Summerfield Cinemas Showed Its Final Film Last Weekend

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The drawn-out downfall of Summerfield Cinemas, one of Sonoma County’s last indie movie theaters, ended with a soft, sad landing last Sunday at a nostalgic goodbye party and final day of screenings at the historic venue across from Howarth Park. Summerfield is rumored to have opened as far back as the late ’60s or early ’70s, and has served as a refuge for countless local art kids and cinephiles over the decades. Press Democrat reporter Alana Minkler attended the theater’s last day on March 9. Here’s an excerpt from her dispatch, including an iconic Summerfield love story:

The buttery scent of popcorn lingered as three former Summerfield Cinemas employees stepped into the dimly lit lobby Sunday, their eyes scanning the familiar space one last time. On the theater’s final day of screenings, they gathered to relive memories and say goodbye to the beloved Santa Rosa movie house.

Among them was Jeff Weislow, who credits the theater with shaping his life — both professionally and personally.

In 1974, Weislow arrived in Sonoma County to attend Santa Rosa Junior College. At 19, he had moved 500 miles from home, looking for a part-time job. Summerfield Cinemas was hiring.

“My hair was long, but my clothes were clean, and I had experience,” he said. “Call it timing or fate, but in an instant, my life would forever change.”

Hired as an usher, Weislow spent two years guiding moviegoers to their seats with a flashlight. But his biggest takeaway from the job wasn’t just fond memories — it was love.

Becky Weislow had been working at the concessions counter for six months when Jeff joined the staff. The two became fast friends, their connection deepening into something more. They kept their relationship quiet, concealing it from their manager, Butch Bondi.

Butch Bondi, who was also at Sunday’s party, had a parting message for the public: “Tell people to go to the movies.”

The initial blow for Summerfield fans came last spring, when news broke of the Planet Fitness gym chain potentially taking over the old theater space. By summer, neighbors and other theater supporters were protesting on the sidewalk outside Summerfield — standing up for arthouse cinema in the crazy heat. In the end, the grassroots movement didn’t stop the sale. But by winter, the deal fell through anyway, giving the community a glimmer of hope. Within months, though, theater owner Dan Tocchini announced he had to shut down Summerfield for his own reasons. This, despite ongoing community rallies to save the theater. “It’s a theater that we all love and cherish, but time ran out for the business,” the owner told the PD. More from the story:

The longtime operator confirmed the closure in an email [on Feb. 25] and said the business had struggled to recover after the COVID-19 pandemic, with fewer art-house films being released in theaters.

The closure represents another blow for local cinema buffs who have held tight to Summerfield and Sebastopol-based Rialto Cinemas amid nationwide contraction in the business.

Local operators estimate more than 30 movie screens across Sonoma County have been lost with the closure of Rohnert Park’s Reading Cinemas in November 2023 and other smaller movie houses in the pandemic.

Theater owners posted a final goodbye message to Facebook last Monday, the day after their party: “Thanks to everyone who came out yesterday to celebrate Summerfield Cinemas final day. Thanks to all the patrons for supporting the Summerfield throughout the years. Thank you and farewell!”

Update, April 6: Christian Kallen, a colleague of mine from the Healdsburg Tribune — the Bohemian’s small-town sister paper! — made the astute point to me that a very important name was missing in all the local coverage of Summerfield closing. “I have not seen a word about Ky Boyd, who created the art film formula for the location prior to Tocchini’s buying it out,” he said. “Don’t you find this strange? Boyd of course went to Sebastopol to start the Rialto, and carry on the independent film tradition.” You can read more about Ky Boyd and his local legacy in this recent story by the San Francisco Bay Times, called “Rialto Cinemas Preserves the Third Place.” Long live arthouse cinema, indeed!

Mention of Ky Boyd was also noticeably missing from the Tocchini family’s opening party for Summerfield Cinemas back in 2010, pictured above. A Bohemian reporter at the party took note: “In the entire evening’s speeches, not a word was mentioned of the Rialto Cinemas or of Ky Boyd, who pioneered the format in Sonoma County. One conspicuous employee of the building’s former tenant was present, however: former Rialto manager Mary Ann Wade, in the lobby she once reported to every day, scoping the packed house and no doubt feeling completely bewildered at the crazy scene.” (Photo: Bohemian)
Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

School Budget Cuts Hit Sonoma, Napa Counties

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School districts all across California have been dealing with a major budget crisis this year. (CalMatters has a good story on why.) And it’s no different here in wine country. The board of trustees for Napa County’s largest school district, Napa Valley Unified, just axed 35 employees at a whopper of a meeting on Thursday, according to the Press Democrat. The school system in Sonoma County is feeling the burn, too. The county’s largest district, Santa Rosa City Schools — reportedly facing a $20 million budget shortfall — recently decided to shut down three elementary schools and three middle schools over the next two years. (The plan is to move seventh and eighth grade classes to nearby high schools.) Santa Rosa’s school board also just removed the popular principals of Elsie Allen and Maria Carrillo high schools from their posts, as another facet of this massive reshuffling — inspiring big, emotional protests and walkouts over the past week. Schools in Sonoma Valley and Petaluma are facing some especially painful cuts as well.

High-school kids from Elsie Allen and Maria Carrillo staged a packed protest at Santa Rosa’s school-board building yesterday over the ousting of their principals. Someone even showed up in the Puma mascot costume! Homemade protest signs had slogans like “Paws off Mrs. Wiese” and “It’s not wise to cut Wiese,” referring to the Maria Carrillo principal. (Video: Press Democrat via YouTube)

PD reporters have been covering the local school-budget saga like dogs with a bone; you can find a helpful roundup here of what’s happening at each district in Sonoma County, and a full archive here of their excellent coverage of school closures and layoffs across the North Bay.

And now, on top of state funding cuts to education, federal funding cuts could be on the horizon, if Trump — oops, sorry, mentioned him again! — makes good on threats to withhold U.S. Department of Education funds from any schools that don’t shut down their “woke” diversity, equity and inclusion (DEI) programs. (And if a new lawsuit filed by the he American Federation of Teachers and the American Sociological Association fails to stop him.) Meanwhile, ed leaders in Sonoma and Napa counties have vowed not to shut down any DEI programs, no matter what Trump says or does. Here’s what the impact could be: The PD has previously reported that “just shy of $15 million in federal funds feeds into Sonoma County, passed through the California Department of Education… toward five main program areas supporting student achievement, effective instruction, English-language learners, students who are immigrants and educational tools for success.” Hang in there, everybody…

Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

North Bay Programs See Federal Funding Cuts

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Just one more Trump-related news item, and then we’ll move on! This one is on the federal funding front. Ever since Trump and Elon Musk and their Department of Government Efficiency (DOGE) started hacking away at federal spending in early February, all orgs and agencies here in the North Bay that rely on funds from the U.S. government have been bracing for the worst. And for some of them, those fears have come true. Here’s a roundup of every defunded local program I’ve heard about so far:

  • As I reported in a previous newsletter, the Santa Rosa chapter of Catholic Charities — which KRCB news radio calls “Sonoma County’s largest provider of immigration legal services” — lost its longtime federal grant of around half a million per year, which they were using to help local immigrants in their efforts become citizens, according to the Press Democrat. (You can donate directly to the org here.)
  • I’m sure you’ve heard about all the national parks in California and other states losing staffers and other resources. But since we have no national parks here in Sonoma and Napa counties, this is our version of those cuts: Come end of August, the Ukiah field office of the U.S. Bureau of Land Management will be shut down entirely, according to the Bay City News wire — affecting nearly half a million acres of wildlands that the office manages in Sonoma, Napa, Marin, Solano, Lake, Colusa, Glenn, Yolo and Mendocino counties. Bay City News reports that “three popular protected areas fall under the Ukiah field office’s jurisdiction: The California Coastal Monument, including cattle grazing lands along state Highway 1 and hiking grounds surrounding Point Arena Lighthouse; Cow Mountain Recreation Area, located just outside of Ukiah and popular with hunters, campers and off-road vehicle enthusiasts; and Berryessa Snow Mountain National Monument, an expansive protected space managed in partnership with the National Forest Service known for being one of the most biologically diverse in the state.” It also manages “The Geysers, an isolated area straddling the Sonoma-Lake County border that is home to one of the world’s largest geothermal field.” I’m not sure exactly what will happen to this land once the Ukiah field office is shuttered. All I know is that Bay City News says “closing the office may impact a wide range of activities, including grazing permits for ranchers, campground and trail management, wildfire prevention measures, habitat conservation projects, hunting and off-road vehicle permitting, mining and drilling permits, renewable energy projects, historical preservation work, the policing of poaching and environmental education outreach.”
  • Over in Marin County, the Point Reyes National Seashore just lost two staff members, including a fisheries specialist, according to the Point Reyes Light. And the paper reports that “other agencies and nonprofits on the coast” in West Marin are now “bracing for cuts or pausing work,” too.
  • Two important weather agencies that serve our area, the National Weather Service and the National Oceanic and Atmospheric Administration, are also getting gouged right now. More than 2,000 staffers were reportedly just laid off nationwide, or around 20% of everyone who works for the agency. I’m not sure how many of them worked at the Bay Area office (which covers the North Bay), but the Sebastopol Times has a very helpful (and pretty scary) roundup of all the ways we depend on the work of the NWS and NOAA locally — including in winemaking, firefighting and airport operating.
  • Our local Veterans Affairs offices in Santa Rosa and Napa haven’t been hit by funding cuts and layoffs yet, that I’ve heard about — but the Trump administration’s plans to pare down the U.S. Department of Veterans Affairs sparked a preemptive protest outside the Santa Rosa office last week. “A group of about 45, mostly older veterans rallied to protest news of mass firings and other cuts planned for the sprawling federal department serving millions of people who served in the country’s military,” the Press Democrat reportds.
  • Similar deal with the proposed Medicaid and Medi-Cal cuts on the table right now, which haven’t been approved yet — but if they are, they would reportedly impact health insurance coverage for a quarter to a third of the population in Sonoma and Napa counties. From the PD: “U.S. Reps. Mike Thompson and Jared Huffman made a joint appearance [on March 7] in Santa Rosa to issue dire warnings about the impact of a Republican plan to cut over the next decade at least $880 billion from programs that are likely to include Medicaid and Medicare to help pay for some $4.5 trillion in tax cuts.”

Ever since Trump took office, state and national politicians representing Sonoma and Napa counties — Huffman, Thompson and others — have been holding nonstop press conferences (like the one I just mentioned) and town hall events for community members, where they’ve been sharing info on what’s coming down the pike. At one such event on Feb. 6, U.S. Congressman Mike Thompson, who reps all of Napa County and part of Sonoma County, mentioned that federal funding cuts were affecting local fire-mitigation projects, toxic waste cleanup, training programs for young farmers and “important health research.” And a couple of weeks later, at a similar event on Feb. 21, he rattled off another laundry list of programs getting cut. Watch if you care…

U.S. Congressman Mike Thompson, pictured right, held a town hall with State Assemblymember Chris Rogers in Santa Rosa on Feb. 21, where they spoke about federal cuts to local programs. (Video: Congressman Mike Thompson via YouTube)
Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

ICE Activity Reported in Sonoma County

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First came the federal immigration raids in Bakersfield in January, right after the presidential election results were certified. Then came the ones in Los Angeles. Then there was an arrest or two closer to home, in San Jose and Concord. And now, some U.S. Immigration and Customs Enforcement (ICE) activity has finally been reported here in the North Bay. Volunteers with the North Bay Rapid Response Network, a local immigrant support group that’s been fielding raid rumors since Donald Trump took office, said they confirmed a handful of ICE arrests in Santa Rosa and Rohnert Park in early March. And Sonoma County government officials say another person was arrested by ICE in the lobby of the county’s probation department this past Friday. From their press release:

At approximately 2 p.m., a plain-clothed agent working with ICE entered the lobby of the Probation Department Adult Division at 600 Administration Drive in Santa Rosa and placed handcuffs on an individual who had just been released from the Main Adult Detention Facility and was reporting to Probation per a court order. The agent, who did not identify themselves to staff, left with the individual in a white van with federal license plates.

The chair of the Sonoma County Board of Supervisors, Lynda Hopkins, said in the release that she fears last Friday’s ICE arrest will erode trust in local government. She said “it sends the wrong message to members of our community who deserve access to County services — especially clients who must trust the Probation Department and visit in order to comply with terms of their probation.” Going forward, Supervisor Hopkins is assuring the public: “While we will not interfere with lawful arrests, we will work with all County departments to ensure immigrant communities feel safe accessing County services, and that their rights are upheld.” Org leaders at the North Bay Rapid Response Network, meanwhile, are telling everyone to stay calm, learn their rights and keep reporting any suspected ICE activity to their hotline at 707-800-4544.

Zooming out to the national level, U.S. Department of Homeland Security officials claimed in their own press release last Thursday that their ICE agents have made 32,809 “enforcement arrests” within the first 50 days of the Trump presidency. There has been lots of arguing back and forth between political factions about whether undocumented immigrant arrests and deportations are higher under Trump than they were under Biden. All depends on who you ask: Fox News is taking a pro-Trump view of the data, and NBC News is taking a pro-Biden view of the data, per usual. Hard to know what to believe these days…

Note from Simone: This piece originally appeared in the weekly email newsletter I write for the Bohemian, called Wine Country Today. Subscribe here!

Eco-Reunion: Sustainable Enterprise Conference returns after Covid break

After more than five years since last convening, the Sustainable Enterprise Conference is once again gathering together sustainability leaders.

These leaders, who represent the sectors of business, government and nonprofits, are coming to address the challenges of climate change at the local level.

It is personal for me. I first discovered the Sustainable Enterprise Conference when I was entering my last semester of graduate school in the Green MBA, then a part of Dominican University. I was so moved by what I saw that I shifted my culminating student project to a business plan for expanding the conference. It was Oren Wool, CEO and founder of Sustainable North Bay, who sat down with me that day between panels to breathlessly lay out the vision. I went home and that night started work on my capstone, now with the title “Sustainable North Bay.”

“This event is a convening of the people that are already [working on sustainability] in our community,” Wool said to me recently, an echo of that first conversation years ago. “We like to think that our event puts wind in their sails.” 

After graduating, I served as Sustainable North Bay’s director of development, producing dozens of events with the team and managing SEC’s keynote stage from 2015 to 2019.

Working to hold the depth, passion, conviction and talent of those who gathered at SEC continues to be a highlight of my career. Now, after a five year break, the Sustainable Enterprise Conference returns, March 27 at SOMO Village in Rohnert Park. Allow me to provide a reintroduction to Sonoma County’s Sustainable Enterprise Conference.

It All Started With Lunch

In 2003, a now almost mythological lunch gathering started at Cafe Wonderful in Santa Rosa, now closed but still having an impact, its famously varied buffet of sushi and spaghetti overflowing as if for the gods of Olympus. 

Among those at the regular lunches that year were Geneveve Taylor (who shepherded the SEC into its first iteration), Oren Wool (who has held the event since SEC 2009), John Stayton (co-founder of the Green MBA, the first MBA in the county to focus on sustainable enterprise) and Robert Girling (professor emeritus of the School of Business and Economics at Sonoma State University and author of The Good Company).

“It was Robert Girling who was the seed of all of it,” recalled Taylor, principal facilitator of Ag Innovations, a nonprofit that focuses on food and agricultural systems. “He said, ‘Let’s have lunch. Let’s invite a few people.’”

This was the era of Bush II—the environmental hope of the Gore campaign in the unobtainable past—and climate change activists around the world were inventing new ways to shift the economy toward environmental sustainability. The influence of the lunches on local sustainability initiatives that have arisen since cannot be overstated. 

“We realized that if we wanted real change, we needed a platform to bring people together,” recalled Girling. “That lunch wasn’t just a meal; it was the beginning of something transformative.”

That transformation found its home with the Sustainable Enterprise Conference in 2006. I spoke with several of the key players.

“There was this feeling of sustainability as a wave that was building,” said Taylor. “We were already in our various ways…bringing all of the innovation and positivity and solutions-focus into Sonoma County and the North Bay. We were surfing a wave at that point. It was really exciting.”

The conference became a way to shine light on the work being done in a way that moved the needle forward for the region as a whole. New possibilities were presented, discussed, and iterations suggested.

“We offered a big umbrella from all sectors of our region with a common interest in moving our regional economic system in a more environmentally and socially conscious direction,” said KJ Stayton, known at the time as John, who now goes by the pronouns they/them. “Our focus was always on practical, action-oriented speakers, panels and workshops because we wanted to actually create change, not just talk about it.”

Regional Models

Sustainable North Bay was created to expand gatherings in the region, creating a model which other regions could then emulate. The first regions to host their own sustainable enterprise conferences were Marin and Contra Costa counties, under the guidance of Chris Yalonis, founder of VenturePad co-work space in San Rafael, and Mark Westwind, respectively.

Wool’s stated focus has always been to support the endeavors of others. SEC and Sustainable North Bay have been first and foremost communities of action. By convening determined representatives of the policy, business and non-profit sectors around well articulated needs, the community is more equipped to actualize a sustainable region. And he believes one successful region will inspire others.

“The way Oren articulates building community and the meaning of the event continues to be a kick in the pants to think, more—I hate to use the word—but like more metaphysically about the the dynamic, the aura, the vibe that SEC creates,” said Westwind, executive director of the Praxis Group, a non-profit in Contra Costa County.

An important influence on the conference has been One Planet Living, developed by Pooran Desai in the UK. Desai is a past keynote speaker at SEC and a consultant and guide with many local sustainability initiatives, not least of all SOMO Village and its new housing development and walkable community.

The inspiration for the United Nations’ 14 sustainability principles, the 10 One Planet Living principles focus on the need to reduce the consumption of our communities globally to live on only what our planet can actually provide. Get it? One Planet, the only metric that matters.

“When you’re building any sustainable community, it always sits within a bigger ecosystem,” said Desai, founder of oneplanet.com and co-founder of Bioregional, a sustainability consultancy that contributes to major developments like Disneyland’s Center Parcs Villages Nature Paris. “I was always interested in supporting the building of a bigger ecosystem around interconnected sustainable communities wherever I worked on One Planet Living communities around the world.”

Flash Forward to 2025

After growing to several hundred attendees and bouncing back and forth between SOMO Village and Sonoma State University a couple of times, in 2020, shortly after Covid struck, the conference was held online. Then it went dormant. Now the Sustainable Enterprise Conference awakes, with an openness to discovering what is needed by the community today.

“The conference is a day of sharing about what’s happening locally in sustainability, and building enthusiasm for the sustainability and climate plans of our community,” said Wool, CEO of Sustainable North Bay, which produces SEC. “The conference answers the question, ‘What should we do?’ And so, to answer that question before the conference would be premature.”

Reimagining the Future

I wish I could say this was just a feel-good piece about a fun local conference and a chance to get the band back together with some of the most eco-groovy people in the North Bay. But acknowledging the difference in the rate of climate change impacts from when the conference started in 2006, since when I joined in 2015, and the last five years since the conference paused, is striking and downright stressful. I asked the others about it.

“Are you quoting me in this article?” asked Westwind. 

Giots: “This is all on the record, yes.”

Westwind: “Right. You know, I’d say, ‘Were f*cked.’ And that’s the summary that I’ve heard from almost everybody I’ve talked to.”

Anyone reading this article likely is concerned about climate change. And just as likely is that they are not living up to the One Planet metric. Why doesn’t it work, even among the most dedicated?

“Because almost no matter how we live, we’re still living on more than one planet,” said Westwind. Imagine how much we eat from other regions and how that gets to our countertops—via diesel trucks and plastic infrastructure. “To be really sustainable, I’d grow it all myself, or grow it within a walking distance.”

I expressed concern for my kid’s future to Desai. He disagreed with my timeline.

We’re going to take the brunt, ourselves. We’re gonna hit two degrees by 2030. So no, it’s not the next generation,” he said, somehow retaining his trademark buoyant tone of voice. “I know top scientists who are saying, now they think the majority of humanity won’t make it through the next 25 years.”

As these words settled, I remembered a discussion several years ago, pre-Covid, with Desai and a couple other people: Wool; Girling; Brad Baker, principal of Codding Enterprise, which developed and administers SOMO Village; and Jahn Ballard, who helped worked hard to maximize the One Planet adoption in the North Bay. 

We sat at a small round table in a garden at SOMO Village, embraced by native plants. Desai was telling us that scientists will not say publicly what they had realized about the climate catastrophe. This is a man who has worked with the UN, the World Wildlife Fund. It’s worse than they feared, and they don’t want to cause a panic, he confided. I do not want to hide this from you, dear reader. Now more than ever is the time to speak truth.

When we worked together, Wool often said, with a twinkling of both doom and hope in his eye, the way Zeus might explain fate to a human, “We’re going to get to sustainability—one way or another.”  

The guiding principle of all those who have come to SEC over the years is the possibility of change. So, as hard as it might be to face the challenges that seem to be only intensifying since 2003, it is important to remember that crisis precipitates change. We have a crisis, so change is coming. There is hope in that. The depth of the crisis means that this time is our best chance for shaping a viable future, and there is still plenty of work to be done.

“I honestly think, like you, this is the greatest opportunity we’ve ever had to reimagine what the future will be like,” said Desai. “We have to completely reimagine our relationship with each other and with the rest of the planet. We’ve got two stark, very polar options ahead of us. Let’s take the opportunity to reimagine.”

What SEC excels at is bringing the big ideas down to where the rubber meets the road, to use a soon to be obsolete metaphor. For intentional, designed change to take place, the SEC community works together on practical solutions derived from replicable methodologies.

“On the one hand, [I am] disturbed by some of the [federal] actions that are really disruptive, and on the other hand, I’m listening really hard for the underlying interests that deserve attention and conversation,” said Taylor. “That’s my role as a facilitator, as someone who believes in building bridges, so I’m listening hard right now.”

Wool and the SEC 2025 team are investing all the social capital they have to make the conference a locus for intentional change, a way for the community to design together the best outcome we can manage.

“All I’m doing is saying, ‘Hey, the door is open.’ That’s my part of it. I’m excited to make the space happen,” said Wool. “I’m not sure the community needs me, [but] this is just what I wanted to do. And everybody I talked to was excited to try it again.”

Sustainable Enterprise Conference gathers on Thursday, March 27 from 9am to 3pm at SOMO Village. Tickets range from $35 for students to $135 for late registration. To attend, go to sustainableenterpriseconference.com.

Discover your next favorite micro-production wine at The Garagiste Wine Festival

Published in cooperation between The Garagiste Festival and the Bohemian

The Garagiste Festival: Northern Exposure is an annual wine celebration that returns to downtown Sonoma every April to give wine lovers rare access to the region’s best small, hard-to-find winemakers.

Why spend your hard-earned dollars on mass-produced labels when you can unearth the true essence of winemaking at Garagiste? Here, every bottle tells a story of passion, not profit. You’re not buying wine; you’re investing in a moment, a story, a piece of art that was crafted in tiny batches, by the hands of the winemakers who will be pouring them for you.

Collage of photos from The Garagiste Festival
More than 90 percent of participating wineries do not hold regular tasting hours.

At this exclusive event, you will discover and taste amazing, cutting edge wines from more than 40 high-quality, micro-production, commercial wineries from Napa, Sonoma, Mendocino, Sierra Foothills, Livermore and more—all of whom produce less than 1,500 cases a year!

More than 90 percent of the Garagiste wineries participating in this event do not have regular tasting hours, so this is truly a singular chance to discover and meet the next great winemakers and get the opportunity to taste their amazing micro-production wines.

You’ll encounter varieties and blends you’ve never heard of, made in ways that defy the conventional. Every visit to Garagiste is like opening a treasure chest. With each sip, you’re not just tasting wine; you’re uncovering the soul of the winemaker, the terroir, the innovation. This isn’t about finding the best wine; it’s about discovering what speaks to you—your personal map of flavors, stories, and characters.

You won’t be able to duplicate this tasting experience at any other wine event.

Meet the winemakers, taste their passion!

Banner ad for The Garagiste Festival in Sonoma

Sebtown Doc Fest’s Non-Fic Films Edify and Entertain

If spring is springing in Sonoma County, it must be time for the Sebastopol Documentary Film Festival. 

This year’s annual event runs March 27-30 in lovely, you guessed it, Sebastopol, and features a great lineup of current doc sensations as well as a tribute to Bay Area husband/wife doc all-stars, Bonni Cohen and Jon Shenk. The duo will be feted Wednesday, March 26 before their 2024 films, In Waves and War and The White House Effect (also directed by Pedro Kos), play throughout the festival.

In Waves and War tells the story of decorated Navy SEAL Marcus Capone, who returns home from Afghanistan, only to face the daunting challenge of reintegrating into civilian life. Years of intense combat have left him grappling with treatment-resistant PTSD, traumatic brain injury and debilitating depression—conditions that surpass the capabilities of existing government-backed therapies. 

With Marcus’ life hanging in the balance, his wife discovers a ray of hope in an unconventional treatment involving two powerful psychedelics, not yet approved in the U.S. but brimming with transformative potential. A compelling story of courage, love and the pursuit of healing against all odds, this is a perfect fit for Sebastopol’s forward thinking, progressive hippy outlook.

Cohen and Shenk’s The White House Effect focuses on the ongoing climate crisis, reflecting on a more hopeful era when scientists, government leaders, corporate executives and the American public collectively recognized this isn’t a political issue but rather, one that affects us all. 

Focusing on the presidencies of Jimmy Carter, Ronald Reagan and George H.W. Bush, the film employs archival footage to explore how the consensus on humanity’s impact on the climate devolved into a deeply divisive and completely avoidable political battle. This is a poignant and very current reminder of lost unity in the face of a global challenge.

When asked about what the film fest means to the community, Sebastopol Center for the Arts (which puts on the event) executive director Serafina Palandech said, “[The festival] brings so much to our town—thought-provoking films, filmmakers from around the world.” She added, “We have filmmakers from Japan, Italy, the East Coast, Los Angeles joining us in Sebastopol, opportunities for connection and compelling conversations, as well as the chance to come together as a community.”

In addition to the connection and conversation, SDFF has always been great about supporting local filmmakers, and this year is no exception. One exciting showing is that of Musica!, the most recent doc from Bay Area documentarians Rob Epstein and Jeffrey Friedman. If those names ring a bell, it’s because they also directed the fantastic Linda Ronstadt: The Sound of My Voice in 2019, as well as seminal queer doc The Celluloid Closet in 1995.

Musica! tells the story of Havana’s renowned Amadeo Roldán Conservatory, where four talented students pursue their musical aspirations despite mounting challenges. While the conservatory holds a storied reputation as Cuba’s premier music school, it grapples with maintaining its instruments and resources. 

Hailing from diverse backgrounds, the four share a common determination to hone their craft, even as economic hardships and daily struggles in Cuba test their resolve. Their stories reflect both the enduring power of music and the resilience required to chase dreams in difficult times.

Another locally sourced selection is The 9 Lives Of Barbara Dane, the latest from Oakland based documentarian Maureen Gosling, which will be showing throughout the weekend. The film delves into the extraordinary life of singer-activist Barbara Dane, who passed away in 2024 in Oakland, exploring her pivotal role in 20th-century social movements, her unwavering dedication to music and her relentless pursuit of justice, all while navigating obscurity and adversity. 

A portrait designed to fire one up as they rally around resilience and passion, this documentary celebrates Dane’s enduring legacy as both an artist and a changemaker.

Of course, some of the best things about any film festival, aside from the films, are the parties and celebrations that take place throughout. Palandech said the “opening night and the tribute are going to be amazing. We will celebrate the importance of independent documentary film, [which] serves as a powerful tool for truth-telling, social change and artistic expression.” 

Taking a more somber tone, she noted, “Unlike mainstream media, independent documentaries often explore underrepresented voices, marginalized communities and pressing global issues with depth and authenticity.”

In addition to the opening night tribute and conviviality, the evening will feature wine from Healdsburg’s Roadhouse Winery and appetizers from chef Jen Johnson, who is renowned for her delicacies at Sebastopol’s Hip Chick Farms, as well as for being invited to cook for President Barack Obama at The White House.

With so much to choose from, we needed a qualified guiding light and reached out again to Palandech for some of her can’t-miss picks. Showings she’s most excited for include:

Meg Shutzer and Brandon Yadegari Moreno’s Mother. Inspired by a longing for the women’s bars of the past, Malia Spanyol set out to create a new gathering place for queer women, leading to the opening of Mother bar in San Francisco. The film delves into Spanyol’s journey and the bar’s evolution, questioning whether such spaces still hold significance for today’s younger queer generation. Through their efforts, the team at Mother crafts a space that feels unexpectedly essential—a haven they didn’t realize they were missing until it came to life.

Democracy Noir, an unfortunately all too timely doc that follows three courageous female activists as they fight to expose the lies and corruption within Hungarian dictator Viktor Orbán’s white nationalist regime. It’s always good to take a peek at who’s influencing our fearful leader and this American carnage while we’re still allowed to.

A less alarming doc Palandech singled out is Robert Clem’s Big Mama Thornton: I Can’t Be Anyone But Me, which chronicles the life and career of lesser known bluesperson Willie Mae “Big Mama” Thornton, who was inducted into the Rock and Roll Hall of Fame in 2024. She was the first person to record “Hound Dog” and forged her own unique style, defying gender norms in turbulent times. 

In addition to those insider picks, one may want to check out the Oscar-nominated Porcelain Wars, as well as more than 25 doc shorts, which can really be a fun way to experience out of the ordinary films.

Individual tickets and passes for the 2025 Sebastopol Documentary Film Festival, as well as the opening night party, are on sale now at sebastopolfilmfestival.org or in-person at the Sebastopol Center for the Arts, 282 S. High St.

Gabby La La’s Visual Memoir Captures Extraordinary in the Ordinary

For musician, artist and mother Gabby La La, art has always been a part of life. 

Whether it was watching her father sketch bubble letters at the coffee table or immersing herself in her own creative expression, drawing became second nature. 

But when La La started participating in Inktober—a month-long daily drawing challenge—she had no idea it would lead to her full-fledged illustrated book, Not the Path of Totality

The book visually chronicles a year in her daily life as a mother, wife and multidisciplinary artist, including such details as what’s for dinner, wardrobe essentials, art projects, novel rejection letters and what the voice inside her head is saying right now.

“I think my book resonates with anyone who has to juggle more than one thing in life,” says La La. “It’s largely about my experience as a mom, cooking, cleaning, caring, driving, all while trying to maintain a sense of self.” 

But beyond the daily grind, her artistic practice also intersects with exciting opportunities, like accompanying her husband, filmmaker Boots Riley, to film festivals and events. “The red carpet really does sound like the ocean if you close your eyes,” she jokes.

These extraordinary moments, along with the mundane, all find their way into her book, offering a rich tapestry of life in all its forms.

La La’s artistic journey began long before Not the Path of Totality took shape. An artist and musician who’s performed on sitar with musicians from Les Claypool to Snoop Dogg, she was immersed in the arts early. Her father, also an artist, set the example of daily practice. And though she had attempted the Inktober drawing challenge in the past without completing it, she decided to commit fully in 2023. 

“When I reached Halloween and drew that final image, I felt both triumph and sadness,” she recalls. “The excitement and camaraderie of Inktober had come to a close, and now I would be left without a purpose.” But a friend’s suggestion to continue her daily art practice resonated, and she said “yes” to the challenge.

What began as a daily art challenge soon turned into something more—a deeply personal and relatable documentation of her life, blending humor, insight and artistic exploration. The result? A book chronicling a year’s worth of moments, reflections and experiences.

While La La’s art practice is deeply personal, it thrives within a community. And that is one of the keys to her success. 

“Community is everything to me,” she says. “My friends and family are my life, and they are the heart of this book.” Posting her drawings daily on social media, she found an unexpected connection with fellow artists, parents and everyday people navigating the complexities of life. 

“I discovered how similar my life was to that of my fellow humans, especially moms,” she notes. 

The feedback was encouraging. And as more people resonated with her work, she felt motivated to keep going. “On some days, I didn’t feel like drawing or was too exhausted to capture why I was exhausted, but then a friend would ask, ‘Where’s your drawing? What’s going on with you?’” 

This accountability fueled her discipline and creativity, evolving her book as a shared experience rather than a solo endeavor.

Initially, she stuck to line work, a style that served her well during Inktober. But as her visual journal evolved, so did her artistic approach. Now LaLa’s work exists at the intersection of two styles: black-and-white line drawings and vibrant watercolor paintings. 

“I got a little bored with black and white, so I started adding color—first a pink pen, then green, then blue, then all the colors,” she explains.

This transition was further influenced by interactions with other artists. On a trip to San Jose del Cabo, fellow artist Kathy Lerner encouraged her to experiment with watercolor. “Kathy suggested that I paint first and then do the comic over it,” LaLa says. “I said yes, and it changed my life.” 

Watercolor added a new dimension to her work, enriching the storytelling and emotional depth of her journal.

One of La La’s greatest artistic influences thus far is Lynda Barry, a celebrated cartoonist and educator. “Barry’s book, Making Comics, is my bible,” she says. “I used it as a class at home to get better at storytelling through pictures and words.” 

Barry’s philosophy of embracing imperfection resonated deeply, encouraging La La to let go of artistic self-doubt. “Because of her, I stopped trying so hard to make things perfect,” she recalls.

Name Game

The book’s title emerged during the April 8, 2024 eclipse, when La La kept hearing people ask, “Were you in the path of totality?” She noticed how those who were seemed to be deemed special—having witnessed a rare, extraordinary moment—while those outside the path were considered “mid” or average. Laughing, she reflects on how social media often pressures people to appear as if they’re always in the spotlight. “But really,” she says, “we’re all just doing our best—and that’s totally OK.”

“My greatest fortune in life has been the emotional support and permission to be myself,” she shares. She also acknowledges the challenge of balancing art with self-care and parenthood. Her mornings start with fresh air and a skincare routine—“I had bad skin in my teens, so I never want to see another zit again”—before launching into breakfast and school prep. “They don’t tell you this when you get pregnant, but you are going to have to make breakfast and lunch at the same time,” she deadpans. 

Once her son is at school, she seizes time for art, errands or social interactions. By afternoon, it’s back into parenting mode. While sometimes longing for uninterrupted creative time, she recognizes that everyday experiences are at the heart of her artistic inspiration.

For others looking to cultivate a creative practice, La La offers simple but powerful advice: “You should love what you do. You’ll know you’re doing the right thing for you if you can’t live without doing it.”

She’s eager to connect with more people and continue sharing her artistic journey. With a unique blend of honesty, humor and artistic exploration, La La has transformed what might initially be seen as daily doodles into a meaningful artistic statement. Whether through social media posts, paintings or published pages, she continues to say “yes” to creativity—and invites us all to do the same. 

Purchase ‘Not the Path of Totality’ at gabbylala.com or on March 27 at Copperfield’s Books, Petaluma.

Order Up: ‘Clyde’s’ Served at 6th Street Playhouse

Two-time Pulitzer Prize-winner Lynn Nottage’s Clyde’s, running at 6th Street Playhouse through March 23, is a stunning piece of theater. 

Funny, poetic and dangerous, it acts as both mythical tale and starkly realistic depiction of the brutal realities faced by former felons. 

Clyde’s is set in a truck-stop cafe kitchen, where four tormented souls work for the sinister Clyde, played with almost uncontrollable rage by Shanay Howell. It’s a tale of grappling for the authentic self and of keeping dreams alive in the face of incredible obstacles.

Director Marty Pistone is a good ally, as he brings the story, written by a Black woman, to life, and directs primarily BIPOC actors. This reviewer feels some imposter syndrome, as she is totally devoid of melanin; thus, this review will approach criticism with humility and allyship with our BIPOC theater peers. 

The set is a marvel of craftsmanship: Full of tiny detail, operational to the extent one would want a commercial kitchen to be portrayed, it sucks one into the inner sanctum of the personal hell in which Clyde reigns. What an achievement for set designer Bruce Lackovic and props designer Ben Harper. The costumes, by Jonathen Blue, also speak loudly (those marigold Converse), making each character distinctive.

Not yet fully grounded as an ensemble, each actor finds moments of truth. Britten, as sandwich guru Montrellous, is joyfully kind and has unshakable optimism—which pits him against Clyde, who just may be the Devil herself, swaggering around the kitchen with a cigarette, bedecked in fabulous outfits and wigs. Clyde possesses serious baggage that she takes out on her staff, who are enmeshed in a kind of soul-ownership contract with her. 

Characters read both as familiar archetypes (Lexus Fletcher’s Letitia and Lorenzo Alviso’s Rafael are a modern day, and rhythmically blessed, version of Rosencranz and Guildenstern) and as painfully human, like when Nate Musser’s Jason explains where he lives. Alviso and Fletcher bring the attitude and defensiveness of people who’ve lived hard lives, yet reveal softness, and provide the show’s funnier moments. Musser is most effective in his quieter moments, where his expressions flash traumatic stories. 

The conflicts are fought internally, the defining confrontation is brought on by a condiment, and there isn’t a nicely tied up resolution. This story is running on a purgatorial cycle, and one leaves the theater wondering if they’ve just witnessed another go round, or the final revolution. 

It’s a sneakily astonishing story and script. 

‘Clyde’s’ runs through March 30 on the Monroe Stage at 6th Street Playhouse, 52 W. 6th Street, Santa Rosa. Thurs-Sat, 7:30pm; Sun, 2pm. $26-$45. 707.523.4185. 6thstreeetplayhouse.com.

Fairy-Tale Fashion with Kaya Suncat

Kaya Suncat is attractive. Beautiful, sure, but I mean in the energetic sense. Kaya Suncat is magnetic. I have met few people with a bigger field, more best friends or would-be lovers. She really is a natural phenom. And just try not to get drawn in…

Lately there has been a change in her current. She has begun to organize the people about her into startling new patterns.

And so I sat, among a loose collective of models, musicians, help-meets and exes in an undisclosed warehouse location as Suncat and her scriptwriter, Celosia Fireflower, laid out ornate plans for Exposé 3. It will be a fashion show extravaganza in 27 parts, with six fashion collections, as well as eight burlesque, music and magic performances embedded in a theatrical retelling of the myth of Persephone and the birth of spring.

I would worry at the audacity of Suncat’s ambition, but she is backed by sturdy festival organizer Donny Penales and fronted by Sweet Best Petite, the North Bay’s most dexterous MC/dancer/stand-up/author.

Cincinnatus Hibbard: Kaya, your collective is large and our space is small. Can you just name the burlesque performers and principle designers?

Kaya Suncat: Yes. Our burlesque performers include Vixen the Magician, Velvet Thorn, Sultry Siren, Cassandra Burlesque, Charli Bones and the unicorn twerk team. The fashion designers include Artisa Rose, Wizard Sky, Noralina Freedoms, Sew Down, Tati Designs and Reprezent. During intermissions, guests can visit our fashion market.

CH: I understand you are pairing each designer with an accessory maker and the DJ with the mixed elements of a live band. Kaya, this reminds me that the root meaning of glamour is “magic.” Could you tell me about the decision and intention behind putting all of this glamour in a mythic reenactment?

KS: It’s a fairy-tale fashion showcase. So we decided to frame it as someone telling a fairy tale to you. And we develop how stories, fairy tales, fables and myths make us who we are, by teaching us about morals ,struggles, the hero’s journey and how to be human.

CH: Kaya, what are your further ambitions for this seasonal Exposé fashion series?

KS: Eventually, I would like this platform for underdog designers to be a traveling live event in the festival world. And maybe an undercut countercultural Etsy alternative.

Learn more. A Fairy Tale Fashion Debut is Saturday, March 15, at Soft Medicine Sanctuary in Sebastopol. Visit softmedicinesebastopol.com for tickets. Follow Kaya Suncat on Instagram via @suncat_entertainment and @suncat369.

Summerfield Cinemas Showed Its Final Film Last Weekend

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School Budget Cuts Hit Sonoma, Napa Counties

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Discover your next favorite micro-production wine at The Garagiste Wine Festival

Wine glass from The Garagiste Festival
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Gabby La La’s Visual Memoir Captures Extraordinary in the Ordinary

For musician, artist and mother Gabby La La, art has always been a part of life.  Whether it was watching her father sketch bubble letters at the coffee table or immersing herself in her own creative expression, drawing became second nature.  But when La La started participating in Inktober—a month-long daily drawing challenge—she had no idea it would lead to her...

Order Up: ‘Clyde’s’ Served at 6th Street Playhouse

Two-time Pulitzer Prize-winner Lynn Nottage’s Clyde’s, running at 6th Street Playhouse through March 23, is a stunning piece of theater.  Funny, poetic and dangerous, it acts as both mythical tale and starkly realistic depiction of the brutal realities faced by former felons.  Clyde’s is set in a truck-stop cafe kitchen, where four tormented souls work for the sinister Clyde, played with...

Fairy-Tale Fashion with Kaya Suncat

Kaya Suncat is attractive. Beautiful, sure, but I mean in the energetic sense. Kaya Suncat is magnetic. I have met few people with a bigger field, more best friends or would-be lovers. She really is a natural phenom. And just try not to get drawn in… Lately there has been a change in her current. She has begun to organize...
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