Fiddler on the Move, Alasdair Fraser and Friends Celebrate Tradition

After four decades at the heart of the Bay Area’s musical community, renowned fiddler Alasdair Fraser is preparing for his final bow as the director of the San Francisco Scottish Fiddlers. 

This spring, Fraser and his musical community of more than 65 musicians will bring their exhilarating show “Stravaig”—a Scots word meaning “to wander, digress and stray beyond limits”—to the North Bay.

Performances take place at the Angelico Concert Hall at Dominican College in San Rafael on Saturday, April 26, and at Sonoma Country Day School’s Jackson Theater in Santa Rosa on Sunday, April 27. As Fraser puts it, audiences will witness not just a concert, but “an unruly mob of rabble-rousing, musical adventurers.”

It’s hard to imagine a more fitting description for the ensemble that Fraser founded in 1986. From humble beginnings as a casual monthly gathering of fiddlers in Fraser’s own home, the group has grown into an inclusive community of 200 musicians who meet regularly to learn and play Scottish tunes and other Celtic traditions. Over the years, their repertoire has expanded to embrace the music of Brittany, Galicia, Scandinavia and North America.

Now, approaching 40 years at the helm, Fraser reflects warmly on this milestone: “You do something you love, and you don’t really notice the time as it goes by,” he says. “It’s become a way of life, really. I feel very fortunate to have been able to include music and community and my own family in that way, in the pursuit of using music to bring people together and learn a lot in the process.”

Indeed, Fraser’s efforts have resonated deeply, as evidenced by the nearly 100,000 monthly listeners who currently stream his music on platforms like Spotify. Yet, despite his worldwide acclaim, he still marvels at music’s ability to unite. 

“I live in awe at the power of music, and I think I probably wouldn’t have said that 40 years ago,” he says thoughtfully. “In the beginning, I played the fiddle—what a wonderful thing; let’s play some tunes. It’s amazing how quickly you can go from ‘Hey, let’s play some tunes’ to ‘Oh my gosh, we’re digging deeply into a tradition here.’ We’re meeting the ancestors. We’re using a force that can gather people, which is a mighty thing.”

For Fraser, music has become something essential, an integral part of life itself. “Music is not trivial,” he says firmly. “Certainly for me, it wasn’t an add-on. It wasn’t like music is something you do when you finish your job or when you go home. It’s more like it’s part of our DNA.”

This profound respect for music’s emotional and communal power forms the heart of Fraser’s leadership with the San Francisco Scottish Fiddlers. Each year, after months of preparation, their annual concert series showcases both seasoned virtuosos and enthusiastic amateurs side by side. Fraser explains that the diverse range of experience actually strengthens the ensemble’s performance.

“That was something else that I have gained insight on through the years,” Fraser says. “I feel like when we gather the village—the musical village—the village does better when it has different levels present because you can set up what I call nurturing loops within the village. You have great players—I’m talking some of the best in the country, representatives of their tradition, ambassadors of the tradition—and they’re mixing it in with people who are new to it, younger kids. 

“And you get this nurturing loop where the learners love to be with the people that are their heroes. The heroes, the veteran players, love to see the lights turn on, get these bright-eyed responses from people who want to do what they’re doing,” he continues.

This year, the ensemble includes standouts such as acclaimed cellist and educator Renata Bratt, a versatile musician who has toured with alternative rockers and classical ensembles alike, and Caroline McCaskey, a multi-instrumentalist and 2019 U.S. National Scottish Fiddle Champion. 

Vocalist and fiddler Rob Godfrey, whose soulful Gaelic singing has become a beloved highlight, joins Janette Duncan and Pate Thomson—two founding members who have shaped the ensemble from the start. Duncan, a cherished fiddler and educator in Sonoma County, has played an integral role in the ensemble for decades. 

Fraser views traditional Scottish music as part of a continuum, something handed down and ever evolving. “That is part of the deal with traditional music,” he says. “It does have this depth, and you can go back and choose a point of music. You can say, ‘I’m going to play this the way they might have played in 1846 or 1760.’ 

“But what’s also beautiful is kids today get smitten by it, and they go, ‘Man, I need this in my life right now.’ I’m going to take these tunes from 1700 and push them around a bit, reshape them, reinvigorate them with what’s on my mind now. And the music comes alive,” he adds.

As Fraser prepares to pass the baton, he emphasizes that the annual spring concerts are not simply performances—they are invitations. 

“What we do in these concerts is not so much to say, ‘Hey, this is a class you get to come to and watch us enjoying ourselves.’ Instead, we get to say, ‘Hey, look at what we’re doing here as a community. You could be part of this. You could pick up your fiddle that your grandfather left lying around, or your old flute in the garage, or the cello that no one’s been using, and you can dust it off and come join us,’” he notes.

In a fitting tribute to his legacy, Fraser and the San Francisco Scottish Fiddlers invite the community to experience the transformative power of traditional music and to be inspired to make their own melodies. The spring concert series promises, as Fraser puts it, a “grand ceilidh, where you can tap your toes, dance in your seat and share in the joy.” It’s a farewell concert series to remember, and an open-hearted invitation to keep the musical journey alive.

Stravaig Spring Concert Series commences locally at 7pm, Saturday, April 26, at Angelico Concert Hall, Dominican College, 20 Olive Ave., San Rafael, and at 3pm, Sunday, April 27, at Jackson Theater, Sonoma Country Day School, 4400 Day School Pl., Santa Rosa. Tickets $32-$35; kids under 12 free with an adult. Visit sfscottishfiddlers.org for details.

Pic of the Week: Barnyard Social

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Santa Rosa resident Mark Silvia shared this randy scene from his yard on Peterson Lane in late February. “I went to the pig pen a little while ago to feed them and saw this,” he wrote on Nextdoor. “I have no words…”

Note from Simone: This pic originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

North Bay’s Very First Cannabis Lounge Opens in Cotati

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As I’m sure you’ve noticed, we’re living through a bit of a tumultuous era for both the local wine and cannabis industries. But there’s a new glimmer of hope for the latter, in the form of an alternate business model — recently blessed by state law — that allows people to hang out and smoke and be merry at weed dispensaries. Aka, the lounge model! Now, it’s up to local governments in California’s towns and counties to decide what’s allowed within their bounds. It’s been a big topic of discussion this year down in Santa Cruz County, naturally. And here in Sonoma County, we happen to be on the cutting edge.

A perfectly legal new cannabis lounge just opened at the Mercy Wellness dispensary in Cotati — a stoney sanctuary filled with comfy chairs, chill lighting, trippy visuals projected onto the walls, sports games on the TVs, DJs on the turntables, comfort food popups and a weed menu overflowing with diverse strains. A Press Democrat reporter stopped by the lounge at 7950 Redwood Dr. on opening day, March 27, to survey the scene:

At 3 p.m., when the doors opened to the Mercy Wellness Lounge, Sydney Comora was first in line. A few minutes later, joint in hand, she was sitting in a cozy club chair watching a DJ spin reggae. Psychedelic images swirled and oozed on a giant screen.

Comora, smoke drifting around her head, relaxed into the moment.

“This is the best place ever,” she said. The Santa Rosa resident said she was celebrating her 30th birthday with her sister.

Mercy Wellness is the first Sonoma County cannabis retailer to take advantage of a 2024 state law allowing dispensary owners to prepare and serve hot food and nonalcoholic drinks on site, creating a more club-like atmosphere like those in Amsterdam.

Such venues may be a rare, new bright spot for California’s sagging marijuana industry, plagued in recent years by high tax burdens, expensive permits, strict regulation, and a still-thriving black market.

According to the Mercy Wellness Lounge website, it’s open from 3-10pm on Thursdays, Fridays and Saturdays “with rotating events, exclusive deals, and a community of good people who love good weed.” Lounge owners add: “Spark One. Stay awhile. Round up the crew, roll through, and find your vibe.”

On the menu. (Photo: Lisa Santos)
Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

Locals Up in Arms About Potter Valley Water Project

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If you haven’t heard any of your neighbors talking about the Potter Valley Project up in Humboldt County yet, that may soon change — especially in the Geyserville-Cloverdale area, sometimes called “Healdsburg North,” where the fiercely independent ag ethos is strong and distrust of big government is baked into local culture. Cloverdale Mayor Todd Lands has been trying to warn everybody about this project for a while now, and his fervent opposition to the current plan finally seems to be catching on.

Mayor Lands hosted a lively town hall on March 20 that drew at least 200 people, by my count. Cloverdale’s local veterans building was packed to the gills that Thursday night — to the point of standing-room-only — with community members worried about their future water supply and angry about the Potter Valley plan signed last month by reps from seven different entities with competing interests. (Including state agencies, county governments, tribes and other orgs.)

And while multiple speakers at the Cloverdale event insisted this issue isn’t political, it does feel poised to become the next polarizing local battle between groups with different outlooks, to put it gently.

Before we continue, let me explain what the Potter Valley Project even is! Basically, it’s an old PG&E power plant with two dams along the Eel River — one that PG&E officials have been trying to get rid of for years now, as they claim it’s costing more money than it generates. The complication: This same river apparatus currently diverts waters from the Eel into the Russian River and the Lake Mendocino reservoir — a lifeline for the more than half a million people living downstream in Mendocino, Sonoma and Marin counties who use this water to survive.

This system has been in place for more than a century, and has been a fundamental building block for the society and industry we enjoy today. Here’s more info from the Sonoma Water agency about how the system works.

This whole Potter Valley mess. (Image: Bay Area Council Economic Institute)

You might remember that back on Feb. 13, the day before Valentine’s, a coalition of seven orgs and agencies reached what they called a “historic pact” determining the project’s future. They called it the “two-basin solution” — a compromise that allows the Round Valley Indian Tribes, who live nearby, to a) tear out the dams, 2) build a much more low-key diversion system that still sends some water to the Russian during wet months when Eel waters are high, but likely not as much overall, and 3) get paid by downstream agencies for the water they do send, which will fund this new system and ongoing environmental restoration efforts.

No one was more thrilled by the pact than Lynda Hopkins, chair of the Sonoma County Board of Supervisors, whose district includes the Lower Russian River Area and the Sonoma coast. After the pact was signed, she gushed in her regular newsletter to constituents: “It’s not every day that you get to take part in a historic moment. Last Thursday was one of those days where I had to pinch myself and ask, is this real life? Is this really my day job? … It felt like the arc of the universe bent a little bit more towards justice on that day.” She also told the Press Democrat: “This is truly unprecedented because everyone who is part of it has different interests.”

Supervisor Hopkins’ sentiments seem to exist in a universe entirely separate from the majority of those expressed at the recent Cloverdale town hall. Let’s just say it was a very different crowd, and a very different vibe, than the pact-signing ceremony. Sonoma County Supervisor James Gore, who reps north county, and David Manning, manager of Sonoma Water’s environmental resources arm, had the guts to show up and try to defend the plan, which their agencies helped formulate. All eight of the other panelists — including Mendocino County Supervisor Madeline Cline, the head of the Sonoma County Farm Bureau and more — were full of indignation about the deal, as were most attendees. They framed it as a fundamental threat to their ability to live and thrive in this area, and uphold multigenerational communities formed on the drip of waters from the Russian River and Lake Mendocino.

Things got especially ugly during public comment, when a few different gadflies started hurling personal insults at Gore; he eventually lost his cool and hurled some back. The Press Democrat documented one especially tense moment:

“What would your dad do if they tried to shut his vineyard water off?” Andy Springer asked Gore, whose family has long been in the wine business in Alexander Valley. Springer once ran against Gore for Fourth District supervisor.

“He’d tell you to shut up,” a frustrated Gore replied. “Don’t you talk about my dad.”

Gore says his piece at the town hall. (Photo: Simone Wilson)

At this point, it’s unclear to me how much water we’ll actually lose from the plan on the table — and it seemed unclear to most people at the town hall, too. When I spoke to David Manning from Sonoma Water afterward, he showed me some graphs and argued the amount of water we’ll get from the Round Valley Indians under the new deal won’t be much different than the increasingly smaller trickle of Eel River waters we’ve already been getting the past few years. Still, it seems like things could get pretty dire — aka, bone dry — in future drought years. But that might already be the case, regardless of how the Potter Valley plan progresses. (Which is also why Sonoma Water and other local governments have been looking into alternate local water sources and storage solutions, beyond the status quo. All very up in the air!)

The vague and confusing nature of the Potter Valley plan only fanned the flames at Cloverdale’s town hall. Emotions were high, and ideologies flew around the room like spears. Sonoma County’s larger ag community, including farmers and politicians from way down in Petaluma, showed up ready to fight their next big battle, after winning the Measure J factory-farm battle and losing the Point Reyes elk battle. Indeed, any mention of preserving fish habitats drew sporadic scoffs from the crowd.

Amid the chaos, though, one argument against the current plan stood out to me as crystal clear: Wildfire-plagued Lake County is poised to lose Lake Pillsbury, leaving them without a critical water source to fight nearby fires. Cloverdale’s fire chief, too, is worried about any outcome that leaves us with less water to fight fires here in Sonoma County. Here’s an excerpt from SF Gate’s story on the town hall (bonus points if you can spot me in the lead image):

Lake County Supervisors Eddie Crandell and Bruno Sabatier voiced their constituents’ concerns about the potential draining of Lake Pillsbury, a man-made reservoir created by Scott Dam in Lake County. If the dam is decommissioned, the reservoir is expected to be nearly emptied. The Lake County Board of Supervisors recently appealed to the Trump administration to intervene in the decommissioning, citing an executive order focused on maximizing California’s water storage.

Crandell, who represents the district including Lake Pillsbury and who is a member of the Robinson Rancheria Band of Pomo Indians, called out what he saw as a misleading narrative around tribal collaboration. While the Round Valley Indian Tribes have signed onto the New Eel-Russian Diversion Facility, Crandell argued that other tribes along the Russian River are being ignored. “They’re only talking about the Round Valley Indian Tribes who are on the Eel side,” he said, adding that numerous other regional tribal interests have been “marginalized.” …

Cloverdale Fire Chief Jason Jenkins condemned the proposed water plan as a serious threat to public safety, recalling his deployment to help fight Los Angeles’ devastating Palisades Fire. “Water was the issue,” he said, emphasizing that the lack of available water for responders had allowed the fire to keep burning. He warned that a depleted Russian River could create similar conditions and did not mince words: “Every fire chief in California will be saying the same thing. This is not a plan that protects our community,” adding that it isn’t “just short-sighted. It’s dangerous.”

You can read alternate takes on the meeting in the Press Democrat and the conservative Unwon newsletter. Or if you want to see what your neighbors are saying, there are community threads running on Facebook Groups and Nextdoor. While the deal with the Round Valley Indian Tribes was already signed, there’s still some time before anything actually happens with the Potter Valley Project — PG&E has said the dams won’t come out until at least 2028 — so the deal’s detractors are hoping that enough public outcry could change the course of the project. Next up, PG&E will submit its final decommissioning plan on July 29.

Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

North Bay’s Largest Food Bank Hit by Budget Cuts

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A series of recent and upcoming budget blows to the Redwood Empire Food Bank here in the North Bay have left “the region’s largest hunger relief organization having to figure out how to make up the difference,” in the words of the Press Democrat. Most notably, Redwood Empire Food Bank officials halted all egg distributions last week — a strategic cost-cutting measure to “better steward economic resources” as their federal and state income shrinks and egg prices remain ridiculous.

Every day of the week, you can find crews from Redwood Empire Food Bank distributing groceries and other essential goods to those in need at hundreds of locations across Sonoma, Lake, Mendocino, Humboldt and Del Norte counties. (A full schedule of distribution times and locations is available on their website.) Trump and Musk’s federal cost-cutting spree first hit Redwood Empire about a week-and-a-half ago, in the form of $750,000, or 155,000 pounds, in suspended food shipments.

At the time, I reached out to the food bank’s head of communications, Rachelle Mesheau, asking how food distribution in our area might be affected by this federal decision. She said the cuts posed a huge obstacle, but seemed confident that Redwood would find ways to make up the difference. Rachelle sent me the following statement:

The federal cuts are indeed a significant challenge, as we were anticipating $700,000 worth of food over the next few months that will no longer be available to us. Despite this setback, we remain committed to providing food to our community in Healdsburg and the surrounding areas. While the cancellation… is disappointing, we are encouraged by the recent announcement of Section 32 bonus buys and are hopeful that the current administration will maintain and create safety net programs for food assistance, especially as more people than ever are seeking help.

This shift means we will need to acquire more food independently to maintain a balanced mix of nutritious offerings. The increased reliance on purchasing food is putting pressure on local markets and raising costs, which will necessitate additional support from donors to meet the growing need. With demand for food assistance rising due to inflation and reduced federal support, the challenge of addressing food insecurity is becoming more acute. Adjustments in our operations and increased fundraising efforts will be necessary to ensure we can continue providing sufficient and nutritious food to those in need, and we remain committed to serving our community effectively despite these challenges.

However! Soon after I spoke to Rachelle, the budget outlook became more dire — this time, thanks to impending state cuts — and food bank officials made the difficult decision to nix eggs, an important source of protein for many of the 140,000-plus locals fed by Redwood Empire.

So why is the state doing this? Here’s an explanation form Stocktonia, a local paper in Stockton: “For several years when the state had a record surplus, it devoted millions of additional dollars to a state program called CalFood that allows food banks to purchase from local farmers or food producers such as tortillerias. Those boosts gave food banks about $60 million a year through CalFood over the past three years; in the budget Gov. Gavin Newsom has proposed for the fiscal year that starts in July, that funding would revert to $8 million.” So in other words, post-Covid relief funding has dried up, as it has for so many services.

And things could get worse before they get better. The North Bay Business Journal reports: “Also at risk is CalFresh, which serves as California’s version of the Supplemental Nutrition Assistance Program (SNAP), the federal food assistance program for low-income households. SNAP is also in jeopardy, as Congress debates its fate and the next version of the 2018 U.S. Farm Bill.”

To help offset all this gouging, you can donate directly to the Redwood Empire Food Bank (or volunteer your time) via their website.

Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

Thousands Join Growing Local Protest Movement Against Trump, Musk

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It’s hard to remember the last time we saw this many protests popping up across the North Bay! In the three months since Donald Trump became U.S. president and let Tesla CEO Elon Musk loose on the federal budget, locals have increasingly been hitting the streets to air their discontent with early moves from the current administration. (Including sweeping budget cuts, layoffs, deportations, tariffs and other severe policy shifts.) Here in Sonoma and Napa counties, people have been showing up to march and shout in front of local politicians’ town halls, Tesla dealerships, federal buildings and other communal gathering spaces.

For instance, on President’s Day in mid-February, hundreds rallied in both Santa Rosa and Napa for local versions of nationwide the “Not My President’s Day” protests, also called “No Kings Day.” But the turnout that day was nothing compared to yesterday, when thousands of fed-up locals staged demonstrations for a national day of action called “Hands Off!” According to the Associated Press, more than 150 groups staged “Hands Off! rallies” at than 1,200-plus locations in all 50 states.

This was the rally cry from the “Hands Off!” website: “Donald Trump and Elon Musk think this country belongs to them. They’re taking everything they can get their hands on, and daring the world to stop them. On Saturday, April 5th, we’re taking to the streets nationwide to fight back with a clear message: Hands off!”

Here in our area, the Indivisible Sonoma County group (and its small-town offshoots, like Indivisible Healdsburg and Indivisible Cloverdale) played a big role in bringing people out. The Press Democrat reports that large rallies were held yesterday in nearly a dozen local towns — Calistoga, Guerneville, Sebastopol, Sonoma (~3,000 protesters), Napa (~1,000 protesters marching over downtown river bridges), etc. — before the big kahuna culminated in Santa Rosa’s Old Courthouse Square from 3-5pm, alongside the farmers market.

The PD estimates around 5,000 people attended the Santa Rosa rally yesterday. From what I’ve heard, while the scene was somewhat chaotic, it was peaceful overall — and the mood was upbeat, even jovial. My mom was in attendance, and told me afterward: “It was such good energy. Everyone was just busting to be able to get out there and say something. You could feel it — so happy.”

Healdsburg resident Dan Weinberg took these pics down at the “Hands Off!” rally in San Francisco yesterday. He said the Larkspur ferry was jam-packed with North Bay residents heading to the big city to protest. (Photos: Dan Weinberg)

So aside from the whole “Hands Off!” thing, the biggest local anti-Trump and anti-Musk movement has come in the form of weekly protests at various Tesla dealerships around here. (Again, the local version of a larger national movement called “Tesla Takedown.”) In Santa Rosa, the regular Saturday protests outside the Tesla showroom on Airway Drive were drawing around 100 people in February, then a few hundred in March — and they’re now reportedly topping 500 protesters per week. A parallel protest at the Tesla outpost in Sebastopol has been pushing 100 each Saturday, too.

For more on the nationwide uprising against Tesla, check out this recent Los Angeles Times story: “Tesla’s steep fall from California’s green darling to hated target of protests, violence, fires.” And our local paper of record, the Press Democrat, has been diving deep into Tesla ownership numbers in the North Bay and how Tesla drivers around here are dealing with the pressure to sell.

Footage of the teeming Tesla protest in Santa Rosa on March 29, a “Global Day of Action” for the Tesla Takedown movement. (Video: Press Democrat via YouTube)

Here are some of the zingiest slogans I’ve seen on homemade protest signs so far, at all these various local demonstrations:

  • Ikea has better cabinets”
  • “End the Turd Reich”
  • “Do not buy a swasti-kar from this fascist clown”
  • “Deport Musk”
  • “Fire Musk and his Musk-rats”
  • “Trumpy makes me grumpy”
  • “So much wrong, so little cardboard”
  • “Get your little hands off our democracy”
  • “Make Amerika a democracy again”
  • “Do not obey the dick-tator”
  • “Left turn only”
  • “DOGE OMG WTF”
  • “Greenland for California: Yes please” (referring to this whole debacle)
  • “Tax the rich” (oldie but a goodie…)
  • “Burn your Tesla” (see below!)
A couple of Sundays ago, on an otherwise peaceful afternoon in the Healdsburg plaza, one resident spotted a “Burn Your Tesla” protest slogan scrawled in pastel chalk between children’s drawings near the plaza fountain. (Image: Linda Cade)

The next big action coming up, aside from the ongoing Tesla Takedown protests, will be an elaborate “End Tax Injustice” caravan and rally spree on Tuesday, April 15 —aka, Tax Day! — at post offices across Sonoma County. (You know, for all of us not scrambling to turn in their taxes last-minute that day.) Looks like this action is being organized by Sonoma County Democratic Party officials. They say on Facebook:

The Federal TAX CODE is corrupt. Too many fail to pay their fair share and ordinary Americans pay the price.

Caravans will form at different points in Sonoma County at Post Offices along the way to Santa Rosa and rally at each one, then head to the next designated Post Office. You can choose to:

• Join a caravan heading to the Santa Rosa Main Post Office (decorate your vehicle!)

• Attend one or all rallies along the caravan route

• Meet up at the end of the day for a final mass rally in SR

Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

Interior Hectoring: Design for the End Times

So, I missed the Sonoma/North Bay Home Expo this past weekend.

Even though I was on the hook for a Home & Garden-themed story, I rationalized that I should stay in bed since I technically checked all the boxes by my very existence:

Sonoma/North Bay—that’s where I am. Home? Woke up in it. Expo? Expository writing is my main gig. Check, check, check.

If one is reading the Bohemian for interior design tips, something’s gone wrong for both of us. That said, I’m not above the gig; I’m not above anything—I’m a Gen X alt-weekly editor—my position in life is, in a word, subterranean.

This is what I’ve learned: The expo was at the fairgrounds. A sole interior design exhibitor was present. Had I more gumption, I would’ve interviewed this brave individualist, who sandwiched themselves between the hawkers of sliding doors and vinyl siding to make their case that it’s “what’s inside” that counts. But I didn’t. Instead, I’ll borrow this incredible sentence from the event’s website: 

“We take away the ‘fear’ of the hard-shell stranger invading your home after that 1-800 appointment you made.” I have no idea what this means. But invoking fear and home invasions by this B-horror film character, the “hard-shell stranger,” leads me to believe ChatGPT may be up to more than writing webcopy.

Robots aside, I would’ve asked the sole interior design exhibitor how to keep the pervasive dystopic vibe of this cultural moment outside the house and create an inner sanctuary on a sub-Ikea budget inside the house.

The answer, I imagine, might have something to do with the “less is more” credo of minimalism. This has become buzzy in recent years since we’ve learned to live with more “less.” And really, “aesthetic” and “ascetic” are practically the same word, right?

Speaking of which, remember the Great ’90s Futon Hoax? They’re comfortable. And conveniently close to the floor. This one folds into the world’s worst couch. All together now: “Transformers. More than meets the eye.”

Also, Pro Tip: That “Chat Noir” poster in one’s dorm room back in the day was painted by Théophile-Alexandre Steinlen, not Toulouse-Lautrec, despite what so-and-so said—they’re wrong. Just say’n.

I have an aunt who has a degree in interior decorating from Sonoma State University (back when they still offered such things). In the ’80s, she helped procure The Empire Strikes Back wallpaper for my bedroom, which goes to show that there’s no accounting for a client’s taste. I sold scraps of the wallpaper to the neighbor kids as rare collectibles. Economists have since noted this moment as the beginning of late stage capitalism.    

These days, my walls are covered with original artwork by artists who owed me money. They pair well with the fancy chair that the sister of an ex somehow sold me for $200 when I expressed an interest, having learned of her plan to throw it away. Tracing its provenance deadends in a parking lot in Atherton where it was first salvaged, but I like to pretend it’s a lost creation by Yrjö Kukkapuro, the legendary Finnish furniture designer who died in February. It’s like sitting on a trash bag full of money. 

And there I sit contemplating the only blank wall that remains in the house. I’ve considered rigging a projector for an ersatz cinema, or painting it an accent color (until I throw up in my mouth a little for even knowing that term). I think it’s best to leave it as is—blank, all possibility and potential, until—FLASH—when the heat from the nuclear blast bleaches it bone white, leaving only the darkened impression of me and my fancy chair remaining, like a shadow puppet Pompeii.

Daedalus Howell does interior design at dhowell.com.

‘The Shark is Broken’ at Left Edge in Santa Rosa

Theatrical adaptations of popular movies populate American theaters to an often-nauseating extent. 

Frequently transmogrified into musicals, producers mount them in the belief there’s a built-in audience guaranteed to show up and buy tickets en masse. 

While successful runs of such shows as Mrs. Doubtfire and Back to the Future might be proving their point, most shows of this type will never make it into a listing of great American theatrical triumphs.  

A tiny subset of that genre would be plays based on the making of a movie. Jonathan Reynolds’ Geniuses, about the making of Francis Ford Coppola’s Apocalypse Now, and Ron Hutchinson’s Moonlight and Magnolias, about the writing of the script for Gone with the Wind, would be prime examples. 

Add to that tiny list The Shark is Broken by Ian Shaw and Joseph Nixon. Left Edge Theatre has a production of the comedy running at The California in Santa Rosa through April 11.  

Nixon and Shaw, the son of actor Robert Shaw, take the circumstances of Shaw’s most famous role, that of shark hunter Quint in Steven Spielberg’s Jaws, and create a what-might-have-happened story between the three stars of the film that’s played mostly for laughs.  

Roy Scheider (Nathan Luft-Runner), Richard Dreyfuss (Dylan James Pereira) and Robert Shaw (Matt Cadigan) spend endless hours on a boat when their mechanical shark nemesis is inoperative. The hard-drinking Shaw and the brash, young Dreyfuss frequently go at it, leaving it to the level-headed Scheider to keep the peace.

Pereira gives the strongest performance of the three. He nails Dreyfuss’ jittery, often manic energy and neurotic personality. Cadigan does alright by Shaw, but there’s something lacking in his vocal delivery. It’s a hard act to follow/recreate. 

Luft-Runner certainly has a physical resemblance to Scheider, but he frequently tripped over his tongue. Perhaps he’ll inhabit the character more as he becomes more confident with his lines.

There are amusing bits in the script and plenty of “inside” references for movie buffs. The single set, small cast requirements of the show worked to first-time director Dana Hunt’s advantage. 

There’s nothing profound in The Shark is Broken, though it tries on the subject of fatherhood. It’s a lightweight entertainment for fans of the film and general cinephiles. If you’ve seen the film (and who hasn’t?), you’ll get it.  

Left Edge Theatre’s ‘The Shark is Broken’ runs through April 11 at The California Theatre, 528 7th St., Santa Rosa. Wed.-Fri., 7:30pm; Sat., 1pm. $22-$44. 707.664.7529. leftedgetheatre.com.

The Art of Making, New Doc Series by KinForged

One never knows when one might launch a docu-series about local artisan makers—like KinForged, which is now available on YouTube.

For married team Keely and John Shofner, it happened in 2025 when they had some down time from their day jobs, which center around the motorsports industry. 

Keely Shofner works in PR, running The KCAGENCY, while John Shofner shoots and edits video based on the motorsports world via his company, Corsa Werks.

“The seed for the idea really came from John and his desire to shoot something different in the offseason of racing,” says Keely Shofner. “We were married in October, and he moved from Dallas to Sonoma County and really wanted to get a better insight into the area, and thought how fun it would be to film someone making honey.” 

As these things sometimes go, the pair was unable to find anyone willing (or, interesting enough) to film making honey. So, while out on recon at Montgomery Village’s Made Local, they decided to broaden the scope of their initial vision.

“We went in to see if we could find some local makers through the store. That is how we were connected with Jim McVicar, who is featured in our second episode, ‘Wood, Wisdom and Time,’” she says.

From there, the duo met with McVicar to see if he might be right for the maiden KinForged voyage. And after they decided he was, it was … ahem, off to the races.

The “Wood, Wisdom and Time” video opens with a lovingly shot, high-definition video of McVicar practicing the tools of his trade. A small brush applies glue on a small, handcrafted piece of wood meant to hold together a larger piece. A sander, being run by hand, spews sawdust into the air. Then, McVicar fades in to not only offer a sort of thesis statement for his work and perhaps, inadvertently, the entire KinForged series.

“I really enjoy one-off projects,” McVicar says. “I don’t want to be a factory,” he continues as the video shows more cutting, sanding and staining of woodworking projects, mainly chopping and cutting boards sealed with olive oil and honey that he creates and sells online. In just two weeks, that video has 32,900 views on the KinForged YouTube channel.

The YouTube algorithm is the main force behind the high views, says Keely Shofner. But she notes that she also reached out to local press and did some online postings, with word of mouth playing a big part. 

“Our hope [is] this brings light to the craft, skills, passion and hard work that goes into handmade goods,” she explains. Once episode one was in the can and posted online, she says she started deep diving on who to feature in the first “season,” which they’re hoping will be six episodes total.

Technically, the first released KinForged video, entitled “Crafting Freedom,” features a peek inside the workshop at Fitz Cyclez, John Fitzgerald’s Santa Rosa-based custom, hand-built, steel-frame bicycle business. 

Much like the “Wood, Wisdom and Time” video, John Shofner trains his camera on the hands of the craftsperson, in this case softly focusing on Fitzgerald’s hands as they polish crafted steel. Other shots show very fine welding before the camera cuts to a bike tire, being ridden slowly, as if to check for balance. 

At just under 16 and a half minutes, the “Crafting Freedom” video makes one feel as if they’ve been along for the journey of making a bicycle and then enjoying the fruits of the labor with a ride in scenic, foggy Sonoma County.

When asked how the duo came to work together, Keely Shofner says, “We actually met through work on a race team we were both working on in January of 2024.” Then she adds, “We instantly became friends, but didn’t start dating until August.” 

From there, the two realized a compatibility, both professionally and personally, that had a natural flow.

“The nice thing is that because of our work, we already had all of the tools necessary to hit the ground running as a two-person team to produce the entire project,” she says. “We have had some learning curves in how this type of work is produced versus filming a race weekend. We also learned we need way more time with each maker than we had originally anticipated.”

When it comes to making the actual videos, Keely Shofner explains their process, saying, “We have an initial planning session where we lay out what we think we want to shoot based upon what we know up front. [Then], we spend a day filming while they work. And this isn’t where they describe what they are doing while they are doing it, but more of us being flies on the wall to get a better understanding of the process.”

And then, the Shofners craft questions that they have from initial filming as well as ones that will help direct the narrative. “In John Fitzgerald’s first interview, he talked about bike packing, and we did an offsite shoot of him and his friends bike packing from Santa Rosa to Bodega Dunes,” Keely Shofner offers as an example. 

The shoots can also be an adventure, she adds, saying, “We spent the night camping with them and filmed their trip back as well,” before clarifying that she typically provides the interview questions as her husband, John, films the subjects. 

As the series gains popularity, the Shofners are receiving all sorts of outreach from makers for potential upcoming videos. A natural question pops up in terms of how subjects are selected and if there have been any false starts as subjects or their passion don’t translate to video. 

Keely Shofner admits, “All of the makers we are filming with now have had compelling stories. Really, that’s why we go through a vetting process initially, as we have had many people reach out that we wouldn’t be able to get enough content on their work to produce a 15-20 minute episode.” As for dream shoots, she says John Shofner hopes to one day capture Banksy in action. “How that would work I am not quite sure, but it would be amazing,” she adds with a laugh. 

Another obvious question arises in terms of the immediate future of KinForged, as the couple are committed to the motorsports industry as a day job, and the racing season is revving up again. 

While KinForged came to life as an interesting lark, Keely Shofner says, “We have absolutely fallen in love with telling the stories of each of the makers,” and they are already planning ahead. “We are working towards filming in some nearby states, then eventually globally. We plan to put out two chapters this year, and will possibly scale down to one chapter with longer episodes moving forward.”

She adds, “One day, we would like to be picked up by a streaming service and maybe do KinForged full time,” almost flipping a 180 with their day jobs. Indeed, having two outlets for work that they are passionate about seems like a good problem to have. 

As duty calls, Keely Shofner closes out by saying, “We truly have gotten so much out of this. From meeting these amazing makers, to learning about their craft, to making new friends. It is something really special that we are both so proud of.” With more than 1,000 subscribers to their channel in under a month, it certainly seems like the passion and care of the KinForged stories is paying off.

The next episode of KinForged, entitled ‘Patterns in History,’ is set to drop April 17. All videos and more info at KinForged.com.

Denim & Diamonds, Nikki Lane at The Mystic

Nikki Lane knows exactly where she wants her music to be—right between rock ’n’ roll and country.

And that’s exactly where it winds up on her current album, Denim & Diamonds, and in her, at times, raucous shows.

“That’s the spot for me throughout my career,” she said in a recent phone interview. Lane performs at Petaluma’s Mystic Theatre with Cotton Clifton on April 20.

“I’ve finally gotten there on this record. I listened to rock ’n’ roll. When I talk, it sounds country. I tell stories in my songs, so that’s it (country) too. But I want to have an edge to it,” she continued.

Told that when she’s hitting the sweet spot between rock ’n’ roll and country, she’s in the same place as Elvis Presley, when he tore up the South with his mid-’50s rockabilly, Lane was flattered by the comparison.

“I don’t deserve it, but to hear my name in any sentence that has Elvis in it is an honor,” she said. “That’s kind of like Homme.”

Homme would be Josh Homme of Queens of the Stone Age, who produced Denim & Diamonds, Lane’s fourth album. So how did she get Homme, who collaborated with Iggy Pop a few years back, to work on her record?

“My previous manager had the idea; he was kind of a music fan first … I was kind of like, ‘Bulls**t. If you think you can get that guy on the phone, fine,’” Lane recalled. “I felt really lucky to get him during a time when we had so much time off and so little time. I got to have an edgier push to my music.”

That desire to be edgier emerged months before she teamed up with Homme.

After recovering from a too-long stint on the road that was ended by Covid, the “Highway Queen” (“After touring so long, I realized that wasn’t just my most popular sign; it was me,” said Lane) started writing new songs, among them, the pulsing, hook-filled, Stones-riff driven, Springsteen name-dropping rocker, “First High.”

But she noted that Homme inspired her to take a lane closer to the rock ’n’ roll edge.

“You’ve just got to lean into it more and more,” Lane explained. “That’s fun to be able to find inspiration in someone’s art as a muse for the new project. It was really fun to work with a bunch of artists I didn’t know—‘Will they like me? I like me.’ I’ve been really lucky with my producers, Dan (Auerbach), Dave Cobb and Josh (Homme); they pick the right people, and the key is to go for it.”

Many of the Denim & Diamonds songs rock even harder live than they do on record—songs, like the country-tinged “Born Tough,” the Stones-ish “Black Widow” and the swaggering title cut, an “I can buy my own damn denim and diamonds” song of independence.

But there’s some quieter, more country-ish material, like the gently rocking, inspirational “Try a Little Harder” and “Good Enough,” a sweet song based on her grandparents’ lifelong relationship—“I decided I should write at least two love songs in my career,” she quipped.

That song is, obviously, taken from Lane’s life. So are many of the rest of her compositions, even though they don’t immediately sound autobiographical.

“The thing I’ve seen is a lot of songs start from my standpoint, then shift to the people who are going through it, what they’re doing,” Lane said. “It’s like the movie, Big Fish, which is one of my favorites, telling a big story through real stuff.

“In my family, that’s kind of what our life has been, a little over the top,” she continued. “Nikki Lane is the character that came from being a real girl who couldn’t control all these little things but found a way through. I use it to my advantage.”

Lane’s been called the Queen of Outlaw Country and is an annual hit at the Americana Music Awards and Festival. But she said she only uses the words, “outlaw” and “Americana,” to help people get a bead on where her music is coming from.

“My dad’s friends listen to the radio,” she said. “They haven’t even made it to Sirius XM … When I go to Montana, and the fishing guides are listening to Cody Jinks and (Chris) Stapleton, which they’ve heard on the radio, it gives you a bridge to them, that I’m similar. What I know is I’m not pop country. Outlaw or Americana helps tell people that.”

Lane was in the middle of a few days off at her Nashville home at the time of this interview. Soon, she’ll be back on the road for a string of April dates that include her stop at the Mystic Theatre in Petaluma before wrapping the run at the Stagecoach Festival at Indio. 

As she often does, Lane will likely drive herself, separate from her band, so she can roll into a city and “buy up all your antiques.” And, she said, the band likes it because “it’s the first time we’ve been to sound check on time in years, which is probably true.”

Some of those purchases will end up in High Class Hillbilly, the Nashville shop she’s run for a decade that handles vintage clothing and Americana, including items she’s picked up on tour. 

Lane has kept HCH going, even though she’s spending less and less time in Music City.

“I really like being able to put my heart into something good,” she said. “I know the store’s good. The music career, I felt a lot of uncertainty. I kept the store just in case. Now I keep it just because.”

Other purchases can end up on stage, as Lane dresses in eye-catching vintage outfits during her shows.

“I got to do some modeling early on because I’m tall, and I try to find things that look cool,” she explained. “It’s fun to play dress up. Now it’s part of Nikki Lane; I lean into it and into the character.”

Nikki Lane performs at 7pm, Sunday, April 20, at The Mystic Theatre, 23 Petaluma Blvd. N., Petaluma. Tickets for the 21+ show are $32 and available at mystictheatre.com.

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‘The Shark is Broken’ at Left Edge in Santa Rosa

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The Art of Making, New Doc Series by KinForged

One never knows when one might launch a docu-series about local artisan makers—like KinForged, which is now available on YouTube. For married team Keely and John Shofner, it happened in 2025 when they had some down time from their day jobs, which center around the motorsports industry.  Keely Shofner works in PR, running The KCAGENCY, while John Shofner shoots and edits...

Denim & Diamonds, Nikki Lane at The Mystic

Nikki Lane knows exactly where she wants her music to be—right between rock ’n’ roll and country. And that’s exactly where it winds up on her current album, Denim & Diamonds, and in her, at times, raucous shows. “That’s the spot for me throughout my career,” she said in a recent phone interview. Lane performs at Petaluma’s Mystic Theatre with Cotton...
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