Letters to the Editor: Oct. 1, 2014

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Two-Wheeled Victimization Complex

Regarding (Facebook) posts in Sept. 17 issue, by Dan Foley and Amanda Alves, I find it remarkable they both nailed it. They said in a few words what I have tried to say in many. My ideas are a little broader and more detailed but I loved their response to an ongoing and increasingly more complicated issue.

My complaint in the bike issue is one of common sense. I find it hard to find any in most dialogs on biking and safety concerns. To wit: The biker’s safety is strictly the responsibility of the motorist. What person in their right mind figured that one out? Where in the bible or anywhere does it say bikers have priority and superiority?

There is only one reason today we have paved roads. That reason is the invention of cars and trucks. The demands of these vehicles for sustained and efficient thoroughfares made possible the financing of roads through taxation and fees derived solely from them, not the bikes or bikers. Today the upkeep (be that as it may) is financed the same way.

Car and truck numbers surpass that of bikes by probably thousands to one. Their inherent value surpasses bikes by millions of dollars to one.

The qualification process to legally buy, own, and operate a motorized vehicle takes weeks of time, learning, testing and spending money to achieve. To operate a bike you just have to go to Walmart with a few bucks and walk out. No tests, no license, no skill.

The biker wants something for nothing and wants sympathy for asking for it. It begs the old quotation: “They want ice water in hell!” Typical today, the perpetrator plays the victim.

Windsor

Violence in America

Last year at a baby shower for our not-yet-born grandson, something happened that made me think about what the future might be like for this child. I began to think with increasing concern about how this impacted our national consciousness, so that a three-year-old girl can karate chop an eighteen-month-old toddler and think it okay to hurt someone she says “is not her friend.”

It was a California Sunday afternoon in a garden when we heard a child crying in the house. I went in to find Tommy sobbing loudly, tears trickling down his cheeks. I asked what happened and four-year-old Ben said, “Sissy did it,” pointing to Olivia who said, “I did ‘hi-ya.'” She mimed a karate chop with her hand. I said, “you have to say you’re sorry.” She said, “I am not. He’s not my friend.” After a quick consultation with her father, our son, I told her again that she must say she’s sorry. She did. But was she really? At three years of age, she may not have much feeling for the pain of others. Although earlier that year, after seeing a Winnie the Pooh play, she demonstrated true sadness for Eeyore the depressed donkey.

But back to violence in America. When I mentioned the “hi-ya” incident to the parents of young children, one said: “Oh, ‘hi-ya’ is the salute of four year olds.” And we laughed. I suppose that is better than pointing a forefinger saying “Bang, bang, you’re dead.”

The issue was more clearly spelled out in reading the Sunday paper and learning that Plymouth is producing a yellow Plymouth Prowler. A prowler for the name of a car? What does that suggest? Not only do we perform violent acts with little or no concern, we witness them daily on TV, read about them in the daily news, and drive vehicles that articulate our anger.

Petaluma

Bikes are Awesome

My 3-year-old son awoke one Sunday morning, a few weeks ago, bound and determined to ride his bicycle. I was surprised that he was ready, even though bicycle blood flows through his veins. I avidly rode my bike the whole time I was pregnant and he started riding a tricycle before he was one year old, moving onto a scoot bike and a training wheel bike when he was one and a half. I guess he’s been on the bike more in his short life than he’s been off.

So that morning, without further ado, he hopped on his coveted two-wheeler and after some wobbling and a couple of falls, with his dad and I running behind shouting encouragement, he was off and pedaling on his own like a flash of lightning! It all happened so fast and smoothly. The irony is that I now need a pair of running shoes to keep up with him, but I bet it won’t be long until we can ride our bicycles together.

He loves riding his bike and he rides every day for longer and longer distances. At the ripe age of 3, he is learning the rules of the road, to watch out for driveways, to stop at all intersections and look around for traffic before crossing the street. He knows how to get to our neighborhood parks and stores and friends’ houses. He is embedded in his physical community, always waving to our neighbors and passers-by, and pointing out favorite fruit trees and berry bushes.

I know that he will ride his bike for his entire life and that he will be happier, healthier, stronger and more engaged with those around him because of it. Raising a child who loves bicycles and rides them safely does so much good for our community and for our world. My son is able to get himself around under his own power and that is an inspiring and beautiful thing. I am enjoying every minute of this, even as I run along behind him trying to keep up! 

Santa Rosa

Gender Bender

‘I’m a strong believer in challenging yourself, in testing your limits,” says Peyton Victoria, a student at Santa Rosa Junior College. “I’ve learned that to grow, you have to get comfortable stepping outside your own ‘comfort zone.'”

To prove that point, Victoria is stepping way outside her comfort zone. Having never appeared on stage, except for a brief appearance in a student directing project some years ago, she’s taken on the maddeningly challenging part of Rita in Craig Lucas’ supernatural gender-swap play Prelude to a Kiss, running for two weeks at SRJC under the direction of Leslie McCauley.

First produced in 1988, the play follows a young couple, Rita and Peter (Kot Takahashi), as they meet, fall in love and get married, their union instantly complicated when Rita’s soul is magically swapped with that of a depressed old man (Ron Smith) as he wanders past the wedding.

“The first time I ever heard of this play was last year in my theater history class,” says Victoria, who was intrigued enough by the play’s mysterious premise that she ordered the script online. “As soon as I started reading it,” she says, “I literally fell in love with it. I was reading it at Aroma’s in Santa Rosa, and I was so drawn into the play my coffee went cold before I remembered it again.”

It was the themes of unconditional love and the importance of taking chances in life that drew Victoria to the story, and gave her the courage to tackle so complex a role

“In this play, all hell breaks loose, and Peter doesn’t know what’s wrong—but he stays,” she says. “He commits himself to finding Rita. And he keeps on loving her—even when he finds her soul trapped inside the body of an old man.”

In playing the part, of course, Victoria not only plays Rita. She also has to play Rita as inhabited by the old man.

“And sometimes,” she laughs, “I have to play Rita’s body with the old man’s soul inside her, with him acting the way he thinks Rita would act—so it gets a little tricky.”

With her first play about to open, Victoria has set her sights on yet another way to step outside her comfort zone.

“I think I want to try a musical next,” she laughs. “Why not, right? So . . . I’ve already started taking singing lessons.”

‘Prelude to a Kiss’ runs Thursday–Sunday, Oct. 3-12 at Newman Auditorium on the Santa Rosa Junior College campus. 1501 Mendocino Ave, Santa Rosa. Wed.-Sat. at 8:00pm. 2pm matinees on Sat. Oct. 11 and both Sundays. $12-$18. 707.527.4343.

…And In Charge

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A combination of naturally powerful pipes and an unstoppable work ethic has propelled vocalist and performer Storm Large to stages around the world. This month, she makes two appearances in the North Bay, singing at the Green Music Center’s Schroeder Hall and City Winery in Napa.

In an interview, she talks about her natural gift and drive to succeed. “I had this weird, uncanny memory for sound,” recalls Storm Large. “I could listen to the Beatles’ Abbey Road and pick out all of the harmonies and sing each one individually. I didn’t realize I was teaching myself how to sing.”

Growing up in the 1980s, Storm found her inspiration and solace in punk rock records from bands like X and Black Flag. She moved from the East Coast to the Bay Area in the early 1990s and got her first taste of singing rock and roll on stage in San Francisco, where she became a local favorite.

Now living in Portland, Ore. her fame catapulted with TV appearances, a book, and a touring role in the band Pink Martini. The secret of Storm’s success is simple. “When I started I didn’t want to be famous, I wanted to be good at something,” she says.

“I don’t have an end in sight. People ask, ‘How do you know when you’ve made it?’ But you never make it, you just continuously make. I’ve had amazing career triumphs for a scruffy punk from the sticks, and I take a minute to say good job, but keep going. Keep going.”

As well as her own music, Storm Large specializes in performing exuberant theatrical renditions of classic pop, rock, and even punk songs. When she’s not performing with Pink Martini, Large fronts her own band, Le Bonheur, formerly known as the Balls.

“The Balls was my favorite band name of all time,” she laughs. “But then I started doing highbrow stuff. I didn’t care, but my band was like, ‘You can’t call us Balls anymore, you can’t do it. Meanwhile I’m touring in France and there are a lot of songs I sing with the words Le Bonheur in them, and I always laughed. And it means happiness so I thought, ‘Well what do you know about that?'”

Storm Large and Le Bonheur are currently touring the country in anticipation of their upcoming album, also titled Le Bonheur; slated for release Oct. 7. It’s a truly imaginative record, with songs like Cole Porter’s “I’ve Got You Under My Skin” and Lou Reed’s “Satellite of Love” arranged in sweeping and sonorous melodies, while songs by Black Sabbath and Bad Brains get their own brilliant homages.

Storm Large appears on Sunday, Oct. 5, at Schroeder Hall, 1801 E Cotati Ave, Rohnert Park. 3pm. $25. 866.955.6040. And again on Thursday, Oct. 9, at City Winery, 1030 Main St, Napa. 8pm. $25-$30. 707.260.1600.

Metal Movies

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“This idea originally came up a couple of years ago,” explains musician and part-time rock god Robert Trujillo, “the question of what films the different members of Metallica all like—and which ones we’d pick to put into the festival if we were asked. When the question came up again this year, my choice was pretty simple.”

Metal heads and cineastes may now throw up the horns in appreciation

Yes, Metallica (who debuted their 3D concert extravaganza Into the Never at last year’s Mill Valley Film Festival) is back again. And this year, they’ve been named 2014 Artists in Residence at the annual October event, which ranks amongst the most distinguished non-competitive film events in the world. As Artists in Residence, each member of Metallica—currently ruling the planet as the biggest heavy metal band this side of the Great Beyond—has been asked select a film to run in the festival, and to introduce the movie with a few choice words about how that film inspires or intrigues them.

As might be predicted, the band’s choices are wildly varied.

Lead guitarist Kirk Hammett, a lifelong fan and collector of giddy-cool horror movie memorabilia, will be hosting a late-night screening of the uber-gory 1971 schlock spectacle Dracula Vs. Frankenstein (Oct. 6, 10pm), featuring Lon Chaney Jr. as a mutant ax-murderer. Drummer Lars Ulrich, known for his maniacally physical performance style, has picked a brand new film about very different, similarly driven, albeit fictional, young drummer. A hit at Sundance, Whiplash (October 7, 7) follows an ambitious young drummer and conservatory student, who locks horns with his ruthless and abusive music teacher.

Lead vocalist James Hetfield indulges his own taste for classic westerns with a fully restored, pristine print of Sergio Leone’s masterful poem to moral ambiguity The Good, The Bad, and the Ugly (Oct. 9, 7pm), featuring Clint Eastwood as the iconic Man with No Name.

And for Trujillo, bass player for the band since 2003, his choice of film was especially clear.

The emotionally stirring, eye-opening documentary Jaco (Oct. 6), about the pioneering bassist Jaco Pastorius, has Trujillo as one of its producers. An advance “rough cut” of the film, co-directed by Paul Marchand (The 50 Year Argument), will be followed by a musical celebration of Jaco, at the Sweetwater Music Hall, featuring a lineup of musicians including Trujillo and band-mate Hammett, Stephen Perkins (Jane’s Addiction), Roderigo y Gabriella, and members of the Pastorius family, all celebrating the music and indelible spirit of a true American original.

“The timing was right to present this to the world, to finally tell Jaco’s story, which is really a pretty amazing story,” says Trujillo of his choice to screen his mostly-but-not-quite-finished film, which will be released by Passion Pictures, which made a splash with the Oscar-winning Searching for Sugarman.

“We’ve had about ten different cuts of this film,” Trujillo says. “We’d think we were finished, and then some new treasure comes along, something we just had to put in the movie.”

Trujillo admits that some people are surprised when they hear that a member of a major heavy metal band is also into jazz, but points out that Jaco’s music spanned a much wider canyon than can be summed up in a single word.

“I’m gonna be 50 years old this year,” he says. “I’ve been around, I’ve heard a lot of music, and I appreciate everything from Beethoven to flamenco—and I was very lucky to have seen Jaco perform four times before his death. To me, I never looked as Jaco as just jazz. To me, it was a very personal thing. To me, he was always rock ‘n roll.”

Film, as MVFF has demonstrated annually over the last 37 years, is both widely universal and deeply personal. As Metallica’s choices illustrate, one film means different things to different people. In the course of single festival—this one features over a hundred features, shorts, documentaries, parties, panel discussions, and onstage interviews in eleven days—an audience’s reaction will be as rich and varied as possible color combinations on a painter’s palette.

In addition to the Metallica selections, this year’s festival includes The Theory of Everything (Oct. 9, 7pm), a moving filmic biography of physicist Richard Hawking. Another high-profile, math-themed film is The Imitation Game (Oct. 4, 5:45 p.m. and October 6, 4pm), featuring Benedict Cumberbatch about mathematician Alan Turing and his efforts to crack Nazi codes during World War II.

This year’s event seems to have a number of films with science, math or nature as a major theme, including the festival closer, Wild (Oct. 12 5pm), featuring Reese Withrspoon in the film adaptation of Cheryl Strayed’s bestseller about a woman hiking the wilderness alone.

“You can learn a lot from a film, seriously,” says Trujillo. “I’ve learned so much from making Jaco—and now I can’t wait to share it with a few of our friends.”

Ode to a Patty Melt

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We were on the road from Santa Rosa to Bolinas on Wednesday in the luxe and powerful Grand Marquis, rolling large and in charge, with morning business concluded: Check in with the Santa Rosa office, whack out some online business, get ready for next week’s issue.

My companion had previously dumped his car at the wrecker’s in Santa Rosa with the tow guy, and needed to grab a check for his car; now he had money burning a hole in his pocket, even after blowing $72 at the Santa Rosa Barnes & Noble and some tea at the nearby Peet’s on the main downtown drag.

We purred through Petaluma, stopped at the McEvoy Ranch for some olive oil and information—and then debated and discussed in great and animated detail, the various Pt. Reyes Station lunch options down the road—Station House Café, Osteria Stellina, Pine Cone Diner.

The piscatarian in the car emphasizes that he doesn’t eat meat, though I did recall selling him a large, barbecued and quite deliciously nasty Polish sausage at a recent Bolinas Community Center Fund-Raiser…hmm. Well.

We all have our little slips now and again.

I was about to have one of my own. I turned 47 about a month ago and decided to lay off the red meat awhile.

Maybe a long while.

Maybe until lunch Wednesday, after we rolled into Pt. Reyes Station with hunger and mirth on the mind—and the Pine Cone in our sights.

The Pine Cone Diner falls into the category of institution. You can know this even if you’ve never been there before. As diners go, it is not especially cheap, but as Marin County eateries go, it’s very affordable.

It’s a diner, and diners are by, for and of the people. I come from Long Island. We know diners, and we know when someone’s trying to jack you with some $23 offering of grandma’s meatloaf.

If journalism, at its best, is about afflicting the comforted and comforting the afflicted, let’s afflict the comfort food wannabes that ape diner food and try to convince you that macaroni and cheese is haute cuisine because you rubbed your truffles on it. The Pine Cone Diner is not one such place. Its comfort is built in, unaffected, even a little cranky at times. That’s cool.

Goshamighty, all this talk of food reminds me that I had the craving. I had the mind-eyeball for a cheeseburger, a fat, juicy burger. With a dollop of mayonnaise squeezed on the side of the plate, for extra-dipping pleasure. With French fries, glorious French fries bathed in the oil of excess.

But I thought of the pact: lay off this stuff, man.

So I scanned the menu, and scanned it again. I ignored the cheeseburgers with great effort, I scoffed at the turkey burger, I shot poison darts at the garden burger. One or two items sounded like Alice Waters was hiding under the placemat, and I ignored those, too.

And then I spotted it. Patty melt!

Hey, I thought, that’s a big step-down from the big and juicy burger. It’s verily a compromise. Why, it’s practically like ordering cottage cheese on a fantail of iceberg lettuce and some treacle-fruit from the can, right?

The Patty melt, to put the finest of points on it, was an exquisitely humble take on the old standby: butter-grilled rye, sautéed onions, melted cheese of indeterminate origins, and that godforsaken patty of love-hate-love, cooked to perfection. It’s Marin Sun Farms meat—comes from right down the road. It’s good for you.

In retrospect, I should have ordered the double patty melt.

Sept. 26-28: Valley of the Moon Vintage Festival, Sonoma

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The Valley of the Moon Vintage Festival is an annual weekend of art, music and wine. This year, the festival boasts more than 75 artists displaying their goods, local vendors and winetasting. The lineup of free music includes local legends like Blues Hall of Famer Charlie Musselwhite, Lydia Pense & Cold Blood, Frank Bey & the Anthony Paul Band and others. There’s an opening-night gala, parades and many more activities, and all proceeds benefit Sonoma Valley nonprofits. The Vintage Festival takes place Friday to Sunday, Sept. 26-28, on the Sonoma Plaza, First Street East, Sonoma. Free. 707.996.2109.

Sept. 26: Salman Khan at the Lincoln Theater, Yountville

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Salman Khan was tutoring his cousin 10 years ago when the idea came to him. He started posting his tutorials online, for free, and shared his extensive knowledge with the world. Now the Khan Academy provides thousands of lectures and educational resources. Khan comes to Yountville for a live and thought-provoking presentation Friday, Sept. 26, at the Lincoln Theater, 100 California Drive, Yountville. 6pm. Free. 707.226.8742.

Sept. 27: Misak Pirinjian at the Smith Rafael Film Center

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Misak Pirinjian is one of the most beloved fixtures in Mill Valley. Taking over the family business from his father, Pirinjian has run Tony’s Shoe Service for over 25 years, and his popularity stems from his natural charm and engaging attitude as much as it does from his expert craftsmanship. Pirinjian was the subject of documentary filmmaker David Marks’ 2013 film In the Cobbler’s Shoes. The doc was a favorite at the Mill Valley Film fest last year, and now Marks and Pirinjian will be on hand for a special screening and discussion on Saturday, Sept. 27, at the Smith Rafael Film Center, 1118 Fourth St., San Rafael. 7pm. $7-$11. 415.454.1222.

Sept. 27: Victim’s Family at the Phoenix Theater

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Formed in Santa Rosa in 1984, Victim’s Family is a band that infused all the elements of the hardcore punk scene with an expansive and experimental edge that shifted into a jazzy, funky realm all their own. Their satirical lyrics and blistering instrumentals made them one of the most respected and challenging acts of the decade. Victim’s Family turn 30 this year, and they’re throwing a rocking shindig to celebrate. Joined by other local rock and punk bands, the band plays a career-spanning set of songs, voted on by the fans, when they take the stage on Saturday, Sept. 27, at the Phoenix Theater, 201 Washington St., Petaluma. 8pm. $12. 707.762.3565.

New Headline

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Formed in Santa Rosa in 1984, Victim’s Family is a band that infused all the elements of the hardcore punk scene with an expansive and experimental edge that shifted into a jazzy, funky realm all their own. Their satirical lyrics and blistering instrumentals made them one of the most respected and challenging acts of the decade. VictimÕs Family turn 30 this year, and they’re throwing a rocking shindig to celebrate. Joined by other local rock and punk bands, the band plays a career-spanning set of songs, voted on by the fans, when they take the stage on Saturday, Sept. 27, at the Phoenix Theater, 201 Washington St., Petaluma. 8pm. $12. 707.762.3565.

Letters to the Editor: Oct. 1, 2014

Two-Wheeled Victimization Complex Regarding (Facebook) posts in Sept. 17 issue, by Dan Foley and Amanda Alves, I find it remarkable they both nailed it. They said in a few words what I have tried to say in many. My ideas are a little broader and more detailed but I loved their response to an ongoing and increasingly more complicated issue. My...

Gender Bender

'I'm a strong believer in challenging yourself, in testing your limits," says Peyton Victoria, a student at Santa Rosa Junior College. "I've learned that to grow, you have to get comfortable stepping outside your own 'comfort zone.'" To prove that point, Victoria is stepping way outside her comfort zone. Having never appeared on stage, except for a brief appearance in...

…And In Charge

A combination of naturally powerful pipes and an unstoppable work ethic has propelled vocalist and performer Storm Large to stages around the world. This month, she makes two appearances in the North Bay, singing at the Green Music Center's Schroeder Hall and City Winery in Napa. In an interview, she talks about her natural gift and drive to succeed. "I...

Metal Movies

“This idea originally came up a couple of years ago,” explains musician and part-time rock god Robert Trujillo, “the question of what films the different members of Metallica all like—and which ones we’d pick to put into the festival if we were asked. When the question came up again this year, my choice was pretty simple.” Metal heads and...

Ode to a Patty Melt

We were on the road from Santa Rosa to Bolinas on Wednesday in the luxe and powerful Grand Marquis, rolling large and in charge, with morning business concluded: Check in with the Santa Rosa office, whack out some online business, get ready for next week’s issue. My companion had previously dumped his car at the wrecker’s in Santa Rosa...

Sept. 26-28: Valley of the Moon Vintage Festival, Sonoma

The Valley of the Moon Vintage Festival is an annual weekend of art, music and wine. This year, the festival boasts more than 75 artists displaying their goods, local vendors and winetasting. The lineup of free music includes local legends like Blues Hall of Famer Charlie Musselwhite, Lydia Pense & Cold Blood, Frank Bey & the Anthony Paul Band...

Sept. 26: Salman Khan at the Lincoln Theater, Yountville

Salman Khan was tutoring his cousin 10 years ago when the idea came to him. He started posting his tutorials online, for free, and shared his extensive knowledge with the world. Now the Khan Academy provides thousands of lectures and educational resources. Khan comes to Yountville for a live and thought-provoking presentation Friday, Sept. 26, at the Lincoln Theater,...

Sept. 27: Misak Pirinjian at the Smith Rafael Film Center

Misak Pirinjian is one of the most beloved fixtures in Mill Valley. Taking over the family business from his father, Pirinjian has run Tony's Shoe Service for over 25 years, and his popularity stems from his natural charm and engaging attitude as much as it does from his expert craftsmanship. Pirinjian was the subject of documentary filmmaker David Marks'...

Sept. 27: Victim’s Family at the Phoenix Theater

Formed in Santa Rosa in 1984, Victim's Family is a band that infused all the elements of the hardcore punk scene with an expansive and experimental edge that shifted into a jazzy, funky realm all their own. Their satirical lyrics and blistering instrumentals made them one of the most respected and challenging acts of the decade. Victim's Family turn...

New Headline

Formed in Santa Rosa in 1984, Victim's Family is a band that infused all the elements of the hardcore punk scene with an expansive and experimental edge that shifted into a jazzy, funky realm all their own. Their satirical lyrics and blistering instrumentals made them one of the most respected and challenging acts of the decade. VictimÕs Family turn...
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