Survey Says

This will be my last column for a while, as I anticipate an extended assignment out of the area soon. I will leave you with a look back at 2016 cannabis trends.

The basis of this review of last year is the Eaze “State of Cannabis” 2016 report. Eaze is a California-based cannabis-delivery service with virtually statewide coverage. Eaze did approximately 350,000 deliveries last year. Using its sales data and a survey of 5,000 members, this is what Eaze reported:

The top strains of the year were Gorilla Glue #4, Jack Herer, Bubba Kush, Girl Scout Cookies and Headband. The cleverly named Berry White is a rising star at
No. 8. A quick look at the terpene profiles of the above strains shows a strong presence of humulene in five out of the six. Humulene, also found in sage and ginseng, is reported to have anti-bacterial, anti-inflammatory, nonproliferative properties (inhibits cancer cell growth), and is known as an appetite suppressant similar to THCV, a cannabis compound with a number of potential health benefits.

In other findings, 2015 vape cartridges represented 6 percent of Eaze sales, which in 2016 rose to 24 percent. The utility, immediacy and comparative stealthiness of vape cartridges is rapidly winning over the most hardened flower smoker.

The top cannabis holidays were 4/20, Green Wednesday and Halloween. Green Wednesday is the day before Thanksgiving. Apparently, spending time with the family requires significant pre-medication. Forget the baked yams, go with the Girl Scout Cookies.

Want to know why the alcohol industry and Big Pharma are afraid of the cannabis industry? Cannabis is replacing opioids for pain management, according to the Eaze report. Ninety-five percent of survey respondents reported using less opioids for pain management. Ninety-five percent!

With respect to alcohol, Eaze reports that 82 percent of its customer base has reduced alcohol consumption, with 11 percent quitting altogether. On a personal level, I find myself less interested in alcohol these days, and, on a related note, find that consuming 20mg of CBD prior to any drinking virtually eliminates hangovers.

Awareness of the benefits of CBD continues to grow—there was a 38 percent increase in CBD dominant products from 2015 to 2016, says Eaze. Specifically, patients were using CBD to reduce anxiety and inflammation.

Well, let’s see: California cannabis consumers are using fewer painkillers, drinking less, reducing anxiety and (perhaps unknowingly) managing appetite. And these aren’t alternative facts.

Contact Michael Hayes at mh*******@*****st.net.

Spotlight on Santa Rosa

Santa Rosa bike builder Jeremy Sycip marks 25 years

Bike builder Jeremy Sycip and his wife moved here in 2000 to escape the rising cost of living in San Francisco, not for the city’s bike scene. “Back then, the dotcom thing was getting big and we didn’t want to get pushed out of our shop space and the cheap lease we had,” he says. “We looked at Marin but it was too expensive and eventually found Santa Rosa.”

Sycip (pronounced “SEE-sip”) was used to driving up to Santa Rosa to have his frames painted, but living there was an adjustment. “When we first moved to Santa Rosa, it kind of scared us a little bit,” he jokes. “My first time mountain biking in Annadel [State Park], there was a big old truck with a Confederate flag sticking out. I was like, ‘Where did we just move to?'”

But 17 years later, the move proved to be a good one, as Sycip celebrates 25 years building some of the industry’s most sought-after custom bike frames.

As Sycip’s reputation for elegant, highly functional road and mountain bikes grew, so did Santa Rosa’s reputation as a bike lover’s town. “It’s just getting bigger and bigger, and it’s great to see that,” he says.

It was Ibis Cycles founder and Mountain Bike Hall of Famer Scot Nicol who first sold him on the area. Nicol, who started Ibis in Sebastopol before moving the business to Santa Rosa, was one of Sycip’s first cycling buddies in the area. (Ibis is now based in Santa Cruz).

“Scot said, ‘Santa Rosa seems like a small town but pretty much any direction you go there are beautiful cycling roads.’ And it’s true. And the mountain-biking is world-class. Annadel is right in the middle of town. What other city has great mountain-bike trails in the middle of town? It’s pretty cool.”

Sycip makes about a hundred bikes a year from his 500-square-foot shop behind his house in eastern Santa Rosa. He recently moved out of his 4,000-square-foot shop in Railroad Square after restructuring the company. And he couldn’t be happier. While he misses some of the social aspects of his former space and the quick access to food and drink, the trade-off is no commute, no rent and easy access to Annadel and Hood Mountain.

The shop is exactly the kind of place you’d imagine it would be. It’s loaded with hulking lathes, mills, jigs and other heavy metal machinery. Bike frames in various stages of construction hang from the ceiling while Sycip’s cat Violet wanders in and out.

Walk into a bike shop, and pricey carbon fiber bikes occupy prime floor space, but about
90 percent of the bikes Sycip makes are steel, an old-school material that he says is coming back into fashion as the tubing gets lighter, and riders appreciate its supple, forgiving feel. He also makes frames of aluminum and titanium. While he’s known for his classic designs and traditional materials, he continues to innovate and builds everything from cargo bikes to around-town cruisers.

Sycip is celebrating his 25th year as a frame builder with a limited run of 25 road bikes patterned after the first bike he built, with lots of geek-worthy details, like a sterling silver head badge and flowers hand-painted by his brother, Jay, who did the artwork on his first frame.

He jokes that it’s too late for him to change careers but he clearly loves what he does.

“Everything is done one at a time. It’s individual, for each person makes a big difference to me. It’s not a mass-produced thing. I get to meet the people who order the bikes, build them what they want and see them riding off on it and enjoying the bike. It’s an art piece and very functional. That’s what’s appealing to me and why I keep on doing it.”

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LOCAL KNOWLEDGE

Santa Rosa resident and LandPaths executive director Craig Anderson tells all

Describe your perfect day in Santa Rosa?

On an early spring weekend day, the chorus of birds in our Santa Rosa Junior College ‘hood backyard wakes us up (always the crows that do the waking part); espresso as the chorus winds down, followed by a bike ride with the family to a local breakfast place like Dierk’s or Hank’s or A’roma Roasters, to be followed by a visit later on to King’s Nursery to buy starts and seeds (I never can manage all the tomatoes, but hope does spring eternal).

Where is your favorite place to eat in Santa Rosa and why?

How does a true-blue Santa Rosan answer this but to say, “Here’s my favorite place given this occasion, and favorite for that . . .” When pushed on this one, it’s Simply Vietnam. We love supporting family-owned restaurants, especially ones that speak to a certain place and culture as expressed through cuisine and art. Simply Vietnam is what we aspire to be: it’s not fussy, it’s quick and to the point, healthy fare with various shades of taste and texture—soups or noodles, barbecued meats and enough basil and hot peppers to scare the devil. The staff is nice and it feels extra-positive now to support an establishment run by a family that broadens the weave of our cultural fabric, who we truly are as Americans.

Where do you take first-time visitors to Santa Rosa?

We typically go to Bayer Farm & Community Park in Roseland, and not because it’s a city park envisioned and largely built by LandPaths, but because we delight in the place and its people, and what that breeds as hope for our future. Bayer Farm is a confluence of a historic barn, gardens with 40-plus families from a minimum of seven different ethnic and cultural traditions farming it (including potlucks on Friday evenings). There are always interesting people to talk with and learn from. And what says more about Sonoma County than a beautiful place to farm right near downtown within the historic shadow of local son, Luther Burbank?

What do you know about Santa Rosa that others don’t?

Probably nothing, but what little-known fact intrigues me? A mountain lion has been spotted more than once in the Paulin Creek area (near the old Sutter Hospital off Chanate Road), and yet I’ve heard of few pets gone missing, though that flock of turkeys there never seems to get much bigger.

If you could change one thing about Santa Rosa what would it be?

I’d like for Highway 101 to be magically relocated and allow Santa Rosa to be reconnected into its former, whole self. What would be done, then, with the linear “hole” through the heart of Santa Rosa left by the former 101? It would become like the Highline in New York, that elevated green parkway, but instead it could be the great Santa Rosa Farmway, with community garden allotments and even production farms linked by bike trails both north-south with spurs going to east and west. This is ground zero in Luther Burbank’s “chosen spot on Earth”; it is also a time in our history where economic and ecological costs for shipping food is not only increasingly expensive, but has been shown to reduce nutritional value. Participatory farming, like Bayer Farm and LandPaths Rancho Mark West, time and time again builds communities through relationship. Imagine what a three- or four-mile farmway could do for our city? That would be something to see.

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THINGS TO DO IN SANTA ROSA

World Language Fair & World Heritage Day

Things get international at the Santa Rosa Junior College this month when the school’s department of modern and classical languages hosts two separate days of bilingual presentations and entertainment, the World Language Fair and World Heritage Day. First, on April 18, the SRJC’s Emeritus Plaza welcomes an array of musicians, dancers and authors, such as Spanish-born and Los Angeles–based poet Mariano Zaro, to demonstrate their creative cultural expression in several languages. An international cafe will be serving food from around the world, and SRJC language department staff will be on hand to offer more information about their academic offerings. Next, on April 20, the SRJC’s World Heritage Day event takes over the student center for an interactive lecture by nationally syndicated cartoonist and satirist Lalo Alcaraz, who has produced editorial cartoons for the LA Weekly since 1992. Both events begin at noon and are free to attend (campus parking is $4). 1501 Mendocino Ave. 707.527.4011.

Earth Day at City Hall

Santa Rosa’s eighth annual Earth Day On Stage event makes its debut at City Hall on April 22 for a day of inspiration and conservation. The free, family-friendly event features a stellar lineup of multicultural entertainment, including VOENA children’s choir, Sonoma County Taiko drumming ensemble, the Native Youth Pomo Dance Group and martial arts demonstrations from the Redwood Empire Chinese Association. Accompanying the stage show are local vendors and experts who will show off their eco-friendly products and organize activities for the kids. Delicious food and a positive environment compliment the event. Anyone looking to start Earth Day early in Santa Rosa can join the creek cleanup at Prince Memorial Greenway at 9:30am. Earth Day On Stage kicks off at City Hall, 100 Santa Rosa Ave. Noon to 4pm. srcity.org/earthday.

Courthouse
Square Festival

It’s an idea that dates back decades, and a process that’s been over a year in construction, but Santa Rosa is finally close to completing the Old Courthouse Square reunification project. Just in time for summer days, the downtown outdoor plaza is set to open to the public with a ribbon-cutting ceremony and festival on April 29. Santa Rosa mayor Chris Coursey will lead the opening ceremony, and local historian Gaye Lebaron will speak on the square’s historical roots and the cultural significance of the reunification. Once the site is dedicated, the festival boasts live music and dancing, art and history displays, a farmers market, beer and wine gardens, and lots of family-friendly activities. 12:30pm to 4pm. Mendocino Avenue and Fourth Street. srcity.org/CHS.

Dance Moves

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The Trump administration has threatened to cut all funding for the National Endowment for the Arts, which will save each American citizen less than 50 cents per year. Nevertheless, some people ask, why should I pay even 50 cents to support some kind of strange art form that I don’t really like? Trump thinks art should be supported by private patrons. But that depends on people being generous, and being interested.

I don’t go out to theater or dance as much as I used to, but last year I saw a performance by UPside Dance, a modern dance troupe based in Healdsburg, that knocked my socks off. The dancing was incredible. Not just incredible as in, “Wow, look what the human body can do! And look what a whole bunch of human bodies can do together when they practice a lot!” Incredible in that the dances evoked a whole range of feelings: they were funny, they were touching, they were sad.

One was about addiction—an incredible duet between a character and her shadow, which somehow expressed the longing between addicts and the thing they crave. There was a dance about Post-It notes. (The theme and title of the whole show was “Paper.”) A soloist came out with her stack of yellow stickies and began to dance. At first she was mastering her life through these little pieces of paper, but soon the pieces of paper started to master her. They were peeling off and getting lost and she was chasing after them. I recognized myself in this person.

I felt silly that I didn’t know more about UPside Dance. So I became a subscriber—a patron of the arts, if you will—and I have been following their doings ever since. I hope people will come out to support these artists who are making brave, beautiful, uplifting work, and I hope that we as a community can embrace them and show them, at a time when the arts are facing financial cutbacks, that we will arrive, in person, to show them we see their place in society. They are here to delight us. And that is priceless.

Lisa Michaels lives in Healdsburg.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Bookish Banquet

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Located in the heart of Santa Rosa’s South of A arts district, the Spinster Sisters is a culinary destination that bolsters the artsy neighborhood with creative and delicious locally sourced menus.

Beyond the food, the Spinster Sisters—recently named Best Restaurant in Sonoma County in the

Bohemian‘s Best Of 2017 readers poll—is also making a name for its food-friendly literary events.

This month, the Spinster Sisters hosts two literary dinners. First, acclaimed British mystery writer Ann Cleeves reads from her new novel, Cold Earth: A Shetland Island Mystery, in a Dinners to Die For event co-hosted with Copperfield’s Books on April 21.

The following week, famed vegetarian chef and author Deborah Madison is on hand to showcase her new book, In My Kitchen: A Collection of New and Favorite Vegetarian Recipes. The dinner is a Cooks with Books event co-presented with Book Passage on April 27.

“We’re interested in doing more community-oriented events, not necessarily all food-related events,” says Spinster Sisters general manager Ela Jean Beedle.

The restaurant has already hosted events with Book Passage and recently reached out to Copperfield’s Books to collaborate with the North Bay bookseller. “For our author dinners, we include a three-course meal, and in the case of any cookbook events, the menu is inspired directly from the books,” Beedle says.

For Madison’s appearance on April 27, the restaurant is preparing a three-course vegetarian meal using recipes from In My Kitchen, such as an artichoke scallion sauté and blood-orange almond cake. For Cleeves, the restaurant is going to take a more creative angle that will draw inspiration from both the novel’s United Kingdom location and mysterious subject matter.

Cold Earth is the latest in Cleeves’ ongoing Shetland Island Mystery series, now a British television drama. Following inspector Jimmy Perez, the series is praised internationally for Cleeves’ clever plots, witty dialogue and evocative action.

For the upcoming readings, the Spinster Sisters offers a family-style dining experience. “We want to encourage conversation,” says Beedle. “We sell a lot of single tickets, and people may not know those they sit next to. That family-style experience opens people up.”

The tickets to these events are limited at only 65 seats, though if you get your hands on one, it is an all-inclusive package that includes dining, wine pairings and a signed copy of the book.

Along with the casual atmosphere, these events are a way for literary fans to meet their favorite authors. “We let the author decide how they want to do it,” Beedle says. “Some will read excerpts, some will talk and tell their story about what inspired them.”

“I feel like this is an awesome opportunity to meet people you have a common interest with, and get an intimate, interactive experience over a great meal,” Beedle says. “And it’s a chance to meet these authors that are really inspiring characters.”

Letters to the Editor: April 5, 2017

Yes on C

I have lived in Santa Rosa for over 30 years. I value this community for its diversity, livability, music and art. I am voting Yes on C because I want Santa Rosa to continue to be a vibrant community, not an enclave for the rich. Stopping unjust evictions and steep rent increases will not prevent ethical property owners from making a profit, but it will keep students, working families and artists from being kicked out of their homes in the middle of a housing crisis. Long-term residents are already being forced out of the area by the high cost of housing. Let’s choose to keep Santa Rosa a place where people can create, work, learn and grow. Yes on C!

Santa Rosa

Wasteful

You ungrateful dreamer (“A Dreamer’s Diary,” March 8). Spend all that money on that good education, and all you are is an artist. What a waste.

St. Helena

Water Rights

Sonoma County will be facing, in the next few weeks and months, important decisions about groundwater. It is vitally important that the public be given a voice in these determinations involving the composition and voting rights of new agencies regulating groundwater in Sonoma County under California’s new Sustainable Groundwater Management Act (SGMA).

Over the past 18 months, working groups representing Sonoma County and other public entities have been meeting to consider these questions. These have not been public meetings, and little is known about them. It now appears, however, that the working group for the Santa Rosa Plain groundwater basin has determined that Sonoma County, the Sonoma County Water Agency, five cities including Santa Rosa, Windsor, Rohnert Park, Cotati and Sebastopol, the Sonoma Resources Conversation District and one representative for mutual water companies will be the only voting members on the board of the contemplated agency, even though 80 percent of groundwater users in Sonoma County are rural agricultural or rural residential users.

These water users have “overlying rights” to groundwater which can reasonably claim the highest priority of any class of groundwater users under the common law. Overlying rights are enjoyed by virtue of ownership of overlying real property. The fact that the proposed agency posits a nonvoting advisory committee of 18 representatives, two of which are rural, residential well owners and two of which represent agricultural interests, can offer little comfort to holders of overlying rights to groundwater in Sonoma County.

Sonoma County and other members of the SGMA working group for the Santa Rosa Plains basin should take steps to inform the public and provide representation to stakeholders commensurate with their legal and equitable rights.

Sebastopol

Write to us at le*****@******an.com.

Full Circle

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Grammy-winning bluegrass and folk songwriter and multi-instrumentalist Tim O’Brien grew up in the mill and steel town of Wheeling, W.V., along the Ohio River. His Leave It to Beaver upbringing included a lot of country music on the radio but little in the way of local job prospects, so he headed west to Colorado before moving to Nashville.

Since becoming a famed figure in that city’s music scene, O’Brien has released over a dozen acclaimed albums that have made him a household name for bluegrass fans across the country. O’Brien returns to his roots with his new album, Where the River Meets the Road, inspired by his home state. O’Brien performs off the new record April 8 at he Sebastopol Community Center.

“When I sang bluegrass and country music, people took me more seriously because I was from West Virginia,” O’Brien says. “The love of the music kept going, but I kept viewing it from afar.”

West Virginia’s long musical heritage includes eclectic popular artists like Bill Withers, Blind Alfred Reed and Billy Edd Wheeler, as well as traditional mountain music from the likes of the Lilly Brothers and the Lonesome Pine Fiddlers.

O’Brien rediscovered these artists and learned about many others when he became a board member of the West Virginia Music Hall of Fame several years ago. He was also inducted in 2013.

Where the River Meets the Road is the culmination of O’Brien’s rekindled interest in West Virginia music. Ten of the 12 tracks on the new record are covers of songs written by the state’s diverse array of native talent, including bluegrass singer Hazel J. Dickens. “A lot of them are old favorites,” says O’Brien of the songs he chose to record. “I tried to make the best set of songs that would show some of the breadth of the music.”

O’Brien’s two original tunes on the album are among his most personal songs. The title track is the story of his family’s arrival in West Virginia from Ireland in the 1850s, and “Guardian Angel” is the heartbreaking story of the death of O’Brien’s older sister when he was just a toddler.

“If I look at it one way, I’ve been spending my whole artistic life getting ready to make this record,” O’Brien says. “It’s a reflection of where I’m at and what I’ve experienced.”

Head of STEAM

Here’s a question: Think back to your first years of school, from kindergarten through high school. What do you recall from, say, sixth grade?

Sure, maybe you remember your first crush. You might even recall a class bully or your teacher’s name.

Most people have vivid memories of coaches and athletic events, of musical performances, of friendships and everything not part of a class. How do we make the learning experience memorable and a powerful inspiration for later life?

That is a major focus of an emerging direction in innovative education, STEAM. The acronym stands for Science, Technology, Engineering, Art, and Mathematics, and the first major exhibition of K-12 student projects encompassing these fields was held last month at the Luther Burbank Center for the Arts in Santa Rosa.

The Sonoma County Office of Education has held science fairs before. Typically they are well-defined efforts in a single area of expertise done by a single student, with guidance from a faculty mentor, described in a triptych poster-board display. They are judged and ranked by qualified evaluators, and if they score highly enough, move on to the next level.

But to what degree do these showcases inspire students to pursue investigations into the unknown, or perhaps into their own ability to express provocative ideas in novel ways for others? Likely, the answer would be, not so much.

Now consider last month’s Synopsys Outreach Foundation-Sonoma County STEAM Showcase, where students explored any idea that caught their interest. This could have been a new idea for which students designed an experiment or exploration in a field of knowledge to which they applied their own creative talents.

It was not a competition with winners going on to the next level and losers left behind. Evaluators paid significant attention to students’ efforts in explaining and promoting their work, including how their project led to further interest and application, rather than just being a standalone project for the event.

One student presented her investigation into the environmental challenges that sea turtles face. Not too challenging, perhaps. But she included a 20-minute presentation to evaluators, complemented by a computer slideshow, flawlessly delivered without notes. The student also included several models of physical evidence, and even a beautiful sheet-metal sculpture that she welded using the hood of an old VW—she had her uncle first teach her how to weld. She also raised money for a sea turtle conservancy in South Carolina. And, oh yes, English was her second language.

Where might this all lead? What if cross-disciplinary projects, begun in schools with curricula that encouraged STEAM-like projects, such as those on display at the Luther Burbank exhibition were to become the norm? We can only imagine the worlds our children might create.

Nelson ‘Buzz’ Kellogg is a humanities professor emeritus at Sonoma State University.

At What Cost?

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The Sonoma County Board of Supervisors voted last month to spend $3 million on a partial build-out of Andy’s Unity Park in Moorland—even as it has committed up to $2.35 million in legal fees to beat back a federal lawsuit brought by Andy Lopez’s parents. Lopez was killed by a sheriff’s deputy in 2013.

The park and the legal fees are driving a split narrative around the county’s posture in the post-Lopez Sonoma County political landscape, exacerbated by persistent officer-related lawsuits emerging from the Sonoma County Sheriff’s Office.

On the one hand, the board of supervisors and Sonoma County Counsel’s Office doggedly continue to pursue a legal strategy, using outside counsel, in a case that may eventually find its way to the U.S. Supreme Court.

According to records reviewed by the Bohemian, the county has signed off on three legal services agreements with outside attorneys since November 2013, when the Lopez family sued the county and Sheriff’s Deputy
Erick Gelhaus (now a sergeant), charging that the Oct. 22, 2013, shooting ran contrary to
the U.S. Constitution’s Fourth Amendment provisions around reasonable force in policing. Lopez was shot multiple times and died on the scene.

On the other hand, the board of supervisors clearly wants to be part of the county’s healing process, after the Lopez shooting ruptured public trust in policing in the county’s Latino neighborhoods—and in March approved a $3 million contract for a limited build-out of Andy’s Unity Park on Moorland Avenue, after rejecting a fully tricked-out proposal to build a park that included a skate park, a community garden and a basketball court.

The supervisors “agreed to move forward with the minimum level of development, which includes open turf, trees and a memorial area for Lopez,” reported the Press Democrat on March 31. “That excludes a wide range of additional amenities, including a skate spot, basketball court and community garden, which would cost an additional $564,500.”

In the meantime, how much has the county spent on the Lopez suit? Citing the ongoing litigation, now in its fourth year, the county counsel’s office couldn’t say. But current legal services contracts with the three law firms it’s hired indicate that the county is willing to spend up to (and perhaps more than) $2.35 million through next June to defeat the suit brought against Sonoma County and Gelhaus. By then, voters will be gearing up for a local election to replace Sheriff Steve Freitas, who recently announced he would retire after his term ends in January 2019. Meanwhile, a citizen’s group began a campaign to recall Freitas last month.

According to legal services agreements reviewed by the Bohemian, the county currently has a $500,000 contract with the Santa Rosa firm of McNamara, Ney, Beatty, Slattery, Borges & Ambacher, which runs through November. That contract began as a two-week, $25,000 deal signed by the county right after the Lopez shooting. It was extended by three years as of Dec. 1, 2014, to a not-to-exceed $500,000 agreement.

Similarly, after an initial June, 2015, $25,000 contract was signed with the firm of Robinson & Wood, the county amended that agreement to a do-not-exceed limit of $325,000 the following June. That contract expires at the end of May.

The county has another
$1.5 million contract with Geary, Shea, O’Donnell, Grattan & Mitchell that runs through
June 2018. The firm had a previous $1.5 million retainer contract with the county which ran from 2010 through October 2013, and which was extended to the end of June 2015 following the Lopez shooting. In July 2015, the county signed a second $1.5 million contract with the firm (which, in fairness, could include legal work for the county outside the Lopez case). Steven Mitchell, a principal in that firm, committed suicide in June 2016, adding another tragedy to a case filled with them.

The contracts are subject to amendments to enhance payments and extend the term of the agreement. And the not-to-exceed overall $2.35 million limit does not include reasonable expenses invoiced by the law firms. No trial date has been set.

“To this day, I have no idea why Sonoma County is being resistant to settling this,” says Francisco Saiz, a county resident who says he has gone to every supervisors meeting since the Oct. 2013 shooting with a photo of Lopez affixed to his chest.

Last week the counsel’s office turned back two Bohemian California Public Records Act requests for Lopez-related legal expenditures to date.

“The County understands and appreciates the public’s interest in knowing how much money the County spends for litigation related expenses,” wrote Deputy County Counsel Petra Bruggisser in her reply. The county has disclosed information before, she says, but not until cases are closed and not in active litigation.

“However, in order to maintain the integrity of the litigation process in active cases, the county does not disclose the amount of fees and costs spent in pending litigation matters,” she continued. “This information, including the aggregate amount spent, is exempt from public disclosure based on attorney-client communication, attorney work product and pending litigation privileges.”

Bruggisser cautions against reading too much into the
$2.35 million commitments. “Please note that not-to-exceed amounts in legal services agreements are generally included to denote a ceiling limit. The actual fees and costs expended under these contracts can be significantly lower.”

In a followup email, she said the fees and costs could also be higher than the original contract, and that those fees and costs would be reflected via amendments. Those are subject to approval by the board of supervisors. “Generally, legal service agreements include provisions that limit the term of the agreement and the maximum amount of fees and costs that can be expended under each agreement.”

Sonoma County lost its bid to get the suit dismissed in early 2016. Instead, U.S. District Court judge Phyllis Hamilton ruled that the Fourth Amendment issue over the reasonableness of the shooting was a contestable issue.

In its pleadings, the county made the claim that Gelhaus was entitled to qualified immunity in the lawsuit. That claim was denied and the county appealed. The appeal is pending in the Ninth Circuit Court in San Francisco. There’s a hearing in Pasadena in May.

Citing a federal gag order, Lopez family attorney Arnoldo Casillas could not comment for this story. According to media reports from the time, his L.A.-based law firm, Casillas, Moreno & Associates, won a multi-million-dollar 2012 case that involved a 13-year-old who was shot and killed by a Los Angeles police officer while playing cops and robbers with a toy gun. Lopez was killed while carrying a toy replica of an AK-47.

Fifth District Supervisor Lynda Hopkins is new to the board and represents the part of town where Andy’s Unity Park is located. The site is an overgrown field now with a shrine to Lopez.

Citing the pending litigation against the county, Hopkins couldn’t comment on the Lopez-family lawsuit. She said that in the Moorland-Roseland area “there’s a tremendous amount of need to build trust and support the healing process.”

Hopkins says that coming in as a new supervisor means she isn’t embroiled in the tragedy. She’d like to see a fully built park. “We don’t want to be left with a half-built park,” she says. “The community will feel the same way as they have for decades.”

The push to make even a half-fulfilled Andy’s Unity Park a reality is a good first step, says Francisco Saiz, as he notes the decades-long neglect that’s gone on in Moorland-Roseland.

“It’s amazing how Sonoma County would allow this sort of division to happen, to allow this sort of infrastructure to be so inferior to the rest of the county,” he says.

Putting His Foot Down

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Art Brown isn’t taking this Donald Trump disaster lying down. Nope, he’s standing up and putting on his shoes and walking—clear the hell across the country, from Salt Point State Park on the Sonoma coast, all the way to New York City.

Brown plans to embark on his latest cross-country walking adventure in mid-April—he’s done this before, he says—and reports that he’s going to do a sort of trial run along the northern Sonoma Coast before lighting out east, and to Sacramento, where he hopes to be by April 30.

There he will honor an old friend who died last year. Michael Israel was killed by ISIS in November while he was fighting with the YPG (the People’s Protection Unit) against the ghoulish be-headers of Syria and elsewhere. “It’s a celebration of his life,” says Brown of his proposed journey and departed friend.

“I walked with Michael from Peoria to Washington, D.C., in 2007,” he recalls, to attend a big rally that called for the impeachment of George W. Bush.

Brown figures the journey will take six months and he plans to walk across the George Washington Bridge in Uptown Manhattan by Oct. 24.

“I’m doing this for the people of the world,” says Brown. “I’d be lying through my teeth if I said there wasn’t a sense of adventure in it, but my primary motivation is in bringing awareness and helping people.”

What a Trip

In 1968, Armando García-Dávila joined his older brother and two friends on a cross-country motorcycle ride that took 30 days and traversed over 7,000 miles. He was 19-years-old, just out of high school.

“We had real-life adventures,” says García-Dávila, who recounts run-ins with Texas Rangers and Mississippi rednecks and shares memories of seeing the Grand Canyon and stealing corn out of fields in Nebraska when the money ran low.

That real-life adventure inspired García-Dávila’s debut novel, The Trip: Speeding Toward the Cliff at the End of the World, out now.

It’s a novel that’s been 10 years in the writing, according to García-Dávila, who’s known in the North Bay more for his poetry. After majoring in English at Sonoma State University in the mid-1970s, García-Dávila fell in love with the North Bay and made the region his home, working as a landscape contractor and writing in his spare time.

His writing has been published locally in magazines and newspapers since 1990, and his short stories and chapbooks have sold well. His writing career has also included volunteer work with inmates of San Quentin State Prison and a year serving as literary laureate of Healdsburg in 2002.

“Finally, someone told me to write my memoir,” says García-Dávila. Growing up in a large Mexican-American family with a twin brother and Catholic upbringing, there was a lot for the writer to explore. Yet the memoir didn’t hold his interest and ultimately didn’t go anywhere.

“I thought to myself, what could be something that I would be interested in writing about,” he says. “It was the motorcycle trip.”

Initially, The Trip began as a memoir, though García-Dávila evolved the book into a fantastical novel infused with creative license that he says is loosely based on the Odyssey.

“It’s the hero’s journey—a boy leaves on a long dangerous journey and a man returns,” says García-Dávila. “And along the way, he has to face his deepest fears.”

Several visual references to the Odyssey pop up throughout the book’s wild head-trips and unexpected adventures, and García-Dávila’s characters develop in a similar manner. At one point in the novel, the main character, Tino Caballero, goes through an out-of-body experience akin to Odysseus traveling to the underworld in Homer’s Greek epic.

When readers meet Tino in the following excerpt from The Trip, he’s just setting out on the open road, wide-eyed and naive. Get a taste of the adventure, and find García-Dávila at one of several readings he is holding in the North Bay, beginning April 23.
Charlie Swanson

[page]

Freedom

San Diego, California—
Saturday, August 3, 1968

¡Ándale! (Charge!),” screamed Tino Caballero, speeding out of the driveway on his powerful new motorcycle. He bolted up Euclid Avenue glancing into the rearview mirror. Standing at the curb were his identical twin brother Val, his pregnant sister, and his mother. She made the sign of the cross toward Tino, blessing him.

He shook his head. Pathetic how much faith she put in that invisible world of hers. Did her countless blessings and invocations to God, the saints, and her ancestors ever do any good?

He reached the Highway 94 on-ramp, narrowed his deep brown eyes, and raced down the incline toward the highway. Trees and shrubbery on either side of the on-ramp formed a darkened tunnel. He emerged into the light feeling as if he had shed his skin and could truly see—as if an entirely new world had just opened before him. He gunned the engine. The bike jumped with a burst of speed. He wove in and out of highway lanes, effortlessly passing car after car. A teenage boy sitting in a car stared at Tino on his bike loaded down with gear. That’s right kid, I’m on the trip of a lifetime!

The sun lay low behind him casting his shadow long to his front. He was leading himself, no one to tell him what to do. Warm air streamed gloriously through his dark wavy brown hair and whipped the sleeves of his nylon jacket. If he spread his arms, he’d fly.

Tino blasted through town after town. He had never gone on a trip without his family. Not even his twin was along. Tino had shared everything with Val: bedrooms, circle of friends, ball teams, they even shared their underwear. For eight years they’d made a daily mile-long trek to Saint Rita’s Catholic Grammar School. Their teachers, the nuns, called them “the Bookends.”

“Where’s Val?” people asked Tino when alone.

Val had made the responsible choice to register for junior college instead of taking this motorcycle odyssey to New York and back.

His father said, “No trip for you. You’re registering for school.” When Pa went to bed that afternoon to sleep before his graveyard shift at his job, Tino made his escape. Tino would pay a heavy price for his transgression on his return, maybe a beating. But he had planned this trip for a year with his older brother and friends. He was not going to miss out.

Screw the consequences, I’ll pay ’em.

Tino and his bike ascended into the Laguna Mountains in East County and entered the Cleveland National Forest. The multilane highway had narrowed to a two-lane road. Traffic, except for an occasional car or long-haul truck, was nonexistent. The air, cool with altitude and impregnated by the scent of pine forests, soothed him from the summer heat. Smooth round boulders nestled into the landscape looked like eggs from a prehistoric age.

By the time he reached the foot of the eastern slope, night had folded over the land. He tripped the headlight switch and began the trek across the furnace-like Anza-Borrego Desert. He checked the odometer. Tino had only traveled seventy miles. So cool. He had barely started—the month of freedom lay ahead.

Rocinante

An hour into the ride, Tino rolled out of the dark into a Chevron station in El Centro. His body tingled from the vibration of the engine. Without the air fanning him, the full intensity of the desert heat engulfed him. He stashed his jacket in his gear. A twenty-something attendant stepped up to the gas pump—white uniform shirt taut over his paunch—navy blue pants smudged with engine grime.

Tino set the gas nozzle into the tank. “Bitchin’. Bought it from an old guy who hardly rode it, in his garage most of the time.”

“Damn, no kiddin’. Looks like it’s fresh off the showroom floor. You sure it wasn’t an old lady who just rode it to church on Sundays?” He stepped back to get a good look. “450 cc’s, plenty of power.”

“It carried me and my gear over the mountains without so much as a hiccup. If it were a horse, it wouldn’t have even broken a sweat.” He hung the hose and reached for his wallet. Tino peeled out a dollar and handed it over.

The attendant inserted a key into a cash drawer. “You been riding long?”

“Not really. I’ve ridden my big brother’s bike a few times, and I just bought this bike today. I’m taking a trip around the country.”

“Long way for a beginner.”

“I can handle it.”

The attendant fingered coins from slots in the drawer. “I tried a cross-country trip on a bike.”

“Cool, how’d it go?”

“Fell.” The attendant extended his arm showing a nasty scar. “Compound fracture. Wound up with this zipper.” Suture points on either side of the scar that ran palm to elbow. “Ended my trip right there.”

A dust-coated station wagon packed with adults and kids, roof rack loaded with baggage, windshield splattered with insects, pulled into the adjacent pump island.

The attendant grabbed paper towels, a squeegee. “Be careful.”

“Yeah, sure,” Tino said, disappointed he couldn’t say more about the trip. And who was this clown to tell him to be careful?

Tino swung a leg mounting the bike and gave the kick-starter a hearty jump. The engine roared. He gave it gas and let go of the clutch. The bike’s front tire lifted a foot off of the ground. The rear tire screeched, leaving a black line of pulverized rubber on the concrete.

“Whoa! Easy, boy!” Tino disappeared into the night.

Gusts of hot wind rolled tumbleweeds across the road. Tino leaned adroitly left dodging a tumbleweed then right dodging another. He laughed, skillfully zigzagging.

Damn, you’re a great bike.

Blink! Tino’s world turned black. The headlight had gone out. Panicked, Tino hit the brakes and skidded off of the road into the desert. He ran head on into a spindly creosote bush. The bike stopped dead.

Tino didn’t.

¡Ay!” He flew over the handlebars, through the bush, its stiff branches raked hard against Tino’s face. He slammed against the ground, tumbled over the loose grit of the desert floor and came to a dusty stop.

[page]

No hard pain anywhere but a wet sensation on his cheek. He put a hand to it. Blood. He walked unsteadily to the bike pressing a handkerchief against his cheek.

The bike stood held up by branches, engine softly puttering. Tino tugged on the bumper. Stuck. Pulled harder; maybe an inch of movement. A coyote’s howl. Tino had heard of javelinas that can slice a man open with razor tusks, and what man-eaters could be on the prowl for an easy meal? He pulled with adrenaline-fueled strength, ripping his bike from the entanglement. He pushed on the handlebars, jogging it to the road.

Tried the light switch—nothing. Lights from a distant town formed a faint halo on the horizon. His eyes, now adjusted to the dark, allowed him to differentiate between the black asphalt and the desert floor along the roadside. He rode slowly, pitched forward, eyeing the road for objects that might cause him another fall. He looked up at the halo, down to the road, checked his mirror for vehicles coming from behind. Up, down, mirror. A little more gas. The air pressed harder against him.

Bam! A jolt. He lost and regained control in a beat. What the hell? Rock? Dead animal? He slowed to a nervous crawl.

Lights from approaching vehicles shimmered through waves of heat rising off of the baked earth. A set of headlights riding high off the road closed in from behind. Tino pulled over. A Greyhound bus sped past. He hit the gas, caught up, and followed in a wake of hot diesel exhaust, resting his hand and foot on the brakes should the bus suddenly stop. They reached a town. A sign read “WELCOME TO HOLTVILLE—CARROT CAPITAL OF THE WORLD.”

The Wrath
of Carrots

Tino pulled into a Texaco station that serviced long-haul trucks. Small clouds of insects hovered around the overhead fluorescent lights. He dismounted and inspected the wiring—nothing obvious. Better to wait until tomorrow when he would meet up with Sal.

Tino’s neck muscles ached from keeping his head up against the constant push of air. He stretched and made for the bathroom. He washed the threads of dark dry blood from across his cheek. Cold water felt good against the heat. He then asked a clerk for directions to the town jail.

Tino parked at the Holtville Police Station and Detention Center, a single-story building, slightly bigger than a two-car garage.

He opened the station door. The policeman’s swivel chair squeaked as he swung around.

“Excuse me, sir. I’m on a trip and wonder if I could sleep in a cell.”

“Sgt. Wood,” read the officer’s nameplate. His dark hair was neatly combed, mustache trimmed, uniform starched. An ancient black fan on his desk begrudgingly oscillated side to side.

“Think we’re running a motel?”

“No, sir. My older brother told me that sometimes police will let a guy sleep in a cell if it’s empty.”

Wood looked to a cop at the opposite side of the room pouring cream into a mug. “Let him stay, Flattop?”

“I don’t know, Bobby. He fits the description on the guy that there’s an APB on.”

“I’ve never been in trouble in my life, sir.”

Flattop took a sip. “That’s what they all say. It’s your call, Bobby. Just don’t blame me if you wind up with a slit throat in the morning.”

“I’m going to lock you up,” Wood said. “You know, just in case.”

“Thank you, sir. You won’t have any trouble with me.”

“That’s what they all say.”

Wood took a clasp envelope from a desk drawer. “Empty your pockets.” A large patch riding high on the arm of his uniform had a graphic of the earth skewered by a carrot.

Tino handed over his bike key and coins, but hesitated letting go of his wallet, fat with bills. Wood tugged it away.

“Relax, it’ll be safe with me.” He placed Tino’s items in the envelope and into a file cabinet.

A tall, broad-chested policeman with beefy arms entered the station and pointed his chin toward Tino. “Whadda we got here?”

Wood took a heavy black skeleton key off a hook on the wall behind his desk. “He wants to stay the night.”

Tino sat on the lower bunk and leaned over to unlace his boots and jumped when a black cockroach the size of his thumb scurried out between his feet.

“Don’t step on Fido!” Wood said.

Tino looked out the wire-mesh window and took comfort in seeing his bike parked alongside a police cruiser. A mutt meandering by stopped, sniffed a tire, and lifted his leg. Tino sighed and lay down.

The cotton-stuffed mat smelled moldy and had nasty dark stains in the middle. The wall radiated the day’s heat like an oven.

The cops played cards at the sergeant’s desk under a blue haze of cigarette smoke. Tino faced the wall and covered his eyes shielding them from the light.

Sleep came in sporadic naps through a string of disturbances: ringing phones, slamming doors, the acrid odor of tobacco smoke. Tino awoke deep into the night confused then remembered where he was.

A different cop, alone, was lying back in Wood’s chair—feet on desk, hands on chest, hat over face. Tino rolled to his side and fell asleep.

Sharp spikes of sunlight pierced the gray dawn over the hills onto the cell wall. Relief—the long, hot night had come to an end; the air pleasantly cool. Tino rose and caught the eye of the cop at the desk.

“Good morning,” Tino said.
The cop stared.

Tino put on his boots. “I’m ready to leave sir. The sergeant put my stuff in an envelope last night and—”

“You think I don’t know the drill?”

“I’m sure you do, sir.”

The cop took the envelope out of the cabinet and walked in a deliberate gait toward Tino, waving the envelope in an ugly tease. “Is this what you want, August?”

“Y-yes, sir, but maybe it’s somebody else’s. My name is Augustino.”

The cop slapped the envelope against the bars. “Not here, it ain’t. You’re in America, Seenor Augustino Cabalero. I’ll let you out only because I have to. But first you become an American. We’re going to start by getting your name right. Say, ‘My name is August Wetback.'” He laughed mean.

Beads of sweat formed on Tino’s brow.

“You chicken? No. Not chicken, a yellowbellied taco bender. Ha! Ha!” The cop took the wallet from the envelope and peeled out a twenty. “City ordinance to cover costs.” He dropped the wallet into the envelope, went to the cell, and unlocked the door. He tossed the envelope, bouncing it off of Tino’s chest. Tino snagged it.

“Time to pick carrots.”

Tino made a wide arc around the cop to the door.

“If you people just came and worked and went back, but no. You got to bring your damn music and put your kids in our schools, spreading head lice. Go on, get outta here before I cite you for vagrancy.”

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