Mixed Greens

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The band began as a standard jazz sextet, formed in 2015 to complete a recital requirement for Sonoma State University’s music program. It aged into a genre-bending collaboration that now garners labels like “spazz jazz” and “prog bop.” The band is Cabbagehead, the North Bay’s most indefinable ensemble that’s quickly gaining renown for their technical skills and imaginative compositions.

“We kind of go everywhere [musically],” says drummer Ricky Lomeli, who formed the group with guitarist Ab Menon, bassist Kevin Hayes, keyboardist Nate Dittle and a pair of saxophone players, Jesse Shantor on alto sax and Chaco Amazé Lechón Peckham on tenor sax.

The band’s inspiration for their unpredictable and motley sound can be traced back to musicians like Frank Zappa, and their technical chops allow the group to experiment wildly with arrangements and tempos.

“The driving force behind this band is that it’s a very open domain for us to get as weird as we want,” says Lomeli.

Though not everything makes it past rehearsals, Cabbagehead’s commitment to musical experimentation is brilliantly executed on the band’s debut full-length album,

Age, recorded over a single intense weekend last July and released in February.

“It was a very bonding experience to do that album,” says Lomeli, “I think that, in a way, making the record pushed us to realize we wanted to keep this project going.”

Bookended by three vignettes, “CABB,” “AGE” and “HEAD,” the record features extended jams of highly energized jazz fusion that aren’t afraid to dive into heavy metal breakdowns and swing with ska flourishes, and the dueling saxophones play like they’re possessed by the ghost of late free-jazz pioneer Ornette Coleman.

“We very much embrace that we have two saxophonists,” says Lomeli. “They have such different personalities that when they play together they have a nice contrast.”

More puzzling than the music, though, is the name: Cabbagehead. Even the band doesn’t exactly agree on what it means. Menon insists it began after he bought way too much cabbage at the grocery store. Peckham believes it to be a reference to his bushy hair style, while other members apparently have their own random theories.

In any case, the group is making the most of their musical brainstorms with some of the most uniquely mind-blowing bombardments of sound in the Bay Area. “We are after the freedom to do anything,” says Menon. “We’ll try anything once, musically.”

The So-So Depression

The New Jersey–bred comedian Demetri Martin directs and stars in Dean, he’s a Brooklyn panel cartoonist who hasn’t felt like doing very much ever since his mother died. The forlorn Dean says that “an uninvited guest” has found his way into his drawings: the figure of Death, with hood and scythe.

At a Hollywood party, Dean runs into the jesting, pretty Nicky (Gillian Jacobs), who seems to be on his wavelength. Meanwhile, Dean’s father (Kevin Kline) is selling the family home, and starting to date his real estate agent (Mary Steenburgen).

At 40-plus, Martin is of indeterminate age, with a shaggy Beatles haircut masking the jowls that are starting to form—he has some truculence to go with his air of disappointment, and could actually play Nixon someday. But he’s so soft in the face that these essentially twenty-something problems don’t look too unseemly in a man his age.

Compassion has its limits, and the no-visible means of support in his Brooklyn life has been done with more acuteness elsewhere. Even with the autobiographical sourcing, Dean is a movie that appears based on the notes in someone’s Moleskine.

I prefer Kline’s scenes because his character is more about what this movie is supposed to be about—that is, the doldrums of grief. By contrast, Dean doesn’t look like he did all that much in life even before he became sad. One actress stands out, Kate Berlant as Naomi, a too-chatty girl on a cross-country plane. She looks forceful enough to give this undernourished movie some kind of push. Dean is so full of moping, it’s refreshing to see someone eager, even if it’s just eagerness for a conversation about the greatness of Brooklyn.

‘Dean’ is playing at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.522.0719.

Letters to the Editor: June 21, 2017

Concrete Park

As I drove a friend of mine, who once lived here years ago with her parents, past Old Courthouse Square, she said all she sees is a desert with a small patch of green. There is no creativity to this park. There are no curves, no place to plant flowers to beautify it and no restrooms. Just a freaking square of cement with trees and some green lawn.

All my friend could say was how ugly the park is and wondered who pocketed the money to build this eyesore. It makes one think. Luther Burbank is probably turning in his grave.

Santa Rosa

Gun Logic

There is no gun/knife/club violence. There is only human violence. Because there is human violence, self-defense is a natural, basic right. The Second Amendment recognizes that right. Gun shops allow for the procurement of that right, and the state shall not interfere in that right. Gun-free zones interfere with that right and allow good people to be killed with impunity.

There are no bad guns, only bad People. Because there are bad people, good people need the physical means to protect themselves: guns save lives.

The main cause of human violence is a lack of intellectual and moral integrity, not a physical object like a gun/knife/club. When there is no intellectual integrity, only gross physicality rules. The solution is to recognize and promote intellectual and moral integrity, as opposed to moral relativity. When people lack the means to self-defense (guns/knives/clubs), they are ruled by violence from criminals and the state. Exercise your rights!

Petaluma

Faux News

Mainstream media has primarily reflected the reality of upper middle class life and served the propaganda needs of the dominant political parties for a long time. It has ignored the day-to-day reality of coal miners, steel workers, assembly line workers, waitresses and retail clerks. The disconnect has finally reached crisis proportions politically.

Government statistics claim a strong jobs recovery, a booming stock market, increasing productivity and record corporate profits, as if this reflected the experience of the working and lower middle classes, those who earn less than a living wage, those without affordable health insurance, those with food insecurity, those without access to higher education or affordable housing.

This “underclass” of voters resonates with a “populist” politician who asserts that the mainstream media is “fake news,” even if it seems apparent to others that this is for his own political self interest. Many of these voters will admit Mr. Trump’s shortcomings, but minimize them because their goal is to be included in the American dream.

Until the mainstream media and politicians do their job and start reflecting the frustration of those who are not benefiting from the current surging stock market, millions of disenfranchised voters will continue to regard mainstream corporate news as “fake news,” and the traditional leaders of both parties as advocating primarily for the economic elite, and they will be right.

Sonoma

Write to us at le*****@******an.com.

Collection Connection

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Bay Area all-star band the Rock Collection is full of familiar faces and is known for its classic jam-band sound, but that doesn’t mean the group is living in the past. In fact, the Rock Collection is one of the most in-the-moment bands on the scene, able to improvise and harmonize with an instinctual collaborative spirit.

“I really think it’s special. It’s one of the best bands I’ve ever played in,” says drummer and songwriter Greg Anton, whose musical résumé includes Marin rock band Zero.

The Rock Collection includes Anton, organ player Melvin Seals (Jerry Garcia Band), guitarist Dan “Lebo” Lebowitz (ALO), guitarist Stu Allen (Phil Lesh and Friends) and bassist John-Paul McLean (JGB).

Beyond their individual accomplishments, the Rock Collection excels because of a special musical chemistry. “The band just gels,” Anton says. “What’s going on onstage is a conversation at the speed of sound. We are able to bring our differences, and then we resolve them at the moment, moment by moment.”

This week, the group performs its only Bay Area dates this summer, offering four unique sets over two nights, June 23–24, at Terrapin Crossroads, 100 Yacht Club Drive, San Rafael. 8pm. $20–$25. 415.524.2773.

Localization

Whole Foods Market may soon be owned by independent-retailer-gobbling behemoth Amazon, but Oliver’s Market is going in the opposite direction.

Oliver’s, Sonoma County’s largest independent grocer, sold 43 percent of the company to its employees through an employee stock-ownership plan (ESOP), granting a majority of its 1,000-plus employees to collectively purchase this portion of the company.

Founder and president Steve Maass says he wanted to continue the legacy of the market and keep the stores independent.

“It’s a way of keeping a local business local,” Maass says. “It has created a lot of excitement with the employees and with the community.”

With the announcement of the stock ownership plan earlier this month, Oliver’s is now the largest employee-owned company in Sonoma County. Over 600 of its employees qualify for the stock ownership plan.

The plan will provide employees with over 10 years of service full vesting of their allocated shares immediately. All eligible employees that began working at the start of the year will be fully vested for three years.

Maass explained that there are no federal or state taxes involved in the plan, making it affordable to any and all employees that want to call Oliver’s Market their own.

“The taxes are all deferred, much like the 401(k),” Maass says. “It doesn’t cost the employees anything.”

The company also registered as a social purpose corporation (SPC), which means the employees’ welfare, the environment and the community are all considered in business decisions.

“We’ve been a part of the community for almost 30 years,” says Maass, “so we can look at that instead of just the money.”

Maass noted that becoming an SPC was mainly done to protect the business from selling to bigger companies. “Bigger chains certainly want to buy us,” Maass says. “We’re just trying to remain local and independent. I think there’s very, very few independent stores left in the area.”

Maass began his career in retail in 1972 when he founded Maass Produce, operating roadside produce stands all around the Bay Area. He has lived in Sonoma County for over 40 years, and currently serves as a director of the Redwood Empire Food Bank.

Maass founded the first Oliver’s Market in Cotati in 1988 with a vision to create a store where customers truly enjoyed shopping for groceries. Oliver’s is now the largest supporter of products made and grown in Sonoma County, carrying products from over 600 businesses, which account for 26 percent of the store’s annual sales.

Maass credits the success of Oliver’s Market to the longtime managers, staff and employees who have played key roles in the company’s growth over the years.

“I certainly didn’t build the place myself,” Maass says. “Everybody here participated.”

Maass says his own future played a role in the decision to enact the stock ownership plan. “I’m 71 years old,” he says. “I was trying to figure out how to retire—sort of.”

Bohemian readers have named Oliver’s Market the Best Grocery Store for 15 consecutive years, from 2000 to 2015, in the Best Of issue. (The company also advertises in the Bohemian.)

Oliver’s has also been a leader in the Go Local movement in the Sonoma County region, playing an important role in creating the co-op marketing organization Go Local Sonoma County. Oliver’s received a Best Practice Award from the Business Environment Alliance in 2007 and a Green Business Certification from the Sonoma County Green Business Program in 2011.

Now, Maass says, “the employees own the store. I think the plan is a great thing for me, and I think it’s a great thing for the employees. As long as we’re successful, the plan will be successful.”

Local business and labor leaders praised the move by Maass. Ben Stone, executive director of the Sonoma County Economic Development Board, described the Oliver’s move as “very progressive and definitely a way to reach out to the employees and let them be involved in new ways as owners of the company.”

North Bay labor activist Marty Bennett echoed Stone’s enthusiasm, but with a caveat. “It can only be good news from labor’s perspective,” Bennett says. Yet he has heard from younger employees at Oliver’s about some issues around uncertainty in scheduling, and that the starting pay is $13 an hour—Bennett is a huge champion of the Fight for $15. “They are better employers than many retailers,” he says, “but I do not want to say that they have the highest possible labor standards.”

Corey Rosen is an Oakland-based expert on the ESOP phenomenon who founded the National Center for Employee Ownership, and he also gives Oliver’s high marks for its employee-focused move—especially in light of Amazon’s possible purchase of Whole Foods. John Mackey could have gone the ESOP route but chose not to. Companies that do make this choice are not always motivated by the bottom line, says Rosen, and usually are already highly invested in workplace development and other pro-worker programs.

“In companies where owners have a choice—and Oliver’s is a very good example of this—[Maass] could have sold it to all kinds of people. Most of the time the ESOP will pay a competitive price, but he could have sold it for a lot more, and instead he said, ‘I have enough money and legacy matters to me.'”

Pot Rules

When I worked in New Orleans as an online reporter, most of my work was in the criminal justice arena—police, the courts, the notorious Orleans Parish Prison. It was intense and difficult work at times, but never intimidating.

That was not the case when I did freelance work down in New Orleans and got assigned to cover the annual Satchmo Festival, the celebration of Louis Armstrong.

I never felt anything approaching the angst I did when I sat down to write the fateful words “Louis Armstrong” for publication for the first time, in a town where every other person is an armchair Armstrong scholar ready to pounce on any misreported fact about the jazz great.

I confess I feel the same way any time I sit down to write a story in the Bohemian about cannabis (despite the related fact that Satchmo was a total pothead): I feel totally intimidated. I am going to screw this up.

There are people in the state, many in the North Bay, with lots of deep history and knowledge in this area—given the complicated and intersecting medical and recreational use laws now on the books, it’s hard to keep up!

Not anymore! Enter Omar Figueroa, Sebastopol cannabis lawyer and the author of the new hardcover instant classic, Cannabis Codes of California.

With this handy, exhaustive and essential guide to cannabis-related law in the state, I’m no longer intimidated at the thought of reporting on the latest update on cannabis taxation, or distribution, or the black market, or the medical-community’s concerns, the mom-and-pop growers, the Big Cannabis operators, etc. I’ve got Figueroa’s comprehensive Codes to see me through.

Cannabis Codes isn’t a novel, but it does have a built-in plot-line that lays out the law at various junctures in California’s social and political history. Figueroa gives a brief upfront history of cannabis in the state and the various moments where legislators weighed in on some aspect or another of the industry. For example, the 1996 landmark medical-use act is reprinted in its entirety, along with relevant penal codes, fish and wildlife code, health and safety, taxation—et al; and when Gov. Schwarzenegger decriminalized possession of small quantities in 2010, while adding some tough-on-crime language to the state penal code on the back-end.

Who’ll find this book of use? Anyone who wants to get into the cannabis business, or anyone who’s gotten into the business and gotten in trouble for it—and anyone in between whose profession intersects with this rolling and fascinating experiment in cannabis freedom, California style. Cannabis Codes of California is available on Amazon.com.

Tom Gogola is the news editor for the ‘Bohemian.’

Ratto Rising

Amid the mounting scandals and unraveling of the Trump administration—the most anti-labor presidency since Ronald Reagan—there was an important victory for the labor movement in Sonoma County.

On May 19, drivers, mechanics, recycling and clerical workers employed by North Bay Corporation (a subsidiary of the Ratto Group) voted to join Teamsters Local 665 by a 271–31 margin in a National Labor Relations Board election.

North Bay Corporation had won waste-management contracts for the county and most cities by delivering rock-bottom rates. However, an auditor for the city of Santa Rosa in 2016 found that the company was out of compliance with terms of the franchise agreement, including failure to rebuild an aging fleet of polluting and unsafe garbage trucks, inability to meet minimal rates of recycling and diversion from landfills, poor customer service and operating a substandard recycling facility. The union victory will lead to a substantial wage boost to family-supporting levels, job security, retirement benefits and paid sick leave and vacation.

The recycling industry is one of the nation’s most dangerous, with the fifth highest fatality and injury rates. Experience in other jurisdictions suggests that unionization will result in a healthier and safer workplace.

North Bay Corporation recently entered into negotiations that will lead to the sale of the company to Recology, a San Francisco–based firm with a long history of maintaining the highest labor, environmental and customer-service standards. Recology has agreed to retain the workforce, recognize the union and begin contract bargaining after the sale is completed.

North Bay Jobs with Justice helped to build a community-labor support network for the organizing campaign. We look forward to partnering with the union and Recology to raise job quality and environmental standards in the county waste-management sector.

On June 29,, North Bay Jobs with Justice holds a public forum on these issues called “Good Jobs and Zero Waste,” 6:30–8:30pm, at Christ Church United Methodist, 1717 Yulupa Ave., Santa Rosa. For more information, contact 707.293.2863 or no*********@***il.com.

Martin J. Bennett is an instructor emeritus of American history at Santa Rosa Junior College and co-chair of North Bay Jobs with Justice.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Sound Summit 2017 Announces Grateful Dead-Heavy Lineup

SoundSummitLineupPoster
The upcoming third annual Sound Summit is the largest concert on Marin’s Mount Tamalpais, and this year’s installment joins in the region’s ongoing 50th anniversary of both 1967’s “Summer of Love” and Mt Tam’s Magic Mountain Festival with a lineup featuring Grateful Dead’s Phil Lesh and Bob Weir topping the bill together.
Other performers include Jim James of My Morning Jacket performing a rare solo set, indie singer-songwriter Jenny Lewis, New Orleans’ seminal Preservation Hall Jazz Band and San Francisco folk-rock staple Vetiver. Hosted by nonprofit Roots & Branches Conservancy and staged at the historic Mountain Theater, the annual benefit concert will appeal to rock fans of all ages and support Mount Tamalpais State Park when it happens on Saturday, Sept 9. Tickets go on sale this Wednesday, June 21, at 10am PST. 

Manzanita Falls Takes the Long Way in New Music Video

[youtube]https://www.youtube.com/watch?v=7248wFL0P9k[/youtube]
Santa Rosa indie rock outfit Manzanita Falls is just about ready to drop their highly anticipated sophomore album, Abilene, on the world this year. Leading up to that, the band has a new melodic and visually expansive music video for the record’s first single, “Between The Stories.”
Made by new North Bay video production team DogFilm, the video is an emotionally acute exploration of the greater North Bay, following actress Elyse Jurbina as she herself follows a thread from her home to the band in a barefoot trek.
Like most of Manzanita Falls’ music, this new single is a mesmerizing affair, with gently rolling reverb and subtle pulsing drums making for a cathartic gem of rock. Watch the video now and see the band debut the single when they play on Saturday, Jun 17, at HopMonk Tavern in Sebastopol. For details on the show, click here.

Cannabis Codes of California: An Instant Classic!

When I worked in New Orleans as an online reporter most of my work was in the criminal justice arena—police, the courts, the notorious Orleans Parish Prison. It was intense and difficult work at times and as a newcomer to that city around 2009 I arrived in the aftermath of Hurricane Katrina, and all the horrible police-related stuff that went on after the storm. There was a built-in bloc of institutional and historical knowledge that I had to get up to speed on, and quick. The work was intense and difficult but it was never intimidating.

That was not the case when I was doing some freelance work down in New Orleans for the local daily, and got assigned to cover the annual Satchmo Festival in the French Quarter, the celebration of Louis Armstrong.

And let me tell you that I never felt, as a reporter, anything approaching the angst I felt when I sat down to write the fateful words, “Louis Armstrong” for publication for the first time, in a town where every other person is an armchair Armstrong scholar ready to pounce on any mis-reported fact about the jazz great. And the other person is a trumpet player or some other jazzbo steeped in the living history of New Orleans jazz.

I confess that I feel the same way any time I sit down to write a story in the Bohemian about cannabis in California (despite the fact that it’s a fact that Satchmo was a total pothead): I feel totally intimidated. I am going to screw this up.

Why this horrible feeling? Same reason: There are thousands upon thousands of people in the state, many in the North Bay, with lots of deep history and knowledge in this area, and given the complicated and intersecting medical- and recreational-use laws now on the books—it’s hard to keep up! With so many moving parts and competing and/or complementary cannabis constituencies, it can be hard to get out of the weeds to see the weeds for the trees for the forest, to figure out what the news hook is—or something like that.

As with the Satchmo scholars, people in the North Bay are invested, and often heavily so, and for decades, in their chosen field of study and celebration. Every time I report one of these pot stories, I feel that same terror of being exposed as a canna-fraud should I misrepresent some crucial fact or bollix some niggling detail about a particular strain and who is responsible for it.

But not anymore! Enter Omar Figueora, Sebastopol cannabis lawyer and the recent author of the hardcover instant classic, Cannabis Codes of California.

With this handy, exhaustive and essential guide to cannabis-related law in the state, I’m no longer intimidated at the thought of reporting on the latest update on cannabis taxation, or distribution, or the black market, or the medical-community’s concerns, the mom-and-pop growers, the Big Cannabis operators—etc. I’ve got Omar’s comprehensive Codes to see me through.

Cannabis Codes of California isn’t a novel but it does have a built-in plot-line that lays out the law at various junctures in California social and political history. Omar gives a brief upfront history of cannabis in the state and the various moments where legislators weighed in on some aspect or another of the industry: For example, the 1996 landmark medical-use act, is reprinted in its (short but revolutionary) entirety, along with relevant penal codes, fish and wildlife code, health and safety, taxation—et al.

This is a dense and delightful legal-reference book whose content is delivered in a nice, big fat font size for ease of reading among elders of the cannabis community. It’s a timely and useful guide, a greatly informative cover-to-cover read (or casual flip-through) for anyone, myself included, who is intent on having a working, if not expert, knowledge of this fascinating and ground-breaking American experiment in cannabis freedom—and without fear of hearing from some know-it-all canna-crank from NORML if I screw something up in reporting on the latest twist and turn in the law. I got the law, or at least this estimable legal guide, on my side now—and you can, too. Cannabis Codes of California is available on Amazon.com.

Mixed Greens

The band began as a standard jazz sextet, formed in 2015 to complete a recital requirement for Sonoma State University's music program. It aged into a genre-bending collaboration that now garners labels like "spazz jazz" and "prog bop." The band is Cabbagehead, the North Bay's most indefinable ensemble that's quickly gaining renown for their technical skills and imaginative compositions. "We...

The So-So Depression

The New Jersey–bred comedian Demetri Martin directs and stars in Dean, he's a Brooklyn panel cartoonist who hasn't felt like doing very much ever since his mother died. The forlorn Dean says that "an uninvited guest" has found his way into his drawings: the figure of Death, with hood and scythe. At a Hollywood party, Dean runs into the jesting,...

Letters to the Editor: June 21, 2017

Concrete Park As I drove a friend of mine, who once lived here years ago with her parents, past Old Courthouse Square, she said all she sees is a desert with a small patch of green. There is no creativity to this park. There are no curves, no place to plant flowers to beautify it and no restrooms. Just a...

Collection Connection

Bay Area all-star band the Rock Collection is full of familiar faces and is known for its classic jam-band sound, but that doesn't mean the group is living in the past. In fact, the Rock Collection is one of the most in-the-moment bands on the scene, able to improvise and harmonize with an instinctual collaborative spirit. "I really think it's...

Localization

Whole Foods Market may soon be owned by independent-retailer-gobbling behemoth Amazon, but Oliver's Market is going in the opposite direction. Oliver's, Sonoma County's largest independent grocer, sold 43 percent of the company to its employees through an employee stock-ownership plan (ESOP), granting a majority of its 1,000-plus employees to collectively purchase this portion of the company. Founder and president Steve Maass...

Pot Rules

When I worked in New Orleans as an online reporter, most of my work was in the criminal justice arena—police, the courts, the notorious Orleans Parish Prison. It was intense and difficult work at times, but never intimidating. That was not the case when I did freelance work down in New Orleans and got assigned to cover the annual Satchmo...

Ratto Rising

Amid the mounting scandals and unraveling of the Trump administration—the most anti-labor presidency since Ronald Reagan—there was an important victory for the labor movement in Sonoma County. On May 19, drivers, mechanics, recycling and clerical workers employed by North Bay Corporation (a subsidiary of the Ratto Group) voted to join Teamsters Local 665 by a 271–31 margin in a National...

Sound Summit 2017 Announces Grateful Dead-Heavy Lineup

The upcoming third annual Sound Summit is the largest concert on Marin's Mount Tamalpais, and this year's installment joins in the region's ongoing 50th anniversary of both 1967's "Summer of Love" and Mt Tam's Magic Mountain Festival with a lineup featuring Grateful Dead's Phil Lesh and Bob Weir topping the bill together. Other performers include Jim James of My Morning...

Manzanita Falls Takes the Long Way in New Music Video

https://www.youtube.com/watch?v=7248wFL0P9k Santa Rosa indie rock outfit Manzanita Falls is just about ready to drop their highly anticipated sophomore album, Abilene, on the world this year. Leading up to that, the band has a new melodic and visually expansive music video for the record's first single, "Between The Stories." Made by new North Bay video production team DogFilm, the video is an emotionally acute exploration of the...

Cannabis Codes of California: An Instant Classic!

When I worked in New Orleans as an online reporter most of my work was in the criminal justice arena—police, the courts, the notorious Orleans Parish Prison. It was intense and difficult work at times and as a newcomer to that city around 2009 I arrived in the aftermath of Hurricane Katrina, and all the horrible police-related stuff that...
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