Local Folk

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Circle the wagons, string up the guitars and head to Sebastopol this weekend for the 18th annual Sonoma County Bluegrass & Folk Festival.

This year, festival director Kevin Russell (the Rhythm Rangers, Laughing Gravy) presents a wide-open range of music beyond bluegrass with western swing, modern folk and other worldly acoustic styles on hand.

The festival kicks off with Wake the Dead, who seamlessly blend Grateful Dead material with strains of a deep Celtic influence. The afternoon’s lineup also features the swinging sounds of the Carolyn Sills Combo (pictured), Missy Raines & the New Hip and Joe Craven & the Sometimers closing out the daytime offerings.

Throughout the festival, attendees can partake in music workshops, classes and community jams. After a dinner break, the festival moves into phase two and embraces the bluegrass as the acclaimed John & the Jaybirds and Blue Summit headline the evening performance.

Sonoma County Bluegrass & Folk Festival takes place on Saturday, March 10, at Sebastopol Community Center, 390 Morris St., Sebastopol. Noon to 10pm. $35-$40 full festival pass; $20-$25 evening only pass. Children 11 and under are free with adult admission. 707.824.1858. -Charlie Swanson

Bargain Bin

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Wine is sold at such a deep discount at Grocery Outlet, it can seem too good to be true. Should I be wary of the provenance of a Sonoma Coast Pinot Noir that I recently found advertised for $6.99 at the bargain market—or is provenance, indeed, too precious a term in the context of a store that’s tagged with the mostly affectionate epithet, “Gross Out”?

“It used to be the store that carried the dented cans and the day old bread,” says Pete Kochis, manager and wine buyer at the chain’s Napa location. “And that’s just not the case anymore.”

The wine department has particularly improved in the last five years thanks to a new team of buyers at the chain’s offices in Emeryville, headed by director of wine, beer and spirits, Cameron Wilson.

“As a wine team, we are committed to tasting everything we send out to the warehouse,” says Wilson. While the 280-plus stores are independently owned and operated, they choose from a selection off goods at the main warehouse.

Yet only one winery that I contacted returned my emails and calls, after I mentioned I found their wine at Grocery Outlet: Valley of the Moon Winery, source of that $6.99 Pinot. Valley of the Moon general manager David Macdonald is happy to explain how the wine wound up there. Macdonald says it’s a typical story: He was already well into selling the 2014 vintage, which meanwhile got an updated packaging design, as well, when a quantity that had been aside for a wholesale customer was declined for their own business reasons. “We were left with several hundred cases of wine we could not plug back into the distributor network.”

They sold some through the tasting room, but Macdonald doesn’t see the GO partnership as detrimental to the winery’s image. “There’s nothing to be bashful about seeing your brand in a place like this.”

Prices noted here are as marked at GO only:

Valley of the Moon Winery 2013 Sonoma Coast Pinot Noir ($6.99) Enticing aromas like potpourri and Christmas candle, neatly knit with spicy fruit and tannins—would be a value at regular retail, $25.

Jenner Sonoma Coast Pinot Noir ($7.99) Made by Fritz Underground Winery, this is no disappointment with notes of sandalwood incense, pomegranate and strawberry jam.

Vixon 2013 Sonoma County Zinfandel ($6.99) Inky, Cabernet-like, with reticent, dark aromas of blackcurrant, fruitcake and damp, rich soil, this mystery wine has a food-friendly mid-palate.

Esterlina 2015 Cole Ranch Riesling ($4.99) The winery appears to have folded, but this mouthwatering, very slightly off-dry wine is no bust.

What’s It Mean?

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Will Eno’s The Realistic Joneses, isn’t particularly real in its examination of two suburban couples who share the same surname. It does, however, often ring true.

Set in an unnamed town, Bob and Jennifer Jones (Chris Schloemp and Melissa Claire) are spending a quiet evening in their backyard talking about nothing (and talking about talking about nothing) when new neighbors come over to introduce themselves. John and Pony Jones (Chris Ginesi and Paige Picard) have rented a house down the street and bring a bottle of wine over to break the ice. The awkward conversation that comes with meeting new people becomes really awkward as it veers into the personal.

Bob and Jennifer live here because it’s the best place for Bob to receive treatment for a degenerative neurological disease characterized by pain, bouts of blindness and loss of memory. Bob deals with it by not dealing with it, Jennifer deals with it daily and is beginning to crack under the strain. John and Pony have just picked up and moved there on a whim, but it soon becomes clear the two couples have something in common.

The subject matter doesn’t seem ripe for humor, but it is. The script’s marvelously quirky dialogue is often absurd and yet it feels genuine. Delivery of dialogue in the hands of lesser talents can come off cheaply, but director Argo Thompson has a cast that can handle it. The Realistic Joneses is difficult to categorize. It’s tough to find meaning in a play about the meaningless of meaning, and for a play as funny as it is, an overwhelming sense of melancholy hangs over it. Highly original, The Realistic Joneses makes for a wonderfully weird evening of theater.

Rating (out of 5)★★★★

High Drivers

San Mateo State Sen. Jerry Hill introduced a bill this year that would permit police officers to drug-test drivers who are under 21 for marijuana and suspend their license for a year if there’s any THC in their system. The bill mirrors similar drunk-driving laws focused on young persons.

But pot is not alcohol, and the peninsula pol’s SB 1273 has been denounced by Cal NORML (the National Organization for the Reform of Marijuana Laws) for its overreach in the name of public safety. In a statement, NORML’s director Dale Gieringer says the bill won’t do anything to make the roads safer or reduce drug abuse among kids. “What it will do,” he says, “is encourage police to indiscriminately drug-test young people for no good reason and take their licenses without any evidence of impairment or dangerous driving.”

NORML cites a study by the National Highway Traffic Safety Administration to back up its claim as it notes that “the presence of THC isn’t a useful indicator of driving safety or fitness.” Right around New Year’s Day, NORML sent out a press release warning all drivers against ingesting cannabis and getting behind the wheel.

Its critique of the Hill bill also zeroed in on the testing-for-THC protocol under SB 1273, which, according to the NORML statement, authorizes “the use of unproven new chemical testing technologies for marijuana, including oral swab, saliva and skin patch tests, whose accuracy and reliability have never been established in controlled scientific studies.” Gieringer says that body-fluid marijuana tests are obsolete and flawed, and suggests that “California should be looking at new, behavior-based tests that measure actual performance.”

The organization has previously suggested that cannabis imbibers who plan on driving do a self-test of standing on one foot for 30 seconds. If you can’t keep your balance, chances are good that you’re too high to drive under state law. California does not have a THC threshold to trigger an automatic DUID charge (that’s driving under the influence of drugs).

NORML, which is based in San Francisco and is the nation’s oldest cannabis-rights organization, isn’t totally opposed to the youth-unfriendly SB 1273. There’s a provision that would create separate categories for various drugs that aren’t alcohol, i.e., heroin, cocaine, PCP. As NORML notes in its statement this week, since all those drugs are lumped in with pot when it comes to DUID cases, “it’s impossible to tell how many DUID arrests in California specifically involve marijuana, opiates or other drugs.”

Folk Strings

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Songwriter Anna Fritz’s classical music training on the cello began at 6 and she continued that path academically through her college years at University of Wisconsin in Madison.

Yet from a young age, Fritz musically immersed herself in folk and rock ‘n’ roll in her free time.

“I didn’t know how to reconcile the music that I was playing, with the music that I was listening to,” says Fritz. “I love classical music, but I knew from a young age that I wanted to participate in the music of social movements.”

And so when Fritz moved from the Midwest to Portland, Ore. just over a decade ago, she found herself quickly aligned with the city’s independent music scene.

Now Fritz is an accomplished ensemble player, sought-after studio musician and a celebrated solo performer. This month, she treks down the coast on a tour that lands in Santa Rosa for a show Tuesday, March 13, at the Arlene Francis Center.

Rather than rely on electronic backings or looped rhythms, Fritz has stripped her live show to one cello, one voice. She says she connects to her audiences with her eclectic style and songs that are intended for sing-alongs.

“I have learned over the years to use the cello in a lot of different ways,” says Fritz. “It’s kind of a duet between my voice and the cello’s voice.”

Fritz’s experiments with the cello began in earnest when she co-formed the Portland Cello Project in 2007, and her credits include playing on albums by the Decemberists, My Morning Jacket and others.

Fritz says solo songwriting is where her heart is, and her original tunes pack an emotional punch lyrically with themes of spirituality, racial justice, climate change, gender identity and more.

“I have the feeling like songwriting is about connecting to something much larger than myself,” she says.

Fritz also says her creative process as a songwriter is influenced by her spirituality and her activist streak.

“Having a social conscience and helping to make the world around me a better place has been a lifelong value,” she says. “A lot of the music that has moved me in my life has been music that lifts up social movements. I feel that’s an important part of my work as a songwriter; providing tools to people who are working for change.”

Petaluma Sheraton Workers to Hit the Bricks for Better Wages

Hotel workers 

at the Petaluma Sheraton will take to the streets at the s

emi-ungodly hour of 7 a.m. tomorrow (March 3) to demand better wages and affordable health care for housekeepers, desk clerks and kitchen workers. The workers, who are members of UNITE HERE Local 2850, say they are getting jammed hard by the Sonoma County’s spiraling cost of living—and have been negotiating a new contract since last July, to no avail.

The union notes that the wages are not of a livable variety, as housekeepers start at $12.50 an hour. The Sheraton is operated by Pyramid Hospitality, which also runs the Doubletree in Berkeley where those same workers start at $15.90, according to UNITE-HERE. The company runs hotels around the country.

In a statement, Sheraton housekeeper Maria de la Luz Tostado says, “With the wages I make now, I barely make ends meet—we live in a city where cost of living is really high. We work very hard all day every day to make this hotel run smoothly, and it makes good profits; we deserve a piece of that.”

The Petaluma workers are also being asked to shoulder $560 a month for family health coverage offered by Pyramid, while those Berkeley workers’ families plans cost $0, according to UNITE-HERE.

“We know Pyramid can do better,” says Local 2850 President Wei-Ling Huber in a statement. “Sonoma County workers deserve to live with dignity too.”

Should you care to blow the car horn in solidarity, the Petaluma Sheraton is located at 745 Baywood Drive, Petaluma.

Huichica Music Festival Tickets Are Available Now

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29742ac8-f249-4d35-892a-6500209174f4Set in the picturesque grounds of  Gundlach Bundschu Winery in Sonoma, the annual Huichica Music Festival is always one of the coolest weekends of music in the North Bay, packed with performances from hip indie-rock bands and overflowing with a delectable array of beer, wine and food trucks.
Presented by Gun Bun Winery president Jeff Bundschu, boutique events organizers (((folkYEAH!))) and musician Eric D Johnson, this year’s festival is set for Friday and Saturday, June 8 and 9. The weekend’s musical guests include experimental San Francisco rockers Wooden Shjips, influential punk songwriter Jonathan Richman, Bay Area folk band Vetiver, who will perform their 2008 album “Thing of the Past” in full, and Eric D Johnson’s longtime project Fruit Bats, who will lead a festival jam.
If you want in, you need to act fast, as the intimate festival just made tickets available online. Click the link to grab your passes and look below to get the full lineup for Huichica Music Festival.

New Rules

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Emotional Labor. Gaslighting. Harassment. Assault. Transphobia. Racism. Pay Gap. Scapegoating. Unbalanced domestic duties. Women are pretty exhausted from carrying it all with perfectly crafted gender-appropriate charm. Some women are even angry, raging, tearing apart the patriarchy in their minds all day, every day. And according to Oakland-based Airial Clark, a women’s leadership coach and all around social justice warrior, a lot of women are ready to stop giving a fuck.
“When I say ‘not give a fuck,’ I mean women do the most. We’re always doing so much, and a lot of women’s empowerment stuff just kind of adds to that,” says Clark. “It’s like ‘Do more! Do more! Do more!’ It’s like what the fuck? We’re doing enough!”

Last fall, Clark, who has years of experience as a sex and relationship educator, saw a need for a new type of women’s support network and thus launched a new workshop entitled “How To Be A Woman and Not Give A Fuck.”

“Women right now are properly angry and they’re properly pissed off, and they’re finally adequately skeptical. So a lot of this shit that says, ‘There’s something wrong with you. Here, I’m this man, or I’m a woman who’s completely enamored with powerful men, I’m gonna teach you something,’” says Clark. “That’s what frustrates me about modern coaching, or the women’s empowerment stuff: it depends on women feeling inadequate or like there’s something wrong with them. It feeds on that. And I wanted to create a women’s empowerment workshop which was the exact opposite of that.”

Clark had up close and personal experience with those exact issues at the end of her year working as an organizer for Interchange Counseling Institute, a now closed academic organization that focused on sex-positivity and personal growth. Before leaving her position there last fall, Clark discovered that the institute’s founder, Steve Bearman, was allegedly using his knowledge of several students’ vulnerabilities and past traumas to exploit and sexually assault them.

“I worked for this man who was supposedly an expert on sexism and empowerment. And he talked this talk that a lot of strong, powerful women bought into, but there was the opposite of that happening,” says Clark. “He was doing terrible things that no one knew,” she alleges.

Clark points to the sexism and poor boundaries in many of the programs that were born of the Bay Area’s Human Potential movement in the 1960’s and 70’s and how many of the unhealthy dynamics have carried over into programs meant to help women today.

“It was all started by overly privileged, bored white dudes who didn’t think they were getting enough respect,” says Clark. “There’s nobody who’s actually not kind of a slimeball offering personal growth stuff.”
Clark says many of the women’s empowerment programs available today rely on women’s vulnerabilities and poor boundaries to make a profit. Her workshops focus, instead, on the concept of intersectional feminism and women learning how to trust one another and be good allies to one another, while recognizing barriers that certain groups of women face.

“Solidarity means intersectionality. So, everything we bring into the workshop is accounting for the differences that different women experience. Yes, white women, shit sucks. And women of color, shit super sucks. Trans women, oh my god, they’re dying, you know?”
Clark is passionate about focusing on what’s it like to be explicitly anti-racist and acknowledging that all women are already leaders. Therefore there is a strong emphasis on leadership support instead of leadership development.

“It’s a fully interactive, somatic, immersive experience for women to practice and learn on how to not give a fuck,” she says.
Because the #MeToo movement has caused a bit of a backlash from men feeling attacked by the surge of outspoken feminists, Clark clarified that this workshop is entirely centered around women.

“We’re actually focusing on the lived experiences of the women in the room,” says Clark. “We’re not centralizing or centering it on men, or even hating men. Men are so not the point. We’re not even talking about how to fix men, or how to change men. Like nope, that’s not part of the conversation at all.”

Still, she acknowledges that there may be some critique of her bold approach and use of language. Our culture hasn’t completely come to terms with women speaking or behaving outside of traditional societal gender norms. She’s also very clear about women needing a new approach.

“Clearly, that shit wasn’t working. Right? We tried it, we tried smiling our way through it,” says Clark. “We played by every set of rules that has been sat down in front of women. We have followed every fucking rule that has been given to us. And we still get assaulted and harassed and abused and denigrated and exploited. None of the rules have worked.”

Santa Rosa Natives Decent Criminal End Up on Kendrick Lamar Vinyl

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Today in “You Can’t Make This Up” news; fast and fun California punk band Decent Criminal, who formed in Santa Rosa and who recently organized a North Bay wildfire relief benefit compilation album, has unexpectedly found themselves in an international goof-up, as their recent album, “Bloom,” wound up accidentally being pressed onto vinyl copies of rapper Kendrick Lamar’s 2012 album, “Good Kid, M.A.A.D City.”
As reported in Noisey, a fan in the UK noticed that their newly-pressed vinyl of Lamar’s album, released on Universal UK, contains tracks from Decent Criminal on the record’s B-side. I can’t even imagine what that fan must have thought upon first listen, but it was quickly clear that something was amiss. The culprit appears to be the pressing plant in the Czech Republic, where both acts get their vinyl made.
Sounds too good to be true? Well, there’s video proof, provided by Decent Criminal’s label Dodgeball Records. Click the video below and then get your hands on these soon-to-be-rare misprints.
[youtube]https://www.youtube.com/watch?v=OWqYxshrP0U[/youtube]

Mar. 1: Subversive Cinema in Santa Rosa

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Strict morality codes forced “Comedies of Remarriage” in the 1930s and ’40s to hide their social commentary behind screwball laughs and ingeniously explored themes of gender, relationships and power. The film class Cinema & Psyche dives deep into six such comedies this spring, starting with 1934’s It Happened One Night, on Thursday, March 1, at Santa Rosa Junior College, 1501 Mendocino Ave., Santa Rosa. 6:30pm. $135 for six classes. cinemaandpsyche.com.

Local Folk

Circle the wagons, string up the guitars and head to Sebastopol this weekend for the 18th annual Sonoma County Bluegrass & Folk Festival. This year, festival director Kevin Russell (the Rhythm Rangers, Laughing Gravy) presents a wide-open range of music beyond bluegrass with western swing, modern folk and other worldly acoustic styles on hand. The festival kicks off with Wake the...

Bargain Bin

Wine is sold at such a deep discount at Grocery Outlet, it can seem too good to be true. Should I be wary of the provenance of a Sonoma Coast Pinot Noir that I recently found advertised for $6.99 at the bargain market—or is provenance, indeed, too precious a term in the context of a store that's tagged with...

What’s It Mean?

Will Eno's The Realistic Joneses, isn't particularly real in its examination of two suburban couples who share the same surname. It does, however, often ring true. Set in an unnamed town, Bob and Jennifer Jones (Chris Schloemp and Melissa Claire) are spending a quiet evening in their backyard talking about nothing (and talking about talking about nothing) when new neighbors...

High Drivers

San Mateo State Sen. Jerry Hill introduced a bill this year that would permit police officers to drug-test drivers who are under 21 for marijuana and suspend their license for a year if there's any THC in their system. The bill mirrors similar drunk-driving laws focused on young persons. But pot is not alcohol, and the peninsula pol's SB...

Folk Strings

Songwriter Anna Fritz's classical music training on the cello began at 6 and she continued that path academically through her college years at University of Wisconsin in Madison. Yet from a young age, Fritz musically immersed herself in folk and rock 'n' roll in her free time. "I didn't know how to reconcile the music that I was playing, with the...

Petaluma Sheraton Workers to Hit the Bricks for Better Wages

Hotel workers  at the Petaluma Sheraton will take to the streets at the s emi-ungodly hour of 7 a.m. tomorrow (March 3) to demand better wages and affordable health care for housekeepers, desk clerks and kitchen workers. The workers, who are members of UNITE HERE Local 2850, say they are getting jammed hard by the Sonoma County's spiraling cost of living—and...

Huichica Music Festival Tickets Are Available Now

Set in the picturesque grounds of  Gundlach Bundschu Winery in Sonoma, the annual Huichica Music Festival is always one of the coolest weekends of music in the North Bay, packed with performances from hip indie-rock bands and overflowing with a delectable array of beer, wine and food trucks. Presented by Gun Bun Winery president Jeff Bundschu, boutique events organizers (((folkYEAH!))) and musician Eric...

New Rules

Emotional Labor. Gaslighting. Harassment. Assault. Transphobia. Racism. Pay Gap. Scapegoating. Unbalanced domestic duties. Women are pretty exhausted from carrying it all with perfectly crafted gender-appropriate charm. Some women are even angry, raging, tearing apart the patriarchy in their minds all day, every day. And according to Oakland-based Airial Clark, a women’s leadership coach and all around social justice warrior,...

Santa Rosa Natives Decent Criminal End Up on Kendrick Lamar Vinyl

Today in "You Can't Make This Up" news; fast and fun California punk band Decent Criminal, who formed in Santa Rosa and who recently organized a North Bay wildfire relief benefit compilation album, has unexpectedly found themselves in an international goof-up, as their recent album, "Bloom," wound up accidentally being pressed onto vinyl copies of rapper Kendrick Lamar's 2012 album,...

Mar. 1: Subversive Cinema in Santa Rosa

Strict morality codes forced “Comedies of Remarriage” in the 1930s and ’40s to hide their social commentary behind screwball laughs and ingeniously explored themes of gender, relationships and power. The film class Cinema & Psyche dives deep into six such comedies this spring, starting with 1934’s It Happened One Night, on Thursday, March 1, at Santa Rosa Junior College,...
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