Acrylics Release New 7-inch Record, “Despair”

LUNGS-090_front_SP
Last October, the Bohemian profiled Santa Rosa’s young and gutsy post-punk band Acrylics, who had recently signed to Iron Lung Records and were preparing a new 7-inch record for release in early 2017. Well, that record is out now. Part of Iron Lung Records’ single series, the new vinyl release “Despair” offers a lightning fast look into the band’s jolting guitars and blasting rhythms.
Side one contains the downtrodden titular single, “Despair.” If that sounds a little bleak, don’t worry, side two features the song “Reassurance,” with a head-banging groove sure to lift you out of the doldrums. The new release is limited to 300 hand stamped copies, so don’t sleep on picking up this 7-inch. Listen to the track “Despair” below and stay on the lookout for more from Acrylics, who are rumored to be putting a full-length LP together this year.

Jan. 28: Dark & Stormy in Santa Rosa

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Snoopy was a real renaissance dog. Besides being a WWI flying ace and a “cool Joe” college student, the lovable beagle from Peanuts is also a world-famous author, borrowing English novelist Edward Bulwer-Lytton’s infamous opening line, “It was a dark and stormy night.” Starting this weekend, the Charles M Schulz Museum celebrates Snoopy’s love of literature with an exhibit that displays rarely seen books from Schulz’s personal library and highlights Peanuts comic strips where books and writing appear. There’s also an interactive element on hand when “It Was a Dark and Stormy Night” opens on Saturday, Jan. 28, at the Charles M. Schulz Museum, 2301 Hardies Lane, Santa Rosa. $5–$12. 707.579.4452.

Jan. 28: Six-String Summit in Sebastopol

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The fifth annual Sebastopol Guitar Festival once again celebrates America’s favorite instrument with concerts, classes, panel discussions and more. Headlining this year’s fest is Gypsy-jazz band the Black Market Trust, who combine Django Reinhardt’s fingerpicking style and the Beach Boys’ vocal harmonies for a fresh mix of music. Also on the bill is veteran guitarist Mike Dowling, who will lead a workshop in which he shares fingerpicking tricks and slide-guitar techniques. Local performers include Kevin Russell, Teja Gerken and others, who all contribute for a full day of festive music on Saturday, Jan. 28, at Sebastopol Community Center, 390 Morris St., Sebastopol. Noon to 10pm. $28–$35. 707.823.1511.

Jan. 29: More Mozart in Napa

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With educational programming and year-round music instruction, the Napa Valley Music Associates have spent over two decades enriching the culture in the valley while developing young local talents. One of the associates’ most popular annual events returns this week with the Mozart in the Valley benefit concert performance, which helps keep the nonprofit organization’s scholarship fund thriving. Celebrating Wolfgang Amadeus Mozart’s 261st birthday, the concert features San Francisco soprano vocalist Emily Thebaut leading a program of Mozart’s most famous operatic compositions on Sunday, Jan. 29, at the Napa Valley College Performing Arts Center, 2277 Napa Vallejo Hwy., Napa, 707.256.7500. 3pm. $10–$25. napavalleymusicassociates.org.

Jan. 29: Big Fish Stories in Sausalito

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The Sausalito Community Boating Center’s long-running Herring Celebration is switching things up this year with a film-centric event for 2017, while still offering delicious herring dishes from local restaurants. The award-winning film Of the Sea gets two screenings and features a talk with the local filmmakers behind it. A look at seafood and ocean sustainability, Of the Sea dives into the challenging and complex life on the waters and features several California fishermen. For the herring enthusiast, Osteria Divino, Restaurant Angelino and others present dishes and Fort Point Beer Company and Dry Creek Vineyards pour libations. Get your Herring on Sunday, Jan. 29, at Bay Model Visitor Center, 2100 Bridgeway, Sausalito. 11am. $40. cassgidley.org.

Let’s Engage

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This Sunday, Jan. 29, the Community Engagement Fair will shine a light on how citizens can be the driver of a regenerative, participatory democracy.

The free event at the Sonoma County Fairgrounds follows October’s Another World Is Possible event. That was an evening of music, dance, art and the spoken word, and included rappers, rockers and folkies, Native American dancers and a long roll of paper taped to the back wall of the Arlene Francis Center. This timeline, drawn by event attendees, imagined bright benchmarks to the year 2100 for multicultural and gender equality, environmental restoration, agricultural sustainability and universal healthcare and housing.

But that vision seems obscured by recent events. After a contentious election and its unexpected results, the country is under a pall of uncertainty and more divided than ever. Many are anxious, many depressed, and many feel an urgency to do something, but are plagued by feelings of inadequacy to the task. We need to climb out of this emotional quicksand. We need to believe that another, better world remains possible. And we need to roll up our sleeves to make it happen.

The Community Engagement Fair, hosted by the Another World Is Possible Coalition, is a volunteer “jobs fair” featuring more than 90 North Bay organizations and community groups. Fairgoers can speak with a broad spectrum of groups such as Daily Acts, the Sonoma County Bicycle Coalition, Stewards of the Coast and Redwoods, Petaluma Progressives and many more, and apply for the right spot.

We are especially interested in folks who may never have volunteered before. Your questions will be answered, your angst calmed, and, just maybe, your first steps toward rewarding community engagement will begin.

The Community Engagement Fair runs from noon to 5pm in Garrett Hall at the Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. To learn more or to contribute to the fair, visit communityengagementfair.com

See you at the fair!

Tom Roth represents the Redwood Chapter of the Sierra Club and is a member of the Another World Is Possible Coalition, which also includes the Farmers Guild, Sonoma County Conservation Action, the North Bay Organizing Project, the Alliance for Regenerative Communities and the Universal Unitarian Church, Santa Rosa Congregation.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Kiss and Tell

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Love, sex, acting and mathematics. It’s all a messy business.

Two new plays explore the sloppy intersection of sexual attraction and artistic (and/or scientific) pursuits. In Lauren Gunderson’s surreal 2010 drama Emilie: La Marquise du Châtelet Defends Her Life Tonight (Marin County’s Ross Valley Players), the real-life du Châtelet, an 18th-century physicist and sometime lover of French playwright Voltaire, finally gets a chance to tell her little-known story. Unfortunately, she’s just died.

“I’m not done!” cries the desperate Emilie (Robyn Grahn, charming yet strangely distant). Offered a chance to relive her life, possibly getting to finish her book describing the life force as a mathematical equation, she finds that actually touching these memory-people leads to electric shock, so whenever her story gets “physical,” she calls in a younger version of herself (Neiry Rojo) to handle all the kissing and groping.

Director Patricia Miller takes a bold (but unsuccessful) risk in casting Catherine Luedtke as Voltaire. Luedkte, first-rate, does everything she can, but the choice doesn’t work, taking an already over-analytical, convoluted story and pushing it further from the grasp of the audience’s emotions. Though the scientific stuff is frequently thrilling, the sexy parts—mainly men chasing women while shouting “Hoo-hoo-hoo”—is about as un-sexy as a Bugs Bunny cartoon.

Rating (out of 5): ★★★

Considerably sexier and more convincing—though so oddly structured as to require constant audience effort to absorb—is 6th Street Playhouse’s production of Sarah Ruhl’s Stage Kiss, directed with welcome farcical fury by Marty Pistone. Structured as a play-within-a-play (followed by another play-within-a-play), Strange Kiss introduces us to two ex-lovers, He and She (Edward McCloud and Jenifer Coté). The characters are thrown together in a very bad play, saddled with a cast of delightfully underachieving actors (Rusty Thompson, Lydia Revelos, Abbey Lee, all funny, plus an excellent Tim Kniffin), guided by their woefully unprepared director (Mollie Boice).

Stage Kiss contains a whole lot of kissing—some serious; some very, very funny—and it’s fun to watch the fake kissing lead to real kissing, then back again. Though ultimately somewhat pointless, vague and overly mean-spirited, Stage Kiss is an entertaining romp and an often clever comparison between the easy promises of
love-struck fantasy and the hard but worthy work of achieving real love.

★★★★

In the Loop

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Chart-topping musician and longtime Sonoma County resident Zoë Keating combines classical cello training and the latest technology to make her enthralling musical compositions.

Known as a one-woman-orchestra, Keating takes a DIY approach to music, recording and releasing her albums without a record label, and amassing over a million followers on social media through word-of-mouth and her performances.

This weekend, Keating takes the stage at the Luther Burbank Center for the Arts in an event that pairs her with Jad Abumrad, creator and host of the popular Radiolab program, for a music and spoken-word affair.

For Keating, the road began when she was eight years old, when found herself assigned the cello in class because she was the tallest student. After completing a liberal arts program at Sarah Lawrence College in New York, she moved to San Francisco in the late 1990s to work in the emerging tech field and live in an artist-run warehouse space.

“It was the turn of the millennium, and it was a really creative environment,” says Keating.

Being surrounded by other like-minded artists who were combining computer tech and musical performance inspired Keating to take her cello in a new amplified direction. “It was very organic and gradual,” she says.

Keating created original pieces using pedal-looping technology, which allowed her to layer cello melodies into an expansive and atmospheric music unlike anything else being produced at the time.

“I was lucky, it was right-place, right-time for me,” says Keating. When she decided to release her debut solo EP in 2006, Keating shopped it to record labels but got zero positive feedback, so she released it herself the year iTunes opened its platform to independent artists. With the help of a little NPR coverage, her debut went to No. 1 on iTunes.

The upcoming performance is titled “Gut Churn,” in which Radiolab’s Jad Abumrad presents a narrative accompanied by Keating’s live, mostly improvised score that touches on “the idea of the feeling of fear leading to art,” Keating says.

Keating says she and host Jad Abumrad, with whom she’s collaborated since 2008, share so many similar sensibilities that for the upcoming performance they probably won’t even discuss the show until sound check. “We really trust each other.”

The Santa Rosa show is a welcome addition to Keating’s schedule of international touring that included a trip to the White House last October. “I like that I can go around the world and come back here,” she says of her home near Occidental. “This is my refuge.”

Burger Bomb

Director John Lee Hancock has gone from Davy Crockett (The Alamo) to a greasier kind of pioneer with The Founder, the off-again, off-again-again story of Ray Kroc, the burger baron who franchised McDonald’s from the original owners, a pair of idealistic restaurateurs from San Bernardino.

Making the Golden Arches an interstate phenomenon, Kroc created the fast-food nation we live in today. Exuding gall and desperation, Michael Keaton plays Kroc with a Midwestern honk to his voice and a never-ending line of patter. Watching him get a series of doors slammed in his face and seeing him taking solace with a hip flask, it’s like Beetlejuice died and went to hell.

Keaton’s helmet-like forehead and barely repressed snarl suggest a deeper conception of Kroc’s climb. We’re supposed to grudgingly admire the nerve of the blinkered man, with his devotion to homilies, as when we see him alone in his motel room, listening to an LP of the “Press On” speech by Calvin Coolidge.

A squandered Laura Dern plays Kroc’s first wife, left alone all night while her husband works his territory. Dern’s effort only serves to reveal the thinness of the script.

The movie is a symphony of false notes, with very little atmosphere of the times. The Founder sells itself on Kroc’s patter about how America needed his Golden Arches—a wishy-washy conception of this business giant that makes it look as if McDonald’s corporate headquarters had approved every scene.

Given the tepid material, it’s odd how choice the soundtrack is. Carter Burwell overlays solo piano for the small-town scenery. A Penguin Café Orchestra track plays over the “burger ballet,” McDonald’s employees in a mock restaurant floor plan, outlined in chalk on a tennis court. Despite the music, those who have a bit of PTSD about the time they spent at McDonald’s may not be sold on the ingenuity and persistence of this credit-grabbing hustler.

‘The Founder’ is playing in wide release in the North Bay.

Letters to the Editor: January 25, 2016

Poverty Stinks

I was a maintenance supervisor as part of a low-income property management team, and I can tell you from experience that low income housing has become a de facto psychiatric ward, rehab center, retirement home and hospice all rolled into one. I was raised to judge a society based on how they treat the least among them, and Palm Inn (“Off the Streets,” Dec. 11) serves as further evidence of barbarism. It simply bridges the gap between official policy and grim reality. Poverty does indeed have an odor: it smells like sulfur and putrescine.

Via Bohemian.com

Woman Up

The recent marches, with thousands of women, men and children showing up in Santa Rosa and Sonoma, prompted me to do something I’ve been thinking about for months. And that is to write to the Bohemian about the lack of women in its pages. In the recent issue, I found not one article with a women’s byline. On the masthead, only male names appear as editors or contributors. Over the past few years, seldom do women appear on the cover. What’s up with this?

I want to see a real change where women are substantial and regular contributors to the paper. Man up, guys, and make some changes.

Kenwood

Vote with
Your Feet

Now that Donald Trump is president, it’s time for people trying to keep the government out of their minds by wearing tin or aluminum foil hats (TFHs) to remove their headgear and start wearing steel-tipped boots instead. The TFHs never worked because the governmental access port into its citizens is not through their head but through their feet, and most aluminum foil is made by Reynolds or another corporate giant that is not going to sell a product that helps people maintain their independent thought, when independent thought is the only defense against being rounded up into a herd by a government controlled by those very corporations.

The only defense against this vile scourge against our sovereign selves is wearing steeltoed boots, preferably ones with steel shanks. This will protect you from receiving unwanted signals, but that alone will not protect you from the government using your feet to keep tabs on you. To prevent that, you must also keep very close track of your socks. Have you ever wondered why your socks disappear? Socks are also made by corporations, and whatever is in those cotton blends is perfect for recording your every thought and deed. We do not all lose our socks. The government comes and takes them without any warrant or justification of any kind.

The next four years are going to be trying times for this country. Don’t make it easy for them. Protect your feet and keep track of your socks. To be safe, tie-dye all your socks. For some reason, tie-dye messes with the cotton blends, turning the downloaded data into lousy sounding bootleg recordings of old Grateful Dead songs.

Cotati

Write to us at le*****@******an.com.

Acrylics Release New 7-inch Record, “Despair”

Last October, the Bohemian profiled Santa Rosa's young and gutsy post-punk band Acrylics, who had recently signed to Iron Lung Records and were preparing a new 7-inch record for release in early 2017. Well, that record is out now. Part of Iron Lung Records' single series, the new vinyl release "Despair" offers a lightning fast look into the band's...

Jan. 28: Dark & Stormy in Santa Rosa

Snoopy was a real renaissance dog. Besides being a WWI flying ace and a “cool Joe” college student, the lovable beagle from Peanuts is also a world-famous author, borrowing English novelist Edward Bulwer-Lytton’s infamous opening line, “It was a dark and stormy night.” Starting this weekend, the Charles M Schulz Museum celebrates Snoopy’s love of literature with an exhibit...

Jan. 28: Six-String Summit in Sebastopol

The fifth annual Sebastopol Guitar Festival once again celebrates America’s favorite instrument with concerts, classes, panel discussions and more. Headlining this year’s fest is Gypsy-jazz band the Black Market Trust, who combine Django Reinhardt’s fingerpicking style and the Beach Boys’ vocal harmonies for a fresh mix of music. Also on the bill is veteran guitarist Mike Dowling, who will...

Jan. 29: More Mozart in Napa

With educational programming and year-round music instruction, the Napa Valley Music Associates have spent over two decades enriching the culture in the valley while developing young local talents. One of the associates’ most popular annual events returns this week with the Mozart in the Valley benefit concert performance, which helps keep the nonprofit organization’s scholarship fund thriving. Celebrating Wolfgang...

Jan. 29: Big Fish Stories in Sausalito

The Sausalito Community Boating Center’s long-running Herring Celebration is switching things up this year with a film-centric event for 2017, while still offering delicious herring dishes from local restaurants. The award-winning film Of the Sea gets two screenings and features a talk with the local filmmakers behind it. A look at seafood and ocean sustainability, Of the Sea dives...

Let’s Engage

This Sunday, Jan. 29, the Community Engagement Fair will shine a light on how citizens can be the driver of a regenerative, participatory democracy. The free event at the Sonoma County Fairgrounds follows October's Another World Is Possible event. That was an evening of music, dance, art and the spoken word, and included rappers, rockers and folkies, Native American dancers...

Kiss and Tell

Love, sex, acting and mathematics. It's all a messy business. Two new plays explore the sloppy intersection of sexual attraction and artistic (and/or scientific) pursuits. In Lauren Gunderson's surreal 2010 drama Emilie: La Marquise du Châtelet Defends Her Life Tonight (Marin County's Ross Valley Players), the real-life du Châtelet, an 18th-century physicist and sometime lover of French playwright Voltaire, finally...

In the Loop

Chart-topping musician and longtime Sonoma County resident Zoë Keating combines classical cello training and the latest technology to make her enthralling musical compositions. Known as a one-woman-orchestra, Keating takes a DIY approach to music, recording and releasing her albums without a record label, and amassing over a million followers on social media through word-of-mouth and her performances. This weekend, Keating takes...

Burger Bomb

Director John Lee Hancock has gone from Davy Crockett (The Alamo) to a greasier kind of pioneer with The Founder, the off-again, off-again-again story of Ray Kroc, the burger baron who franchised McDonald's from the original owners, a pair of idealistic restaurateurs from San Bernardino. Making the Golden Arches an interstate phenomenon, Kroc created the fast-food nation we live in...

Letters to the Editor: January 25, 2016

Poverty Stinks I was a maintenance supervisor as part of a low-income property management team, and I can tell you from experience that low income housing has become a de facto psychiatric ward, rehab center, retirement home and hospice all rolled into one. I was raised to judge a society based on how they treat the least among them, and...
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