Eyes on Prizes

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Two Pulitzer Prize–winning dramas have hit North Bay stages. The first is the Raven Players’ production of Neil Simon’s Lost in Yonkers. Simon, whose best-known works are comedies tinged with a little melancholy
(The Odd Couple, The Sunshine Boys), won the 1991 Pulitzer for Yonkers, a melancholy family drama tinged with comedy.

With their mother deceased and their father working to pay off a loan shark he owes for covering his late wife’s medical bills, Jay (Ari Vozaitis) and Arty (Logan Warren) find themselves living for 10 months in 1942 with their tyrannical grandmother (Trish DeBaun) and their mentally challenged Aunt Bella (Priscilla Locke) in Yonkers, N.Y. Grandma Kurnitz is cold, demanding and unable to express affection. She does not want the children there, but Bella does. The battle is on, first between Kurnitz and her grandchildren, but ultimately between mother and daughter.

Director Joe Gellura has a strong ensemble at work in this piece, with laughs generated by Warren as Simon’s alter ego. The key performance is delivered by Locke, excellent as the daughter simply looking for a little happiness in her life. It’s a sensitive performance that grounds this show and gives it more heart than one expects from a typical Simon play.

Rating (out of 5): ★★★½

The second prize winner is
The Time of Your Life. There may be no more “community theater” in our area than the folks at the Cloverdale Performing Arts Center. A glance through the bios in their programs shows a mix of trained veterans, community actors and a fair number of newcomers. This willingness to cast from the community, while commendable, often leads to a variance in quality.

The center’s current presentation of William Saroyan’s prize-winning, but severely dated, Time of Your Life is a good example. The show, a sort of pre-WWII Cheers, has a cast of 16 with various levels of experience playing the denizens of a San Francisco dive bar circa 1939. There’s no real plot, just a variety of human flotsam and jetsam floating through the tavern.

In an early scene, one character asks another if a performance they’re watching is any good. The response: “It’s awful, but it’s honest and ambitious.”

I can’t improve on Saroyan.

★½

New Wavers

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While the four members in Petaluma indie-rock outfit the Honey Toads average out at 22 years old, they go back nearly a decade, having played together since their first year of high school.

Musically, the Honey Toads deliver a confidence in their lyrics and tightness in their rhythms that belies their age and has gotten them widespread notice since the Huffington Post debuted their inaugural single, “Send Me Out,” last September.

This week, the Honey Toads release their excellent second single, “Plastic Smiles,” with a show at the Phoenix Theater on April 13.

Vocalist and electric ukulele player Nick Cafiero, guitarist Jack Hogan, bassist Joe DeMars and drummer Dominic Bergamini all take cues from vintage proto-punk and new wave sounds of the late ’70s and early ’80s.

“A lot of us grew up listening to bands like New Order, the Smiths, the Talking Heads,” says Cafiero. “Those bands had great guitar players, but they also had really prominent bass lines.”

With that in mind, DeMars leads the band with complex bass hooks driving the songs, while Hogan’s guitar riffs repeat for atmospheric effect and Cafiero’s vocals echo David Byrne’s yelping urgency and Morrissey’s wistful cadence simultaneously.

Not ones to be mired in nostalgia, the Honey Toads mix it up in the form of Cafiero’s electric ukulele, a solid-body prototype that he plays like a rhythm guitar.

“I sort of fell in love with the ukulele at a pretty early age,” says Cafiero. He even convinced his high school jazz band to let him play the instrument. “It was a bit unorthodox,” Cafiero says, “but I was able to prove you can do a lot with it.”

This prototype ukulele, which Cafiero received from Petaluma’s Kala Brand Music Company where he works, produces clean tones that resemble an electric jazz guitar and adds a rhythmic background to Hogan’s arpeggio guitar lines.

The overall effect gives plenty of depth to the band, and the new single is their strongest work yet, as “Plastic Smiles” boasts both compelling, danceable hooks and relatable lyrics about trying to fit in.

“The song is a bit about feeling young and ignored, and that reaction to it,” Cafiero says.

Now one of the hottest bands in their scene, the Honey Toads are happy to unveil “Plastic Smiles” and pass out free T-shirts this week in their hometown.

“We like to put on a show,” Cafiero says. “There will be a lot of fun, banter and dancing.”

The Honey Toads play on Friday, April 13, at the Phoenix Theater, 201 Washington St., Petaluma. 8pm. $8. 707.762.3565.

Veganism as Symbolism

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In the middle of the remote and desolate Scottish Highlands, I dumped out a bag of potato chips because I realized they had put milk powder in them. I was hungry and miffed—after all, these were potatoes. Somebody took something vegan and made it non-vegan.

I could’ve just gone ahead and eaten the chips, it wouldn’t have made any difference in the world, right?

Not quite. It meant something to me: symbolism. That’s powerful, like the American flag and what it represents to some of us.

My son mentioned to me recently that he was considering vegetarian meals for dinner. I suggested that he start with the creation of a complete meal that was entirely vegan. I explained to him that if he devised a meal without animal products, and he could understand the huge threshold crossed by doing so, he could be motivated to do anything he wished.

If you understand symbolism, then you can understand what motivates us to act on our beliefs, no matter what the odds are against us. In the case of veganism, there are two effects: the real impacts of our decisions on the world around us, and the impacts we have on ourselves. We strengthen from within because we have acted on our principles based on a respect for others.

If you are vegan, you are also a symbol—a symbol that represents those among us who have drawn a line in the sand, an icon of what will become a cultural revolution. You illuminate the possibility of a world without victims, a world where we are judged simply by our own merits—a world where we reap our own fruits, not that of others.

Please don’t support any business or mentality that involves exploitation. Complacency is complicity. The world changes the very instant you decide to do something, anything.

Ray Cooper is a member of VegCurious and lives in Petaluma.

Open Mic is a weekly feature in the ‘Bohemian.’ We welcome your contribution. To have your topical essay of 350 words considered for publication, write op*****@******an.com.

Letters to the Editor: April 11, 2018

Fingers and Hands

Thank you so much for “Drawn from Life” (April 4). When I first saw Brian Fies’ comic on the web, I bawled like a baby. So much emotion was felt by all of us. And to lose all his art supplies in the fire! It’s like cutting off an artist’s hands or blinding him. Can you feature his graphics more? He has a finger on our collective pulse.

Healdsburg

Questions
for Candidates

For the first time in over a quarter of a century we are fortunate in Sonoma County to have a contested race for sheriff, during which the public can have a discussion with candidates about their vision for the office. We have three candidates, all who of whom are qualified, all with different visions for the office and different management styles.

The Community Advisory Council for the Sonoma County Independent Office for Law Enforcement Review and Outreach, the Sonoma County Commission on the Status of Women, the Sonoma County Commission on Human Rights and the League of Women Voters of Sonoma County are co-sponsoring a forum and debate for the candidates at 6:30pm on April 30 at the Santa Rosa Veterans Building. We encourage the public to attend and submit questions for the candidates. Questions may be submitted to either jm***************@***il.com, em****************@***il.com or ji*****************@***il.com. Deadline to submit a question is April 13. We hope to see an engaged electorate at the event on April 30.

Rohnert Park

Put Up Your Dukes

Last Saturday I attended the performance of Amadeus at the Cinnabar Theater in Petaluma, and the next day I picked up a copy of your paper at the Pick-n-Pull in Windsor. I usually find the Bohemian a good read, but the review by Harry Duke in your Stage section (“Roll Over Mozart,” April 4) set my teeth on edge. What is he smoking? This performance was fabulous, and I mean over-the-top fabulous, from the adaptation, casting and acting to the overall direction.

I have lived here for 30 years, but somehow have not heard anything about Mr. Duke before, who describes himself as an actor, director, teacher and theater critic. Here is my critical analysis of his work: bring back your previous reviewer, David Templeton, to write this column, and let Mr. Duke stick to whatever he knows best, whatever that is. Meantime, I will be looking for his next personal appearance onstage. He must be a person of great talent. I can hardly wait.

Healdsburg

Aw, Shucks

Your forgot one category (“Best Of 2018,” March 21). Best weekly free newspaper: the Bohemian. Hats off and thanks for all that you do.

Via Bohemian.com

Write to us at le*****@******an.com.

Feel the Turn

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North Bay voters may wake up on Nov. 7 to the news that there are two progressives representing the region in Congress—and one of them is a bona fide Berniecrat.

Nils Palsson is running against Blue Dog Democrat Mike Thompson in California’s 5th congressional district, decrying the incumbent’s long list of big-money contributions from the corporate world as he’s launched a Sanders-friendly campaign—and accepting individual contributions of $27.

Palsson, 32, is a working dad who works for Transition US, a environmental nonprofit, and was a delegate for the Vermont senator in the 2016 Democratic primary. The Santa Rosa resident is running as an Independent this year. It’s his second run for the seat, which Thompson has held since 1999.

Palsson ran in 2016 and came in third behind Thompson and Republican Carlos Santamaria in the primary that year, earning 23,639 votes to Thompson’s 124,634. The pro-gun Thompson went on to handily dispatch Santamaria by a margin of 3–1 in the general election. His district includes Santa Rosa, Napa County and parts of Contra Costa and Solano counties.

But there’s no Republican in the race for the 5th this year, and Palsson believes he’s got a real shot at taking down Thompson from the left.

Especially since Thompson may actually be—the Zodiac Killer!

In a recent campaign e-blast, Palsson flatly declared, “I’m running for congress against the infamous Zodiac Killer.” What?

The jibe played off the difficulty in defeating a popular and long-standing incumbent. An editorial that ran in the Sonoma Press-Index in 2016 noted that “for Thompson to lose, something extraordinary would have to happen, like he were revealed to be the never-captured Zodiac Killer from the 1970s.”

Two years later, the Zodiac Killer has still not been caught, and Palsson’s having some fun with it. He goes on to immediately say he’s joking but that the point he’s making is a real one: the 67-year-old Thompson represents a retrograde Democratic Party that’s overly obedient to the demands of the centrist Democratic Congressional Campaign Committee.

“Let me make it abundantly clear,” Palsson goes on to write. “Mike Thompson is not the Zodiac Killer. But there is a hidden truth that, if revealed, might have roughly the same effect on local voters as if he were to be revealed as the notorious murderer of yore.”

The point about Thompson, he says, is that he represents the worst of the worst when it comes to the constellation of his contributor base.

“The fact is that Thompson has accepted an alarming number of huge political contributions from lobbyists representing some of the world’s most destructive corporations,” he writes, “including Walmart, Verizon, Comcast, Bank of America, fossil-fuel companies like Tesoro, weapons manufacturers like Lockheed Martin, Raytheon and Honeywell, and a staggering litany of Wall Street entities, big banks, global accounting firms, Big Pharma and health-insurance goliaths, big agriculture groups and telecom giants—not to mention the to-be-expected donations from big alcohol, the powerful wine industry and wealthy real estate developers.”

The other North Bay congressman, Jared Huffman is, for all intents and purposes, running unopposed this year, so nobody has compared him to the outlaw D. B. Cooper, despite the resemblance between the men.

While he’s more aligned with Huffman than Thompson, Palsson doesn’t expect the popular North Coast progressive to hit the hustings with him this year, let alone offer an endorsement. “I haven’t approached Huffman,” Palsson says. “It is politically dangerous for him to support anyone outside the Democratic establishment.”

Speaking of, Palsson says that while he’s obviously no fan of the bigotry that defined the Trump campaign, he does see in his election the emergence of a populism that’s keyed in on a moneyball system that’s rigged against We the People.

He says he wants to continue a populist push to get the money out of politics—but concedes with a laugh that when it comes to the president, money now appears to be winding up in Donald Trump’s swampy pockets.

Still, he says the outsider opportunity that Trump represents is something any candidate might look to for inspiration.

“A dark horse could win,” he says. “Enough people could say, ‘eff this’ when it comes to climate change, the threat of nuclear war and other raging existential dilemmas of our time, and give Thompson the boot.”

Palsson is intent on pushing a people-first agenda, he says, that’s focused on wage equity and Medicare for all, dealing with the student debt crisis and pushing for higher wages. All very Bernie.

He’s also weighing in on gun violence as part of his pitch to voters and says Thompson has come up short on that front, despite his prominence on the issue among Democrats. Thompson was named by House Speaker Nancy Pelosi several years ago to head up a gun-violence committee on behalf of congressional Democrats. Since that time, Thompson has held lots of meetings and dutifully called for expanded background checks, but has opposed any attempt to limit civilian access to high-capacity rifles such as the AR-15.

“I haven’t seen visionary leadership from him on any issue,” says Palsson, “including the gun thing.”

Palsson adds that he isn’t aligned with some of his Sonoma County “hippie friends” (or with retired Supreme Court Justice John Paul Stevens), and is not calling for the repeal of the Second Amendment.

“I don’t go that far,” he says and notes that the Second Amendment’s original intention was as a bulwark against tyranny.

Indeed, he’s wary of ongoing efforts to turn the gun-control debate into a push for legislation to raise the legal age for gun ownership to 21. “I’m not entirely sold on that,” he says, arguing that when youth turn 18, they’re granted full citizenship—and can be given a gun and sent off to war.

And he’s got his own war to fight between now and the June 5 primary. Palsson’s hoping to nab some high-level endorsements, and says he needs to ramp up the fundraising.

“I feel pretty strong going into the primary,” he says, and if he makes it through and squares off against Thompson in the general, who knows. “People will come out of the woodwork,” he says.

Born on a Bayou

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It started with doughnuts. Beignets, to be more precise.

Rob Lippincott grew up in New Orleans, where he became a Merchant Marine captain and later a charter boat skipper. He developed a love for the powdery doughnuts and all-things New Orleanian before moving to California. Lippincott worked as a cook at Healdsburg’s late Bistro Ralph and then took a job as a winery mechanic before striking upon the beignet trade. He sold the quintessentially New Orleans’ doughnuts at farmers markets. He did well, but with a growing family, he had his sights on
bigger things.

“With three kids, selling beignets at the farmers market wasn’t going to cut it,” he says, “but it was a start.”

He and his wife Karla opened the Parish Cafe in Healdsburg, and the menu of po’ boy and muffuletta sandwiches, seafood platters, gumbo and, of course beignets, was a hit. After four years of steady growth, the couple started looking for a second location.

Rob knew the owner of Santa Rosa’s La Bufa Mexican Restaurant and heard he was planning to retire. After a year of negotiations, they struck a deal, and the Lippincotts began renovating the Fourth Street business to give it a distinct New Orleanian flavor, right down to the riverboat painting on the
walls and twin Bevolo gas lamps out in front.

The restaurant has only been open three weeks, and it’s already one of the most crowded restaurants in downtown Santa Rosa. Maybe too crowded. Rob says the wait for lunch can approach an hour. The restaurant does not take reservations, but he’s trying to cut the wait time in half as the kitchen hones its game.

The breakfast and lunch menu is the same as that of the Healdsburg location. “We’re going to stick with what works,” Rob says. “Everything we make is New Orleans. I tried to put all my favorite food under one roof.”

That means a menu of Crescent City classics like red beans and rice ($6 cup; $10 bowl), cheese grits and andouille sausage ($14), New Orleans–style egg dishes ($13–$14), fried green tomatoes ($6) and po’ boys and beignets ($5).

“Beignets and po’ boys are our mainstays,” says Rob. He says his ideal meal for first-timers would be to start with fried okra ($5) and then move on to a fried shrimp po’ boy ($14 regular, or $18 for a king-size).

“That is the quintessential New Orleans flavor,” he says.

For the real deal, be sure to ask for your po’ boy “fully dressed”—lots of lettuce, pickles, tomatoes and mayonnaise. Then pair that with a mug of Barq’s root beer, he says. There are two Abita brews on tap, but Rob gets a misty look in his eyes when he thinks of the root beer of his youth.

“I can smell it right now.”

To finish? “Maybe beignets. No,” he corrects himself, “definitely beignets.”

The Parish Cafe, 703 Fourth St.,
Santa Rosa. 707.843.7804.

Dynamic Trio

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To your vocabulary of biodynamic wine— which may include such loosey-goosey phrases as “ultimate organic” and far-out sounding practices like applying “preparation 501” according to the “cosmic calendar”—
add these two sexy terms: “compliance” and “auditing.”

Whatever else one may say of biodynamic winemaking, its certified practitioners adhere to a standard you can depend on. “We’re audited every year,” says Bonterra director of organic and biodynamic winemaking Jeff Cichocki. “It’s a definable method of making wine.”

Speaking on the phone in between trade calls in the New York City market, which is currently the hotbed of the natural wine movement, Cichocki contrasts the winery’s approach with the “natural” category: “It’s open to interpretation and opinion, and people’s definitions are all quite different.”

Bonterra is a division of Hopland-based Fetzer Vineyards, which was purchased in 2011 by Chilean wine giant Concha y Toro, and has been a leader in organic grape growing for 30 years. Just
5 percent of the Bonterra program is also biodynamic, producing three vineyard-designated wines in tribute to the holistic farming practice’s goal of a closed-loop system.

“And that’s a goal, it’s not an absolute,” says Cichocki. “We strive to get there—it’s challenging, as any farming can be.” In winter, for instance, Bonterra rotates up to 3,000 head of sheep through the vineyards to maintain weeds and grass while also depositing fertilizing manure, but harvesting doesn’t have to be jeopardized if strictly following to the cosmic calendar might do so. “You can use common sense and logic.”

The Demeter Association, which certifies biodynamic farms and producers in the United States, is flexible, providing two standards for wines that bear their certification mark on the back label, one in combination with the words “biodynamic wine” on the front label, the other with the words “made with certified biodynamic grapes.” Bonterra chooses the latter, as it allows adjustments and additions for greater flexibility in winemaking. Both allow added sulfites, albeit at a lower maximum than conventionally produced wine.

Only dusted with oak aroma, as if by a warm hint of springtime oak pollen, Bonterra’s 2015 Roost Blue Heron Vineyard Mendocino County Chardonnay ($40) is a dry, medium-bodied Chard with a lemon merengue tang that keeps richer, butterscotch flavors in check.

Their 2013 McNab ($50) is a serious Cabernet-based blend to please any pencil-chewing claret lover, while the 2013 Butler Red Blend ($50) also suggests a big Cab—you might not guess this stygian purple, cassis-like wine is 80 percent Syrah. Revealing a blackberry pastille to pretty up its charred beef note on the second day open, this wine proves dynamic, yet solid.

As High-Profile Policing Stories Pile Up, Santa Rosa PD Still on Fence over “Cops” Contract

A spokesman at the Santa Rosa Police Department says the agency has not yet decided whether it will sign off on a contract with Langley Productions, the Santa Monica–based company that produces the controversial reality-show Cops.

“We are still evaluating the proposed contract,” says Captain Rainer J. Navarro via email. “As soon as we have an answer one way or the other, we will provide that information to the press.”

Langley Productions approached SCSO and SRPD back in January about signing on with the 31-year-old program, decreed by the criminal-justice news-site the Marshall Project that same month as the most polarizing reality show in America. The Sheriff’s Office signed on with Langley Productions, but SRPD did not, even as local news outlets blared with the news that SCSO and SRPD would be rolling with the TV crews, complete with the requisite and repeated cueing of the Bad Boys theme. 

Based on interviews with elected city officials, it was anticipated that SRPD Chief Hank Schreeder would have made a decision by the end of last week. City officials told the Bohemian two weeks ago that he was doing his “due diligence” and meeting with individual members of the City Council and taking the pulse of the community before he made a decision.

The Bohemian has a records request in with Sonoma County to ascertain the range and extent of SCSO’s communication with county officials or before Sheriff Rob Giordano signed the Cops contract in March.

In the meantime, days after the Cops films crews started following around swing-shift deputies with the Sonoma County Sheriff’s Office, a man died after SCSO deputies detained him in a City of Sonoma mobile-home park, on March 28 at around 10 p.m.

The “fatal incident protocol” at SCSO requires the department to hand off the investigation of the man’s death to the SRPD, which issued a statement on March 29 detailing the incident and what would happen next. 

Forty-four year old Roderic Cameron was naked and smashing streetlights at the Sonoma Oaks Mobile Home Park. The City of Sonoma has a contract with SCSO to provide police manpower there.

The SRPD statement said that the suspect was Tasered and that “maximum restraints were used to detain Cameron,” who went into a medical crisis after being detained with a cord around his ankles, according to a report in the Press Democrat.

After being treated by deputies and paramedics on the scene, Cameron was rushed to Sonoma Valley Hospital and pronounced dead.

Neither the SCSO or SRPD, or the producers of Cops, responded to inquiries sent last week about whether the Cops crews were on hand during the fatal incident, which led to the administrative suspension of several SCSO deputies and the independent investigation by SRPD, which is ongoing. 

Whether the Cops film crews were there or not, the Sonoma incident has served to underscore a longstanding critique of Cops that it has historically depicted a biased view of policing that emphasizes the public-relations benefit for local police forces that sign on to the program—without addressing some of the systemic issues around police bias that plague departments across the country. The program has also been blasted for its uneven depiction of policing, to the extent that it focuses on high-action sequences over the mundane and routine public-safety work that officers engage in most of the time. 

In its three-decade history, Cops episodes have been filled with events similar to the scenario that unfolded in the City of Sonoma. A large and irrational screaming naked man who is bleeding and smashing lighting fixtures in a motor-home facility? That’s ratings gold for the program.

But scenes of detainees dying while in custody do not typically make it onto the program, if for no other reason that the suspects have to sign a consent form before the footage can be aired. And, the police forces who sign on with Cops are typically given veto power over any clips that the producers propose to air.

“I have concerns and thoughts about Cops being filmed with SCSO and SRPD in Sonoma County” says police-accountability activist Frank Saiz, who decreed the program “garbage” as he took a shot at city- and county-police spokesmen for hyping the program and its public-relations benefits when the Press Democrat reported on its arrival in the county a few weeks ago.

“This reality show is supposed to showcase law enforcement’s good, hard work that deputies do, per [SCSO spokesman] Sgt. [Spencer] Crum, while SRPD Lt. Rick Kohut says that it is ‘good publicity for the city.’ Is the morale that bad,” says Saiz, “that law enforcement needs to get juiced up and pretty for a reality show?

Kohut subsequently told the Bohemian that Schreeder was aware of  the historical critiques on the program, and said it was a possibility that he wouldn’t sign the contract, even after the Press Democrat reported that the SRPD would be participating, beginning in May.

Meanwhile, the local death of Cameron occurred against an explosive backdrop in Sacramento where Stephon Clark was recently shot eight times by police officers there, prompting demonstrations and calls for greater police accountability in the capital city.

Clark, 22, was killed after a helicopter and foot chase, and while he was in his grandmother’s backyard. Officers claimed he was coming toward them with a gun, a claim which is now being investigated by the California Department of Justice, since a subsequent autopsy and fact-check of the officers’ claims revealed that Clark was shot six times in the back while carrying only a cellphone.

Again, the first part of the story would make for great television: With a helicopter overhead, a foot chase that ends with a suspect in handcuffs and the cops saying things like, “Why’d you run, man?” is the Cops gold standard for gripping reality TV. The foot chase that ends with an unarmed 22-year-old black man getting shot six times in the back, in his grandmother’s backyard, typically does not make the editing-room cut in Cops-land.

April 6-9: Cheap Reads in Santa Rosa

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Nonprofit organization Friends of the Santa Rosa Libraries supports the city’s libraries by raising funds for materials and activities. This month, the Friends host one of their biggest fundraising weekends of the year with the Spring Book Faire. The four-day sale boasts affordable books, CDs, DVDs and other media, all of which get more affordable as the weekend wears on, with a half-priced day on Sunday and a bag sale
on Monday. The sale takes place Friday, April 6, through Monday, April 9, at the Veterans Memorial Building, 1351 Maple Ave., Santa Rosa. Friday, 3–7:30pm; Saturday–Sunday, 10am to 5pm; Monday, 2–6pm. Free admission. sonomalibrary.org.

April 7: Beer Relief in Santa Rosa

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Like others in the North Bay, the organizers behind Santa Rosa’s long-running Battle of the Brews have turned their attention to helping those devastated by last October’s wildfires. And they’re doing it the only way they know how: with a lot of beer. This weekend’s Sonoma County Fire Relief Beer Event features dozens of craft brewers and food vendors and benefits ongoing fire relief and recovery efforts. The beer flows on Saturday, April 7, at Sonoma County Fairgrounds, 1350 Bennett Valley Road, Santa Rosa. VIP hours, noon to 3pm; main event, 3pm to 7pm. $50 and up. firereliefbeerevent.com.

Eyes on Prizes

Two Pulitzer Prize–winning dramas have hit North Bay stages. The first is the Raven Players' production of Neil Simon's Lost in Yonkers. Simon, whose best-known works are comedies tinged with a little melancholy (The Odd Couple, The Sunshine Boys), won the 1991 Pulitzer for Yonkers, a melancholy family drama tinged with comedy. With their mother deceased and their father working...

New Wavers

While the four members in Petaluma indie-rock outfit the Honey Toads average out at 22 years old, they go back nearly a decade, having played together since their first year of high school. Musically, the Honey Toads deliver a confidence in their lyrics and tightness in their rhythms that belies their age and has gotten them widespread notice since the...

Veganism as Symbolism

In the middle of the remote and desolate Scottish Highlands, I dumped out a bag of potato chips because I realized they had put milk powder in them. I was hungry and miffed—after all, these were potatoes. Somebody took something vegan and made it non-vegan. I could've just gone ahead and eaten the chips, it wouldn't have made any difference...

Letters to the Editor: April 11, 2018

Fingers and Hands Thank you so much for "Drawn from Life" (April 4). When I first saw Brian Fies' comic on the web, I bawled like a baby. So much emotion was felt by all of us. And to lose all his art supplies in the fire! It's like cutting off an artist's hands or blinding him. Can you feature...

Feel the Turn

North Bay voters may wake up on Nov. 7 to the news that there are two progressives representing the region in Congress—and one of them is a bona fide Berniecrat. Nils Palsson is running against Blue Dog Democrat Mike Thompson in California's 5th congressional district, decrying the incumbent's long list of big-money contributions from the corporate world as he's launched...

Born on a Bayou

It started with doughnuts. Beignets, to be more precise. Rob Lippincott grew up in New Orleans, where he became a Merchant Marine captain and later a charter boat skipper. He developed a love for the powdery doughnuts and all-things New Orleanian before moving to California. Lippincott worked as a cook at Healdsburg's late Bistro Ralph and then took a job...

Dynamic Trio

To your vocabulary of biodynamic wine— which may include such loosey-goosey phrases as "ultimate organic" and far-out sounding practices like applying "preparation 501" according to the "cosmic calendar"— add these two sexy terms: "compliance" and "auditing." Whatever else one may say of biodynamic winemaking, its certified practitioners adhere to a standard you can depend on. "We're audited every year," says Bonterra...

As High-Profile Policing Stories Pile Up, Santa Rosa PD Still on Fence over “Cops” Contract

A spokesman at the Santa Rosa Police Department says the agency has not yet decided whether it will sign off on a contract with Langley Productions, the Santa Monica–based company that produces the controversial reality-show Cops. “We are still evaluating the proposed contract,” says Captain Rainer J. Navarro via email. “As soon as we have...

April 6-9: Cheap Reads in Santa Rosa

Nonprofit organization Friends of the Santa Rosa Libraries supports the city’s libraries by raising funds for materials and activities. This month, the Friends host one of their biggest fundraising weekends of the year with the Spring Book Faire. The four-day sale boasts affordable books, CDs, DVDs and other media, all of which get more affordable as the weekend wears...

April 7: Beer Relief in Santa Rosa

Like others in the North Bay, the organizers behind Santa Rosa’s long-running Battle of the Brews have turned their attention to helping those devastated by last October’s wildfires. And they’re doing it the only way they know how: with a lot of beer. This weekend’s Sonoma County Fire Relief Beer Event features dozens of craft brewers and...
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