Mar. 15: Major Case in Sonoma

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Since beginning his musical career as a street performer in 1970s San Francisco, singer and songwriter Peter Case has made a name for himself as an immensely talented troubadour and authentic presence on the Americana scene. As a bandleader back in the day with the Nerves and the Plimsouls, Case scored power pop and rock and roll hits. As a solo performer using nothing more than his voice and an acoustic guitar, his nuanced style makes him a force of nature. This weekend, Peter Case comes to the new “listening room” at HopMonk’s Sonoma locale, and the intimate space and dynamic music make a perfect match on Sunday, March 15, at HopMonk Tavern, 691 Broadway, Sonoma. 8pm. $25. 707.935.9100.

Salmon Party

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To say the Golden Gate Salmon Association (GGSA) is dedicated to salmon is an understatement. Comprised of fishermen, businesses, elected officials, families and communities that rely on salmon, the GGSA restores and protects the ecosystems that the salmon rely on, especially waterways and Bay Area rivers where salmon spawn and swim.

This week, the GGSA hosts its second annual Salmon Celebration dinner and fundraiser which this year honors special guest winemaker and conservationist Mike Benziger. The managing general partner of the Benziger Family Winery and Imagery Estate Winery in Glen Ellen, Benziger has long been known as a pioneering biodynamic farmer whose conservation and water-reuse practices are immensely valued in California’s ongoing struggles with drought-strained agriculture. He is increasingly recognized on a national level, earning Benziger a National Resources Defense Council water steward award in 2010.

The salmon celebration dinner will feature Benziger family wines, cocktails, a silent and open auction and a chance to hear the latest news on the current state of affairs in the billion-dollar salmon industry, and how GGSA is trying to keep the industry strong in a water dependent region.

The Sonoma Salmon Celebration
Dinner and Fundraiser takes place on Friday, March 13, at Ramekins Culinary School, 450 W. Spain St., Sonoma. RSVP required. 5:30pm. $125. 855.251.4472.

Stage on Stage

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[title of show] is a play about two guys writing a musical about two guys writing a musical,” explains Fernando Sui, shouting to be heard above the din of 300 happy theater people.

It’s 9:30pm at the Victoria Theater in San Francisco, where the San Francisco Bay Area Theater Critics Circle awards have just ended. Sui, who was nominated for his role as a nonexistent teenager in Next to Normal, takes a moment to talk about his next show, opening this weekend at Belrose Theater in San Rafael.

“It’s kind of crazy,” Sui says, describing [title of show], written by Jeff Bown and Hunter Bell, and presented by Marin Onstage.

Sui raises his voice again to be heard above the nearby Carl Jordan, the director of [title of show], who just won for directing last year’s Return to the Forbidden Planet.

“It’s really a show about creating something out of thin air,” Sui says. “A lot of times, when you start a new creative project, your expectations are low, but then, little by little, you start to believe that something really special might be happening.”

As it so happens, Sui’s three co-actors in [title of show] were all nominated tonight. Abbey Lee took home a win for her supporting role in 6th Street Playhouse’s Victor/Victoria. Phillip Percy Williams and Amanda Morando were both nominated for roles in Forbidden Planet, with Williams winning for playing a dashing rock-singing space captain.

“Half of the songs in the show are about what it’s like to be a theater artist, desperately hoping someone notices what it is we’re doing,” says Sui.

“It’s nice to be noticed for the work you do. I really think audiences will leave [title of show] totally inspired to do whatever it is they want to do, to make what they want to make—to just take a chance and see what happens.”

Unsettled Science

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Forty years ago our first child was born at home. A progressive and intelligent friend was very upset that we had “endangered the life of our unborn child” by ignoring “the consensus of the scientific community” with this decision.

We pointed out to him that Holland, where 99 percent of births occur at home with midwives, had the lowest infant mortality in the world and the United States had the highest rates of medically questionable caesareans. We mostly pointed out that the “consensus of the scientific community” is always the most conservative position available. In the 19th century, any doctor who washed his hands between autopsies and childbirth could and would be driven out of the profession.

Ignaz Semmelweis, the father of antiseptic procedures, was hounded into an insane asylum for these views. In the mid-20th century, any doctor who suggested a link between diet and cancer was ipso facto a quack, according to the AMA, FDA and American Cancer Society, and should be stripped of his license and sent to jail.

Today, we are told that vaccination safety and efficacy is “settled science,” and that every reputable doctor and scientist is leveling the finger of blame at parents who refuse to vaccinate their children. This scares me to death. There is no such thing as “settled science.” It is against the nature of the scientific enterprise to suggest such a thing. It is akin to closing the patent office because everything has already been invented.

Levels of asthma and autoimmune diseases in children have increased exponentially over the past several decades. We don’t have to worry about measles, mumps and rubella. We have to worry about celiac, Type 1 diabetes and a myriad of other autoimmune conditions. Is it possible that the old diseases of childhood played some role in stimulating the auto-immune system in ways that protected children in later life? I do not know. I do know that if I were a doctor, I would be very hesitant to raise the question. I would never get any research money and would likely be drummed out of the profession for making such an absurd suggestion. I might even end up in jail. Or an insane asylum.

Abraham Entin is the father of three grown children, all born at home and none vaccinated. He is also a longtime activist for positive social change.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Mexican Dreams

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Few issues are as topical and controversial right now as immigration.

From all the red faces on FOX News and the angry words running in newspapers, one wouldn’t think the subject could ever be funny. So it’s quite a feat for Richard Montoya and his Chicano-American political sketch group Culture Clash to have done just that. In American Night: The Ballad of Juan José, opening this weekend at Santa Rosa Junior College, Juan José is a young Mexican immigrant, pulling an all-nighter studying for his American citizenship exam when he slips into an Alice-in-Wonderland-style dream world and experiences bits and pieces of historical facts blended with true stories that will probably not be on the test in the morning.

Who knew that so many of America’s unsung heroes were Hispanic, black or Native American? Directed by Reed Martin (of the Reduced Shakespeare Co.), American Night channels the spirits of Sacagawea, Jackie Robinson and Bob Dylan, along with a host of real but unknown figures, all of whom appear in irreverent, Pythonesque scenes that are both deadly serious and drop-dead hilarious.

American Night runs Wednesday–Sunday, March 6–15 at Burbank Auditorium on
the Santa Rosa Junior College campus.
1501 Mendocino Ave., Santa Rosa. Wednesday–Saturday at 8pm; 2pm matinees on Saturday March 7 and both Sundays. $12–$18. 707.527.4343.

Sharp Metal

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For nearly eight years, the Central Valley’s WRVTH have been hoping to break through to a larger audience. Though the band’s new progressive death metal opus isn’t set to be released until June 16, WRVTH are playing the material on the road. WRVTH play Santa Rosa’s Arlene Francis Center on March 14.

“The tour has been going good and the shows have been fun,” says drummer Joseph Serrano, speaking while on tour driving through Denver. “We have been playing a whole new set, with each song being a new song from our new album. Looking forward to playing Santa Rosa, of course. Our show there last time was so awesome.”

The band’s new songs feature some serious guitar wizardry and double bass calisthenics amidst the usual flurry of calculated screaming and growls. Go see WRVTH now, since all indications say they’re headed in the right direction. Most importantly, buy a damn T-shirt! These guys gotta eat.

WRVTH play March 14 at the Arlene Francis Center in Santa Rosa with Inanimate Existence, Water into Blood, the Know Nothings, Damascus, Eyes of Mara, Aberration and Abominous. 8pm. $10 advance; $13 at the door. All ages. 99 Sixth St, Santa Rosa. 707.528.3009.

Power Play

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Something looked amiss to Santa Rosa resident Ethan Wilde as he scanned his first electricity bill of the new year.

Wilde is one of thousands of Sonoma County residents who recently switched his power company from the investor-owned utility Pacific Gas & Electric to Sonoma Clean Power (SCP), the local power company formed out of a national push toward what’s called “community choice aggregation” models of greener, more localized energy generation.

But PG&E is still responsible for the transmission of electricity in the county. Wilde, for one, would like to pull the plug on that arrangement. PG&E transmission charges showed up as a $136 “delivery charge.”

This was the first bill Wilde got as a new SCP customer, and it seemed out of whack with what Wilde had been paying: his total bill from the previous month had been $155, when he was still with PG&E for generation and transmission of electricity.

Curiously, PG&E sent the transmission part of the bill separate from the SCP generation bill of $63.84, even though they covered the same time period.

The PG&E delivery bill was dated Feb. 4; the SCP bill for the same period was dated Jan. 13. They both roughly covered his December usage. This was confusing to Wilde, and to the SCP employees he showed it to. “They thought it was very strange that they were splitting the charges across two bills.”

None can deny that SCP is fulfilling its mission to provide power that’s cheaper and cleaner than PG&E. Wilde says his bill is cheaper under SCP. But it could be cheaper still, says SCP CEO Geof Syphers—were it not for PG&E.

Even as SCP customers are seeing their bills reduced by between 6 and 14 percent, “it’s frustrating that PG&E is raising their rates that much when wholesale markets are actually down,” says Syphers.

The utility giant is delivering electricity to SCP ratepayers and remains the “provider of last resort.”

While paying for the transmission of electricty is unavoidable, CCA supporters would rather pay their local utility than PG&E. Beyond that, critics of PG&E point to other charges utility customers feel are less justified—and less visible.

Some of the promised SCP savings to ratepayers are being absorbed by PG&E, thanks in part to actions taken by the California Public Utilities Commission. (Commission president Michael Peevey was forced to resign in January after his cozy relationship with PG&E was revealed in a massive email trove.)

As he was scanning his bill, Wilde paused over the line item for the “power charge indifference adjustment,” or PCIA. It’s not a big charge, about $9, but it’s a persistent one that the CPUC re-upped in October on behalf of PG&E.

Wilde called SCP and was told the PCIA was a fee PG&E charged customers who had jumped ship to SCP, and is based on prior contracts it had signed on their behalf.

Syphers says the issue with the PCIA isn’t the propriety of it, but the duration. It’s one thing to recoup charges—especially when the state told PG&E to enter into the contracts—but the utility has foisted up to 20 years’ worth of charges onto ratepayers, depending on the length of a procurement contract associated with a particular meter.

“The big debate is over whether [the charges] should phase out as those contracts start ending,” says Syphers.

Critics say PG&E could end the PCIA through better forecasting its future energy needs—and engage in a good-faith forecasting of the rapid growth of CCAs in the state while they are at it.

Jeremy Waen is a regulatory analyst for Marin Clean Power, the other local CCA that’s grappling with PG&E’s presence in the new power mix. That PG&E could possibly charge a fee to a customer for 20 years of power it will never deliver, he says, “is mind-boggling.”

The company, says Waen, should do a better job of estimating its future procurements, “so they are not buying excessive amounts of energy.”

Marin Clean Energy expanded its service into Napa County in February, he says, and PG&E could “shift contracts and supplies so they are bringing less energy on.” It hasn’t done so.

There’s another part of Wilde’s power bill that PG&E has its thumb on, but it doesn’t show up in the fine print: charges associated with the cost allocation mechanism, or CAM.

This charge is to ensure that there is sufficient capacity in the power grid to account for fluctuations or emergencies. The CAM is a legacy of past energy crises in the state, and critics say it needs to go.

But the state has decreed that PG&E is the so-called energy provider of last resort. As such, “our resources are not counted by the CPUC’s planning process,” says Waen. That restricts the ability of SCP and MCE to build-in extra capacity into their systems for emergencies or fluctuations. “We’re forced to buy the capacity that the utilities are buying on our behalf,” says Waen.

This arrangement cripples any CCA’s ability to procure extra capacity on its own, says Waen, since the local CCA is compelled to rely on electricity generated by PG&E. “It cuts down on our ability to procure resources for our own customer base,” he says, “and on our ability to have autonomy over the procurement.”

In other words, this dynamic stymies exactly the innovation that SCP ratepayers had hoped for when they signed on to this far-reaching plan for locally controlled and created energy.

“What could be possible with changes to the CAM is that we could have the ability to build combined heat and power units within Sonoma County,” says Syphers, who adds that the effects would include economic stimulus, the creation of local jobs and other benefits.

“We would like to be localizing power sources and making them as clean as we can,” says Syphers.

But under the CAM? “We’re compelled to not do that—that’s the situation today.”

Waen notes that persistence of the PCIA and the CAM indicate what PG&E would like ratepayers to believe—that these CCAs aren’t as reliable as PG&E, and no matter what, the big power company will be there for you.

Yet Marin Clean Energy doesn’t plan on going anywhere soon, says Waen, except to expand into Napa.

Furthermore, Syphers notes that the nascent CCAs in the North Bay are the tip of a growing CCA movement stateside. Sacramento lawmakers are getting used to the idea, he says, that the CCAs weren’t created to destroy a monopoly, but to complement it and create savings for ratepayers.

Syphers points to a recent comment from a CPUC official that broached the possibility that the future of power in California may be the decoupled generation and transmission dynamic at play in the local CCAs.

The best way to ensure that PG&E doesn’t ride herd over the state regulators charged to protect ratepayers?

“Good oversight at the CPUC,” says Syphers, “and more CCAs, so that we have more people watching what happens over there—so that we make sure our customers’ needs are being taken care of.”

PG&E did not get back to the Bohemian in time for our deadline.

Medium-Plus Toast

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The booze flows both ways between the Golden State and the Emerald Isle. While Americans clink pints of Guinness while trying to slur “sláinte,” the Irish are tanking up on top-selling Blossom Hill from a wine factory near Hollister. Either way, Diageo wins—the multinational beverage giant owns both brands.

No shocker that Chardonnay tops the list of favorite white wine flavors. Reflecting on a recent tasting of local Chardonnays, however, the genre seems directionless. Seeking to distinguish theirs from the big, oaky-buttery style that is dismissed in all corners and that sells like hotcakes, wineries are toning it down through the use of targeted yeast strains and sophisticated barrel programs. But what’s left? At least you can dye it green.

Silver Palm 2013 North Coast Chardonnay ($15) As tropical as the sharp labeling suggests, this has pineapple aromas over dusty oak, Meyer lemon plus butterscotch, and a sweet-bodied finish. Not complex, but it’s got personality and drive at a good price point.

Matanzas Creek 2012 Sonoma County Chardonnay ($26) It’s got a little of the frank toastiness of singed oak, but winemaker Marcia Monahan has banished the winery’s famed malolactic strain, so the wine only hints at baked apple and buttery pie crust, and is more woody, austere and dry than you might expect. It’s at the top of the list for elegance.

Angeline 2013 Signature Reserve Russian River Valley Chardonnay ($16) The aroma veers from wood to green weeds and back, but the palate is consistently semi-rich and glycerin-like, with some citrus zest sharpening up the “this is pretty varietal Chardonnay for the price” finish.

Arrowood 2013 Sonoma County Chardonnay ($25) Bitter melon and lemon flavors betray a wispy hint of caramel and well-seasoned oak, and it’s fairly dry. But where’s the fruit?

Rodney Strong 2013 Sonoma Coast Chardonnay ($20) Lime, grapefruit acidity, and so crisp, it’s almost like an unoaked style, which is a great way to showcase pure, fresh, fruit. Would that it were so.

Cuvaison 2012 Carneros Chardonnay ($25) High marks for quality oak aroma, with hints of bay leaf and savory lees. Elegant, with a light, lemony, citrus spritz on the palate, it looks like an intense and focused, if lean, Chardonnay, but it slacks off on the finish. Sub it for a Fumé Blanc.

Liven-Up

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If there’s one thing the folks in Yountville know how to do right, it’s throwing a world-class party. And this month, it looks like everybody in the valley is pitching in for a four-day immersion of food, wine and live music.

Taking place March 19–22, Yountville Live is a moveable festival that incorporates the small though sophisticated burg’s best restaurants, wineries and venues, and hosts renowned local chefs and national headlining acts like O.A.R., Aimee Mann, Colbie Caillat and others.

This is the inaugural year for the festival, organized by the same team that puts on the Taste of Yountville every spring. That 20-plus year tradition takes place on March 21, though now it’s incorporated into Yountville Live.

The festivities kick off March 19 at Brix Restaurant & Gardens where the French-inspired cuisine pairs with local estate wines. A special acoustic performance by alternative rock band Blue October will fill the intimate space. The platinum-selling group announced last month that they were entering the studio to record their eighth record, and hinted at a slew of new songs in the works.

March 20, begins with several afternoon concerts, each complemented with food and wine pairings. At the Vintage Inn’s historic Barrel Room, Austin-based rock outfit Alpha Rev perform. Jessup Cellars hosts British indie pop group Scars on 45. And in the Generations Room of the Yountville Community Center, young indie folk singer Noah Gundersen brings a resonant and passionate depth to songs of faith and recklessness.

There will be no shortage of delectables with chefs like Michael Chiarello of Bottega Ristorante and caterer extraordinaire Richard Visconte. But how about some real rock and roll?

Yountville Live’s main stage performances are filling the seats at the Napa Valley Performing Arts Center at Lincoln Theater with some of the North Bay’s favorite big-name bands. First up on Saturday, popular singer and songwriter Aimee Mann and Maryland rock band O.A.R. take the stage.

Mann has been focusing on her collaborative duo, the Both, with songwriter Ted Leo. Their self-titled debut album, released last year, is a bona fide rock and roll gem and Mann’s foremost foray into the genre, as she’s usually stayed on the folk side of the sound. O.A.R. is all rock and roll, and their latest release, last year’s

Rockville LP, saw the group return to their roots.

If Saturday is a little bit rock and roll, then Sunday, the final night, is a little bit country, featuring acoustic star Colbie Caillat and country rocker Matt Nathanson. Caillat has recently expanded her palette, working out of her comfort zone with R&B producer Kenneth “Babyface” Edmonds. Nathanson has made his name with dynamic performances and songwriting, both of which he brings as the closer for Yountville Live.

Letters to the Editor: March 11, 2015

Ghost Hunter

Right before Tom Gaffey took over the Phoenix Theater, my friend’s dad was the manager (“Ghost Stories,” Feb. 25). We were about 11 or 12 years old at the time, and basically lived there and helped him with everything from ushering to selling concessions. I saw many things while hanging out there before and after hours. The projection booth ghost was seen many times. I’ve also have seen someone in the balcony on several occasions. I’ve never been afraid, though. Hanging at the Phoenix was partly responsible for me being a ghost hunter myself. Good times!

Via Bohemian.com

Cures for Cancer

Tom, you certainly are a solid writer, even a decent journalist, but what you ain’t is a doctor, so stop playing one in your paper. The next time you make the statement that turmeric has the power to kill cancer (“Turmeric, Wonder Spice,” Feb. 4) please feel free to mix in the words “maybe” or “might,” otherwise what your playing is the part of a charlatan.

I’m a third-generation cancer survivor of lymphoma B cell. My grandmother had it back in the ’30s when all they had was cobalt, which didn’t work for her, but I know from the research I’ve done that cobalt did work for some. My mom had the same cancer twice and beat it both times; once with radiation, the other with chemo. In 2000, when I turned 45, I also received the news. Again, lymphoma on my liver. Doctors gave me a 10 percent chance of making it. I did a month of research because I sure as shit wasn’t going to put the poisonous garbage in my body after 40-plus years of doing heroin. But in the end, I decided that chemo gave me my best chance.

Last year, my brother’s wife was diagnosed with cancer. Doctors told her that she had a good chance of survival if she did the juice. If she didn’t, she’d die. She decided to go the holistic route, because a friend of hers, who was in his late 70s, terminally ill from cancer and given only months to live did both cannabis oil and turmeric, and his cancer was gone in three months. Coincidence? My brother’s wife was dead within six months.

I knew a guy who claimed that by using a trampoline, his tumor was broken up. His doctors could only shake their heads. BS? Coincidence? Should we all run out and buy trampolines?

My point is, in the world of cancer there are no absolutes. Don’t you think that if turmeric or any other of the alternatives medicines absolutely worked, every cancer patient would be doing it? Because in the end, it’s all about luck.

Sonoma Valley

Editor’s Note: Tom Gogola’s statement that turmeric cures cancer was written with a grain of salt. The next line says the “anti-inflammable qualities are less debatable.” Meaning, the cancer-curing claims are debatable.

Write to us at le*****@******an.com.

Mar. 15: Major Case in Sonoma

Since beginning his musical career as a street performer in 1970s San Francisco, singer and songwriter Peter Case has made a name for himself as an immensely talented troubadour and authentic presence on the Americana scene. As a bandleader back in the day with the Nerves and the Plimsouls, Case scored power pop and rock and roll hits. As...

Salmon Party

To say the Golden Gate Salmon Association (GGSA) is dedicated to salmon is an understatement. Comprised of fishermen, businesses, elected officials, families and communities that rely on salmon, the GGSA restores and protects the ecosystems that the salmon rely on, especially waterways and Bay Area rivers where salmon spawn and swim. This week, the GGSA hosts its second annual Salmon...

Stage on Stage

is a play about two guys writing a musical about two guys writing a musical," explains Fernando Sui, shouting to be heard above the din of 300 happy theater people. It's 9:30pm at the Victoria Theater in San Francisco, where the San Francisco Bay Area Theater Critics Circle awards have just ended. Sui, who was nominated for his role...

Unsettled Science

Forty years ago our first child was born at home. A progressive and intelligent friend was very upset that we had "endangered the life of our unborn child" by ignoring "the consensus of the scientific community" with this decision. We pointed out to him that Holland, where 99 percent of births occur at home with midwives, had the lowest infant...

Mexican Dreams

Few issues are as topical and controversial right now as immigration. From all the red faces on FOX News and the angry words running in newspapers, one wouldn't think the subject could ever be funny. So it's quite a feat for Richard Montoya and his Chicano-American political sketch group Culture Clash to have done just that. In American Night: The...

Sharp Metal

For nearly eight years, the Central Valley's WRVTH have been hoping to break through to a larger audience. Though the band's new progressive death metal opus isn't set to be released until June 16, WRVTH are playing the material on the road. WRVTH play Santa Rosa's Arlene Francis Center on March 14. "The tour has been going good and the...

Power Play

Something looked amiss to Santa Rosa resident Ethan Wilde as he scanned his first electricity bill of the new year. Wilde is one of thousands of Sonoma County residents who recently switched his power company from the investor-owned utility Pacific Gas & Electric to Sonoma Clean Power (SCP), the local power company formed out of a national push toward what's...

Medium-Plus Toast

The booze flows both ways between the Golden State and the Emerald Isle. While Americans clink pints of Guinness while trying to slur "sláinte," the Irish are tanking up on top-selling Blossom Hill from a wine factory near Hollister. Either way, Diageo wins—the multinational beverage giant owns both brands. No shocker that Chardonnay tops the list of favorite white wine...

Liven-Up

If there's one thing the folks in Yountville know how to do right, it's throwing a world-class party. And this month, it looks like everybody in the valley is pitching in for a four-day immersion of food, wine and live music. Taking place March 19–22, Yountville Live is a moveable festival that incorporates the small though sophisticated burg's best restaurants,...

Letters to the Editor: March 11, 2015

Ghost Hunter Right before Tom Gaffey took over the Phoenix Theater, my friend's dad was the manager ("Ghost Stories," Feb. 25). We were about 11 or 12 years old at the time, and basically lived there and helped him with everything from ushering to selling concessions. I saw many things while hanging out there before and after hours. The projection...
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