Dec. 23: Holiday Jam in Mill Valley

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Narada Michael Walden’s Love, Gospel and Christmas Concert spreads joy and cheer for the 20th year this week with a great lineup of performers sharing the stage. Walden headlines the show with his Great Gospel Band, and special guests include Maria Muldaur, Dan Ashley, Jeanie Tracy and even Santa Claus. Proceeds from the concert will go to Walden’s nonprofit foundation, which encourages and inspires North Bay students through engaging music programs and productions. Christmas comes early on Friday, Dec. 23, at Throckmorton Theatre, 142 Throckmorton Ave., Mill Valley. 8pm. $100 and up. 415.383.9600.

Dec. 24: Get Social in Napa

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With Christmas falling on a Sunday this year, it’s likely that-last minute shopping will run rampant over the weekend. In the heart of downtown Napa, the fine folks at Back Room Wines are offering a respite from the rush in the form of their Christmas Eve Afternoon Social. This casual gathering boasts spirited company and Back Room’s selection of hard-to-get and limited-production wines for a mere $1 tasting fee. Everyone is invited to bring a seasonal finger-food appetizer to share. Catch your breath and meet some new wine-loving friends on Saturday, Dec. 24, at Back Room Wines, 1000 Main St., Napa. 2–5pm. 707.226.1378.

Dec. 28: Word Up in Pt. Reyes

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After 14 years, Point Reyes Books owners Steve Costa and Kate Levinson are passing the torch of the town’s long-standing cultural institution to new owners on Jan. 1. Before they ride off into retirement, Costa and Levinson offer ‘The Last Words,’ an evening of conversation, music and more. The outgoing owners speak to Malcolm Margolin, founder of Berkeley-based independent publisher Heyday Books, and share their favorite memories and thoughts on the role of the bookstore in the community. Hear the last words on Wednesday, Dec. 28, at the Dance Palace, 503 B St., Pt. Reyes Station, 7pm. Free; reservations required. ptreyesbooks.com.

Eat the Vote

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Eating is a political act, so says Michael Pollan, in that it offers three opportunities a day to choose what kind of food system you want, even more if you’re really hungry. That sentiment takes on new significance as a KFC-loving proto-fascist is about to take office in Washington.

As of this writing, Donald Trump has yet to name his nominee for secretary of agriculture, which says something about how much importance he places on the position. There have been a few names bandied about, but I’ll go out on a limb and say whoever gets tapped for the job will be a staunch defender of oil-addicted Big Ag and factory farms and no friend of small, regional farms, the likes of which help define the North Bay and support its rural economy.

While current Secretary of Agriculture Tom Vilsack has helped increase funding for the organic industry and provided more support for vegetable growers of all types, America’s food industry and the farm bill that drives it is still dominated by fat-cat commodity farmers and the lobbyists and Farm Belt politicians who do their bidding. That’s not about to change, and the gains made by sustainable agriculture in the North Bay and beyond will need more politically motivated eaters than ever.

Michelle Obama’s organic garden on the White House south lawn will be hard to remove because it was recently fortified with cement, stone and steel, but don’t get too attached to it. As a fan of McDonald’s, and with the belly to prove it, Trump will probably not eat much produce from the garden. Replacing the garden (which reportedly produced 2,000 pounds of produce a year for the White House kitchen and local food banks) with an artificial grass putting green would be much more his style.

To be sure, shopping at the farmers market, buying organic lettuce and growing your own food is not going to starve the beast that is Trump. But it’s a good place to start and one of the better-tasting forms of protest available for those who want to defend a host of social, economic and environmental goods produced by an environmentally sound local agriculture.

“Everything starts with a seed,” says Tim Page, co-founder of FEED Sonoma, a microregional produce distributor in Sebastopol. “Farming is an amazing metaphor for the one-step-at-a-time philosophy.”

Page, and the farmers he works with, plan to keep on keeping on. “Our path has not changed,” he says. “We’re going to do it every day anyway, because we believe [ecological farming is] the path to healing our environment.”

But in spite of that, the North Bay only grows a small fraction of what its residents consume. What is needed are more consumers who vote with their forks, says Page. “The change needs to come from them.”

For Evan Wiig, founder of the Farmers Guild, a young farmer advocacy and networking group, Trump poses a real threat to the progress made in local agriculture. “It’s hard to get past the feeling of dread,” he says.

While the state is funding innovative programs in carbon sequestration and healthy soils, gains made at the federal level could be undone by a Trump administration not expected to be down with things like regenerative farming and pasture-raised beef.

Central to success of North Bay farms and rural America in general, Wiig says, is a direct connection between farmers and their customers. When farmers become anonymous producers, they become “price takers instead of price makers” and suffer at the hands of top-down food conglomerates.

Wiig says the silver living of the election is that it has ignited a great deal of energy for civic action. Whether you care about local food or immigrant rights, there’s now an outlet for that energy. To that end, the Farmers Guild and various social and environmental justice groups are hosting the North Bay Community Engagement Fair. The Jan. 29 event at the Sonoma County Fairgrounds will feature dozens of local nonprofits with volunteer opportunities for those who want to turn their complaints into action—if not lots of kale.

Go to www.facebook.com/events/578225585715100 for information on the Jan. 29 event.

Made for Walking

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Songwriter and Sebastopol native Frankie Boots has had a lot of great times with his alt-folk collective the County Line, making rustic and wild Western tunes like those found on his 2016 album, Leave the Light On.

Now it’s time for Boots to get walking, and the band leader has decided to make his way to New Orleans for the next chapter of his career. But first Boots and company are going out in style with a farewell concert on Dec. 23 at HopMonk Tavern in Sebastopol.

The silver lining to this news is that Boots is not leaving local fans empty-handed. He’s releasing his new solo record, Pagan Ranch, which was recorded at Gremlintone Studios by songsmith and analog enthusiast John Courage. These new songs were made in a flurry of spontaneous energy that yielded vintage-inspired honky-tonk and soul, with special guests like Alison Harris and Katie Phillips of the Bootleg Honeys and Kevin Carducci of the Easy Leaves on backup vocals.

Copies of Pagan Ranch will be available at the show, and John Courage opens the night with a reunion of his own beloved four-piece rock band the Great Plains. Don’t miss this chance to bid Frankie Boots a fond farewell and maybe buy him a beer on Friday, Dec. 23, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol. 8pm. $15 (21 and over). 707.829.7300.

Letters to the Editor: December 21, 2016

That Was Then

In essence, I whole-heartedly agree with T. Freedman’s “Let’s Get Busy” (Letters, Dec. 14). However, what he advocates is no longer possible. I met Harry Belafonte briefly in the 1960s. I marched with the Student Nonviolent Coordinating Committee led by Stokely Carmichael in downtown Jackson, Miss. I was beaten and incarcerated by the cops. I registered 35 blacks to vote in KKK-controlled Amite County, the first to ever register in that county. Yes, we won then. And, no, contrary to Belafonte, it was the rednecks that did the kicking and killing. Lots of it.

Nonviolence will be useless against the mad-dog generals Trump has brought out of retirement for his cabinet. When Trump, draft-deferred for a spur in his foot that magically disappeared, saw that those running the military were not in sympathy with him, he found those who were.

As a civilian with USAID Refugee Division in Vietnam’s Mekong Delta, I did not recognized these generals’ names, but I did recognize their lunatic-fringed, murder-mad faces. They looked like the captains and majors I met working with the CIA’s Phoenix Program. They would tell me frequently, “If I were in charge, I’d nuke Hanoi. That would bring the war to a sudden halt.” Well, they’ll be in charge soon. China may feel that it’s wise to strike first?

Now with hundreds, perhaps thousands, of predator-drones armed with nuke missiles, they’ll put civil rights advocates like me to a sudden end. And they would not shed a single tear.

Michael Moore said that there would no longer be any elections. And there won’t be.

Santa Rosa

Hip to Be Square

Memo to Mr. Madgalene (Open Mic,
Dec. 14): Sorry, pal, but the knee-jerk, liberal rhetoric you spout regarding hip-hop and rap only lays bare the lameness contained within, thereby exposing what you so badly wish to be but ain’t: hip.

Sir, I dare you—make that double dare you—to go into the ‘hood and repeat those comments, and I guarantee you will come out with, at the least, a good poke in the eye, if not tarred and feathered. Rap and hip-hop aren’t dead, but obviously you and those like you are. Go back to watching television—your “little screen.” Apparently it’s what you do best.

Thank God for the Bohemian‘s letters to the editor and Open Mic, otherwise I’m not sure I would know what to do with myself.

Sonoma Valley

Stand Up

How blessed we are to be so directly connected with people and activities supporting Standing Rock. Will Parrish’s recent articles in the Bohemian from Standing Rock have been awesome. Thanks be to all.

Via Bohemian.com

You have just won my heart forever, North Bay Bohemian.

Via Bohemian.com

Write to us at le*****@******an.com.

Water Wonders

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Describing a new Cirque du Soleil show is always a challenge. The acclaimed company’s newest production, Luzia: A Waking Dream of Mexico, is no less difficult.

Presented through Jan. 29 under the company’s conspicuously festive big-top tent in the parking lot of San Francisco’s AT&T Park, Luzia, directed by Daniele Finzi Pasca, is a rain-drenched love letter to the colorful culture of Mexico. The acclaimed clown Eric Fool Koller is our guide, as he tries against odds to get . . . well, we’re never quite sure where he’s going till the end.

First seen falling from an airplane, dangling downward past birds and clouds as he descends from the towering heights of the tent, Koller is a marvel, his resourceful but none-too-lucky character finally improvising a safe landing (using an umbrella) after first losing his parachute. Throughout the show, this plucky wanderer stumbles in and out of various mind-boggling landscapes and experiences. Early on he encounters a stunning monarch butterfly with enormous puppeteer-powered wings, running and flying alongside a remarkable mechanical horse that’s sprinting in slow motion on a series of treadmills.

Then come the acrobatic hummingbirds, impossibly bouncing their way through a series of ever rising hoops; a Tarzan-like acrobat dancing in and out of a pool of blue water, as a friendly jaguar prowls and frolics on the periphery; a Mexican wrestler achieving every child’s dream of defying gravity on a massive swing that, in one heart-stopping moment, takes its rider all the way around.

As stunning as these visions are, nothing prepares us for the wall of rain that regularly falls on the stage, drenching its performers, yet somehow instantly disappearing beneath the marvelous, absorbent set. In one jaw-dropping moment, the sheet of rain becomes the show itself, at first dividing itself into two, then falling in patterns to the left and then the right, and finally transforming into a magical canvas, dropping the rain in patterns of fish and birds and butterflies.

Knowing it was done through a computer-timed release of water never detracts from the utter amazement of the effect. In sync to the beat of pulsing, soul-reaching music, the magnificent rain sequence was easily one of the most beautiful things I have ever seen onstage.

As theater, Luzia sometimes strains for a dreamy linear arc, but ultimately this stunning show reaches past dreams and beyond logic to create a world you might not want to leave. And one you might just want to experience again.

Rating (out of 5): ★★★★

Bad Move

The Sonoma County Board of Supervisors has essentially banned commercial growing in rural and agricultural residential zoned property. It is my belief that this includes the majority of Sonoma County cannabis farmers.

When I saw what the supervisors did, I couldn’t help but feel like Chevy Chase in National Lampoon’s Christmas Vacation, when he learns that his Christmas bonus was a membership in the Jelly of the Month club. It’s not that I expected more, but it’s still a kick in the teeth. My complaint is that the county is killing a once-in-a-lifetime chance before it even gets started.

The made charge made by those who oppose modest gardens in these zones is that growing marijuana attracts crime. There are two flaws with this reasoning. First, the county and state requirements for grower security have yet to be determined, let alone tested. It’s unknown how much these requirements could alleviate concerns over crime. Just as we didn’t see gangsters with tommy guns shooting up saloons after Prohibition ended, I expect that reasonable regulation of cannabis would reduce the crime associated with cannabis.

Second, this will backfire. People won’t stop growing. Most can’t. This is unfortunate for many reasons. For both the growers and the community, the black market is not healthy. But, as I have written before, most people cannot go and buy five (or more) acres of prime agricultural land.

So what do people growing in these areas do now? First, they should carefully consider voting no on any tax measures the county wants to impose. A yes vote is probably a vote for one’s growing (and financial) extinction. Second, they should consider whether a rezoning or variance could be filed. I’d contact a land-use attorney or permit company. Third, it is unclear at the time of this writing how long the county will give growers to come into compliance. I expect most growers to continue into 2017. Many have signed leases and made commitments. Will that draw enforcement from the county or will it give a reasonable period of time for people to wrap up?

Don’t get me wrong. I’m not encouraging people to disregard any law. I’m merely expressing frustration that the county is still acting like it’s 1954 instead of 2016. Cannabis is the fastest growing industry in the country and worth a fortune to Sonoma County.

If the county had banned growing in these areas because cannabis remains a federal crime or some other legitimate reason, it would at least have been honest. As it is, its decision will not stop crime, increase tax revenue or stop growing.

Ben Adams is a local attorney who concentrates his practice on cannabis compliance and defense.

Finding Bliss

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Americana songwriter and Northern California native Jackie Greene has long been a North Bay favorite, not only as a solo performer, but as a one-time member of the Black Crowes, a touring partner with Bob Weir and a part of Phil Lesh & Friends.

Though he moved to Brooklyn a few years ago, Greene still makes his way west as often as he can. He performs with his band at the Mystic Theatre in Petaluma on Dec. 29 and 30.

So what took Greene to the East Coast? “It was a girl,” he says. “What can you say?” Still, music remains Greene’s main muse, and he estimates that he and his band performed nearly 150 shows across the country this year alone, including his annual birthday show in San Francisco last month. “It was great. Bob Weir and Phil Lesh both came,” he says. “We ended up doing three sets. It was crazy and wild.”

Greene says he didn’t grow up a Grateful Dead fan, and only started diving deep into the music after meeting Lesh in 2006. “Those first few years playing with Phil was like a Grateful Dead master class,” says Greene. “As time went on, I fell more in love with those songs, and I’m a full-on Dead Head at this point.”

Greene credits Lesh and Weir with opening him up to the concept of playing his songs with improvisation. “Phil and Bob are both fearless in the way they view live performance,” Greene says. “You know, Picasso said famously that a painting is never finished, and a song might be the same way. Those damn hippies might have been on to something,” he laughs.

In addition to picking up a knack for experimentation from the Dead, Greene’s achingly personal, emotionally charged songwriting is inspired by one of his other musical heroes.

“The first thing that really got me into songwriting was Tom Waits. I fell in love with that gravelly voice,” he says. “I was immediately attracted to it because it was weird, it was different, and it sounded painful to me.”

Those influences and Greene’s love of traditional folk and roots-rock shine on his seven eclectic solo albums, including 2015’s Back to Birth.

Greene says he’s writing material constantly, and hopes to have a new release next year, but it’s hard to say where it’s going just yet. “I sort of follow whatever my muse is of the day or my bliss of the moment,” he says. “For better or worse, that’s just the way I do things.”

Bubbles Up

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‘It’s hard to pour just a little Champagne,” says Sharon Cohn with a smile, after I remark on the healthy pours of sparkling wine lined up on the bar at Breathless Wines. The little sparkling wine brand with a big heart has opened a new tasting room just in time for the holidays.

Breathless was founded in 2011 by Cohn and her sisters, Rebecca Faust and Cynthia Faust, in part as a tribute to their mother, who died of the rare lung disorder Alpha-1. But there’s more to the moniker than that: “We were always breathless behind her, because she was always charging up the hill!” Cohn explains of their mother’s enthusiasm for the outdoors. The brand, which donates to a list of charitable organizations, is really about joy and exhilaration, says Cohn.

The tasting room is plunked down—literally, the components were plunked down with a crane—in a relatively out-of-the-way industrial zone of Healdsburg that’s only a short walk west of the Plaza. Fittingly for the locale, it’s constructed from three shipping containers, which were purchased in new condition and expertly welded together over the summer by a metalworker who was just getting warmed up for Burning Man, according to Cohn.

The mix of art deco and industrial chic works in this free-standing building, conveniently nudged up to a warehouse winery chock-full of state-of-the-art sparkling wine equipment; it’s one of three facilities operated by custom crush outfit, Rack & Riddle, cofounded by Rebecca Faust.

While massive gyro pallets mechanically riddle cases of wine, outside, the tasting room opens into a bar with access to a pleasant, tree-shaded patio on warmer days. There are plans for a pizza oven.

Besides reasonably priced sparkling wine, sourced from Sonoma and Mendocino counties, Breathless offers fine poster prints of its label art imported from England, attractive Champagne tulip glasses, Good Works bracelets and props for impromptu 1920s-themed Polaroid fun.

We’ll take a closer look at the wines in our annual sparkling wine guide next week. The newest of the lineup, Breathless Blanc de Blancs ($29), is my current favorite: piquant like pineapple, creamy like lemony custard. The Blanc de Noirs ($30) adds toastiness to the raspberry soda flavors of the pinkish, rosé-like North Coast Brut ($25), while the Sparkling Rosé ($32) brings on more than just a little touch of raspberries and cream.

Breathless Wines, 499 Moore Lane, Healdsburg. Open Thursday–Tuesday, 11am–6pm. Tasting fee $14. 707.395.7300.

Dec. 23: Holiday Jam in Mill Valley

Narada Michael Walden’s Love, Gospel and Christmas Concert spreads joy and cheer for the 20th year this week with a great lineup of performers sharing the stage. Walden headlines the show with his Great Gospel Band, and special guests include Maria Muldaur, Dan Ashley, Jeanie Tracy and even Santa Claus. Proceeds from the concert will go to Walden’s nonprofit...

Dec. 24: Get Social in Napa

With Christmas falling on a Sunday this year, it’s likely that-last minute shopping will run rampant over the weekend. In the heart of downtown Napa, the fine folks at Back Room Wines are offering a respite from the rush in the form of their Christmas Eve Afternoon Social. This casual gathering boasts spirited company and Back Room’s selection of...

Dec. 28: Word Up in Pt. Reyes

After 14 years, Point Reyes Books owners Steve Costa and Kate Levinson are passing the torch of the town’s long-standing cultural institution to new owners on Jan. 1. Before they ride off into retirement, Costa and Levinson offer ‘The Last Words,’ an evening of conversation, music and more. The outgoing owners speak to Malcolm Margolin, founder of Berkeley-based independent...

Eat the Vote

Eating is a political act, so says Michael Pollan, in that it offers three opportunities a day to choose what kind of food system you want, even more if you're really hungry. That sentiment takes on new significance as a KFC-loving proto-fascist is about to take office in Washington. As of this writing, Donald Trump has yet to name his...

Made for Walking

Songwriter and Sebastopol native Frankie Boots has had a lot of great times with his alt-folk collective the County Line, making rustic and wild Western tunes like those found on his 2016 album, Leave the Light On. Now it's time for Boots to get walking, and the band leader has decided to make his way to New Orleans for the...

Letters to the Editor: December 21, 2016

That Was Then In essence, I whole-heartedly agree with T. Freedman's "Let's Get Busy" (Letters, Dec. 14). However, what he advocates is no longer possible. I met Harry Belafonte briefly in the 1960s. I marched with the Student Nonviolent Coordinating Committee led by Stokely Carmichael in downtown Jackson, Miss. I was beaten and incarcerated by the cops. I registered 35...

Water Wonders

Describing a new Cirque du Soleil show is always a challenge. The acclaimed company's newest production, Luzia: A Waking Dream of Mexico, is no less difficult. Presented through Jan. 29 under the company's conspicuously festive big-top tent in the parking lot of San Francisco's AT&T Park, Luzia, directed by Daniele Finzi Pasca, is a rain-drenched love letter to the colorful...

Bad Move

The Sonoma County Board of Supervisors has essentially banned commercial growing in rural and agricultural residential zoned property. It is my belief that this includes the majority of Sonoma County cannabis farmers. When I saw what the supervisors did, I couldn't help but feel like Chevy Chase in National Lampoon's Christmas Vacation, when he learns that his Christmas bonus was...

Finding Bliss

Americana songwriter and Northern California native Jackie Greene has long been a North Bay favorite, not only as a solo performer, but as a one-time member of the Black Crowes, a touring partner with Bob Weir and a part of Phil Lesh & Friends. Though he moved to Brooklyn a few years ago, Greene still makes his way west as...

Bubbles Up

'It's hard to pour just a little Champagne," says Sharon Cohn with a smile, after I remark on the healthy pours of sparkling wine lined up on the bar at Breathless Wines. The little sparkling wine brand with a big heart has opened a new tasting room just in time for the holidays. Breathless was founded in 2011 by Cohn...
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