Up the River

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One would be hard-pressed to find anyone unfamiliar with Francis Ford Coppola’s Apocalypse Now! What many people don’t know is the story of how that masterpiece was made; the trials and tribulations of this film’s production is an epic story in itself.

Luckily, Coppola’s wife, Eleanor Coppola, took it upon herself to craft a documentary capturing each setback, from civil unrest and monsoon season to cast health issues. A total success independent of the film it is based on, the film received an award from the Directors Guild of America and a Primetime Emmy for Outstanding Individual Achievement. The 1991 documentary, aptly named Hearts of Darkness: A Filmmaker’s Apocalypse, will be presented by Eleanor Coppola herself at the Sebastiani Theater in Sonoma on Nov. 20 at 6:30pm.

The screening will be followed by a question and answer session, and for those interested in discussing the film more with Coppola, there will be a ticket upgrade option to join the director for a glass of wine (perhaps from her family vineyard in Geyserville?) and some conversation prior to the screening. The event, put on by the Sonoma Valley Museum of Art, will also be hosting an exhibit of her artwork entitled “Eleanor Coppola: Quiet, Creative Force” from Nov. 8 through Jan. 25. Admission is $5.

General admission for the screening is $40. Gold Star ticket upgrade is $150. Tickets available at www.svma.org. 551 Broadway, Sonoma. 707.939.7862.

Yay for Meunier

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As surely as the sorrow-faced dog that lies beneath it begs for scraps, the Thanksgiving table wants for novelty. Few dare mess with the recipe: starchy stuff and a super-sized fowl stuffed with more stuff. It’s a comforting stuffiness, but if you must change it up, these alternatives to the old Chard-Pinot dyad won’t rock the gravy boat too much, while enhancing your reputation as savvy bringer of wine.

Arrowood 2012 Russian River Valley, Saralee’s Vineyard Viognier ($30) The rap on this Chardonnay alternative is that it’s hard to pronounce. Just say “vee-un-yay,” and say it fast. Unfortunately, it’s too often been treated like Chardonnay, leading to grotesque renditions fit only for deep-fried turkey. Viognier tends to show pretty, stone-fruit aromatics—peach, apricot—that benefit from fermentation in stainless steel or, as in this case, used, aroma-neutral barrels. Like a fresh and fruity Riesling, with a cool scent of peach ice cream, this wine fills the palate with light, sweet flavors of apricot juice. Accented by a vegetal tang, it’s shows barrel fermented richness, but it’s no butterball. Also check out: Storybook Mountain Viognier.

J Vineyards 2012 Russian River Valley Pinot Meunier ($50) Now that everyone and their uncle has mastered the pronunciation of Pinot Noir, hit ’em with this. Whether you say “mean-yay,” “mun-yay” or “moon-yay,” just mumble it like a Frenchman and don’t draw out the syllables, open-mouthed—there’s string bean in your teeth. Pinot Meunier is an offshoot of Pinot Noir that’s used as a blender in Champagne. J’s still wine version won’t disappoint Pinot fans, with “fruit wrap” aromas of jellied, dried cranberry, strawberry and raspberry, spiced with a bit of nutmeg and singed wood. Cool, sweet and tangy red-fruited flavors point to the “like with like” school of wine and food pairing: cranberry sauce and turkey leg. Also check out: La Follette Pinot Meunier.

Landmark 2011 Sonoma Valley, Steel Plow Grenache ($35) Grenache (“gren-AHSCH”) is often said to be the Pinot Noir of . . . wines that aren’t Pinot Noir. Identical to the Meunier in its light, ruby hue, the Landmark is its aromatic foil: savory scents reminiscent of sage and raw steak that needs cooking, and soon. Subtly cherry-fruited on a crisp, crunchy palate, it’s herbal and astringent on the fine, dry finish. Sweet-tooths may not be pleased, but your French wine snobs may lend the approving nod. This is the last vintage, unfortunately; although the grapes grow right next to the winery, Landmark’s sticking to the tried-and-true: Pinot Noir and Chardonnay. Also check out: Quivira Grenache.

Dark Days

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I fully expect the Republican-controlled Senate and House to do what Republicans do: cut taxes for the wealthy, try to beat back Obamacare for the umpteenth time and fail to do anything to reform immigration.

But for me none of that really matters when compared to the danger posed by the Republican’s ideological enthusiasm to ignore and exacerbate the causes and effects of climate change. Faced with mass starvation and disease caused by failing crops, the destructive force of one superstorm after another and the resulting political and economic chaos caused by climate change, efforts to rejigger the tax code will seem quaint, if not moot.

This is something I’ve never understood about Republicans. The link between carbon emissions and climate change is as strong as the link between smoking and lung cancer. Why do Republicans choose to ignore scientific reality? They are not immune to climate change’s effects. They have children and grandchildren. They are conservatives, a term that I take to mean conserving traditions, like, say, polar ice caps or growing food without crop-killing droughts.

In truth, Obama and the Democrats have been zeros when it comes to climate change, too. Why didn’t Obama kill the Keystone XL pipeline when he had the chance? His deal with China to reduce carbon emission by 2025 and 2030 respectively is way too little, way too late. Even if carbon emissions were reduced to zero by that time, the global average world temperatures are all but certain to rise above 2 degrees Celsius by then, a threshold that a consensus of scientists say will unleash greater global calamities.

Last week, the odious House Republicans voted once again to the approve the Keystone XL pipeline from Canada to the Gulf of Mexico, a project that will create very few permanent U.S. jobs and do next to nothing to boost the supply of U.S. petroleum or lower prices, but will certainly, perhaps irrevocably, accelerate the man-made disaster of climate change.

In a refreshing dose of realty last week, Rep. Jared Huffman blasted the pipeline-loving Republicans for their “massive corporate giveaway” and “huge lump of coal for our global climate” that would raise gas prices in the United States. Will Obama take a cue from Huffman and finally take a stand for the planet and defeat the pipeline once and for all? The world is watching.

Stett Holbrook is editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Everything, Explained

Eddie Redmayne’s performance as physicist Stephen Hawking in The Theory of Everything is as endearing to watch as it was no doubt painful to perform. Loose-jawed and curled up in a wheelchair, Redmayne (Les Miserables) evinces the humor and gentle, tortured humanity of the great man and Simpsons guest star.

Paralyzed and speechless, given two years to live by his doctors, the astrophysicist amazed the world by surviving and writing a bestseller explaining his theories to ordinary readers. The Theory of Everything‘s sit-comish title accurately foretells a mainstreaming; it’s based on the memoir by Hawking’s wife Jane Wilde, whose piety still allowed an unusual domestic life. Prepare to be shocked if you’ve never read Lady Chatterley’s Lover—not that this film is at all explicit.

Director James Marsh, who has shown tremendous grit in series of documentaries, takes a very pastel approach to the near past. Cambridge in the early 1960s is a blue, blurry Camelot; Marsh uses reddish orange tints for moments when Hawking is seen alone, digesting the hard medical reasons for what had seemed to be just appealing clumsiness.

Top-drawer British actors turned out by the score—Emily Watson has a one-scene part as Wilde’s mother—but the picture is nigh-stolen by Maxine Peake as Hawking’s flirtatious caregiver. The role of Jane Wilde is an unusually large part for Felicity Jones, and her many fans can be pleased by her explanation of the need to keep re-asking where the study of the origin of time puts God (“On the endangered species list,” she frets). We can envision black holes and neutron stars, but an honest left-wing atheist academic with an openish marriage is still too strange a creature for the public to swallow, without buttering him and sweetening him first.

‘The Theory of Everything’ opens Nov. 21 at Summerfield Cinemas,
551 Summerfield Road, Santa Rosa. 707.522.0719.

Light Fantastic

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Tomales Bay is calm as our kayaks head swiftly and silently northward toward the mouth of the bay. It’s about 10pm on a moonless and cloudless night in July, and we three kayakers hug the shore as we paddle in the dark, in search of the seasonal nocturnal light show—marine bioluminescence.

Disturbing the water as we paddle, we begin to see a whitish-blue glow, as if the paddle has somehow become lit. Looking to the rear of my kayak, I see that the wake from my boat is also glowing and luminous. We come around a point to a particularly dark bay with almost no ambient light pollution, and then the show begins in earnest.

“Look at the kelp!” I shout to my paddling buddies. “It looks like rope-lights.”

We look into the sea below and see many luminous light trails from small darting fish. As we paddle on, a large fish leaves a broad trail of light about three feet down below us. Further on, a school of small fish looks like a submerged, glowing cloud.

A tiny organism called a dinoflagellate is responsible for the bioluminescence. This single-celled phytoplankton is found in marine environments throughout the world, with population sizes varying seasonally as a result of the effects of water temperature, salinity and depth. Given predicted weather patterns and location, there are certain times of the year in most ocean environments when one can reliably expect to find spectacular bioluminescence. There are some locations worldwide where ocean conditions consistently promote dinoflagellate growth, such as Puerto Rico’s Mosquito Bay.

In Northern California, in a typical year of average weather conditions, July-September are the best times to view bioluminescence. Given the unusual weather patterns that have generated our current drought, local outfitters such as Blue Waters Kayaks in Marin are finding bioluminescence present almost year-round.

Bioluminescence is not only beautiful to behold—it’s almost a spiritual experience—it has also come to be regarded as a very useful tool in a wide variety of contemporary scientific research communities. In 2008, the Nobel prize in chemistry went to two U.S. scientists and a U.S.-based Japanese researcher for discovering and developing a glowing green protein called green fluorescent protein (GFP), the source of bioluminescence in some jellyfish.

Labeling metastasizing cancer cells in laboratory animals with bioluminescent markers has made it easier for researchers to chart the course of the malignant cell. Bioluminescent markers are now also incorporated into the genes of some plants for purposes such as water conservation. The plant becomes bioluminescent only when it needs water.

In most of the vast volume of the ocean, bioluminescence is the primary source of light. Terrestrially, fireflies are the most commonly observed source of bioluminescence. So while relatively common in nature, it is relatively uncommon to find a northern California resident who has actually experienced it along the Marin or Sonoma coast.

Blue Waters Kayaking offers guided bioluminescent tours in Tomales Bay. www.bluewaterskayaking.com. 415.6692600. Three-hour guided bioluminescent tours are $78 per person.

Huffman to GOP: Get off the Pipe! (The XL Pipeline, that is)

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North Bay U.S. Rep. Jared Huffman took to the floor of Congress this morning and WENT OFF on Republicans eager to fast-track that dumb pipeline: 

“Mr. Speaker, we are considering yet another bill to force approval of the Keystone XL pipeline outside of the regular order required for all other international energy infrastructure projects. This is a very early Christmas present from the United States Congress to one specific Canadian company. This vote effectively exempts TransCanada from the rigorous analysis and the permitting standards that all American companies are held to. Worse yet, TransCanada will be exempt from paying into the Oil Spill Liability Trust Fund that all conventional crude companies are required to pay into.

So Merry Christmas, TransCanada.

And what gift can we expect in exchange? Well, carbon pollution, heavy crude shipped through our country to export terminals, and higher gas prices! Let’s remember that TransCanada is on record saying that Keystone XL would increase the price of oil in the United States. Meanwhile, the regular permitting process is already in progress and on track. So instead of rigorous, deliberative process, the GOP majority is rushing to raise gas prices in this country. This Christmas present to TransCanada is actually like a lump of coal for U.S. consumers at the pump. It’s certainly a lump of coal for communities who are sure to be impacted by this pipeline when something goes wrong. And it’s absolutely a huge lump of coal for our global climate. Congress should reject this massive corporate giveaway. We still have another 41 shopping days until Christmas. There’s no need for us to play Santa for TransCanada today.”

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Nov. 13: A Harvest of Words in Sonoma

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The North Bay Hootenanny is known for hosting lively and fun concerts throughout the area, but this week, the organization’s founder Josh Windmiller is hosting a very different night of performance. ‘From Farm to Fable’ embraces the art of poetry, music and storytelling for an evening of readings and song. Headlining the event is poet and author Lisa Summers, reading from her new book Ogygia, a collection of poems that calls upon wayward muses, sirens and modern-day oracles. Poet Stacey Tuel, known for working from her typewriter at local farmers markets, will also be on hand, and well as writers (and Bohemian contributors) Jonah Raskin and Daedalus Howell, reading from recent works. “From Farm to Fable” takes place on Thursday, Nov. 13, at Epicurean Connection, 122 W. Napa St., Sonoma. 7pm. Free. 707.935.7960.

Nov. 15: Art of Fear shows in Santa Rosa

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Halloween is over, but the things that go bump in the night are still out there, inspiring fear and dread in us all, as well as inspiring the original art and performances featured at the upcoming show ‘FEAR ME: The Art of Overcoming’ at the Arlene Francis Center. Sure, there will be musings on spooks and creeps aplenty in the art. Rather than succumbing to the fear, these local artists are exhibiting works that celebrate their empowering and enduring triumphs over their phobias. On the main stage, music poetry, dance and even standup comedy mix together for a cathartic and encouraging array of live performances. “FEAR ME: The Art of Overcoming” happens on Saturday, Nov. 15, at the Arlene Francis Center, 99 Sixth St., Santa Rosa. 6pm. $10. 707.528.3009.

Nov. 15: A Maxi-Instrumentalist in San Rafael

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For more than 40 years, the impressive guitar chops of David Lindley have competed only with the musician’s famed muttonchops running down his face. An avid collector of world instruments, Lindley plays everything from electric guitar and upright bass to the Chilean charango and the Armenian oud. While you’re busy looking those last two up, take a moment to appreciate that Lindley has shared stages and studios with fellow legends like Jackson Browne and Bob Dylan, and has influenced a generation of artists with his masterful techniques and exotic array of sounds. This week, Lindley brings his eclectic music to the North Bay, offering up an intimate solo show. David Lindley performs on Saturday, Nov. 15, at the Osher Marin JCC’s Kanbar Center, 200 N. San Pedro Road, San Rafael. 8pm. $25–$35. 415.444.8000.

Nov. 16: Two “Loverunners” come to Sebastopol

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Mollie O’Brien and Rich Moore have been partners on and off the stage for 30 years. Onstage, they’re a musical duet showcasing her vibrant vocals and his powerhouse guitar work. O’Brien has long been acclaimed in bluegrass and folk circles for her solo albums, contributions to Grammy-winning albums and appearances on shows such as A Prairie Home Companion. Together, the two have toured extensively for the last decade performing their own songs as well as classic folk hits. Their latest album, Loverunner, is a blend of contemporary folk, gospel and dance music dealing with the universal themes of leaving and returning home. This week, Mollie O’Brien and Rich Moore play on Sunday, Nov. 16, at dhyana Center, 186 N. Main St., Sebastopol. 7pm. $25. 707.823.8818.

Up the River

One would be hard-pressed to find anyone unfamiliar with Francis Ford Coppola's Apocalypse Now! What many people don't know is the story of how that masterpiece was made; the trials and tribulations of this film's production is an epic story in itself. Luckily, Coppola's wife, Eleanor Coppola, took it upon herself to craft a documentary capturing each setback, from civil...

Yay for Meunier

As surely as the sorrow-faced dog that lies beneath it begs for scraps, the Thanksgiving table wants for novelty. Few dare mess with the recipe: starchy stuff and a super-sized fowl stuffed with more stuff. It's a comforting stuffiness, but if you must change it up, these alternatives to the old Chard-Pinot dyad won't rock the gravy boat too...

Dark Days

I fully expect the Republican-controlled Senate and House to do what Republicans do: cut taxes for the wealthy, try to beat back Obamacare for the umpteenth time and fail to do anything to reform immigration. But for me none of that really matters when compared to the danger posed by the Republican's ideological enthusiasm to ignore and exacerbate the causes...

Everything, Explained

Eddie Redmayne's performance as physicist Stephen Hawking in The Theory of Everything is as endearing to watch as it was no doubt painful to perform. Loose-jawed and curled up in a wheelchair, Redmayne (Les Miserables) evinces the humor and gentle, tortured humanity of the great man and Simpsons guest star. Paralyzed and speechless, given two years to live by his...

Light Fantastic

Tomales Bay is calm as our kayaks head swiftly and silently northward toward the mouth of the bay. It's about 10pm on a moonless and cloudless night in July, and we three kayakers hug the shore as we paddle in the dark, in search of the seasonal nocturnal light show—marine bioluminescence. Disturbing the water as we paddle, we begin to...

Huffman to GOP: Get off the Pipe! (The XL Pipeline, that is)

North Bay U.S. Rep. Jared Huffman took to the floor of Congress this morning and WENT OFF on Republicans eager to fast-track that dumb pipeline:  “Mr. Speaker, we are considering yet another bill to force approval of the Keystone XL pipeline outside of the regular order required for all other international energy infrastructure projects. This is a very early Christmas present...

Nov. 13: A Harvest of Words in Sonoma

The North Bay Hootenanny is known for hosting lively and fun concerts throughout the area, but this week, the organization’s founder Josh Windmiller is hosting a very different night of performance. ‘From Farm to Fable’ embraces the art of poetry, music and storytelling for an evening of readings and song. Headlining the event is poet and author Lisa Summers,...

Nov. 15: Art of Fear shows in Santa Rosa

Halloween is over, but the things that go bump in the night are still out there, inspiring fear and dread in us all, as well as inspiring the original art and performances featured at the upcoming show ‘FEAR ME: The Art of Overcoming’ at the Arlene Francis Center. Sure, there will be musings on spooks and creeps aplenty in...

Nov. 15: A Maxi-Instrumentalist in San Rafael

For more than 40 years, the impressive guitar chops of David Lindley have competed only with the musician’s famed muttonchops running down his face. An avid collector of world instruments, Lindley plays everything from electric guitar and upright bass to the Chilean charango and the Armenian oud. While you’re busy looking those last two up, take a moment to...

Nov. 16: Two “Loverunners” come to Sebastopol

Mollie O’Brien and Rich Moore have been partners on and off the stage for 30 years. Onstage, they’re a musical duet showcasing her vibrant vocals and his powerhouse guitar work. O’Brien has long been acclaimed in bluegrass and folk circles for her solo albums, contributions to Grammy-winning albums and appearances on shows such as A Prairie Home Companion. Together,...
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