Power of the Pen

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Last week, we learned the Bohemian won three first or second place awards from the California Newspaper Publishers Association for stories written in 2016. The awards will be announced May 20.

Tom Gogola’s story “Condemned Men Talking” (Jan. 15), about life on San Quentin’s death row, earned a nomination in the best writing category and was one of my favorite stories of the year. In the local government category, regular Bohemian contributor Will Parrish was recognized for his story “Crude Awakening” (June 8), about new rules to prevent Canadian tar sands oil production in Bay Area refineries. And my story “Of Water and Wine” (June 15), about development pressures on water resources in Napa County received a nomination in the environmental coverage category.

These are tough times for journalism, given the anti-constitutional bent of Donald Trump and his henchmen and their criticism of reporting that isn’t favorable of them. But for as long as I’ve been in journalism—20 years—the times have always been tough. Newsrooms and budgets continue to shrink. Competition for ad revenue is more fierce than ever. And that darned internet, with its firehose of “news,” looks like it here’s to stay. Toughest of all, we’re told fewer people actually read newspapers on a regular basis. Not exactly a rosy picture.

And yet, somehow, reporters continue to tell compelling, crucial stories that hold the powerful accountable. This week, Pulitzer prizes for journalism were announced (we didn’t get one—next year!), and the list of winning stories should be a source of pride for every American who believes in the importance of the First Amendment. The stories include coverage of the Oakland Ghost Ship fire by the East Bay Times, and Washington Post reporter David Fahrenthold’s stories on Trump’s bogus claims of generosity toward charities.

I don’t know about you, but I feel a little better knowing that there are reporters out there willing to dig in and cause trouble. In a democracy, there is no alternative to a free press.

Stett Holbrook is editor of the ‘Bohemian.’

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Sitting Ducks

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There is little a responsible reviewer can say about Main Stage West’s eerie, unnerving production of Conor McPherson’s The Birds. Any description of the play’s tone, pace or point of view stands the risk of tipping audiences off, reducing the pleasure of experiencing this taught, emotionally rich, exquisitely acted tale as it masterfully unfolds.

Even if you’ve seen the classic Alfred Hitchcock film, you should not assume you know what McPherson and director Elizabeth Craven have in store for you. Less about birds than about ordinary people stripped of everyday assurances, The Birds is simple, psychological horror—the more powerful for its subdued, casually observational storytelling.

Running through April 23 (and please note that the ornithological thriller plays on Easter Sunday, the day millions of sugary Peeps are ravenously consumed), Main Stage’s tense, edgy drama is much closer to Daphne du Maurier’s original 1952 short story than it is to the 1963 Hitchcock version. But it’s not exactly du Maurier, either.

Carrying spooky echoes of Night of the Living Dead and No Exit, The Birds begins with Liz Jahren’s chillingly resigned voiceover, succinctly describing the rapid fall of civilization after all the birds of the world suddenly, and violently, began attacking and killing any person in sight. To the frightening sound of shrieking birds, a pair of strangers—Diane (Jahren, excellent) and Nat (Nick Sholley, the same)—take refuge in a dark, abandoned farmhouse.

He’s got a fever. She’s got a diary. They hide. Then some stuff happens. Diane writes it all down, and we hear snippets of her end-of-the-world journal as that initial voiceover narration regularly returns. Sound designer Doug Faxon and light designer Missy Weaver do excellent work in bringing this birds-instead-of-zombies nightmare to such vivid life.

Rae Quintana and Anthony Abate appear, at various points, as fellow survivors. More stuff happens, unfolding in a series of individual vignettes, each one separated by hours, days and weeks. The characters frequently discuss the importance of human kindness—a hopeful suggestion that pulses at the heart of what’s to come, and is a big part of why
The Birds is ultimately so haunting, rich and quietly disturbing.

(Note: sound designer Faxon suggests that audiences sit as close to the center of the 70-seat theater to get the maximum impact of his intricate surround-sound design.)

Rating (out of 5): ★★★★½

‘The Birds’ runs Thursday–Sunday through April 23 at Main Stage West, 104 N. Main St., Sebastopol. Thursday–Saturday, 8pm; 5pm matinees on Sunday. $15–$30. 707.823.0177.

Storm’s Toll

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This year’s winter storms will
cost California $866 million in road repairs, according to the latest estimates from the California Department of Transportation.

That figure is a significant uptick from the $617 million in damaged assessed at the end of February, and doesn’t include damage estimates from last weekend’s wind-blown deluge which knocked out electricity throughout Marin County, along with the usual array of rockslides, washouts and local road flooding.

The latest figures from Caltrans find Marin County easily at the top of the state list of storm-related 2016–17 damage with $91 million total spread over 17 different projects. The latest damage spreadsheets are a chorus of slip-outs and rockslides, road washouts and sinkholes, failed culverts and accelerated pavement failures. To date, Caltrans has identified 402 damage sites spread throughout the state’s 58 counties.

Napa County has 14 damage sites and Sonoma County has 17, according to Caltrans spreadsheets that detail the statewide damage. The respective price tags for repair are significantly lower than
Marin’s: Caltrans says it will cost $16.5 million to repair Napa’s storm-damaged roads and
$44 million to fix Sonoma’s.

That Marin County figure of $91 million translates into an eye-raising fact: roughly one in 10 dollars spent by Caltrans this spring and summer will be spent on one coastal county. And of the $91 million in damage to Marin roads, $78 million is accounted for in 13 damage sites spread along Highway 1.

Several of the Sonoma County damage sites are also on Highway 1, and comprise about $10 million of the total $44 million damage estimate.

Marin County also fields the third highest single-job estimate of the 402 damage sites identified by Caltrans in its latest damage report, a $17.4 million job to fix a slip-out on Highway 1 with a tie-back wall. Only Santa Clara and Monterey counties have single-ticket items that eclipse Marin’s $17.4 million project. Caltrans pegged $30 million for a wall repair in Santa Clara county, and Monterey’s got a pricey $28 million line item on the spreadsheet to replace the Pfeiffer Canyon Bridge, representing about half of that county’s
$60 million in damages.

Clearly the Bay Area and North Coast took the biggest hit in the winter-spring storms of 2016 and 2017. The top counties after Marin are Santa Clara County, on the hook for $72 million; San Mateo, $63 million; Humboldt, $60 million; and Mendocino,
$65 million. For comparison,
Los Angeles County racked up $55 million in damage to its state roads.

Caltrans estimates that when local costs are factored into
their estimate, the total damage price tag is $1.27 billion. Recent reports estimated Marin County’s road damage obligations at
$10 million, out of the estimated $400 million that localities will pick up this year. The agency reports that it will spend
$700 million on emergency projects this year, “leaving
$170 million for permanent restoration projects.”

“This total will likely rise as we continue to assess damage and estimate repair and restoration costs,” says Caltrans spokesman Mark Dinger via email.

Help is on the way—generally speaking. Last week, the California Legislature passed
SB 1, which will raise California’s gasoline excise tax by 12 cents a gallon and enacts other auto-related fees in the state to fund a long-awaited, $55 billion road repair plan over 10 years.

At the federal level, on April 4, Trump signed off on an unspecified commitment
of Federal Emergency Management Agency dollars
after Gov. Jerry Brown petitioned the administration for disaster relief earlier this year when the storm damage had eclipsed
$500 million. Last week, the administration freed up additional but unspecified funds for Sonoma, Napa and Marin counties. The declaration of disaster will presumably allow counties to pay for a range of repairs brought on by the wicked winter of 2016–17.

FEMA’s eventual contribution to California’s storm-damage repair remains an open question, especially given the erratic and contradictory messages coming from the White House. Trump has threatened to withhold FEMA funds to so-called sanctuary cities—there’s a bill in Sacramento that would make the entire state a sanctuary state. Even as Trump pledges disaster relief to California, the administration’s 2017 budget proposal calls for a $667 million cut in FEMA pre-disaster mitigation programs, according to North Bay U.S. representative Mike Thompson. Trump has also made lots of noise about a big infrastructure build-out, tantalizing talk for Democratic fence-sitters looking for a way to work with the president, even as his proposed budget eliminates the federal Department of Transportation, which Thompson recently noted in his critique of Trump’s budget proposal, “provides almost
$500 million in road projects.”

So what does all this mean for Sonoma County’s notorious pothole problems? Probably not much. Voters in Sonoma turned back a proposed road-fix tax in 2015, a quarter-cent sales tax under Measure A. County officials have argued they need up to $1 billion to upgrade county roads—but the Sonoma County Supervisors could only scratch together $30 million in local road-fix dollars in 2015. The county website goes to pains to explain why there are so many potholes: “At about 2,700 lane miles, the road system of unincorporated Sonoma County is one of the most expansive in the greater Bay Area. Sonoma County also happens to be one of the more sparsely-populated municipalities in the region. This means that the amount of revenue generated for road repair in Sonoma County is below average for the amount of roadway. And for this reason, potholes are a common occurrence.”

Robert Mondavi Winery Announces Lineup for Summer Concert Series

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Ben Harper & the Innocent Criminals.  Photo credit: Danny Clinch.
Ben Harper & the Innocent Criminals.
Photo credit: Danny Clinch.

A musical tradition nearly as old as the winery in which it’s held, the 48th annual Robert Mondavi Winery’s “Margrit Mondavi Summer Concert Series” returns in July for another round of chart-topping and Grammy-winning artists performing in Napa Valley’s iconic setting. This year’s lineup features headliners Andrew McMahon in the Wilderness, Patti LaBelle, The Revivalists, Michael Franti & Spearhead and Ben Harper & the Innocent Criminals.
On July 1, indie rock pianist and bandleader Andrew McMahon’s solo outfit Andrew McMahon in the Wilderness kicks off the series with a fireworks-worthy concert. McMahon’s latest album, Zombies on Broadway, reached number 43 on the Billboard charts earlier this year and his current international tour is selling out venues from San Francisco to London.
On July 8, vocalist Patti LaBelle dazzles with a concert of classic hits and stirring soul numbers. On July 15, New Orleans-based big band the Revivalists gets the winery’s outdoor venue dancing with support from Jamestown Revival. The series rounds out with the feel-good grooves of Michael Franti & Spearhead on July 22 and the eclectic styling of Ben Harper & the Innocent Criminals on July 29.
Proceeds from this year’s ticket sales will benefit the Napa Valley Unified School District’s music programs. These shows are expected to sell-out, so don’t waste time in grabbing tickets when they go on sale tomorrow, April 11, at 10am PDT. Click here to get yours.

KOWS Mo(oo)ves Down the Radio Dial

Ten years ago, west Sonoma County community radio station KOWS began above a restaurant in Occidental.

Over the last decade, they’ve moved to downtown Sebastopol to reach a bigger audience, and this spring, the station is making another move, this time on your dial.

Starting May 5, KOWS will broadcast locally on 92.5 FM, moving down the dial from 107.3 FM and widening their scope in Sonoma County with the new destination. Tune in on the weekend of May 6–7 for special programming and information how to support the all-volunteer staff. Radio fans who are outside the radius can continue to to stream at www.kows.fm.

April 7: Humane Happening in Rohnert Park

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Formed 10 years ago in Forestville, Sinkyone Animal Sanctuary has made it its mission to rescue animals ranging from cats to cows and help them live free onsite or at forever homes they help find. This week, Sinkyone is hosting a massive fundraising party, Freedom for All, with music and merriment galore. Local singer Lester Chambers leads an all-star band, Humane Minds, which also features members of California Honeydrops, Dirty Red Barn, Stone Cold Mollie and more. A silent auction, raffle and vegan/vegetarian buffet completes the evening, taking place on Friday,
April 7, at Sally Tomatoes, 1100 Valley House Drive, Rohnert Park. 6pm. $15–$25. sassonomacounty.com.

April 8: Brew Brawl in Santa Rosa

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The West Coast’s best breweries are once again presenting their top beers for the 21st annual Battle of the Brews. The day starts with the revered Craft Cup, a juried tasting event that also features the Sandwich Showdown, in which local chefs compete to make the tastiest concoctions between two slices of bread. The battle’s main event is a People’s Choice competition where you get to decide whose suds are studs. Presented by the Active 20-30 Club of Santa Rosa, the event also benefits kids in need. Raise a glass on Saturday, April 8, at Sonoma County Fairgrounds’ Grace Pavilion, 1350 Bennett Valley Road, Santa Rosa. 1pm. $50–$95. battleofthebrews.com.

April 8: Oh, What a Night in Yountville

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Napa Valley’s biggest concert event of the season welcomes more than 200 performers onstage for the La Notte Gala. Guest conductor Ragnar Bohlin, born in Sweden and the director of the San Francisco Symphony Chorus since 2007, leads the Symphony Napa Valley and vocalists from Sing Napa Valley, St. Helena Chamber Singers and Napa Valley College Chorale, with soloists Marnie Breckenridge and Igor Vieira, in a performance of Brahms’ German Requiem, considered a masterpiece of classical music. A reception and VIP dinner are also available on Saturday, April 8, at Napa Valley Performing Arts Center at Lincoln Theater, 100 California Drive, Yountville. 5pm. $49 and up. 707.944.9900.

April 10: Writers in the Vineyard in Healdsburg

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Writing Between the Vines is a program that offers writers of all kinds a chance to enjoy a residency in the most picturesque wineries in the world, giving them a relaxing environment to focus on works in progress or explore new ideas. This month, current Writing Between the Vines residents and alumni come together for a night of wine and stories. Journalist and essayist Grace Hwang Lynch, best known for her award-winning blog HapaMama, is joined by writer and university writing professor Jacqueline Doyle and pop-culture reviewer and novelist Monica Nolan for illuminating readings on Monday, April 10, at Moshin Vineyards, 10295 Westside Road, Healdsburg. 5:30pm. 707.433.5499.

Pace Race

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Last weekend, two Neil Simon plays opened in the North Bay, each a demonstration of the legendary playwright’s mastery of rat-a-tat dialogue, skillful one-liners and flawed but relatable characters.

At San Rafael’s Belrose
Theater, Marin Onstage presents The Sunshine Boys, Simon’s 1972 hit about a long-feuding former vaudeville duo lured into reuniting for a television special. Directed with obvious affection by Ron Nash, the production boasts an agreeably likeable cast, headlined by Grey Wolf as the irascible, grudge-carrying comedian Willie Clark and Michael Walraven as Al Lewis, clearly wary of his old partner but game to give the reunion a try.

In supporting roles are Richard Kerrigan as Willie’s devoted nephew, Ben, and Christina Jaqua as an exhibitionist actress and a sassy registered nurse, with director Nash appearing as a television producer.

This kind of comedy, it should be stated, is not easy. To work, it requires metronome-perfect pacing. Wolf and Walraven do occasionally rise to that challenge, though their funniest moment is a nearly silent scene in which the two do nothing but move furniture around. Unfortunately, the poky pace of the production—possibly fueled by opening-night tentativeness and some conspicuous line bobbles—is far too slow and riddled with pauses for Simon’s language to truly sing.

Rating (out of 5):

Preceding Sunshine Boys by seven years was Simon’s early masterpiece, The Odd Couple, another tale of mismatched men. Now playing at Cinnabar Theater, the play gets a delightfully spot-on, perfectly paced production, directed with genuine warmth and slapstick-savvy by Jennifer King.

Oscar (Nathan Cummings, superb in every way) is a messy, undisciplined sportswriter who impulsively offers a room to his freshly separated, compulsively tidy best friend Felix (Aaron Wilton, perhaps a bit young for the part, but every bit as excellent). It does not take long for the fragile Felix—constantly chasing around with ashtrays and coasters—to start driving the laidback Oscar nuts.

The supporting cast—Oscar’s Friday-night poker buddies and the neighborly twins, the Pigeon sisters (Samantha Dakin and Morgan Harrington)—are all extremely good, mining the text for laughs without losing sight of the characters’ inherent humanity. But ultimately, it’s the gracefully winning chemistry between Wilton and Cummings that makes this hilarious Odd Couple so fun and so emotionally satisfying.

Power of the Pen

Last week, we learned the Bohemian won three first or second place awards from the California Newspaper Publishers Association for stories written in 2016. The awards will be announced May 20. Tom Gogola's story "Condemned Men Talking" (Jan. 15), about life on San Quentin's death row, earned a nomination in the best writing category and was one of my favorite...

Sitting Ducks

There is little a responsible reviewer can say about Main Stage West's eerie, unnerving production of Conor McPherson's The Birds. Any description of the play's tone, pace or point of view stands the risk of tipping audiences off, reducing the pleasure of experiencing this taught, emotionally rich, exquisitely acted tale as it masterfully unfolds. Even if you've seen the classic...

Storm’s Toll

This year's winter storms will cost California $866 million in road repairs, according to the latest estimates from the California Department of Transportation. That figure is a significant uptick from the $617 million in damaged assessed at the end of February, and doesn't include damage estimates from last weekend's wind-blown deluge which knocked out electricity throughout Marin County, along with...

Robert Mondavi Winery Announces Lineup for Summer Concert Series

A musical tradition nearly as old as the winery in which it's held, the 48th annual Robert Mondavi Winery's "Margrit Mondavi Summer Concert Series" returns in July for another round of chart-topping and Grammy-winning artists performing in Napa Valley's iconic setting. This year's lineup features headliners Andrew McMahon in the Wilderness, Patti LaBelle, The Revivalists, Michael Franti & Spearhead and Ben...

KOWS Mo(oo)ves Down the Radio Dial

The community radio station will broadcast on 92.5 FM in May.

April 7: Humane Happening in Rohnert Park

Formed 10 years ago in Forestville, Sinkyone Animal Sanctuary has made it its mission to rescue animals ranging from cats to cows and help them live free onsite or at forever homes they help find. This week, Sinkyone is hosting a massive fundraising party, Freedom for All, with music and merriment galore. Local singer Lester Chambers leads an all-star...

April 8: Brew Brawl in Santa Rosa

The West Coast’s best breweries are once again presenting their top beers for the 21st annual Battle of the Brews. The day starts with the revered Craft Cup, a juried tasting event that also features the Sandwich Showdown, in which local chefs compete to make the tastiest concoctions between two slices of bread. The battle’s main event is a...

April 8: Oh, What a Night in Yountville

Napa Valley’s biggest concert event of the season welcomes more than 200 performers onstage for the La Notte Gala. Guest conductor Ragnar Bohlin, born in Sweden and the director of the San Francisco Symphony Chorus since 2007, leads the Symphony Napa Valley and vocalists from Sing Napa Valley, St. Helena Chamber Singers and Napa Valley College Chorale, with soloists...

April 10: Writers in the Vineyard in Healdsburg

Writing Between the Vines is a program that offers writers of all kinds a chance to enjoy a residency in the most picturesque wineries in the world, giving them a relaxing environment to focus on works in progress or explore new ideas. This month, current Writing Between the Vines residents and alumni come together for a night of wine...

Pace Race

Last weekend, two Neil Simon plays opened in the North Bay, each a demonstration of the legendary playwright's mastery of rat-a-tat dialogue, skillful one-liners and flawed but relatable characters. At San Rafael's Belrose Theater, Marin Onstage presents The Sunshine Boys, Simon's 1972 hit about a long-feuding former vaudeville duo lured into reuniting for a television special. Directed with obvious affection...
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