking off—numerous indie-film award nominations, a national release—Stenzel talked with Nicolas Grizzle about the film and his work on it.

But just two freaking days after Grizzle spoke with him, Kurt suffered a massive stroke, and he’s still recovering from it. Geez.

Three-plus agonizing months later, the good news is that Kurt went home this week—finally got out of the hospital. His fiance Jen reports that he’s relaxing at home and checking out the remastered soundtrack to Jodoworsky’s Dune—as they await the arrival of the 2 LP soundtrack on vinyl. That’s fine medicine indeed.

But he needs yer help. Kurt has a long way to go, as he racked up some mighty medical bills while his recovery has slowly unfolded. His health insurance has run out, according to his partner—and those suckers won’t cover speech rehabilitation in any event. 

Such times as these: Kurt’s partner created a gofundme account with a goal of generating $100,000 to pay off the bills and get him set up in the new home with the medical gizmos he’ll need moving forward. As of today, Kurt’s received over $20,000 from 172 people through the gofundme portal—in just one week.  Help this man heal! 

Jason Crosby and Friends with Jerry Harrison (Talking Heads) and Doobie Decibel System Rock Sweetwater

0

Wednesday August 27th Jason Crosby and Friends performed a stellar show at Sweetwater Music Hall. Guests included the amazing Jerry Harrison, Talking Heads guitarists, Roger McNamee (Moonalice), vocalist Shana Morrison (Van Morrison’s daughter), Dan Lebowitz, and Reed Mathis and Cochrane McMillan (Tea Leaf Green).  Jason Crosby and Roger McNamee opened the show with the debut of their duet Doobie Decibel System.
Photos by Jamie Soja – Soja Photography
1_JC&F_Photo_copyright_sojaphotography_dot_com 2_JC&F_Photo_copyright_sojaphotography_dot_com 3_JC&F_Photo_copyright_sojaphotography_dot_com 4_JC&F_Photo_copyright_sojaphotography_dot_com 5_JC&F_Photo_copyright_sojaphotography_dot_com 6_JC&F_Photo_copyright_sojaphotography_dot_com 7_JC&F_Photo_copyright_sojaphotography_dot_com 8_JC&F_Photo_copyright_sojaphotography_dot_com 9_JC&F_Photo_copyright_sojaphotography_dot_com 10_JC&F_Photo_copyright_sojaphotography_dot_com 11_JC&F_Photo_copyright_sojaphotography_dot_com 12_JC&F_Photo_copyright_sojaphotography_dot_com 13_JC&F_Photo_copyright_sojaphotography_dot_com 14_JC&F_Photo_copyright_sojaphotography_dot_com 15_JC&F_Photo_copyright_sojaphotography_dot_com 16_JC&F_Photo_copyright_sojaphotography_dot_com 17_JC&F_Photo_copyright_sojaphotography_dot_com 18_JC&F_Photo_copyright_sojaphotography_dot_com 19_JC&F_Photo_copyright_sojaphotography_dot_com 20_JC&F_Photo_copyright_sojaphotography_dot_com 21_JC&F_Photo_copyright_sojaphotography_dot_com 22_JC&F_Photo_copyright_sojaphotography_dot_com 23_JC&F_Photo_copyright_sojaphotography_dot_com 24_JC&F_Photo_copyright_sojaphotography_dot_com 25_JC&F_Photo_copyright_sojaphotography_dot_com 26_JC&F_Photo_copyright_sojaphotography_dot_com 27_JC&F_Photo_copyright_sojaphotography_dot_com 28_JC&F_Photo_copyright_sojaphotography_dot_com 29_JC&F_Photo_copyright_sojaphotography_dot_com 30_JC&F_Photo_copyright_sojaphotography_dot_com 31_JC&F_Photo_copyright_sojaphotography_dot_com 32_JC&F_Photo_copyright_sojaphotography_dot_com 33_JC&F_Photo_copyright_sojaphotography_dot_com 34_JC&F_Photo_copyright_sojaphotography_dot_com 35_JC&F_Photo_copyright_sojaphotography_dot_com 36_JC&F_Photo_copyright_sojaphotography_dot_com 37_JC&F_Photo_copyright_sojaphotography_dot_com 38_JC&F_Photo_copyright_sojaphotography_dot_com 39_JC&F_Photo_copyright_sojaphotography_dot_com 40_JC&F_Photo_copyright_sojaphotography_dot_com 41_JC&F_Photo_copyright_sojaphotography_dot_com 42_JC&F_Photo_copyright_sojaphotography_dot_com 43_JC&F_Photo_copyright_sojaphotography_dot_com 44_JC&F_Photo_copyright_sojaphotography_dot_com

Beth Nielsen Chapman Comes to Studio 55 Marin

0

Beth-Nielsen-Chapman-500
She’s called the Carole King of our generation, and for good reason. Beth Nielsen Chapman is a singer and songwriter extraordinaire, penning famous tunes for numerous country music stars and performing her own emotionally striking songs for over twenty years. Chapman is based in Nashville and regularly works alongside and writes for superstar recording artists such as Bonnie Raitt, Emmylou Harris, Bette Midler, Elton John, Neil Diamond, Trisha Yearwood and many more.
Chapman’s new album, Uncovered, is a look back on many of her top ten hits, penned for other artists, but never recorded herself until now. A number of there were number one hits, and the album includes fresh takes of classic songs like This Kiss (Faith Hill), Here We Are (#1 for Alabama), Strong Enough To Bend (#1 for Tanya Tucker) and Nothin’ I Can Do About It Now (#1 for Willie Nelson). Now, Chapman brings her diverse and acclaimed songs to San Rafael when she preforms this Sunday, September 7, at Studio 55 Marin, in San Rafael. This intimate show will be a vibrant display of Chapman’s lyrical mastery and musical passion.  Tickets are $18 to $22, and are available here.

Sept. 6: Telmo Faria at Toby’s Feed Barn

0

tacolicious.jpg

Always a popular feature at the farmers market, this week’s Chef Booth at Toby’s Feed Barn features tempting taco dishes and a demo from Telmo Faria, executive chef and author of Tacolicious. The San Francisco—based taqueria of the same name that Faria runs is a nontraditional twist on the Mexican staple. The menu features exotic ingredients served in a sophisticated and urban manner, and Faria’s new book of recipes offers readers a chance to liven up their own taco game at home. Faria shares his secrets when he reads and demos on Saturday, Sept. 6, at Toby’s Feed Barn, 11250 Hwy. 1, Point Reyes Station. 10am. Free. 415.663.1223.

Sept. 6: Montango at the White Barn

0

MonTango_Group_Photo.jpg

Pianist Tom Montgomery first came upon the music of the tango through the great Argentine composer Astor Piazzolla. Trained as a classical and jazz musician, Montgomery’s passion for tango has become a central focus of his work for more than a decade. This passion led him to the bandoneon, an accordion-like instrument essential to the tango, and to the formation of his own dance ensemble, Montango. Now considered one of the Bay Area’s premier tango groups, Montango has performed the world over, sharing their passion for the cultural treasure. This week, Tom Montgomery and Montango dazzle the North Bay when they perform on Saturday, Sept. 6, at the White Barn, 2727 Sulphur Springs Ave., St. Helena. 6:30pm. $30. 707.251.8715.

Sept. 7: Lisa Loeb at Sweetwater Music Hall

0

Lisa_Loeb_with_Guitar.jpg

Has it really been 20 years since Lisa Loeb’s breakout hit single, “Stay (I Missed You)” went platinum? In the two decades since Loeb was introduced to the world, with her defining eyewear and lithe voice, the songwriter has continued to produce quality pop music and has also recently dabbled in children’s music and other media projects. Last year, Loeb returned to the world of pop music with her album No Fairy Tale. Glasses still frame her youthful face, and emotionally poignant lyrics still populate her songs, and this week Lisa Loeb brings her extensive with her when she performs on Sunday, Sept. 7, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley. 8pm. $27—$32. 415.388.3850.

Sept. 8: Sierra Leone Refugee All Stars at City Winery

0

sierra.jpg

The story of the Sierra Leone Refugee All Stars could have turned out very differently. The horrifying violence that engulfed the West African region in the ’90s forced millions to flee their homes. It was literally in refugee camps that the musicians who would form the All Stars met and began playing songs to entertain their fellow refugees. After an American film crew found them performing in the camps, the Sierra Leone Refugee All Stars found themselves on a global stage. Transcending their dire origins, the group now brings an uplifting message of hope and perseverance to international audiences. This week, the inspirational songs of the All Stars can be heard when the group plays on Monday, Sept. 8, at City Winery, 1030 Main St., Napa. 8pm. $18—$25. 707.226.7372.

Tunnel Visions

Barbara Barrigan-Parrilla, executive director of the organization Restore the Delta, scoffed at a declaration made by Gov. Jerry Brown in the days after the South Napa Earthquake. He told KGO radio that the 6.0 quake was nothing compared to what scientists say is in store for Californians. He said global warming and the threat of the Big One should...

Cold, Old Gin

Bandit knows the drill. When Timo and Ashby Marshall lead a tour of their Sebastopol distillery, their Boston terrier trots alongside, pausing for an explanation of the grain milling process with an expression of utter concentration, before dutifully moving on to the next feature in tandem with the shuffling shoes. Perhaps Bandit thinks he's working, too, since everyone works on...

Help Kurt Stenzel Heal!

Back a few months ago we did an online exclusive interview with Kurt Stenzel, a San Francisco–based composer who scored and played the spooky, synthy music on Jodorowsky’s Dune. Kurt’s an awesome guy, a veteran punk rocker from New York who loves him some Devo, Hawkwind and Jethro Tull. The film that Kurt scored, you might...

New Headline

Back a few months ago we did an online exclusive interview with Kurt Stenzel, a San Francisco–based composer who scored and played the spooky, synthy music on Jodorowsky’s Dune. Kurt’s an awesome guy, a veteran punk rocker from New York who loves him some Devo, Hawkwind and Jethro Tull.  The film that Kurt scored, you might recall, was about...

Jason Crosby and Friends with Jerry Harrison (Talking Heads) and Doobie Decibel System Rock Sweetwater

Wednesday August 27th Jason Crosby and Friends performed a stellar show at Sweetwater Music Hall. Guests included the amazing Jerry Harrison, Talking Heads guitarists, Roger McNamee (Moonalice), vocalist Shana Morrison (Van Morrison's daughter), Dan Lebowitz, and Reed Mathis and Cochrane McMillan (Tea Leaf Green).  Jason Crosby and Roger McNamee opened the show with the debut of their duet Doobie Decibel System. Photos...

Beth Nielsen Chapman Comes to Studio 55 Marin

She's called the Carole King of our generation, and for good reason. Beth Nielsen Chapman is a singer and songwriter extraordinaire, penning famous tunes for numerous country music stars and performing her own emotionally striking songs for over twenty years. Chapman is based in Nashville and regularly works alongside and writes for superstar recording artists such as Bonnie Raitt,...

Sept. 6: Telmo Faria at Toby’s Feed Barn

Always a popular feature at the farmers market, this week’s Chef Booth at Toby’s Feed Barn features tempting taco dishes and a demo from Telmo Faria, executive chef and author of Tacolicious. The San Francisco—based taqueria of the same name that Faria runs is a nontraditional twist on the Mexican staple. The menu features exotic ingredients served in a...

Sept. 6: Montango at the White Barn

Pianist Tom Montgomery first came upon the music of the tango through the great Argentine composer Astor Piazzolla. Trained as a classical and jazz musician, Montgomery’s passion for tango has become a central focus of his work for more than a decade. This passion led him to the bandoneon, an accordion-like instrument essential to the tango, and to the...

Sept. 7: Lisa Loeb at Sweetwater Music Hall

Has it really been 20 years since Lisa Loeb’s breakout hit single, “Stay (I Missed You)” went platinum? In the two decades since Loeb was introduced to the world, with her defining eyewear and lithe voice, the songwriter has continued to produce quality pop music and has also recently dabbled in children’s music and other media projects. Last year,...

Sept. 8: Sierra Leone Refugee All Stars at City Winery

The story of the Sierra Leone Refugee All Stars could have turned out very differently. The horrifying violence that engulfed the West African region in the ’90s forced millions to flee their homes. It was literally in refugee camps that the musicians who would form the All Stars met and began playing songs to entertain their fellow refugees. After...
11,084FansLike
4,606FollowersFollow
6,928FollowersFollow