April 7: Literary Leap in Santa Rosa

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Written works come alive when Off the Page Readers Theater troupe performs. Dedicated to supporting local writers and featuring local actors, the group takes selections of prose and poetry and transforms them into staged shows that often revolve around a theme. This month, Off the Page offers a special new show in which they adapt a poem, “500 Days,” by Sonoma County poet laureate Iris Jamahl Dunkle, from her latest collection, Interrupted Geographies, that explores the interchanging relationship between the land and community. Dunkle’s poetry leaps off the page on Saturday, April 7, at Copperfield’s Books, 775 Village Court, Santa Rosa. 8pm. $5. copperfieldsbooks.com.

April 11: Head in the Clouds in Santa Rosa

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Do you find yourself still gazing at clouds in the sky like a kid on lazy summer afternoons? Do you still get creative in deciding what shapes those clouds look like, or wonder how they form? You may be a cloudspotter, and you’re not alone. This month, Sonoma Land Trust hosts ‘Look to the Skies,’ a presentation from Gavin Pretor-Pinney, founder of the Cloud Appreciation Society. Learn the value of engaging with the sky and why cloudspotting is the perfect antidote to the stresses of the digital world on Wednesday, April 11, at Finley Community Center, 2060 W. College Ave., Santa Rosa. 7pm. $10–$15. sonomalandtrust.org.

Spotlight on Santa Rosa

Santa Rosa comic artist Brian Fies tells his fire story

Brian Fies and his wife, Karen, fled from the Tubbs
fire early in the morning of Monday, Oct. 9. They carried only what they could grab in a hurry. The next day, Fies, 57, came back to Mark West Estates to see if his house was still there. He found nothing but smoke and ash.

In that regard, Fies is no different from thousands of other North Bay residents who lost their homes in the worst wildfires in California’s history. The only thing that sets him apart is that, after seeing the burnt remains of his house, Fies, a professional cartoonist, almost immediately sat down to write a comic about it.

“Frankly, it was the first thing that occured to me,” he says.

In the months since, Fies’ short online comic, “A Fire Story,” has gone worldwide. Major publications, such as NPR and KQED, have featured the story, and it has gotten praise as a poignant and accurate account of what thousands of people in and around the North Bay are going through.

“That’s the reaction that touches me the most,” Fies says, “when somebody says, ‘I didn’t understand what this was like until I read your comic.'”

Fies’ contemporaries in the Bay Area agree. “I think he went a long way toward explaining how all of Santa Rosa felt about those fires in a really effective, graphic way,” says Stephan Pastis, Fies’ friend and creator of the daily comic Pearls Before Swine. He “distilled it all really simply.”

This is not the first time Fies has written a comic about something deeply personal and meaningful to him. His first graphic novel, the Eisner Award–winning Mom’s Cancer, was a biography about his mother’s battle with lung cancer. Fies says he writes such stories from a desire to report events, which he attributes to his background as a journalist, and as a way to cope with the loss.

“I experienced this extraordinary event,” he says, “and I have an obligation to tell the people
about it.”

Fies plans to expand “A Fire Story” into a full graphic novel, and detail the first couple of months after the fire; the original version spans a few days, plus another short entry three weeks later. The redrawn comic will also go into more detail on the day of the fire, such as the frustration he and his wife felt when they initially couldn’t get back to their property. He’ll also include the fire’s greater impact on the region, and other people’s stories of the event.

Fies’ wife, Karen, director of Sonoma County Human Services, says the comic “was a way for him to share his emotions and his experiences in a way that was best for him. I think that sharing it with everybody—starting with Sonoma County and then all over the world—has been very wonderful.” The comic is mostly about Fies’ initial reaction, but “A Fire Story” also depicts Karen’s efforts to aid survivors, even as she struggles with losing her home.

Some of Fies’ inspirations as a child were Charles Schulz’s Peanuts and Walt Kelly’s Pogo. He read a lot of Marvel and DC, and independent comics, as he got older. He’s also a big admirer of classic animation, such as Max Fleischer’s Superman cartoon from the 1940s. He’s even written a webcomic about a character from one of those cartoons, which have since become public domain.

After staying in Novato with their daughters, Laura and Robin, the Fies are back in the area and leasing a home in west Sonoma County. Fies says he and his wife plan to rebuild their home.

The graphic novel version of “A Fire Story” is still a work in progress, but Fies says to look for it next year.

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LOCAL KNOWLEDGE

Treehorn Books’ Thomas Ziemer has a read on Santa Rosa

Describe your perfect day in Santa Rosa.

My perfect day would be going on a hike in one of the surrounding parks. All of the parks and hiking trails in Santa Rosa are beautiful, but the Trione-Annadel State Park is my favorite because I used to live nearby and know those trails the best. The views are simply wonderful, the trails are fairly dense and you can see a lot of random wildlife.

Where is your favorite place to eat in Santa Rosa and why?

I am a huge fan of Indian food, and there’s a place not too far from my work, Kafal, that stands out as my favorite. I keep coming back to this restaurant simply because the food and service are amazing.

Where would you take first-time visitors in Santa Rosa?

I would take first-timers to Atlas Coffee, a hidden gem for relaxation. The shop’s quiet ambiance is perfect for settling down with your favorite book. I mostly go to Atlas to unwind, but my drink of choice to pair with a good read is their pour-over coffee.

What do you know about Santa Rosa that others don’t?

Even though a majority of Sonoma County and Santa Rosa residents know this, those less familiar with the area would not know that before the wineries were here, and before new ones sprouted throughout the city, there were several ground seed apple orchards, especially in the Sebastopol area.

If you could change one thing about Santa Rosa what would it be?

I was born and raised in Sonoma County, having lived in Santa Rosa for a while now, and the prices for rent and housing have always been on the higher side. If there was one thing I could change about the city it would be to offer more low-incoming housing and lower the rent prices. I am around the appropriate age to move out of my parents’ house, but I cannot branch out and find a place of my own because I cannot afford to. The devastating fires we experienced in October did make the prices increase astronomically, to a degree that it is impossible.—Sierra Sorrentino

Treehorn Books, 625 Fourth St., Santa Rosa. 707.596.3845.

Roll Over, Mozart

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In Peter Shaffer’s Amadeus, Count Franz Orsini-Rosenberg assesses Mozart’s Marriage of Figaro with the criticism that it has “too many notes.” Cinnabar Theater’s current production suffers from the opposite—it’s missing a few.

Amadeus is actually the story of Antonio Salieri (Richard Pallaziol), the most celebrated composer of his time. Salieri has dedicated his life to God and mankind in gratitude for God granting him the gift of musical talent. Enter Wolfgang Amadeus Mozart (Aaron Wilton), a crude, boorish reprobate, whom God has gifted with musical genius—for reasons Salieri can’t fathom. Salieri, feeling mocked by God and unhinged by what he sees as a betrayal, seeks revenge on Him by destroying His vessel. He will bring about Mozart’s ruin while seeming to be his friend, but he destroys himself in the process.

Shaffer’s historical fiction won Tony awards for Best Play and Best Actor in a Play (Ian McKellen), and the film adaptation matched that with Oscar wins for Best Picture and Best Actor (F. Murray Abraham). Both Pallaziol and Wilton have their moments as Salieri and Mozart, with Pallaziol at his best when Salieri is at his most duplicitous. While Wilton succeeds in bringing a high level of obnoxiousness to his Mozart, there’s little chemistry displayed in scenes he shares with Rose Roberts as Mozart’s wife, Constanza.

Chad Yarish leads an uneven supporting cast as the amusingly befuddled Austrian emperor Joseph II, with Tim Setzer also effective as the pompous Count Johann Kilian von Strack.

Director Jennifer King, usually reliable and inventive, really falters here, as does scenographer Peter Parish. Parish brings little more than a few platforms and some haphazardly hung drapes to a play whose settings include an 18th-century Viennese palace. A large center scrim used occasionally for shadow projections went curiously unused for most of the production.

Parish’s lighting design was also lacking, really only effective in a scene where Salieri collapses in frustration after he reads page after page of Mozart’s compositions and finally succumbs to his genius.

Skipper Skeoch’s period costume design had to do double-duty in providing a sense of time and place, with wigs and makeup by Jolie O’Dell also providing nice atmospheric support.

The show concludes with Salieri, speaking for all “mediocrities” in the world, absolving them. Sadly, that’s not in my power here.

Rating (out of 5): ★★½

Meet the Maestro

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Ever since late 2015, when Santa Rosa Symphony conductor and music director Bruno Ferrandis announced his plan to step down from the podium after the 2017–18 season, the symphony has searched the globe to find his successor.

Last week, they selected 30-year-old Francesco Lecce-Chong, who begins his tenure with the orchestra next season.

“I’m feeling fantastic,” Lecce-Chong says.

Born in San Francisco, Lecce-Chong is a rising star in the classical world. He is currently also conductor of the Eugene Symphony in Eugene, Ore., and this summer he wraps up his stint as associate conductor of the Pittsburgh Symphony Orchestra.

Last October, Lecce-Chong came to Santa Rosa to meet the community and conduct the orchestra for three concerts as an audition. That audition ended with heartbreak when the last concert was canceled after the fires broke out in October. “I came to care so much about the community and the people here,” says Lecce-Chong. The fire “was one of the most awful things I’ve ever experienced.”

Now that he is returning to the region as the Santa Rosa Symphony’s music director, Lecce-Chong says he is committed to helping the healing process after the fires. “That’s what a symphony does so well, what music does so well,” he says. “It gives us a chance to bring people together, and I’m grateful for that opportunity.”

Lecce-Chong is also excited about expanding the community’s access to music. “I’m passionate about making sure that people of all ages and all backgrounds have a chance to experience what we do,” he says.

That sentiment is a major component of the symphony’s mission, and Lecce-Chong praises its youth orchestra as well as its various school and after-school programs. “It’s important that we not only invite kids to the concert hall, but that we go to them and offer our services,” says Lecce-Chong. “I want to be with an orchestra that has those priorities.”

Santa Rosa Symphony president and CEO Alan Silow calls Lecce-Chong the total package. “He’s incredibly talented and exuberant on the podium, inspiring both the orchestra and the audience,” Silow says. “And he has a genuine passion for what we do in music education. He’s eager to support that and build on that mission.”

Silow also notes that Bruno Ferrandis is marking his farewell with the symphony’s last two shows of this season. “This will be a great last opportunity to be with Bruno.”

Avatars

The 1980s-filia of Ready Player One is unsettling to those who don’t consider the 1980s a paradise lost. From the numerous references to Back to the Future, released in 1985, it’s clear that director Steven Spielberg considers this a particularly evocative film.

Ready Player One is set in the OASIS in 2044, a VR Imagination-land. It’s a place where the Chucky doll bursts through windshields and where King Kong smashes roadways during a Speed Racer tournament in which, among the participants, are the light cycles from Tron.

Before game-master James Halliday (Mark Rylance) dies, he
deeds the OASIS to whoever can find three hidden keys—”invisible keys in a dark room.” This Willy Wonka–like challenge attracts Ohio’s Wade Watts (Tye Sheridan), an orphan in a trailer park stacked skyward. Wade named his avatar Parzival in honor of the seeker of the Holy Grail.

But the OASIS is in danger of being taken over by the much-loathed Innovative Online Industries, chaired by evil capitalist Nolan Sorrento (Ben Mendelsohn) and his crew. These evildoers operate a debtor’s prison/slave labor colony for those who’ve lost their money wagering on the games.

Spielberg wouldn’t be Spielberg if he didn’t know how to make this galaxy of pixels alluringly strange, a wow-machine jam-packed with cool stuff. One sub-realm is a recreation of the Overlook Hotel from The Shining. It’s highly funny when Aech (Lena Waithe), whose avatar is a jumbo robot, bears the brunt of the maze. Not knowing the plot of that scary movie, she presses the elevator button and is wiped out in torrent of blood.

The quest could be about love, but it’s more plausibly about getting out of that single-wide trailer. If viewers end up uninvolved as this box of recycled toys is emptied out and shaken, it’s due to the film’s synthetic quality, which can leave you cold: with all these avatars, it’s like there’s no skin in this game.

‘Ready Player One’ is playing in wide release in the North Bay.

Write Now

Established in 1975, the North Bay– based Redwood Writers is the largest chapter in the statewide California Writers Club, and serves the local literary community through events, workshops and contests, as well as an annual anthology.

For the past 10 years, members of Redwood Writers have gathered all their resources each spring to host the popular Pen to Published Conference on Saturday, April 21, in Santa Rosa.

This full-day conference is the place for North Bay writers to get insight from keynote speakers, including publisher and author Brooke Warner (pictured), who will talk about the importance of creativity in today’s climate of fame over merit, and television writer and producer Ellen Sandler, who will share her personal experiences in TV and give advice on how to open the doors to writing for television.

New this year, the conference features a lineup of in-depth workshops that focus on writing fiction, nonfiction and memoir. Also new this year, one-on-one coaching is available from experts in the publishing world. Healdsburg’s Raven Players even get in on the action with a lunchtime performance of Shakespeare’s most famous scenes.

The Pen to Published Conference happens on Saturday, April 21, at Finley Community Center, 2060 W. College Ave., Santa Rosa. 8am to 5pm. $135–$175. Pre-registration required. redwoodwriters.org.

Arts Hub

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Santa Rosa art lovers love the city’s South of A Street Arts District (SOFA) that’s nestled northeast of the Highway 101 and 12 interchange, and which houses an eclectic amalgamation of art galleries, studios, performance spaces and shops.

At the heart of the district is the spacious Chroma Gallery, established in 2014 by artist and Village Art Supply founder and former owner Simmon Factor. “I decided to form a gallery because there wasn’t anything like what I envisioned happening in Santa Rosa,” says Factor. With Chroma Gallery, Factor has curated some 35–40 group art exhibits featuring local talents, offered classes and hosted concerts both in the gallery space and outside during SOFA’s monthly First Friday Open Studios events. “We’ve served a real function in the community,” he says.

While Factor has long been immersed in the community as an artist, instructor, curator and gallery owner, his vision is larger than that. This year it comes to fruition when the Chroma Gallery transitions into the Santa Rosa Arts Center, acting as a resource for art, music, film and literary shows, lectures, classes and more.

“I’m at the point where I wanted to pull back a little on managing the art gallery, and I discovered that by getting a fiscal sponsorship we could get nonprofit status,” says Factor. In September, Factor received sponsorship from Santa Rosa–based Inquiring Systems Incorporated and officially formed the Santa Rosa Arts Center as a nonprofit, one month before the fires.

While that disaster delayed
the Arts Center’s plan, it also re-committed Factor to the mission of enriching the community through the arts. Earlier this year, Santa Rosa Arts Center hosted its first show, “Healing by Art: After the Fires.”

“We were inspired to create an event for the community that we hoped would help in the healing process,” says Factor, who estimates that nearly a thousand people viewed the show. The center will host a second fire-related exhibit this summer, “Healing by Art: Landscape & Memories,” which Factor hopes will encourage the community to see the fires as a transformative tipping-point for the physical and cultural landscape of Santa Rosa. “We need to look back to look forward,” he says.

This week, Factor welcomes the community to the center with the inaugural “Santa Rosa Arts Center Members Show,” featuring works from several local artists. Membership to the center is open to all, and only requires a $30 (or more) donation. Workshops and events will, for the most part, be open to the public.

Factor says the venue will retain the name Chroma until next February when the Arts Center will officially take over the name on the building’s lease.

“Everybody knows the name ‘Chroma Gallery,'” he says. “Now we have to create the story of the Santa Rosa Arts Center. “

Villaraigosa, Pt. 2

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In a field with six major candidates for governor, Antonio Villaraigosa, who once served as the State Assembly speaker, is locked in a dead heat with Lt. Gov. Gavin Newsom, according to the most recent polls.

Last month we reported on his views around housing. We recently caught up with him for a second conversation, this time on immigration, healthcare and ethics.

Bohemian: If you were governor right now, how would you respond to Attorney General
Jeff Sessions’ lawsuit against California over its immigration policies?

Villaraigosa: I’d do what Gov. Brown did. I’d say that you’re not welcome in our state when you misrepresent what we’ve done in California. There’s nothing in the California Values Act that says if people commit violent crimes, they won’t go to jail. They will go to jail. They are going to jail.

The biggest reason [Sessions] came to California is, for almost a year now, he has been under almost a weekly assault from Donald Trump, criticizing how he’s carried out his duties as an attorney general. He’s struggling, fighting to keep his job, so he came here to California to curry favor with his boss.

You’ve advocated for creating a public option for healthcare. How is that better than trying to build a single-payer system from scratch?

First of all, I supported universal healthcare my entire life. SB 562 is legislation that essentially articulates the goals of a state-paid-for healthcare system that would end Medicare and Medi-Cal as we know it; eliminate all insurance-based healthcare plans, including Kaiser; require a federal waiver from Donald Trump, who wants to eviscerate the Affordable Care Act [ACA] and Medicaid; and cost at least $200 million, assuming you could suspend Proposition 98. And you’d have to suspend it each year, and you’d have to pay back to community colleges the money that would have gone to them. So it’s really a $400 million price tag. So I’ve asked Gavin Newsom, who’s tripled down on SB 562, to debate me on this issue.

The number one issue for the next government is to protect the ACA. In California, we need to do the following: one, restore the individual mandate at a state level; two, we need to focus on prevention to a much greater degree; three, we need to look at best practices here and around the country—Cleveland Clinic, Kaiser—where we can adopt cost-containment measures, to drive down the spiraling cost of healthcare. It’s not just a public option; it’s a public option, along with the exchange, along with what we currently have right now.

You paid fines in 2011 for ethics violations for accepting free tickets to high-profile events during your time as mayor. How can you convince voters that you have the ethical standards to be governor?

Before I was mayor, everybody on the powerful commissions—the airport commission, the port commission, the planning commission, community redevelopment—mayors used to put people in those positions that raised money for them. I signed an executive directive my first day in office prohibiting my appointees on any commission, including those powerful ones, from being able to raise money or contribute to the mayor.

What I was fined over was an issue that, prior to me, no one had ever been fined for, and I’ll tell you why. In my case, if I went to a game, a concert, and they gave me tickets, I would have to report them, and I always did. I was speaking at all these events. At every one of these events, I was speaking. Only once in a great while did I actually stay at those events.

Expunge

Unlike the office’s current occupant, each of the three candidates for Marin County District Attorney this year supports a push to proactively expunge old misdemeanor pot charges.

San Francisco District Attorney George Gascón said in December that he was moving to expunge thousands of cases in that city. Sonoma County District Attorney Jill Ravitch initially said that she wouldn’t be following Gascón’s lead, but reversed course. She is up for reelection this year in a county that has seen a rough rollout of Proposition 64, despite vast interest in cashing in on legalization.

In Marin County, which has not embraced legalization, outgoing DA Ed Berberian is under no such political pressure, and said last month that he didn’t have the staff to take on the expunging of cases. The candidates for his seat say they’ll find a way.

Anna Pletcher (pictured) views the expungement issue through the lens of a failed War on Drugs. She says she would move to expunge misdemeanor pot cases and take the extra step of bringing the process out into the community—specifically, the community of Marin City, whose population is roughly 40 percent African-American. “This is a racial-justice issue in my view,” says Pletcher, a former lawyer at the Department of Justice. Pletcher said she would “table” with the public defender in Marin City: “The purpose in proactively expunging the cases is this: to undo the damage done by the war on drugs.”

Lori Frugoli has worked at the Marin County District Attorney office for 27 years, and the deputy district attorney says that she,
too, favors proactively expunging low-level pot convictions. She emphasized that “I would want to carefully review the cases to ensure they did not involve firearms or sophisticated sales operations involving large quantities of cash or proceeds. Those cases would require more scrutiny.”

Frugoli says she would go to the county Board of Supervisors to make sure she had the staff as she noted that requests for expungement are piling up. “Our public defender’s office has a robust expungement program with dedicated staff who research cases and file expungements on a regular basis. Often, we are unable to keep up with the motions’ response dates due to the number of requests.”

A. J. Brady is also a currently serving assistant district attorney in the county, and says Proposition 64 provides an opportunity for DA’s to affirmatively call up data “rather than waiting for people to file petitions.” Brady noted that it would be easier to call up more recent cases, since the county has a mixed digital and analog system, and the digital system only goes back to the early 2000s. Anything before that, he said, exists as paper files and would require more labor and time to review. I couldn’t commit to something that would destroy our staffing, but we could make a spreadsheet. It’s the job of the Marin elected DA to do this.”

April 7: Literary Leap in Santa Rosa

Written works come alive when Off the Page Readers Theater troupe performs. Dedicated to supporting local writers and featuring local actors, the group takes selections of prose and poetry and transforms them into staged shows that often revolve around a theme. This month, Off the Page offers a special new show in which they adapt a poem, “500 Days,”...

April 11: Head in the Clouds in Santa Rosa

Do you find yourself still gazing at clouds in the sky like a kid on lazy summer afternoons? Do you still get creative in deciding what shapes those clouds look like, or wonder how they form? You may be a cloudspotter, and you’re not alone. This month, Sonoma Land Trust hosts ‘Look to the Skies,’ a presentation from Gavin...

Spotlight on Santa Rosa

Santa Rosa comic artist Brian Fies tells his fire story Brian Fies and his wife, Karen, fled from the Tubbs fire early in the morning of Monday, Oct. 9. They carried only what they could grab in a hurry. The next day, Fies, 57, came back to Mark West Estates to see if his house was still there. He found...

Roll Over, Mozart

In Peter Shaffer's Amadeus, Count Franz Orsini-Rosenberg assesses Mozart's Marriage of Figaro with the criticism that it has "too many notes." Cinnabar Theater's current production suffers from the opposite—it's missing a few. Amadeus is actually the story of Antonio Salieri (Richard Pallaziol), the most celebrated composer of his time. Salieri has dedicated his life to God and mankind in gratitude...

Meet the Maestro

Ever since late 2015, when Santa Rosa Symphony conductor and music director Bruno Ferrandis announced his plan to step down from the podium after the 2017–18 season, the symphony has searched the globe to find his successor. Last week, they selected 30-year-old Francesco Lecce-Chong, who begins his tenure with the orchestra next season. "I'm feeling fantastic," Lecce-Chong says. Born in San Francisco,...

Avatars

The 1980s-filia of Ready Player One is unsettling to those who don't consider the 1980s a paradise lost. From the numerous references to Back to the Future, released in 1985, it's clear that director Steven Spielberg considers this a particularly evocative film. Ready Player One is set in the OASIS in 2044, a VR Imagination-land. It's a place where the...

Write Now

Established in 1975, the North Bay– based Redwood Writers is the largest chapter in the statewide California Writers Club, and serves the local literary community through events, workshops and contests, as well as an annual anthology. For the past 10 years, members of Redwood Writers have gathered all their resources each spring to host the popular Pen to Published Conference...

Arts Hub

Santa Rosa art lovers love the city's South of A Street Arts District (SOFA) that's nestled northeast of the Highway 101 and 12 interchange, and which houses an eclectic amalgamation of art galleries, studios, performance spaces and shops. At the heart of the district is the spacious Chroma Gallery, established in 2014 by artist and Village Art Supply founder and...

Villaraigosa, Pt. 2

In a field with six major candidates for governor, Antonio Villaraigosa, who once served as the State Assembly speaker, is locked in a dead heat with Lt. Gov. Gavin Newsom, according to the most recent polls. Last month we reported on his views around housing. We recently caught up with him for a second conversation, this time on immigration, healthcare...

Expunge

Unlike the office's current occupant, each of the three candidates for Marin County District Attorney this year supports a push to proactively expunge old misdemeanor pot charges. San Francisco District Attorney George Gascón said in December that he was moving to expunge thousands of cases in that city. Sonoma County District Attorney Jill Ravitch initially said that she wouldn't be...
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