April 15: Lend Me Your Ear in Napa

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Did you know that the late actor Leonard Nimoy wrote and starred in a one-man play about Vincent van Gogh? It’s logical. First opening in the early 1980s, ‘Vincent’ became a smash hit on Broadway and is still a favorite at festivals around the world. Since 1994, actor Jim Jarrett has taken on the role of Vincent, and this weekend he brings the impressionist artist’s passion and intensity to the stage for a one-night-only performance to benefit Napa’s new Sightglass Theater Company. A VIP wine lounge precedes the performance, taking place on Saturday, April 15, Napa Valley College Performing Arts Center, 2277 Vallejo Hwy., Napa. 7pm. $25–$100. sightglasstheater.org.

Ghost Story

Very sexy and very scary, Personal Shopper is Olivier Assayas’ follow-up to Clouds of Sils Maria, the film that proved a sharp and sensitive director could find a virtue in Kristen Stewart’s air of neutrality.

Assayas makes a display of this actress’ humid eyes, firmly set mouth and smooth physique, but the ghost story isn’t all about Stewart’s vulnerability—it follows a few sidebars about the parapsychological activities of Victor Hugo, for instance, to get us ready for the point when Assayas starts playing the xylophone on our spinal cord.

Maureen Cartwright (Stewart) is a personal shopper for a very mean and extremely wealthy Parisian. She carries on a frayed relationship via Skype with her boyfriend, who is working a long-term assignment in Muscat, Oman.

Maureen has an avocation—she’s a medium and spends a night searching for ghosts in an empty house. It’s the house where her twin brother, Lewis, died; her heart, like his, may be a time bomb ready to stop without warning. He’d always promised to send a message back to the world of the living. The film doesn’t cheat: a ghost of swirling, smoke-like ectoplasm reveals itself to Maureen early in the film. Later, she gets texts from some mysterious, omniscient being. It knows her every move, telling her, “I want you, and I will have you.”

There are three sound people credited here, and you’ll see why. The soundscape goes beyond the eclectic mix of the score, including Marlene Dietrich’s “Das Hobellied,” a song superficially about carpentry, but really about death as the great leveler of the world’s classes.

As in David Lynch films, the disturbing sound is more chilling than the disturbing image. The thump of a ghost answering questions has a wetness and echo to it, like the sound of rolling thunder diminishing. And the dull, irritating buzz of a cellphone carrying threatening anonymous messages—perhaps from the hereafter—gives brand-new punch to the old “the calls are coming from inside the house!” gimmick.

‘Personal Shopper’ is playing at Summerfield Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.8909.

Sea Change

The Congressional Cannabis Caucus flexed its muscle last month as members of Congress filed a package of bills aimed at creating a “path to marijuana reform” at the federal level and protecting and preserving marijuana laws in states where it is legal.

Two Oregon Democrats, Sen. Ron Wyden and Rep. Earl Blumenauer, led the charge, announcing a bipartisan package of three bills, including a marijuana-legalization bill reintroduced by Rep. Jared Polis, D-Colorado, as well as a pair of bills aimed at cleaning up “collateral issues” such as taxes, regulation, banking, asset forfeiture, de-scheduling, research and protection for individuals.

“The federal government must respect the decision Oregonians made at the polls and allow law-abiding marijuana businesses to go to the bank just like any other legal business,” Wyden said in a statement. “This three-step approach will spur job growth and boost our economy, all while ensuring the industry is being held to a fair standard.”

At least five other bills have already been filed, and lawmakers are also planning to reintroduce the Rohrabacher-Blumenauer amendment, which would block the Justice Department from funding enforcement efforts against state-legal medical marijuana programs, and the McClintock-Polis amendment, which would similarly block enforcement against state-legal adult-use programs. That later amendment came up just eight votes short last year.

The move comes with increasing acceptance of marijuana and marijuana legalization. Twenty-nine states now allow marijuana for qualified patients, and eight states and the District of Columbia have legalized adult use. Public opinion polls now consistently show pot legalization with majority support; the latest came in March when the General Social Survey pegged support for legalization at 57 percent in 2016, up five points from just two years earlier.

Not everybody is happy. Former White House drug-policy adviser Kevin Sabet, who now heads the anti-legalization Smart Approaches to Marijuana, told online journal The Cannabist last month that more marijuana legalization would have negative consequences.

“While we don’t want to see folks locked up or given criminal records for smoking pot, we support federal laws against marijuana,” Sabet writes in an email.

But Sabet’s is an increasingly lone voice in the wilderness.

Phillip Smith lives in Sebastopol and is editor of the AlterNet Drug Reporter and author of the ‘Drug War Chronicle.’

Letters to the Editor: April 12, 2017

Angel of Art

I must take exception to remarks made by Joe Martinez in his April 5 letter to the editor. Referencing your wonderful article “A Dreamer’s Diary” (March 8) about Maria de los Angeles, Mr. Martinez wrote: “You ungrateful dreamer. Spend all that money on that good education, and all you are is an artist. What a waste.” Maria de los Angeles is not only a true artist, in the sense of someone whose talent is singular and totally original. Maria is a light, the love and the hope, not only to her Latina sisters, fellow dreamers and young people but to the Latino community at large, and by her creative and courageous example, she is an inspiration to us all. She is a teacher, visionary and activist speaking out at her own personal danger.

One tragedy surrounding Maria is that all immigrants are being unfairly targeted and persecuted by the heinous Trump administration. A second tragedy is that in our society, so many people have become so desensitized that we cannot open ourselves up to the healing power of art, nor take heed when we find an angel like Maria los de Angeles in our midst.

Windsor

Helping the Homeless

To those who deal on a constant basis with the homeless situation in Guerneville: The solution is not to bus them to Santa Rosa. It does not help to dump unopened cans of beer. It compounds the situation even more. The people who live on the streets need homeless advocates to help them navigate the support systems available. Most of the people who congregate on sidewalks or parking lots in Guerneville don’t have the motivation to make positive change on their own.

Everyone needs to help and not just stand on the sidelines and watch. To eradicate this homeless situation I think we as a country need to look at what Canada did to end its homeless crisis. It’s not an easy fix. Money alone is not enough. The solution is not to transfer a group of people to Santa Rosa. Homeless services need to be available on the weekend. The homeless groups in Guerneville are nothing like those in Santa Rosa.

Guerneville

Sheriff Recall

Many thanks for the informative piece about the county’s costs while delaying resolution of the Lopez wrongful-death suit and for pointing out that the board of supervisors is more than willing to shortchange Andy’s Unity Park, which they previously agreed to fund fully (“At What Cost,” April 5). Meanwhile, the notice of intention to recall the sheriff was served by members of the Community Action Coalition on March 24. The sheriff’s announcement about not running for re-election was made just a few hours later the same day. Since the sheriff still has nearly two more years to go in this term and given his declaration to cooperate with ICE, the recall effort continues.

Santa Rosa

Write to us at le*****@******an.com.

Modern Pop

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Piano-driven rock ‘n’ roll has held a special place in my heart ever since I discovered my dad’s Supertramp cassettes as a kid. In today’s indie-rock landscape, few performers are rocking the piano with as much exuberance and excellence as New York’s Marco Benevento.

For the last decade, Benevento has mixed infectious melodies and heartfelt songwriting that evokes classic rock passion and contemporary electronic experimentation for an eagerly uplifting sound that garners comparisons to everyone from pop pianist Leon Russell to electronica band LCD Soundsystem.

On Benevento’s latest release, the live album Woodstock Sessions, the songwriter shows off his enthralling palette of music, leading a tight trio onstage with expansive sonic results. When he’s not tickling the ivories, Benevento is twisting knobs on his array of pedals, fuzzing out the edges of his indie pop and inviting the crowd to get their feet moving and whistle along to the performance.

This week, Benevento and his energetic ensemble are in the North Bay for a night of feel-good grooves. Joining him are a pair of eclectic Los Angeles songwriters, mysteriously alternative multi-instrumentalist Wyndham and folk-pop songstress Lola Kirke. Bring your dancing shoes to see Marco Benevento on Thursday, April 13, at McNear’s Mystic Theatre,
23 Petaluma Blvd. N., Petaluma. 8:30pm.
$22. 707.765.2121.

Face Value

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In the four years since Petaluma indie-rock quartet Trebuchet released their debut album, much has changed. Woes and victories, both personal and collective, inspired an expanded, heart-on-the-sleeve sound that marks the band’s excellent sophomore album, Volte-Face, available on vinyl, CD and digitally on April 14.

The four-piece outfit is made up of guitarist and lyricist Eliott Whitehurst, bassist Navid Manoochehri and husband-and-wife drummer and keyboardist Paul and Lauren Haile. Friends since meeting at Sonoma State University in 2006, the band members have an intuitive musical chemistry that’s matched by their most honest and personal songwriting yet on the new album.

“We write the music all together,” Whitehurst says. “It’s really collaborative to the point of working on melodies and harmonies before there are lyrics.”

An added bonus to that is that Paul Haile and Manoochehri operate Greenhouse Recording in Petaluma, and Volte-Face is one of the most professional sounding records to come out of Sonoma County in the last year. Layers of synth and vocal harmonies dance around the acoustic guitars, and shimmering cymbal crashes amplify the album’s heaviest moments.

Once the music is in place, Whitehurst pens lyrics to match to mood of the song.

Thematically, Whitehurst says, the content of the new record was tough to deliver. “Lyrically, I’ve always been someone who wanted to delve into really difficult subjects,” he says, “but for every song there was always a breaking point. Like, if I put down this lyric, that’s painful and I’m going to have to revisit it a lot, so with everything before, I had an out to make the song about something else.”

On Volte-Face, Whitehurst avoided the outs and stayed true to sharing his personal struggles in an authentic way. The album’s title, French for “about face,” and the overarching mood of the record, is a reflection of the songwriter’s recent tumultuous past, which included a called-off marriage engagement.

“Mentally, I had kind of checked out of my life,” he says. “I was trying to be OK with the fact that what my life had become was not what I wanted it to be.”

Through the turmoil and the heartache, Whitehurst was able to diverge onto a new life path and the new album, while vulnerable in its tone, is also a cathartic experience. “It was very difficult, but from that point on my life became what I wanted it to be,” says Whitehurst. “I had control of my life again.”

Trebuchet unveil ‘Volte-Face’ with support from Mare Island, Brown Bags and Horders on Saturday, April 15 at the Phoenix Theater, 201 Washington St., Petaluma. 8pm. $10. 707.762.3565.

Jerky Boys

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When Wyatt Bryson moved back home to his family’s 15-acre property in Occidental to make a go as a farmer, friends said he’d have a tough time earning a living.

He’d been growing edible mushrooms in Hawaii and hoped to apply his knowledge here, selling oyster mushroom kits and teaching classes so customers could grow their own.

The fungus-farm idea is still alive, but Bryson has dropped his shovel and turned his energies to another fungal enterprise: mushroom jerky.

He and his brother, Hunter, came up with the idea. Hunter’s wife is from Thailand, and that’s where Hunter was exposed to mushrooms as a street snack.

“My brother is a chef,” Bryson says, “and he whipped together a recipe we just got an amazing response from, and we were like ‘Man, I think we’re on to something,’ and we changed gears. We’re not growing mushrooms at the moment but focused on building the jerky business.”

The brothers joined with business partner Darren Racusen. They’ve only been operational for about month, but interest is growing. The product, Shroom Jerky, is sold at Occidental’s Bohemian Market, Scotty’s Market in San Rafael, Mill
Valley Market and online at shroomjerky.com. Bryson says they are in talks with Community Market and Oliver’s Market to carry the product. A 2.5-ounce package sells for $7.99.

The inherently sweet, nutty flavor of the oyster mushrooms plays off the marinade well. If you didn’t know the jerky was made with mushrooms, you might mistake it for meat. The flavor and texture are meaty, not surprising since oyster mushrooms are high in protein. Current flavors include sesame and sweet chile. Thai curry and Louisiana barbecue flavors are in the works.

“I like to take it into bars sometimes and fool people,” says Hunter. “They say, ‘I love it. Is it beef or pork?'”

If you were stuck in the car on a long road trip with a bunch of vegans and this was all they brought to snack on you would not be bummed. Heck, I’d pick up a bag myself after the trip was over. While there are high-quality brands of beef jerky on the market, much of it comes from meat of dubious quality, and Shroom Jerky makes for a more healthful snack, whether you’re a meat eater or not.

The strength of Shroom Jerky is its simplicity: dried organic oyster mushrooms and a handful of seasonings. The process is pretty simple, too. Dried mushrooms are rehydrated in a sauce and then dried again at the company’s commercial kitchen in Sebastopol. When done, the mushrooms still retain moisture and are pleasantly chewy.

“They’ve got a great flavor,” says Bryson, “and aren’t as mushroomy as others like shiitakes.”

While the brothers plan to
start growing mushrooms again at the family ranch, it won’t be enough to meet their needs. Ten pounds of fresh mushrooms dries down to one pound, and since they make jerky in 50-pound batches, they’d need 500 pound of fresh mushrooms for each run. That’s a lot of fungus, even for passionate mushroom men like the Brysons.

Happy Glampers

The travel industry is ever on the lookout for creative mash-ups and newest things. Take the “poshtel,” for instance, an upgrade on the cheap, no-frills backpacker hostel. While the staying power of that category remains to be seen, glamping, another hybrid concept, appears to be here to stay.

As with the poshtel, glamping is a mishmash of a time-tested experience with a glamorous tweak: outdoor camping injected with convenience and luxury. No need to bring the tent—it awaits your arrival. Instead of stiff camping mats, there are plush beds with high-end mattresses. Elegant gas lamps replace flashlights. While it’s not as cheap as a sleeping bag on the dirt, glamping does offer lower prices than the brick-and-mortar hotels it imitates.

Glamping, which might involve sleeping in a yurt or a vintage trailer, has been enjoyed outside the United States for years, but the trend has only recently taken root in the North Bay, as innovative hoteliers meet the rising demand for lodging. Last year, Terra Glamping established a pop-up lodging experience on the Sonoma-Mendocino border, just above Timber Cove, with ocean-view tents, memory foam mattresses, cooking facilities and embroidered rugs to complete the experience. Breakfast and coffee are served in the morning, and in the evening there are s’mores by the campfire.

A number of Napa Valley wineries have taken to the quick setup of glamping tents and provide an alternative to sleeping among the vines. Charles Krug Winery in St. Helena started to offer tent stays on its lawn last summer as part of a private wine-industry event. A similar, albeit seasonal, offering can be found at Pope Valley Winery in collaboration with Terravello Tours, which specializes in food and glamping experiences.

“It’s definitely a trend, two decades in the making,” says Tim Zahner, chief marketing officer for Sonoma County Tourism. “Safari West in Santa Rosa has had their tents for a number of years, and the Petaluma KOA and the Cloverdale KOA are definitely upgrading their amenities. As people get out and want to experience the outdoors, we are definitely promoting it.”

Zahner himself might be a “more of an REI backpacker kind of guy,” but he can’t deny the potential. “As Sonoma County has every kind of lodging, it’s good to have a balanced portfolio. You don’t want to have too much glamour or too much camping, and glamping appeals to the middle ground and to possible shifts in the economy.”

Crista Luedtke, the owner of Boon Hotel and Boon Restaurant, was there first. This season, running May to October, will be Boon’s fourth year with glamping. “Since we constantly had to tell people we were sold-out at the hotel, I thought of adding these amazing tents, but didn’t want to cramp them,” she says (Boon makes only three tents available for $140 a night). “We already had the bathroom and shower building that we’ve been using for events, so it’s almost like having your own facility, plus all the amenities are the same—the pool, breakfast in your tent.”

For hotel operators like Luedtke, the flexibility and ease of tents are attractive. “It’s been a great way to add more accommodation without adding buildings, Guerneville being a seasonal destination,” she says.

A newcomer to the Russian River, Autocamp also offers “luxury tents” with power outlets and plush linens, as well as a slightly more permanent yet still camping-inspired solution: vintage, refurbished Airstream trailers. Starting in Santa Barbara in 2013, Autocamp’s funky premise is in the spirit of glamping, turning something familiar and old-school into something new. Co-founder Ryan Miller said he discovered the Guerneville location on a scouting road trip.

“I fell in love with the town, not knowing what to expect prior to visiting,” he says. It took the company 14 months to buy the riverfront property and build the clubhouse where guests can purchase snacks and sit by a fire pit. Autocamp’s tents and trailers range from $190 to $350 a night.

There’s nothing new about yurts, but Napa County’s Bothe State Park brings them to a new audience in wine country. The park added the three yurts in 2015 and joined the Outbound Collective, an online community similar to Airbnb for outdoorsy types. Bookings provide links to nature experiences. For $70 a night, visitors hiking the Coyote Trail or visiting the state park can rest on a comfortable bed while still being able to hear the outside world.

Meaghan Clark Tiernan, a 30-year-old writer from San Francisco, stayed in one of the yurts soon after they launched. “Compared to the tent, it was much nicer,” says Clark Tiernan. “The yurt was cozy, so you didn’t need extra layers. We had much more room to spread out, change, and it was still camping in the sense that you were cooking your food outside on the fire.”

While the Bothe yurts are on the cheaper side, the prices at other glamping destinations are steeper than the average camping site. So who goes glamping? Adventuresome folks generally in their 40s or younger, says Luedtke.

Inbal Itachi, 35, a designer from San Francisco, treated her sister visiting from Israel to Luedtke’s glamping experience.

“It was especially fun waking up in the middle of nature, in the woods, and getting breakfast in bed,” she says, “and spending time at the hotel’s pool with drinks and magazines.” The fear of getting bitten by insects was her only complaint.

Autocamp’s Miller says glamping appeals to more than one demographic. “You’ll have the millennials that may live in San Francisco, and then folks that grew up with the nostalgia of an Airstream and love the opportunity to stay in one,” he says. Travelers are looking for something different these days, he says, “to break the mold” of hotel stays.

“What’s your favorite thing about a hotel? Design, great mattress, a good shower? What’s the best about camping? Being outdoors. We’re taking all these and mixing them together,” he says.

Luedtke thinks along similar lines. “Look, I love to camp,” she says, “but it’s a commitment. You carry all your gear, spend a couple of hours setting up and tearing down. Or you can just arrive and have access to it all.”

Outside the Box

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As technology and digital media take hold of our collective consciousness and international conflicts become increasingly fought with unmanned drones, artist Joseph DeLappe aims to challenge the status quo.

This month, several innovative and interactive highlights from DeLappe’s career come together for a new exhibit, “Memory and Resistance,” at the Sonoma Valley Museum of Art. DeLappe opens the show with an artist’s talk on April 15.

Sonoma Valley Museum of Art’s executive director Linda Cano first met DeLappe in 2014 when he was the director of digital media at the University of Nevada in Reno and she was working at the Fresno Art Museum. “We had an exhibition of his work, and he built a life-size drone on the campus of Fresno State out of 3D printing elements,” she says. Each section of the drone had the name of a civilian casualty from U.S. drone strikes in Pakistan.

Cano appreciated DeLappe’s art, and also his sensitivity in handling his subject matter. “It’s very serious work,” she says. “The work itself is provocative, but he himself is not provocative.”

When Cano came to the North Bay to work for SVMA a year ago, DeLappe was one of the first artists she considered featuring at the museum. “Joseph’s political commentary is a good match for the time, and his art is participatory,” she says.

While DeLappe’s installations include polygon cardboard sculptures of the Statue of Liberty and Gandhi, much of his work is more interactive, explains Cano. For one of his most famous projects, dead-in-iraq, DeLappe played the first-person shooter America’s Army, an online recruiting game, and typed in the name, age, service branch and date of death of each service person who had died in Iraq.

DeLappe’s most recent project, Killbox, is his most interactive to date—a two-player game named after the military term for an area targeted for destruction. One player acts as the drone operator, tasked with delivering a strike. The second player is the civilian on the ground bombarded by chaos. Players then switch roles and do it all over again. Rather than glorify violence the way many Call of Duty–type video games encourage, Killbox is a remorseful, horrifying vision of the reality of drone warfare.

Killbox was recently nominated for a BAFTA (British Academy of Film and Television Arts) award for Best Computer Game, and DeLappe, who is now professor of games and tactical media at Abertay University in Dundee, Scotland, just last week received a Guggenheim Fellowship.

“I think this exhibit will be a little different for our community,” Cano says, “and I hope people come, participate and give us feedback about this new direction.”

Oz Day Trip

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In a typical episode from my life in the world of wine, I had just discovered my new favorite style of wine when it all but disappeared from store shelves.

I despaired that I’d never get to explore these wines again until I could manage to travel to the far corner of the earth where they are made, in a land called Oz. But then I discovered a secret door to Oz that’s hidden in plain sight in the city of Napa.

“We call it the Yellowtail effect,” says Blair Poynton, marketing manager at Old Bridge Cellars. Poynton is talking about the inexpensive Australian wine brand with the wallaby logo that became ubiquitous on supermarket shelves in the early 2000s. The problem wasn’t Yellowtail—it’s pretty well made for the price point, Poynton concedes—but that imitators (he mentions a certain Penguin) diluted the reputation of Aussie “critter wines.” And then the 2008 financial crisis put the brakes on the whole category.

Sure, recession-era wine drinkers might have put up with even a diluted, cheap Shiraz buzz, but the Australian dollar refused to tank against the U.S. dollar. Instead, it doubled. All this was not convenient for Old Bridge Cellars, a Napa-based import business that planted its flag on Australian wine back in 1993.

Old Bridge responded by diversifying its portfolio to include wines from Chile, the United States, Italy and—gasp!—France. Today, Australian imports are on the uptick again, but it’s not about the “cheap and cheerful” wines this time, Poynton says. It’s about higher quality wineries like South Australia’s d’Arenberg that Old Bridge has always championed.

Australia’s fine-wine culture is at least as old and developed as California’s, says Poynton, an easygoing Aussie who met his Californian wife during one crush season Down Under. “I’ve got mates who drive trucks for mines,” he says, “but they know the difference between a southeastern and a western Australian Riesling.” Also, they drink loads of beer, he adds.

Indeed, it’s wines like Kilikanoon’s 2010 Mort’s Reserve Clare Valley Riesling ($35) that brought me here in the first place. Like Napa Valley Cabernet Sauvignon is to Bordeaux, south Australian Riesling isn’t an imitation of the Mosel version—this wine is a toasty, lime juice and pineapple-flavored, very dry and tangy exemplar of an entirely different take on the varietal.

Old Bridge Cellars plans to open its doors to Oz, and other regions, just a tiny bit more for its Napa neighbors with Thursday evening tastings in the near future at their longtime offices, a grand old, slightly cluttered, dog-friendly old house at 703 Jefferson St. in Napa. Meanwhile, go to obcwines.com or call Blair at 707.258.9552.

April 15: Lend Me Your Ear in Napa

Did you know that the late actor Leonard Nimoy wrote and starred in a one-man play about Vincent van Gogh? It’s logical. First opening in the early 1980s, ‘Vincent’ became a smash hit on Broadway and is still a favorite at festivals around the world. Since 1994, actor Jim Jarrett has taken on the role of Vincent, and this...

Ghost Story

Very sexy and very scary, Personal Shopper is Olivier Assayas' follow-up to Clouds of Sils Maria, the film that proved a sharp and sensitive director could find a virtue in Kristen Stewart's air of neutrality. Assayas makes a display of this actress' humid eyes, firmly set mouth and smooth physique, but the ghost story isn't all about Stewart's vulnerability—it follows...

Sea Change

The Congressional Cannabis Caucus flexed its muscle last month as members of Congress filed a package of bills aimed at creating a "path to marijuana reform" at the federal level and protecting and preserving marijuana laws in states where it is legal. Two Oregon Democrats, Sen. Ron Wyden and Rep. Earl Blumenauer, led the charge, announcing a bipartisan package of...

Letters to the Editor: April 12, 2017

Angel of Art I must take exception to remarks made by Joe Martinez in his April 5 letter to the editor. Referencing your wonderful article "A Dreamer's Diary" (March 8) about Maria de los Angeles, Mr. Martinez wrote: "You ungrateful dreamer. Spend all that money on that good education, and all you are is an artist. What a waste." Maria...

Modern Pop

Piano-driven rock 'n' roll has held a special place in my heart ever since I discovered my dad's Supertramp cassettes as a kid. In today's indie-rock landscape, few performers are rocking the piano with as much exuberance and excellence as New York's Marco Benevento. For the last decade, Benevento has mixed infectious melodies and heartfelt songwriting that evokes classic rock...

Face Value

In the four years since Petaluma indie-rock quartet Trebuchet released their debut album, much has changed. Woes and victories, both personal and collective, inspired an expanded, heart-on-the-sleeve sound that marks the band's excellent sophomore album, Volte-Face, available on vinyl, CD and digitally on April 14. The four-piece outfit is made up of guitarist and lyricist Eliott Whitehurst, bassist Navid Manoochehri...

Jerky Boys

When Wyatt Bryson moved back home to his family's 15-acre property in Occidental to make a go as a farmer, friends said he'd have a tough time earning a living. He'd been growing edible mushrooms in Hawaii and hoped to apply his knowledge here, selling oyster mushroom kits and teaching classes so customers could grow their own. The fungus-farm idea is...

Happy Glampers

The travel industry is ever on the lookout for creative mash-ups and newest things. Take the "poshtel," for instance, an upgrade on the cheap, no-frills backpacker hostel. While the staying power of that category remains to be seen, glamping, another hybrid concept, appears to be here to stay. As with the poshtel, glamping is a mishmash of a time-tested experience...

Outside the Box

As technology and digital media take hold of our collective consciousness and international conflicts become increasingly fought with unmanned drones, artist Joseph DeLappe aims to challenge the status quo. This month, several innovative and interactive highlights from DeLappe's career come together for a new exhibit, "Memory and Resistance," at the Sonoma Valley Museum of Art. DeLappe opens the show with...

Oz Day Trip

In a typical episode from my life in the world of wine, I had just discovered my new favorite style of wine when it all but disappeared from store shelves. I despaired that I'd never get to explore these wines again until I could manage to travel to the far corner of the earth where they are made, in a...
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