Now We Count—Watch Out, Washington

California voters just approved new congressional boundaries under Proposition 50, tilting the playing field blue and giving Democrats a firmer hand in Washington. It’s not just a political win for Gov. Gavin Newsom or a symbolic loss for Donald Trump—it’s a long-overdue correction for those of us in places like Sonoma, Napa and Marin counties, where progressive ideals often met a red brick wall of futility.

With roughly 63% of voters backing the measure, the message was loud and clear: Californians want representation that reflects who we actually are. The Bay Area northward—where environmentalism, reproductive rights and the arts aren’t fringe causes but everyday values—can finally send voices to Congress that echo our priorities without being diluted by districts drawn for partisan convenience.

What does that mean, practically? It means a stronger coalition for climate action, where our region’s innovations in renewable energy, sustainable agriculture and fire recovery policy can serve as national models. It means more advocacy for affordable housing and homelessness, wildfire prevention, climate resilience, sea-level rise and water management, reliable infrastructure and healthcare, fair economic conditions, balanced public safety reforms and humane immigration policies—so that local priorities like sustainable growth, equity and environmental stewardship can finally gain real traction in Washington.

And perhaps most importantly, it means that our vote matters. For years, many in the North Bay have felt politically peripheral—reliably liberal, yes, but rarely decisive. Proposition 50 changes that calculus. Now, when we push for healthcare access, or protections for our coastline, our congressional delegation will carry the weight of a constituency that can’t be carved out of the conversation.

This new map is more than lines on paper—it’s a reassertion of political agency for a region that has long supplied the state’s conscience but seldom its clout. So, while pundits will tally winners and losers, here’s the real takeaway: Our democracy works a little better today than it did yesterday.

In 2026, when the midterms roll around, Sonoma, Napa and Marin voters won’t just be participating—they’ll be shaping what comes next. And that’s something worth voting for.

Micah D. Mercer lives and loves in the North Bay.

Your Letters, Nov. 5

Robber Barons

Beware of billionaires begging “bucks,” claiming campaign costs continue climbing, cementing one party rule in our state and nation. Hold on to your wallet. Save your money. Tough times are ahead.

Modern American “robber barons” are not much different than those of the past. For them, greed rules, money talks; biggest money, loudest voice. But do not believe what they say about helping you or us.

Be a healthy skeptic about their plans for our future. Vote to keep your voice in the political decision-making process locally and statewide, plus nationwide. This Veterans Day, Tuesday, Nov. 11, at 10:30am, come to Santa Rosa City Hall to honor our veterans who have upheld our Constitution and defended our country from autocracy and fascism.

Duane De Witt
Santa Rosa

Shake Down

President Donald Trump is to be commended for attempting to shake down the United States Treasury and the Department of Justice to correct injustices done unto him through completely legal and accurate applications of the rule of law. 

To top that, he pledged to give all $230 million worth of crushing damages to charity because, “Hey, I don’t need the money, at least right now, cuz I just drove to the ATM and I’m good, really.”

And, given his sterling track record of honoring pledges to non-profit organizations and the stunning success of his own charitable organization, “Trump To Trump,” we can be assured that the money will be well and wisely allocated.

Craig J. Corsini
San Rafael

Emboldened Bias: How Legacy Media Fails Trans People

The same day that Tyler Robinson shot Charlie Kirk, co-founder of the conservative student organization Turning Point USA, The Wall Street Journal hastily and erroneously reported that the bullets Robinson used were inscribed with “transgender ideology.” 

Quickly, advocates and other news outlets, even The New York Times—which has a track record of biased and inaccurate coverage of LGBTQ issues—pushed back, contending that the unvetted report about rampant violence perpetrated by trans people “had gained enough heft to become fixed in the right-wing imagination.”

And it did.

Conservatives had already been using the tragic August 2025 shooting at a Minneapolis Catholic school, perpetrated by a transgender woman, to ramp up inflammatory anti-trans rhetoric—and the establishment press played right into their hands. After Kirk’s death, while Rep. Nancy Mace called for all trans people to be institutionalized and used a slur for trans people on the House floor, the Los Angeles Times ran an op-ed by Josh Hammer, a conservative political commentator, who wrote that “transgenderism … found itself implicated in another horrific shooting.”

Hammer’s op-ed was not just an “alternative viewpoint”; it was rife with deliberate misinformation, as underscored in a subsequent letter to the editor that the paper published days later. His use of  “transgenderism,” a derogatory term employed by anti-trans figures, delegitimizes trans identities. 

He also suggests trans people are more prone to political violence—a familiar and calculated ploy by those on the right to dehumanize trans people, which viciously, in turn, makes them targets. Never mind that countless analyses have concluded that trans people are far more likely to be victims of violence than they are to commit violence against others, or that the out-of-control anti-trans legislation actively puts trans people in danger. When corporate media neglects to emphasize these points, its coverage bolsters anti-trans politics.

And it’s already shaping culture. Robby Starbuck, an adviser on AI bias for Meta, has spent time since his appointment ceaselessly spreading disinformation about “shootings, transgender people, vaccines, crime and protests” online. Eric Bloem, vice president of corporate citizenship at the Human Rights Campaign Foundation, told The Guardian, “People should be able to find safe, welcoming communities online. Robby Starbuck pushes a dangerous anti-LGBTQ agenda, spreading disinformation and denying the very existence of transgender people.”

At a time when trans rights are increasingly threatened, Democrats are distancing themselves from trans issues while attempting to forge middle-of-the-road positions on trans issues that might be more palatable to centrists and Republicans.

In June 2025, the Supreme Court ruled, in U.S. v. Skrmetti, that bans on gender-affirming care for transgender minors are constitutional. The court’s 2022 Dobbs decision had included comparable language, reasoning that abortion should be at the discretion of “the people and their elected representatives.” The Dobbs ruling caused a collective uproar for Democrats, who held “press events, hearings and rallies in support of abortion and women’s rights,” as many outlets, including NOTUS, reported.

But when asked if the Skrmetti decision should encourage the left to renew and reinvigorate its support for trans people, Rep. Julie Johnson, co-chair of the Congressional Equality Caucus, said that although she believes “health care should be at the right and the role of the parent … the Supreme Court has ruled,” and the Democrats are “either a party that supports the rule of law or not.”

In her 2025 memoir, Kamala Harris stated that the Trump campaign mischaracterized her position in its “Harris is for They/Them” ad. She maintains that although she feels a “deep connection” with transgender people (whatever that means), she has “concerns” over trans-inclusive sports policies. Still, she acknowledged that her campaign failed to give “even more attention to how we might mitigate Trump’s attacks.”

Prior to this, some Democrats attributed Trump’s win to the Harris campaign focusing too much on transgender rights.

“The Democrats have to stop pandering to the far left,” Rep. Tom Suozzi told The New York Times last November. “I don’t want to discriminate against anybody, but I don’t think biological boys should be playing in girls’ sports.”

This oft-repeated concern has been consistently challenged and debunked by both trans advocates and scientific experts. Yet, The New York Times presented Suozzi’s statement without context or correction, treating it as a legitimate position rather than scrutinizing its accuracy or implications.

Joshua D. Safer, executive director of the Mount Sinai Center for Transgender Medicine and Surgery, told the ACLU that “a person’s genetic make-up and internal and external reproductive anatomy are not useful indicators of athletic performance.” Moreover, he said that, for example, “for a trans woman athlete who meets NCAA standards, there is no inherent reason why her physiological characteristics related to athletic performance should be treated differently from the physiological characteristics of a non-transgender woman.”

After Charlie Kirk’s death, the right-wing Heritage Foundation, most famous for its authoritarian Project 2025, called for the FBI to designate “Transgender Ideology-Inspired Violent Extremism,” or TIVE, as a domestic terrorism threat category. This unhinged appeal by the Heritage Foundation arose from a bogus claim by the organization that “50% of all major (non-gang related) school shootings since 2015 have involved or likely involved transgender ideology.” When Wired asked for the data behind this figure, the Heritage Foundation’s Oversight Project could not properly cite the research. Instead, they supplied a tweet from one of its vice presidents.

This frightening push by conservatives to treat trans people as a national security threat was utterly absent from corporate media outlets, including The New York TimesThe Washington Post and CNN. The silence allowed a dangerous narrative to fester unchallenged in right-wing echo chambers, where calls for state surveillance of trans people are becoming more normalized.

Anti-trans legislation and policies further endanger an already marginalized group. But so, too, does shoddy media coverage. For example, The New York Times frequently quotes Tony Perkins, president of the notoriously homophobic and transphobic Family Research Council (FRC), but regularly features his more moderate (or more secular) claims, rather than representing him and his organization authentically as demagogic and divisive.

The New York Times even described FRC as “a conservative policy and lobbying group” at a time when the Southern Poverty Law Center designated it as an anti-gay hate group that “portray[s] gay men as sexual predators and pedophiles, pushing the fantastic falsehoods that the LGBT rights movement seeks to eliminate age of consent laws and that adoption by gay parents creates a risk of parental sexual abuse.”

These “filtered” versions of the spokespeople for anti-trans organizations skew the public’s perception. When media institutions fail to investigate extremist narratives masquerading as policy (or even uninformed positions), they create space for hateful, fringe ideologies to gain traction under the guise of legitimacy, ultimately bestowing authority on figures and groups that a dutiful Fourth Estate ought to hold accountable.

As attacks on trans communities intensify, both politically and rhetorically, responsible journalism must rise to meet the moment. Anything less is a failure not only of the press but of our shared commitment to truth, equity and basic human dignity.

Shealeigh Voitl is Project Censored’s associate director.

Photo Finish: Audio Angel’s Latest EP, ‘Snapshot,’

At the recent show celebrating her new, genre bending 5-song EP, Snapshot, local performer Audio Angel had a unique and moving experience while on stage at Santa Rosa’s Hook and Ladder Winery. 

Speaking by phone, she tells the story of a husband and wife who had just kind of wandered into the show, having never even heard of Audio Angel. They took a seat, and as the show progressed, Audio Angel noticed the woman was consumed by tears, weeping openly throughout the show. The moment took her aback but also solidified a longstanding belief about the power of creativity and connection.

“I feel like, as Audio Angel, that I am here to serve the music. Whatever is supposed to reach you will reach you during my shows, and I feel like the music and art is here to assist us best,” she says. In times as troubling as these, this statement could scarcely ring more true.

Audio Angel came to the Bay Area in the late ’90s and immediately fell in with the dance party scene that was happening. “I went out to a jungle party, and these incredible lady DJs were playing. I was dancing, and they were like, ‘Your energy is so great. You should come MC with us.’ And I’m like, ‘Yeah, what’s an MC?’” she says with a laugh. “I just knew I loved what they were doing.”

That same energy is palpable throughout Snapshot as Audio Angel effortlessly moves through genres like house, dance, gospel and rock, just to name a few influences that come to mind. Some albums that push boundaries might feel forced or as if they’re actively trying to be diverse. But instead of coming off as phony, Audio Angel’s music feels honest and—as she so eloquently stated—as if she’s serving the muse.

After teaming up with the lady DJs, Audio Angel eventually eased into herself as a vocalist and songwriter. “I would go with them to raves. And when we  drove around, they realized I would be singing along with the tracks. And they’re like, ‘Wow, you should sing along with yelling,’” she says with a laugh. “And then I got my first official booking at the end of 1997 with them at a party called The Gathering and got up and sang.” From there, Audio Angel began to take flight.

Speaking with Audio Angel, a reoccurring thread of her loyalty to the craft while being open to possibilities runs through the conversation. Statements like “Music is my woman, and she does whatever she wants. She tells me what she wants me to do; she is in her own timing” blend seamlessly with a more straightforward look at her work. That view includes saying, “I feel my job is to take risks and make it attractive.” This also speaks to the bustling Sonoma County music scene that, if one is really paying attention, is developing a pretty serious case of cultural homogenization. 

Yet, even this proves as a motivator for Angel, who isn’t afraid to push boundaries with her craft. However, in order to do this, she needed a team of musicians that can be as diverse and brave as the music. Fortunately, she’s found fellow travelers in that sense with a band consisting of local favorite Josh Windmiller on guitar, Nate Dittle on keys, Libby (just Libby) on drums, Zachary Thorne on trumpet and Dave Rapa on bass. 

While Audio Angel works hard at her music as well as keeping busy with music coaching, voice-over work and some acting, the focus is on the EP release on Nov. 11, which, for those who believe in signs and wonders, is 11/11. This is intentional, says Angel, because “I’m a hippie, and I believe in angel numbers, and that’s when the universe is taking a picture of your thoughts. That’s what they say.”

For more information, including upcoming gigs, visit audioangelworld.com.

American Gangster: Brecht’s Parable Play Runs in Petaluma

As far-right authoritarians gain power around the world (cough, cough), artists in our community have been seeking ways to produce works that meet these unprecedented times. 

Petaluma’s Mercury Theater has chosen a play by German playwright Bertolt Brecht. He saw the writing on the wall in Germany and fled his country before World War II. While waiting in Finland to immigrate to the United States in 1941, Brecht expanded on one of his earlier works. That work became The Resistible Rise of Arturo Ui.

It’s refreshing to see Brecht’s somewhat-obscure allegory about Hilter’s ascension being produced locally and with such a dedicated cast. This saga of a mobster on a despotic tear, directed by Keith Baker, runs through Nov. 16 at the old Cinnabar Theater in Petaluma. 

Kevin Bordi, as the titular villain, doesn’t act or play his role. He simply embodies it. His multi-layered performance demonstrates how a truly skilled actor incorporates every inch of themself into a character. There’s no self-service other than the story. This was quite simply one of the best performances I’ve seen on a local stage.

He has enthusiastic support from his fellow ensemble members, especially Mercedes Murphy (who never takes a scene for granted) and Be Wilson (whose comedic clowning develops into something more innately sinister), as well as John Browning, Zane Walters and Lisa Flato, all who excel at creating deft and dynamic characters. Norman Hall almost steals the show as a washed-up Shakespearean actor who shows Ui how to act more polished for the public.

The actors are immersed in the story with keen focus, and the audience very quickly becomes attuned to that energy as well as the horrifyingly prescient script. 

Standout scenes include a bonkers kangaroo court interlude, as well as the finale, which along with a sobering end to the first act, serves as a warning on what’s to come if people don’t stand up to corrupt power. 

Sets (Keith Baker), costumes (Tracy Hinman), lighting (Missy Weaver), audio design (Jared Emerson-Johnson) and projections (Chuck Starzenski) all enhance the production, giving it a cartoonish vibe which surreally punctuates how very serious the message is. I felt increasingly anxious as each scene unfolded. 

Want to be jolted awake by how quickly history can repeat itself? Go see this play. 

Take heart, however, for the moral of this tale is embedded in the title: Resistible

Mercury Theater presents ‘The Resistible Rise of Arturo Ui’ through Nov. 16 at 3333 Petaluma Blvd. N., Petaluma. Thurs 11/06, Fri & Sat, 7:30pm; Sun, 2pm. $20–$35. 707.658.9019. mercurytheater.org.

Living Wines: New Chapter for Martha Stoumen

Winemaker Martha Stoumen opened her debut tasting room in downtown Healdsburg on Oct. 9, marking a milestone since launching her brand in 2014. 

The venue embodies her dedication to natural winemaking and building community, with the intention to serve as a “third place” gathering space.

Stoumen, a Sonoma County native, refined her craft around the globe before returning home to establish her label. She specializes in making wine from organic, old vine, dry-farmed vineyard sources, using less common varieties like colombard and negroamaro, as well as historic field blends.

Recently, the brand joined The Overshine Collective, uniting six independent producers who share resources while preserving creative control, in partnership with founder David Drummond.

Amber Turpin: How did you get into this work?

Martha Stoumen: Go intern on a farm in Tuscany, ride your bike through the morning mist to work, eat figs from centuries-old trees flanking the vineyard, and I promise you’ll come home declaring you want to be a winemaker too. After studying environmental studies, traditional agricultural systems and Italian in college, I went to work at a farm outside of Siena called Tenuta di Spannocchia. 

There, I fell in love with so many tastes and smells and feelings. But the bubbling tanks in the cellar, the smell of fermentation, the feeling of being physically spent at the end of the day—the magenta foam—was truly the best. I felt like a little kid at play.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The first time I tried a natural wine (a very well made one at that), my senses were pulled into a new plane with extra dimensions. I didn’t know what natural wine was. But once I researched how this wine was farmed and made, it all made sense.

What is your favorite thing to drink at home?

We have a beverage for every moment. My five year old makes smoothies and chooses different fruit blends in the morning—he’s quite good at it. So coffee and/or smoothie in the morning. Fine-bubble sparkling water makes me feel like a wealthy woman, so a fancy bottle becomes a treat during a difficult work day. And of course wine in the evening. There is no match for the diversity in flavors of wine.

Where do you like to go out for a drink?

The Redwood in Sebastopol. But don’t just drink; eat too.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I would wish for the wine equivalent of Noah’s Ark to wash ashore. I love drinking across the vast wine spectrum, and I’ll never taste all of the expressions that this one fruit can make (aka, don’t make me choose).

Martha Stoumen Wines, 325 Center St., Healdsburg, 707.473.8266. marthastoumen.com.

Art Happenings and Dinosaurs Collide with LEGO

0

San Rafael

Verse & Vision

Poetry and art converge at Blue Light at the Gallery, a live reading hosted by Marin Society of Artists. Set amid the gallery’s current exhibition, “Wild California,” the evening features Kary Hess, Bill Vartnaw and Kathleen McClung—three poets whose work spans place, memory, cinema and the luminous edges of daily life. Doors open early for art-viewing and mingling; guests are encouraged to bring snacks to share (no alcohol permitted). 6pm, Friday, Nov. 7, Marin Society of Artists, 1515 Third St., San Rafael. Free. marinsocietyofartists.org.

Mill Valley

‘Between Worlds’

Visionary artist Jacqueline López blurs the veil between the seen and unseen in Between Worlds, a solo exhibition at Mill Valley City Hall. Featuring 18 evocative masks, paintings and altars, the show explores transformation, identity and the sacred in everyday life. An opening reception with the artist includes a brief talk about her process and inspiration. 5:30–7:30pm, Tuesday, Nov. 11, Mill Valley City Hall, 26 Corte Madera Ave. Free. shamanist.art.

Santa Rosa

Dinos vs. LEGO

Dinosaurs meet LEGO in an unprecedented family event as Jurassic Quest and Brick Fest Live join forces at the Sonoma County Fairgrounds. One may explore 165 million years of animatronic dinosaurs, then dive into a million bricks of hands-on creativity. The event features lifelike dino exhibits, fossil digs, baby dino encounters and LEGO attractions like glow zones, derby races and record-breaking builds—all under one ticket. Noon–8pm, Friday, Nov. 7; 9am–6pm, Saturday, Nov. 8; 9am–5pm, Sunday, Nov. 9, Sonoma County Fairgrounds, 1350 Bennett Valley Rd., Santa Rosa. Tickets and info at jurassicquest.com.

Healdsburg

Click & Clink

This Friday, one may celebrate the artistry of photographer Andy Katz, now a proud Healdsburg local, whose images capture the soul of Wine Country and beyond. A Sony Artisan of Imagery, Katz has published 14 books, with his newest—America the Beautiful—on the horizon. Katz will be present for an evening of wine, photography and conversation amid the ambiance of Aperture Cellars. 6pm, Friday, Nov. 7, Aperture Cellars, 12291 Old Redwood Hwy., Healdsburg. Tickets $60, bit.ly/3LiJMT0.

Stop Talking About ‘Protests’

I am tired of hearing about “protests” and “protesters.” Those terms sound whiney and powerless to me. “Protest” means to object, which is, of course, what we are doing when we hit the streets, but we’re doing something equally—or I would say more—important. We are demonstrating. 

What are we demonstrating? We are demonstrating support for our issue and point of view. We are saying “here is a crowd of people who agree that (insert the issue).” We want those who hold the power in our society to change something. That’s more than just objecting to the status quo—more than just “protesting.” It is articulating a vision of something more satisfactory.

Why is this important? The key dynamic is the perception of who holds the ultimate power. Is it those “in power,” or is it the people? It is demeaning for the people to plead with their elected officials for a little more this or a little less that. They are our servants and are supposed to work to deliver what the majority of us want. That’s democracy.

The media have veered away from the terms “demonstration” and “demonstrators,” which were once common. When they instead call our actions “protests” and those who participate “protesters,” they are casting us in the role of supplicants to masters. When we ourselves use those “protest” terms, we accede to the perception of ourselves as supplicants. In other words, we give our power away. We are not “protesters”; we are “demonstrators,” and we are demonstrating our strength.

Moreover, demonstrating is a numbers game. Demonstrations that increase in size over time demonstrate increasing support for our issue(s). And if that is true, what do demonstrations that decrease in size say? 

One general rule is “if your next demonstration is not going to be larger than your last demonstration, don’t do it.” That may sound like anathema to some organizers, but we must think strategically rather than tactically. We demonstrate if it serves our overall purpose, not just because we decide we want to.

Peter Bergel is a retired director of Oregon PeaceWorks.

Mark Maker: Painter and Tattoo Artist Ash Gregorio

As a tattoo artist, Ash Gregorio’s human canvases run through the normal range. As a painter, her canvases run from large to the very large. Although she is defensively evasive as to the meaning of her paintings, bigness itself is a statement, connoting ambition—and a desired impact on the viewer. 

Gregorio works in oil, the medium of the old masters—departing from their ways in building from a base layer of shocking pink paint. Her overlaying palettes are the soft pastels of an idealized girlhood, shading from hot to cool tones, contrasted sharply with dark blacks, and blues and the greens of bruising.

What one sees in her paintings is her point of view—a young woman gazing at a young woman. Her subjects are typically alone, typically elaborately dressed and styled, amid children’s toys in the private domestic settings of bedrooms and bathrooms. Although the spaces are windowless, one has a sense that it is night. 

The expressions of the women are single-note uncomplicated—silly or sassy or dissociated. But the general impact of these large canvases is emotionally varied. They typically contain the ebullient vitality and tender melancholia of early womanhood.

I first became aware of Ash Gregorio when she painted a model from the Chenoa Faun circus collection presented at the North Bay Fashion Ball—an event I co-produced with Lena Claypool (see the painting of Georgie at Gregorio’s Instagram portfolio, @ash.gregorio). When I first met her to interview, Gregorio was elaborately dressed and styled in black—a pastiche of indy rock sleaze, clown, Bo Peep and black metal.

As we sat and sweated on a hot park bench, I found her easy and amused, with a satiric bite held just behind her pearl teeth. I was unsurprised to find that Gregorio was a recent graduate of the Sonoma  State University BFA program, which has had a fine record for producing accomplished figurative painters.

Cincinnatus Hibbard: Label yourself, Ash.

Ash Gregorio: I am a queer artist from Rohnert Park. I paint what I see.

You have been on a sad clown kick. What is the narrative of those paintings?

These young women are sad because they don’t want to perform—but  are being forced to. It relates to how young women are seen and presented—as spectacle. It’s sad. And it’s infuriating.

Do you listen to music while you paint?

Yes, mostly classic metal, like Mega Death and Lamb of God—and techno, like Machine Girl. I used to go to a lot of raves.

Is their music playing within the scenes you paint?

No, I would say they are silent scenes.

I hate to say it, but you could sell the hell out of these in LA.

Everyone tells me that (laughs). I don’t like LA. I’m from a small town—even Santa Rosa seems like a big city to me.

I understand you’re about to go even bigger with your painting. 

I won a grant to paint a mural in Santa Rosa from LGBTQ Connections. I have never done a mural, and I’m going to have to work in acrylics. I’m a little scared about that (laughs).

Learn more: Available to show and to sell her works, Ash Gregorio can be reached through her fine art Instagram, @ash.gregorio. At True Til Death Tattoo, she specializes in fine lines. Her subjects range from cybersigil angel wings to flowers to lettering to bones to ‘Adventure Time’ cartoon characters.

Announcing Our 2025 North Bay Music Awards Winners

If 2025 has taught us anything, it’s that the North Bay still knows how to make noise—in all the right ways. Between packed clubs, porch sessions and festivals sprouting like spring weeds, the local music scene continues to prove that North Bay is more than wine and wellness—it’s got an endless supply of rhythm and rebellion too.

This year’s North Bay Music Awards—the beloved NorBays—once again rallied readers to shout out their favorite bands, performers and behind-the-scenes heroes who keep the amps humming and the dance floors full. The turnout was huge (apparently democracy works best when guitars are involved), and the results are in.

From roots and rock to hip-hop, jazz and the genre-defying experiments that only the North Bay could birth, the region remains a fertile ground for sound. The NorBays are our annual reminder that every garage, grange hall and tavern stage is part of something larger—a community stitched together by melody, sweat and shared applause.

Of course, anyone bold enough to get up there and make something beautiful is already a winner in our book. But for posterity’s sake—and bragging rights—here are your 2025 North Bay Music Awards winners, as voted by our readers.

Best Americana

Flowstone

flowstoneband.com

Best Blues

Spike Sikes & his Awesome Hotcakes

awesomehotcakes.com

Best Country

Court ‘n’ Disaster

cndband.com

Best Dance Crew

Fargo Brothers

fargobrothers.com

Best DJ (live)

Konnex

facebook.com/DeeJayKonnex

Best DJ (radio)

Mindi Levine

krsh.com/show/mindi-in-the-morning

Best Drag Show

Forbidden Kiss

caltheatre.com/forbidden-kiss-live

Best Electronica

Eki Shola

ekishola.com

Best Female Solo Artist

Ellie James

thisiselliejames.com

Best Folk

Fargo Brothers

fargobrothers.com

Best Funk Band

Marshall House Project

marshallhouseproject.com

Best Hip-Hop

LaiddBackZach

instagram.com/laiddbackzach

Best Indie

Ellie James & The Electric Dream

thisiselliejames.com

Best Jazz

Nate Lopez

natelopez.com

Best Lead Vocals

Sophia Kandler

instagram.com/so_kandler

Best Male Solo Artist

Nate Lopez

natelopez.com

Best Metal

Immortallica

facebook.com/ImmortallicA707

Best Music Instructor

Gregory Baeley

instagram.com/gregorybaeley

Best Music Venue

HopMonk Sebastopol

hopmonk.com/sebastopol

Best Open Mic Venue

Open Mic with Ceni at HopMonk Sebastopol

hopmonk.com/sebastopol

Best Promoter

Jake Ward

northbayevents.com

Best Punk

BLVKOUT

vvartists.com/blvkout

Best R&B

Spike Sikes & his Awesome Hotcakes

awesomehotcakes.com

Best Reggae

Sol Horizon

solhorizonband.com

Best Rock

945

instagram.com/945theband

Best Short Music Film or Documentary

Finding Lucinda

findinglucindafilm.com

Best Songwriter

Ellie James

thisiselliejames.com

Most North Bay Vibe

Flowstone

flowstoneband.com

— Weeklys Staff

A celebration of our NorBay winners runs from 6 to 8 pm, Thursday, Dec. 4, at HopMonk Sebastopol, 230 Petaluma Ave. For more information, visit hopmonk.com/sebastopol.

Now We Count—Watch Out, Washington

North Bay resident Micah D. Mercer uses Open Mic to dissect voter approval California's Prop 50.
California voters just approved new congressional boundaries under Proposition 50, tilting the playing field blue and giving Democrats a firmer hand in Washington. It’s not just a political win for Gov. Gavin Newsom or a symbolic loss for Donald Trump—it’s a long-overdue correction for those of us in places like Sonoma, Napa and Marin counties, where progressive ideals often...

Your Letters, Nov. 5

Robber Barons Beware of billionaires begging “bucks,” claiming campaign costs continue climbing, cementing one party rule in our state and nation. Hold on to your wallet. Save your money. Tough times are ahead. Modern American “robber barons” are not much different than those of the past. For them, greed rules, money talks; biggest money, loudest voice. But do not believe what...

Emboldened Bias: How Legacy Media Fails Trans People

Media Fails Trans People
The same day that Tyler Robinson shot Charlie Kirk, co-founder of the conservative student organization Turning Point USA, The Wall Street Journal hastily and erroneously reported that the bullets Robinson used were inscribed with “transgender ideology.”  Quickly, advocates and other news outlets, even The New York Times—which has a track record of biased and inaccurate coverage of LGBTQ issues—pushed back, contending that the unvetted report about rampant violence perpetrated by trans people “had...

Photo Finish: Audio Angel’s Latest EP, ‘Snapshot,’

As Audio Angel, I am here to serve the music.
At the recent show celebrating her new, genre bending 5-song EP, Snapshot, local performer Audio Angel had a unique and moving experience while on stage at Santa Rosa’s Hook and Ladder Winery.  Speaking by phone, she tells the story of a husband and wife who had just kind of wandered into the show, having never even heard of Audio Angel....

American Gangster: Brecht’s Parable Play Runs in Petaluma

playwright Bertolt Brecht allegory about Hitler's rise to power.
As far-right authoritarians gain power around the world (cough, cough), artists in our community have been seeking ways to produce works that meet these unprecedented times.  Petaluma’s Mercury Theater has chosen a play by German playwright Bertolt Brecht. He saw the writing on the wall in Germany and fled his country before World War II. While waiting in Finland to...

Living Wines: New Chapter for Martha Stoumen

Winemaker Martha Stoumen opened her debut tasting room in downtown Healdsburg on Oct. 9, marking a milestone since launching her brand in 2014.  The venue embodies her dedication to natural winemaking and building community, with the intention to serve as a “third place” gathering space. Stoumen, a Sonoma County native, refined her craft around the globe before returning home to establish...

Art Happenings and Dinosaurs Collide with LEGO

Crush features upcoming art and cultural events in the North Bay.
San Rafael Verse & Vision Poetry and art converge at Blue Light at the Gallery, a live reading hosted by Marin Society of Artists. Set amid the gallery’s current exhibition, “Wild California,” the evening features Kary Hess, Bill Vartnaw and Kathleen McClung—three poets whose work spans place, memory, cinema and the luminous edges of daily life. Doors open early for art-viewing...

Stop Talking About ‘Protests’

People demonstrate to support their point of view.
I am tired of hearing about “protests” and “protesters.” Those terms sound whiney and powerless to me. “Protest” means to object, which is, of course, what we are doing when we hit the streets, but we’re doing something equally—or I would say more—important. We are demonstrating.  What are we demonstrating? We are demonstrating support for our issue and point of...

Mark Maker: Painter and Tattoo Artist Ash Gregorio

Ash Gregorio is a painter, as well as a tattoo artist.
As a tattoo artist, Ash Gregorio’s human canvases run through the normal range. As a painter, her canvases run from large to the very large. Although she is defensively evasive as to the meaning of her paintings, bigness itself is a statement, connoting ambition—and a desired impact on the viewer.  Gregorio works in oil, the medium of the old masters—departing...

Announcing Our 2025 North Bay Music Awards Winners

Momentous Music in 2025
If 2025 has taught us anything, it’s that the North Bay still knows how to make noise—in all the right ways. Between packed clubs, porch sessions and festivals sprouting like spring weeds, the local music scene continues to prove that North Bay is more than wine and wellness—it’s got an endless supply of rhythm and rebellion too. This year’s North...
11,084FansLike
4,446FollowersFollow
6,928FollowersFollow