Face Value

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In the four years since Petaluma indie-rock quartet Trebuchet released their debut album, much has changed. Woes and victories, both personal and collective, inspired an expanded, heart-on-the-sleeve sound that marks the band’s excellent sophomore album, Volte-Face, available on vinyl, CD and digitally on April 14.

The four-piece outfit is made up of guitarist and lyricist Eliott Whitehurst, bassist Navid Manoochehri and husband-and-wife drummer and keyboardist Paul and Lauren Haile. Friends since meeting at Sonoma State University in 2006, the band members have an intuitive musical chemistry that’s matched by their most honest and personal songwriting yet on the new album.

“We write the music all together,” Whitehurst says. “It’s really collaborative to the point of working on melodies and harmonies before there are lyrics.”

An added bonus to that is that Paul Haile and Manoochehri operate Greenhouse Recording in Petaluma, and Volte-Face is one of the most professional sounding records to come out of Sonoma County in the last year. Layers of synth and vocal harmonies dance around the acoustic guitars, and shimmering cymbal crashes amplify the album’s heaviest moments.

Once the music is in place, Whitehurst pens lyrics to match to mood of the song.

Thematically, Whitehurst says, the content of the new record was tough to deliver. “Lyrically, I’ve always been someone who wanted to delve into really difficult subjects,” he says, “but for every song there was always a breaking point. Like, if I put down this lyric, that’s painful and I’m going to have to revisit it a lot, so with everything before, I had an out to make the song about something else.”

On Volte-Face, Whitehurst avoided the outs and stayed true to sharing his personal struggles in an authentic way. The album’s title, French for “about face,” and the overarching mood of the record, is a reflection of the songwriter’s recent tumultuous past, which included a called-off marriage engagement.

“Mentally, I had kind of checked out of my life,” he says. “I was trying to be OK with the fact that what my life had become was not what I wanted it to be.”

Through the turmoil and the heartache, Whitehurst was able to diverge onto a new life path and the new album, while vulnerable in its tone, is also a cathartic experience. “It was very difficult, but from that point on my life became what I wanted it to be,” says Whitehurst. “I had control of my life again.”

Trebuchet unveil ‘Volte-Face’ with support from Mare Island, Brown Bags and Horders on Saturday, April 15 at the Phoenix Theater, 201 Washington St., Petaluma. 8pm. $10. 707.762.3565.

Jerky Boys

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When Wyatt Bryson moved back home to his family’s 15-acre property in Occidental to make a go as a farmer, friends said he’d have a tough time earning a living.

He’d been growing edible mushrooms in Hawaii and hoped to apply his knowledge here, selling oyster mushroom kits and teaching classes so customers could grow their own.

The fungus-farm idea is still alive, but Bryson has dropped his shovel and turned his energies to another fungal enterprise: mushroom jerky.

He and his brother, Hunter, came up with the idea. Hunter’s wife is from Thailand, and that’s where Hunter was exposed to mushrooms as a street snack.

“My brother is a chef,” Bryson says, “and he whipped together a recipe we just got an amazing response from, and we were like ‘Man, I think we’re on to something,’ and we changed gears. We’re not growing mushrooms at the moment but focused on building the jerky business.”

The brothers joined with business partner Darren Racusen. They’ve only been operational for about month, but interest is growing. The product, Shroom Jerky, is sold at Occidental’s Bohemian Market, Scotty’s Market in San Rafael, Mill
Valley Market and online at shroomjerky.com. Bryson says they are in talks with Community Market and Oliver’s Market to carry the product. A 2.5-ounce package sells for $7.99.

The inherently sweet, nutty flavor of the oyster mushrooms plays off the marinade well. If you didn’t know the jerky was made with mushrooms, you might mistake it for meat. The flavor and texture are meaty, not surprising since oyster mushrooms are high in protein. Current flavors include sesame and sweet chile. Thai curry and Louisiana barbecue flavors are in the works.

“I like to take it into bars sometimes and fool people,” says Hunter. “They say, ‘I love it. Is it beef or pork?'”

If you were stuck in the car on a long road trip with a bunch of vegans and this was all they brought to snack on you would not be bummed. Heck, I’d pick up a bag myself after the trip was over. While there are high-quality brands of beef jerky on the market, much of it comes from meat of dubious quality, and Shroom Jerky makes for a more healthful snack, whether you’re a meat eater or not.

The strength of Shroom Jerky is its simplicity: dried organic oyster mushrooms and a handful of seasonings. The process is pretty simple, too. Dried mushrooms are rehydrated in a sauce and then dried again at the company’s commercial kitchen in Sebastopol. When done, the mushrooms still retain moisture and are pleasantly chewy.

“They’ve got a great flavor,” says Bryson, “and aren’t as mushroomy as others like shiitakes.”

While the brothers plan to
start growing mushrooms again at the family ranch, it won’t be enough to meet their needs. Ten pounds of fresh mushrooms dries down to one pound, and since they make jerky in 50-pound batches, they’d need 500 pound of fresh mushrooms for each run. That’s a lot of fungus, even for passionate mushroom men like the Brysons.

Happy Glampers

The travel industry is ever on the lookout for creative mash-ups and newest things. Take the “poshtel,” for instance, an upgrade on the cheap, no-frills backpacker hostel. While the staying power of that category remains to be seen, glamping, another hybrid concept, appears to be here to stay.

As with the poshtel, glamping is a mishmash of a time-tested experience with a glamorous tweak: outdoor camping injected with convenience and luxury. No need to bring the tent—it awaits your arrival. Instead of stiff camping mats, there are plush beds with high-end mattresses. Elegant gas lamps replace flashlights. While it’s not as cheap as a sleeping bag on the dirt, glamping does offer lower prices than the brick-and-mortar hotels it imitates.

Glamping, which might involve sleeping in a yurt or a vintage trailer, has been enjoyed outside the United States for years, but the trend has only recently taken root in the North Bay, as innovative hoteliers meet the rising demand for lodging. Last year, Terra Glamping established a pop-up lodging experience on the Sonoma-Mendocino border, just above Timber Cove, with ocean-view tents, memory foam mattresses, cooking facilities and embroidered rugs to complete the experience. Breakfast and coffee are served in the morning, and in the evening there are s’mores by the campfire.

A number of Napa Valley wineries have taken to the quick setup of glamping tents and provide an alternative to sleeping among the vines. Charles Krug Winery in St. Helena started to offer tent stays on its lawn last summer as part of a private wine-industry event. A similar, albeit seasonal, offering can be found at Pope Valley Winery in collaboration with Terravello Tours, which specializes in food and glamping experiences.

“It’s definitely a trend, two decades in the making,” says Tim Zahner, chief marketing officer for Sonoma County Tourism. “Safari West in Santa Rosa has had their tents for a number of years, and the Petaluma KOA and the Cloverdale KOA are definitely upgrading their amenities. As people get out and want to experience the outdoors, we are definitely promoting it.”

Zahner himself might be a “more of an REI backpacker kind of guy,” but he can’t deny the potential. “As Sonoma County has every kind of lodging, it’s good to have a balanced portfolio. You don’t want to have too much glamour or too much camping, and glamping appeals to the middle ground and to possible shifts in the economy.”

Crista Luedtke, the owner of Boon Hotel and Boon Restaurant, was there first. This season, running May to October, will be Boon’s fourth year with glamping. “Since we constantly had to tell people we were sold-out at the hotel, I thought of adding these amazing tents, but didn’t want to cramp them,” she says (Boon makes only three tents available for $140 a night). “We already had the bathroom and shower building that we’ve been using for events, so it’s almost like having your own facility, plus all the amenities are the same—the pool, breakfast in your tent.”

For hotel operators like Luedtke, the flexibility and ease of tents are attractive. “It’s been a great way to add more accommodation without adding buildings, Guerneville being a seasonal destination,” she says.

A newcomer to the Russian River, Autocamp also offers “luxury tents” with power outlets and plush linens, as well as a slightly more permanent yet still camping-inspired solution: vintage, refurbished Airstream trailers. Starting in Santa Barbara in 2013, Autocamp’s funky premise is in the spirit of glamping, turning something familiar and old-school into something new. Co-founder Ryan Miller said he discovered the Guerneville location on a scouting road trip.

“I fell in love with the town, not knowing what to expect prior to visiting,” he says. It took the company 14 months to buy the riverfront property and build the clubhouse where guests can purchase snacks and sit by a fire pit. Autocamp’s tents and trailers range from $190 to $350 a night.

There’s nothing new about yurts, but Napa County’s Bothe State Park brings them to a new audience in wine country. The park added the three yurts in 2015 and joined the Outbound Collective, an online community similar to Airbnb for outdoorsy types. Bookings provide links to nature experiences. For $70 a night, visitors hiking the Coyote Trail or visiting the state park can rest on a comfortable bed while still being able to hear the outside world.

Meaghan Clark Tiernan, a 30-year-old writer from San Francisco, stayed in one of the yurts soon after they launched. “Compared to the tent, it was much nicer,” says Clark Tiernan. “The yurt was cozy, so you didn’t need extra layers. We had much more room to spread out, change, and it was still camping in the sense that you were cooking your food outside on the fire.”

While the Bothe yurts are on the cheaper side, the prices at other glamping destinations are steeper than the average camping site. So who goes glamping? Adventuresome folks generally in their 40s or younger, says Luedtke.

Inbal Itachi, 35, a designer from San Francisco, treated her sister visiting from Israel to Luedtke’s glamping experience.

“It was especially fun waking up in the middle of nature, in the woods, and getting breakfast in bed,” she says, “and spending time at the hotel’s pool with drinks and magazines.” The fear of getting bitten by insects was her only complaint.

Autocamp’s Miller says glamping appeals to more than one demographic. “You’ll have the millennials that may live in San Francisco, and then folks that grew up with the nostalgia of an Airstream and love the opportunity to stay in one,” he says. Travelers are looking for something different these days, he says, “to break the mold” of hotel stays.

“What’s your favorite thing about a hotel? Design, great mattress, a good shower? What’s the best about camping? Being outdoors. We’re taking all these and mixing them together,” he says.

Luedtke thinks along similar lines. “Look, I love to camp,” she says, “but it’s a commitment. You carry all your gear, spend a couple of hours setting up and tearing down. Or you can just arrive and have access to it all.”

Outside the Box

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As technology and digital media take hold of our collective consciousness and international conflicts become increasingly fought with unmanned drones, artist Joseph DeLappe aims to challenge the status quo.

This month, several innovative and interactive highlights from DeLappe’s career come together for a new exhibit, “Memory and Resistance,” at the Sonoma Valley Museum of Art. DeLappe opens the show with an artist’s talk on April 15.

Sonoma Valley Museum of Art’s executive director Linda Cano first met DeLappe in 2014 when he was the director of digital media at the University of Nevada in Reno and she was working at the Fresno Art Museum. “We had an exhibition of his work, and he built a life-size drone on the campus of Fresno State out of 3D printing elements,” she says. Each section of the drone had the name of a civilian casualty from U.S. drone strikes in Pakistan.

Cano appreciated DeLappe’s art, and also his sensitivity in handling his subject matter. “It’s very serious work,” she says. “The work itself is provocative, but he himself is not provocative.”

When Cano came to the North Bay to work for SVMA a year ago, DeLappe was one of the first artists she considered featuring at the museum. “Joseph’s political commentary is a good match for the time, and his art is participatory,” she says.

While DeLappe’s installations include polygon cardboard sculptures of the Statue of Liberty and Gandhi, much of his work is more interactive, explains Cano. For one of his most famous projects, dead-in-iraq, DeLappe played the first-person shooter America’s Army, an online recruiting game, and typed in the name, age, service branch and date of death of each service person who had died in Iraq.

DeLappe’s most recent project, Killbox, is his most interactive to date—a two-player game named after the military term for an area targeted for destruction. One player acts as the drone operator, tasked with delivering a strike. The second player is the civilian on the ground bombarded by chaos. Players then switch roles and do it all over again. Rather than glorify violence the way many Call of Duty–type video games encourage, Killbox is a remorseful, horrifying vision of the reality of drone warfare.

Killbox was recently nominated for a BAFTA (British Academy of Film and Television Arts) award for Best Computer Game, and DeLappe, who is now professor of games and tactical media at Abertay University in Dundee, Scotland, just last week received a Guggenheim Fellowship.

“I think this exhibit will be a little different for our community,” Cano says, “and I hope people come, participate and give us feedback about this new direction.”

Oz Day Trip

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In a typical episode from my life in the world of wine, I had just discovered my new favorite style of wine when it all but disappeared from store shelves.

I despaired that I’d never get to explore these wines again until I could manage to travel to the far corner of the earth where they are made, in a land called Oz. But then I discovered a secret door to Oz that’s hidden in plain sight in the city of Napa.

“We call it the Yellowtail effect,” says Blair Poynton, marketing manager at Old Bridge Cellars. Poynton is talking about the inexpensive Australian wine brand with the wallaby logo that became ubiquitous on supermarket shelves in the early 2000s. The problem wasn’t Yellowtail—it’s pretty well made for the price point, Poynton concedes—but that imitators (he mentions a certain Penguin) diluted the reputation of Aussie “critter wines.” And then the 2008 financial crisis put the brakes on the whole category.

Sure, recession-era wine drinkers might have put up with even a diluted, cheap Shiraz buzz, but the Australian dollar refused to tank against the U.S. dollar. Instead, it doubled. All this was not convenient for Old Bridge Cellars, a Napa-based import business that planted its flag on Australian wine back in 1993.

Old Bridge responded by diversifying its portfolio to include wines from Chile, the United States, Italy and—gasp!—France. Today, Australian imports are on the uptick again, but it’s not about the “cheap and cheerful” wines this time, Poynton says. It’s about higher quality wineries like South Australia’s d’Arenberg that Old Bridge has always championed.

Australia’s fine-wine culture is at least as old and developed as California’s, says Poynton, an easygoing Aussie who met his Californian wife during one crush season Down Under. “I’ve got mates who drive trucks for mines,” he says, “but they know the difference between a southeastern and a western Australian Riesling.” Also, they drink loads of beer, he adds.

Indeed, it’s wines like Kilikanoon’s 2010 Mort’s Reserve Clare Valley Riesling ($35) that brought me here in the first place. Like Napa Valley Cabernet Sauvignon is to Bordeaux, south Australian Riesling isn’t an imitation of the Mosel version—this wine is a toasty, lime juice and pineapple-flavored, very dry and tangy exemplar of an entirely different take on the varietal.

Old Bridge Cellars plans to open its doors to Oz, and other regions, just a tiny bit more for its Napa neighbors with Thursday evening tastings in the near future at their longtime offices, a grand old, slightly cluttered, dog-friendly old house at 703 Jefferson St. in Napa. Meanwhile, go to obcwines.com or call Blair at 707.258.9552.

Power of the Pen

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Last week, we learned the Bohemian won three first or second place awards from the California Newspaper Publishers Association for stories written in 2016. The awards will be announced May 20.

Tom Gogola’s story “Condemned Men Talking” (Jan. 15), about life on San Quentin’s death row, earned a nomination in the best writing category and was one of my favorite stories of the year. In the local government category, regular Bohemian contributor Will Parrish was recognized for his story “Crude Awakening” (June 8), about new rules to prevent Canadian tar sands oil production in Bay Area refineries. And my story “Of Water and Wine” (June 15), about development pressures on water resources in Napa County received a nomination in the environmental coverage category.

These are tough times for journalism, given the anti-constitutional bent of Donald Trump and his henchmen and their criticism of reporting that isn’t favorable of them. But for as long as I’ve been in journalism—20 years—the times have always been tough. Newsrooms and budgets continue to shrink. Competition for ad revenue is more fierce than ever. And that darned internet, with its firehose of “news,” looks like it here’s to stay. Toughest of all, we’re told fewer people actually read newspapers on a regular basis. Not exactly a rosy picture.

And yet, somehow, reporters continue to tell compelling, crucial stories that hold the powerful accountable. This week, Pulitzer prizes for journalism were announced (we didn’t get one—next year!), and the list of winning stories should be a source of pride for every American who believes in the importance of the First Amendment. The stories include coverage of the Oakland Ghost Ship fire by the East Bay Times, and Washington Post reporter David Fahrenthold’s stories on Trump’s bogus claims of generosity toward charities.

I don’t know about you, but I feel a little better knowing that there are reporters out there willing to dig in and cause trouble. In a democracy, there is no alternative to a free press.

Stett Holbrook is editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Sitting Ducks

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There is little a responsible reviewer can say about Main Stage West’s eerie, unnerving production of Conor McPherson’s The Birds. Any description of the play’s tone, pace or point of view stands the risk of tipping audiences off, reducing the pleasure of experiencing this taught, emotionally rich, exquisitely acted tale as it masterfully unfolds.

Even if you’ve seen the classic Alfred Hitchcock film, you should not assume you know what McPherson and director Elizabeth Craven have in store for you. Less about birds than about ordinary people stripped of everyday assurances, The Birds is simple, psychological horror—the more powerful for its subdued, casually observational storytelling.

Running through April 23 (and please note that the ornithological thriller plays on Easter Sunday, the day millions of sugary Peeps are ravenously consumed), Main Stage’s tense, edgy drama is much closer to Daphne du Maurier’s original 1952 short story than it is to the 1963 Hitchcock version. But it’s not exactly du Maurier, either.

Carrying spooky echoes of Night of the Living Dead and No Exit, The Birds begins with Liz Jahren’s chillingly resigned voiceover, succinctly describing the rapid fall of civilization after all the birds of the world suddenly, and violently, began attacking and killing any person in sight. To the frightening sound of shrieking birds, a pair of strangers—Diane (Jahren, excellent) and Nat (Nick Sholley, the same)—take refuge in a dark, abandoned farmhouse.

He’s got a fever. She’s got a diary. They hide. Then some stuff happens. Diane writes it all down, and we hear snippets of her end-of-the-world journal as that initial voiceover narration regularly returns. Sound designer Doug Faxon and light designer Missy Weaver do excellent work in bringing this birds-instead-of-zombies nightmare to such vivid life.

Rae Quintana and Anthony Abate appear, at various points, as fellow survivors. More stuff happens, unfolding in a series of individual vignettes, each one separated by hours, days and weeks. The characters frequently discuss the importance of human kindness—a hopeful suggestion that pulses at the heart of what’s to come, and is a big part of why
The Birds is ultimately so haunting, rich and quietly disturbing.

(Note: sound designer Faxon suggests that audiences sit as close to the center of the 70-seat theater to get the maximum impact of his intricate surround-sound design.)

Rating (out of 5): ★★★★½

‘The Birds’ runs Thursday–Sunday through April 23 at Main Stage West, 104 N. Main St., Sebastopol. Thursday–Saturday, 8pm; 5pm matinees on Sunday. $15–$30. 707.823.0177.

Storm’s Toll

This year’s winter storms will
cost California $866 million in road repairs, according to the latest estimates from the California Department of Transportation.

That figure is a significant uptick from the $617 million in damaged assessed at the end of February, and doesn’t include damage estimates from last weekend’s wind-blown deluge which knocked out electricity throughout Marin County, along with the usual array of rockslides, washouts and local road flooding.

The latest figures from Caltrans find Marin County easily at the top of the state list of storm-related 2016–17 damage with $91 million total spread over 17 different projects. The latest damage spreadsheets are a chorus of slip-outs and rockslides, road washouts and sinkholes, failed culverts and accelerated pavement failures. To date, Caltrans has identified 402 damage sites spread throughout the state’s 58 counties.

Napa County has 14 damage sites and Sonoma County has 17, according to Caltrans spreadsheets that detail the statewide damage. The respective price tags for repair are significantly lower than
Marin’s: Caltrans says it will cost $16.5 million to repair Napa’s storm-damaged roads and
$44 million to fix Sonoma’s.

That Marin County figure of $91 million translates into an eye-raising fact: roughly one in 10 dollars spent by Caltrans this spring and summer will be spent on one coastal county. And of the $91 million in damage to Marin roads, $78 million is accounted for in 13 damage sites spread along Highway 1.

Several of the Sonoma County damage sites are also on Highway 1, and comprise about $10 million of the total $44 million damage estimate.

Marin County also fields the third highest single-job estimate of the 402 damage sites identified by Caltrans in its latest damage report, a $17.4 million job to fix a slip-out on Highway 1 with a tie-back wall. Only Santa Clara and Monterey counties have single-ticket items that eclipse Marin’s $17.4 million project. Caltrans pegged $30 million for a wall repair in Santa Clara county, and Monterey’s got a pricey $28 million line item on the spreadsheet to replace the Pfeiffer Canyon Bridge, representing about half of that county’s
$60 million in damages.

Clearly the Bay Area and North Coast took the biggest hit in the winter-spring storms of 2016 and 2017. The top counties after Marin are Santa Clara County, on the hook for $72 million; San Mateo, $63 million; Humboldt, $60 million; and Mendocino,
$65 million. For comparison,
Los Angeles County racked up $55 million in damage to its state roads.

Caltrans estimates that when local costs are factored into
their estimate, the total damage price tag is $1.27 billion. Recent reports estimated Marin County’s road damage obligations at
$10 million, out of the estimated $400 million that localities will pick up this year. The agency reports that it will spend
$700 million on emergency projects this year, “leaving
$170 million for permanent restoration projects.”

“This total will likely rise as we continue to assess damage and estimate repair and restoration costs,” says Caltrans spokesman Mark Dinger via email.

Help is on the way—generally speaking. Last week, the California Legislature passed
SB 1, which will raise California’s gasoline excise tax by 12 cents a gallon and enacts other auto-related fees in the state to fund a long-awaited, $55 billion road repair plan over 10 years.

At the federal level, on April 4, Trump signed off on an unspecified commitment
of Federal Emergency Management Agency dollars
after Gov. Jerry Brown petitioned the administration for disaster relief earlier this year when the storm damage had eclipsed
$500 million. Last week, the administration freed up additional but unspecified funds for Sonoma, Napa and Marin counties. The declaration of disaster will presumably allow counties to pay for a range of repairs brought on by the wicked winter of 2016–17.

FEMA’s eventual contribution to California’s storm-damage repair remains an open question, especially given the erratic and contradictory messages coming from the White House. Trump has threatened to withhold FEMA funds to so-called sanctuary cities—there’s a bill in Sacramento that would make the entire state a sanctuary state. Even as Trump pledges disaster relief to California, the administration’s 2017 budget proposal calls for a $667 million cut in FEMA pre-disaster mitigation programs, according to North Bay U.S. representative Mike Thompson. Trump has also made lots of noise about a big infrastructure build-out, tantalizing talk for Democratic fence-sitters looking for a way to work with the president, even as his proposed budget eliminates the federal Department of Transportation, which Thompson recently noted in his critique of Trump’s budget proposal, “provides almost
$500 million in road projects.”

So what does all this mean for Sonoma County’s notorious pothole problems? Probably not much. Voters in Sonoma turned back a proposed road-fix tax in 2015, a quarter-cent sales tax under Measure A. County officials have argued they need up to $1 billion to upgrade county roads—but the Sonoma County Supervisors could only scratch together $30 million in local road-fix dollars in 2015. The county website goes to pains to explain why there are so many potholes: “At about 2,700 lane miles, the road system of unincorporated Sonoma County is one of the most expansive in the greater Bay Area. Sonoma County also happens to be one of the more sparsely-populated municipalities in the region. This means that the amount of revenue generated for road repair in Sonoma County is below average for the amount of roadway. And for this reason, potholes are a common occurrence.”

Robert Mondavi Winery Announces Lineup for Summer Concert Series

Ben Harper & the Innocent Criminals.  Photo credit: Danny Clinch.
Ben Harper & the Innocent Criminals.
Photo credit: Danny Clinch.

A musical tradition nearly as old as the winery in which it’s held, the 48th annual Robert Mondavi Winery’s “Margrit Mondavi Summer Concert Series” returns in July for another round of chart-topping and Grammy-winning artists performing in Napa Valley’s iconic setting. This year’s lineup features headliners Andrew McMahon in the Wilderness, Patti LaBelle, The Revivalists, Michael Franti & Spearhead and Ben Harper & the Innocent Criminals.
On July 1, indie rock pianist and bandleader Andrew McMahon’s solo outfit Andrew McMahon in the Wilderness kicks off the series with a fireworks-worthy concert. McMahon’s latest album, Zombies on Broadway, reached number 43 on the Billboard charts earlier this year and his current international tour is selling out venues from San Francisco to London.
On July 8, vocalist Patti LaBelle dazzles with a concert of classic hits and stirring soul numbers. On July 15, New Orleans-based big band the Revivalists gets the winery’s outdoor venue dancing with support from Jamestown Revival. The series rounds out with the feel-good grooves of Michael Franti & Spearhead on July 22 and the eclectic styling of Ben Harper & the Innocent Criminals on July 29.
Proceeds from this year’s ticket sales will benefit the Napa Valley Unified School District’s music programs. These shows are expected to sell-out, so don’t waste time in grabbing tickets when they go on sale tomorrow, April 11, at 10am PDT. Click here to get yours.

KOWS Mo(oo)ves Down the Radio Dial

Ten years ago, west Sonoma County community radio station KOWS began above a restaurant in Occidental.

Over the last decade, they’ve moved to downtown Sebastopol to reach a bigger audience, and this spring, the station is making another move, this time on your dial.

Starting May 5, KOWS will broadcast locally on 92.5 FM, moving down the dial from 107.3 FM and widening their scope in Sonoma County with the new destination. Tune in on the weekend of May 6–7 for special programming and information how to support the all-volunteer staff. Radio fans who are outside the radius can continue to to stream at www.kows.fm.

Face Value

In the four years since Petaluma indie-rock quartet Trebuchet released their debut album, much has changed. Woes and victories, both personal and collective, inspired an expanded, heart-on-the-sleeve sound that marks the band's excellent sophomore album, Volte-Face, available on vinyl, CD and digitally on April 14. The four-piece outfit is made up of guitarist and lyricist Eliott Whitehurst, bassist Navid Manoochehri...

Jerky Boys

When Wyatt Bryson moved back home to his family's 15-acre property in Occidental to make a go as a farmer, friends said he'd have a tough time earning a living. He'd been growing edible mushrooms in Hawaii and hoped to apply his knowledge here, selling oyster mushroom kits and teaching classes so customers could grow their own. The fungus-farm idea is...

Happy Glampers

The travel industry is ever on the lookout for creative mash-ups and newest things. Take the "poshtel," for instance, an upgrade on the cheap, no-frills backpacker hostel. While the staying power of that category remains to be seen, glamping, another hybrid concept, appears to be here to stay. As with the poshtel, glamping is a mishmash of a time-tested experience...

Outside the Box

As technology and digital media take hold of our collective consciousness and international conflicts become increasingly fought with unmanned drones, artist Joseph DeLappe aims to challenge the status quo. This month, several innovative and interactive highlights from DeLappe's career come together for a new exhibit, "Memory and Resistance," at the Sonoma Valley Museum of Art. DeLappe opens the show with...

Oz Day Trip

In a typical episode from my life in the world of wine, I had just discovered my new favorite style of wine when it all but disappeared from store shelves. I despaired that I'd never get to explore these wines again until I could manage to travel to the far corner of the earth where they are made, in a...

Power of the Pen

Last week, we learned the Bohemian won three first or second place awards from the California Newspaper Publishers Association for stories written in 2016. The awards will be announced May 20. Tom Gogola's story "Condemned Men Talking" (Jan. 15), about life on San Quentin's death row, earned a nomination in the best writing category and was one of my favorite...

Sitting Ducks

There is little a responsible reviewer can say about Main Stage West's eerie, unnerving production of Conor McPherson's The Birds. Any description of the play's tone, pace or point of view stands the risk of tipping audiences off, reducing the pleasure of experiencing this taught, emotionally rich, exquisitely acted tale as it masterfully unfolds. Even if you've seen the classic...

Storm’s Toll

This year's winter storms will cost California $866 million in road repairs, according to the latest estimates from the California Department of Transportation. That figure is a significant uptick from the $617 million in damaged assessed at the end of February, and doesn't include damage estimates from last weekend's wind-blown deluge which knocked out electricity throughout Marin County, along with...

Robert Mondavi Winery Announces Lineup for Summer Concert Series

A musical tradition nearly as old as the winery in which it's held, the 48th annual Robert Mondavi Winery's "Margrit Mondavi Summer Concert Series" returns in July for another round of chart-topping and Grammy-winning artists performing in Napa Valley's iconic setting. This year's lineup features headliners Andrew McMahon in the Wilderness, Patti LaBelle, The Revivalists, Michael Franti & Spearhead and Ben...

KOWS Mo(oo)ves Down the Radio Dial

The community radio station will broadcast on 92.5 FM in May.
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